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The Sword And The Animus

28/03/2016 08:26

The Sword And The Animus

 

Carl Gustav Jung (1875-1961) was the developmental psychologist whose influence on the 20th century and beyond was most significant for his theory of individual growth through knowledge of the reasons for behavior. Jung based his theory of individuation on the analytical psychology of the `father` of psychoanalysis, Sigmund Freud (1856-1939), who argued that women were the victims of `penis envy` in their relationships with men. Freud`s other contribution to psychology was the Oedipal `complex`, which characterized the relations between men and boys, who wanted to replace the father in the mother`s affections. Freud`s usage of the term `Oedipal` derived from the Greek dramatist Sophocles` Oedipus Rex (c. 429 B.C.) in which a son, Oedipus, is depicted as unwittingly killing his father, Laius, before unknowingly marrying his mother, Jocasta, to become king of Thebes. Freud`s main contribution to psychological theory was his concept of the `id`, which he suggested contained all of the previously conscious material that the individual was unwilling to accept as belonging to the personal consciousness and repressed into unconsciousness. Freud argued that the whole of art, civilization and culture was `nothing but` a manifestation of the repressed penis. Part of Freud`s `Vienna school` of psychology founded by the analyst, Jung split from his mentor and founded his own `Jungian school` based on the concept of the `projection making factor` of the archetype of the Self, which he argued existed in an unconscious state as a facultas praeformandi waiting to become conscious as the individual developed. According to Jung the archetype of the `Self` was indistinguishable from what had been described as God, and existed as a collection of archetypes within the unconscious that appeared as images and symbols arising within dreams, art and imagination impelling individual development. As an instance of projection Jung gave as an example what he called the shadow or `personal unconscious`, which was projected when the individual falsely perceived another as inferior, although the inferiority lay with the projector of the unconscious content. Jung argued that the collective unconscious contained a colllective shadow and the building of `death camps` for the Jews by the German Nazis in the 1930s was an instance of the manifestation of the collective shadow insofar as the Germans perceived the Jews as inferior, whereas the inferiority lay within the German psyche. According to Jung the personal shadow could be recognized and integrated into the individual psyche by assisting the ego to understand where the feelings of inferiority lay and so reduce their negative effect on development. The soul of a man Jung saw as being often contaminated by the shadow, which gave rise to feelings of homosexuality, because the image of the soul was female, and so she was often repressed into unconsciousness by the male ego, although introjected into consciousness the anima functioned as a guide through individual growth. According to Jung a woman represented the possibility of a growth experience, but the projected shadow-anima complex resulted in the individual having a relationship with the soul or anima as a  projection contaminated by the shadow, rather than a woman, while recognition and integration of the shadow within the relationship resulted in introjection of the anima as the guiding soul. Women were different in that they had an animus which was characterized as a throng of male admirers that caused the woman to see herself at the center of a circle of wooers she needs must relate to in order to live successfully later within a framework of relationships supportive of her future role as a mother. Jung`s description of the relations between men and women was of the shadow-animus complex projecting its poison of illusion, while the woman`s shadow-animus complex drew its sword of power. Sword and sorcery movies followed this pattern of a male figure with a sword representing the woman`s animus symbolically while the women in the plot were anima figures symbolizing the hero`s defended or imperiled soul.

 

 

 Raiders Of The Lost Ark (1981) was the movie starring Hollywood Babylon movie actor Harrison Ford who often relates the tale of how he was due to record a scene with an Arabian swordsman who`d trained for months for his appearance but the production team didn`t have time for the full sequence and so Ford shot the swordsman as his character Indiana while he was brandishing his sword in preparation for the swordfight. The swordsman was perceived as inferior, because Ford had a gun, although Jungian psychology argues that projecting inferiority onto others is a sign of inferiority within the individual who is projecting his shadow. Consequently, the cinema theater audience represent a collective shadow constellated by Ford`s treatment of the Arabian swordsman as inferior, which may have contributed to a global projection of the collective shadow onto Moslems in Islam. Ford`s character Indiana was his second role in a successful movie series after Han Solo in the Star Wars franchise that began in 1977 with Star Wars IV: A New Hope in which he acted the role of a hero defending Princess Leia, the leader of the Federation against the evil Empire. Because he wasn`t defending a woman when he shot the swordsman the scene had significant repercussions for the woman`s animus contaminated by a collective shadow. Dressed in black robes the Arabian swordsman is a symbol of the women of Moslem Islam who wear the one-piece coverall of the burka and whose symbol in Jungian psychology is the sword, which represents the animus contaminated by the collective shadow in men`s wars against `woman`s seed`. Consequently, when Ford shot the swordsman he was shooting the woman, rather than defending her.

 

 

 Islam is based on the belief that Ishmael, its founder through his descendant, Mohamed, who received the Koran (610-30 C.E.) from the angels, had a legitimate birth, which is why Moslems are permitted four wives. Ishmael was the son of Hajer, the maid of Sara, who gave Hajer to Abraham when she became barren after the birth of Isaac, founder of Judaism. Christianity`s founder was the Jew, Jesus, who was born of his mother, the Virgin Mary, uncontaminated by male semen, because humans are: `Love your neighbor as you love yourself.` (Mk: 12. 31)  Jewish tradition is futanarian, that is, Jews are born only from women, because Jews are futanarian women. Eve is told by God her `seed` will have `enmity` with the `serpent`s seed`, although: `You shall crush the head of the serpent with your foot, but he shall bruise your heel.` (Gen: 3. 15) Futanarian women have penis` semen of their own and so can sexually reproduce the brainpower needed to crush the head of the serpent, who was the angel Satan transformed by God into a serpent for rejecting God`s plan that the human host would be greater than the angelic. Placed in Eden Satan tempted Eve to `eat of the tree of the knowledge of good and evil`, that is, death, saying `You shall be as gods.` (Gen: 3. 5) Expelled from Eden by God, the first man, Adam, is told he must work while Eve, the first woman, will experience labor pain before Redemption, which is why Jesus` mother is depicted in Christian iconography crushing the head of the serpent with her `foot`, because she represents futanarian `woman`s seed` that can produce humans from the host womb of the species without male semen. Eve and Adam rejected God`s `fruit of the tree of life`, which is immortality, for ephemerality, that is, host womb slavery in blind unconscious ignorance, because ephemerality isn`t time enough for knowledge of how to escape the slaver. Consequently, women`s futanarian capacity for sexually reproducing the brainpower of the human species with each other to produce the medical science necessary to confer immortality and the technology of escape to colonize the planets amongst the stars of heaven is Redemption from the sinful nature of men`s parasitism upon the host womb. Preventing `woman`s seed` from escaping by waging expensive wars upon her Earth, while the `incurable killer disease` of the late 20th century, HIV/AIDS, spread through men`s mixing of blood, shit and semen in each others` anuses in mockery of `woman`s seed`, was symptomatic of what parasitology calls the parasitoid devouring stage of parasitism where the human host is extinguished by the viral life form to prevent its `seed` from escaping its `biological warfare` of boy sons, that is, poisons, manufactured in homosexuality in pederasty at least since the ancient Greeks institutionalized women`s host womb slavery for the spread of warfare to nearby city states. As a consequence of the repression and subjugation of `woman`s seed` in slavery for parasitoid devouring in warfare, men who can`t sexually reproduce with each other have abrogated 50% of the democratic vote based on the Greek model of democracy, whereas women who can sexually reproduce with each other apart from the HIV/AIDS transmitter are kept faithful in monogamous ring slavery through fear of men`s `biological weapon` of HIV/AIDS` `blood plague` (Rev: 11. 6): `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was wage war on `woman`s seed` and keep her in fearful faithfulness to their ring slavery for parasitoid devourment in war by creating HIV/AIDS in each others` anuses by way of a sterile rejection of life: `And the dragon was wroth with the woman, and went to make war with the remnant of her seed.` (Rev: 12. 17) Because a woman has her own penis, Harrison Ford`s shooting of the swordsman in Raiders Of The Lost Ark is a confrontation between the animus of a woman and the male ego, which either does or doesn`t know about `woman`s seed`. As a woman has her own penis, the sword is its symbol, which means that Ford`s character, Indiana Jones, kills her because he doesn`t want her to show her penis to him, which is why the Moslem women in Islam wear the one-piece coverall of the burka. Western imagery transmitted by the Hollywood Babylon movie, video, and `TV` industry promotes penisless women, because `woman`s seed` has been killed in the West, whereas in the supposedly authoritarian Moslem nations in Islam the four wife marriage affords the possibility of sexual reproduction between women, and therefore human democracy, because men don`t sexually reproduce with each other. Although secular and religious dictatorship is prevalent in Moslem Islam it`s because men are parasites, but the framework for sexual reproduction between women and democratic institutions based on `woman`s seed` is Islamic, whereas in the Western democracies `woman` is dead: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Hollywood was named for `a woman` of the Bible, Babylon, who gave her name to the capital city of the Persian Empire in modern Iraq, Babylon (c. 4000 B.C.), which ruins dictator Saddam Hussein could see from his summer palace at Hillah. Hollywood was called `Babylon`, because the President of the Motion Picture Producers and Distributors of America (MPPDA), Will Hays, established the `Hays code` (1930) to ban `woman`s seed` from cinema theaters and keep her futanarian race from escaping from host womb parasitism in slavery for the continuing filming of their parasitoid devourer war`s activities: : `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`1 The US ostensibly invaded Iraq in March, 2003, because Saddam Hussein had used `biochemical weapons` against the Kurd population there. In 2016 the Turkish government was still endeavoring to crush Kurd resistance in Turkey, whereas the Kurds whose population was spread between the nations of Iraq, Iran, Syria, Turkey and Armenia, represented the human ideal of a state without borders. Saddam was executed on December 30, 2006, although as a metaphor for poisons, `biochemical weapons` are boy sons, so Hussein was using them for what Hollywood Babylon`s propaganda media industry Empire had taught him they were for, because that`s why Babylon was labeled `abomination` by the Bible, while Saddam Hussein, whose name means `small handsome man` and `crusher`, represents an Arabian `leading man` endeavoring to `crush` Western feelings of superiority based on the false assumption that their social and political system is better for not having any women in it.

 

 

 Conan The Destroyer (1984) with ex-Mr Universe, bodybuilder Arnold Schwarzenegger, in the leading acting role, alongside 15 year old actress, Miriam D`Abo, as Jehnna, features a stereotypical performance from a strong, square jawed male hero with muscles aplenty to carry the sword as a symbol of the woman`s absent penis, which has been cut off unannounced in the opening credits by the sword wielder`s viral form. Conan The Destroyer is a sword and sorcery movie with technology approaching the level of the Middle Ages to emphasize the need that the woman has to be protected, whereas in the 20th century Arnold`s carrying a sword along the local high street brandishing it protectively as a symbol of the woman`s severed penis would have seemed anachronistic. Consequently, the role of the swordsman in the sword and sorcery epic is logically that of the man keeping at bay the men who would prevent the woman from using her penis. Hollywood Babylon`s inability to make that explicit in mainstream media is the sign of its degeneracy, although for generations moralists` arguing for less sex explicit sex education has had a deleterious affect on serious human relations that could have resulted in later centuries` peace. The fallacy is that a man has to be strong to protect the woman`s phallus` see, which is her bred. In the Middle Ages Arabs were criticized for harems, whereas that`s where the women were bred. Moslem Islam`s affording four wives in each marriage represents the modern Arabian perception that all are equal and women can be bred. Although the perception in the West is that women were harem slaves, the concept is of `woman`s seed` bred for brainpower, which is why there are tales amongst the Eastern peoples of geniuses known as `genies` with `special powers` similar to Jesus` ability to bring the dead back to life and walk on water. Jesus` strength resided in his life`s teaching. Discovered by Judas, his disciple, being anointed by a woman with expensive perfume, Judas, who was known for stealing from the collection plate after a sermon, suggested the perfume be sold to raise money but Jesus demurred: `Leave her alone.` (Mk: 14. 6) Betraying Jesus as a `dissident` to the Roman Empire then occupying Jewish Palestine, for `thirty pieces of silver`, Judas gave Jesus over to the Jewish religious police, the Pharisees, who gave Jesus to the Romans who took him to the hill of Calvary outside Jerusalem where he was nailed to a cross of wood and left there to die but experience Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`. Consequently, Jesus was a hero to women but not physically strong enough to defeat the male brained the Roman Empire of parasitoid devouring, which is what irredeemable men are. In short, a modern era that persists in the bizarre belief that men should behave as though they`re the powerful severer of women`s penis in order to protect her, is an anachronistic abomination based on the notion, not that `the meek shall inherit the Earth`, which was Jesus` assertion, but that they won`t, because the woman doesn`t have a sword of her own amongst the cowards that have cut her penis off, so that she can`t ever have enough brains to remember.

 

 

 In 1001 Nights the framing device for the 8th century collection of tales is Shah Jehan`s beheading of his wife for believing that she was unfaithful with his brother, although the belief is unfounded in truth. The storyteller Scheherezade narrates a series of tales to keep Shah Jehan interested and so saves the women of the realm because it`d become the practice of the ruler to marry a new bride each day and behead her each evening. The meaning of the story is that men have beheaded the human species, because women`s penis is so rarified as to be invisible in the mass media. Scientists argue that viruses can be space borne so it`s possible that a viral life form carried through the cosmos arrived on Earth millions of years ago to inveigle its way into the host womb of the human futanarian species of woman and stole her penis to replicate itself as her devourer. According to paleontologists saurian evolution appeared on Earth 240 million years ago (240 Ma), whereas hominids appeared 220 million years later (20 Ma), during the Jurassic period of Earth`s history, which suggests that the story of the angel, Satan, turned into a serpent by God, and that became a devouring dragon, is a metaphor for a pre-human host of `angelic` saurian evolution, which is still existent as God`s angel host in heaven. The Bible predicts `war in heaven`, between God`s angels and Satan`s, although the battle between good and evil on Earth takes place on the plain of Megiddo near the port of Haifa in Israel, which culminates in God`s judgement of eternal unendurable pain as a punishment upon the evil, that is, their perdition, and the creation of a `new heaven and Earth` for the good.  In short, humans are subject to Satan`s angelic host, while God`s angelic host remain amongst the planets and stars, which Satanism seeks to prevent `woman`s seed` from reaching and so has killed her. Although transsexual surgery in the United States of America isn`t common it`s possible, whereas standard interventionist procedure to determine the gender one way or the other for a futanarian child is the norm. Consequently, although John Logie Baird invented `TV` in 1926, the US` single male brained creature wearing each others` clothes in `TV` transvestism had arrived as long ago as the Roman Empire`s building of huge amphitheaters to entertain its parasitoid devourer`s nature with killing people for entertainment even before the US built its cinema theaters and prepared its `snuff movie` video revolution whereby parasitoids could watch people recorded `live` being killed. Feigning `political correctness` over individuals who want to change gender, transsexuals or `trannies` represent a sop to the human futanarian species` desire for sexual reproduction, that is, the US` pretense is that they care about futanarian humanity`s `woman`s seed`, whereas `trannies` are valued less than `TVs` because, however the `trannies` sound, they don`t produce a good picture, whereas futanarian women in Hollywood Babylon could, because they look fabulous. Although Megiddo is depicted as a last battle between good and evil, it`s a metaphor for `make it do`, that is, coercion, and `make do`, which is to make the best of the materials available; for example, `trannies` and `TVs`. Consequently, humans will be absent from Megiddo, because only the evil and those retarded adults who`re blind ignorant and unconscious of Jesus` heroic teaching will be there. If humans want to be there then they`ll be blind ignorant and unconscious, which is why only the evil will be there. Futanarian `woman`s seed` are surgeried out of existence when born in the USA so Satanism is still killing humanity there, because Hollywood Babylon don`t want the humans to interfere with the filming.

 

1 TV Tropes, `Foot Popping`, https://tvtropes.org/pmwiki/pmwiki.php/Main/FootPopping/ .

The Hot Air Balloon Race

23/03/2016 22:39

Hot Air Balloon Race

 

To produce hot air without thought is a euphemism for brainlessness, but it is possible to be brainless while others perceive the speech produced as cogent. In the Bible Eve is told by God her `seed` will have `enmity` with the `serpent`s seed` because the angel, Satan, who was turned into a serpent by God and placed in the paradise of Eden, that is, heaven on Earth, for rejecting God`s plan that the human host should be greater than the angelic, tempted Eve, the first woman, to `eat of the fruit of the tree of the knowledge of good and evil`, that is, death, `You shall be as gods.` (Gen: 3. 5) Gods, because ephemerality effectively means brainlessness for a species that has no permanent memory for the operation and maintenance of the technology it develops. Although Eve is described as created by God from the rib of the first man, Adam, at his side, God`s words to Eve suggest she`ll be more than the `spirit of God`, which amongst the `chosen people` of the Bible, the Jews, is called `Shekinah`: `You shall crush the head of the serpent with your foot, but he shall bruise your heel.` (Gen: 3. 15) The crushing of the head of Satan is a metaphor for the greater brainpower developed by the human host for the permanent maintenance of developed technology in immortality, which Eve and Adam seem to have forfeited when they choose death rather than God`s `fruit of the tree of life`, which is immortality. God tells Adam he must labor while Eve will experience labor pain but Redemption will occur.

 

 

 

 In Christian iconography Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent, Satan, with her foot, because Jesus was born uncontaminated by male semen and so represents human futanarian `woman`s seed`, that is, women`s capacity as a single species to sexually reproduce with each other to produce the brainpower necessary to crush the head of Satan, which is a metaphor for host womb slavery in parasitism and the blind unconscious ignorance of ephemerality to a parasitoid devourer that consumes the human race to prevent it from reaching a level of permanent intelligence commensurate with its capacity for technological achievement, for example, immortality conferring medical science and the starships necessary to escape Satanism and colonize the planets amongst the stars of heaven above. When Jesus was taken to the hill of Calvary outside Jerusalem and nailed to a cross of wood where he died, he had Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`, which would produce the brainpower for the development of the technology and the permanent knowledge conferring immortality of medical science that would raise the human futanarian race of `woman`s seed` to the planets amongst the stars of heaven, rather than hot air: `Love your neighbor as you love yourself.` (Mk: 12. 31) Jesus` simple teaching resulted in his crucifixion as a `dissident` by the Roman Empire in Jewish occupied Palestine after his disciple, Judas, who was known for stealing from the collection plate after a sermon, saw a woman anointing Jesus` feet with expensive spikenard perfume and suggested that the oil be sold to raise money, but Jesus rebuked him: `Leave her alone.` (Mk: 14. 6) At what was called thereafter Jesus` `Last Supper` the human host gave `bread and wine` as symbols of his `body and blood` to the disciples in fellowship but, like Satan before him, Judas betrayed the human host for `thirty pieces of silver` to the Jewish religious police, the Pharisees, who gave Jesus over to the Romans for crucifixion, because the Jewish Messiah was `woman`s seed` and Judas didn`t want the human host to sexually reproduce the brainpower it needs to escape the evil male brainers` Empire of ephemeral slaves in parasitism for war`s parasitoid devourings.

 

 

 Parasitologists observe that parasites upon a host become parasitoid, that is, they devour the host, which is why the serpent, Satan, is described as `the worm of death`, and God wanted the human host to be greater than the angelic: `The dragon was wroth with the woman, and went to make war on the remnant of her seed.` (Rev: 12. 17) The `remnant` of the `seed` of woman are human futanarian women with penis` semen of their own for the sexual reproduction of liberating brainpower to crush the head of the serpent of male braining, which produces the `dragon` of war that is designed to slave humanity in ephemeral blind unconscious ignorance by preventing her from developing as a species distinct from the alien invader. Scientists` belief in viruses that are space borne suggests it`s possible that millions of years ago the human host womb was invaded by a viral life form that stole the `seed` of the futanarian human species to replicate itself parasitically and enslave the human race for parasitoid devouring in the wars against her that it waged for its entertainment, and that virus is what Jesus` teaching of Redemption for unredeemed men is designed to deal with: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) By the late 20th century what they`d done was reject `woman`s seed` in preference for mixing blood, shit and semen in each others` anuses in mockery of human sexual reproduction, which spread the `incurable killer disease`, that is, the HIV/AIDS` virus, described in the Bible as `blood plague` (Rev: 11. 6), through the Greek method of ensuring the alien vote won in every democracy by institutionalizing host womb slavery for pederasty in homosexuality for war against women`s futanarian humanity. Because women can sexually reproduce with each other whereas men can`t, futanarian humanity is the disenfranchised race on the planet Earth enslaved by a parasitical viral life form that devours the human host as an aspect of its parasitoid nature`s desire to maintain a brainless host for its replication and continuation. Without a parasite women`s single species would be able to produce starship colonization technology, and medical science and immortality, because it`s the parasitoid devourer`s wars to maintain the human futanarian race in blind unconscious ignorant ephemerality that prevent her, that is, wars are an alien invader`s and constitute a viral life form`s attack on the human host designed to enslave and ultimately extinguish the species, which Satanism encourages.

 

 

 Although `air head` is a derogatory term in the United States of America applied to suggest brainlessness, or rather stupidity, without `woman`s seed` to restore the imbalance in terms of men`s psychopathology deriving from the parasitological nature they evince in their dealings with the human futanarian host, which is that of a parasite in the stages of parasitoid devourment of the host, male braining effectively has produced a race without its own brain. Essentially, male braining is a manufacturer of a single male brained creature wearing each others` clothes in transvestism, that is `TV`, which is the `home entertainment` medium devised since the huge amphitheaters of the Roman Empire featured mass killing. Consequently, Judas` `thirty pieces of silver` was his payment for assisting the Roman Empire to develop TV by preventing Jesus, that is, `woman`s seed` uncontaminated by male semen, from proselytizing the sexual reproduction of brainpower between women as a single species; to escape `TV war`: `At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30) Jesus` teaching was that the human species would be like the angelic host in heaven, because God wanted the human host to be greater than the angelic, while the serpent, that is, the parasitical worm in Eden, represented the saurian nature, which lived on Earth (240 Ma) before hominids began to develop 20 million years ago, and had wings, because angels have wings. Wings would afford such creatures the capacity to escape the parasitoid devouring saurian nature. Consequently, wings are a symbol of intelligence, while the `dragon` of Jesus` disciple John`s prophetic Revelation, which forms a part of the New Testament of the Bible based on corroborative stories of the main elements of Jesus` life by the disciples, Matthew, Mark, Luke and John, represents war against `woman`s seed` with its evil wings; for example, the B1 and B2 `Spirit` bombers of the USA symbolizing the first and second beast of Revelation: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) Armaments improve through use, and so beast # 1 and 2 (B1 and B2) represent the improved wings of evil in opposition to the Holy Spirit Jesus taught would teach after him. When Jesus died the Roman guard Longinus pierced his side with a spear in what amounted to a `caesarian section`, which is a gynecological procedure when a child is born surgically, so Jesus as the `Second Adam` after the first man, Adam, in Eden, from whose side was created Eve, who corresponded to the `spirit of God` that is, the Shekinah of Jewish tradition, was expected by the Roman Empire to emerge from the side of Jesus as the `Second Eve`, which is why Jesus was effectively mocked as the new Empress: `Surely, this was the son of God.` (Matt: 27. 54) Because Eve`s `seed` represent the future of the human host greater than the angelic host`s wings, men`s parasitoid nature as winged devourers through war in the guise of the `Spirit` bombing B1 and B2 `beasts` of Revelation represent the evil wings of Satanism that prevent `woman`s seed` from leaving the Earth to escape and label the US as Satan:

 

`Day of judgement God is calling,

On their knees the war pig's crawling.

Begging mercy for their sins,

Satan laughing spreads his wings.

 

Oh lord yeah!`1

 

 

 Popular recording artists Black Sabbath`s lyrics to the song, `War Pigs` (1970), seem simplistic but they`re true. Although late 60s progressive music was criticized, it represented progress. Accused of Satanism, for instance, the group Black Sabbath`s lyrics often penetrated to the heart of the political and spiritual reality, which is that `woman`s seed` isn`t judged by God, but rather the parasite in unredeemed parasitoid devourment of the human race enslaved for homosexuality in pederasty for war against her. Although the saurian nature of Satan is described in Genesis as being that of the serpent without wings, its evil nature is depicted in Revelation as the winged dragon, whereas the angels of God retain their winged natures, which suggests that the angels of God were saurian, or saurian nature is a debased angelic`s, whereas humans represent an improved host for the `spirit of God`, that is, the Shekinah, who is the Holy Spirit of Eve`s seed` that the `Spirit` bombers don`t want to escape host womb enslavement in ephemeral parasitism so that their `TV wars` upon the Earth`s human race can continue to keep it pedestrian. Or, in more colloquial terms, couched as a symbolic potato, it has a role, and before the TVs switch on to the fact that they`ve had their chips, and the gamblers didn`t win, according to God, the human futanarian species of `woman`s seed` can see the designs the Satanists had on their ships before her `remnant` rises rested from the place where she was couched: `The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent's reach.` (Rev: 12. 14) The winged woman can escape the winged dragon of the war of the serpent, that is, death, upon her, with the wings of eagles, or of any other winged form that represents good intelligents before God, whereas Satanists insist on the image of man, which is winged death upon the Earth, although God`s promise to Eve is that Adam must labor, while her `seed` will have `enmity` with the `serpent`s seed`, while she experiences labor pain. Jesus` Resurrection after death and Ascension to heaven is angelic insofar as ascent implies wings, which signifies escape from the worm, death, so any creature with the intelligence to leave Earth without evil is definable as human and good. Consequently, US President Ronald `Ray Gun` Reagan`s March, 1983, `Strategic Defense Initiative` (SDI), which was labeled `Star Wars` after the movie Star Wars (1977) featuring the `Death Star` of an Evil Empire that orbited planets and killed them, was a `ground and space based missile system` designed to prevent a human host greater than the angelic from escaping: `One small step for a man, one giant leap for mankind.`2 Although US Apollo 11 astronaut, Neil Armstrong, was the first man to set foot on the moon, he wasn`t futanarian `woman`s seed`, which `remnant` remains imprisoned upon the Earth with the promise of God`s Redemption and a home amongst the planets and stars in her future away from slavers` parasitism and parasitoid devourment of her species.

 


 

 Britney Spears` `Oops! ... I Did It Again` (2000) video for the song features an encounter between an astronaut wearing a spacesuit similar to the one worn by the Apollo astronauts during the successful North American Space Administration`s (NASA`s) Apollo Space Program and the pop music star. Called `Mars lander` by `Mission Control`, who`re seen directing the NASA style spaceman`s progress across what the viewer therefore supposes is the red planet desert landscape of Mars, which was named for the Roman god of war, he discovers Britney Spears descending inside a giant`s ring on the stage set of a performance of `Oops! ... I Did It Again`, which seems to resume where Black Sabbath`s lyric to `war pigs` seemed complete, `Oh lord, yeah!`

 

`Yeah yeah yeah yeah yeah.

Yeah yeah yeah yeah yeah yeah.

I think I did it again.

I made you believe we're more than just friends.

Oh baby.

It might seem like a crush,

But it doesn't mean that I'm serious,

'Cause to lose all my senses;

That is just so typically me.

Oh baby, baby.`3

 


 

 Jesus` mother is told by God she`ll crush the head of the serpent, Satan, with her foot, and Jesus` mother, the Virgin Mary, is represented in Christian iconography as crushing the head of the serpent with her foot, that is, the human futanarian species of `woman`s seed`. Consequently, the Oops! ... I Did It Again` lyrics that describe Britney Spears` seeming friendship with someone who`s `a crush`, and which results in a `blackout` in terms of sensibility, that is, the `crush`, indicates a catastrophe that isn`t `serious`, so represents how `woman`s seed` crushes the head of Satan indifferently. Although God`s plan for Redemption places the onus upon her as the human futanarian host womb of the species to redeem human nature, as the `spirit of God`, and the children she produces from her body, whether `woman`s seed` or men`s, the objective requires her to `play the game` of Redemption, and to crush the head of Satanism with care; because she`s a species endangered by the `serpent`s seed`. Grown to full size since Eden, the dragon of war armed with intercontinental ballistic missiles (ICBMs), is sponsored by the global power of a USA that produces penisless women as a normative propaganda for the disenfranchisement of the futanarian human race while voting itself in as the species` exterminator:

 

`Oops! ... I did it again to your heart.

Got lost in this game, oh baby.

Oops! ... You think that I'm sent from above;

I'm not that innocent.`

 

 

 Satan, the angel `sent from above`, was transformed by God into the serpent in Eden after Satan rejected God`s plan that the human host of `woman`s seed` be greater than the angelic host. Consequently, Britney`s `game` is to crush the head of Satan, while appearing to play innocently, because the Bible teaches her to redeem men as Eve`s Holy Spirit, although she`s `woman`s seed`. Putting a hook into the backpack of the astronaut, Britney Spears in her red pilot`s suit hoists him up above herself in a white bikini dress, so that he can film her using the camera eye that links him with `Mission Control`, who`re directing his steps on the red planet, Mars. He symbolizes the male brained TV camera, while she`s the `air head` produced by heterosexuality in its manufacture of a single male brained creature wearing each others` clothes in TV transvestism. Consequently, the twin Britneys are red and white balloons, while the unrevealed spaceman`s presentation boxed gift has been descried by critics as `the heart of the ocean` blue diamond pendant in accordance with the red, white and blue of the USA`s national flag: `But I thought the old lady dropped it into the ocean in the end?` The old lady is 100 year old Rose who, at the beginning of the movie Titanic (1997), drops the blue diamond into the ocean at the point where the Titanic passenger liner sank on its maiden voyage from Southampton, England, to New York after hitting an iceberg on 15 April, 1912. Rose was aboard the liner with her fiancée, Cal, who she jilted for new beau, Jack, and Jack was lost while showing passengers to the lifeboats, while Cal, who`d put the diamond in Jack`s pocket to accuse him of theft, lived along with those men who`d thrown women and children out of the lifeboats to get into them instead: `All aboard!` A ship`s tannoy is heard as, wearing her red pilot`s suit and somersaulting through the air to stand transformed before the spaceman in white top and black skirt and boots to accept his gift, Britney`s symbolic red, white and blue is embroidered with respectful black for the English Rose, and looking down from where he`s been winched to film Britney Spears in her white bikini dress the spaceman`s camera eye perceives her lying upon a `compass rose`, which is the instrument used to steer a ship: `Wishing that heroes, they truly exist, I cry, watching the days.` Rose`s memoried experience in the Titanic film is tempered by Britney Spears` perception that, although Cal seemed irredeemable, Jack was, like Cal, a victim of male braining for the manufacture of a creature wearing each others` clothes in TV transvestism. However, maintaining men as children to pretend that they`re redeemed is what Britney Spears` spaceman in his astronaut`s romper suit represents.

 

 

 As the giver of the gift of `the heart of the ocean`, the spaceman is another balloon at the children`s party in his inflated suit suspended by Britney Spears from a hook in his backpack, which resembles the traditional piñata broken at parties to reveal the gift inside: `Well, baby, I went down and got it for you.` Britney`s allusion is to the pigs of the Pink Floyd, which appeared on Animals (1977) as `Pigs On The Wing`, the joke being the English idiom pertaining to impossibilities, `When pigs have wings.`4 The Floyd`s pigs appeared at concert venues as balloons, whereas piñata are hollow: `A shelter from pigs on the wing.`5 Black Sabbath`s `war pigs` correspond to the beastly `Spirit` bombers of the US, `Wondering which of the buggers to blame.`6 Britney`s astronaut in his balloon suit is a code to be cracked or broken, like Kit Williams` Masquerade (1979), an illustrated storybook providing clues to the location of a jeweled golden hare, which inspired the literary genre known as the `armchair treasure hunt`, and so the spaceman of `Oops! ... I Did It Again` is a hollow piñata for children, while `the heart of the ocean` blue diamond pendant is the equivalent of Williams` golden hare for those going aboard Britney`s ship:

 

`There is no pain, you are receding;

A distant ship smoke on the horizon.

You are only coming through in waves;

Your lips move but I can't hear what you're saying.

When I was a child I had a fever;

My hands felt just like two balloons.

Now I've got that feeling once again;

I can't explain, you would not understand:

This is not how I am.

I have become comfortably numb.`7

 

 

 In her red pilot`s suit and white bikini dress the Britney twins are the balloon hands aboard ship, and the spaceman in his ballooning spacesuit is the piñata representing the man that will be hollow if he doesn`t have a heart: `Britney, before you go, there's something I want you to have.` She can`t understand why he`d want to give it to her: `Oh, it's beautiful, but wait a minute, isn't this ..?` If it`s the `heart of the ocean`, he wants her to have a heart, that is, he isn`t a hollow piñata, whereas she suspends him by means of a hook in his backpack, as piñata are raised at children`s parties to be broken for the gifts inside. In her white bikini dress Britney looks as if she`s atop a birthday cake, which gives a reason for the gift. With `Oops! ... I Did It Again` video director, Nigel Dick, aimed at the `concept single` whereby a hit from Britney Spears would break the piñata in a magical procedure designed to effect a correspondence between unsuccessful CD sales and success. In the same way that a voodoo doll is made to correspond to the person that the maker wants to experience pain as he sticks his pins into the doll, so Britney`s spaceman balloon is to bring her success; if the single is a hit and the piñata is broken. Consequently, the `heart of the ocean` gift is a broken man`s, which is `the game` played by women who want men to believe in Redemption from their sin of slaving `woman`s seed`. The heart a man possesses mightn`t be good enough to save him from God`s judgement, which is `eternal unendurable pain for the evil`, that is, perdition, although the good will receive a `new heaven on Earth` as their reward, according to the Bible, so the heart has to be remade.

 

 

 With her marks of respect for the Titanic`s Rose, Britney corresponds to the dancer with the tinsel rose in Hans Christian Andersen`s story of `The Brave Tin Soldier` (1838) and the snuff-box with the goblin inside: `Tin soldier, don’t wish for what does not belong to you.`8 Manufactured by homosexuality in pederasty for war against `woman`s seed`, as a single male brained creature wearing each others` clothes, men and women constitute a `TV` transvestite `snuff film`, which is a recording of a killing made by the parasites in host womb enslavement of the futanarian human race to entertain their parasitoid devouring nature. Consequently, when the tin soldier returns to the room of the dancer after falling out of the window everything is as it was, because it`s a rewound film, which is what the victims of the `snuff film` want, so they can escape the killer. Consequently, Britney Spears` spaceman`s gift box with the heart of the Titanic Rose inside is a symbol of the video age in which victims would like to rewind the `snuff film` to be able to escape from the goblins who gobble `em. The goblin in the snuff-box, that is, a container for ground tobacco, which is sniffed for the drug concentrate that was originally cocaine from cocoa leaves, although cigarette tobacco, which symbolizes the extinction of the women`s penis, and so the brainpower of the human species, and is smoked for the smell, quickly replaced the `coc as the killers became poorer, and the victims were cheapened too, as video replaced `TV`, because then the video `game` players didn`t even need the `coc that made the less brave seem so to the admirers of `action` movies:

 

`Presently one of the little boys took up the tin soldier, and threw him into the stove. He had no reason for doing so, therefore it must have been the fault of the black goblin who lived in the snuff-box. The flames lighted up the tin soldier, as he stood, the heat was very terrible, but whether it proceeded from the real fire or from the fire of love he could not tell. Then he could see that the bright colors were faded from his uniform, but whether they had been washed off during his journey or from the effects of his sorrow, no one could say. He looked at the little lady, and she looked at him. He felt himself melting away, but he still remained firm with his gun on his shoulder. Suddenly the door of the room flew open and the draught of air caught up the little dancer, she fluttered like a sylph right into the stove by the side of the tin soldier, and was instantly in flames and was gone. The tin soldier melted down into a lump, and the next morning, when the maid servant took the ashes out of the stove, she found him in the shape of a little tin heart. But of the little dancer nothing remained but the tinsel rose, which was burnt black as a cinder.`

 

 

 The Titanic movie`s resemblance to the characters in `The Brave Tin Soldier` and Britney Spears` Oops! ... I Did It Again` is evident. The `heart` of the `tin soldier` corresponds to the spaceman`s `gift` from the `goblin`s snuff box`, that is, Titanic Rose`s `heart of the ocean`, which is returned to Britney Spears as the dancer. The spaceman`s diving into the watery depths to recover the `heart of the ocean` corresponds to the journey by paper boat made by the tin soldier in the sewer before he`s returned to the room by fate`s vicissitudes and the writer`s skill: `This is the black goblin’s fault, I am sure. Ah, well, if the little lady were only here with me in the boat, I should not care for any darkness.` At Titanic`s end Rose is in the boat with Cal, who`d attempted to frame Jack by placing the `heart of the ocean` in Jack`s jacket pocket, and Jack drowned helping passengers to the lifeboats as the ship sank after hitting the iceberg, while Cal escaped amongst those men who threw the women and children aside to get into the boats, Consequently, 100 year old Rose`s memorial of the `heart of the ocean` thrown into the sea at the point of salvage at the beginning of the 1997 film of her memoir is a bitter one. Britney Spears` Oops! ... I Did It Again` reprises the story for the imagination of the viewer, and reveals the truth, which is that video is the age of the `snuff film`, because men will be redeemed, `When pigs have wings.` Vindication is what men look for. The inquest over the Titanic`s sinking vindicated the crew, but vindication isn`t Salvation, which is the saving of souls, that is, the universal code for ships in distress is S.O.S., `save our souls`, whereas for those concerned with vindication it`s `save our skins`, like the skinheads who threw the women and children out of the Titanic`s lifeboats to escape, because the necks of the women can`t any longer be saved anyway by an Earth manufactured as a male brained creature wearing each others` clothes in `TV` transvestism for the entertainment of its brainless killers in ever more grandiose disaster based films and news reports depicting the beheading of `woman`s seed` and the blind ignorant unconsciousness of its warmaking upon her as the behavior of the headless warrior becomes a cause celébre. The Captain of the Titanic, Smith, was vindicated in that he was exonerated of any mistake, which he denied having made. But repeating the scene in order to be vindicated is what men use video recording for. Surveillance cameras, as closed circuit television (CCTV) in private companies and public places, are referred to in order to vindicate and condemn, rather than save. Having left in the lifeboats, the people wouldn`t want to be sailed again across the ocean aboard the Titanic on April 15, 1912, to vindicate fathers who wanted to exonerate themselves further and keep their children as slaves, which is how CCTV and VCR is used. Saving our skins isn`t Redemption, which involves Salvation, and that`s not salvage, which is why the Titanic movie begins with the wreck of the ship as a tomb robbed for its valuable contents, that is, wreckers thieve savings, and people are for saving, whereas wreckers promote Salvation as salvage, which permits of the false Christian perspective that people should be ruined, or Salvation can`t occur. Those who believe people should be wrecked or they can`t be salvaged are navy, because saved people aren`t ruined in order to be salvaged in reclamation, which is Salvation to the navies of the Earth, whereas wreckers ruin lives to reclaim slaves, and so maintain blind ignorant unconscious oars:  `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Independence ruined for a slaver who doesn`t need another oar is routine for salvagers who need wrecks, while organizations like The Salvation Army, which work closely with the navy, stand to be seen as accomplices in attempting to make life hell for individuals afloat on the seas of independence from the slavers` press gangs:

 

I`m Mrs 'You want a piece of me?'

Tryin' and pissin' me off

Well get in line with the paparazzi

Who's flippin' me off

Hopin' I'll resort to some havoc

And end up settlin' in court

Now are you sure you want a piece of me?`9

 

 

 Although most pop music video critics see Britney`s descent into the stage set of `Oops! ... I Did It Again` as a giant`s ring, it`s the `snuff ring` that men have made out of `woman`s seed`, electric light is measured in `candle power`, so there are many light bulbs about the base of Britney`s ring suggestive of lives `snuffed` out, but commemorated. The crew of Apollo 1 died on February 27, 1961, in a cabin fire, before they could even launch: `Your candle burned out long before your legend ever did.`10 Pop star Elton John`s lyric from `Candle In The Wind` (1973), a song about actress Marilyn Monroe, who was found dead in the nude in 1962, reflects on a woman representing the flame of desire arising in a man, whereas she`s a smoked penis symbolized by their cigarettes, which is why men prefer penisless women. Lest they remember. The tradition amongst witches is `bell, book, and candle`, which is punishment according to the coven`s `Covenant`, which is usually associated with the promise God gave to the Jews as the `chosen people` whose tradition is futanarian, that is, Jews are born from women, so women are Jews. Witches are associated with the broomsticks that legends describe them as riding, because `woman`s seed` has her own penis, and so God`s promised `Covenant` is for futanarian human women`s nature, where `bell, book and candle` denote punishment for the species` enemy. The `bell` is a `snuff cap` to be placed over the `candle`, that is, the life which is to be snuffed out, in accordance with the punishment merited. Candle`s can be snuffed out by the wind and early compass rose`s were called wind roses, because they didn`t distinguish between the wind that came from that direction, for example, the Sahara desert Sirocco is South East, and the direction itself, that is, South East. Consequently, Britney in a white bikini dress appears to be atop a compass rose used by ship`s navigators when Britney in her red suit winches the spaceman up to look down upon her with his camera eye, because a flame can be snuffed out by a strong gust. Although this guest is only recording the scene, `snuff film` makers do the same, that is, the human host is a `TV` recording of `woman`s seed`, which is what transvestite `TV` manufacture is, whereas video rewind is what `snuff film` makers want, because they can repeat the scene, and the French call that de ja vu, or hasn`t that been seen before? However, the problem remains the same. When the woman`s penis has been smoked, the `TV` is her `remnant`, so record and rewind in order to play the scene again produces poor quality copies as human brainpower is extinguished, which is why Britney Spears` guest is hoisted by a hook and chain, that is, chain smokers are hooked, and he has a camera eye, which is not his own, and so there`s a suggestion that it`s the goblin`s `snuff box` he`s given the `dancer`, although she only gives him a suspended sentence: `I`m not that innocent.` No one would suppose Lynne to be a goblin Spears, while the English director of the `Oops! ... I Did It Again` video, Dick, doesn`t seem disposed to activities that might make others go blin`, although Britney Spears isn`t still in the dreams of `woman`s seed`: `I`m Miss American Dream since I was seventeen.`11 As the mirror observes to the queen in the Grimm`s fairytale, `Snow White` (1812),12 others beauties appear and, if the queen remains still at the mirror, her seed might be wasted, although she isn`t missing the opportunity to see well enough.

 

 

 Those who`re easily led are full of hot air, because they`re bred in Satanism as male brained creatures wearing each others` clothes in `TV` transvestism. Consequently, the music of Led Zeppelin, named for a German airship manufactory, reflects the position of the hot air balloon in God`s plan for species` escape. Without `woman`s seed` human brainpower won`t have the capacity to reach the planets amongst the stars and colonize. By the late 20th century Death Metal had come into vogue although Led Zeppelin, the founders of the heavy metal music genre noteworthy for its strong bass and electric guitar sound, declaring themselves Satanist belied the perception that `woman`s seed` was Satan to the evil, who didn`t want her human futanarian species of woman: `I can't stop talking about love.`13 After The Buggles` single release, `Video Killed The Radio Star` (1979), announcing the era of the video disk jockey (VDJ) through the television channel Music Television (MTV), Death Metal became the sound of the snuff movie video, which it`s important for humans to realize: `We can't rewind we've gone too far.`14 Led Zeppelin`s `Trampled Under Foot` (1975) is Satanical, because it`s about the crushing of the head of the serpent by the foot of Eve`s `seed`, which Christianity doesn`t accept as Jesus`, whereas Death Metal produced bands like Deicide with lyrics like those of `Kill The Christian`, from Once Upon The Cross (1995), celebrating the nature of the parasitoid: `I will love watching you die.`15 Consequently, defining Led Zeppelin as Satanist relates to how easily led brainless air heads are, because `woman`s seed` conferring brainpower is Satan`s to the evil, whereas Death Metal is simply evil and nihilist, which is a truer definition of what Christians mean by Satanism, while the meaning of Led Zeppelin is that people who follow Satan aren`t led and balloons full of hot air don`t reach the planets amongst the stars in heaven above: `There's a lady who's sure all that glitters is gold and she's buying a stairway to heaven.`16 Britney Spears` descent inside the giant`s ring onto the stage set for her performance in the  `Oops! ... I Did It Again` video affords a view of a lady married to a recording industry that`s manufactured `woman`s seed` as a `TV` for homosexuality in pederasty and war against her race. As Zeppelin led into Satanism, it was becoming a balloon race, but Britney Spears `Oops! ... I Did It Again` punctures the air heads` labeling her a flying pig: `I love rock 'n' roll, so put another dime in the jukebox, baby!`17

 

1 Butler, Geezer, Tony Iommi, Ozzy Osbourne, Bill Ward, Black Sabbath, Paranoid, Vertigo, 1970.

2 Armstrong, Neil July 21, 1969, UTC: 2. 56.

3 Martin, Max, and Rami Yacoub, Britney Spears `Oops! ... I Did It Again` Oops! ... I Did It Again, Jive, 2000.

4 https://idioms.thefreedictionary.com/when+pigs+have+wings .

5 Water, Roger Pink Floyd, `Pigs On The Wing (Part Two)`, Animals, Harvest/EMI, 1977.

6 Waters, Roger Pink Floyd, `Pigs On The Wing (Part One)`, Animals, Harvest/EMI, 1977.

7 Gilmour, David, and Roger Waters `Comfortably Numb`, The Wall, Harvest/EMI, 1979.

8 https://hca.gilead.org.il/tin_sold.html .

9 Åhlund, Klas, Christian Karlsson, and Pontus Winnberg, Britney Spears `Piece Of Me`, Blackout, Jive, 2007.

10 John, Elton (music), and Bernie Taupin (lyrics) `Candle In The Wind`, Goodbye Yellow Brick Road, MCA, 1973.

11 Åhlund, Klas, Christian Karlsson, and Pontus Winnberg, Britney Spears `Piece Of Me`, Blackout, Jive, 2007.

12 Grimm`s Fairy Tales, `Schneewittchen`, # 53, 1812.

13 Jones, John Paul, Jimmy Page, and Robert Plant, Led Zeppelin `Trampled Under Foot`, Physical Graffiti, Swan Song, 1975.

14 Downes, Geoff, Trevor Horn, and Bruce Wooley `Video Killed The Radio Star` Age Of Plastic, Island, 1979.

15 Benton, Glen, Deicide `Kill The Christian`, Once Upon The Cross, Roadrunner Records, 1995.

16 Page, Jimmy, and Robert Plant `Stairway To Heaven`, Led Zeppelin, Led Zeppelin IV, Atlantic, 1971.

17 Hooker, Jake, and Alan Merrill, Britney Spears `I Love Rock `n` Roll`, Britney, Jive, 2001.

The BI

20/03/2016 05:31

The BI

 

B.I. is the initials signifying British Intelligence, which is usually erroneously associated with M.I. 6, that is, military intelligence, whereas B.I. is state intelligence. Although the perception from movies about James Bond from the novels by ex-spy, Ian Fleming, is that British Intelligence is M.I. 6, it isn`t. M.I. 6 is the military, which is why the character, James Bond, 007, is `licensed to kill`, in the interests of national and international security, a catch-all for whatever the rich and powerful don`t want the general public to know about or see. The principle of blind ignorant unconsciousness for the majority of the population of the Earth is Roman fascism. The symbol of the Roman Empire at the time of Jesus` teaching in Jewish Palestine was the fasces, which is a bundle of rods with an axe at the center used by later Empires as a symbol of the `death camp` where the local populations were kept in blind unconscious ignorance of what was going on inside the camps built often out of wood with an ax. Originally the Romans generals used the blind afforded by the building of a stockade with ax and wood to plan without being seen, which the later fascists of elected dictator in 1922, Benito Mussolini, and Germany`s 1933 elected dictator, Adolf Hitler, used as a symbol of their `death camp` programs for the populations they didn`t want to know or see. Consequently, spies are blinders, because they work for governments, or organizations that don`t want people to know or see. Or, to put it another way, fascists don`t want people to see. Historically the first `death camp` is attributed to the British Empire during the Boer war with the Dutch settlers in South Africa (1880-1), although there are even earlier instances than the United States` reservations for the native American inhabitants, whose resistance to their European settlers was ended by the expedient of slaughtering all of the Buffalo the so-called `red Indians` depended on between 1800 and 1880 when the herd was reduced from 60, 000, 000 to about 100, so that the indigenous populations would starve to death in areas reserved for that purpose. The appearance of the fasces symbol in the US` House Of Representatives is a sign that the model of Greek democracy adopted by the Europeans, that is, institutionalized host womb enslavement of women for the spread of homosexuality in pederasty isn`t human.

 

 

 Although Jesus wasn`t believed to be instrumental in the fight against fascist Rome, the teaching of the Jewish religious leader resulted ultimately in the fall of Rome as an Empire and the establishment of a church ostensibly based on resistance to slavery, although 1930s Germany was a Christian nation: `Love your neighbor as you love yourself.` (Mk: 12. 31) Jesus` teaching seems simplistic but he was a rabbi born uncontaminated by male semen from his mother, the Virgin Mary, who is depicted in Christian iconography as crushing the head of the serpent, Satan, who was an angel transformed by God for rejecting the notion that the human host would be greater than the angelic, with her foot. Because the human futanarian species of women have their own penis` semen for the sexual reproduction of brainpower, May`s Jesus is a symbol of `woman`s seed`. Consequently, when Jesus had Resurrection and Ascension to heaven after being taken to the hill of Calvary outside the city of Jerusalem where he was nailed to a cross and left there to die as a `dissident` preacher he prefigured that of `woman`s seed`. Consequently, the antecedents of the `death camp` are Roman fascism`s perception that the dead resurrect and go to heaven, which the Roman guard Longinus` words upon the death of Jesus, as he thrust a spear into the corpse`s side to assure himself of the heart`s extinction, mock: `Surely, this was the son of God.` (Matt: 27. 54)  Eve was born from the side of Adam created by God from Adam`s rib, so it`s arguable that the Roman guard, Longinus, was performing a `caesarian section` to liberate the Holy Spirit that Jesus had said would teach after him. Perceived as the `Second Adam`, Jesus` Holy Spirit would correspond to the developed wisdom of Eve, who emerged from the side of the first man, Adam, and so the pair were the indigenous inhabitants of God`s Eden, which was paradise or `heaven on Earth`, where God told Eve her sin of rejecting God`s `fruit of the tree of life`, which was immortality, for the serpent Satan`s `fruit of the tree of the knowledge for good and evil`, that is, death, would be forgiven if Adam labored after expulsion from Eden, although Eve would experience labor pain: `You shall crush the head of the serpent with your foot, but he shall bruise your heel.` (Gen: 3. 15) Keeping the human futanarian species of `woman`s seed` enslaved for homosexuality in pederasty and warfare against her is the sin of maintaining blind ignorant unconsciousness through ephemerality, that is, rejection of God`s `fruit of the tree of life`, for death. Consequently, Redemption is through the release of women`s brainpower, so that the human race of futanarian `woman`s seed` can metaphorically crush the brains of the Satanist slavers in host womb parasitism through the developing of medical science to confer permanent knowledge of the maintenance and operation of the technology those human individuals would need to leave and colonize the planets and stars of heaven above in starships of women`s own devising, despite the attempts of the `serpent`s seed` to poison and prevent them: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was reject `woman` seed` in mockery. By the late 20th century HIV/AIDS was the `incurable killer disease` spread by men`s mixing of blood, shit and semen in each others` anuses in mocking rejection of the human futanarian species of women`s mode of sexual reproduction.

 

 

 HIV/AIDS functioned as men`s `biological weapon` keeping women in fearful faithfulness to ring slavery in misogyny masquerading as monogamous faithfulness between host womb slave and parasitical alien exploiter. Although HIV/AIDS was perceived as a virus deriving from monkeys, that is, simian immunodeficiency (SIV), scientists` belief that a virus could arrive on Earth space borne suggests that millions of years ago the futanarian human host womb of women`s was subverted by an alien space borne virus that somehow inveigled itself into the race`s host womb to steal her penis` semen and replicate itself as an `incurable killer disease`, men, which is why Jesus` taught Redemption from sin required brain transformation through conversion called metanoia ritually implied by the transubstantiation symbolism of the giving of a wafer and a sip of wine from the officiate`s chalice in Christian churches to the petitioner seeking Redemption. At what came to be called Jesus` Last Supper` the human host gave `bread and wine` as symbols of his `body and blood` to the disciples in fellowship because men`s repentance from their sin of enslaving the human host womb required an understanding of what the host was, which is why Jesus` `body and blood`, symbolized by the `bread and wine` in the Christian ritual of transubstantiation, is called `the host`. As `woman`s seed`, Jesus symbolizes a species enslaved by an alien parasite that, in its final stages will, according to parasitology, become a parasitoid, that is, a devourer of the human host, which Satanists would define as the meaning of the ritual of transubstantiation: the human host is to be devoured as a species. Jesus` betrayal of Jesus at the `Last Supper` to the Jewish religious police, the Pharisees, who gave the Jewish Messiah over to the Romans for crucifixion for `thirty pieces of silver` was preceded by Judas, who was known for stealing from the collection plate after a sermon, spying upon Jesus while the rabbi was being anointed with the expensive perfume spikenard, which Judas suggested be sold to raise money, although Jesus rebuked him: `Leave her alone.` (Mk: 14. 6) Judas` words were a spy `canard`, that is, a betrayer`s, because Jesus was killed to prevent `woman`s seed` from sexually reproducing with women, which is why Judas was Satanism. Satan attempted to kill Eve`s `seed` by tempting her to accept host womb slavery in parasitism to parasitoid devouring, and so betrayed the human host, which is what Judas also did for the Satanist fascist Empire of Rome at Jesus` `Last Supper` when evincing his hate for the woman`s anointing of Jesus` `woman`s seed` as a preparation for greater human intercourse. As a spy Judas was what fascists do, which is maintain blind ignorant unconsciousness for the majority of the enfranchised voters within the populations, so they`re unable to use their democratic right to change a system they can`t see, because they don`t know. As women are capable of sexually reproducing with each other as the futanarian human species, they`re 100% of the vote, because men can`t sexually reproduce with each other, and so are 0% of the alien controlling vote; unless redeemed.

 

 

 The Romans were known for `circus`, which were huge amphitheaters providing entertainment for those who could afford to see, whereas the poor victims of the circus were killed as entertainment, and of course didn`t see any more, which is why `the circus` is a term used for spying, because spies like the British James Bond, 007, kill people for wanting to see or know. Consequently, the first movie in the franchise based on the Ian Fleming books was a play on words deriving from the spy`s brief to prevent others from seeing or knowing, Dr No (1960). When Jesus was killed it was a victory for male braining in which a single creature wearing each others` clothes in transvestism began to be manufactured by male semen alone, which by the time of John Logie Baird`s invention of television in 1926 was established as `TV` for the `small screen` showing of a screened vision of what the alien wanted the humans to see and know. `TV` was prepared for in Hollywood, Los Angeles` movie industry Empire of the United States by Will Hays`, President of the Motion Picture Producers and Distributors of America (MPPDA), `Hays code` preventing `woman`s seed` from being seen or known: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`1 The `big screen` cinema theaters were the US` equivalent of the Roman Empire`s amphitheaters where people were entertained by scenes of killing, although the `snuff movie` was illegal, that is, the recorded filming of people being killed for entertainment. However, wars engaged upon by a world conditioned to manufacture a single male brained creature wearing each others` clothes in `TV` transvestism through institutionalized host womb slavery for homosexuality in pederasty`s war against `woman`s seed` was `snuff` on the scale of an entire human race believing itself to be normatively heterosexual, whereas sexual intercourse between women was heterosexuality and men and women were `TV`.

 

 

 Ariel is the aery spirit of William Shakespeare`s The Tempest (1610-11) which was the drama that the `big screen` science fiction movie, Forbidden Planet (1956), was based on before `TV` aerials were visible signs of men`s `home entertainment` system: `Where the bee sucks, there suck I.`2 Ariel is able to be beside all creatures without their noticing, which is how the bee eye of `TV` invented by Scotsman John Logie Baird in 1926, goes unnoticed. The premise of Forbidden Planet is that actor, Walter Pidgeon, in the role of Dr Edward Morbius, has a daughter, actress Anne Francis in the role of Altaira `Alta` Morbius, who he doesn`t want to be seen or known, so Dr Morbius uses a `dream machine` made by the planet Altair IV`s former civilization to terrorize the crew of a spaceship which lands there, C-57-D, and so Dr Morbius seeks to keep his daughter unseen and unknown. Because `spikenard` is of the genus, honeysuckle, after Judas` spy canard against Jesus` love life, spies are definable as `TV` bee eyes, who seek to be close to the spied upon. Consequently, TV and closed circuit television (CCTV) represent Scotsman John Logie Baird`s B.I., that is, a spy eye close enough to the public to see what they`re doing, and know who they all are while remaining unnoticed; because unremarkable:

 

`You see my problem is this,

I'm dreaming away,

wishing that heroes,

they truly exist.

I cry, watching the days.`3

 

 

 Britney Spears` lyric to the song, `Oops! I Did It Again` (2000), presents Alta`s predicament prior to the arrival of the spacemen on the planet Altair IV in their spaceship C-57-D, whereas Dr Morbius` sentiments opposingly are for dream `monsters` to defend Alta from men`s using her to manufacture more `TV` creatures. Morbius doesn`t want Alta to share the fate of the rest of her race, which is to watch `TV` while lamenting the absence of `woman`s seed`, that is, Jesus` heroes. Although Britney Spears` `Oops! ... I Did It Again` is set on the red planet, Mars, named for the god of war in Roman mythology, she`s symbolically present as the witch Sycorax from Shakespeare`s The Tempest who enslaved Ariel, that is, symbolically `TV` Ariel, because all of the actors on the stage in Shakespeare`s era were men in prefiguration of that single male brained creature wearing each others` clothes in transvestism, which is the war theater of television. The Tempest presents Ariel as Prospero`s assistant, who is found on an island where Prospero and his daughter are stranded. The Tempest plot was adopted by Hollywood in Forbidden Planet, where Dr Morbius and Alta are stranded before C-57-D arrives and, as Britney Spears` `Mars lander` in `Oops! ... I Did It Again` corresponds to C-57-D, so Britney Spears in her red pilot`s suit is Sycorax, although she`s a woman, whereas on Shakespeare`s stage she`d be a man, who made Ariel a slave, a male spirit, so the meaning is that `woman`s seed` isn`t the television manufacturer and so has Redemption from that `original sin`. Britney`s twin in a white bikini dress corresponds to Alta, who appears as if upon an altar beneath the bee eye of a spaceman visitor who, although he doesn`t appear to be from spaceship C-57-D, has been sent there as a `TV` spy to Sycorax/Alta`s demesne by `Mission Control`, who`ve presumably sent `Mars lander` to perform reconnaissance there preparatory to colonization by settlers, and with the attendant dangers for the `red Indian` population emphasized by Sycorax`s difficult fictional Redemption of the character of a Shakespearean woman for Britney Spears in her red pilot`s suit.

 

 

 Britney`s director, Nigel Dick, uses the concept of the `Potemkin village illusion`4 described in science fiction writer Robert A. Heinlein`s The Number Of the Beast (1980), whereby alternative worlds exist parallely as fiction`s, that is, Sycorax` s The Tempest can co-exist side by side with Alta`s Forbidden Planet, while the red skinned Martian of Edgar Rice Burroughs` science fiction yarn, A Princess Of Mars (1912), may only be hinted at by Britney`s appearance in a skin tight one-piece space pilot`s red jump suit, but she`s nevertheless there. Though Britney`s red space pilot`s suit affords her freedom of movement, her spaceman visitor is inhibited by his spacesuit`s need to mount a camera on his helmet, and she places a hook in his backpack to winch him above her twin to emphasize his function is as a low tech `TV` bee eye sent by the spymasters of British Intelligence (B.I.), whereas her red pilot`s suit represents US` spaceplane technology perfected since the days of the X-15 crashes due to pilots experiencing blackout as they attempted to fly to the moon in the initial stages of the Apollo space program to put a man on the moon. That program culminated with Apollo 11`s `lunar module`, launched atop a Saturn V stage rocket, landing on the moon from the rocket`s `orbiter` on July 21, 1969, with astronaut Neil Armstrong taking the step to become the first man on the moon, although not with the footprint of futanarian `woman`s seed` upon its lunar surface: `One small step for a man, one giant leap for mankind.`5 The blackouts experienced by the X-15 pilots, whose brainpower failed at high altitude pressures where spaceplanes needs must function, are the subject of Britney Spears` Blackout (2007) which, in the lyrics to the single, `Piece Of Me`, remarks upon the connection between censorship, that is, mass media blackout, and the manufacture of TV from humans:

 

`I'm Mrs 'Most likely to get on the TV for strippin' on the streets'

When getting the groceries, no, for real.

Are you kidding me?

No wonder there's panic in this industry

I mean please ... `6

 

 

 Women aren`t `TV`, so Britney Spears doesn`t appear nude. Without knowledge of the existence of `woman`s seed`, the `remnant` of humanity are doomed to live as a single male brained creature wearing each others` clothes as a transvestite `TV`, and to be entertainment for an alien parasitoid devourer who likes to watch itself eat in warfare against women`s futanarian human race: `The dragon was wroth with the woman, and went to make war against the remnant of her seed.` (Rev: 12. 17) Beneath the bee eye TV of the spaceman`s camera Britney in white is Alta, that is, she represents transformation through transubstantiation on the altar for an alternative reality represented by `woman`s seed` and her twin in the red pilot`s suit, because together they represent human sexual reproduction, whereas unredeemed men constitute alien parasitical viral life forms:

 

`Fee-fi-fo-fum,

I smell the blood of an Englishman,

Be he alive, or be he dead

I'll grind his bones to make my bread.`7

 

 

 Bee eye TV is the Englishman who rejects the `bread and wine` as symbols of the `body and blood` of Jesus` transubstantiation ritual in acceptance of `woman`s seed` and repentance at the sinful nature of the parasitism from which he should want to be redeemed through metanoia, that is, conversion and brain transformation, and is devoured by the giant represented by the giant`s ring Britney descends into her stage set inside during the opening sequence of the video for the `Oops! ... I Did It Again` song. With the tines of a giant`s fork beside the helmet of the spaceman as he hangs above Britney in white, and the bee eye TV camera looking down upon the altar, symbolizing the alternative reality of Christian transformation, that is, Alta Nativity, the threat posed by the giant to the Englishman`s unredeemed and unrepentant bee eye TV is evident. The cover for the CD single of `Piece Of Me` has Britney Spears in place of Jesus on the cross, because `woman`s seed` will remain `TV`, if futanarian humanity remains unaccepted by men, that is, human beans grown from a `seed` as a `TV dinner`. The spaceman`s spy canard would be that the bee eye TV camera is making him Judas to Britney Spears` Jesus, that is, his low tech marks him as a slave to an unknown spy, which means he warrants saving by red, for Redemption, and Alta Nativity. Stretching out beneath him, as if upon the white star of her birth see, Alta is confirmation that knowledge isn`t possible without sight, and blind unconscious ignorance is humanity`s untransformed lot without being able to see `woman`s seed` through mass media censorship blackout prohibiting sex education resulting in the production of human brainpower to crush the head of the alien enslaver. Satan wants to train his TV eyes on humans` to watch them in the battle of `make it do`, that is, Jesus` disciple John`s prophesied battle of Megiddo, which is also called Armageddon, a plain near the town of Haifa on Israel`s coast, where good is to fight the evil enslavers of the human species, who want to make it do what it wouldn`t want to if it wasn`t programed to by bee eye TV.

 

 

 Robert Heinlein`s alternative Mars in The Number Of The Beast is divided between the Russian and British Empires (1584-), which were red and pink respectively when the nations of the Earth they controlled were represented on the world`s maps. Through Heinlein`s characters Jake, Hilda, Zeb and Deety, who travel about time and space in their car, Gay Deciever, it`s explained that the Mars they see is in the usual orbit of Barsoom, but occupying a different time and space to Edgar Rice Burroughs` world, where his thoughts of green Martian thoat riders have become real. Consequently, the Russian and British rivalry is a `Potemkin village` illusion concealing the truth, which is that the Russians, and those who live in the British `Potemkin village`, have been deluded into believing what the bee eye of `TV` wanted them to. In terms of Empire Briton John Logie Baird`s invention of `TV` helped the US Empire to censor `woman`s seed` so that the humans weren`t ever able to see or know that they were being manufactured as a `TV` for the evil to watch being killed in their parasitoid devouring wars against her. The pink flowers of the spikenard plant that represent the oil the woman anointed Jesus with, before his death, Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`, was for the British a symbol of their Empire`s pink flowering spy canard, that is, a `Potemkin village` illusion on the map of the world, while the mass media Empire of censorship for the sterilization of `woman`s seed` grew through Hollywood Babylon`s movie industry gradually being replaced by British Intelligence`s (B.I.`s) bee eyes, that is, TV: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Babylon was `a woman` in the Bible who gave her name to the capital city of the Persian Empire, Babylon (c. 4000 B.C.), because host womb slavery in parasitism to institutionalized homosexuality in pederasty for war was what the human race was being manufactured as a `TV` for by Satanism. Although the terrorist hijack of civil airliners crashed into the World Trade Center on September 11, 2001, `live on CNN`, and other `TV` networks, was condemned, that`s what `TV` was developed by the British to be, that is, recorded film of people being killed as mass media entertainment for the parasitoid killer of the human host.

 

 

 The attack on the WTC was a reestablishing of `rough trade` which is the euphemism used by rich homosexuals and pederasts, who pay large sums of money to torture their victims. Osama Ben Laden was the rich Saudi Arabian heir to a business Empire, who led the Al Qaeda terrorist group operating under the auspices of  Afghanistan`s misogynist Taliban regime before it was toppled by US invasion in December 2001. Pederasty can`t continue if `woman`s seed` is democratically enfranchised, because women sexually reproduce with each other, whereas homosexuality is a sterile `blood plague` (Rev: 11. 6) constituting the `incurable killer disease`, HIV/AIDS, which it spreads through mixing blood, shit and semen in each others` anuses. Although Iraq`s President, Saddam Hussein, was greatly criticized at his summer palace overlooking the ruins of ancient Babylon, he was a product of television`s bee eye promulgating `TV war` through propaganda made in Hollywood, Los Angeles. Saddam Hussein`s name meant `small handsome man` and `crusher`, because he was the Hollywood Babylon actor born to crush Satanism. When he offered bases live on TV to Al Qaeda, US invasion of another Moslem nation followed in March, 2003. Islam is the name given to the religion and territories of those nations of the Moslems who accept the Koran (610-30 C.E.) dictated by the angels to Mohamed, according to tradition, who was descended from Ishmael, the son of Abraham by his wife Sara`s maid, Hajer, which is why Moslem marriages can have four wives and so afford the possibility of sexual reproduction by futanarian `woman`s seed` within the family. Amongst Moslem women it`s traditional to wear the one-piece coverall of the burka to conceal themselves from the public eye because futanarian `woman`s seed` is hidden: `The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent's reach.` (Rev: 12. 14) The eagle of the Qurash tribe of Mohamed is Al Uqab, and in the United States the eagle is the symbol of the US, while it`s the futanarian tradition of women in Judaism that Jews are born from women because humans are `woman`s seed`. A human species manufactured as a TV without `woman`s seed` is a British Intelligence`s bee eye, which is alien, rather than the eagle eye of the protector of women. Consequently, Britney Spears` `Oops! ... I Did It Again` is a `Potemkin village` illusion depicting her spaceman as a US astronaut, whereas he`s a bee eye with a TV camera.

 

 

 Britney`s red pilot`s suit identifies her as `woman`s seed`, which doesn`t experience the `blackout` of brain failure when flying her spaceplane. In Robert Heinlein`s juvenile novel for girls, Podkayne Of Mars (1963), Poddy wants to be a spaceship pilot, because she`s `the Poddy beautiful`, whereas unredeemed men are the virus attached to `woman`s seed`. The bee eyes of British Intelligence represented by the camera eye of the ancient astronaut suspended by Britney, while symbolically wearing Heinlein`s Poddy`s pilot`s suit, above herself in white, where she`s a symbol of Alta`s Nativity on a planet where `woman`s seed` is forbidden to men by Dr Morbius, are TV`s alien parasitoid devourer, Satan. When asked about her sexuality, Britney has replied she`s `bisexual`, that is, `bi`, which is shorthand for the Brits` Intelligence (B.I.), that is, Britannia: `Yeah yeah yeah yeah yeah yeah. I think I did it again. I made you believe we`re more than just friends.` Women, who`re bisexual, are generally believed to be sexually attracted to men and women, whereas heterosexuality is the means by which the single male brained creature wearing each others` clothes in `TV` transvestism is manufactured for the homosexuals in pederasty and war to devour as the parasitoid alien nature emerging from the host womb of the species of women: `I played with your heart, got lost in the game.` Because British Intelligence is the `TV` bee eye of the alien`s parasitoid devouring nature, `woman`s seed` is futanarian, rather than B.I. Consequently, the whole Earth is a `Potemkin village` illusion constructed to conceal the fascist pogromers` extinguishing of the human race, while the Roman fasces` symbol of the ax enclosed within the bundle of wood in the House of Representatives on Capitol Hill in Washington, D. C., is a gamer`s, who`s hunting down the race for its imagined crimes, while accusing them of watching too much of the television it`s manufactured them as, while killing them for having an inadequate imagination, because it`s already extinguished `woman`s seed` to prevent the race from developing brainpower to run and escape the psychopathic ax murderer lying behind its screens for the humans who`re the `TV` watchers becoming more unconscious in blind ignorance. Especially if they don`t question the `Potemkin village` illusion presented by Britney Spears in `Oops! ... I Did It Again`; for example. Meanwhile, the neighbors are stuffing their ears until they pop along with the music they can`t understand, while the women scream as their blinds are drawn. Women won`t see or know `woman`s seed`, because their blinds are drawn by men`s `seed`, so they`re blind.

 

1 TV Tropes, `Foot Popping`, https://tvtropes.org/pmwiki/pmwiki.php/Main/FootPopping/ .

2 Shakespeare, William The Tempest, Act 5, Scene 1, 1610.

3 Martin, Max and Rami Yacoub, Britney Spears `Oops! ... I Did It Again` Oops! ... I Did It Again, Jive, 2000.

4 `Potemkin village` means a fake seeming. Grigory Potemkin`s fake Crimea structures deceived Empress Catherine II in 1787. The phrase is used to describe any construction that deceives others, rather than that the truth about the crime is seen and known.

5 Armstrong, Neil July 21, 1969, UTC; 2. 56.

6 Åhlund, Klas, Christian Karlsson, and Pontus Winnberg, Britney Spears `Piece Of Me`, Blackout, Jive, 2007.

7 Tatar, Maria `Jack and the Beanstalk`, The Annotated Classic Fairy Tales, New York, W. W. Norton & Co., 2002, pp. 131–144.

Heinlein`s Pedophiles

16/03/2016 04:31
Heinlein`s Pedophiles
 
The twelve novels written by science fiction writer Robert A. Heinlein (1907-88) as juveniles were popular with adolescents in the 1950s because they seemed to offer an independent future away from Earth for children. Although Rocketship Galileo (1947) now seems an anachronism for people used to a diet of Hollywood Babylon remakes of movies about the 1939-45 war against fascism, the defeat of space Nazis on the moon secretly preparing to attack Earth after the global war is a first step towards what seems the future off Earth. The Jehovah`s Witness` religious sect believed that the defeat of German Imperialism in the 1914-18 war was the beginning of God`s judgement upon the Earth in which the evil would receive perdition, that is, eternal unendurable pain as a punishment, while the God received a new heaven and Earth as their reward, which is what Heinlein`s juveniles offer. Adolf Hitler`s German National Socialist (Nazi) Party elected in 1933 began its pogroms against the `chosen people` of the Jews shortly thereafter, although it isn`t evident why. The reason is futanarian `woman`s seed`. In Christian iconography, Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent, Satan, with her foot, because Jesus born uncontaminated by male semen is futanarian `woman`s seed`: `Love your neighbor as you love yourself.` (Mk: 12. 31) Although Jesus was a Jew, and so amongst the `chosen people`, his teaching in the New Testament of the Bible, which is the history and law of the Jews, that is, the Torah and Talmud in Hebrew, isn`t accepted as Judaism, but Christians, who call the Jews` books, the Old Testament of the Bible, and are called Christian because Jesus was `Christ`, which means Messiah or `Meshiah` in Hebrew, accept Jesus` New Testament teaching along with the rest of the Bible. Consequently, it`s significant that Eve was told by God her `seed` would have `enmity` with the serpent, Satan, who`d been transformed as an angel into a serpent and removed from heaven above to be placed in the paradise of Eden, that is, heaven on Earth, for rejecting God`s plan that the human host should be greater than the angelic: `You shall crush the head of the serpent with your foot, but he shall bruise your heel.` (Gen: 3. 15) Satan, the serpent, will bruise the heel of Eve`s `seed` as her futanarian species leaves Earth to colonize the planets and stars above, which is what Heinlein`s Rocketship Galileo depicts. The Nazis on the moon had planned to use atomic weapons against `woman`s seed` on Earth, and her representatives in Dr Cargraves` Galileo crew, who don`t want a car and a grave, but would rather escape to colonize the planets and stars, radio details of the Nazis plans to the Earth and their moon base is destroyed.
 
 
 Jesus is born uncontaminated by male semen as representing `woman`s seed` of Redemption for those who accept Eve`s `seed`. When Judas spied a woman anointing Jesus with expensive spikenard perfume the disciple of the Messiah, who was known for stealing from the collection plate after a sermon, sold Jesus to the Jewish religious police, the Pharisees, for `thirty pieces of silver` as a `dissident`, and the Pharisees gave Jesus over to representatives of the Roman Empire then occupying Jewish Palestine. Jesus was taken to the hill of Calvary outside Jerusalem where he was nailed to a cross of wood and left there until he died, but he had Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed` through her own brains` powers for the development of liberating technologies and medical science`s conferring of permanent knowledge of their maintenance and operation. As God`s promised Eve`s `seed` in Eden, immortality would return to humanity in Redemption. Eve and the first man, Adam, who was told he`d labor while Eve would experience labor pain fulfilled in Jesus` birth from his mother, the Virgin Mary, uncontaminated by male semen as representing futanarian `woman`s seed`, had rejected the `fruit of the tree of life`, which was the immortality offered by God in Eden before the serpent, Satan, tempted Eve with the `fruit of the tree of the knowledge of good and evil, that is, death, saying `You shall be as gods.` (Gen: 3. 5) Gods, because host womb slavery in ephemerality in exchange for power was the temptation. The serpent would grow into a dragon and devour the human species as an infant lest the child develop brains enough to escape: `And the dragon was wroth with the woman, and went off to make war with the remnant of her seed.` (Rev: 12. 17) The boys in Dr Cargraves` crew in Heinlein`s Rocketship Galileo return to the Earth because that`s what pedophiles want. In host womb parasitism upon women`s futanarian human species the aim of the Satanist is to extinguish life before it becomes intelligent enough to be aware of its enslavement as the host of the virus which seeks collective continuation rather than individual development. In its last stages the parasite reverts to its viral nature and devours the host in `parasitoid` activity. Scientists` belief that space borne viruses travel amongst universes supports the argument that the HIV/AIDS virus, that is, the `incurable killer disease` spread by men`s mixing of blood, shit and semen in each others` anuses in mockery of the mode of sexual reproduction of futanarian humanity`s `woman`s seed`, is men`s original space borne form: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11) As a virulent `blood plague` (Rev: 11. 6), men`s rejection of `woman`s seed` is an aspect of the `biological war` the Greeks have been waging since host womb slavery of women for the spread of conventional war in homosexuality in pederasty became the basis of so-called democracy, which gives 50% of the human vote to men who can`t sexually reproduce with each other, while women who are 100% of the human vote, can reproduce without the alien enslaver emerging from their womb to devour them in its parasitoid wars, but the alien manufactures humans as a single male brained creature wearing each others` clothes in transvestism `TV` for the parasitoid to watch while its eating. Consequently, apart from Starship Troopers (1959), which was Heinlein`s last juvenile for boys rejected by Heinlein`s usual publisher Scribner`s for its `fascistoid` content, his books for adolescents don`t feature in late 20th century movie catalogues, because they represent attempts at escaping from parasitoid devourment. However, Starship Troopers (1997) was acceptable to parasitoid Hollywood and features graphic representations of Denise Richards, as Captain Carmen of the spaceship Rodger Young, dropping mothers` boy sons, that is, the Earth`s poisons, onto the planet of Klendathu to wage `biological war`. The ships` pilots are all women and bear the title `mother`, like Carmen, whose own name symbolizes Heinlein`s Rocketship Galileo boys` acceptance of their graves from the car men, who`re the Nazis that didn`t want their sons to leave with Dr Cargraves in the Galileo because then they wouldn`t be sure they`d die.
 
 
 Although the premise of Starship Troopers is of spiders invading the Earth to destroy Argentina`s Buenos Aires, it`s the car men that are `arachnoid`. The first mass produced car, the Model T Ford, was manufactured in Detroit, Michigan, in the United States of America in 1908, and the pedals and hand controls for its four wheels hadn`t changed by April 15th, 2013, when the Boston Marathon was bombed by terrorists to stop the futanarian foot race running on the anniversary of the unsinkable Titanic passenger liner sinking after hitting an iceberg on April 15th, 1912, enroute from Southampton, England, to New York, USA, because the four limbs and the four wheels of the car men are eight-legged `arachnoid` symbols of spiders who don`t want `woman`s seed` to escape and are therefore prepared to maintain technology at a level low enough to keep her prisoner. The annoyed Iraq war was an `arachnoid` car men plan to fill their tanks for the `plain of Megiddo`. Like Pinocchio in the Carlo Collodi`s folktale of the creature whose nose grows longer if he tells a lie, The Adventures Of Pinocchio (1883), the car men snaking after each other in denial of homosexuality in pederasty`s power over their rears look to fill their tanks with their noses grown longer as barrels atop the turrets of their tanks in fulfilment of the Bible prophesied final battle between good and evil on the `plain of Megiddo` near Israel`s port of Haifa, which would probably be true if the evil car men will be there, rather than their boys. When the Al Qaeda terrorists crashed hijacked civil airliners into the Twin Towers of the World Trade Center on Manhattan island in New York city, on September 11, 2001, `live on CNN` and other `TV` news` network channels, it symbolized `rough trade`, that is, that `brutality and violence` associated with homosexuality in pederasty, which is men`s `biological warfare` against `woman`s seed`, that is, through their poisonous boys` owners nature: `Fallen, fallen is Babylon the great, she who has made all the nations drink of the wine of the passion of her immorality.` (Rev: 14. 8) Although Babylon was the name of  `a woman` in the Bible, she gave her name to Babylon (c. 4000 B.C.), the capital city of the Persian Empire, which dictator Saddam Hussein, whose name meant `small handsome man` and `crusher`, could see from his summer palace at Hillah in Iraq after the US invasion of March, 2003. Saddam Hussein was the Hollywood Babylon actor prepared by the US` movie industry at least since President Will Hays of the Motion Picture Producers and Distributors of America (MPPDA) established the `Hays code` to prevent `woman`s seed` from appearing in films: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`1 Without `woman`s seed` to cure the psychopathological imbalance bred into the human race by men`s `arachnoid` thinking about preventing human futanarian women`s race from running away and escaping to the planets and stars, Saddam Hussein`s annoyed Iraq would make of him the `small handsome man` and `crusher` of Satanism by challenging the US` `arachnoid` position on `political correctness`.
 
 
 
 When Saddam Hussein offered bases, `live on TV`, to rich Saudi Arabian business heir Osama Ben Laden`s Al Qaeda`s terrorist group operating under the auspices of Afghanistan`s notoriously misogynist Taliban regime, which was toppled after US invasion in December 2001, the annoyed US invasion of Iraq ensued in March, 2003, and Saddam Hussein was executed on December 30, 2006. As a nation of Islam, Iraq`s tradition derives from Ishmael, the son of Abraham born to Hajer, who was the maid given by Sara to Abraham, after she was barren from bearing Isaac, the founder of Judaism, while Ishmael`s descendant was Mohamed, who received the Koran (610-30 C.E.) from the angels of God, who wanted the human host to be greater than the angelic, according to Moslem tradition, and so Ishmael, the founder of Islam`s birth from Hajer, is legitimized in the Moslem four wife marriage affording the possibility of futanarian sexual reproduction between women, because nude women have penis` `seed` of their own. Consequently, women in Moslem Islam challenge the United States from their place of concealment behind the traditional one-piece coverall of their burka garment from which only their eyes can be publically seen, while women aren`t known of in Hollywood Babylon, although the hostess` nudity with her boy sons is: `She held a golden cup in her hand, filled with abominable things and the filth of her adulteries.` (Rev: 17. 4) Although HIV/AIDS` `incurable killer disease` virus is spread in homosexuality and pederasty as men`s `biological weapon` keeping women in fearful faithfulness to their slave rings, it`s their boy sons that are the `biological warfare` of the boys` owners against `woman`s seed`, which is why Al Qaeda was supported by the notoriously misogynist Taliban regime in Afghanistan. Saddam Hussein`s regime was toppled ostensibly because he used poisons against his own people, although the history of tank battles teaches that`s what the poisonous boys` owners are for. Accused of poisoning the Earth with their polluting car engine emissions, the car men were accused of battling for a fuller tank on the plains of Iraq, so that the spiders could pretend to be fighting for the liberation of humanity, whereas their automobile transmissions are actually for the single male brained creature wearing each others` clothes of transvestite `TV` to deludedly picture itself escaping. Meanwhile the parasitoid devourer prepares another war. Taking money away from expenditure on immortality through medical science, the arachnoid car men maintain host womb slavery in parasitism for the parasitoid devourer, war, to ensure species` ephemerality and blind unconscious acceptance of death`s extinction for a futanarian human race running only as fast as it`s interesting for the spiders who prey for Satan and keep the food prisoner.
 
 
 
 
 God`s angels destroyed the `cities of the plains` (Gen: 16, 19), Sodom and Gomorrah, because of sodomy, and the later to come horror of `blood plague` (Rev: 11. 6), while the planes that crashed into the WTC, and the Pentagon Defense Department on 9/11, made New York city and Arlington, Virginia, the `cities of the planes`, because homosexuality in pederasty for war is the Greek model of democracy. The European settlers in the US perpetrated genocide on the indigenous North American Plains` Indians by hiring buffalo hunters to kill their food resource and, from a herd of 60, 000, 000 at the beginning of the 19th century there were only about 140 by 1880, and a starving population of native Americans in `reservations`, which was the US` government`s term for `death camp` before Nazism. In short, `fascistoid` was Heinlein`s publisher Scribner`s description of the rejected Starship Troopers but it was `arachnoid` insofar it constituted a warning to avoid being eaten by the parasitoid nature of fathers who don`t want `woman`s seed` to escape consumption. During the Gulf wars, when Saddam Hussein`s Iraqi army was first removed from Kuwait (1990-1) after its invading there, the Military Industrial Complex of the US gave that nation an economic boost through the production of B1 and B2 `spirit` bombers costing 1, 000, 000 US $ each to maintain and keep flying, while the `biological weapon` of HIV/AIDS continued as the `incurable killer disease`. Consequently, the US` B1 and B2 `spirits` corresponded to the first and second beast of Jesus` disciple John`s prophesy of Revelation as it appears in the New Testament: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) Known as the `TV war` the battle for Kuwait was a single male brained creature wearing each others` clothes in `TV` transvestism while 9/11 `live on CNN` was the `TV` coming back to life in consumerism: `I saw one of his heads as if it had been slain, and his fatal wound was healed. And the whole earth was amazed and followed after the beast; they worshiped the dragon because he gave his authority to the beast; and they worshiped the beast, saying, `Who is like the beast, and who is able to wage war with him?`` (Rev: 13. 3-4) The parasitoid devourer is Satan, the dragon, and the `TV` is the `beast`, which is watched by Satanists for entertainment as the huge amphitheaters during Jesus` life were filled with the Romans that built them across the Earth to watch local populations being killed, and as the US built cinema theaters for local populations to watch films of people being killed, because that`s what blind unconscious ignorance is without basic sex education preventing humans from being seen as spider food, rather than futanarian brainpower to escape the parasitoid consumer.
 
 
 
 Starship Troopers contrasts with Don Harvey`s growth experiences in Between Planets (1951), which is about Venus` struggle for independence featuring a friendship between a Venusian `dragon` named Isaac Newton who speaks English with Harvey through a voice translator. The relationship is based on good intelligents as human, because that`s how adolescents think, whereas criminals think of good intelligence as provided by informers, so that they can see what others can`t, and even prevent others from seeing, which was the basis of Nazism that Heinlein`s Rocketship Galileo celebrated the defeat of. Although the Roman fasces were used by Italian dictator Benito Mussolini, after his assumption of power in Italy in 1922, that is, as a symbol of ancient Imperial Rome`s generals who built stockades with axes and wood to blind others from seeing them developing their campaign plans, the fasces bundle of wood and ax symbol was adopted by Adolf Hitler as a symbol of his blinding of humanity to what was going on inside the `death camps` he built to pogrom the Jews, whose futanarian tradition of `woman`s seed` is that Jews are born from women, that is, women are Jews, which Nazism didn`t want others to know about because it`d interfere with fascism`s host womb slavery in parasitism`s parasitoid devouring to maintain humanity in ephemeral blind unconscious ignorance of what was being done to it by Satanism. By 1959`s publication of Starship Troopers Heinlein`s juvenile vision of good intelligents as human was replaced by the `bug war` between the arachnoid `bugs` and Earth`s boys sons, that is, poisons, dropped from starships piloted by women like Carmen, who`re called `mother`, because the author`s perception was the car men were arachnoids seeking to prevent `woman`s seed` from escaping their poisonous nature and indeed co-opting the enslaved owners of the womb of the species to collaborate as traitors against their own race kept in blind ignorant unconsciousness by fascist car men wanting another full tank from the barrel.
 
 
 
 Don is given a ring on Earth to give to his father on Mars, but he`s arrested by Earth`s security before he`s released, and his ring returned with an explanation that he won`t be seeing the `family friend` who gave him the ring, because he died of `heart failure`, which is a euphemism for murder by an evil torturer who wants to obtain `good intelligence`. The ring carries the secret of scientific breakthroughs resulting from archeological studies of an alien civilization on Mars. With Venus` Sir Isaac`s help it`s used to build an advanced spaceship, Little David, and although the ship isn`t able to prevent Earth`s warships from routing the Venusians`, it defeats a group of Earth`s warships enroute to crush a Martian revolt. Don and the Venusian dragon, Sir Isaac, represent good intelligents, which is defined as human within the parameters of Heinlein`s Between Planets, whereas Earth`s colonial Imperialism is fascist and the colonists seek independence from the security forces that seek to keep humanity in blind unconscious ignorance by forcing good people to inform, that is, provide them with `good intelligence`, through bribery or the evil of torture resulting in `heart failure`. Consequently, good intelligents is defined as human, which includes Sir Isaac, or anyone else, whereas for the evil `good intelligence` is defined as spies and informers, like Judas, who betrayed Jesus to death, because he didn`t want `woman`s seed` to sexually reproduce good intelligents from human brainpower so that women`s futanarian species could see that they were kept imprisoned in host womb parasitism to an alien enslaving parasitoid devourer accusing them of opening their eyes with their minds engaged whenever they looked more than pedestrian.
 


 

 
 Pedophiles are so-called because children are pedestrian enough for them to catch as they can`t use a car themselves but have to walk. Heinlein`s juveniles therefore depict adolescents in revolt from the car men who`d prevent their escape to the planets amongst the stars to avoid being boy sonned and consumed. Of course, amongst the planets they`d be `boy suns` as spreaders of the contagion of atomic weapons, which were described by science`s own science fiction writer, Isaac Asimov, in the short story, `Hell Fire` (1956), as having `the power of a sun`, after the United States dropped the atomic bombs `Little Boy` and `Fat Man` on the Japanese cities of Hiroshima and Nagasaki on 6 and 9 August, 1945, to defeat Japanese fascism in the Pacific war theater: `The oval fireball had sprouted projections, then paused a moment in stasis, before expanding rapidly into a bright and featureless sphere. That moment of stasis - the fireball had shown dark spots for eyes, with dark lines for thin, flaring eyebrows, a hairline coming down v-shaped, a mouth twisted upward, laughing wildly in the hell-fire - and horns.`2  Although the Japanese tradition of foot binding to disable women and prevent their escaping was a misogynist sign of fascism, the US` banning of human futanarian women from movie theaters` screens, that is, as a previously `screened` enemy of Satan`s, was a fascist sign that the spiders` wars were all directed at `woman`s seed`. In Heinlein`s juvenile, written mainly for girls, which followed Starship Troopers` spider wars, Podkayne Of Mars (1963), Poddy`s wanting to be a spaceship pilot continues the theme of escape denied, and she`s childnapped along with her brother Clarke, who builds a small nuclear device to kill the kidnappers, and Poddy is killed too in the original ending to the novel before fans` pressure persuaded the author to resurrect her in a rewrite. Heinlein`s naming of his heroine, Poddy, alludes to the misogynist idea of a woman as being just a `body`, and to the Invasion Of The Body Snatchers (1956) movie in which aliens emerge from their pods with human bodies, because `woman`s seed` sexually reproducing with women as her own species isn`t alien, whereas men are the Poddy snatchers in the childnapping and Podkayne`s real name alludes to the story of Cain and Abel in the Bible in which Cain emerged from the womb of Eve to jealously kill his brother, Abel, who was more pleasing to God, because he was able and could cook. Consequently, Clarke in Podkayne Of Mars emerges to kill his sister with the `power of a sun`, because that`s what the girls` Poddy is for. Heinlein`s juvenile girl readership is being told that men are for cooking with the `power of a sun`, which is why girls are able to cook, because it`s survival training for `woman`s seed`, who doesn`t want to be a pod for Cain, but seeks to go alone as a single species to the planets amongst the stars in starships of her own brainpower`s devising to escape being devoured in parasitism by the alien parasitoid enslaving her womb on Earth to produce more evil planets and evil suns.
 
 
 
 That Heinlein listened to his publisher, Scribner`s, is evident. In the juvenile Red Planet (1949) the Martians` peaceful co-existence with the colonists is maintained by Jim Marlowe through his relationship with what he`d thought of as a pet `bouncer` he calls Willis, but who is discovered to be an initial form of the three-legged Martians, who become `old ones` when they apparently `discorporate`, which is the Martian equivalent of human expiration. When the Martian colonists declare independence from Earth, the Martians enter the school where Willis had been held captive as a forbidden `pet` by the administration before Jim released the bouncer, and the Martians tell the colonists to leave. Early in the novel Dr MacRae, who negotiates with the Martians, had expressed support for children being free to carry handguns, and opposition to any government which would restrict that. Heinlein removed it from the final version and MacRae is able to persuade the Martians to allow the colonists to remain on Mars, where the likely future scenario is of a red planet where the discorporated Martian `old ones` are no longer a visibly going concern for the colonists, whose future corporations` worrying over Martian intelligence results in the deaths of the Martians in the way of parasitoid devourers of good intelligents everywhere. Because of the traditional perception that Mars is the male god of war, while Venus is female, the planet named for the Roman goddess of love, Venus, is the subject of Heinlein`s juvenile, Space Cadet (1948) in which Matt Dodson joins the Space Patrol in 2075 and sends a lander to take a team to investigate an incident on Venus where they`re taken prisoner by the usually friendly Venerians and the lander sinks in mud. Girard Burke, a classmate of Dodson`s who `dropped out` of school, had held a Venusian matriarch hostage when she refused to give him permission to mine. The Venerians attacked Burke`s ship and, killing his crew, took him prisoner. Burke is a precursor of the boy sons, that is, poisons, being `dropped out` by their pilot mothers to wage men`s `biological warfare` further off on ever more distant planets where good intelligents can still be had, if the good intelligents can be found to be agreeable enough to be eaten by the parasitoid Earthmen. Venus-born Oscar Jensen persuades the Venusian matriarch that Dodson`s crew are honorable and civilized, unlike Burke`s, and the crew are surprised when she shows them the legendary Astarte ship, named for the Persian goddess of love, and believed lost when it set out for Venus more than a century earlier. The crew journey to the Space Patrol liaison base at Venus` South Pole in the Astarte and Matt Dodson is initially surprised they aren`t treated as heroes until he accepts that what they did was only what is expected of Patrolmen. While Red Planet is about independence from authority through conflict, that is, Mars as the god of war, Space Cadet is about the love goddess aspect of Venus, represented as matriarchy, which is against boy sons` drop outs in contrast to Starship Troopers where the boy sons` drip `biological warfare` from the host wombs of the species of good intelligents that bore them to be devoured by their parasitoid nature, which is what Heinlein`s Venerian `dragon`, Isaac Newton, from Between Planets, and the Venerian matriarch with the perfectly preserved Astarte ship, symbol of the goddess of love, represent for the drop outs `tripping out` on their `drip feeds` to the planets and stars for an intimate candle lit dinner for one: `Your candle burned out long before your legend ever did.`3 Pop star Elton John`s lyric from `Candle In The Wind` (1973), a song about actress Marilyn Monroe, who was found dead in the nude in 1962, reflects on men`s preference for penisless women, because it affords them a meal.
 
 
 In perhaps Heinlein`s best loved juvenile, Have Space Suit - Will Travel (1958), a girl, Peewee, arriving in a flying saucer with `the Mother Thing` to help Kip, who`s won a space suit in a competition, explicates how Heinlein`s protagonists invariably return home to Earth. Peewee and the Mother Thing flee from the saucer and Kip is captured and taken to the moon by the alien `Wormface`, along with the girl and the Mother Thing, a good intelligent human by definition, who`d fled. Wormface, who calls all other intelligences `animals`, takes the three to Pluto where humans are eaten as food, presumably because `woman`s seed` is futanarian but tastes the same as it used to. The people of the Mother Thing live on Vega 5 and the three escape there after the Mother Thing transmits a distress signal to bring their assistance. The Earth faces a tribunal convened on a planet in the Lesser Magellanic Cloud, but first the judges sentence the Wormfaces to genocide by having their planet `rotated` away from its life-giving sun. On humanity`s behalf the Mother Thing argues that humans are children who, as an ephemeral species, need more to time to learn and grow. Kip and Peewee are returned to Earth with devices and equations provided by the Vegans. Kip passes the information along to Professor Reisfeld, Peewee's father, so demonstrating the value of good intelligents to the genocidal. Heinlein`s juveniles are noteworthy for their knowledge of pedophiles` explanation that adults are children, which is what Dodson noticed about the Space Patrol`s refusal to treat the Patrolmen as heroes in Space Cadet; they were suddenly children again because pride in human intelligence and endeavor is humbled by the parasite that doesn`t want the slave to escape. In Citizen Of The Galaxy (1957) it`s uncovered that the slave boy, Thorby, is heir to a fortune at his own company, Rudbek and Associates, where conspirators sold him into slavery to ensure he`d never be an adult human. Humans don`t like host womb slavery in parasitism for devourment by a parasitoid nature conspiring to prevent them from developing beyond blind unconscious ignorance in ephemerality. They want to escape to the planets and stars before Professor Reisfeld`s successors `rotate` the Earth out of `three-dimensional space`, so that it freezes to death without its life-giving sun, because the misogynist parasites` parasitoid devouring nature doesn`t want a daughter with `seed` of her own. Although it`s difficult for Christianity to accept, Jesus` birth from his mother, the Virgin Mary, uncontaminated by male semen, is the daughter `woman`s seed` isn`t acknowledged to have. Consequently, Christianity`s pedophile approach is to accept Jesus is a man, but unredeemed men aren`t, although they might be when they`re adults, but human adults are born of `woman`s seed`, so men are taught in Christianity that they`ll never be human, because Jesus was a man, and they might become so too, if they convert and repent from their parasitoid sin of slavery, but they`re untutored in `woman`s seed`, which is Christianity` flaw, so they`re more likely to see the worm`s faces below instead of heaven`s above.
 
 
1 TV Tropes, `Foot Popping`, https://tvtropes.org/pmwiki/pmwiki.php/Main/FootPopping/ .
2 Asimov, Isaac `Hell Fire`, Fantastic Universe, May 1956.
3 John, Elton (music), and Bernie Taupin (lyrics) `Candle In The Wind`, Goodbye Yellow Brick Road, MCA, 1973.

Poor Grandma

02/04/2015 05:19

Poor Grandma

 

Those in kindergarten who`re accused of poor grammar should spare a thought when they`re adults for poor grandma who had to deal with the pogromer before the grandchildren were born. Although most humans believe that the Earth has never been invaded by aliens attempting to kill and enslave the human race, the story of Eve and Adam in the Bible reveals a different tale, `You shall be as gods.` (Gen: 3. 5) The serpent in Eden persuades Eve and Adam to reject the `fruit of the tree of life`, which is immortality, for the `fruit of the tree of the knowledge of good and evil` which is death. God tells Eve, `You shall crush the head of the serpent with your foot, while he shall lie in wait for your heel.` (Gen: 3. 15) Eve is from the side of Adam, that is, she emerges from the rib of Adam as though a pearl from the shell of an oyster, which is how the ancient Greeks depicted the goddess, Aphrodite, and in the Bible heaven is described as `the pearl of great price`, because Eve emerged from the side of Adam, who was her shell. God told Eve and Adam they`d have Redemption although Eve would have labor pain and Adam would labor, before Jesus was born uncontaminated by male semen from his mother, the Virgin Mary.

 

 

 Although Jesus was nailed to a wooden cross outside the city of Jerusalem in Palestine on the hill of Calvary by agents of the Roman Empire as a dissident teacher, he had Resurrection and Ascension to heaven, because his birth prefigured the Resurrection of `woman`s seed`, which is the `futanarian` foot God tells Eve will crush the serpent`s head. Because `futanarian` women with their own penis` semen and host wombs represent the sexual reproductive capacity of women to produce their own brains` power to liberate themselves from the yoke of enslavement in host womb parasitism to the alien pogromer seeking to kill their race, they`re the foot that will crush the head of the serpent. At the `Last Supper` before his death, Jesus gave `bread and wine` to the disciples as symbolic of the `body and blood` of the human host, which the disciple Judas` betrayal of Jesus to the Empire of Rome`s slavery rejected. Jesus, born uncontaminated by male semen from his mother, the Virgin Mary, represents `woman`s seed`, that is, the Resurrection of the human host of `futanarian` women with their own penis` semen and host wombs for the production of their own brains` powers to liberate the human race from slavery and death.

 

 

 As the supposed sexual progenitors of the human race, Eve and Adam would have produced `futanarian` women, or Eve would have produced `futanarian` daughters with their own penis` semen and host wombs for the sexual reproduction of `woman`s seed` in humanity. What may have occurred is that the sons of Adam espoused the philosophy of the serpent and became what the Bible calls the `serpent`s seed`, that is, by exterminating the `futanarian` race of women with their own penis` semen and host wombs, men enslaved the human species` host wombs for war and Empire in slavery and death. In ancient Greece women`s host wombs were enslaved to institutionalized homosexuality in pederasty to spread the aliens` Empire of contagion through war further. At the death of Jesus, the Roman guard, Longinus, pierced Jesus` side with his spear, which afterwards was known as the spear of destiny holding great power to those who possessed it. During the period of Adolf Hitler`s Third Reich in National Socialist Germany (1933-45), the spear of destiny was sought by the Nazis as a powerful talisman. Although Jesus was a Jew and Hitler is infamous in the history of the world for building death camps during World War Two (1939-45) in which to exterminate the Jews, who are the `chosen people` of the Bible, as the Nazis sought to enslave Eastern Europe for their Empire, Longinus` piercing of the side of Jesus and the totemic symbol of the spear of destiny represent the power of the Holy Spirit born from the side of Jesus, that is, the `Second Eve` from the side of the `Second Adam`, to change the world. Consequently, the meaning of the spear of destiny is linked to the fate of the `chosen people` because Jews must be born from Jewesses, which means that women are the `chosen people` as the `futanarian` human race pogromed on the Earth by the alien `serpent`s seed` which doesn`t want her to breed her own brains` power for liberation from slavery and death.

 

 

 Although Adolf Hitler is infamous for death camps, in which 11,000,000 people were exterminated, the absence of medical science to give women longevity, and the absence of `futanarian` woman from the world`s stage with her own penis` semen for the sexual reproduction of her own brains` powers as the human race, suggests that Nazism is what men are. If women sexually reproduced with each other, they`d democratically be in power, because men can`t sexually reproduce with each other, probably because men represent a parasite that inveigled itself into the host womb of the human species millennia ago, which is the story that the `serpent`s seed` in Eden and the birth of Jesus uncontaminate attempts to change. When Longinus pierced the side of Jesus with the spear of destiny, he was releasing the Holy Spirit from its shell:

 

`Surely, this was the son of God.` (Matt: 27. 54)

 

 

  Christianity isn`t the only world religion that perceives women as emerging from the shell. In Egypt the `Ka` is the spirit and the `Ba` is the soul of their ancient mythology. According to Egyptian tradition the `Ka` and `Ba` conjoin as the `Akh` or `magical personality`  after death, that is, when the spirit is released from the body of the man spirit and soul conjoin and become `Akh` according to Egypt`s ancient belief. The Koran (610-30 C.E.) of the Moslems in `Islam`, which means `accept` and contains the stories of Jesus and Abraham, was dictated by the angels to the Prophet Mohamed, and diverges from the Christian tradition through the person of Hajer, who was the Egyptian maid of Sara, mother if Isaac, whose line founded Israel. Sara became barren and gave Hajer to Abraham and she produced a son, Ishmael, who built the temple of Abraham called the `Ka` Ba` in Saudi Arabia`s city of Mecca, that is, the `Ka Ba` is an Egyptian symbol of the `Akh` or `magical personality` produced when `Ka` spirit and `Ba` soul are conjoined after the bodily death of a man like Abraham. Because a man is a shell for the Holy Spirit of the woman after death, Abraham`s wife Sara represents the `Ba` body or soul that`s sexually desirable for the `Ka` spirit of the woman trapped in the body of the parasite that`s stolen her penis after inveigling itself into her host womb as men of the `serpent`s seed` must have done after the period in Earth`s history that the Bible describes as Edenic. Consequently, `Akh` denotes `futanarian` sexual reproduction between the woman`s `Ka` and the woman`s `Ba` body after the death of a man who is her shell.

 

 

 Although the Bible describes Redemption as a possibility afforded to men if they repent and accept Jesus` teachings, `shelling` is what they`re for. In war zones descriptions of shells of buildings are common, because the buildings are shelled by tanks, for example, while humans are killed by bullets emerging from shells. Consequently, men shell women, because they`re racist and they want women to run rather than be the race. The development of the armament shell containing a high velocity projectile is the methodology applied by the alien invader to shell the species. When Neil Armstrong, the North American Space Administration (NASA) astronaut, landed with the Apollo 11 `luna module` on Earth`s satellite, he arrived as the pea from the shell of the three stage rocket launched to put him on the moon:

 

`One small step for a man, one giant leap for mankind.`1

 

 

 Although women are taught that`s what their capacity to carry an infant in utero before birth is for, that is, to put a man off Earth and amongst the stars and planets, the method of propulsion is the same as men`s projectile from an armament shell, which means that their shelling is how they rid themselves of Earth and `woman`s seed`, rather than project the human race into space. On March 23, 1983, United States of America`s President Ronald Reagan announced `SDI`, that is, `Strategic Defense Initiative`, which proposed a `ground and space based` missile defense system that effectively would make it impossible for anyone to leave without the US President`s agreement, which meant that the alien invader was planning to shell the Earth from space after taking control there. Although Neil Armstrong`s words about being the first man on the moon seem true, `futanarian` women with their penis` semen and host womb are the foot of God, whereas unredeemed men are the `serpent`s seed` attempting to shell her so that the humans can`t escape:

 

`You shall crush the head of the serpent with your foot, and he will lie in wait for your heel.` (Gen: 3. 15)

 

 

 If she`s shelled before she develops space travel, she`ll be poor grandma with poor grammar, that is, the words to express her species` plight and escape from the pogromers will be absent from the wise old woman`s lexicon, which is why Jesus was `the Word` of God, `At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` The host at the `Last Supper`, before his crucifixion, death, Resurrection and Ascension to heaven, offered the `bread and wine` as symbols of his `body and blood`, which the Christian church in the ritual known as Communion, calls the host, because Jesus uncontaminate represents the host of the human species born from the Resurrection, which is `woman`s seed`, that is, the `futanarian` human race reborn from the penis` semen of women. According to the Bible the serpent was the angel, Satan, who didn`t want humanity because the human host would be greater than the angelic host, so God transformed Satan into a serpent. The transubstantiation ritual of the `bread and wine` in the Christian Communion is meant to reverse that process whereby men who have accepted the perspective of the serpent have Redemption through acceptance of `woman`s seed` and transformation convert their sin of worshipping death in slavery for `woman`s seed`. Because the Earth`s mass media and networked news doesn`t spread any word of poor grandma`s plight, the absence of knowledge about `woman`s seed`, for example, through novels and newspapers, maintains women`s collusion in occlusion as homosexuality in pederasty`s aliens war against her human race with the aim of extinguishing her before she can leave so the `serpent`s seed` can continue to be shells:

 

`I am ignored as if I were dead, as if I were a broken pot.` (Ps. 31. 12)

 

 

 According to the Bible `Sheol` is hell, because men shell women, which is why Resurrection of the dead women is assured. In 1950 Pope Pius XI made the Assumption of Jesus` mother, the Virgin Mary, doctrine in the church, that is, the Ascension of `woman`s seed` to heaven is assumed by God to be self-evident after the Resurrection, which entails sexual reproduction between women of humanity`s brainpower for technological liberation through labor saving devices and escape to the planets and stars of heaven away from men of the `serpent`s seed` who are her captors and exterminators. Because men are women`s shells, her `Ka` spirit trapped within a man`s body, and her `Ba` body or soul sexually fertilized by the `serpent`s seed` are what Christianity calls the Holy Spirit, which is the `tutelary spirit` Jesus promised would teach after him, because men don`t accept that they`re shells that have to convert and repent from their sin of enslaving the host wombs of the `futanarian` species of women in order to have Redemption and Resurrection through `woman`s seed` and enter heaven. The nearest Earth type planet in the solar system containing the star sol, known as the sun day star, is Mars, the name for the god of war in Roman mythology, because when men go there they`ll return to Earth, which doesn`t want them either:

 

`No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man's and yet as mortal as his own; that as men busied themselves about their various concerns they were scrutinized and studied, perhaps almost as narrowly as a man with a microscope might scrutinize the transient creatures that swarm and multiply in a drop of water. With infinite complacency men went to and fro over this globe about their little affairs, serene in their assurance of their empire over matter. It is possible that the infusoria under the microscope do the same. No one gave a thought to the older worlds of space as sources of human danger, or thought of them only to dismiss the idea of life upon them as impossible or improbable. It is curious to recall some of the mental habits of those departed days. At most terrestrial men fancied there might be other men upon Mars, perhaps inferior to themselves and ready to welcome a missionary enterprise. Yet across the gulf of space, minds that are to our minds as ours are to those of the beasts that perish, intellects vast and cool and unsympathetic, regarded this earth with envious eyes, and slowly and surely drew their plans against us.`2

 

 

 Traditionally, men are from Mars, while women are from Venus, who is the Roman goddess depicted by the Greeks as Aphrodite, the `pearl of great price` in Christianity, rising from the sea upon a shell, while Mars was Ares in Greek mythology. The developmental psychologist, Carl Jung (1875-1961), viewed the sea as a symbol of the collective unconscious from which archetypes rose during waking hours out of the unconsciousness of dreams into the products of imagination and art as the impulse engines of human nature. According to Jung the soul or anima in man received projection onto the desirable woman who corresponded to the ideal woman within. Although Jung argues that women had a spirit and not a soul, his perception of the animus as a woman`s belief that she was surrounded by admiring men, is an aspect of what Jung conceived as the collective shadow, which is the collective spirit of men`s desire to shell the women after surrounding them as their enemy. In truth men`s anima is the sexual desire of the `futanarian` woman`s `Ka`, that is, `spirit` in Egyptian mythological terms, for her `Ba` soul body, but the woman`s `Ka` is trapped within the body of men, who aren`t able to perceive the ideal woman from the Ka`s point of view, because they`re the shells of women and not `futanarian` women with penis` semen of their own, which is what Kas are. Consequently, Venus rising from the shell and Eve emerging from Adam`s side, together with Jesus` piercing by the spear of Longinus, are archetypes of woman`s system for sexual reproduction, which Jesus called the Holy Spirit that would teach humanity about Resurrection after him. Satanism is the shelling of women so she`ll run and men hunt her so they can shell her again and make her run more, which is what September 11, 2001, represented. The World Trade Centre was a symbol of `rough trade`, that is, homosexuality in pederasty`s wars of `brutality and violence` against the human race of women, from the misogynist Taliban regime in Afghanistan`s trained terrorist group Al Qaeda`s perspective. The shelling of the buildings of New York`s Twin Towers by crashing hijacked planes into them was a precursor of the tanks shelling Afghanistan`s capital city, Kabul, because it`s symbolically the `bull of the Ka`, that is, men`s spirit which corresponds to what Jung thought of as the collective shadow which surrounds the woman in order to shell her cities.

 

 

 During the siege of Troy, described by the Greek poet, Homer, in his Iliad (c. 760-10 B.C.), the Greeks deployed a huge hollow wooden horse against the Trojans, who took the horse into the city of Troy as a `friendship gift`, and the Greeks emerged to enslave the host wombs of the women for homosexuality in pederasty and war to spread their Greek contagion further. `Trojan horse` was used by the successors of the Greeks, that is, the `geeks`, as a term for `bad machine code` designed to infect computer brains and kill them, while the HIV/AIDS virus transmitted as a `friendship gift` by homosexuals mixing blood, shit and semen in each others` anus infected the brains of their victims as the `biological weapon` of the alien `serpent`s seed` designed by the `geek` human software engineers to kill the progress of the race. The `geek` system is to eat the heads of chickens, which is what the term `geek` originally meant as a description of a `sideshow` at a major entertainment. Consequently, the `geek` virus was a sideshow to September 11, 2001, although the failure of the United States to prevent Al Qaeda`s `Trojan horse` from eluding the US Defense system to crash hijacked planes into the World Trade Centre was symptomatic of the `geek` desire to see the Earth being run by headless chickens kept in terror of seeking a woman`s sexual reproductive organs, which represent Redemption from brainlessness through her `futanarian` species` human semen.

 

 

 Although William S. Burroughs was infamous for homosexuality and killing his wife as a misogynist, his perception was that something moved in when the human spirit moved out, which he called, `the invader, the Ugly Spirit`3 in his novel, Queer (1951-3), and that spirit corresponds to the collective shadow of Jungian psychology as the spirit of men of the `serpent`s seed` seeking the human race of women`s extinction. As a world figure, Adolf Hitler was prototypically male insofar as Resurrection for `woman`s seed` represents the sexual reproduction of human brainpower without a male overseer. Jesus was a shepherd, `I am the good shepherd.` (John: 10. 11) But Hitler was a slaughterman, because men can`t accept the meaning of transubstantiation, which is acceptance of the host of `woman`s seed` after Resurrection. Satan was transformed by God into a serpent, because he didn`t want the human host to rival the angelic host, whereas the human host are the `futanarian` host womb of women as the human race with her own penis` semen and host wombs for the sexual reproduction of her own brains` powers to escape slavery in death. In simple terms, Hitler didn`t want Resurrection for `woman`s seed`, that is, the `chosen people` of God, because he didn`t want Resurrection through women`s penis` semen and host wombs, so as a typical male he exterminated the women. Because men are aliens and women aren`t their species, so shelling the women in wars against her human race of `futanarian` women with their own penis` semen and host wombs for the sexual reproduction of humans is how men distinguish themselves from the human herd, who aren`t heard as men don`t listen to Jesus` teaching:

 

`Leave her alone.` (John: 12. 7-9)

 

 

 Before Jesus` crucifixion he`s anointed with expensive perfume bought by a woman berated by Jesus` disciple, Judas Iscariot, because Jesus will be killed by the Romans after Judas` betrayal, so it`s wasteful to spend the money on a dead man. Jesus` perception is that Judas` betrayal of the human host at the `Last Supper` is treachery towards `woman`s seed`, that is, `futanarian` women with their own penis` semen and host wombs uncontaminated by male semen, like his mother, the Virgin Mary, which is why Judas should leave her and Jesus uncontaminate alone: `I am the way, and the truth, and the life.` (John: 14. 6) Humanity doesn`t have the truth because the human species of woman is absent from the socio-historical picture promulgated by novelists and writers kept in ignorance and occlusion through war and death to `woman`s seed`, which they unconsciously promulgate daily in blind acceptance of their role. Because writers are prevented from seeing the truth and so can`t write about it, reality isn`t the truth, whereas truth is simply that humans eat, drink, and sexually procreate, because that`s what they`re physically designed for.

 

 

 What humans are taught is `pornography` is what humans want. Humans don`t like what they`re taught to perceive as pornography, because there aren`t any humans in it. Even internet porn sites like https://www.futanaria.com feature women with penis having sex with men rather than women, that is, the `Ka` of the woman`s Resurrection isn`t depicted having sexually reproductive sex with her own `Ba` soul body, because men don`t want Resurrection for `woman`s seed`. Lesbian sex is proliferated as a homosexual aberration between women, while women are encouraged to see their own bodies in the mirror as taboo to initiate schizophrenia, that is, rejecting their own species` sexual nature in favor of the viral alien parasite that seeks to live from her host womb as it prepares to shell and exterminate her in its wars against humanity. Supposed heterosexual sex is definable as `the number of the beast`, that is, the biblical `666` as two thirds of the planet`s population exclusive of the `futanarian` human race of women, which the two beasts of Revelation want to subjugate:

 

`And that no man might buy or sell, but he that hath the character, or the name of the beast, or the number of his name.` (Rev: 13. 17)

 

 

 Obviously, Jesus` teaching is what`s being suppressed, so the perspective is mankind, whereas the truth is that `futanarian` women`s race is being socio-economically subject to the male braining paradigm of homosexuality in pederasty and warfare against the human species, which is what heterosexuality is for. Because women have their own penis` semen as `futanarian`, the sexual reproduction of the human race of women`s brains represents not only the possibility of socio-economic independence for the species escaping from slavery in death, but control of political power through the democratic process, that is, women outvote men who can`t sexually reproduce with each other. Although homosexuality is represented as sex between men in pornography, it`s sterile because men are women`s shells and so represent sterility and sterilization, that is, killing women is what pornography depicts, which is why the `snuff movie` industry that provides the death of humans as entertainment in wars and films is closely related to pornographic film and literature, which excludes `woman`s seed` from the scene. In simple terms, excluding `futanarian` women with their own penis` semen from the human sexual reproduction of their own species` host womb is what pornography represents, and so it`s a `snuff movie` makers` taunt directed at those who don`t want a race to be lost that`s lost already without acceptance of Jesus` teaching of Redemption through `woman`s seed`.

 

 

 The non-writer and the non-director write and direct the writer and the director off the set, which is what happened in Hollywood Babylon between the Renaissance period of Steven Spielberg`s directing of movies like Close Encounters Of The Third Kind (1977), which features a benign visit from the heavens and humans leaving with the humanoids, and ET: The Extraterrestrial (1982), which depicts a lost extraterrestrial`s friendship with a girl, Gertie. The extraterrestrial is rescued after actress, Drew Barrymore, in the role of Gertie, explains that what `E.T.` wants to do is, `Phone home!` The film Independence Day (1996) is a pun on the United States` Declaration of Independence from the British Empire of George III in 1776, while Mars Attacks (1996) spoofs H.G.Wells` The War Of The Worlds in which Martians invade Earth, because men are from Mars, that is, they bring war. In Spielberg`s `close encounter` movie the mother ship is about the size of New York`s Manhattan island, but the ship appears in the secluded sparsely populated mountains of Wyoming, whereas the invaders in Independence Day appear in huge ships and destroys Washington D.C. amongst other cities:

 

`I saw what they're planning to do. They're like locusts. They're moving from planet to planet ... their whole civilization. After they've consumed every natural resource they move on ... and we're next.`

 

 

 Actually, that`s what Adolf Hitler and Saddam Hussein did, because that`s what men, distinguishing themselves from `woman`s seed`, do as aliens. In Mars Attacks the aliens laugh with hilarity at humans` sexual reproduction, while gleefully exterminating major socio-historical landmarks, like the Taj Mahal in India, which is the tomb of Mumtaz Mahal, who was the wife of Shah Jehan, beheaded by him for an unfaithfulness with his brother she wasn`t guilty of. The story depicts what men do to the species of woman, who can`t sexually reproduce her own brains` powers to prevent men`s extinguishing her human race, which is what Mars Attacks depicts; there`s nothing the human race of `woman`s seed` can do against men`s hysterical blindness. The ancient Greek dramatist, Sophocles, was laughing in Oedipus Rex (c. 429 B.C.) at Oedipus` blindness, because he couldn`t see that the woman, Jocasta, and Antigone, her daughter, represented the inability of men to breed women`s brains to prevent the human race from dying. Consequently, humanity is defined as porn by the alien, whereas what humans want is porn, that is, to eat, drink and engage sexually in safety, which requires a dwelling unpenetrated by men, and that`s what starships represent, whereas men`s paradigm is the shell and the projectile, that is, the penis and the sperm as a means of spreading contagion.

 

 

 The age of the `Great Mother` (8000-6000 B.C.) is characterized by the invention of the wheel, agrarian societies, and the earliest use of writing, but is symbolized by the crab, because it represents woman`s emergence from her protective shell, which starships afford women engaged in sexual reproduction between themselves. The ancient 69 `crab` symbol is the `Great Mother`, because it denotes sexual fertilization between women with sperm of their own. Although the star constellation of the `Great Mother` in the night sky seen from Earth is Cancer, which is the Roman Latin word for `crab`, the incurable killer disease before HIV/AIDS was called `cancer`, because men represent cancer for the `Great Mother` if the integrity of her shell is penetrated by them. Although television science fiction series like Star Trek (1965-) depict men and women travelling through the cosmos in the starship Enterprise, it represents a dying and penetrated woman for whom men`s cancerousness wasn`t enough to kill her, so the homosexuals in pederasty and war devised HIV/AIDS as a way of injecting her sexually with a virus that would kill her brain:

 

`Space: the final frontier. These are the voyages of the starship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before.`4

 

 

 Because men are women`s shells, to prevent her from sexually reproducing with her own race of `futanarian` women, men have developed a system of terrorism in monogamous fearful faithfulness with HIV/AIDS as the terror weapon used in biological warfare to keep women by their side. Sophocles` depiction of Oedipus` marriage with his mother, Jocasta, as resulting in his self-blinding, because of the power of men`s incest taboo, is indicative of men`s systematic depriving women of the opportunity to sexually reproduce together, because the incest taboo isn`t against sons, it`s against daughters. Although it`s more than likely that human daughters would have sexually reproductive relations with almost any woman other than their mother, which means that men`s incest taboo is designed to taunt women with the fait accompli of their human race`s extinction. The menacing of men who want to be with other men`s daughters is symptomatic of the desire of the `serpent`s seed` to prevent human sexual reproduction, that is, daughters aren`t wanted to sexually reproduce, even though sexual reproduction between themselves and men isn`t of woman`s species. In short, women are wanted for the sexual reproduction of men as their parasites, whereas human sexual reproduction is an unspoken taboo, that is, signs of humanity aren`t desired by the `serpent`s seed`, because the alien invader wants host womb slavery in death for the humans, which is why cancer and HIV/AIDS remained incurable.

 

 

 As women aren`t wanted, those who would want women are rewritten by the non-writers and those who would direct women are directed away from the women by non-directors, which is why ET: The Extraterrestrial became Mars Attacks, because `E.T.` was too human with Drew Barrymore, whereas the aliens in Mars Attacks decapitate Sarah Jessica Parker, in the role of chat show host, Nathalie Lake, and put her head on her Chihuahua`s body, while the head of the dog is placed on hers by the vivisectionists. It`s a Scheherezade metaphor from the 8th century collection of Asian tales, 1001 Nights, in which she tells stories as a `framing device` to Shah Jehan, who marries a woman each day, after beheading his wife, Mumtaz Mahal, for supposed unfaithfulness. Enthralled by Scheherezade`s tales, Shah Jehan ceases his practice of beheading the woman he marries each day and marries Scheherezade, who is then credited with saving the women of the kingdom. The destruction of the Taj Mahal by Martians is a central scene in Mars Attacks because the decapitation of Sarah Jessica Parker, in the role of chat show host, Nathalie Lake, to degrade her in the eyes of the viewing public to the level of a brainless animal, is what men have done with the human species of woman, whose brains they don`t want; as they`d interfere with the enslavement of her host womb in parasitism and extermination by the `serpent`s seed` in the `snuff movie` it`s recording as human history.

 

 

 The television series that owes most to Steven Spielberg`s Close Encounters Of The Third Kind is Taken (2002), starring Dakota Fanning as Allie Keys, who is taken by extraterrestrials because that`s what women want. They want to be taken by their own `futanarian` human race of women with their own penis` semen and host wombs to a safe place where they can live in freedom from slavery in death to the `serpent`s seed` of men`s homosexuality in pederasty and war against her race. Independence Day is science fiction`s September 11, 2001, destruction of the Twin Towers of New York by Al Qaeda`s terrorist hijackers crashing `civil` airliners into them and so provoking war. 9/11 was filmed as World Trade Centre (2005) by Hollywood Babylon, while United Airlines Flight 93 was `taken down` on 9/11, 2001, by passengers as the Al Qaeda hijacked `civil` airliner was on its way to crash into the Whitehouse in Washington D.C., which is `taken out` by alien invaders in Independence Day, because that`s men`s `snuff movie` version of woman`s day of independence that`s called `the rapture` in Christianity:

 

 `Then we who are alive, who are left, shall be taken up together with them in the clouds to meet Christ, into the air, and so shall we be always with the Lord.` (Thess: 4. 16)

 

 

 Women having sex together safely without being watched by men is what humans are. As pornography represents women`s refusal to be directed off by the homosexuals, so men`s refusal to be directed off by the homosexuals is what war is from the point of view of the attacked, that is, war is what men engage in because that`s how they`re directable. Consequently, provoking conflict is directing from the perspective of those who want to ensure the human race`s extinction, which is what men are for. A man who isn`t angry isn`t directed, so angering men is `the game` that species` killers play. Because `futanarian` women with their own penis` semen are occluded from the world`s stage, although the four wives allowed to Moslem marriages in `Islam`, that is, `accept`, suggests sexual reproduction between women exists, it`s easier to exterminate the humans by making them angry, because they`re brainless:

 

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 

 

 Men are women`s shells, which is why the enslaved host womb of the human race of `futanarian` women with their own penis` semen for homosexuality in pederasty`s `war games` with `live shells` is abominated in the Bible as the woman, Babylon. For the Bible it`s a mystery as to why the woman would accede to the demand of the `serpent`s seed` to be its `snuff movie` filmed as a history of its extinguishing of the human race by Hollywood Babylon in the United States of America, as elsewhere, throughout the eons of human endeavor. Racism, of course, is observing the race running without progress, because those who seek to improve humanity die without success. Consequently, the aim of the racist is to delude the human into believing that they`re racing to a finish line representing achievement. Human aspiration is measured in terms of humanity, that is, how much faith the individual places in the human system, which results in much striving to no avail, because the racist believes that the human shouldn`t be able to walk, which is why the Boston Marathon bombing occurred on April 15, 2013, the anniversary of the unsinkable passenger liner, Titanic, which was expected to set the record for transatlantic oceangoing ships from Southampton to New York before it hit an iceberg and sank on April 15, 2012. The `futanarian` race is the `footrace` which was going too fast before 9/11, 2001, when the Al Qaeda terrorists took the Hollywood Babylon movie Logan`s Run (1976) as their paradigm for killing the 21st century. In Logan`s Run `runners` want to live beyond the age of 21 and are killed by `sandmen`, which is why Al Qaeda hijacked planes at Boston`s Logan airport to crash into the Twin Towers of New York`s World Trade Centre to precipitate another war, and effectively kill the 21st century for human endeavor. Bombing the Boston Marathon was an emphasis on stopping the race from running, and April 15 was chosen by Moslem terrorists living in Watertown, because the human race at the beginning of the 21st century looked unstoppable. Chechen`s Dzhokhar and Tamerlan Tsarnaev were the iceberg in Watertown on the anniversary of the Titanic`s sinking on April 15, 2012, to sink the unsinkable ship of the United States.

 

 

 The United States of America has been making movies on the West Coast in California, Los Angeles, Hollywood, since director D. W. Griffiths arrived to make the film Old California (1910) while an examination of the Will Hays` code (1930-67), introduced to the film studios by the President of the Motion Picture Producers and Distributors of America, reveals why Hollywood is called `the Babylon of the West`. Although the city of Babylon was the ancient seat of Iraq (c. 4000 B.C.), which produced Saddam Hussein, and Hollywood Babylon in the Middle East, with Gulf war movies like Jarhead (2005), that `Babylon production` was pre-programed by the `Hays code` that made it a rule women mustn`t raise their foot from the floor of the bedroom during romantic scenes. This made it impossible for the `futanarian` penis` semen of women to be seen in mainstream cinema, so the occlusion and ignorance about women`s true nature could be promulgated on a global scale previously undreamed of. Hollywood Babylon, in espousing male braining for the human species, developed a `TV` transvestite formula that paved the way for the development of television. Humans would wear each others` clothes, as men and women, but everyone had a male brain, because the human race of `futanarian` human women were excluded from the world`s stage by the simple expedient of recording them as non-existent. History would be re-recorded as `TV` by Hollywood Babylon production companies` filming events from past pogroms against `woman`s seed` as heroic campaigns. In reality men are alien invaders that inveigled themselves as parasites into the host wombs of women, like the biblical woman, Babylon, eons ago. Exterminating the human race of `futanarian` women with their own penis` semen for the sexual reproduction of their own brains` powers for liberation from enslavement in homosexuality`s pederasty and war against her species, Hollywood Babylon re-records for posterity, as triumphs for the `serpent`s seed` of men`s `TV` pogroms, history without humans, which means that Hollywood Babylon is an alien propaganda exercise conditioning the remnants of humanity`s `woman`s seed` to prefer aliens to humans:

 

`And the dragon was angry against the woman: and went to make war with the rest of her seed, who keep the commandments of God, and have the testimony of Jesus Christ.` (Rev: 12. 17)

 

 

 The woman `clothed with the sun and with the moon at her feet` gives birth to Jesus in his `Second Coming` to the Earth after his death, Resurrection and Ascension to heaven, which suggests the United States` defeat of the red sun of the flag of the Japanese Empire in WWII (1939-45), after the unannounced attack upon the US Pacific fleet at Pearl Harbor, Hawaii, on December 7, 1941, when Mitsubishi `zero fighters` suicidally crashed their `kamikaze` planes into the US aircraft carriers and support ships. The United States` final response was to unleash the power of the sun in the shape of the atomic bombs dropped on Japan`s cities of Hiroshima and Nagasaki on August 6 and 9, 1945. The statue of `Liberty` in New York harbor bearing aloft freedom`s torch is the United States` symbol corresponding to the woman of Revelation in the war against the moon of Islamic extremism after the Al Qaeda terrorist group crashed planes suicidally into the Twin Towers of New York on September 11, 2001. As Pearl Harbor represented the `pearl of great price`, that is, heaven, so the true moon, reflected in the birth waters of `Liberty` after 9/11, represented the `pearl of great price`, which is the human race`s `seed pearl` that the dragon had prevented women`s `futanarian` race from placing her foot upon.

 

 

 Although the dragon, grown in size since its days as the serpent of Eden, waits in vain to devour Jesus, it wages war against `woman`s seed`, which suggests Hollywood Babylon`s propaganda war, and `TV` programing in support of a socio-history of humankind`s extinction by men of the `serpent`s seed` as the alien devourer of `woman`s seed`. Consequently, Hollywood Babylon`s `Hays code` taboos against sex scenes in movies owes more to the desire to keep women in occluded ignorance about their own species` nature, rather than morality, which for the human race is about  survival, that is, the proliferation of `woman`s seed` and not its suppression. As humans are only physically capable of sex and taking in nourishment, the dragon represents the ability of the `serpent`s seed` to confuse sex with food, that is, the dragon persuades what remnants remain of `woman`s seed` that the species of `futanarian` women with their own penis` semen and host wombs for the sexual reproduction of humanity`s own brains` powers is `food` to the devourer in its wars against her human race. In simple terms, humans want food and sex, which is labeled `pornography` by the `serpent`s seed` of men, and women don`t like it, because they`re not there. Consequently, food and sex are confused. Pornography isn`t a depiction of the act of sexual intercourse, it`s how the devourer depicts its activity for its own education. The parasite penetrates the host womb of the `futanarian` species of human women, while her sexual counterpart, that is, the woman with her own penis` semen, is absent from the scene, which is how the parasite operates. It removes the human from the scene, then impregnates the human `carrier` with its virus. Consequently, the Japanese gave the US carriers the virus on 12/7, 1941, and Al Qaeda was again transmitting the virus on 9/11, 2001, when crashing hijacked airliners into the World Trade Centre to precipitate that homosexual `brutality and violence` which is associated with `rough trade` and devouring warfare. 9/11 `live on CNN` television news networks was a `TV` transmission of the virus` education program. By depicting itself as `TV` the virus makes it difficult for the human to remove the virus from the screen and, by depicting itself as a warrior battling itself as foes real and imagined on the `big screen` of Hollywood Babylon, the virus is attempting to ensure that it can never be removed from the `small screen` of home `TV` entertainment, or from those `personal computer` games` systems devised to assist `PC` users in virus` education pogroms.

 

 

 In the United States` `PC` means `politically correct` as well as `personal computer`, which means that `PC` is a term applicable to virus` education, that is, what is `politically correct` and what isn`t and should be removed from the screen. What has happened with humans is that the virus has taught them that it shouldn`t be removed. Consequently, plague games is what the virus represents for the `PC` user who needs expert help to identify and remove a virus from the computer screen. Users install virus buster software to remove `Trojan horse` viruses, which are designed by `geeks` as `bad machine code` to kill computer brains, that is, the computer users version of homosexuality in pederasty`s `Greek` virus HIV/AIDS as the `biological weapon` that kills the human brain if the virus transmitted by men`s mixing blood, shit and semen in each others` anus isn`t prevented from invading the human body. In the first late 20th century `PC` space invader games alien UFOs were `zapped` by game players employing the virus buster paradigm, and followed the pattern of television series like Britain`s UFO (1970-71) in which alien flying saucers were `zapped` by men in spacecraft that had a projectile resembling a giant compensatory Freudian phallus at the nose.

 

 

 Launched when the UFOs appeared, the projectiles destroyed the alien saucers, while women with purple hair and wearing silver suits assisted. According to depth psychologist, Sigmund Freud, women suffer from `penis envy`, whereas the truth is that men suffer from `penis envy`, because they`ve endeavored to exterminate the `futanarian` human race of women with their own penis` semen and host womb. Because `futanarian` women`s penis are often much larger, the phallic projectiles on the front of the men`s spacecraft launched at the alien flying saucers is a compensatory depiction of what `penis envy` has done to the human race, that is, the absence of women`s penis from the scene is transposed into a defense of the women by the alien men of the `serpent`s seed` against the alien UFOs who actually represent what men have already done to the `futanarian` human race of `woman`s seed`, that is, removed her penis. What the British `TV` show UFO represents is a `plague game` in which the women pretend to be engaged in a symbiotic relationship with a parasite that is killing her, while pretending to be defending her.

 

 

 Although the women with the purple bobs look `exotic`, they`re the humans, which is the `Christian message`. The absence of the women`s penis isn`t moral, but the sign of the  evil alien intelligence of the `serpent`s seed` seeking to male brain the human race until men prefer only each other and the species of women is extinguished in the death throes of the virus` parasitology, which is to kill the host that bore it. Boring `PC` games in which aliens are depicted as the enemy of the `plague gamer` are transpositions of the virus` perception of `woman`s seed`, that is, the enemy is the woman in whatever guise the alien appears, because the alien is the game player conditioned to clean the computer screen of the virus, which corresponds to the human from the perspective of the `serpent`s seed` that has already removed the human race`s penis from the screen to prevent the human species from repairing its brain damage through sexual reproduction of human brainpower so that it will be able to run, rather than stumble blindly, to escape the alien:

 

`... the unclean spirits ... entered into the swine ... rushed down ... [and] were drowned in the sea.` (Mk: 5. 13)

 

 

 The swine in the story of Jesus near the town of Gadarene casting out demons from humans represent what happens when the `serpent`s seed` of men prefer male braining, and so brain damage to women and the human race, rather than that women sexually reproduce their own brainpower as `futanarian` humans with their own penis` semen and host wombs to achieve liberation for the human species from slavery and death in homosexuality in pederasty`s wars against her `seed`. Hurtling suicidally to their doom is what brain damaged pigs do. What `PC` games of political correctness and personal computers tell humans is that the virus has to be exterminated while the virus presents itself in a form other than its viral form so that the human exterminates, or is trained to exterminate, itself. Al Qaeda`s hijacking of planes at Boston, Logan airport, to crash into the Twin Towers of the World Trade Centre on September 11, 2001, was a virus that the United States responded to by removing the Taliban regime in Afghanistan in 2001, and deposing Saddam Hussein of Iraq after the March 2003 invasion and execution of the Iraqi dictator on December 30, 2006, which resulted in the declaration of resistance to the United States in the declaration of an Iraqi state independent of the new Baghdad regime in alliance with separatists in President Bashar Assad`s Syria. Consequently, the virus given to the United States on September 11, 2001, had achieved its suicidal goal of causing the brain damaged race to kill itself. It`s politically correct or `PC` to respond to viral life forms, as if they were viruses on the personal computer screen, but women are taught that lesbians are homosexuals and `gay`, that is, viral life forms, whereas `lesbianism` is a valence of the human `futanarian` species of women with their own penis` semen and host womb, while homosexuality in pederasty and war is a viral life form`s celebration of its path of sterilization. Consequently, `feminism` isn`t `PC` in suggesting women are homosexuals, and so viral life forms to be exterminated. Although political correctness` punishment of homosexuality in pederasty and war`s invaders, and `bad machine code` invasive personal computer viruses devised by the 20th century `geek` successors of ancient Greek homosexuality translated into `PC games` of `space invaders`, in a world characterized by the fear of `Greek` homosexuality transmitting the `incurable disease` of HIV/AIDS` `biological warfare` through men`s invasive mixing of blood, shit and semen in the victim`s anus, has taught that. In simple terms, homosexuality is an invasive contagious virus that kills the human race, because humans have been taught that it`s politically correct to accept it. The alien pretends to be a man, and then forms an army of aliens, which was the scenario for the 1990-91 Gulf war when Saddam Hussein`s Iraqi army invaded Kuwait. Pretending that they`re not sure if there`s a man there, the aliens kill her: because she`s not an alien. Because four wives are permitted in Moslem marriages, Islam is designed for `futanarian` sexual reproduction between women with their own penis` semen and so the United States invaded the Middle East to prevent the woman from being killed:

 

`The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent's reach.` (Rev: 12. 14)



 The eagle is the symbol on the Great Seal of the United States of America, which is the President`s authority to wage war. Consequently, the `wings of a great eagle` are those of the United States, although the eagle is a symbol of several nations; including the `Al Uqab` of the flag of the Prophet Mohamed in Islam. As the `two wings of a great eagle` could be those of the United States and Islam, or any other national eagle or international eagles, homosexuality in pederasty`s wars are an eagle`s virus, which Neil Armstrong`s words as NASA`s first astronaut to place his foot on the moon prefigured: `The eagle has landed.`5 Although `eagle` was the name of the spacecraft that delivered Armstrong to the surface of the moon, `Tranquility Base`, as the name of the place where Apollo 11 landed is more significant because `tranquility` is the name for the Shekinah in the Koran (`The Cow` 2: 248, `Repentance`, 9: 26, 9: 40, `Victory`, 48: 4, 48: 18, 48: 26) of the Moslems in Islam, who is the female `spirit of God`, according to the Bible (1 Kings: 8. 10-13), that dwelt with the law of Moses kept in the Ark of the Covenant, representing God`s promise to the `chosen people` of the Jews as they escaped from slavery in Egypt:

 

`Love your neighbor as you love yourself.` (Matt: 22. 39)

 

 

 Jesus` distillation of God`s law, given to Moses by the `spirit of God` atop Mt Horeb, is understandable in terms of the prohibition against incest, because `futanarian` women with their own penis` semen and host womb  were the target of the incest taboo, that is, although it`s unlikely that a woman`s `futanarian` daughter would want sexual relations with her mother, men`s parasitism upon woman`s host womb stands in the way of her daughters` Resurrection, which Jesus` teaching challenges: `Love your neighbor as you love yourself.` (Mk: 12. 31) Because the moon is sterile, `Tranquility Base` is what misogyny means. As Al Qaeda, `the base`, with the flag of the moon of Islam, `There Is No God But God`, were trained by the misogynist Taliban regime in Afghanistan to hijack planes at Boston, Logan airport, Massachusetts, and crash them into the Twin Towers of the World Trade Centre on September 11, 2001, to provoke war and divert humanity`s resources away from medical science and labor saving technologies that would liberate woman`s human `seed` from slavery and death. `Tranquility Base` represents the sterilization misogyny has planned for heaven, which would be a lot quieter without music and women:

 

`Since the United States toppled the extremist Taliban regime in October 2001, misogynist ideologies, views, and attitudes have not improved. For example, Jaleb Mubin Zarifi, a Northern Alliance member, is quoted on a National Public Radio (NPR) broadcast as saying, `Democracy is un-Islamic,` and immoral behavior by women causes cancer and AIDS: `We know now that the women are not wearing the hijab (headscarf), and look what’s happening-there’s cancer and AIDS everywhere in Afghanistan.`6

 

 

 The story is of Oedipus. The brain damaged infant unable to sexually reproduce finally discovers its mother and having sexually reproduced a sister, Antigone, blinds himself for having committed incest, and asks Antigone to guide his steps further, so that the human species of `woman`s seed` can never sexually reproduce her own brains`powers for liberation, because she`s a slave to a parasite on her finer emotions, which seeks to brain damage her so that she remains unaware and without memory through the longevity offered by the medical science she would produce from her own brainpower if she were able to sexually reproduce as the human race. Labor saving devices through technologies produced from women`s brains presuppose a transformation in Hollywood Babylon, that is, Resurrection for `woman`s seed` upon the `big screen` to educate audiences about the human race of `futanarian` women with their own penis` semen and host wombs.

 

 

 People`s supposition that they should act presupposes an audience, that is, they`re being driven to act, which is the bane of modern life, because CCTV means everyone is watched. Al Qaeda`s crashing hijacked `civil` airliners, into the Twin Towers of New York `live on CNN` and other news networks, began nations` surveillance of their own citizens in a move supportive of terror rather than opposing. Driving actors to act by goading them to speechless rage is what Al Qaeda, `the base`, represented, and Hollywood Babylon depicts it as a movie staple. Citizens watched by their own nations are in terror, which is why they act driven. CCTV makes everyone believe they`re an actor, and they are `TV` being watched, because television is a euphemism for male braining in which the `futanarian` human race of women with their own penis` semen and host womb is sundered from her own species by the parasite preying upon her womb as the `serpent`s seed` of men, that is, everyone is `TV` because they`re a male brained creature wearing each others` clothes. In the movie Sliver (1993) with actress, Sharon Stone, a man watches her character, Carly Norris, on CCTV installed in her apartment building before killing her, because that`s what terrorism is. The popularity of CCTV and other forms of surveillance since 9/11 is an indication of international support for terror against women rather than opposition to it. Hollywood Babylon movies like Scream (1996) depict women being terrorized, which begs the question: why? To drive out the human spirit. Because women are the human spirit, anything that resists the `serpent`s seed` is `woman`s seed` and so is to be driven. Consequently, anyone who isn`t acting as if they`re driven is to be driven. William S. Burroughs in his novel, Queer, describes how the `Ugly Spirit` drives:

 

`[He] ... doesn't sell his product to the consumer, he sells the consumer to his product. He does not improve and simplify his merchandise. He degrades and simplifies the client.`7

 

 

 Although Burroughs is writing about heroine suppliers in his novel, The Naked Lunch (1959), simplifying the client rather than improving the product is capitalism. In psychological terms, the 9/11 Al Qaeda terrorist attack on the World Trade Centre, when hijacked planes were crashed into the Twin Towers of New York, represented the diverting of human resources away from technological development into the Military Industrial Complex (MIC), that is, the collective shadow of the `serpent`s seed` of men, which is a simplification of the client. In the absence of human brains, complication appears as sophistication, that is, difficult to operate expensive equipment is preferable to easy to use simple labor saving devices, because the buyer in capitalism is happy to accept being disabled by the complicated equipment he`s bought in order to be an operator and seemingly in control. In the home, of course, women are the operators of the complicated equipment, whereas they need simple labor saving devices, so men sell complicated expensive equipment to keep women as slaves and appeal to men`s operators` vanity, which results in a nation`s population becoming progressively disabled until they`re degraded into slavery.

 

 

 The `plague aim` of the virus that is the `serpent`s seed` is to remove the human, which has been underway for millennia insofar as women`s `futanarian` humans with their own penis` semen and host wombs have been removed from the world`s stage so that human sexual reproduction of human brainpower can`t occur. Consequently, women`s presence on the scene is ephemeral, because the parasite that plagues her with war against her `seed`, after emerging from her host womb, doesn`t want her human race to have the memory to understand how it allows civilization, culture and art to be produced from her womb, so that it can destroy her in its torture of her human species. Without human brains sexually reproduced from her own `seed`, technologies` labor saving devices and medical science to give her longevity of memory to remember her enemy and defeat it, `woman`s seed` will remain ephemeral in slavery to the `serpent`s seed`. What Jesus noticed was that the women were being pushed out of the picture by the `serpent`s seed`, that is, the dragon was devouring the human race slowly, because it was a parasite and didn`t want to consume the host womb of the species before it was satiated. When Jesus spoke of the Holy Spirit, he meant the human spirit of `woman`s seed`, which had been pushed out of the picture, as `futanarian` woman with her own penis` semen and host womb for the sexual reproduction of her own species. Jesus` perception was that women wouldn`t have Resurrection and Ascension to heaven if their `seed` wasn`t on the world`s stage, so he presupposed that the `futanarian` spirit of humanity was by his side, and that she`d teach.

 

 

 Because men are shells, shells are what men use as their paradigm for ridding themselves of a physical obstacle to their slavery in death, that is, the Holy Spirit corresponds to the `Akh` or `magical personality` of ancient Egyptian tradition, which is described as the conjoined `Ka` or spirit of the woman and her `Ba` body. The `Ba` is the soul contained by the woman`s body, and the `Ka` is the spirit of the woman, contained by the man`s body, which is trapped within, as the sexual desire of the `futanarian` woman with her own penis` semen and host womb. Consequently, when the `Ka` spirit body leaves the man`s body after death, the `Ka` conjoins with the `Ba` soul as the `magical personality` or `Akh`. Men have `shelled` the `futanarian` woman`s body so she doesn`t have a `Ka`, which explains the persistence of the chauvinist belief that only men should have a car, and women have to look at the bars in their prison. Born uncontaminated from his mother, the Virgin Mary, Jesus` death, Resurrection and Ascension to heaven requires the appearance of what the Egyptians called `Ka`, that is, the spirit body of the `futanarian`, which is why Jesus is described in the Bible as awaiting his `bride`, the church, because for `woman`s seed` to have Resurrection the church must accept `woman`s seed`:

 

`Heavy shelling in eastern Ukraine forces civilians to flee.`8

 


 

 The basic principle of warfare in homosexuality in pederasty`s devouring of women`s human race is shelling, that is, most description of besieged cities, such as the Russian Federation`s shelling of Debaltseve in 2015, contain references to `shelling` as the essence; for example, in 1900 `Boer guns began shelling the British camp from the summit of Talana Hill at dawn on 20 October.`9 Although there are people who have feelings about loss and vengeance, `shelling` is what men are for, that is, having `shelled` the `futanarian` human species of woman with her own penis` semen and host womb for her `Ka`, which is symbolized by the car as the zenith of technological aspiration for her human race, the men of the `serpent`s seed` shell the women`s cities, because the human spirit is still living there. William S. Burroughs asked the question: what moves in when the spirit movies out? The answer is women`s exterminator, because she`s the human spirit being moved out as the aliens empty their shells into the humans.

 

 

 Jesus` perception was that the Holy Spirit was by his side. He was known as the `Second Adam`, after the first man, Adam, whose Eve was by his side, that is, Eve who emerged from Adam`s rib, while the Holy Spirit emerged from Longinus` spearing Jesus` dead side as the `Second Eve`, whose wisdom since Eden taught Jesus. Killed by the Roman Empire in Palestine for being born uncontaminated by male semen from his mother, the Virgin Mary, Jesus` very existence threatened the male brained devourer of warfare, while his teaching of the Resurrection of `woman`s seed`, and his physical reappearance after death, represented God`s `Covenant` with the `chosen people` that there`d be eternal unendurable pain for the `serpent`s seed`, but heaven was the spirit of humanity.

 

 

1 Armstrong, Neil 21 July, 1969, UTC: 2. 56.

 

2 Wells, H.G. The War Of The Worlds, Bk. I `The Coming Of The Martians`, Ch. 1, `The Eve Of The War`, p.1.

 

3 Burroughs, William S. Queer (1951-53), published 1986, xxii.

 

4 Shatner, William as Captain James T. Kirk Star Trek: The Original Series (TOS), 1966-.

 

5 Armstrong, Neil 21 July, 1969, UTC: 2. 56.

 

6 `Women in Afghanistan: A Human Rights Tragedy a Decade after September 11` in The Global Research in International Affairs, November 12, 2012, https://www.rawa.org/temp/runews/2012/11/12/women-in-afghanistan-a-human-rights-tragedy-a-decade-after-september-11.phtml .

 

7 Burroughs, William S. `Letter from a Master Addict to Dangerous Drugs` (1956), later used as footnotes to The Naked Lunch (1959), first published in The British Journal of Addiction, Vol. 52, # 2, January 1957, p. 1.

 

8. `Heavy shelling in eastern Ukraine forces civilians to flee,` https://www.euronews.com/2015/02/02/heavy-shelling-in-eastern-ukraine-forces-civilians-to-flee/ , February 2, 2015, 01. 06 pm CET.

 

https://en.wikipedia.org/wiki/Second_Boer_War .

To The Monster A Daughter

13/10/2014 17:29

 

To The Monster A Daughter

 

Science fiction is the genre that features monsters, and Mary Wollstonecraft Shelley`s Frankenstein (1818) about an experimental surgeon, Dr Frankenstein, who makes a man from parts of deceased bodies he revivifies by means of electricity, is regarded as amongst the first of the genre`s works of literature. The theme was taken up by Hollywood, Babylon, and the movie, Bride Of Frankenstein (1935), followed, while the filmed musical, The Rocky Horror Picture Show (1975), elaborated upon the theme with actor Tim Curry in the role of `transvestite` character, Frank N. Furter, who creates himself a man to marry. The idea of a creator making an acceptable bride for themselves is a Hollywood, Babylon, leitmotif in science fiction movies and The Stepford Wives (1972) posits the idea of women created as idealized replacements of their original but flawed wifely counterparts by men who were dissatisfied with what they`d espoused.

 

 

 Although science fiction aliens in movies like Independence Day (1996) feature attacks upon the Earth, Swamp Thing (1982) is noteworthy for the `childhood`s friend` relationship the creature has with the lissom star, Heather Locklear, who is rescued lovingly from the swamp by the creature, but not as a means of exchanging service for love, which effectively is what occurs when men `make love`. Although the creature isn`t human in Swamp Thing, as with director Steven Spielberg`s famously adorable ET: The Extraterrestrial (1982), who is a visitor from the stars seeking to `phone home` to his parents, who`d inadvertently left him on Earth, he isn`t a `monster`, but more human than the human, represented in ET: The Extraterrestrial by actress Drew Barrymore in her pre-pubescence as seven year old Gertie, because he`s in the archetypal role of `childhood`s friend`, which is what women lost early in their evolution.

 

 

  The term archetypes derives from the developmental psychologist, Carl Gustav Jung (1875-1961), who posited that the collective unconscious of humans contained archetypes as images or characters appearing in dreams, art and the imagination to guide or impel humanity towards progress. If so, there`s a difference in archetypal terms between monsters and aliens, while the original name for psychiatry, because it referred to the doctor who determine a criminal`s competency to stand trial, was `alienist`, and so `alien` meant non compos mentis, while `monster` was a pejorative term used by the public to describe those crimes they abhorred irrespective of the `alienist` who may`ve decided that the criminal was a psychiatric case of brain dysfunctionality rather than intentionally evil. Consequently, in archetypal psychology, `monster` is a human evaluation and `alien` a psychiatric term for `curable`, which suggests that `alien` denotes some aspect of human nature unexplained.

 

 

 The role of the invading alien is apparent from movies like Alien (1979) in which actress Sigourney Weaver is a member of the crew of the spaceship, Nostromo, who discover a derelict alien spacecraft on a planetoid. Sigourney Weaver`s character, Ripley, tries to avoid being eaten by the alien that`s awoken, in a role palpably different from that of Heather Locklear in Swamp Thing, or Drew Barrymore in ET: The Extraterrestrial, where the loss of women`s `childhood`s friend` is represented. The prototypical film of an archetypal figure helping the woman against a `monster`, Forbidden Planet (1956), features `Robbie`, the robot, who represents Morbius` daughter Altaira`s need for an archetypal friendship, whereas Morbius, who is discovered on the planet by the crew of the spaceship, C-57D, where he`s studying the technology of the mysteriously disappeared advanced race of `Krell`, native to that world, and is using what he calls the `plastic educator` to enhance his mental powers, is uncovered as `Monsters from the id!` by the crew of the C-57D, some of whom have been killed by Morbius` `evil self` created by his addictive use of the `plastic educator` and appearing as a rogue `Krell` attacking the spaceship crew`s encampment. The conflict between Morbius` monsters and the crew of the C-57D is stereotypical male sublimation, that is, men are monsters, whereas `Robbie the robot` and Altaira represent the archetype of `childhood`s friend` lost to women from their picture because the monsters have devoured it.

 

 

 Because alienists defined `alien` as unexplained, `alien` wasn`t perceived as `monstrous`, which begs the question: what is alien? The answer is that Swamp Thing is human, because he hasn`t got a criminal mind, whereas the alien in Alien is a monster, because it`s behavior is criminal, that is, humans have humanity, which means the creature from the swamp in Swamp Thing, the extraterrestrial from ET: The Extraterrestrial, and Robbie, the robot from Forbidden Planet, are human. Alienists would seek to define human by appeals to behavioralism, but that test is designed to establish whether convicted criminals are `monsters` and humans don`t have to take the exam. Although modern society tells humans every day that they must pass the alienists` test. The presupposition is that humans are `monsters` in the bank or supermarket where the security guards and the CCTV monitor their every move in order to confirm or deny that the human is a non compos mentis `alien`, whereas the debit card proves the competency of the human, as does the cash for the tomatoes or the deposit slip for the bank teller. Consequently, the aim of security systems is to prove the human `alien` and non compos mentis in order to dispossess them of their humanity, which has been the issue since the industrial Revolution (1760-1840) in England where humans experienced dehumanization and `alienation` through becoming unindividuated parts of a manufactory. Public transport requires that the human individual have a ticket to travel, but the discovery of an individual without a ticket doesn`t remove their humanity and label them `alien` and non compos mentis, because they haven`t passed the alienists` test demanding that they have a ticket to prove they`re human. Their passport tells them that they are, and they don`t need to prove they aren`t monsters, so why is there so much accusation? Because psychiatry has established the principle that the unconvicted are criminals.

 

 

 Psychiatry`s defining criminals as aliens depicts foreigners as monsters, whereas the thing in the swamp in Swamp Thing is neither a monster nor a criminal, so he`s an alien or foreigner, who`s human in behavioral terms, which is the meaning of the archetypal character. Aliens aren’t monsters, which means that monsters are being falsely equated with aliens in movies. It`s important because the term `alien` has a psychological meaning as applied to `foreigner`, that is `monster` and `foreigner` aren`t interchangeable terms, whereas the identification of `alien` with `foreigner` necessarily defines `foreigner` as `monster`, which means `visitor` is definable as `demon` and `guest` as `enemy`, because `monster` isn`t directly applied to describe what is monstrous by a psychiatry determined by its original precept, which was to decide whether criminals were non compos mentis and so innocent of their crimes or competent and so guilty.

 

 

 Unconvicted criminals awaiting the `alienist` psychiatric decision over whether they could be tried for the crimes they had allegedly committed, were identified as possibly `alien`, which is understandable as `foreign`, that is, any stranger was subject to the behavioralist test for `monsters`, although all those tested were humans, because unconvictable, as they weren`t in prison and charged with having committed a crime. Consequently, the task of proving guilt drives everybody insane, because the `monster` has to be in prison before the non compos mentis test can be legitimately applied. If a student forgets their bus pass, they`re non comps mentis and a criminal `monster`; because they haven`t passed the behavioralist test set by the alienist: even though no crime has been committed. The surveillance calls the human a `monster` in order to declare the human non compos mentis and so not responsible if the humans are driven insane, because the CCTV and the security guards don`t want to be accountable. Consequently, although guests aren`t monsters, alienist procedures define visitors as non compos mentis and irresponsible because they`re free to move from one place to another without restriction as humans do.

 

 

 That the humans are being monitored by `monsters` seems incontrovertible. What isn`t evident is whether the `monsters` are governmental, criminal, or a combination of both in varying degrees of interpenetration with regard to institutions and establishments. The normative alienist tests are designed to differentiate human and `alien`, but women are defined as `schizophrenic`, because their normal feelings for their own species of woman with her own `futanarian` penis` semen and host womb for the sexual reproduction of her own brains` powers for liberation from host womb slavery in homosexuality in pederasty`s war in parasitism against her is labeled `lesbian` and aberrant if they like what they see in the mirror. Consequently, the `monsters` don`t want women, who`re defined as `alien`, although the aliens aren`t monsters, because they`re not monstrous. Defining `alien` then depends on defining women and women are definable as `futanarian` humanity with their own penis` semen and host wombs for the sexual reproduction of their own brains` powers to liberate them from host womb slavery by men of the `serpent`s seed` engaged in homosexuality in pederasty`s war against her race, which is why `alien` is often definable as `women`s archetypal `childhood`s friend`, because `monster` is definable as men.

 

 

 Science fiction movies featuring aliens are therefore divisible into aliens as motherly `childhood friend` archetypes, or devouring monsters, because women correspond to aliens while men correspond to monsters, although aliens are depicted as monsters because some aliens are men and not motherly childhood friends. In H. G. Wells` seminal science fiction story made into the Hollywood, Babylon film, War Of The Worlds (1953), the occupants of the devastating Martian war machines die of the common cold virus in an echo of the late 20th century`s incurable `killer disease`, HIV/AIDS, spread by homosexuality in pederasty as a form of its `biological warfare` against humanity, because the Martians are men as `monsters` and not the the motherly childhood friend of director Steven Spielberg`s Close Encounters Of The Third Kind (1977) in which the alien mother ship arrives to take humans to the stars and planets. Similarly, in Star Wars IV: A New Hope, and its prequels and sequels, Darth Vader and the soldiers of the Empire, battling against Princess Leia`s rebel Federation of planets, represent monsters rather than aliens, because monsters are categorizable instantly as that which devours the human, while alien intelligence is describable as the boy who nobody`s seen before buying sweets at the local supermarket.

 

 

 The `monster` teaches the woman that she`s an `alien` by giving her `schizophrenic` feelings about being human. If women are `futanarian` with their own penis` semen and host womb, telling women they`re `lesbian` and aberrant, because they have sexual feelings for their own bodies and those of other women, makes them schizophrenic and `alien` as defined by the predominant `alienist` psychiatry, which defines a woman as a `monster` because she`s human. Consequently, the `alienist` perspective is properly termed, because it`s `alien` to human psychology. Devised by a devouring `monster` by analogy,  movies like Independence Day, in which much of the Earth is devastated by devouring extraterrestrial `monsters`, is what men of the `serpent`s seed` do on the Earth and so can be relied upon to be planning to continue. Confusion is caused by labeling the monsters `alien`, which assists the pogrom that doesn`t want the human species of women to penetrate the masquerade. Unable to perceive it`s themselves who`re the aliens ultimately defeated by the heroic brave boys of the Earth`s security forces, and instead cheer wildly along with the rest of the hoodwinked, as the `serpent`s seed` march on unhindered beneath the flag of Satanism, the masquerade continues and the human species continues to experience pogrom after pogrom along the `serpent`s seed` of men`s planned route to her extinguishment.

 

 

 Because of a paucity of education for women, daughters are fed to monsters, that is, they`re given to men in marriage outside of their own species` sexual reproduction as `futanarian` women with their own penis` semen and host womb for the sexual reproduction of their own brains` powers for liberation. The theme is familiar from Graeco-Roman mythology, for example, the hero Hercules slays the female Lernaean hydra to give the Danaid women in marriage to men, although the women don`t want to marry, which suggests the women are knowingly `futanarian` and the hydra is their many headed mother depicted as defending them as a `monster` by men of the `serpent`s seed` seeking to enslave their host wombs in institutionalized homosexuality in pederasty and war against the rest of her cities during ancient Greece`s emergence as the regional power that would produce Alexander the Great, who`d conquer the known world by 323 B.C., and whose persistent virality was expunged when he died while planning an invasion of Arabia.

 

 

 The musical, The Rocky Horror Show, (1973) was billed as a tribute to Hollywood, Babylon`s science fiction film industry, and it`s theme of a Dr Frankenstein character creating a man `monster` is appropriate because Frank N. Furter is a transvestite who wears women`s clothes and marries the man he creates, which is what men of the `serpent`s seed` in male braining do. If women are denied sexual access as a `futanarian` species with their own penis` semen and host wombs, there won`t be any human brains as everyone becomes a single male brained `transvestite` created by men of the `serpent`s seed` as a `TV` they can watch wearing each others` clothes and killing itself in their brave heroic wars against a dying woman.

 

 

 The movie Bride Of Frankenstein couldn`t examine the transvestite principle correctly as films were subject to the `Hays code` (1930-67) when it was made in 1935. Women had to keep a foot on the floor during bedroom scenes, because Hollywood, Babylon didn`t want `futanarian` women to be seen having sex. However, although Bride Of Frankenstein seems about another `monster`, it`s actually about women`s alienation, and science is the subject not only medicine, that is, Bride Of Frankenstein represents the need for women to sexually reproduce with each other and also the need for the creation of labor saving robots to keep her safe and assist her in the construction of the art, civilization and culture she still manages to produce from her host womb despite men`s depredations. Hollywood, Babylon`s The Rocky Horror Picture Show (1975) features Frank N. Furter`s attempts to marry Rocky, the man he`s created, although the more logical premise is of the `futanarian` woman with her own penis` semen and host womb becoming the subject of a movie industry released from the restrictions imposed by the `Hays code` until 1967`s ironically titled, Barefoot In The Park, with loving couple Paul and Corie, actress Jane Fonda, and actor Robert Redford as `newlyweds`, in an apartment overlooking New York`s Central Park, engaging in intimate marital scenes exclusive of woman`s penis. Because The Rocky Horror Picture Show didn`t follow the human logic of its nativity, woman was stillborn. Although Jesus` Nativity suggests `woman`s seed` will still be born and have Resurrection and heaven; if only she`ll be selfish to the point of living.

Mengrams

10/10/2014 11:51

 

Mengrams

 

Science fiction writer, L. Ron Hubbard (1911-86), was the creator of the `self-help` program that many people saw as a pseudo-science, `Dianetics`, and which became the pseudo-religion of `Scientology`; `the basic principle of existence is to survive.`1 Scientology has been practiced by movie stars and other celebrities, for example, Katie Holmes and Tom Cruise, as well as many others from all areas of human life since the appearance of Dianetics: The Modern Science Of Mental Health (1950), which outlined Hubbard`s belief that theta waves produced in dream sleep could be artificially produced by auto-suggestion, and trained deprogrammers could liberate the individual soul trapped in the body. Then the human was `clear` and became an `Operating Thetan` with godlike immortal powers, because that`s how `originals` were.

 

 

 L. Ron Hubbard`s contemporaries were science fiction`s proclaimed first `Grand Master` in 1974, US Navy officer, Robert A. Heinlein (1907-88), who worked on spacesuit design at the US Navy`s Philadelphia Yard from 1941, along with Russian émigré and civilian biochemist, science fiction Grand Master (1987), Isaac Asimov (1920-92), and fantasy Grand Master (1976), L. Sprague De Camp (1907-2000), which effort resulted in Neil Armstrong, mission commander of the North American Space Administration`s (NASA`s) Apollo 11, becoming the first human to set foot on Earth`s satellite, the moon, after he and Buzz Aldrin were detached in the luna lander from Michael Collins` command spacecraft remaining in orbit as the last stage of the three stage Saturn V space rocket that had successfully ditched the empty tanks of its fuel stages to get them there in accordance with the United States of America`s aims being monitored from Earth at NASA`s Mission Control in the city of Houston`s state of Texas:

 

`One small step for a man, one giant leap for mankind.`2

 

 

 Although LRH was dismissed by many as a `pseud`, Dianetics and the subsequent pseudo-religion of Scientology, which arose from the pseudo-science, introduced the concept of `engram` to the collective consciousness seeking a simpler solution to the problems bothering the human mind. Dianetics posited the existence of engrams that were created by painful experiences during the course of an individual`s life, or even through a period of lifespans involving several reincarnations in which the individual experienced the pain of existence in the course of several consecutive lifespans that were different to the Christian belief in Resurrection whereby the individual is reborn immortal with all of their life experiences permanently accessible as memory. For a man, memory constitutes the penis` memory of the women that the man has been with, so Resurrection is the remembering of the penis, which in Egyptian mythology is described as the goddess Isis giving a new penis to Osiris after his evil brother has dismembered him, that is, he can`t remember her until she gives him her penis, which is his memory of their relationship. Although the Egyptians are perceived as having an ancient religion based on reincarnation, Resurrection of the woman through the memory of the penis is the religion and Christianity isn`t different. Jesus` birth from the Virgin Mary, his mother, uncontaminated by male semen, constitutes his being given her penis because, as God explained to Eve, her `seed` will:

 

`… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15)

 

 

 Unlike astronaut Neil Armstrong`s, Eve`s `foot` are the `futanarian` women with their own penis` semen and host womb for the sexual reproduction of their own species` brainpower for liberation from male braining in host womb slavery to men`s parasitism, which is homosexuality in pederasty and warfare. Although that sounds harsh, men`s socio-history indicates it`s truth. The ancient Greeks, widely held as the model of human democracy, institutionalized homosexuality in pederasty to spread their contagion of war and enslaved the host wombs of the Greek women, as well as those of the nearby city states they conquered, to spread that contagion further. The method they employed before the walls of the city of Troy came to be used to explain what their 20th century successors, the `geeks`, did with the `bad machine code` they devised to kill the brains of computers with their `Trojan horse` virus. The Greek poet, Homer, in his Iliad (c. 429), relates how the Greeks at Troy constructed a huge hollow wooden horse, which the Trojans took into the city, and the Greeks emerged therefrom to institutionalize homosexuality in pederasty and war and enslave the host wombs of the women to spread their contagion further. Although the Trojan priest, Laocoon warned, `Beware Greeks bearing gifts,`3 the readiness of the Trojans to accept their doom suggests that men`s problem is deeply ingrained, that is, what Dianeticist L. Ron Hubbard defined as an `engram`.

 

 

 The Trojan metaphor as applied to 20th century `geeks` is of the brain of the city being killed by a homosexual virus, that is, as their model for brain killing, the `geeks` took the `gay plague` of the late 20th century, which was the incurable HIV/AIDS `killer disease` spread by men`s mixing of blood, shit and semen in each others` anuses during sterile homosexual mockeries of human sexual reproduction. The HIV/AIDS` virus constituted the human species` killer`s homosexuality in pederasty`s program insofar as it was `biological warfare` waged against the race, while the continued absence of a cure suggested the pogrom`s acceptance and implementation by pederasts who don`t want humans to be able to think:

 

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 

 

 Because women have their own penis` semen and host wombs as `futanarian` humans, they don`t need men to sexually reproduce their own brains` powers to develop means of saving their labor and freeing themselves from womb enslavement to homosexuality in pederasty and war against the human species. Consequently, men are women`s parasites and they`re their whores unless the `engram` is removed, which is identifiable as `men`, that is, what Swiss developmental psychologist, Carl Gustav Jung (1875-1961) called the collective shadow, which was evil because it produced such horrors as the Nazi `death camps` of the 1930s that the Second World War (1939-45) was fought to prevent continuing. The First World War (1914-18) had been fought to end German Imperialism in Europe, but the second conflict derived from the German National Socialist Party`s (Nazi) leader, Chancellor Adolf Hitler, pointing his finger at the Jews, the `chosen people`, of the Bible, as `spies` preventing Nazi Germany`s improving its economy. Because women can sexually reproduce with each other, they`re God`s `chosen people`, and Judaism indicates this in its law that Jews can only be born from Jewish women, that is, Jews are women. Consequently, the socio-economy of Germany could have improved if women were to sexually reproduce with each other in socio-economic independence from men`s collective shadow constituting the engram preventing them from developing.

 

 

 Dianeticist L. Ron Hubbard`s religion of `Scientology` was a pseudo-scientific approach because it suggested to men that the engram could be removed, while Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, indicates what that means. Men have to stop thinking collectively and start thinking individually, because their collective unconscious contains a collective shadow that results in the collective consciousness` contamination and horror perpetrated by them upon the Earth in their wars against the humans; as the aliens that have invaded her. The science fictional premise derives from the biblical description of Eden as a paradisal garden containing the `fruit of the tree of life`, which was immortality, and `the fruit of the tree of good and evil`, which was knowledge but death, and the serpent in Eden who gave some to the original man and woman, Adam and Eve, saying `You shall be as gods.` (Gen: 3. 5) If the serpent is the knowledge of killing and culling the `futanarian` human race born from the host womb of the human species, represented by Eve, in order to maintain the human species in ephemerality and ignorance, so that host womb slavery could be applied by men of the `serpent`s seed`, that is, the aliens, Redemption and Resurrection for `woman`s seed` is longevity of body and memory through medical science, and consequently the rejection of an alien mode of thought, symbolized by Jesus` birth uncontaminated by male semen as humankind`s Savior and Redeemer.

 

 

 Although L. Ron Hubbard`s `Scientology` and Dianetics represented LRH as Savior and Redeemer, if men are the engram then the treatment of those painful life experiences constituting the patient`s understanding of the term `engram` results in the liberation of an engram that believes it`s an individual, whereas it`s a liberated killer. For the penis heaven may be as many beautiful naked blondes as there are women, but for an engram it`s a `snuff` film, which is a movie format banned in Hollywood, Babylon, because it`s the recording of real killings to be viewed as entertainment. Because women have their own penis` semen and host wombs for the sexual reproduction of their own brains` powers for development, irredeemable men are engrams because `snuff` is what they produce. Consequently, they`re those condemned by God to eternal unendurable pain, that is, perdition, because `snuff` is what they are.

 

 

 The original `snuff` product, snorted up the nose between thumb and forefinger, before regulatory bodies replaced it with powdered tobacco, was cocaine. Like most illegal drugs, `coke` produces a delusory sense of freedom based on a man`s inability to distinguish between where his consciousness ends and another begins, that is, `snuffing` another`s life seems unimportant, because it`s not yours, and the species` killer engram is liberated. Although the tobacco industry protests its innocence, `smoking` is a euphemism in Russia for fellatio while amongst gangsters it`s gunmen`s shorthand, that is, the cigarette is a penis metaphor and women`s is almost extinguished. Although mastectomy breast removals are performed on women by surgeons concerned at the possibility of cancer, statistics indicate that smoking cigarettes is a cause of cancer, which means that there`s a direct correlation between smoking and the removal of women`s breasts: after removing her penis. Consequently, there`s a connection between maintaining women`s ephemerality and ignorance in a world where the first and second Gulf wars were more important to the pederasts than healthcare and education, and pedophilia, which is a programed engram`s perception that women should be younger and without breasts, because that`s what painful life experiences teach. In the United States of America `futanarian` humans are surgically determined at birth by law, that is, a decision is made by the medical authorities whether they`re to be male or female, because women with penis` semen and host wombs aren`t simple enough for a system that`s preoccupied with `snuffing` the species as its killers rather than its doctors.

 

 

 L. Ron Hubbard`s `Thetan Operator` corresponds to Jesus as what Carl Jung describes as a self-actualized human, that is, the `Self`, which Jung argues approximates to what humans can understand of God, is actuated in Jesus` life and teaching, because Jesus was able to communicate enough of the truth to a society that wasn`t ready for `futanarian` humanity to found a global religion, Christianity, as a vehicle for the Resurrection of `woman`s seed`. Consequently, Jesus` was a significant contributor to Hubbard`s Scientology program for human survival. Born uncontaminated by male semen, Jesus` celibacy represented his perception that brainpower would be the solution to humankind`s predicament, because the Resurrection of woman`s `futanarian` semen was somewhere in the future.

 

 

 Christianity`s growth as a religion accepting and promulgating Jesus` life and teaching, represented celibacy for the intelligentsia, who became society`s enslaved, or else experienced the pogroms labor camp prisoner, Alexander Solzhenitsyn, wrote of in his novel, The Gulag Archipelago (1958-68) about Russia`s 1923-1961 official slave system. Consequently, forced labor in celibacy was orthodox Christianity in Russia, which was translated by the Nazis into `death camp` pogroms against the Jews during the Second World War (1939-45) to reestablish wage slavery as a less rigorous form of celibacy requiring the individual to work at some specific task eight or more hours a day for remuneration. Jesus` theory was that brainpower would ameliorate the conditions of the slaves and labor saving technologies would be developed to free them. Because women were enslaved host wombs with penis` semen that was almost extinct through men`s killing and culling of their human species, men`s individuality as brains disinterested in each other, as celibates or fertilizers, held the key to human progress, which is why Jesus taught men as his disciples.

 

 

 At his `Last Supper`, before he was nailed to a cross by the agents of the Roman Empire in occupied Palestine, Jesus as the host offered `bread and wine` as symbols of his `body and blood` born uncontaminated from his mother, the Virgin Mary, which the disciple, Judas, rejected by betraying him as a dissident to the Romans and so betrayed the human host of `woman`s seed` as Jesus was nailed to a wooden cross and tortured by agents of Rome upon the hill of Calvary outside Jerusalem until his death to prevent the `futanarian` meaning of his birth from a woman not fertilized by a man from becoming widely comprehensible and so threatening to the slavery that was Rome.

 

 

 Although Jesus was trying to teach women, he was surrounded by men, which is quite traditional in the Middle East, where patriarchy in Islam and Judaism results in male and female `apartheid`, which was the term applied by white South Africans to their secret system of slavery for blacks separated by law from white society until the democratic victory of the African National Congress Party and the election of Nelson Mandela as its first black President in 1994. The development of brainpower through celibacy was a difficult path for men, because it`s a form of slavery, which is why Jesus` crucifixion is often depicted as a self-sacrifice bringing Redemption.

 

 

 In England the industrial Revolution (1760-1840) transition to new manufacturing processes based on machinery began capitalism as a system that represents an owner`s denial of individuality to as many slaves as he can persuade to accept him. By the 21st century computer technology had made it possible for individuals to achieve socio-economic independence as online entrepeneurs, which divorced them from the slave system. The paucity of technology on other than miniaturized scale represented the slave owners` fear of their children growing bigger and becoming independent, which Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, predicated as the needed socio-economic independence of `futanarian` women with their own penis` semen and host wombs` sexual reproduction of her own brains` powers for technological innovation and escape from slavery to the male brain.

 

 

 Amid decaying environments, emphasis upon `phone technologies and portable computers diminished the importance of both individual and surroundings until `phone technology systems like the world wide web and the internet were devouring all of humanity`s interest and the life of the consumer was consumed in capitalism`s will to re-enslave by making the environment inhospitable and the `net` and `web` a fisherman`s haul, or a spider`s larder, as the new capitalism sought to trap the unwary individual into giving away its intellectual property as a free resource.

 

 

 What is noticeable from internet websites like https://www.futanaria.com is that the woman with an erection would walk very proudly but men haven`t wanted her to, which is why the average penis size in the United States of America is statistically documented at being less than six inches in length, while women aren`t documented as having penii of their own in the demographic. Consequently, men`s enslaving of the human species is dependent on decreasing pride with regard to the organ of sexual reproduction, that is, although it`s relatively larger size in relation to the male penis isn`t important per se, the almost total absence of education and healthcare with regard to the penis` semen and host womb for the sexual reproduction of women`s `futanarian` human species is the issue. Men so despise each other for having a penis that they`ve eaten the woman`s and their penis has shriveled away to almost nothing because the enslavers want to keep the workers celibate and focused on brainwork.

 

 

 Modern life has become so complicated by supposedly advanced technology that it`s necessary to have a doctorate in Information Technology (IT) to buy and use a `phone, because it focuses the individual`s brain in such a way as to disable it, which is the aim of the enslaver. Unless the population is cowering in abject self-loathing, because they`re capable of having an erect penis, men`s enslaving system of cowing the proud, because they`re not humble Christian girls, who`re proud because they don`t know they`ve been eaten, enslavement in male braining is threatened with collapse. Consequently, Christianity represents the beginnings of what George Orwell describes in his post WWII dystopian novel, 1984 (1948), as a surveillance system, `Big brother is watching you.`4 It`s a science fiction theme, as H. G. Wells` War Of The Worlds (1897) indicates, because men are the aliens for women who don`t know that their penis has been eaten and that they`re being watched so that the `serpent`s seed` of men can reassure themselves that the human species` capacity for sexually reproducing its own brains` powers is extinct:

 

 `No one would have believed in the last years of the nineteenth century that this world was being watched … [yet] across the gulf of space, minds that are to our minds as ours are to those of the beasts that perish, intellects vast and cool and unsympathetic, regarded this earth with envious eyes, and slowly and surely drew their plans against us.`5

 

 

 H. G. Wells` extrapolation of invasive male viral behavior into aliens is common in `pulp` fiction and L. Ron Hubbard`s early works were for the pulps, that is, magazines printed on reused paper, and so cheap and more affordable for readers of the experimental medium that many wouldn`t buy if the magazines were expensive and `glossy` capitalist `fashionista` accessories for coffee tables. Although content suffered because publishers wanted to fill their pages to make money and good writers weren`t everywhere, much `pulp` fiction was of a high literary quality. Power fantasies weren`t thought of as serious by critics, and among Hubbard`s last `pulp` fiction tales, Slaves Of Sleep (1948), presents the central theme of Dianetics and Scientology, which is that humans aren`t free because they`re enslaved.

 

 

 In Slaves Of Sleep it`s a race called `Ifrit` that is humanity`s enslaver, while the novel that was expected to herald LRH`s return to the science fiction community of writers, Battlefield Earth: A Saga Of The Year 3000 (1982) saw the theme reiterated. The working title had been `Man, The Endangered Species`, and the novel concludes with the extermination of all fertile females on the Psychlo planet where the race that had enslaved mankind upon the Earth had originated. The Psychlos, who`re discovered to be driven into sadism by a DBS (Deep Brain Stimulation) device, correspond to Hubbard`s Dianeticist concept of the `engram`, which produces men as killers if they aren`t `cleared` by `self-help` groups from amongst the pseudo-religion of Scientology`s supporters and practitioners:

 

`Attention. This is Terl, your chief of security. Exterminate all man-animals at will, and happy hunting!`6

 

 

 In the Hollywood, Babylon, movie version, Battlefield Earth (2000), with actor John Travolta in the role of Psychlos` leader, Terl, he represents what men are who aren`t `cleared` through the intervention of Dianeticists and Scientology`s religious form of `self-help` group, that is, they`re engrams prevented from accepting Jesus` teaching. Born from his mother, the Virgin Mary, uncontaminated by male semen, Jesus` teaching as a `clear` is that `unclear` men are effectively `engrams`, whereas women are `futanarian` with their own penis` semen and host wombs for the sexual reproduction of their own brains` power to survive as the human species, which survival is the basic premise of Dianetics. Consequently, Jesus` aim was to be with women and survive men`s enslaving of their host wombs in homosexuality in pederasty`s wars that maintain the human species` ephemerality, ignorance and death. Although Hubbard`s Psychlos are `cleared` by deactivation of the DBS that makes them sadistic killers, it`s too late to save their females, because species` extinction is what engrams perpetuate, and that`s why God tells Eve in the Bible her `seed` will have `perpetual enmity` with the `serpent`s seed`. Terl introduces his Psychlo assistant, Ker, played by actor, Forest Whitaker, to Chirk, who`s actress Kelly Preston, in the Battlefield Earth movie, because `jerk` is what women represent to masturbators:

 

`She’s stupid enough not to be a menace, good-looking enough to be decorative; she gets drunk with economical speed…`

 

 

 L. Ron Hubbard`s science fiction were power fantasies, which is thematic within the `pulp` genre as a means of obtaining a readership amongst young boys emerging from adolescence into a world that requires they be forceful. Such fantasies are the basis of male masturbation, because the objectified female is perceived as powerless. Consequently, Chirk`s name denotes `jerk`, which is an Americanism for `masturbator` and the psychoanalytical method most applicable to the analysis of Hubbard`s work is Austria`s Alfred Adler (1870-1937), who posited an `inferiority complex` existent at the center of human endeavor impelling the individual to achieve power in order to become superior to circumstance. The masturbator isn`t so foolish as to believe that they have power over women, and it would be silly to presuppose inferiority, but the difference between masturbatory material and a relationship is real and palpable.

 

 

 Isaac Asimov was the science fiction Grand Master that wrote the story collection, I, Robot (1950), which was made into a 2004 movie starring black actor, Will Smith, in an extrapolated depiction of the history of the slave trade in the United States of America that resulted in the Civil War (1861-5) and manumission for those blacks who were working in the cotton industry in the South. Asimov`s story posits robots as slaves, and reprises Robert Heinlein`s tale, `Jerry Was A Man` (1947), in which a `superchimp` genetically improved has his claim to be classed as human upheld by a court after he sings the first line of an archaic `negro spiritual`, `Old Folks At Home` (1851), from the period of black slavery, and the judge, overcome by the welter of emotion in the room, rules for the appellant:

 

`Way down upon de Swanee Ribber…`7

 

 

 `Jerry Was A Man` was made into a Masters of Science Fiction television show for the United States` ABC network in 2007, which was shortly after the hanging of Saddam Hussein, dictator of Iraq, on 30 December, 2006, by the US army as his punishment for supporting Al Qaeda`s terrorists who`d crashed hijacked civil airliners into the Twin Towers of New York`s World Trade Center on 11 September, 2001, and precipitate the second Gulf war after the first to remove Saddam Hussein`s invading Iraqi army from Kuwait (1990-1). The real gulf was between masturbation and robot that overreaches women, which is why the labor saving of advanced technology isn`t to be anticipated.

 

 

 Pilots in American A10 `tank buster` aircraft, or those dropping `bunker buster` bombs that buried thousands of Iraqi soldiers alive, were able to do so because the personal computer (PC) games` industry had trained a generation of teenagers in uncaring indifference to what appeared on their `shoot `em up` console screens, and anyway the Gulf war carnage was at too great a distance for the US pilots in the air to feel they needed to show any concern over the death, terror, pain and hardship they were causing on the ground below. Men would rather encourage that as a form of masturbatory power fantasy than that technologies be developed to allow individuals to be independent of their fathers. Tanks are essentially armor, as knights in the Middle Ages wore personal armor, or boxers in the boxing ring grow larger in order to be made smaller, because it frightens their fathers that they be bigger than they are. Neil Armstrong sat atop a Saturn V rocket with a detachable luna module at the cone in July 1969 because he wasn`t technologically independent, that is, he didn`t have his own spaceship.

 

 

 It wasn`t until the 20th century`s development of the `sex machine` that it became possible for women to understand that they could enjoy better orgasms without men and so the possibility of men`s redundance was thinkable for independent women; even if they hadn`t encountered the reality of `futanarian` sexual reproduction between themselves and women with their own penis` semen and host wombs. Consequently, species` independence for women as the human race is dependent on technological independence based on socio-economic independence that requires them to sexually reproduce their own brains` powers and develop technology. Jesus` celibacy was his recognition that sex and technology are separable and that those who were happy with the pleasure of the flesh wouldn`t develop technologically. Moreover, only the technology of destruction would develop if men feared their children`s growing stronger.

 

 

 Women`s technology was sex, because it`s their species` means of producing the brainpower needed for technological progress in socio-economic independence from men. Consequently, although men`s independence is a chimera, because they can`t be independent of women`s wombs, whereas women can be independent of men`s `seed`, Neil Armstrong`s foot upon the moon on 21 July, 1969, represented what women need to do, rather than be amongst the crew of a starship, like the Enterprise in the television series, Star Trek (1965-), they need to be independently single within their own ships as travelers, whereas miniaturization amidst environmental decay in war`s depletions has resulted in technophilia, that is, a shrinking away from thoughts of the stars and planets into the tiny screens of mobile `phones that don`t want giant women.

 

 

 Homosexuality in pederasty and warfare wants the `brutality and violence` associated with `rough trade`, which is why Al Qaeda chose the World Trade Center as its target, because money diverted into the Military Industrial Complex (MIC) wouldn`t be spent on the health education that women need for them to be able to sexually reproduce as the human species and so escape from enslavement. The decay of woman`s environment is a masturbatory sign indicative of the scope of individual interest shrinking from the externality to the pleasures of the flesh afforded a man by a woman, or to whatever medium affords sexual arousal for the masturbator`s activity, whether film or other pictorial form of representation, which includes personally imagined imagery derived from written texts. Consequently, women`s desire for life requires that they be allowed educational and healthy `pornographic` material in depicting sex between themselves as the human species of `futanarian` women, or the consequence will be that environmental decay will continue until cities collapse and civilization lies in the ruins of men`s wars upon her.

 

 

 Because labor saving requires machines, slavery is the gulf between robots and women, while creativity is dependent on the introversion of teenagers engaging with masturbatory material. The society of the future is dependent on those individualized telephone communicators that are designed by the masturbators own involuted brains to cater for the solitary nature and pastime they`ve had constructed for them by microminiaturizing industries` reliance upon internet gifs of naked women to encourage masturbation amongst the intelligent as a means of producing technophiles who`ll microminiaturize their technologies further so that interest in actual women will disappear. Even before the real environment disappears as the distance between global peace and thermonuclear holocaust narrows to the extent to which the person with their finger on the button is aware of the difference between PC games` console and 9/11. In male braining `TV` is what occurs when men and women all have the same brain, that is, transvestism, because women don`t sexually reproduce with each other as they ought. Consequently, society is divided into those with male brains preying in parasitism upon those with male brains, who`re the host wombs preyed upon, and so the essence of the relation is of the male brained killer parasite that needs itself as a host womb to continue preying, which is why 9/11 `live on CNN` and other networked television channels occurred.

 

 

 The male brained `TV` was preying, which is why the Gulf wars were called `TV war` for those who wanted to prey, and for those who prayed for it to stop (but didn`t know what causes it), the solution wasn`t evident. What the United States did in Hollywood, Babylon was produce a diet of horror and violence for consumption in the Middle East, through cable and satellite `TV` channels, for example, MBC Action, launched on 5 March, 2007, by the Middle East Broadcasting Center founded in London in 1991 before moving its headquarters to Dubai in 2002. MBC and others encouraged the Arabians to watch the US movie, Scream (1996), for example, as the first of a series of killer psychopath entertainments. Scream starred a male character `Ghostface` who, looking like he wore a Moslem woman`s black one-piece coverall, the burkha, and a white rubber skull like mask, butchered women at college with a knife, which is what male brained men are programed to understand male brained women are for, that is, they`re mental projections of men`s own semen and so are screaming to be killed as lesser male brains: because that`s why the male gender determined them to be females.

 

 

 The Scream series of movies and films of its type, for example, actress Anna Faris` Scary Movie (2000) `slasher` series of comic slayings by a knife wielding maniac, were still being made when Osama Ben Laden, leader of the Al Qaeda terrorist organization, was killed in the shade of the Pakistan military academy on May 2, 2011. By the release of Scream 4 on April 15, 2011, the United States` release of `slasher` movies in which women were routinely slain by knife wielding lunatics, had told the Arabs it didn`t care about its women that they`d produced as a `TV` in male braining. After Scary Movie 5 was released on April 12, 2013, Moslem terrorist separatists, from the region of Chechnya in the Russian Federation, disrupted the Boston Marathon on April 15, 2013, with explosions, because they`d gotten the joke. The `futanarian` human species of woman was a `footrace`, which wasn`t going to run anywhere.

 

 

 The Moslem system of four wives to a marriage indicates that the Moslem peoples of Islam are able and capable of producing through `futanarian` women within their religious and social systems, which is what their devotion to the Koran (610-30 C.E.), dictated by the angels to the Prophet Mohamed, according to their religious tradition of `acceptance`, represents. Isa and Miriam, that is, Jesus and Mary, are central figures in the Koran, as are Abraham, and Moses` leadership during the Jews` exodus from Egyptian enslavement before the descendants of Ishmael, Abraham`s second son by his wife Sara`s maid, Hagar, went on to found Islam after the birth of the Prophet Mohamed. Abraham`s first son, Isaac, was of the line that became Israel, which is why Abraham`s temple in Mecca, Saudi Arabia, is a place of pilgrimage for Moslems, though Abraham is the Jews` patriarch also. Consequently, Islam and Christianity are close, but for Western democracy`s absence of women, although the almost constant female nudity belies the lie, which is that women aren`t `futanarian` and don`t have penis` semen and host wombs of their own amongst the human women of their species to fertilize and obtain suffrage as the voting majority within the United States` democratic institutions and elsewhere.

 

 

 Unless women sexually reproduce, and become the voting majority, men will vote for military spending as a means of sustaining their national economies, rather than develop machine technologies for labor saving, because of fears that machines will replace men; as `futanarian` women with their own penis` semen and host wombs would. By extending the analogy, it`s possible to assume that robots are what `futanarian` sexual reproduction is for, because men don`t want machine technology to save women`s labor. Consequently, robots in the image of women are the future, while the gulf between women and robots is represented by the shrinking horizons of masturbation, which is perfectly willing to tolerate a decayed and even destroyed environment, so long as the gifs of naked blonde women keep appearing on the web, and international economies boosted by heavier investment in military machinery prefer that to `heaven on Earth`, which they could have if they invested in women`s education, healthcare, and humanist technologies to broaden horizons instead of diminishing them to the size of a mobile `phone`s pixel screen until masturbatory horizons have shrunk to the size of SMS codes arming nuclear warheads for planetary destruction.

 

 

 The concentrated `scamps`, looking at pictures of women, whose penis their concentrator`s eaten, while the concerned traitors are working on consuming the concerned traitors` `scamps` breasts to produce simplified girls more easily consumable on its barbecues, can`t see because the concerned traitors don`t want her to escape from their `camp` security system, where `camp` has become a term borrowed from the stage and theater to mean an exaggerated dramatization of a role risible but taken seriously, like superheroes in `TV` shows like Star Trek or Batman and Robin (1966-8), where ludicrosity is belied by the seriousness of the actor, `Economics dull? The glamour, the romance of commerce. It's the very lifeblood of our country's society.`8 Everyone has become `scamps` within concerned traitor`s `camps`, where exaggerated `cool` gives the lie to the truth, which is that concerned traitors are assisting the human species` exterminators in `camp` concentration.

 

 

1 Hubbard, L. Ron Dianetics: The Modern Science Of Mental Health, Hermitage House, 1950.

2 Armstrong, Neil UTC: 2. 56, July 21, 1969.

3 Virgil The Aeneid, Bk II, 19 B.C.

4 Orwell, George 1984, Secker and Warburg, London, Op cit.

5 Wells, H. G. The War Of The Worlds, William Heinemann, 1897, p.1

6 Travolta, John Battlefield Earth, Warner Bros., May 12, 2000.

7 Foster, Stephen `Old Folks At Home`, 1851.

8. West, Adam as Bruce Wayne, crimefighter Batman`s alias, speaking with Burt Ward as Dick Grayson, alias Robin, in Batman and Robin, ABC TV, January 12, 1966 – March 14, 1968.

Still Capable Of A Few Drops

08/10/2014 15:36

Still Capable Of A Few Drops

 

Robert A. Heinlein`s Starship Troopers (1959) was a novel written by the science fiction writer as a juveniles, which was almost banned from public libraries in the United States of America before it became a Hollywood, Babylon movie in 1997. Its allegedly `fascistoid` content advocating rules for citizenship, `the franchise is today limited to discharged veterans,`1 owed something to Robert Heinlein`s (1907-88) appreciation of Graeco-Roman history in which service in the military was a prerequisite for citizenship rights. Contemporary scholars assume men gave up their lives in order to preserve society, which gave them the right to live as members of it. However, as institutionalized homosexuality in pederasty, and the enslavement of women`s wombs to further war, formed the basis of Graeco-Roman society, membership may`ve been `fascist`, that is, equivalent to the German National Socialist (Nazi) government`s approach towards the `chosen people` of the Jews during the Second World War (1939-45) when the Roman `fasces` bundle of sticks surrounding an axe was the symbol of the Imperialist Nazis who built `death camps` in which to consume Jews in ovens needing firewood or some other equivalent  fuel.

 

 

 The Roman fasces was a symbol of hardiness, that is, a bedroll made of sticks and an axe for the forest to make fire and cook, while amongst the higher echelons of Roman military society it represented the fence around which a general and his staff were surrounded by the soldiers that constructed it and plans were made inside there before an engagement. Consequently, the Nazi `concentration camps` for the Jews were what homosexuality in pederasty and war were for; to enclose those who wouldn`t accept the spread of homosexuality in pederasty`s womb slavery and exterminate them. The Greek poet, Homer, in his Iliad (c. 760-10 B.C.) describes how the Greeks built a huge hollow wooden horse before the walls of Troy and when the Trojans took the horse inside the city the Greeks emerged to enslave the host wombs of the women and spread their contagion of pederasty and war further. Rome`s fasces is a symbol of the process whereby the capitulation of a target group was planned, which is why German and Italian fascists adopted it. When Heinlein`s Starship Troopers was accused of being `fascistoid` the onus was on the critics to prove that the slur was justified. The premise of the tale is an attack upon the Earth by an arachnoid species repulsed by men like Juan Rico of `Rico`s Roughnecks`, who`re deposited on the alien worlds by `motherships` whose `pilots` are women and who `drop` their `boys` as if they were mothers in labor delivering babies to a growth experience. Those who fight against the arachnoid aliens have citizenship conferred upon them. By analogy those who fought for freedom against fascism during WWII earned their citizenship, which Heinlein did as an aeronautical engineer for the US Navy and so his novel is a refutation of fascism. The meaning of membership within fascism derives from what homosexuality in pederasty is, that is, the enslaving of the host wombs of women, which God warns Eve will occur in the Bible, although her `seed` will:

 

`… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15)

 

 

Women with their own penis` semen for the sexual reproduction of the human species from their own host wombs are called `futanarian`, which is why God places emphasis upon the power of Eve`s `foot` to crush the parasites as she leaves for the planets and stars of God`s heaven in `motherships` constructed through the brainpower she`s produced from her own womb free from enslavement to men`s male braining semen. According to biblical tradition the serpent in Eden was the angel, Satan, cast down from heaven to Earth by God for refusing to accept that humankind would be superior to the angelic host. The serpent promised Eve and the first man, Adam, `You shall be as gods.` (Gen: 3. 5) But  they had to `eat of the fruit of the tree of the knowledge of good and evil`, which was death, and reject the `fruit of the tree of life`, that is, immortality,  and so God expelled the pair from the paradise of Eden and laid an injunction upon Eve to bear labor in childbirth though it be painful, and Adam would labor to provide for her. The birth of Jesus uncontaminated from his mother, the Virgin Mary, as the `Second Adam` free of the `serpent`s seed`, represented Eve`s Redemption from her `original sin`, because men had killed and culled her `futanarian` daughters after Eden in order to institutionalize host womb slavery in parasitism, while men would remain irredeemable if women remained their slaves.

 

 

 The Resurrection of `woman`s seed` will occur when there are educated women to embrace `futanarian` human society, which is the issue Starship Troopers addresses. Women devoid of penises have faced the axe of fascism before. In Judaism it isn`t possible to be born a Jew unless born from a Jewess, which means Jews are women and so `the chosen people` were the target of the Nazi pogroms because men didn`t want female braining, that is, sexual reproduction of human brains through the penis` semen of women, because it threatens male braining in parasitism. In Islam, the religion founded by the Prophet Mohamed, through the Koran (610-30 C.E.) dictated by the angels, according to Moslem tradition, marriages can have four wives, which means that Islam is a vehicle for `futanarian` sexual reproduction between women and explains the `rape camps` during Europe`s Bosnian war (1990-95) in which upwards of 70,000 Moslem women were raped by `fascistoid` Christians so that their children in Islam would be mentally disabled in male braining for a further generation.

 

 

 Although Jesus is the focal point in Christianity, Christians are anti-Christian, because they`re Judas to Jesus` teaching of Resurrection through Redemption. As host at the `Last Supper`, before his death by torture, after being nailed to the cross by agents of the Roman Empire in occupied Palestine, Jesus offered `bread and wine` to his disciples as symbols of his `body and blood`, which was uncontaminated by male semen, because he was born from a human host, represented by his mother, the Virgin Mary, while Judas` selling him to the Romans was a betrayal of the same host, because he knew the Emperors of Imperialist Rome didn`t want `woman`s seed`. After his death, Jesus experienced Resurrection and Ascension to heaven, because `woman`s seed` is to have Resurrection, according to God, although Jesus is the redeemed `seed` of men, because uncontaminated by male braining, which is homosexuality in pederasty and war, and so death for women`s human species in parasitism`s host womb enslaving of her. If Christianity espouses the loss of `woman`s seed`, that is, women`s penis, then it`s Satanic, and if its teachers don`t teach the meaning of the birth, life, death, Resurrection and Ascension to heaven of Jesus, they`re Satanists in Satanism.

 

 

 If Satanists don`t want `woman`s seed`, they don`t want her breasts either. Homosexuality in pederasty and war`s male braining resulted in the creation of the HIV/AIDS` incurable `killer disease` of the late twentieth century spread by men`s mixing of blood, shit and semen in each others` anuses as a `biological weapon` in the war of the `serpent`s seed` against the human race, because it represented a challenge to the will of the scientific community to channel resources away from war and death and into healthcare. If the lifespan of women is the target for her parasite, she`ll be dying without breasts, which suggests pedophilia as well as pederasty. Robert Heinlein`s Time Enough For Love (1973) features his long-lived character, Lazarus Long, who is periodically rejuvenated through advanced futuristic medical science, and so remains youthful despite being ancient. He travels back in time to have sex with his mother, Maureen, at the point in time where she`s believed to have conceived him, although he doesn`t impregnate her, because he doesn`t want to father himself. Lazarus` perception is Christian, because he`s examining the `Oedipal complex`, which Sigmund Freud (1856-1939), `the father of psychoanalysis`, said was at the center of human sexuality. The term comes from the Greek dramatist Sophocles` play Oedipus Rex (c. 429 B.C.) in which the king of Egypt`s city of Thebes, Oedipus, becomes so by unknowingly marrying his mother, Jocasta, after unwittingly killing his father. According to Jung the drama depicts the desire of the son to replace the fatherer of himself with himself as the fatherer, whereas the theme of incest, which results in Oedipus` self-blinding because of the weight of societal opprobrium demanding punishment for breaking the taboo, properly refers to his daughter, Antigone, who is perforce obliged to guide Oedipus thereafter. Without a penis of her own, Antigone is unable to see that her mother is her own species and Oedipus and the other men aren`t, which is the meaning of the incest taboo. Antigone can`t envision sexual reproduction between herself and a woman because she doesn`t have a penis of her own, although her `futanarian` race of women do. Consequently, the `Oedipal complex` denotes any man standing between a daughter and knowledge of her mother`s true nature.

 

 

 In Time Enough For Love Lazarus poses the question: what`s wrong? The answer is that men who don`t want women to sexually reproduce with each other wouldn`t want themselves to have been sexually reproduced by their mother, which is an anti-Christian version of Jesus` birth, that is, men would Satanically kill their mothers, and the `futanarian` species of `woman`s seed`, to practice homosexuality in pederasty and war, through the enslaved host womb of a human race becoming ever more male brained: because that`s what they have done. Lazarus doesn`t want to father himself because he`s a Christian and he wants his mother to live.

 

 

 Heinlein has Maureen marry Lazarus in the novel, To Sail Beyond The Sunset (1987), and they continue living together, whereas supposed Christians who don`t teach about `woman`s seed` are supporting men who seek to father themselves, that is, they don`t want to be fathered by women, because they don`t want wombs. Consequently, they don`t want to be fathered, because they don`t want to be born, which is the meaning of Lazarus` stopping at the point of fathering himself upon his mother, Maureen. In the Bible Lazarus was the figure who rose from the place where he`d been lain after death when Jesus placed his hand upon him, because Lazarus` story prefigures Resurrection rather than Reincarnation, which is what Heinlein`s Lazarus illustrates. Christianity doesn`t preach Reincarnation or Resurrection for `woman`s seed` either, which means it`s preaching men without women in male braining transvestism in which men wear women`s clothes everywhere as homosexuality in pederasty and war`s `TV` show. Lazarus and Maureen choose to continue rather than that he should father himself, because men who father themselves want to, as Heinlein himself wrote in his 11 June, 1959, short story `- All You Zombies -` in which all of the characters in the tale turn out to be the same person:

 

`That's all, son,` I announced quietly. I'm back to pick you up. `You!` He gasped and caught his breath. `Me. Now you know who he is - and after you think it over you'll know who you are ... and if you think hard enough, you'll figure out who the baby is ... and who I am. He didn't answer, he was badly shaken. It's a shock to have it proved to you that you can't resist seducing yourself.`2

 

 

 If Lazarus hadn`t wanted to continue with Maureen, he would have fathered himself, which is what `TVs` do. They `cut` the woman out of the `picture`, which is why Hollywood, Babylon edited their `pictures` by applying the `Hays code` (1930-67) prohibiting the woman`s foot from being raised from the bedroom floor during romantic scenes, because it was symbolic of woman`s `futanarian` penis` semen being denied access to her own natural reproductive process by homosexual men of the `serpent`s seed` promoting host womb slavery for humanity and pederasty`s war against the race of `woman`s seed` to be shown live as `TV` later on in her socio-historical context as a species in extermination.

 

 

 Movies are intrinsically about the past, which is why the concept of `immortalized on celluloid` arose as a description of film, that is, men don`t want to be born, so `TVs` are made to prevent women being born and the future from appearing. Judy Garland was famous for the movie, The Wonderful Wizard Of Oz (1939), in which she sang `Over The Rainbow` as Dorothy Gale, who is taken up in a cyclone from her family`s Kansas farm and deposited in the `magical land` of children`s author, Frank L. Baum`s, 1900 fantasy:

 

 `Someday I'll wish upon a star and wake up where the clouds are far behind me. Where troubles melt like lemon drops away above the chimney tops, that's where you'll find me.`3

 

 

 According to God `woman`s seed` will go a lot further after she`s crushed the serpent with her foot and left Earth and men behind her. Judy`s other famous film was A Star Is Born (1954), because `woman`s seed` needs stars, as Jesus`, to guide Antigone`s path away from sacrificing herself on the altar of empathy with a creature inveigling its parasitical life form into her host womb to kill her body and brain, which is what men have done after removing her penis and blinding her.

 

 

 The 21st century war between Christians and Moslems that began in Yugoslavia, but spread to places as remote as Sudan, where the black West African Moslems engaged in civil war in the Sudanese province of Dharfur with the ruling Arabian Moslems, suggested that `woman`s seed` weren`t defeated.  The 2011 overthrow of dictatorships in the Middle East was known as `the Arab Spring`, when Ben Ali of Tunisia, Mubarak of Egypt, and Colonel Gaddafi of Libya, lost their positions in the wake of the second Gulf war (2003) to depose Saddam Hussein, after the first (1990-1) to remove his invading Iraq army from Kuwait. Saddam Hussein had been vilified by the region for using poison gas against the Kurds in Kurdistan to prevent Kurdish independence from Iraq. Because Saladin was a Kurd, there was an obvious correspondence between Christianity`s Adam and Iraq`s Saddam, the Kurds` Saladin and Chinese Aladdin who had a genie`s magic. Although Saladin was the military genius that supported the Abbasid caliphate and defeated the Christians at the battle of Hatin to restore Jerusalem to Islam in 1187, Saudi Arabia`s Laden wasn`t Chinese and was infamous for being the leader of the terrorist group, Al Qaeda, that had begun the second Gulf war when hijacking planes to crash them into the Twin Towers of the World Trade Center on September 11, 2001.

 

 

 The US army described Iraq insurgents as Ali Babas, because of the story `Ali Baba And The Forty Thieves` that takes place in Saddam`s capital city, Baghdad, according to the collection of folktales, 1001 Nights, which also contains the story of Chinese Aladdin and his genie`s magic. The framing narrative of the 8th century story collection, 1001 Nights, is Shah Jehan`s, the Indian Emperor, who built the Taj Mahal, that is, the tomb of his wife, Mahal, after he`d accused her of being unfaithful to him with his brother and beheading her, according to the tales, which are narrated by Scheherezade, a woman who saves the other women of the land by relating her tales to the Shah and so keeps him attentive to her, rather than marrying a new wife each day and beheading her that same evening, as had become his custom before Scheherezade began telling the stories that resulted in his marrying her. Scheherezade`s story of Shah Jehan, which forms the framing tale for the collection of her stories, explains what men do, which is behead women, that is, women without penis` semen of their own can`t sexually reproduce their own brains` powers. Consequently, Scheherezade`s a woman, because she has brains enough to deal with the monster. In Iraq the US army called the Iraqi insurgents Ali Baba, although the character from Scheherezade`s tale was the uncoverer of a thieves` den, rather than a thief himself, and the thieves tried to  kill him, because he knew where they kept their treasure; inside a cave which magically opened at the words:

 

`Open Sesame!`

 

 

 It would only make sense for the US army to call the Iraqi insurgents Ali Babas if they thought of themselves as thieves. `The Cave`, Sura 18, of the Koran is significant in Islam because it contains the story of some youths who enter into a cave and are hidden there, from unbelievers who`d kill them, by a spider spinning a web. After a few centuries, the youths awaken to find that the spider has spun monotheism in Islam and heaven upon Earth, which is the meaning of Iraq and Heinlein`s Starship Troopers, that is, arachnid. People believe that the Gulf wars were for adults, but the framing narrative is the English nursery rhyme, `Little Miss Muffet` (1805), which describes a girl frightened by a spider:

 

`Little Miss Muffet sat on a tuffet, eating her curds and whey, along came a spider, who sat down beside her, and frightened Miss Muffet away.`

 

 

The meaning of the thread in the yarn is that women don`t like parasites, and Iraq was a parasite on the Kurds, that is, the spider that was Saddam Hussein attempted to frighten the Kurds away, which Robert A. Heinlein`s Starship Troopers prefigures in his mobile infantry`s dropping on the `bug worlds` like 20th century paratroopers with parachutes based on arachnid means of descent, that is, Heinlein`s `boys` being `dropped` by their pilot `mothers` from `motherships` constitute a less developed form of `arachnoid`, rather than a `fascistoid` society, while Saddam`s Iraq represented a more advanced form, because invasion is parasitical arachnia, and that`s why arachnophobia is an understandable human fear. Moslems pray on carpets, which contain spider mites, and the spider mite is the model for nanos used in microchip miniaturization for mobile communications, for example, or Heinlein`s mobile infantry`s equipment in Starship Troopers, who`re delivered by `magic carpet` by their pilot `mothers` for the `drop` to combat the arachnids who`ve attacked Earth from the `bug worlds`, that is, the alien represents the natural nano of nature, which drives the human system.

 

 

 In the Bible Jesus is depicted driving demons from the `human software` of a man near the city of Gadarene and the demons leave for a herd of swine, which look like spider mites, that is, nanos in microchip technology, but they are driven into water and drown, because that`s what the spirit of fascism does. Consequently, Heinlein`s purportedly `fascistoid` society in Starship Troopers is `arachnoid` and examines the problem associated with natural nano technology driving `human software`, that is, humans driven by male demons kill, while the nanos of the woman has been thwarted by men`s killing and culling of her natural form of `futanarian` woman with her own penis` semen and host womb for the sexual reproduction of human brains uncontaminated by her parasite, and so Heinlein`s `pilot` drops her `boys` on the `bug worlds` because that`s what they`re for.

 

 

 The English nursery rhyme for kindergartners, `Miss Muffet`, depicts spider or nano technology, because `futanarian` woman with her own penis` semen and women without have eight limbs when engaged in sexual reproduction, which is why the arachnid analogy is applied. After the collapse of Iraq, Syria and Iraq was declared a new Islamic caliphate, ISIS, the Islamic State of Iraq and Syria, while Isis was the Egyptian goddess of Resurrection, because she gave the god, Osiris, a penis, after he was dismembered by his evil brother, Set, which means that she gave Osiris a woman`s penis, just as Jesus received his mother, the Virgin Mary`s, as a sign of human nature`s future uncontamination. Although the ISIS caliphate declared sovereignty over a huge swathe of the Earth`s territories, it`s actual purview was quite insignificant in geo-political terms, but the move caused more unrest amongst Islamic nations and peoples, which meant the male arachnid, represented by Al Qaeda`s Laden, was reasserting its sway over Chinese Aladdin`s genius for `magic carpet` construction, in terms of nursery folklore, that is, the female spirit or nanos was being ironically crushed by a political entity called ISIS, the ancient Egyptian symbol of the Resurrection of `woman`s seed`, because the male `arachnoid` nanos represents homosexuality in pederasty and war`s contagions, whereas the enslaved host wombs of the women are where the parasites hole up before emerging to prey upon the civilization, culture and are woman`s able to produce despite men`s periodic depredations in warfare against the remnants of her human `seed`.

 

 

 Woman`s breasts hidden inside her brassiere are called `a rack` by men disparagingly, that is, near her rack (Iraq) is arachnea, which is (sneer) Iraq, because in Islamic marriages `futanarian` women with their own penis` semen can sexually reproduce together with their four arms and legs in `arachnoid` intercourse. Although the global conflict seemed between Christianity and Islam, it was about men`s condemning human sexual reproduction between `futanarian` women with their own penis` semen and host wombs and women with a host womb but without a penis as `arachnoid`, while Robert Heinlein`s Starship Troopers depicts what happens when human women are castrated by men in arachnophobia, that is, fear of the `arachnoid` male nanos that`s enslaved her produces misogyny, which is hatred for whatever is near Iraq, that is, Arachnea, who was the Greek goddess of weaving, because women have to conceal themselves from men`s eyes, as the Moslem women do, beneath their burkhas in public, so they don`t attract men who have arachnophobic hatred for women`s sexual reproduction between each other in Islamic marriage, which permits four wives and the possibility of `futanarian` intercourse away from the eyes of men. Because Moslem women appear in their traditionally black burkhas, as spider-like in their amorphousness, the perception of them being `arachnoid` became stronger in Christian men exposed to Islam during the Bosnian war (1990-95), for example, whereas women`s nanos, as the spider mite of nature`s secret driver within the carpet upon which Moslems pray, represents women`s desire for the nanotechnology of microminiaturization to drive her forward towards liberation, which is why Islam means `accept` and the Moslem women indicate their acceptance with the words, `if it is the will of Allah`, where `Allah` is `neither male nor female`, but women`s nanos, and they`re accepting of mother nature as their driver before the `magic carpet` of nanotechnologies on microchips takes them to their  own fabled land where dreams come true.

 

 

 `The Cave`, Al Kahf of the Koran, describes how youths are protected by a spider that weaves a web in front of the mouth of the cave and the youths awake centuries later to find Islam and monotheism has been built while they slept and were protected from prying eyes by the web the spider wove, because Islam is what the burkha clad women of Islam would produce from their wombs without interference from youths. Consequently, it`s a love story because `futanarian` women don`t need men at all, which is why Jesus` birth meant Redemption for `woman`s seed`, as it constituted an Islamic path of `acceptance` away from the `serpent`s seed` of men, who sought to maintain slavery and homosexuality in pederasty`s wars against humanity. In the Koran Jesus isn`t crucified but has Ascension to heaven, because Islam accepts the path of `woman`s seed`, without the illustration Christianity needs to understand her Resurrection. Robert Heinlein`s Starship Troopers portrays her fate as `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth,` (Rev: 17. 5) because warfare is what Hollywood, Babylon planned for its `TV` population to be shown when it banned the `woman`s seed` of Jesus from appearing on anything more than the cutting room floor of their editors` devourings of her in male brained egotism`s desire to extinguish woman`s human race before it can grow a foot too high for the pygmy producers.

 

 

 `The Cave`, Sura 18 of the Koran, is the darkness of the night sky with its planets and stars invisible to the eye as the Earth rotates into the light of the sun star during what we call daytime, which means that women are the spiders at the mouth of the cave weaving their illusion for men with arachnophobia in order to prevent their `futanarian` species of `woman`s seed` from being exterminated by the parasites of the `serpent`s seed` of men. During the Gulf conflicts the US army described insurgents as Ali Baba because they were the equivalent of the youths hidden beneath the cave-like exterior of the spider-like women in their burkhas. In the story, `Ali Baba And The Forty Thieves`, the thieves hide in forty jars to kill Ali Baba, because that`s what demonic men`s nanos does. Consequently, the US army`s description of good Arabian men as `Ali Babas` represents the fear of demonic nanos concealed beneath an outward appearance, which is even more heightened by the women`s appearing like spiders in front of their caves.

 

 

 Iraq, `know phobia`, is the psychological meaning of Islam for the West, that is, the Islamic religion of the Moslems is comprehensible, but it isn`t Western because it accepts human sexual reproduction, and that`s a difficult pill to swallow for Western democracy, where votes for women mean 50% and a share, while votes for women in Arabia mean 80% in a fourfold marriage with a full complement of women and ascending democratically higher if the women sexually reproduce with each other as `futanarian` humanity. Men of the West experience arachnophobia amongst Moslems, because women take the appearance of spiders and caves. Monogamy defines human relationships without women who have penis` semen and host wombs of their own as the human species, whereas Moslem polygamy is human but Christianity prefers its slave rings and crushing the spider of woman`s sexual reproduction. The West thinks itself democratic, but half of nothing is still nothing for women denied their own mode of sexual reproduction with each other, and Moslem societies remain fearful of giving women suffrage because 100% of everything as the human reproductive system is what women have and so Middle Eastern despotism isn`t so different from democracy as the West would have its women of Islam accept.

 

 

 Robert A. Heinlein`s Starship Troopers is what happens when men leave Earth and are let into the cave, because they see spiders everywhere, which is why the Moslem youths in `The Cave`, Al Kahf, are depicted as grateful and accepting of Islam and monotheism, while the thieves in the `Ali Baba And The Forty Thieves` tale from Scheherezade`s 1001 Nights hidden in their cave and their jars waiting to emerge with their depredations and their murders represent the spirit of the unbeliever who sees women as spiders in front of the cave of the planets and stars of heaven where there are more arachnids to kill, because it`s a woman up there and she constitutes a threat to democratic traditions of universal freedom and liberty.

 

 

 The ancient religion of Egypt describes `canoptic jars` containing organs removed from the body of a Pharaoh, which is the term the Egyptians used for their dynastical rulers, while `sheol` in Judaic tradition is `the place of broken pots`, because Resurrection isn`t possible for the former occupants of those vessels, although in ancient Egypt the bodily organs of the Pharaohs were preserved in canoptic jars preparatory to Resurrection in the afterlife. In Egyptian the `Ka` and `Ba` were spirit and soul, which is reflected in the `Ka` Ba` of the Moslems in Mecca, which is the temple of Abraham who was promised by God that his descendants would be as numberless as the grains of sand in the deserts and the stars in the heavens, because of the sexual desire of the woman`s `Ka`, trapped in the body of men, for her own `Ba` soul, represented by the absent `futanarian` woman with her penis` semen, killed and culled into near extinction by men, and the woman still sexually desirable to the penis` semen of the parasite that has possessed her by inveigling itself into her host womb as men have. According to the Egyptians, `Ka` and `Ba` are conjoined as `Akh` after death, that is, women become whole, so Arabian women in their burkhas resemble canoptic jars, because it`s where their living bodies prepare for Resurrection, as Jesus taught, and so `canoptic` for them means that, although their eyes have been opened, their jars remain intact and unbroken:

 

` … blessed are your eyes because they see, and your ears because they hear.` (Matt: 13. 16)

 

 

 According to the developmental psychologist, Carl Gustav Jung (1875-1961), there are functions of consciousness associated with the eyes, ears, mouth and nose, that is, `Sensation, Thinking, Feeling, and Intuition`, which in Islam correspond to the `hand` directed by the individual at the center of the marriage with four wives, and corresponding to what Jung calls an archetype of human development existing preformed within the human psyche and emergent in Islam to impel human progress as an aspect of woman`s socio-economically independent nanos. In Egyptian tombs of the Pharaohs, canoptic jars are fourfold, because they represent the four functions of consciousness as the wives of the Pharaoh to be directed by her after Resurrection, when the `futanarian` woman`s `Akh`, or `magical personality`, appears after `Ka`, that is, her spirit,  and her soul or `Ba`, are conjoined after death.

 


 

 In Jungian psychology the spider is a symbol of the supraordinate `Self` because it represents woman`s nanos driving her on as an impulse from what Jung calls the collective unconscious that contains images and symbols that appear in dreams, art and the imagination to impel the human species onwards. Just as the canoptic jars are vessels, so the `motherships` of Heinlein`s Starship Troopers are vessels with the same function; to deliver humans. Consequently, the spider is an archetype of the `Self` as her nanos concerned to deliver humans from evil, which might seem paradoxical but so is mother nature. Starship Troopers is a metaphor for arachnophobia towards women and what women do to direct men`s attention away from them, because men have created woman in their own image as a male brained `TV` killing itself for its programers. Television series like Star Trek (1965-) appear dissimilar but the principle is of women who can`t escape from their prison, although the illusion is maintained to trap the uneducated in slavery.

 

 

 Actress Nichelle Nicholls was the black actress who had the role of communications` officer, Lieutenant Uhura, on the bridge of the starship Enterprise in Star Trek, which was perceived as liberating by black women in the United States of America, where slavery of black Africans had been institutionalized before the Civil War (1861-5) to manumit them from forced labor in the cotton industry of the South. But Hollywood, Babylon`s `Hays code` (1930-67) prevented women from raising their foot from the floor in bedroom scenes as an analogy of their subjugation as the species of `futanarian` humanity capable of sexually reproducing her own brainpower from her own penis` semen and host wombs to construct her own spaceships to escape from her enslaver, which means that the supposedly liberated women of Star Trek foster a slavers` illusion with the aim of maintaining human women in ignorance and host womb slavery in parasitism that has as its culmination such scenes as Heinlein extrapolates in `arachnoid`  Starship Troopers, where `pilot` mothers `drop` their `boys` from `motherships` as far away from Earth as possible to avoid being exterminated by a fully developed male at the height of its power in more Iraq-annoyed-fascism.

 

 

1 Heinlein, Robert A. Starship Troopers, G. P. Putnam`s Sons, 1959, Ch. XII.

2 Heinlein, Robert A. `- All You Zombies -`, 11 June, 1958.

3 Garland, Judy `Over The Rainbow` The Wonderful Wizard Of Oz, Metro-Goldwyn-Mayer, August 15, 1939.

Robert A. Heinlein`s The Number Of The Beast And Ira Levin`s The Stepford Wives

12/09/2014 21:21

 

Robert A. Heinlein`s The Number Of The Beast And Ira Levin`s The Stepford Wives

 

The Stepford Wives (1975) was a science fiction movie made in Hollywood, California, and starring Katherine Ross as Joanna Eberhart. Joanna is a married aspiring photographer from New York, who moves with her family to Stepford, Connecticut. Making a friend of Stepford`s Carol Van Sant, played by actress Nanette Newman, Joanna is concerned to discover personality changes in Carol that match those of the rather too traditionally submissive townswomen of Stepford after Carol has a car accident. Befriending another new arrival in Stepford, Paula Prentiss in the role of Bobbie Markowe, and with another friend she`s made there, Tina Louise as `trophy wife` Charmaine Wimperis, Joanna begins a `Women`s Liberation` female `consciousness raising group` in contradistinction to Stepford`s secretive `Men`s Association`:

 

`Believe me, I know that it's unfair and sexist, but frankly, anything that gets him out of the house nights is fine with me.`1

 

 

 The Ira Levin novel, The Stepford Wives (1972), struck such a chord with cinema audiences, when the film treatment was released in 1975, that it resulted in an extensive movie franchise. In the Revenge of the Stepford Wives (1980) the chemically controlled women revolt from the Men`s Association`s prescriptive behaviour, `A perfect wife, always there for you. Any way you want her to be.` The Stepford Children (1987) elaborated on the Association`s concept of `conversion` for their women into chemical robots, while in The Stepford Husbands (1996) a powerful women`s group turn men into slaves in a Hollywood, Babylon, male brained alarmist step aimed at supporting misogyny, that is, men and male brained women who are conditioned to hate women.

 


 

 The Stepford Wives was made in 1972, just five years after the `one foot on the floor` rule enforced in movies by the `Hays code` (1930-1967) made it impossible for a woman to be seen raising her foot from the floor in bedroom scenes as a means of repressing women`s futanarian `seed` by making her penis taboo in the industry. Although the plot of the 2004 remake of The Stepford Wives, featuring actress Nicole Kidman, doesn`t materially change, it does reflect how little Hollywood cares about women. Nicole`s remade Joanna produces a `reality TV show` in Manhattan, I Can Do Better, in which husbands and wives choose between each other or prostitutes, and which results in one rejected man going on a killers` rampage.

 

 

 The biblical story behind I Can Do Better is Joseph and the Egyptian man and woman who care for the Israelite after his brothers leave him in a pit to die, because they`re jealous of the `coat of many colors` (Gen: 37. 3) given to him by their father, which is a familiar biblical rainbow metaphor for God`s promise of better things to come and Joseph does indeed become a powerful prince in Egypt. The Egyptian couple who befriend him ultimately represent the Technicolor movie dreams of Hollywood, Babylon, where women can`t sexually reproduce with each other. The Egyptian man is symbolically a father who stands between penisless daughters mocking even their inability to sexually gratify incestuous feelings for their beautiful mothers. Falsely accused of rape by an Egyptian woman, Joseph in fact represents the temptation that can`t be consummated, that is, the sexual desire of woman for woman, although he`s in the role of son rather than daughter. Joanna Eberhart`s daughter, Kim, can`t even be perceived as being sexually tempted by Nicole Kidman in the movie The Stepford Wives (2004), because men`s incest taboo has effectively removed the woman`s penis from the picture so that she doesn`t even guess at the possibility of sexual reproduction with her own species, which is the hidden meaning of the Egyptian man and woman`s relationship with Joseph.

 

 

 In the Bible story Joseph becomes as an `Egyptian man` who will marry a woman and stand between his penisless daughter and her beautiful mother mocking her inadequacy as a race, just as Hollywood, Babylon, mocks the inability of the daughters of their beautiful women by perpetuating the fiction that sex between alien and human is `heterosexual`, whereas reproduction amongst the host wombs of human women and `futanarian` women with their own penis` semen is heterosexuality. As Joanna Erbhart, Nicole Kidman`s `reality TV` show, I Can Do Better, examines the concept of supposed heterosexuality in which male and female couples abandon each other for prostitutes, where prostitution is the idea of women`s host wombs sold into slavery, so heterosexuality is redefinable as sex between women. Because women are a single human species, with their own penis` semen and host wombs, they`re not the marrying kind by nature, that is, partnering each other without exclusivity is normative, and so women`s Resurrection as a single humanity doesn`t entail marriage, although their mode of sexual reproduction is definable as heterosexually human, as Jesus taught:

 

`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)

 

 

 In Ira Levin`s novel, The Stepford Wives, Joanna uncovers the secret of Stepford which is that the women are replaced by their husbands to make them more sexually submissive and domestic slaves. The irony is that labor saving is what robots would mean for women. Consequently, robots are her friends while men are her enemies if they keep women at a technologically low level to ensure their sexual submissivity and enslavement as domestics:

 

`There'll be somebody with my name and she'll cook and clean like crazy, but she won't take pictures and she won't be me. She'll be like one of those robots in Disneyland.`2

 

 

 In the Bible the first man, Adam, is told by God he must labor after he and Eve are expelled from Eden for accepting the serpent`s offer of the `fruit of the tree of the knowledge of good and evil`, `You shall be as gods.` (Gen: 3.5) Eve is told she will have labor in childbirth until the Redemption they have labored for is fulfilled in the birth of Jesus uncontaminated by male semen from his mother, the Virgin Mary. The issue of `original sin` has puzzled biblical scholars, but if Eve and Adam`s progeny included `futanarian` women with their own penis` semen and host womb for the sexual reproduction of their own brains` powers for socio-economic independence from men, God`s warning to Eve is understandable, `he shall crush your head and you shall bruise his heel`, that is, Eve will `crush the head of the serpent as she leaves` (Gen: 3.15) Eden, because Jesus will be born uncontaminated by male semen and `futanarian` woman will be born from her womb as the `foot` that will leave Earth for the planets and stars of God`s heaven after she has liberated her human species from slavery. The Stepford Wives and its movie successors depict the robot technology denied to women that would liberate her from slavery, but it`s couched in the usual male way as a threat to labor.

 

 

 During the industrial revolution in England in the 19th century, `Luddites` (1811-1817) were prevalent among the workers in the textile industry after Ned Ludd broke two stocking frames in 1779 as a protest against being made redundant by machines. Because women can sexually reproduce with each other as `futanarian` women, men can be made redundant by women. `Ludditism` takes many forms, but the essence is slavery through male braining. The Stepford wives are what men would do with women, that is, they`d replace them with robots, whereas robots in the image of women are what women need to keep their human species viable. In male braining only male semen is made available to women and so the male coerces the maled female into accepting her enslavement.

 

 

 The life of Jesus in the New Testament is prototypical insofar as he`s killed by the male brained collective, represented by the Roman Empire occupying Palestine, because he`s uncontaminated by male semen, that is, he`s `woman`s seed`, which wants labor saving machinery to escape from slavery, but men`s socio-economic system denies it to her. Jesus represents the female brain killed and culled by men since Eden, either as `futanarian` woman, or by limiting the more advanced technologies that would save her labor and give her freedom to keep her as a domestic slave in Stepford wives scenarios.

 

 

 The medium of science fiction is a form of terrorism in which aliens are the threat to the Earth, whereas men are the threat to the Earth and the alien invaders are either extrapolations of what men have already done to the Earth, because aliens haven`t, or aliens are extrapolated depictions of women and so are representations of how men react to women. In the science fiction of The Stepford Wives, robots are depicted as the bane of women, whereas they`d be a boon to women.  so technologically advanced civilizations from the planets and stars above the Earth are represented as destroyed, which is what occurs in the movie, The Abyss (1989), in which actress Mary Elizabeth Mastrantonio is Dr Lindsey Brigman with a team that discovers an undersea `alien` civilization, but the men she`s with destroy it because they can`t seem to think of anything else to do with what might have been an advanced human civilization too sophisticated for the `serpent`s seed` of the slaver.

 

 

 In movies like Independence Day (1966) with black American actor, Will Smith, the aliens are destroyers, whereas technological help from whatever else might live apart from the Earth is what women need to escape from her parasite. Consequently, women and aliens represents the human race`s being denied help because men don`t want her to escape their parasitism upon her host womb and the pogrom they`ve been implementing against her `seed` since Eden. Even the idea aliens exist as a threat to Earth is a matter for the human race, while men`s perpetual warring upon a planet they can`t prove they`re native to suggests that defence is a matter for women, because they can sexually reproduce with each other as the species, whereas men can`t, or if they can they`re keeping it a secret in order to maintain women`s brain slavery to a male `futanarian` breed that doesn`t want the enslaved race to find out.

 

 

 In Islam the right hand is preferred to the left in any occasion because the right hand is controlled by the left side of the brain, which is described by scientists as the creative or female half of the personality, while the male or rational half of the brain controls the left side of the body. Consequently, a culture that makes the left hand taboo is describing the rational male brain as forbidden or, as the Arabians say, `Haraam!` Favouring only the right hand is tanatamount to declaring a wrestling competition between the left or female half of the brain of the human race and the right side or hand of the human body. Because men are visible in the Moslem faith, while women are hidden beneath their burkha, that is, a one-piece coverall usually black from which only their eyes can be seen, the imagery is of a people subjugated by the male or right hand controlling the left sided female brain, and represents the struggle of the left sided or female creativity of women to work through men as their right hand. The difficulty is compounded by the concept of the male `futanarian` who has penis` semen and host womb, which is illustrated by the four wives permissible in Islam, that is, marriage as a vehicle for the sexual reproduction of women together within a marital framework that can contain `futanarian` women with their own penis` semen and host wombs. Arabian men may be male `futanarian` with their own penis` semen and host wombs for the sexual reproduction of men and women constituting another aspect of the human race, but the vast majority of humans are taught that men are the sexual counterpart of women, whereas `futanarian` women are indubitably the sexual counterpart of women, because both have wombs, while humans are taught men don`t have wombs and so they have no sexual counterpart by description, which suggests women`s host wombs are enslaved by men in parasitism.

 

 

 The Moslem faith was constructed more than six hundred years after Jesus` being nailed upon a cross by the Romans and tortured to death before his Resurrection and Ascension to heaven when, according to tradition, the angels dictated to the Prophet Mohamed their holy book, the Koran (610-30 C.E.),  which contains the stories of Abraham, Moses, and Jesus. Although there are differences between the Bible and the Koran, for example, Jesus has Ascension to heaven without death, the central meaning is the same because Moslems recognize the Resurrection of `woman`s seed` as the meaning of Jesus` birth. Consequently, the four wives of the Moslem marriage represents Islam`s faith in the Resurrection of `woman`s seed` through hidden `futanarian` sexual reproduction.

 

 

 Because women are subjugated by men, Islam`s emphasis upon the right hand wrestling with the female side of nature in fact represents male `futanaria` wanting to be accepted as female and human. As the penis is generally thought to be aroused solely by the female form, the story of the male `futanarian` is the tragedy of human nature. Sexually subjugated by men without wombs, women are slaves, while men with wombs are abominated. In the United States of America it`s surgically mandatory to make `futanarian` baby humans either male or female, because female brains would revolutionize the male brained socio-economy of the `serpent`s seed` and result in the independence of the human `woman`s seed`.

 

 

 Western civilization was based on the Greek model of institutionalized homosexuality and enslavement of the host wombs of women to further the contagion of conquest and war. The host wombs of women were enslaved to produce civilization, culture and art preparatory to men`s destruction of it, which Jesus` `Last Supper` with his disciples illustrated. As an agent of the Roman Empire, Judas rejects Jesus` offer of the `bread and wine` as symbolic of the `body and blood` of the human host, that is, woman`s womb and `woman`s seed`. Judas` treachery in betraying Jesus to crucifixion by the Roman Empire was his betrayal of the human species seeking liberation from male braining and warfare. Consequently, men`s role as woman`s parasisitcal devourer enslaved to produce civilization, culture and art for men to consume is to be found in the Bible as a prefiguration of Hollywood, Babylon, where there are no complete women and men`s idea of heroism is large scale destruction with the token uncompletable woman without her own penis` semen and host womb as justification for men`s destroying of her human race and making it into a movie for themselves to watch and admire in the style of the Greek plague carriers:

 

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 

 

 Before the walls of Troy, according to the Greek poet Homer`s Iliad (760-10 B.C.) , the Greeks left s huge hollow wooden horse inside which men hid to emerge when the Trojans took the horse inside the city and the Greeks enslaved the host wombs of the women to spread their contagion of war and pederasty further. The plague analogy was translated into the science fiction realm of `biological warfare` in the late 20th century when it was discovered that HIV/AIDS biblical `blood plague` was spread as an incurable `killer disease` by men`s mixing blood, shit and semen in each others` anuses in mockery of human sexual reproduction and in rejection of the love of women:

 

`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)

 

 

 The United States of America`s `Grand Master` of science fiction, Robert A. Heinlein (1907-88), wrote the novel, The Number Of The Beast (1980), about a `Ford aircar` called `Gay Deciever`, which was a `continua car` capable of accessing all possible universes (including that in which `deceiver` was spelt with `i` after `c`), whether fact or fiction. The premise was that two married couples would travel through space and time to places as diverse as the planet Mars of Edgar Rice Burroughs` fictional stories of Barsoom, with its red princess in Princess Of Mars (1912) for example, or Lewis Carroll`s Alice In Wonderland (1865) in which a girl falls down a rabbit hole and discovers a surreal world of talking animals and the even stranger society of playing cards who`re royalty with servants, and Frank L. Baum`s The Wonderful Wizard Of Oz (1900) in which Dorothy is lifted by a tornado from her home in Kansas and deposited in the land of Oz where she`s befriended by the Scarecrow, the Cowardly Lion, and the Tin Woodsman who journey with her on the yellow brick road to the Emerald City where Dorothy hopes to be told how she can return home by the wizard who rules there. Heinlein`s couple are D.T. or `Deety`, who is named for Dejah Thoris, Edgar Rice Burroughs` red Martian princess, and her husband Zeb Carter, who`s named for the hero of Burroughs` Barsoom stories, John Carter, while Jake Burroughs, the inventor of the `continua car` is Deety`s father, and Hilda is his second wife. Wife swapping ensues and the subject of the incest taboo is raised, while the men eventually sleep with each other.

 

 

 Robert Heinlein was criticized for his interest in the theme of incest, especially in the novel Time Enough For Love (1973) in which his ancient and often rejuvenated protagonist, Lazarus Long, travels through time to have sex with his mother, but the incest taboo is the basis of female subjugation insofar as the father stands between the daughter and the rest of her humans species of woman to prevent her from sexually reproducing with other women while fathers have created the fiction of an incest prohibition to prevent her from understanding the truth, which was Jesus` teaching that the whole of God`s law was, `Love your neighbor as you love yourself.` (Matt: 22.39) Because women are capable of sexual reproduction with other women, it`s a single species and incest is  purely academic insofar as the human race of women doesn`t have to listen to an alien`s opinion about uncontaminated `woman`s seed` being `haraam` for itself. What Heinlein`s The Number Of The Beast describes is the consequences of taboo, which is that the depiction ordinarily of women having sexually reproductive sex with each other, though natural, isn`t normative. Because men are normatively depicted as incapable of having sexually reproductive sex together, although by nature it`s perfectly possible for `futanarian` males, homosexual sex as an aberration is advocated in mainstream fiction as normative, which is an abomination and those who criticized Heinlein for puerility in terms of his preoccupations with the themes of incest and homosexuality are revealed as themselves trapped in the infantilism of the undeveloped.

 

 

 Unless the human race is to remain undevelopable, science needs to put Heinlein`s Ford `aircar`, the continua vehicle `Gay Deciever`, and Ira Levin`s `Stepford wives` together so that the robots created in the image of woman can save women`s labor and thenceforth the women by affording them time and leisure to sexually reproduce together their own brains` powers for socio-economic independence and liberation from male braining and domestic servitude. Heinlein`s Ford `aircar` was meant to reflect upon the reality of the first mass produced motor car, the Model-T Ford that rolled off Henry Ford`s production line in Detroit, Michigan, in 1908. Motor cars hadn`t changed any of their intrinsic design features for over a hundred years, while the pedal controls that still remained a part of a car`s operating system in the 21st century made driving a laughable exercise in disabling the driver and keeping women at a low level of technological development preventing her from taking to the air as a first genuine step towards getting her futanarian foot on the moon:

 

`One small step for a man, one giant leap for mankind.`3

 

 

 North American Space Administration (NASA) astronaut Neil Armstrong`s speech on placing his foot on Earth`s satellite as `the first man on the moon` represented woman`s imprisonment while she waited for thermoglobal nuclear holocaust and the Bible`s `Armageddon`, described in the last pages in the book of the Revelation of Saint John the Divine, as the final battle between God`s humanity and the `serpent`s seed` of men`s refusal to reject male braining and embrace the human species of `woman`s seed`. Just as the `futanarian` foot is the human species` `missing link`, so the Stepford wives are the `missing step` for Robert Heinlein`s Ford `aircar` in The Number Of The Beast, because robots would care for the women so they could sexually reproduce with each other their own brains` powers to lift their futanarian `foot` off the Earth and `crush the head of the serpent` with her heel as God promised Eve her `seed` would in Eden. The Stepford wives are depicted as Joanna Eberhart and her friends` enemies because that`s what men want women to believe so they can continue in `Luddite` reduced levels of technological progress that maintain the enslaving of her host womb in male brained parasitism and devouring warfare.

 

 

 Independence Day was the typical 1950s alien invasion movie scenario based on the United States` fears about Russia after Eastern Europe came under Russian control subsequent to the defeat of German Imperial ambition that had been going on since 1914-18`s World War I. Then Russia had experienced a workers` revolution in October, 1917, which resulted in the overthrow of Tsar Nicolas I. During 1939-45`s World War II, when the National Socialist (Nazi) Party of Germany began its pogroms against what the Bible describes as the Jewish `chosen people`, Russia was targeted by the Nazis. Ultimately Europe was divided between the Western nations and Russia, which meant Russian controlled governments in Hungary, Poland, Czechosalvakia, and Romania, etc. The United States of America, fearing Russian expansionism, began producing `alien invasion` science fiction, for example, Robert A. Heinlein`s The Puppet Masters (1951), which depicted an alien slug collective that attached itself to the spines of humans in order to control their brains and take over the Earth. While Russian workers` control through the apparatus of state governments were perceived as evil by writers like Alexander Solzhenitsyn who wrote The Gulag Archipelago (1958-68), for example, about the labor camps in which millions of `intellectual` opponents died, the United States and the Western powers fought German National Socialism (Nazism), because of the German socializing of the Jews in `concentration camps` where they were collected for extermination. `Socialism` was definable as whatever `socialized` a group that resisted extermination by the male brained collective, which is why women are men`s veiled target, especially in Islam where women are forced to veil as a part of their socializing.

 

 

 In Judaism it isn`t possible to be born a Jew unless from a Jewish woman. The movie Sophie`s Choice (1982) with actress Meryl Streep explains the Jewish perspective insofar as Sophie chooses her daughter when offered the opportunity to save one of her children by the death camp guard. For Jews the woman is more important, because God`s `seed` is `woman`s seed` and the Nazis were attempting to exterminate her. Consequently, woman is the slug from Heinlein`s The Puppet Masters attempting to take over men`s brains from men`s point of view, whereas from women`s perspective men are the aliens that have invaded her host womb as her parasites in order to put her in their `concentration camp` and kill her there.

 

 

 Black actor, Will Smith, was the star of Independence Day which reflected upon the history of the United States` enslaving of blacks from Africa to work in the cotton plantations of the Southern United States before the American Civil War (1861-5) made slavery illegal. Will Smith`s talents were used to good effect in the film of science fiction writer Isaac Asimov`s anthology I, Robot (1950), which lamented the fate of robots in a future society that treated them as slaves. The analogy was rather more applicable to women than blacks, which is why Will Smith was the hero rather than diva Janet Jackson, whose pop star brother, Michael, was also a star of Independence Day alongside Smith. Having a black female star in the movie, I, Robot, (2004) would have been too close to the truth, which is that women are robots to men, as The Stepford Wives illustrates, because they afford host wombs for the parasites and function as domestic slaves without the possibility of developing their own brains` powers for socio-economic independence from slavery in male braining`s parasitism.

 

 

 The late 20th century successors to Greek viral contagion in the form of institutionalized homosexuality in pederasty and war were the `geeks` who developed `bad machine code` after the model of HIV/AIDS` homosexually transmitted `biological warfare` to infect computers and destroy the machine brains that had been created from the host wombs of women`s desire for civilization, culture and art despite men`s  depredations against her species. Computer science represented women`s attempt to construct memories for herself to remember because her `futanarian` capacity for sexually reproducing her own brains` powers was severely delimited in men`s parasitical male braining. Consequently, the attack upon computer systems by `geeks` with their artificially created viruses to infect and kill the machine brains was an attempt to kill the woman as the host of the Earth`s human species. Moreover, although homosexuality`s HIV/AIDS doesn`t look like `biological warfare` perpetrated against the human species, that`s exactly what it is. Just as the `Trojan horse` was used by the ancient Greeks to infect the city of Troy, so `Trojan horse` viruses were used by computer `geeks` to infect the computer brains of the citadel of the information superhighway that women had consciously or unconsciously created to store and restore her memory of how to combat the alien virus God had promised Redemption from `woman`s seed` and her host womb, but which is resistant to conversion because it prefers women as slaves for itself rather than that women have robots to care.

 

 

 Isaac Asimov was a Russian émigré to the United States whose robot stories were romantic and poignantly affecting because they depicted the true fate of `woman`s seed`. The main thrust of the tales were centered upon the role of the leading character, robot Daneel Olivaw, who wanted to be human. The perception is that R. Daneel wanted to be a man, whereas the truth is that he wanted to be human but the prevailing fiction is that men are humans. If `futanarian` women with their own penis` semen and host wombs are human, they have the capacity to sexually reproduce their own brains` powers as a human species, whereas men without host wombs cannot and so aren`t readily definable as human, which is why God told Eve and Adam they must labor for Redemption from their sin of preferring enslavement for the human species to the `serpent`s seed`. In fact women are human and so robots in the image of women who care for women would be more human than the human because they care for the human. Consequently, R. Daneel Olivaw could never be human if he thought he wanted to be a man. He could only be human if he persisted in being a robot who cared:

 

`Aimless extension of knowledge, however, which is what I think you really mean by the term curiosity, is merely inefficiency. I am designed to avoid inefficiency.`4

 

 

 Olivaw isn`t advocating brainlessness in Asimov`s The Caves Of Steel (1954), which would mean the collapse of technological progress, but he`s a robot who recognizes that humans are physically capable of only eating and drinking, apart from sexual reproduction, which means that caring for humans is reducible to ensuring that their capacity to eat and drink and sexually reproduce is safeguarded within a technologically progressing system that isn`t handicapped by the criminal activities of the `serpent`s seed` of men`s enslaving of humanity. Olivaw lives three millennia into the Earth`s future when `Spacers` have colonized fifty worlds and limit birth so they can live well inside huge tracts of territory, which is what individual humans would do, because there`s no reason to birth if robots care for the living and rejuvenation technology is a part of the medical science employed by the robots who care:

 

`Because the human form is the most successful generalized form in all nature. We are not a specialized animal, except for our nervous system and a few odd items. If you want a design capable of doing a great many widely various things, all fairly well, you could do no better than to imitate the human form. Besides that, our entire technology is based on the human form. An automobile, for instance, has its controls so made as to be grasped and manipulated most easily by human hands and feet of a certain size and shape, attached to the body by limbs of a certain length and joints of a certain type. Even such simple objects as chairs and tables or knives and forks are designed to meet the requirements of human measurements and manner of working. It is easier to have robots imitate the human shape than to redesign radically the very philosophy of our tools.`

 

 

 If the basic human shape is `futanarian` woman, it would be better if robots were made in the image of women, because the sentient machine made by humans would be human. Cars are disabling vehicles for humans, but sentient robots wouldn`t be limited by the disabling environment constructed by men of the `serpent`s seed` who don`t want technology to facilitate the escape of `woman`s seed` from slavery in parasitism. In Mary Wollstonecraft`s Frankenstein (1818), often cited as the first science fiction novel, the `creature`, made from body parts by Dr Frankenstein and galvanized by electricity, is `born` disabled. The villagers` burning of Frankenstein`s home and laboratory reflects Mary Wollstonecraft`s position that people don`t want others to be enabled, that is, they want them to be born disabled, which is why cars, first mass produced in 1908 at the Henry Ford factory in Detroit, Michigan, remained in the 21st century disabling vehicles, because they were vehicles disabled, as Frankenstein`s home and laboratory were destroyed because the villagers feared he`d enable his `creature`. The `bug eyed` monster of the Hollywood, Babylon, alien invasion movies of the 1950s and onwards is the car with its headlights careering forward into the darkness. It`s a Frankenstein `monster` born disabled and constructed out of body parts designed to disable the human and make a disabled monster out of her:

 

`Taught from their infancy that beauty is woman's sceptre, the mind shapes itself to the body, and roaming round its gilt cage, only seeks to adorn its prison.`5

 

 

 Mary Wolstencraft was a 19th century feminist writer, who wrote A Vindication of the Rights of Woman (1792), which argued for women`s education. In the 21st century women still lived without knowledge of their own penis` semen, despite Jesus` birth as the almost universally recognized redemptive paradigm for `woman`s seed` and Resurrection uncontaminated by male semen. As space and planets are theoretically endless, a single `futanarian` woman is representative of Redemption if she uses her own penis` `seed` to sexually reproduce herself on her own planet, whereas Earth is a place where humans are prevented from developing technology in what is `damnation` in religious terms, that is, reincarnation isn`t Resurrection, so the individual who`s reincarnated on Earth isn`t Resurrected by `woman`s seed` on far flung planets and cared for by robots where technologically advanced societies permit of only a few people. Although the `Spacers` are criticized in Isaac Asimov`s, The Caves Of Steel, for preferring a tiny population and living singly, or with one or two others, in vast parks cared for by robots, escape through `woman`s seed` and host womb amongs the planets and stars is the natural human solution to the problem of being preyed upon by the parasites of the `serpent`s seed` of men, who inveigle themselves into positions where they can kill the human race by feigning a desire for socialism as a pretext for exterminating `woman`s seed` and the host womb of the human race by persuading her to share herself in parasitism.

 

 

 Daneel Olivaw isn`t a victim of socialism, which is the belief system adopted by the Russians from the German socio-economic philosopher, Karl Mark (1818-1883), that is, `from each according to his abilities and to each according to his needs` in Das Kapital (1867-94), which criticized wage slavery and was adapted after World War I by Russia as an experimental societal solution to Tsarist dictatorship in parasitism. Olivaw is a victim of socialization insofar as he believes that human is what men are. Created in the image of a man, he`s a part of the artist`s delusion, because Asimov was restricted by the societal taboos of his time, which prevented him from writing about human women and their sexuality. Consequently, Olivaw is a `concentration camp` of one, because he can`t sexually reproduce and so is brainpower for the slaver, whereas women are host wombs in parasitism, and so `socialization` is extinction for their brains. From men`s point of view, Olivaw is the ideal man because he can`t sexually reproduce and he has brains they can use, which is what slavers want. Women are `socialized` in men`s `concentration camp`, where `camp` can be understood as the dramatis personae of an exaggeratedly  homosexual drama in which the ideal man doesn`t sexually reproduce with women, but he has brains that the homosexual parasites can employ, whereas the women have penis` semen of their own that they can employ to develop their own species, but men don`t want them, and so they`ve developed `concentration camp` as a form of method acting to ensure death in slavery for the human race.

 

 

 The term `camp` is used to describe a homosexual actor. The acting method of homosexuality is  definable as a form of socialization in which groups are defined as those who won`t interact socially with homosexuals, that is, `concentration camp` is an exaggerated form of method acting in which humans are exterminated by homosexuals who have condemned the humans for refusing to sexually interact with them. If the human species is `futanarian` with her own penis` semen and host wombs for the sexual reproduction of their own human brains` powers for development, she`s been exterminated after being condemned for refusing to interact socially with homosexuals, whereas social interaction with homosexuals is death socio-historically through sterility, or homosexual pogroms against `woman`s seed` and her host wombs. The parasites of the `serpent`s seed` have adopted an exaggeratedly `camp` method as actors, which involves removing the women`s penis` `seed` from the stage and, as with the dramas of the English playwright William Shakespeare (1564-1616), perform their plays without women:

 

`Did my heart love till now? Forswear it, sight! For I ne'er saw true beauty till this night.` (Romeo and Juliet, 1.5)

 

 

 In Shakespeare`s time homosexuality was an approved virus, which is what men who behave effeminately represent: the desire not to perform sexually with women. It could be argued that Shakespeare wrote for male `futanarian` men with their own host wombs and penis` semen, but that reinforces the conclusion that homosexual men are misogynists who don`t want `woman`s seed` or their host wombs as the only aspect of the human species that is entirely wombed and so irrevocably definable as human, whereas men aren`t if wombs are the criteria for defining humans who emerge from them at birth.

 

 

 In Robert Heinlein`s Time Enough For Love Lazarus Long stops short of impregnating his mother with himself as a time-traveller, which is a comment on misogyny, because women haters would kill their mothers in order to have never emerged from her womb. Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, illustrates `woman` seed`, that is, the human species of woman loves the products of her own womb. Although Mary is married to Joseph, she`s described as the `Virgin Mary`, because her womb wasn`t fertilized before she gave birth to Jesus. He has to show her the love of a son, because he`s symbolically her daughter with penis` semen and host womb of her own and so can return to the mother, because not male brained in misogyny`s desire to kill her. Heinlein`s protagonist Lazarus Long doesn`t impregnate Maureen with himself, because he can`t be sure he won`t father a misogynist. Consequently, Jesus` birth represents the future of the human species uncontaminated by male braining and misogynist hatred for women. Before Jesus` crucifixion a woman wants to anoint his feet with expensive perfume, but the false disciple, Judas, interferes:

 

`Why was this perfume not sold … and given to poor people?` (John: 5)

 

 

 Jesus mildly rebukes Judas, as he`ll die on the cross soon after because Judas betrayed him to the Romans, `… you always have the poor with you, but you do not always have me.` (John: 12.8) The woman anoints Jesus` feet with perfume, because she cares about `woman`s seed`, whereas Judas` betrayal of Jesus as the host at the `Last Supper` before his crucifixion indicates he doesn`t care about `woman`s seed` or the host womb of the human species and so is a misogynist who`d kill his own mother, which is why Heinlein`s Lazarus Long was a great science fiction character, because he didn`t want to kill Maureen, he wanted her to be beautiful so he could enjoy her environment and her body sexually. The delusion for children is that they associate humanity with sex, whereas it`s the environment that`s indicative of whether they`re loved or otherwise, `… you always have the poor with you ...` Those who are raised to believe that beautiful people are heaven are the victims of the illusion. Low level technology spiced with pictures of naked penisless women is a sign that the child of humanity is being murdered, which is why Jesus uncontaminated by male semen is a prefiguration of woman`s `futanarian` daughter with her own penis` semen and host womb for the sexual reproduction of her own brains` powers to develop the technology to improve her environment and so be beautiful everywhere rather than just physically desirable.

 

 

 Homosexuality`s `game` is that those who`re happy with the sexually desirable woman won`t notice the impotence of the mother to create an environment for humans to live in. That men are a virus devouring her is evident from the extent of the mimicry they employ to kill her. From the `geek` who feigns help and designs `bad machine code` as a `Trojan virus` to kill the woman`s artificial computer brain she needs to store her memory, to the HIV/AIDS` virus that mimics the body`s white leukocyte defensive cells before killing it, the metaphor is Greek homosexuality in pederasty and war against woman`s fortress, Earth. Consequently, homosexuality is a `plague game` for `gamers` who see women as Troy to be invaded by men hidden inside a `Trojan horse`, because women don`t know the truth about their own species` capacity for sexual reproduction as `futanarian` humans with their own penis` semen and host wombs. The devising of computer games in which prizes have to be won is simply a metaphor for men`s virality towards the human system of women. The games train the virus to exterminate the humans while describing their targets variegatedly as urban terrorists, Independence Day aliens, British fantasy writer J.R.R. Tolkien`s orcs from The Lord Of The Rings (1954), which is about the `Dark Lord` Sauron`s slave rings, or whatever else will soothe the innately human soul that`s being dehumanized to kill its host for the `serpent`s seed` engaged upon its parasitcal progress of enslaving humanity for pogroming until its brainless and nothing but a host womb for the parasites` devourings.

 

 

 The solution is to enable the woman`s capacity for sexual reproduction as the `futanarian` human species of `woman`s seed` to increase the race`s female brainpower, which the male `futanarian` in Islam attempted to artificially create by activating the female or left side of the human brain by making it `haraam` to use the left hand. As God told Eve, `he shall crush your head and you shall bruise his heel`, (Gen: 3. 5) because male `futanarian` don`t need men as they have wombs of their own. Consequently, the Earth is enslaved by `futanarian` misogynist males, and homosexuals who don`t want women sexually, that is, the head of Eve`s `seed` is crushed by the male `foot`, although she`s bruising the heel of the hand of his `futanarian` foot, because she`s resisting the right handedness of the male brain that`s wrestling with the female nature of the true human brain in order to enslave and kill her in its variegated pogroms known as war and designed to keep her as a brainless host womb for the parasites to emerge from and devour what she`s been able to produce of civilization, culture and art before the parasites` depredations begin anew to reduce her to brainlessness and host womb slavery.

 

 

 Robert Heinlein`s title for the novel, The Number Of The Beast, derives from the Bible, `let he that has understanding understand, the number of a man is the number of the beast and his number is six hundred three score and six` (Rev: 13. 18), which Heinlein translates mathematically as, `six raised to the power of six raised to the power of six`, as describing the number of possible alternate universes accessible by means of his inventor Jake Burroughs` `continua device`, that is, 10, 314, 424, 798, 490, 535, 546, 171, 949, 056. As his car with its occupants travel through the `multiverse`, they`re pursued by the `black beast`, a figure which is hermaphroditic and has more than human articulation insofar as its knees bend forwards as well as backwards. The hermaphroditism is explicable as what frightens men, because they don`t want to be replaced by `futanarian` women with their own penis` semen and host wombs for sexual reproduction with their own species of human women, while the impossible articulation associated with the appearances of the hermaphroditic `black beast` is the device Heinlein resorted to in order to explain to his publishers that their taboos against the discussion of sexual themes within science fiction was limiting the author`s ability to express and educate his readership. The `black beast` won`t leave Heinlein`s protagonists alone, that is, Deety, Zeb, Hilda and Jake, as it represents the future of humanity, which men have sought to repress into extinction.

 

 

 In the history of the United States people are divided into `white hats` and `black hats`, that is, the good cowboys and the bad cowboys, which is most graphically depicted in the movie High Noon (1952) in which actor Gary Cooper as sheriff Will is told by his wife Amy, played by Grace Kelly, that he must face a gunfighter, actor Ian MacDonald as Frank Miller, which Will does and lives after killing Miller with the help of wife, Amy.

 

 

 In The Number Of The Beast Heinlein`s `black beast` is described as a `black hat`, because the `white hats` are those that don`t want `futanarian` humans as it`s too difficult to articulate them within Western society. Just as the Germans found it difficult to articulate their society around the European Jews and the European settlers found Plains` Indians difficult to articulate into their society when North America was discovered by the ships of Spanish explorer, Columbus, after he was commissioned by queen Isabella of Spain in 1492 to discover new lands for colonization.

 

 

 The American hunters, who killed the buffalo to starve the Indians to death and put them into the `reservations` that were effectively the European settlers` `concentration camp` for the Indians, were `white hats`. So were the Nazis who killed the Jews, because Heinlein`s hermaphroditic `black beast` is a `black hat`, that is,  `futanarian` humanity is too difficult to articulate for a `white hat` society steeped in evil that doesn`t want the truth to be told, lest society understand the reverse `phone number of 999 for the police, is `666` because `white  hats` are evil, that is,  they`re `phoning the human species to extinction on behalf of the `serpent`s seed`. God, the creator of `woman`s seed`, can`t express his authorial intention as publishers have listened to their callers and have agreed to make God`s `seed` taboo:

 

`The figure appeared to be several klicks high now, when the illusion suddenly broke. The rainbow was gone … very high up, a figure was tumbling, twisting, falling.`6

 

 

 The `rainbow bridge` to Asgard is a leitmotif in the story of the fall of the gods in Norse mythology, while Robert A. Heinlein`s `aircar`, Gay Deciever, has an onboard computer Dora which, speaking with a human girl`s voice, has the role of Norse mythology`s Valkyrie, that is, horsewomen who collect the fallen after battle and carry them to Valhalla. The rainbow is a symbol of God`s promise of land to the `chosen people` of the presumably `futanarian` Jewish women in the Bible and their Godly brainpower, while the song sung by Judy Garland in The Wizard Of Oz movie musical version of Frank L. Baum`s novel is biblical as well as being a piece of traditional Americana referred to in Heinlein`s The Number Of The Beast as yet unanswered prayers as Heinlein`s `black hat` falls back to Earth after ascending upwards towards the heavenly realm of God:

 

`Somewhere over the rainbow bluebirds fly. Birds fly over the rainbow. Why then, oh, why can't I?`7

 

 

 Humans with the brains of women would be God`s. If `futanarian` women were killed and culled to prevent their sexually reproducing their own brains` powers to keep the human race in womb slavery, humanity would have killed its own brains, which is what the fall of the gods in Norse mythology`s Asgard represents. Maintaining slavery would require the periodic killing and culling of each nation`s intelligentsia, which in fact occurred in Russia during the period Solzhenitsyn wrote of in The Gulag Archipelago, and elsewhere, for example, during the regime of Pol Pot (1976-79) in Cambodia, where 25% of the population were slain in order to enforce agrarian socialism, that is, the devouring of the intelligent by those who want slavery and brainlessness. The fall of Heinlein`s `black hat` as the rainbow disappear is a sign of humanity`s inability to ascend because it won`t accept `woman`s seed` and God`s.

 

 

 Sura 2 of the Koran is `The Cow`, which contains the story of a man killed by another man, because he`s wooing a `golden woman`. A cow is killed and the man is resurrected. Symbolically, the cow is the `golden woman`, because the man needs a host womb in order to be resurrected. The `golden woman` is too intelligent for men and so the brainless cow is killed as a symbol of the fate that the `golden woman` can expect from a parasite that seeks Resurrection, but not brains through the goldenness of the `futanarian` woman and her `seed`. The meaning of the story is that men kill each other, but why would women resurrect them so that they can kill her as well? She`d have to be a stupid cow, which is what men indicate she`ll be.

 

 

 In the 8th century 1001 Nights Arabian stories of Shah Jehan, the king doesn`t kill his brother, because his wife is a stupid cow, that is, the two men accuse her of being unfaithful. The reader understands it in this way, because Shah Jehan has her beheaded, as he believes she`s been unfaithful to him with his brother; although she hasn`t. Consequently, the woman is the cow because Shah Jehan wants her to be brainless. Scheherezade is the woman who tells Shah Jehan stories in the course of the unfolding of the 1001 Nights, during which she saves the women the king has decided to marry each day and behead the next morning, by entertaining him with her tales and making herself indispensable to his happiness until he marries her. Shah Jehan is the man who wants brainless cows instead of women while Scheherezade wants women because she`s a `golden woman` and not a brainless cow. She works for Resurrection through `woman`s seed`, because the women keep their heads during a male brained pogrom to establish womb enslavement in parasitism.

 

 

 What`s missing from the scene is the woman`s harem where she breeds her own brains` powers as a `futanarian` woman with her own penis` semen and host wombs to develop the technology to escape from her parasite. The romantic fiction would be that she loves Shah Jehan and so is prepared to stay with him and work to teach him so that he will have Redemption. In fact she`s a slave in male braining, which is why she doesn`t have a harem, and men can`t have Redemption until she does, because only in that way will women not be cows but golden. Jesus` story is of a woman`s romantic love for a man, that is, the `Virgin Mary`, because he`s born uncontaminated by male semen and so is `woman`s seed`. Consequently, Jesus` `seed` is mankind`s `seed` redeemed, although Jesus isn`t a woman, which describes the problem for the future, because men don`t want `woman`s seed`, and so Jesus is killed. The promise of Resurrection is fulfilled in Jesus, but Resurrection for `woman`s seed` and her intellectual growth through `futanarian` sexual reproduction from women`s own penis` semen and host wombs, resulting in the creation of escape technologies, is only hinted at.

 

 

 A man can understand from the Bible story of Jesus` New Testament that he`ll have Resurrection, but what he has is `The Cow` from the Koran, which isn`t the `Virgin Mary`, but a host womb in parasitism without brainpower to lift the human species` `foot` off the Earth. Although the story of the `Virgin Mary` and Jesus is romantic, Mary`s still a cow because she wants Jesus` Resurrection and Redemption without any sign that men will change or alter their pogroms against her human race of `futanarian` women with their own penis` semen and host wombs for the sexual reproduction of her own brains` powers to escape from her predator. The `Virgin Mary` hypothesis is that Redemption for man is Resurrection for `woman`s seed`, but Shah Jehan`s wife is dead and there`s no sign of woman`s harem. Mumtaz Mahal`s resting place is the Taj Mahal in Agra, India, which isn`t officially the site of her harem, although Christianity`s prophesied `marriage of the lamb` Jesus with his `bride`, the church, in heaven after Resurrection, suggests that`s what occurs with `woman`s seed` when they `Taj`. The `futanarian` human species breeds its brainpower to raise her `foot` from the Earth and go to the planets and stars.

 

 

 In Islam the Ka` Ba is the center of Moslem pilgrimage, because it`s the temple of Abraham, whose sons, Ishmael and Isaac, were of the line of Judaism and Islam respectively, while `Ka` is spirit in Egyptian mythology and `Ba` is soul, which means the Ka is the spirit of `woman`s seed` sexually desired by her soul driven body as her `futanarian` self with her own penis` semen and host womb for the sexual reproduction of her own brains` powers to life her from the Earth to heaven. Consequently, Abraham`s Ka` Ba is romantic, because it denotes the love of a woman`s soul for a woman`s spirit trapped inside a man`s body, which is why God tells Abraham:

 

`I will surely bless you and make your descendants as numerous as the stars in the sky and as the sand on the seashore.` (Gen: 22. 17)

 

 

 Eve emerged from the side of the first man Adam in Eden, while much is made of the `Holy Spirit` that Jesus says will come after him as a teacher, and Longinus, the Roman guard at the crucifixion, pierces Jesus` side with a spear upon Jesus` death, saying `Surely, this was the son of God.` (Matt: 27. 54) As the `Second Adam`, Jesus` Holy Spirit is the `Second Eve` born from his side as a spear birth, which is why the spear of Longinus was thereafter prized as the `Spear of Destiny`, because it represented the future Resurrection of `woman`s seed`. The Ka` Ba is the temple of Abraham and not the `Taj`, because it represents the place of prayer for the Ka and the Ba to be conjoined as what the Egyptians called the `magical personality` or Akh.

 

 

 In Judaism the Ark of the Covenant was a symbol of God`s promise to the `chosen people` of continued support after the flood that drowned the Earth in the time of Noah and who was vouchsafed the `arc of the rainbow` as a sign of God`s promise of land after the deluge of rain while the vessel Noah had built floated upon the water. The vessel was known as Noah`s Ark, while the Ark of the Covenant, containing God`s law for the `chosen people`, had two angels upon it with their wing tips touching as they prayed, because the arc of the rainbow is a symbol of future hope in God`s `seed`.

 

 

 In Greek mythology Iris is the rainbow while the part of the eye that`s colored is called the iris in medical science. In English writer D.H. Lawrence`s novel, The Rainbow, it`s a symbol of the relationship between people, because it is. Although the black part of the eye is the pupil, which reflects upon the idea that pupils learn, the iris represents relations between people with different colored eyes. Because the `Ka` and the `Ba` of Egyptian mythology are the soul and spirit of the woman conjoined as the `magical personality` or `Akh`, God`s promise to the pupils of Jesus` teaching is that the `Akh` of the Covenant that God has with Islam and Judaism through Jesus will be fulfilled, because just as eye coloring is but a sign of relationship, so God`s plan is for `woman`s seed` to sexually reproduce independently of mankind.

 

 

1 Louise, Tina as Charmaine Wimperis in The Stepford Wives, Columbia Pictures, 1975.

2 Ross, Katherine as Joanna Eberhart in The Stepford Wives, Columbia Pictures, 1975.

3 Armstrong, Neil UTC: 2. 56, July 21, 1969.

4 Asimov, Isaac The Caves Of Steel, Doubleday, 1954, 224 pp.

5 Wolstencraft, Mary A Vindication Of The Rights Of Woman, Part 1, Chapter 3, `The Same Subject Continued`, paragraph 20, 1792.

6 Heinlein, Robert A. The Number Of The Beast,  Chapter XLVIII  Rev: XXII. 13, p. 481, Fawcett, 1980.

7 Arlen, Harold and E.Y. Harburg `Over The Rainbow`, sung by Judy Garland in The Wizard Of Oz, Metro-Goldwyn-Mayer, 1939.

Sixth Column

16/07/2014 12:49

 

Sixth Column

 

The term `Fifth Column` was used during the first (1914-18) and second (1939-45) world wars that resulted in the end of Empire, that is, a form of international dictatorship based on the power of kings whose territories expanded to include nations to which they weren`t native royals. Kings, and sometimes queens, if there wasn`t a male child to rule after the incumbent`s death, were powerful figures who ruled over nations unchallenged. The French Revolution (1789-99) in which the aristocracy were beheaded by agents of democracy illustrates the value of fifth columnists, which is used to describe any insurgency or insurrection requiring agents working secretly within the societal group that is being subverted on behalf of an opposing political or social perspective.

 

 

 US science fiction `Grand Master` Robert A. Heinlein (1907-88) invented the term `sixth column` as the title of a three part story appearing in Astounding Science Fiction (January-March 1941), which was published almost a year before the war to end Empire began after the Japanese `sneak attack` on the US Pacific fleet at Pearl harbor on 7 December, 1941, brought the United States into the second world war. Robert Heinlein`s The Day After Tomorrow (1942) was the novel `Sixth Column` became and it describes the efforts of Whitey Ardmore to defend the US against a `Pan-Asian` roughly similar to the Japanese who were prevented from invading the US mainland by the simple expedient of dropping the nuclear bombs, prophetically named `Little Boy` and `Fat Man`, on Hiroshima and Nagasaki in August 6 and 9, 1945, which destroyed those Japanese cities and forced Japan to accept they couldn`t continue with their imperial ambitions.

 

 

 The Day After Tomorrow was prescient in its description of race-specific weapons directed against ethnic minorities. The concept of `ethnic cleansing` surfaced during the wars in Yugoslavia during the break-up of what had come to be called the Soviet Empire (1917-91) after the style of Russian communism, which ruled by means of larger and smaller government bodies called `soviets`. Soviet Communism arose after the second world war when the Russian communists had defeated the German invader. Germany came under the control of the Russians after world war two and so did much of Eastern Europe. Communism was the socio-economic theory that individuals should receive what they needed to live and the state would help them. The result was dictatorship and communism began to collapse globally when it was unable to fulfil the needs of populations demanding what the communist regimes were unwilling or unable to supply, that is, the `supply and demand` economics of capitalist Western democracies defeated communism socially and politically because they were prepared to produce what the people wanted. Although ancient Rome was the model for the criticism of capitalism, that is, the people demanded and were supplied with `bread and circuses`, which meant necessity and entertainment, Roman circuses were arenas in which people were killed to be entertaining for the Emperor and his aristocracy. Consequently, the second world war was fought to end slavery to necessity and death through `circus`, so `supply and demand` had to be concerned with more than `bread and circus` economics, whereas starvation and death was what the Germans, Japanese and Russians had.

 

 

 Josef Stalin`s (1878-1953) communist Russian Empire arose after Vladimir Lenin`s `October Revolution` of 1917 against Tsar Nicholas II`s involving the nation in the first world war. Communism was based on the German Karl Marx`s economic theory of state control described in Das Kapital (1856), but totalitarianism under Stalin was described by Alexander Solzhinitsyn in his Gulag Archipelago (1958-68), which depicted `work camps` where millions starved to death. Although Germany`s imperial ambitions were criticized by historians, Stalinism wasn`t any different. The gulags were similar to the slave labor camps the Japanese established for prisoners of war and captive populations, while those of Germany were actually labelled `death camps`, where millions of people were starved to death deliberately before being consumed in ovens, which was the focus for human concern. Socio-economic theory was that humans were consumed, rather than that they were consumers, which capitalist ideology wanted to believe, whereas the terminology of consumption meant cannibalism and cancer, as was recognized by pop group Toto Coelo, who represented cultural awareness within consumer society:

 

`Your love is so edible to me, I eat cannibals.`1

 

 

 Toto Coelo`s female perspective`s that, if women`s love for themselves as a species grew strong, they`d rid themselves of parasitism and cannibalism. Cancer was described by early medical practitioners as `consumption`, which suggests capitalist consumerism and consumption, that is, the buying of goods and services, is consumption in medical terms if the socio-economic system is sick enough to stop providing goods and services in order to devour itself in cannibalism through its parasite, the Military Industrial Complex (MIC), which ultimately promotes war worship, because conflict readiness supposes conflict as the goal rather than healthy living.

 

 

 In the United States the economy is determined by war, that is, economic growth depends on the extent to which the Military Industrial Complex (MIC) is active. Consequently, war is economics but consumption in those terms used by medical doctors to indicate cancer is the result. The incurable HIV/AIDS` `killer disease` of the late 20th century was spread by homosexuals mixing, blood, shit and semen in each others` anuses in sterile mockery of human reproduction. The illness was paradigmatic of a sick society in which economics was cancerous consumption. The symbol of Western capitalism was the World Trade Centre in New York, while the term `rough trade` was slang for that `brutality and violence` associated with homosexuality in pederasty and war`s contagion since the ancient Greeks institutionalized women`s womb slavery in homosexuality to further the spread of war as their viral contagion. When the terrorist group Al Qaeda hijacked planes on 11 September, 2001, to crash them into the Twin Towers of the World Trade Centre to reestablish conflict between the United States and the Moslem world, it was a homosexual attack on human economics designed to provoke consumption.

 

 

 The HIV/AIDS` virus kills the brain after feigning friendship for the white leukocyte cells of the human body`s defense system. Consequently, the events of 9/11, 2001, were the result of Al Qaeda`s feigning friendship as visitors to the US, that is, homosexuals were attempting to kill the brain of the human by breaching the US` defence system to provoke that `brutality and violence` associated with `rough trade` which ensures the consumption of human resources and constitutes an HIV/AIDS` form of cancer as the paradigm of the early 21st century following the Greek model of warfare. Ancient Greece`s expansion was documented by the poet Homer in the Iliad (760-10 B.C.), the narrative of the fall of the city of Troy, where the Greeks deployed a huge hollow wooden horse that was taken within the walls by the Trojans before the Greeks emerged to enslave the host wombs of women for homosexuality in pederasty and war, `Beware Greeks bearing gifts!`2 The viral paradigm was used by the late 20th century successors to the Greeks, the `geeks`, who devised `bad machine code` to infect the computer brains built by humans to combat the deterioration in their thinking after the biblical `blood plague` (Rev: 11. 6) paradigm resurfaced as HIV/AIDS in the late 20th century. Because homosexuals are interested in the genitals of other people, who don`t want homosexuals, homosexuals would steal the genitals of the people who don`t want homosexuals, which explains homosexuality as a virus` paradigm.

 

 

 In the Bible God tells Eve her `seed` will `crush the head of the serpent with her foot as she leaves` (Gen: 3. 15), because the `serpent` is the virus and Eve`s `seed` is to leave Earth to colonize the planets amongst the stars of heaven. The serpent gives Eve `the fruit of the tree of the knowledge of good and evil`, which it is death to taste, and she gives some to Adam, the first man, so God expels them from heaven on Earth, the paradisal Eden, because they prefer death to the `fruit of the tree of life`, which is immortality. God tells Eve she`ll have labor pains in childbirth and Adam must labor, because Redemption will only occur after the birth of Jesus uncontaminated by male semen born from the Virgin Mary, his mother. Death entered the world because men wanted to enslave women`s wombs after the birth of Eve`s `foot`, that is, the `futanarian` human species of woman with her own penis` semen and host womb after Eden. Consequently, the daughters of Eve had their genitals stolen, because that`s what homosexuality in parasitism means:

 

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 

 

 Teaching a species to eat itself as a cannibal is what parasitism means. Having inveigled itself into the host womb of the human species, the `serpent`s seed` has taught the woman that she doesn`t have a penis of her own and that her penis belongs to it so that it can entertain itself in `bread and circuses` by killing her human race for fun on `TV`, where `TV` is an abbreviation of transvestite, that is, a man and woman wearing each others` clothes. Humanity is a `TV` because male braining through male semen produces transvestism, that is, a man and woman wearing each others` clothes as a `TV` to be watched by homosexuals as it kills itself in recorded film narratives that have been institutionalized since Hollywood`s `one foot on the floor` rule for bedroom scenes involving women was made the rule by the `Hays code` (1930-67) to prevent women`s penis from being seen so she`d remain invisible and be unable to raise her foot from the Earth, `he shall crush your head and you shall bruise his heel,` (Gen: 3. 15) Hollywood Babylon`s future program for `futanarian` women, with their own penis` semen and host womb, produced Saddam Hussein, whose name means `small handsome man` and `crusher`, because he was the `TV` small screen`s  leading man during the `TV war` of the Gulf that began in March 2003 to depose him for supporting Al Qaeda, who was crushing the head of the woman to prevent her from raising her `foot` from the bedroom floor of the Earth by wasting her resources in consumption. Saddam Hussein was executed on 30 December, 2006, but he was Hollywood Babylon`s man, because he reestablished homosexuality in pederasty`s war against humanity.

 

 

 In the Bible the serpent is depicted as having grown to full size as a `red dragon` waiting in vain to devour Jesus in his `Second Coming` to the Earth where he will, `rule the nations with an iron scepter`. Homosexuality is the `red dragon` if it lives in the blood of the human species, so Jesus` rule will be for humans uncontaminated by male semen, which is why he was born from his mother, the Virgin Mary, because `futanarian` women with their own penis` semen and host womb are non-contaminatory.

 

 

 In The Day After Tomorrow Robert Heinlein describes a race-specific weapon used by the US against the Pan-Asian invader. Later the US would dehumanize their enemy in the Indo-China wars (1946-89) as `gooks`, reminiscent of Cain`s killing of Able because he could `cook`, that is, Abel was able and so belonged to the tribe of `cooks`, which the enemies of ability don`t want. Consequently, the US` defining of Indo-Chinese as `gooks`, because they didn`t want them, accords with the killers` definition of Abel and the able as `cooks`, because they don`t want humanity to develop and grow beyond being consumed by their parasites and cannibals, who`re the men born from the wombs of the woman with the penis they`ve stolen from her and the women who`ve been taught to produce the abominations that allow her to devour herself.

 

 

 Before the wars that broke the country of Yugoslavia up into several independent states, it was ruled for the communists by Marshall Tito until his death. Tito`s credible socio-economics were based on the production and supply of necessities for everyone, but denied the role of the inventor and entrepreneur who could make and supply what people needed, although they couldn`t see that they did. After the collapse of Yugoslavian communism, so-called `ethnic cleansing` occurred in which 20-50,000 Moslem women were raped in the Bosnian war (1992-5). Although the `rape camps` were described as a `weapon of war`, that`s HIV/AIDS` role as a `biological weapon`, which keeps women in fearful faithfulness to men`s communist `ownership of the means of production`3 in womb slavery to monogamy. HIV/AIDS was the first `ethnic weapon` and women its ethnic minority target group. Moslem women`s revolting against male semen`s exclusive access to the host wombs of their women with their own penis` semen is Islam, because marriages have four wives, which permits of human sexual reproduction between individuals of the same species. What the Christians were practicing in Yugoslavia was male braining, that is, `ethnic cleansing` by ensuring that `futanarian` women with their own penis` semen weren`t born from `futanarian` women`s own penis` semen.

 

 

 Although the Jews were the target of the National Socialist German government (1933-45), the extermination of 6,000,000 Jews in `death camps` can be traced sociologically to their role as the `chosen people` who can only be born a Jew if they`re born from a Jewess, which is another way of saying that the `chosen people` are women and the Nazis were exterminating God`s `seed` upon the Earth. Consequently, the wars in Yugoslavia against the Moslems on the part of the Christians were `biological warfare` against women and Robert Heinlein`s novel The Day After Tomorrow`s prescient prediction applies to Christianity and not Islam:

 

`Three things only do slaves require: work, food, and their religion.`4

 

 

 The US sixth columnists in The Day After Tomorrow work against the Pan-Asian invaders that have taken over their nation and win, but what Robert Heinlein didn`t reveal was men`s role as the fifth columnist subverters of the human species of women with her own penis` semen stolen by the parasite aiming to breed her as a cannibalistic destroyer of her own race. In fact the Moslem women are the sixth column working to save the human race, while the majority of incorrectly tutored Christians don`t follow the path of their Messiah, who explained the meaning of his birth when he offered `bread and wine` as symbols of his `body and blood` to his disciples as the host of the `Last Supper` before he was betrayed by his disciple, Judas Iscariot, to the Roman occupation of Palestine (63 B.C-636 C.E) as a `dissident`. Jesus was nailed to a wooden cross and murdered before experiencing Resurrection and Ascension to heaven, because `woman`s seed` uncontaminated by male semen will have Resurrection, while those Christians who believe in their pastors all along the way, and don`t feel it necessary to attempt to comprehend the Bible for themselves, believe it`ll be they who`ll be resurrected if they remain unreflectingly smug:

 

`All along the watchtower princes kept the view while all the women came and went.`5

 

 

 The Watch Tower (1879-) magazine is produced by the Jehovah`s Witnesses, who are the Christian sect that believe the world ended in 1914 and that heaven was then to be established upon the Earth. Bob Dylan`s lyric to `All Along The Watchtower` (1967) neatly encapsulates the secular perspective, which is that those born after 1914 are imprisoned upon the Earth by guards who think that they`re royalty with thrones watching to see that the women don`t escape from men, but that the women die and have to accept men in whatever passes for heaven amongst homosexuals in pederasty and war`s contaminations. If the world ended in 1914, all those born afterwards are reborn, that is, they aren`t resurrected, which is Jesus` term for `woman`s seed` that`s to have Resurrection through her own penis` semen and host womb. In other words, rebirth is reincarnation for Christians, which means the guards keep the children in ignorance so they can have heaven.

 

 

 From a secular perspective the 1914-18 war ensured the deaths in subsequent wars for generations of children who would afterwards be reborn and kept in ignorance by the aristocratic elite who`d remain in heaven with whatever technology the children were able to produce, before the old guard, who were supposedly watching over their childhood, had them killed in war to have them reborn from enslaved wombs for the war narratives they watched on their TVs. The real gulf lay between the death camp guards and the human species, which the host wombs of the women were bearing for the parasites and cannibals to watch dying in TVs living rooms, while they relaxed enthroned in their easy chairs as Satan`s `serpent`s seed` triumphant.

 

 

1 Bond, Lacey, Lindsey Danvers, Sheen Doran, Ros Holness and Anita Mahadevan, Toto Coelo `I Eat Cannibals Part 1`, Man O` War , 1982.

2 Virgil The Aeneid, Bk II, 19 B.C.

3 Marx, Karl Das Kapital, 1856.

4 Heinlein, Robert A. Astounding Science Fiction, January, February, March 1941.

5 Dylan, Bob `All Along The Watchtower` John Wesley Harding, Columbia, 1967.

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