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Plague Aims Weren`t Jesus`

22/04/2014 11:12

 

Plague Aims Weren`t Jesus`

 

Christianity is a belief system but Jesus had aims, which means faith isn`t enough. Jesus` aims have to be considered. Most Christians accept the concept of Salvation because they want Jesus` promise of heaven for the redeemed to be fulfilled so they can have eternal life in God without perdition, which is the eternal unendurable pain of God`s punishment for the evil. The nature of evil has puzzled generations since the biblical story of Eve`s accepting the `fruit of the tree of the knowledge of good and evil` from the serpent, `Ye shall be as gods.` (Gen: 3. 5) Giving Adam the fruit, she and the first man were expelled from God`s heaven on Earth, which was paradise, with the exhortation from God that Eve`s `seed` will `crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) After Eden Eve experienced pain in childbirth while Adam had to work. Whereas in paradise the pair had the `fruit of the tree of life`, which was immortality from God, afterwards the fruit of her womb was the raw material of the future she bore in pain. Although Christianity believes in man and woman, humans born from the womb of Eve, and her daughters after Eden, were `futanarian`, that is, men and women with their own penis` semen and host wombs. Consequently, the `foot` God is prophesying Eve will use to `crush` the `serpent` that will have `perpetual enmity` with her `seed` is the `futanarian` human species, which was born from her and her daughters host wombs after expulsion from paradise. Because there are so few `futanarian` men and women publically on the planet Earth their rarity is indicative of a pogrom and an enslavement of the human race early in its development which began with Adam and Eve`s sons, who perceived that they could have power like gods if they enslaved the host wombs of humanity.

 

 

 If `futanarian` humans were culled, male braining would occur and humanity`s brains would be enslaved by the `serpent`s seed` of men`s acceptance of evil rather than good. The subsequent  ephemerality of the human species, which according to the Bible of Judaeo-Christianity is less long-lived than before, is traceable by the 21st century of the Christian era to men`s refusal to fight the plague aims impulse of their parasitism upon the host womb of the human species. The HIV/AIDS virus, which is described in the Bible as the `blood plague` (Rev: 11. 6), remained incurable by the second decade of the 21st century after it was first discovered in the late 20th century as a `killer disease` spread mainly amongst homosexual men engaging in mockeries of sexual reproduction with each other and mixing blood, shit and semen during what was erroneously described as `anal sex`. Failure to find a cure for HIV/AIDS, rather than fight global wars and devote huge sums of money and resources to death, was symptomatic of men`s unspoken aim of keeping the human race ephemeral and enslaved in brainlessness. The model for Western civilization was Greece where homosexuality was institutionalized in order to spread the viral contagion of war in pederasty while the host wombs of women were enslaved for that purpose. The Trojan war, documented by Homer in his poetical work Iliad (c. 429 B.C.), describes the way In which men`s viral paradigm works and spreads. Leaving a huge hollow wooden horse, as a `friendship gift` before the walls of Troy, the Greeks emerged from within to enslave the host wombs of the Trojan women to further spread their contagion of pederasty and war. The HIV/AIDS virus works in the same way because it indicates to the white cells of the body`s defensive immune system that it`s friendly before killing the brain. The pattern is familiar from Jesus` `Last Supper` at which he was the host. Born uncontaminated by male semen from his mother, the Virgin Mary, Jesus` offer of `bread and wine` to his disciples at the `Last Supper`, as symbols of his `body and blood`, represented his `futanarian` birth and the hope of Resurrection for `woman`s seed` from the host womb of the human race. Judas` betrayal of Jesus for `thirty pieces of silver` to the Roman authorities as a `dissident` constituted his betraying of the human species` host womb. Jesus was nailed upon a wooden cross and tortured to death by the Romans before he experienced Resurrection and Ascension to heaven, which prefigures the Resurrection of `futanarian` humans born uncontaminated by male semen.

 

 

 At the outset of the 21st century guests of the host nation of the United States of America hijacked planes at Boston, Logan airport and crashed them into the Twin Towers of the World Trade Centre on September 11, 2001, in an act of `rough trade`, which is a euphemism for homosexuality in slavery, and so the World Trade Centre was chosen as the target for the attack, because the terrorist group based in Afghanistan, Al Qaeda, `the base`, were offered a base in Iraq by dictator, Saddam Hussein, which resulted in the United States` invasion of March 2003 to depose him as ruler and reestablish  that `brutality and violence`between nations associated with `rough trade` and attributable to homosexuality`s contagiousness. Effectively the plague aims of Al Qaeda were how men play games, that is, just as computer `geeks` write bad machine code to crash computer systems and their Greek predecessors used a `Trojan horse` to trick the citadel of Troy into accepting their virus, so Al Qaeda crashed the US` defence system by means of trickery and betrayal to reestablish war through the paradigm of `gay plague`. Because men`s paradigm is the virus of homosexuality their preference for death and war indicates that the host womb of the human species is where their parasite gestates, while the `futanarian` human race of woman with her own penis` semen and host womb for the sexual reproduction of her own independent brains` powers for socio-economic liberation from maled brain slavery remains in abeyance:

 

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 

 

 The Bible story of Adam and Eve reveals that the parasite somehow inveigled itself into the host womb of the human race at the beginning of human development and eradicated the `futanarian` human species born after Eden in order to enslave the race for pederasty and war because that`s what parasitism is. Jesus` birth from `the woman clothed with the sun and with the moon at her feet` to `rule the nations with an iron scepter` offers some hope while the `red dragon` grown in size since paradise waits in vain to devour Jesus Christ, the `New Redeemer` in his `Second Coming` to the Earth after remaining in God`s heaven since his Resurrection and Ascension after crucifixion by the Romans. According to the Bible the woman will be given the `wings` of an `eagle` which will take her to the desert to wait out the `war in heaven` against her `seed` while upon the Earth what remains of her `seed` will be persecuted.  The symbolism suggests the Great Seal of the United States of America with its eagle emblem protecting the hymen or seal of the woman during the war to depose Saddam Hussein, which reached its apotheosis on 2 May, 2011, when US Navy Seal Team Six killed AL Qaeda`s leader, Osama Ben Laden at his hideout in Pakistan. The victory of the United States over the moon of Al Qaeda, `the base`, following upon its defeat of the red sun of Japan after a similarly unannounced attack at Pearl harbor, Hawaii, to disable the Pacific fleet on 7 December, 1941, represented the success of the woman, symbolized by the statue of `Liberty` in New York harbor, after the death of the terrorist leader who`d attacked New York on 9/11, 2001. With the moon reflected in her birth waters as `the pearl of great price`, that is, heaven above, `Liberty` was `clothed` in the red sun of the flag of Japan, and the moon of the flag of Al Qaeda, which heralds he who will `rule the nations with an iron scepter` to ensure the Resurrection of `woman`s seed`, that is, Jesus Christ, the Messiah of Christianity, whose aims aren`t men`s plague aims which have degenerated into a play games system of homosexuality in pederasty and war transmitted in forms as viral and diverse as Hollywood Babylon movies and personal computer games in which humans are depicted as viruses.

 

 

 Saddam Hussein`s name meant `small handsome man` and `crusher`, in the style of the serpent, `he will crush your head and you will bruise his heel` (Gen: 3. 5) God tells Eve, which made Saddam Hussein a Hollywood Babylon actor. The Hays code of Hollywood (1934-67) insisted that one foot of the woman remained on the floor at all times in bedroom scenes, which effectively prevented `futanarian` women from ever being seen in Hollywood movies, lest she raise her `foot` from the floor to crush the serpent`s  head, that is, sexually reproduce her own brains` powers for human freedom and escape from drudgery through labor saving devices, for example, as a prelude to woman`s diaspora from the world of men to the stars and planets by means of colonizing space technologies which men don`t seem to want. Having placed a man on the moon in 1969 at the tip of a rocket, by 1982 US President Ronald Reagan had initiated the `Strategic Defence Initiative` (SDI) to ring the Earth with a `ground and missile based system` to keep woman a prisoner and threaten her with extinction if she didn`t accept male braining and devouring in the wars of the parasite upon the Earth against her. Because Babylon was the ancient seat of Iraq, Saddam Hussein was the `small handsome man` and `crusher` perfect for the Hollywood Babylon leading role in the `TV war` (2003-11) of the Gulf. Beginning with the crashing of hijacked planes into the Twin Towers of the World Trade Centre on 9/11, 2001, `live on CNN` and other television news networks, the `serpent`s seed` of men`s male braining of the human species had devolved into transvestism, that is, `TV` in which women wore men`s clothes to kill themselves, which is what the Earth`s parasite had male brained her for.

 

 

 Because of Hollywood Babylon`s preference for `snuff` movies, `futanarian` woman with her own penis` semen and host womb couldn`t get her `foot` off the Earth`s floor. Male braining`s enslavement of her for the `TV war` of the Gulf and, 9/11, 2001, which took place on Manhattan Island, were intended to depict `futility`, that is, the `futile` attempts of the `futanarian` human species` to develop and escape from their isle of imprisonment. On April 15, 2013, a `footrace` in Boston, Massachusetts, was disrupted by terrorist bombs in a further warning to the `futanarian` human race not to try to `run` its development program. The sandshoes of the `runners` reminded the spectators of the `sandmen` of Boston, Logan airport, that is, the Al Qaeda terrorists, whose crashing of hijacked planes into the Twin Towers of the World Trade Centre on 9/11, 2001, prevented the 21st century from being born, as the `sandmen` of William F. Nolan`s novel, Logan`s Run (1967) made into a Hollywood Babylon science fiction movie in 1976, killed all those above the age of 21, who were labelled` runners`  for attempting to escape the socio-historical `snuff` movie written for the `futanarian` footrace by the `serpent`s seed` of men.

 

 

 What now puzzles students of Hollywood Babylon is the absence of real aliens and the continual depiction of men with weapons attempting to penetrate shields with the false hypothesis that men need to constantly develop stronger shields to defend against aliens when there are none. As women are a potentially independent species with their own penis` semen and host womb, shields are for `futanarian` womankind, because men are the virus seeking to fertilize her eggs by penetrating the shield of her hymen with their `serpent`s seed`  in order to wage war against her. The science fiction movies made by Hollywood Babylon in which men discover ways of penetrating the shields of aliens because they`re threatening the Earth is an analogy for their devising of weaponry to penetrate the shields of women`s hymens to spread their incurable homosexual `killer disease` of war through pederasty and enslavement of women`s brains by means of their `serpent`s seed`. Men would have to construct aliens in order to develop more powerful methods of penetration lest the woman cover herself, which in fact is what Arabian Moslem women do when wearing the one piece coverall, the burkha, in public, so that they are `cloaked`, which is the Hollywood Babylon `scifi` term for `hidden starship, so that penetrating weapons, that is, males, aren`t attracted.

 

 

In the Bible the woman, given the `wings of an eagle`, `hidden` in the desert, corresponds to the human `futanarian` race beneath her burkha. 9/11, 2001, was devised to give men an opportunity to attack the hymen of the human race, because women produce war if health isn`t a priority for men, but it wouldn`t be if men`s plague aim was to infect and kill the brain of human women so she couldn`t live long enough to remember her own penis` semen and escape through technologies invented by her own sexually reproduced brainpower from her own host wombs. Men play games because they`re plague aims, that is, the aim is to penetrate the woman`s shield, so weakening the shields of the human species is a part of the plague aims system of men who`re aliens that play games. In 1978 the Space Invader computer game, which was introduced into many public places of entertainment, inspired a lot more games where the objective was to `zap` the alien. Whereas Hollywood Babylon scifi movies depict `zapping the alien` as the aim, the real aim is to zap men who want to penetrate the shields of the Earth, which are women`s. In the movie War Of The Worlds (1953) from the 1897 novel  by H.G. Wells the aliens die because they contract a virus, which is what HIV/AIDS is. Because AIDS is a homosexually transmitted plague, the aliens in Wells` War Of The Worlds are extrapolations of what women represent to men, that is, humans living inside a carapace which excludes men and so must be penetrated or men will, to use the time honored phrase from television`s scifi series, Star Trek (1965-), `cease to exist`, because they constitute a parasite that needs women to sexually reproduce itself as her destroyer, which is what parasites use host wombs for. The traditional slice of Americana in Hollywood Babylon movies is a boy who has a car meets a girl who needs transport, which is essentially the reverse of what a woman needs, that is, a carapace of her own. The era of the crab began circa 8600 BC and ended c. 6450 BC, while the enslaving of the woman Babylon, which was a city built in what is modern day Iraq c. 4000 BC, is described as having occurred in the Bible, which suggests that woman`s male braining and host womb enslavement was being described in the period after her carapace was lost, that is, she was a woman without a shield, or car in Hollywood Babylon terms.

 

 

 According to developmental psychologist, Carl Gustav Jung (1875-1961), the crab is the archetype of the mother, because she has a carapace, that is, the shell of the crab describes what a woman needs in order to live, whereas descriptions of Greek institutionalized pederasty and war before the walls of Troy needing a plague tool, that is, the huge hollow structure of the `Trojan horse`, to inveigle itself inside the city so that the Greek men could emerge from within to enslave the host wombs of the women to spread their contagion further, describes how the mother archetype is penetrated by the virus of the `serpent`s seed` to destroy her. In Jungian psychology archetypes exist in the dreams, art and imagination of humans and emerge to impel progress, so the mother archetype represents the city and the starship, that is, men are for imprisoning her upon the Earth to fight the wars of `perpetual enmity` against `woman`s seed` God warned Eve would occur in the Bible, whereas the `futanarian` human race of women with their own penis` semen and host womb are for the stars, because men are the `serpent`s seed` who don`t want the `foot` of the woman to rise from the Earth. Hollywood Babylon`s scifi scenarios of aliens being penetrated in the way that cities are captured reveals that the aliens are extrapolations of women, because strong shields are important for humans and penetration is an irrelevancy relating only to men`s desire to perpetuate their parasitism as the virus that kills womankind.

 

 

 At the beginning of the 21st century `geeks` had replaced Greeks as the virus paradigm. Computer programers, known as `geeks`, devised `bad machine code` to infect computers and kill what amounted to the peripheral brains of humanity. The term `geek` was used to describe modern circus sideshow freaks who ate the heads of chickens, which is what humans are for men. The term `circus` was used in the 20th century to describe `spying` as the means employed by governments and quasi-government organizations to describe how humans are prevented from developing. Common perceptions are that industrial espionage is for obtaining secrets that will assist manufacturing, for example, whereas such spy networks exist to protect existing manufacturing and quash development. The term `circus` derived from Greece where huge amphitheatres  were used to train invasion forces, which degenerated into the Roman circuses in which spectators watched people fight and die,  whereas `circus` actually denotes a woman training for the stars and the new carapace of her starship while men attempt to stop her.

 

 

 In the Hindu religion of India, the mother archetype is Kali, who is a many armed figure representing what men fear, which is a woman with many arms. Kali`s appearance is spider-like because `futanarian` woman doesn`t need men to sexually reproduce from her own host womb with her own penis` semen. The concept of a many armed demon is familiar from the military of the Earth, which are demons with many arms. In archetypal terms women are spiders, which is why Kali is often depicted as having more than a single pair, and even six or more arms, because she represents the `futanarian` human species of woman that can sexually reproduce herself with many more arms than men, whereas men`s nature is that they`re unable to sexually reproduce at all. Because `futanarian` women are the human race, men are demons with their military presence of many arms preventing her from being her own natural producer, because she has all of the host wombs and `woman`s seed`.

 

 

 The genius of Jesus Christ was to indicate that he was the host and that men killed him because woman is the host womb of the human species and the `serpent`s seed` of men don`t want her to leave as killing her is what they`re for. Born uncontaminated by male semen from the host womb of his mother, the Virgin Mary, Jesus` birth wasn`t that of a parasite seeking to kill. Consequently, Jesus was the host at the `Last Supper` before his death, Resurrection and Ascension to heaven, killed by men, because he was their supper in the sense that the `serpent`s seed` devour what women produce from their womb. Although Judas Iscariot betrayed Jesus to the Roman authorities as a `dissident`, killing the host is what men are for, and so Judas was being a man. On September 11, 2001, the terrorist group Al Qaeda`s crashing of planes into the World Trade Centre, despite being regarded as visitors and so guests of their host, that is, the unsuspecting United States, were attacking and killing the host because that`s what men are for:

 

`We are the Borg. Lower your shields and surrender your ships. We will add your biological and technological distinctiveness to our own. Your culture will adapt to service us. Resistance is futile.`1

 

 

 The people of the `Borg mother` from Star Trek:The Next Generation (1987-94) TV series live by constructing bodies from parts that become available in the course of her progress. Hers represents the plight of the `futanarian` mother who can`t sexually reproduce from her own host womb and penis` semen because men kill her. The phrase can be adapted to apply to the Hollywood Babylon `blockbuster` movie World Trade Centre (2005), which was made as a film about the terrorist attack on New York`s Twin Towers. The events of 9/11, 2001, resembled a 1950s Hollywood Babylon `alien invasion` scenario, because it was. The target was `futanarian` woman`s growing possibility of sexual reproduction from her own penis` semen and host womb, which threatened the socio-economic hegemony of men as her parasitical enslavers and devourers in war. Provoking global conflict would reestablish the `rough trade` of homosexual `brutality and violence` as the paradigm of Western behavior since Greek womb slavery and the spread of war through institutionalized pederasty, which by the outset of the 21st century had developed its biological weapon of HIV/AIDS to keep women in fearful faithfulness to her owners in monogamous slavery to male braining. For `futanarian` womankind men are alien invaders and 9/11, 2001, reestablished their paradigmatic role as her killers, because the diversion of resources from health and the strengthening of her shields to death and war was the parasites` way of reiterating:

 

`Resistance is futile!` 2

 

 

 The futility of the human `futanarian` race is what the terrorist attack upon the isle of Manhattan was designed to emphasize. Plunged into a war consuming the resources of humanity proved the assumption of Al Qaeda, `the base`,  that provoking the United States of America would be the death of humanity because, although humans are for eating food, parasites are for eating their own `foot`, that is, the `futanarian` human species of the woman who carries them.  21st century technology is the aeroplane which is cruciform and passengers are restrained from moving while the aircraft is in transit between the airports of the different nations it flies from and towards. Archetypally the plane corresponds to Jesus` cross upon which he was nailed so he couldn`t move in a `mysterious way, His wonders to perform`,3 whereas the crew of the starship Enterprise in Star Trek travel by teleporter to planetary surfaces before returning to the starship, `beaming up` into the Enterprise `transporter room` instantaneously after relaying their coordinates by means of their `communicator devices`. The terrorist action of Al Qaeda, `the base`, in demolishing the World Trade Centre by crashing hijacked planes into the Twin Towers, could be interpreted as a comment upon Christianity`s limiting of humans to low level technology, because Christians want people to `move in a mysterious way, His wonders to perform`, as 18th century poet William Cowper wrote of God, while Satanists want to nail people`s movements down to aeroplane transports that are heavily monitored by security guards; as if the Earth were a `concentration camp` constructed by the `serpent`s seed` of men while the human species of `futanarian` woman with her own penis` semen and host womb waits in hopeless futility for its `death camp` end.

 

 

 Unless women as the `futanarian` human species with her own penis` semen and host womb for the sexual reproduction of her own brains` powers can develop technology to carry her away from the Earth she`ll be imprisoned by the `serpent`s seed` of men`s desire to keep her in parasitism and death. The `Great Mother` is an archetype of Jungian psychology whose attributes are various, but the Kore relationship of mother and daughter is represented by the goddesses, Demeter and Persephone, who are fertility and sleep respectively, that is, the growing season and the season of winter following harvest in anticipation of the next year`s growth.  Demeter is fertility because women have penis` seed of their own as well as host wombs represented by their daughters. The cancer or crab archetype of the mother in the period of history before male homosexuality in war and pederasty was recorded as enslaving women`s host wombs to spread their contagion further represented the archetype of the city and the starship where the shield of the goddess of the city of Troy, that is, Pallas Athene, is analogous to the shields a starship needs to prevent the hull`s integrity from being ruptured by meteors or attack. Because men are the only creatures produced from the host wombs of the `futanarian` human species of woman with her own penis` semen that seek to kill and enslave their host in parasitism, shields are what the archetype of cancer the crab, that is, the `Great Mother`, represents. Woman`s carapace is the starship she needs to develop in order to escape from the death men have planned for her on Earth. In countries where Moslem women wear the burkha,  they`re forbidden to drive a car, because it`s the first step for the `futanarian` woman`s `foot` as she endeavours to construct a carapace, that is, a starship, behind which to shield herself from men`s viral penetrations.

 

 

 Hindus and Moslems are perceived as antithetical to one another; particularly because of the border disputes between Moslem Pakistan and India, which is predominantly Hindu. But there are four wives in Moslem marriages, which is an optimum number for `futanarian` women`s secret sexual reproduction through her own penis` semen and host womb, while the Hindu goddess, Kali, with her many arms, represents women`s capacity for sexually reproducing more arms than men, who need women`s host wombs and can`t reproduce without her. Moslem marriage and Hinduism`s Kali represent women`s potential socio-economic independence and natural superiority in terms of the human race`s capacity for productive growth.  Unlike the spider, which is a soft bodied arthropod, the carapaced crab is a decapod with eight legs for locomotion and a pair of what constitute arms; although they`re actually tool-like claws. The archetypal configuration of a many armed female with a shell represents the defensive capacity of a `futanarian` woman with her own penis` semen and host womb for the production of herselves. The Greek goddess Aphrodite, who is Venus in Roman mythology, is depicted as emerging from the sea as a pearl upon an oyster shell, and `the pearl of great price` is heaven, according to the Bible, which means the Graeco-Roman Aphrodite-Venus is an archetype of the `Great Mother`, who will be the `pearl` within her shell again if the archetype of the starship is developed by her `futanarian` humans as a carapace to raise her `foot` from the Earth and win the race to have her own arms about herself in those spaces between the planets and stars where starships may journey unmolested apart from the arms race of men`s desire for her death.

 

 

 1 Coopwood, Jeff as the `voice actor` for the Borg`s mission statement in Star Trek: First Contact, Paramount Pictures, November 22, 1996.

 

2 Stewart, Patrick as captain Jean Luc Picard of the starship Enterprise, temporarily `assimilated` by the Borg mother and declaring himself, `Locutus of Borg`, Season 3 and 4, Episodes 26 and 1, June 18 and September 24, 1990.

 

3 Cowper, William God Moves In A Mysterious Way, 1773.

SF Politics

01/01/2014 11:14

SF Politics

 

Politics is what science fiction is largely concerned with. The extrapolation of societal factors existent, or previously known, into fictional descriptions of places that could be, if the ideas of the writer about society were implemented, are the essence of the science fiction cosmos. Writers like Isaac Asimov with his Foundation series of novels about the psycho-historian, Hari Seldon, describe a character who attempts to plot civilizational collapse, and the response of the human race to such a hypothetical event, so that humanity can raise itself to the heights it had achieved before the well documented phenomenon of the rise and subsequent fall of socio-economies based usually on new innovations in technology that have given one population or another some advantage in their progress towards social success:

 

`The fall of Empire, gentlemen, is a massive thing, however, and not easily fought. It is dictated by a rising bureaucracy, a receding initiative, a freezing of caste, a damming of curiosity - a hundred other factors. It has been going on, as I have said, for centuries, and it is too majestic and massive a movement to stop.`1

 

 

 

 

 The main criticism of SF is that it is a ghetto for writers and readers engaging in power fantasies with no political truth in it because it`s not politically correct. As defined, political correctness is gender oriented insofar as human society constitutes those interactions between men and women in the societies they construct that cohere so they can live together without fear of attack by one another. The most criticized form of science fiction is that which deals with sexual themes in a gratuitously sexual way that emphasizes the wealth of human social interaction with regard to the desire for pleasure, which is the basis for normal activity and so perplexes the writer and the reader when the critic perceives it as problematic and uses the appearance of sexual material to condemn the writer and further ghettoize the genre as a medium for pornographic representations of women. Because most power fantasies are about sex the ghettoization of SF on the basis that sex isn`t politically correct is anti-human as sexual activity is human political truth and societally cohesive. Tearing the emphasis away from sex transforms the power fantasies into naked aggression because penetration is what males are for in terms of a woman`s hymen and so the power fantasy becomes an infantile soap opera constructed as a metaphor for those invasions and penetrations of women`s space that men engage in. Movies like Star Wars in which the Federation of planets is threatened by the Empire or Star Trek in which the shields of the ships are the most important aspect of the vessel`s progress between the stars and planets of the cosmos, represent men`s engagement with their power fantasy of penetrating women in order to spread their invasive virus further:

 

`A long time ago, in a galaxy far, far away ...  pursued by the Empire's sinister agents, Princess Leia races home aboard her starship, custodian of the stolen plans that can save her people and restore freedom to the galaxy ...`2

 

 

 

 

 In the Bible the phrase `got with child` is used to describe a woman who is pregnant and so to `get with child` is to fertilize the egg of the woman. She is then described as having been `got with child` before she has delivered the infant as a birth from her host womb. In English slang a `get` is an insult directed at a woman who has birthed a child, that is, the child is her `get`, meaning that it looks human but it resembles afterbirth, which is the placenta and amniotic fluid, etc., supportive of the infant`s gestation within the host womb of the mother prior to the baby`s being born. The word `ghetto` is Italian and means `slag` which is a slang term for a `whore` and was the name of the island where the Jews were `concentrated` in Venice (c. 1516). Because Jews are the `chosen people` of God, according to the Bible, and it is only possible to be born a Jew if born from a woman, women are Jews, and so the child of their  ghetto is woman, which is what men were either consciously or unconsciously attempting to prevent from being born when they made the island Ghetto that part of town where the `gets` of the whore lived, in misogynist terms:

 

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 

 

 

 

 The Jews` escape from slavery in Egypt to the land of Canaan (Ex: 13.17-14.29) was a paradigm for women`s liberation from the whoredom of producing boys for wars. SF is often described as literature`s `bastard child`, because it`s capable of dealing with societal problems in fiction but it resembles a `get` insofar as it can`t live because ghettoized as the Jews were on the Italian island of Ghetto and throughout history. Because the treatment of sexual themes are a taboo in SF, humans are reduced to an excuse for violence, upon the description of which there`s no limit. Human affection and normal sexual interest as practiced by adults is perceived as a cypher for the main interest of the narrative, which is death through hardship. The individual hero or group has dangers to face and the result could be death, which is presented as the essence of human activity and endeavor to the point at which death becomes the teleological goal of the texts as conceived by the SF writer or any other:

 

`As her young man dies, on a cold and gray Chicago morning, another little baby child is born in the ghetto.`3

 

 

 

 

 Because SF is perceived as the `bastard child` of literature its death throes as a `get` born in a `ghetto` are all that the writer is able to describe. The taboos imposed by critics upon sexual themes ensure SF remains stillborn because human sexual behavior is but one of only two activities that the human body is actually physically designed for; the other being eating. Actual human behavior is definable from the functions the human form is physically capable of, and so all human endeavor is describable in terms of the creation, through whatever technology is available, of somewhere to eat and enjoy coitus before sleep, which has nothing to do with those conflicts associated with war and which are encouraged by those warmongers that perceive SF as overly concerned with the human themes of sexual activity. As a consequence, eating and drinking is translated in SF terms into what the illegal movie making industry defines as a `snuff` film, that is, the action within the text is generally definable as the character`s attempts to avoiding death by action, which translates as devourment because food has been raised to the level of a single human activity after the taboo against depictions of normal human sexual behavior have been imposed upon the genre by its critics:

 

`It is a period of civil war. Rebel spaceships, striking from a hidden base, have won their first victory against the evil Galactic Empire. During the battle, Rebel spies managed to steal secret plans to the Empire's ultimate weapon, the Death Star, an armored space station with enough power to destroy an entire planet.`4

 

 

 

 

 Although Carrie Fisher as Princess Leia, and Natalie Portman as her mother, Padmé Amidala, in the series` prequel trilogy, are the inevitably elided sex interest, pretending to be concerned at the ghettoization of the literary medium, supposed genre critics have been asking writers to accept the spurious position that human sexuality shouldn`t be expressed within the SF story in order to remove human themes from the fiction and replace actual human desire for sex and food with killing in the shape of the appalling Death Star, for example, in Star Wars Episode IV: A New Hope (1977). The basic pattern is of the male action hero that saves society by killing people in large or small numbers, often indiscriminately as planets or cities, on the understanding that he, the action hero figure, has a girlfriend, and that his enemies are numerous and prolific, which is what women with their host wombs are: prolific and ubiquitous. By having the SF writer focus on devouring rather than human sexual behavior the creative artist is encouraged to depict the story of the human race as a `snuff` film, which is what most Hollywood blockbuster movies represent, that is, the destructivity of supposedly heroic figures who`re protective of a single human female while the rest of the globe experiences devastation and annihiliation for the female`s own species of woman. It`s no mystery that Hollywood is called Babylon, because that`s where the woman is devoured `on screen` by her supposed heroes who evince defensive postures but in fact are concerned with her devouring while breeding her for that purpose. From her host womb comes civilization, culture and art, while men practice the `perpetual enmity` of the `serpent`s seed` against her host womb that God tells Eve her `seed` will experience in Eden until she will:

 

`… crush the head of the serpent as she leaves.` (Gen: 3. 5)

 

 

 

 

The concept of Eve`s `seed` is the crux. Because `futanarian` women have their own penis` semen, they`re capable of sexually reproducing their own brains` power to become socio-economically independent of men as a separate species, which isn`t SF but is what SF has been censored for; to prevent the dissemination of the sexual knowledge of women`s  potential independence from men to become received wisdom, which is the sign and indication of success for any truth amongst the commonality of peoples if the commonweal is to be improved. Because fighting is perceived as the means of liberation descriptions of men killing each other for the hand of the fair maiden abound in literature and film but it`s only brain damage fighting itself if women with their own human penis` semen are the only creatures capable of sexually reproducing the brains` powers for the race to the planets and stars of heaven promised to Eve`s `seed` by God after she leaves Eden. She`s told she has to work for Redemption after succumbing to the temptation of accepting `the fruit of the tree of the knowledge of good and evil`, rather than that of the `tree of life`, from the serpent, and being expelled from Paradise along with Adam, who was also tempted. The fruit may be construed as the desire to enslave the host womb of the human species and prevent `futanarian` woman, as a subsequent aspect of the human race, from living as an independent socio-economic unity. Because Eve`s `seed` is `futanarian` human woman with her own penis` semen, human Redemption consists in recognizing this. Restriction and taboos upon the description or existence for human sexuality are interfering with the processes of human Redemption which requires knowledge rather than censorship. In occluding writers and readers from the wisdom that comes of describing sexual behavior within SF`s extrapolated societies , critics of the genre and its practitioners have contributed to the iredeemability of those not accepting of Jesus` teachings of `woman`s seed`. Born uncontaminated by male semen from the host womb of his mother, the Virgin Mary, Jesus is `woman`s seed`, that is, the child of `futanarian` humanity, which doesn`t need men who, moreover, can`t sexually reproduce together:

 

`Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11)

 

 

 

 

 After his Advent Jesus rejects his father, Joseph, and subsequently dismisses the relevance of the Jewish priests, that is, the rabbis, and their religious police, the Pharisees, because Christ is against patriarchy, which is the acceptance of a father who instructs:  `Why did you seek me? Did you not know that I must be about my father’s business?` (Luke: 2. 49) Jesus` father is God and the only authority he accepts because men` s fatherly instructiveness is based on homosexuality and pederasty, that is, Jesus is their boy:  `All the people in the synagogue were furious … got up, drove him out of the town, and took him to the brow of the hill on which the town was built, in order to throw him off the cliff.` (Luke: 2. 28-30) Jesus was a boy amongst adults to their way of thinking, which gave them the right to kill him from their point of view, whereas he was an able adult and showed them he was: `… he bent over her and rebuked the fever, and it left her.`  (Luke: 4. 39) As a healer Jesus is illustrative because he`s the fathers` boy so long as he`s good because they want a cure for disease, which is how 21st century doctors are also perceived by their patients. The priest of the church even wears a dog collar in Western democratic Christianity so he can be petted like a dog and recognized as a `good boy` obedient to the fathers of the congregation who want God`s aid:

 

“Jill ... had explained homosexuality, after Mike had read about it and failed to grok- and had given him rules for avoiding passes; she knew that Mike, pretty as he was, would attract such. He had followed her advice and had made his face more masculine, instead of the androgynous beauty he had had. But Jill was not sure that Mike would refuse a pass, say, from Duke - fortunately Mike's male water brothers were decidedly masculine, just as his others were very female women. Jill suspected that Mike would grok a 'wrongness' in the poor in-betweeners anyhow - they would never be offered water.`5

 

 

 

 

 If American football were to be used as a metaphor, Jesus scored a `touchdown` against the Christian `Fosterite` church fathers, who`re the opponents of the fictional Messiah, Michael Valentine Smith, and his `Church of All Worlds` in Robert A. Heinlein`s science fiction novel,  Stranger In A Strange Land (1961), because the text of the New Testament is accepted as the truth by all Christian church fathers and so it isn`t an argument, whereas conflict is what argument produces. Because Jesus` teachings are documented and so incontrovertible from a Christian perspective because they`re textual, an interpretation of the Bible accepted as correct because unarguable and which acknowledges the role of `woman`s seed` means Jesus has finally triumphed over the fathers who wanted to make him their boy:

 

`I see the beauty of Mike's attempt to devise an ideal ethic and applaud his recognition that such must start by junking the present sexual code and starting fresh. Most philosophers haven't the courage for this; they swallow the basics of the present code - monogamy, family pattern, continence, body taboos, conventional restrictions on intercourse, and so forth - then fiddle with details ... even such piffle as discussing whether the female breast is an obscene sight!`6

 

 

 

 

 God isn`t a boy and not a man either, as American writer Heinlein`s description of the instruction Smith receives from his acolyte, Jill, indicates. Jill doesn`t present God`s `futanarian` perspective, which is `woman`s seed` as an alternative to the `serpent`s seed` of men from her own penis` semen. Jill`s is the traditionalist picture in which boys are instructed about men, whereas women need to be instructed about each other in terms of human `futanarian`  sexual reproduction, that is, about women with their own penis` semen because female brainpower isn`t male and men see it as dangerous to their patriarchal position:

 

`There is no safety this side of the grave.`7

 

 

 

 

 In the Bible Jesus advises the patriarchs to accept God as the only `father` and so refrain from treating adult men as boys in slavery as the black men were during the period of their enslavement in the United States of America before the war of liberation (1861-5). To remind the Earth that Jesus isn`t men`s boy God sends the `blood plague` of Revelation as the incurable `killer disease` of HIV/AIDS, which results from supposedly adult men`s infantile mixing of blood, shit and semen in each others` anuses during mockeries of the human act of sexual reproduction. Because women with their own penis` `seed` are not a mockery of the human act of sexual reproduction, which anal sex between males is, Jesus describes `futanarian` women as the forebears of a new angelic host after Resurrection as men will no longer be a part of the marital picture between members of the human race of woman:

 

`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)

 

 

 

 

 Women represent the cleanliness of the new host womb of the human species, without the contaminant of the `serpent`s seed` and its concomitant brain damage handicapping its children, which will be mainly female because men`s socio-history is one of homosexual pederasty and `perpetual enmity` for each other in war and death to the true human species of `futanarian` woman with her own penis` `seed`. Woman`s host womb is enslaved by the male actors around her for what Hollywood, Babylon, calls `production values`, that is, a good looking civilization, culture and art, which looks more spectacular for her ghouls when it`s destroyed by the `warriors` defending her from the supposedly alien invader, who`s invariably some guy that looks like the other guys unless he`s actually in the guise of an alien space invader to disguise his true nature as an alien space invader in fact, which is what essentially happens in the movie Alien (1979) and its prequels and sequels. Actress Sigourney Weaver in the role of the space heroine, Ripley, spends most of her time trying to avoid being eaten by the alien menace while being `protected` by what amount to the woman`s tormentors who aren`t wrapped up in latex rubber to disguise their alien nature as `the alien`. Critics concerned to promote the notion of the genre as a serious medium for literary analysis represent the safe perspective of denying the presence of sexual material as anything other than a cypher for the plot to destroy the Earth, whereas sexual reproduction by `woman`s seed` is God`s plan to save the Earth through the production of technologies devised by those whose brains are capable of creating innovations in science and manufacturing to ensure that the species continues to grow and develop:

 

`Final report of the commercial starship Nostromo, third officer reporting. The other members of the crew, Kane, Lambert, Parker, Brett, Ash and Captain Dallas, are dead. Cargo and ship destroyed. I should reach the frontier in about six weeks. With a little luck, the network will pick me up. This is Ripley, last survivor of the Nostromo, signing off.`8

 

 

 

 

 Because men represent contamination of the brain of the human species due to the limitations imposed upon the gene pool by their killing of `futanarian` woman with her own penis` `seed`, and who`s capable of adding to the gene pool, or even of constructing her own independent socio-economy, thanks to her human ability to sexually reproduce her own brains` power, SF`s  rejection of sexual themes as stifling of the genre`s capacity to influence socio-economic development through societal extrapolations is an aspect of the desire of the `serpent`s seed` to oversee the extinction of the human species by supplanting sexual desire with the psychopathology of the devouring parasite`s psyche; if the alien devourer could be assumed to have such a thing as a psychology rather than merely be describable in parasitological terms as actor, Craig Griffin, in the role of the character, Rob Cardine,in the film Imprint (2009) describes the real `hero` of the movie:

 

`They call it the Long Virus. It broke out in Beijing during the year of the Dragon. Didn`t take long for it to find its way to the States. I can feel it, clawing away at my brain. In time the doctors say they hope to find a cure. But time is not on my side. Time has never been on my side.`9

 

 

 

 

 Unless science fiction embraces the concept of human love as Jesus` teachings advocated, which includes the concept of Christian `agape`, that is, familial love because women are a single unified biune species family, with descriptions of sexual human love as the basis of societal activity as well as the simple act of eating and drinking, the genre will remain ghettoized as a power fantasy for megalomanics who`re looking to exorcise the demons of their imaginations by destroying the Earth. Because men can`t sexually reproduce apart from women and women can sexually reproduce as human `futanarian` souls with their own penis` semen  men are the demons that are exorcising the spiritual imaginations of women who want to live upon the Earth as the human species with the children born from their own host womb and human penis` `seed`:

 

'Good evening', it lowed and sat back heavily on its haunches, 'I am the main Dish of the Day. May I interest you in the parts of my body?' It harrumphed and gurgled a bit, wriggled its hind quarters in to a more comfortable position and gazed peacefully at them. Its gaze was met by looks of startled bewilderment from Arthur and Trillian, a resigned shrug from Ford Prefect and naked hunger from Zaphod Beeblebrox. 'Something off the shoulder perhaps?' suggested the animal, 'Braised in a white wine sauce?`10

 

 

 

 

 SF texts can`t give the reader the flavor of food and it can`t be savoured in film, so descriptions of dining are minimized and, if present, relate to the appetite of the reader for actual sustenance, which mightn`t correspond to the meal described. Then the writer or film maker is placed in the role of tormentor, as in the British television series, The Hitch Hiker`s Guide To The Galaxy (1981), derived from science fiction writer Douglas Adams` BBC Radio 4 comedy, where the viewer is asked to empathize with the sentient meal`s desire to be consumed by the guests at table in an episode from the series based on Douglas Adams subsequent novel, The Restaurant At The End Of The Universe (1980),`We`ll meet the meat.`

 

 

 

 

 In the Hollywood movie, Hitch Hiker`s Guide To The Galaxy (2005), the concept of food asking to be killed and eaten is taken a stage further with the Point-of-view-gun, which has the target see it from the killer`s point of view and so the victim is represented as asking to be killed by the murderer. The science derives from quantum physics in which particles are observed to choose a path after they`re fired from an electron gun rather than travel in a straight line. Physicists posit alternative realities based on the unpredictability of the particles` `decisions` and so science fiction writers extrapolate parallel universes to our own while theologians cogitate on the existence of God and heaven from what is scientifically possible. From a psychopath`s perspective alternative worlds` theory gives an opportunity to hide and kill without discovery, which seems to have concerned the director of Hitch Hiker`s Guide To The Galaxy, Garth Jennings, particularly as religious thought conceives heaven upon Earth as a reality alternate to the everyday world of our usual experience.

 

 

 

 

 Because women are capable of sexual reproduction as `futanarian` humans with their own penis ` semen, sexual themes that deny her fictional reality represent another form of the `snuff` movie scenario projected by the Point-of-view-gun in Hitch Hiker`s Guide To The Galaxy because sex taboos are designed to occlude women from their own heaven`s `seed` and so constitute a plot to extinguish them. The SF writer is placed in the role of women`s tormentor by genre critics purporting to be concerned with raising the medium from its misogynist power fantasist ghetto into a sphere where it can be praised as serious art. But the SF genre could only be described as artistic if the role of women was perceived as humanly sexual and that their orientation was directed towards themselves as the true human species with its host womb and own penis` `seed` as `futanarian`, which is what SF is for as an extrapolative medium concerned with examining the present and changing the future through optimal societal modelling in its variegated fictional depictions of possibility.

 

 

 

 

 In arithmetical terms, 0 x 1 = 0 and 1 x 0 = 0, while in mathematical terms, 0 x 1 = 1, while 1 x 0 = 0, which is the basis of computer programing. The evil prefer simplicity and so the simple are taught to prefer evil and more simple people are born from the `serpent`s seed` of men who prefer arithmetic rather than mathematics and computers. For the evil man + woman = infant, while man + woman + `futanarian` woman with her own penis` `seed` and host womb = the cycle of sexual human reproduction, which the evil don`t want because it interferes with their pogrom for the human species based on woman`s inability to develop her own brains` powers and escape from enslavement and devourment by the `serpent`s seed` in its wars of `perpetual enmity` against humanity.

 

 

 

 

 In the novel The Number Of The Beast (1980) Robert Heinlein (1907-88), posits a character called `the black beast` after the figure in Revelation, who is worshipped for a period of time in human history, before God`s judgement upon humankind, and the declaration of a `new heaven and Earth`. In Heinlein`s narrative two married couples, Zeb, Jake, Deety and Hilda are pursued in their `continua vehicle`, Gay Deciever, through the `multiverse`, which contains all possible universes fictional or imaginary. The four visit Lewis Carroll`s Alice In Wonderland and Frank L. Baum`s Oz as well as Edgar Rice Burroughs` Barsoomian Mars, and other places real or fictional, while `the black beast` endeavours to prevent their progress. In the Bible `the beast` is described as `the number of a man and his number is six hundred three score and six`, which is 666, and Robert A. Heinlein uses the formula to construct a fiction in which `6 raised to the power of 6 raised to the power of 6` is the number of possible universes accessible to the continua vehicle, the Gay Deciever car. The concept of mathematics and God is not unusual in the Bible where God tells Adam and Eve:

 

`Be fruitful and multiply.` (Gen: 1. 28)

 

 

 

 

 The exhortation applies to `futanarian` woman with her own penis` semen too, which has an exponentially blossoming demographic insofar as all women have a host womb for their own penis` `seed`, while men can`t sexually reproduce together and so their numbers would inexorably decline unless women were enslaved, which is doubtless what the human cycle of sexual reproduction is supposed to result in. The `serpent`s seed` wouldn`t want to be born as `futanarian` human because it would interfere with their slavery and devouring of the humans, and so multiplication of men and women is the arithmetical equation they prefer. God`s `seed` is woman`s and the mathematics is demographically exponential so Heinlein`s The Number Of The Beast depicts `the number of the beast` as an arithmetical equation. The `serpent`s seed` want humans to live as brain damaged slaves for periodic devourment in war and man + woman = infant excludes that aspect of the human `futanarian` race of woman with her own penis` `seed` that would raise the powers of the brain, that is, `six raised to the power of six raised to the power of six` rather than `the number of the beast`, 666, which is the arithmetical sum God gave Adam and Eve to work out after Eden and the subsequent birth of the next part of the equation; `futanarian` woman with her own penis` semen:

 

`Eh? Oh! The Revelation of Saint John the Divine. But I scrawled it sloppily. You took it that I wrote this: 666. But what I intended to write was this: six raised to its sixth power, and the result in turn raised to its sixth power. That number is this: 1.03144 X 1028 - or written in full: 10,314,424,798,490,535,546,171,949,056 - or more than ten million sextillion universes in our group.`11

 

 

 

 

 The multiplication of human brains through `futanarian` sexual reproduction would have been an exponential raising of the powers to produce the advanced technology of Heinlein`s SF `continua car`, Gay Deciever; if men hadn`t enslaved `futanarian` woman`s host wombs to breed with her without her own species` `seed` and use her own brain damaged brains` powers  for their wars against her. In the course of Heinlein`s novel `the black beast` character is persistently ubiquitous and only interesting because of its enigmatic presence which led many critics to perceive the truth that it represented what people don`t want to see while they`re enjoying life even though the figure is mainly a nuisance rather than a threat. Because Heinlein`s `black beast` is hermaphroditic it corresponds to `futanarian` woman with her own penis` `seed` and so is a meditation on the marriage relationship. Zeb and Deety quarrel consistently, and so do Jake and Hilda. Eventually the son-in-law beds his mother-in-law and the daughter beds the father, which results in a discussion of Heinlein`s favourite theme of incest, because `the black beast` character represents the shadow aspect of the human personality that would rather have the small gene pool of man and woman with the brain damage of the `serpent`s seed` rather than a larger human potential with `futanarian` women`s breeding of their own brains` power . In The Number Of The Beast Heinlein`s `black beast` character represents man and woman`s fear of the `futanarian` human woman with her own `seed` for exponential reproduction of her species` brainpower:

 

`...  E.R.B.'s universe is no harder to reach than any other and Mars is in its usual orbit. But that does not mean that you will find Jolly Green Giants and gorgeous red princesses dressed only in jewels. Unless invited, you are likely to find a Potemkin Village illusion tailored to your subconscious ...`12

 

 

 

 

 In the Bible the `beast` is `worshipped` because it`s the slavery and war derived from the man and woman equation without the added ingredient of the `futanarian woman with her own penis` semen to improve the gene pool and increase the brains` power of the human species. In Heinlein`s novel The Number Of The Beast the `black beast` is hated because men have killed the human `futanarian` woman who is hermaphroditic and so she`s a projected shadow of the inferior aspect of the personality in psychological terms that represents the male`s unconscious but real hatred of woman and that`s why he`s killed her. In the Bible Jesus` teachings are of Resurrection for `woman`s seed` and so `the black beast` of Heinlein`s The Number Of The Beast is the projected future of men`s reaction to `futanarian` humans. According to the Bible there`ll be `war in heaven` between the `serpent`s seed` and `woman`s seed`, which will result in eternal unendurable pain, as a punishment from God to the evil, while the good receive a `new heaven and Earth`, because they don`t hate `futanarian` human `woman`s seed` and wage war against her host womb to enslave and devour it in ceaseless wars of `perpetual enmity` upon her Earth:

 

`As my mother once said: `The boys throw stones at the frog in jest. But the frogs die in earnest.`13

 

 

 

 

 Feminism is usually associated with political correctness and there are a few novels, like Joanna Russ` The Female Man, which treat of the theme of hermaphroditism as an aspect of lesbianism and female empowerment in fantasies treating of subjugation by men and women`s rebelling against it, but few works treat of the obvious reason for exclusive sexual relations between women as essential for the production of the human race`s brains` power. Instead feminist`s expound on the theme of lesbianism as conferring separateness and specialness upon women who`re defined as homosexual or `gay` within the mainstream of gender studies. But `futanarian` women with their own sexual orientation are a species desirous of escaping schizophrenia. Believing that what she sees in the mirror of her room isn`t for her to be sexually desireful of, a woman is taught that a man is the zenith of her aspirations, while he may be an alien virus not even of her race but something that once inveigled itself into her host womb where it lies snuggled like a parasite in feigned symbiosis waiting to emerge and exterminate her.  Unable to sexually propogate without her, a man is homosexual and `gay` by nature of the fact that he isn`t a woman with her own `futanarian` penis` semen and host womb for the propogation of her own species` brainpower, whereas a woman lives in schizophrenia because she`s trained like an animal to live as a split-minded creature with what she`s been taught is her male counterpart but what she sees in the mirror is her own species craving her own penis for the sexual reproduction of her own self:

 

`A great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. She was pregnant and cried out in pain as she was about to give birth. Then another sign appeared in heaven: an enormous red dragon with seven heads and ten horns and seven crowns on its heads. Its tail swept a third of the stars out of the sky and flung them to the earth. The dragon stood in front of the woman who was about to give birth, so that it might devour her child the moment he was born. She gave birth to a son, a male child, who `will rule all the nations with an iron scepter.` (Rev: 12. 1-6)

 

 

 

 

 Taught that men are her sexual counterpart the political truth is she`s potentially a socio-economically independent species capable of out-breeding her supposed mate. The socio-history of the planet is of men`s homosexual pederasty replicating itself to perpetrate war, which makes of them women`s cancer rather than their defender. The late 20th century incurable `killer disease` of HIV/AIDS is a metaphor for `Greek` democracy whereby homosexual pederasty enslaves the host wombs of women in order to maintain that 50/50 male-female schizophrenic split in society that maintains men`s power through its mode of `biological warfare` keeping women in fearful faithfulness to monogamous enslavement and war`s contagiousness because `futanarian` woman with her own human species` `seed`  would outvote and outthink men if she were to breed as 100% of the humans rather than the false 50/50 which she perforce has to accept even though men can`t sexually reproduce without her (0%) and she can sexually reproduce without men.

 

 

1 Asimov, Isaac Foundation, Gnome Press, 1951.

 

2 Star Wars Episode IV: A New Hope, crawl, 20th Century Fox, May 25, 1977.

 

3 Presley, Elvis `In The Ghetto` written by Mac Davis from the album From Elvis In Memphis, April 1969.

 

4 Star Wars Episode IV: A New Hope, crawl, 20th Century Fox, May 25, 1977.

 

5 Heinlein, Robert A. Stranger In A Strange Land, Putnam, 1961.

 

6 Heinlein, Stranger In A Strange Land, 1961.

 

7 Heinlein, Stranger In A Strange Land, 1961, p. 365.

 

8 Weaver, Sigourney Alien,20th Century Fox,  May 25, 1979.

 

9 Griffin, Craig as Rob Cardine Imprint, Vantage Point Productions, January 4, 2009.

 

10 Adams, Douglas The Restaurant At The End Of The Universe, Ch. 17, Pan, 1980.

 

11 Heinlein, Robert A. The Number Of The Beast, Fawcett, 1980.

 

12 Heinlein, The Number Of The Beast, Fawcett, 1980.

 

13 Russ, Joanna The Female Man, Bantam Books, 1975. 

The Cretin Of Snuff

22/09/2013 07:19

The Cretin Of Snuff

 

 

In the United States of America the Japanese are remembered for having launched a `sneak attack` on the US Pacific fleet at Pearl harbor on 7 December, 1941, when `kamikaze` mitsubishi `zero` fighter pilots crashed their planes into the deck of the US carriers to bring the USA into World War II (1939-45), which resulted in the eventual defeat of the `red sun` of the flag of Imperial Japan. Because the `kingdom of God` upon the Earth is `the pearl of great price`, Japan`s `sneak attack` at Pearl harbor was upon the Earth`s woman, `clothed with the sun and with the moon at her feet`, who was `hidden` in the `wilderness`, after giving birth to the `New Redeemer`, who will `rule the nations with an iron scepter`.

 

 

 

 

 Because New York harbor was famous for fresh water pearls, New York`s statue of Liberty is the American woman `clothed` with the red `sun` of the flag of Japan`s embarassment. Flying the yellow moon of their cowardly flag, the terrorist group, Al Qaeda, `the base`, hijacked `civil` aircraft to crash them into New York`s World Trade Centre on 9/11, 2001. But the torch bearing statue of Liberty in New York harbor had `the moon at her feet`, when US Navy Seal Team Six, her birth waters` pearl divers,  killed Al Qaeda`s terrorist leader, Osama Ben Ladan, on May 2nd, 2011, `by the light of the silvery moon`.1 The seals were the hymen of the `hidden` woman and `the pearl of great price` is `woman`s seed` pearl, that is, the moon reflected in the waters of New York harbor, as seen by the torchlight of Liberty.  Her base is `futanarian` woman`s, with her own penis` `seed`, preparing to make her first foot`s step, in the name of Jesus, uncontaminated by male semen, to the planets and stars of God`s heaven:

 

`The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent's reach.` (Rev: 12. 14)

 

 

 

 

 The `wings` of the `great eagle` are those of the Great Seal of the United States of America, which has the motto e pluribus unum, `one of many`, and represents the authority of God. In the Bible God tells Eve her `seed` will have `perpetual enmity` with the `serpent`s seed`, because her hymen is to be sealed until `the pearl of great price`, which is the `kingdom of heaven`, appears on Earth. God promises it to Eve and that her `seed` shall `crush the head of the serpent with her foot` (Gen: 3.15) as she leaves for heaven above. Japan is known for `foot binding`, which is a metaphor. The `futanarian` woman with her own penis` `seed` can`t raise herself `by the light of the silvery moon` in her birth waters at Pearl harbor, or from the waters beneath the statue of Liberty in New York harbor after 9/11, 2001, if her `futanarian` feet are bound:

 

`One small step for a man, one giant leap for makind.`

 

 

 

 

 The North American Space Administration`s (NASA) Apollo program to put a human on the moon reached its culmination on July 20, 1969, when Neil Armstrong of Apollo 11 announced `the eagle has landed` to `mission control` back on Earth and became the first human to put his foot on a surface other than Earth`s. But the `futanarian` woman with her own penis` `seed`, who is the `pearl of great price`, because her `seed` was promised the pearl of the moon, and the planets and stars of heaven by God, is Earthbound and almost extinct. Hollywood Babylon is another ethnocentric picture of woman`s binding. From the 1930s the `foot on the floor rule`2 in `bedroom` scenes was applied so the penis` `seed` of the `futanarian` woman would be taboo and men could keep her in slavery:

 

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 

 

 

 

 Japanese `foot binding` was what the `sneak attack` on Pearl harbor was designed to maintain. Although the USA won the war it was `a bombing nation` that defeated the red sun of Imperial Japan by dropping atomic bombs on Hiroshima and Nagasaki, `Little Boy` and `Fat Man`, because men collectively bind the `futanarian` human species` penis` `seed`. The Gulf War (2001-11) to depose Saddam Hussein, President of Iraq, because he offered bases to Al Qaeda, `the base`, resulted from the collective unspoken desire of men to restore the `rough trade` of homosexual `brutality and violence`.

 

 

 

 

 That base was reestablished by the terrorists` crashing of hijacked planes into the World Trade Centre of New York state, while the `pearl of great price` , that is, the silver moon of the human species` first `futanarian` step to `heaven`, promised to `woman`s seed` by God, was at the base of the statue of Liberty, `clothed with the sun` of her victory over the red sun of the flag of Japan in WWII and `with the moon at her feet` in her waters at New York harbor after the victory over the yellow moon of the cowardly flag of Al Qaeda, `the base`, which symbol reflected in the water is `the pearl of great price`, because the moon is the `seed` pearl of woman`s `futanarian` human species with her own penis` semen:

 

`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22.30)

 

 

 

 

 Jesus` teachings of the Resurrection come from his understanding as `the first of woman`s seed` born from his mother, the Virgin Mary, uncontaminated by male semen. As the `host` at the `Last Supper`, before his death and Ascension to heaven, Jesus` giving of `bread and wine` to the disciples was symbolic of his `body and blood`, that is, he was a good host as his mother had been, because he wasn`t a betraying parasite, whereas the disciple Judas Iscariot was, and that`s why the Roman Empire were able to crucify Jesus as a dissident. Jesus` perception was that `woman`s seed` was able to self-fertilize, which is what `futanarian` woman with her own penis` semen does. Consequently, the `futanarian` host would be as the angelic host after Resurrection, which would have to occur because men had killed woman to enslave her host womb for itself as her devouring parasite:

 

`The dragon stood in front of the woman who was about to give birth, so that it might devour her child the moment he was born.` (Rev: 12. 4)

 

 

 

 

 The child would be the dragon, if it wasn`t `woman`s seed`, but the `New Redeemer` is Jesus in his `Second Coming`, and so the dragon `waits in vain` to devour its own `serpent`s seed` in wars of `perpetual enmity` for the `seed` of the daughters of Eve, because Jesus Christ has returned to redeem the repentant and resurrect the `futanarian` human species of `woman`s seed`:

 

`Men cursed the God of heaven because of their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)

 

 

 

 

 In 1986 animals were discovered to be suffering from a degenerative brain disease called bovine spongiform encephalitis (BSE), which scientific research suggested was caused by feeding cale, that is, processed animal remains in the form of small pellets, cannibalistically to the next generation of animals. By 2009 BSE had killed 210 people. The main feature of `mad cow`s disease` was an inability to stand.

 

 

 

 

 In the Bible Jesus cast out demons from men into swine, which promptly drowned themselves in the river, because the animals didn`t want to be possessed by demons. Jesus was uncontaminated by male semen, so he was human, whereas women`s brains are contaminated by men`s `serpent`s seed`, which is `demonic` because it doesn`t want `futanarian` woman with her own penis` semen to breed human brains.

 

 

 

 

 In the late 20th century HIV/AIDS was recognized as the `killer disease` produced by homosexuals in their mixing of blood, shit and semen in animalistic acts of sterile anal sex that rejected the host womb of woman and corresponded to what is described in the Bible as the `blood plague` of Revelation sent by God to convert men from their sin, which is breeding women as animals contaminated by their semen so women`s brains correspond to those of BSE`s `mad cow`s disease`.

 

 

 

 

 The `serpent`s seed` is devouring the brains of woman by breeding with her, that is, men are her demons and, according to Jesus Christ, not even the animals would want men after their refusal to repent. However, the presence of BSE in animals suggests somehow the demons managed to get into the `food chain` even though the animals don`t want them. Because `futanarian` woman is chained to the Earth by men, the `food chain` is the chain of the `futanarian` woman whose brains are being eaten by men who`ve chained themselves to her `futrace` so that it can`t run. Just as the demons in BSE prevented the `mad cows` from being able to walk.

 

 

 

 

 Told she`s `lesbian` because of her sexual feelings for her own species, `futanarian` woman with her own penis` semen is defined as `abnormal` by men to make it easier to keep her as a schizophrenic while her damaged brain continues to be progressively disabled in an extinguishment pogrom against her human `futrace`, so that she can never get her `foot` off the ground and into space to escape men through the development of her own travel technology.

 

 

 

 

 In the Greek drama by Sophocles, Oedipus Rex (c. 429 BC), the name of the eponymous protagonist means `lame`, because he blinds himself, after marrying his mother by mistake, which is a `lame` excuse. `Foot and mouth disease` causes lameness in animals with cloven hooves, which are often associated with the devil. Because the `futanarian` species of `woman`s seed` is devilled by men, Oedipus` lameness reflects his inability to transcend the incest taboo, which devils human progress because the `futanarian` woman with her own penis` semen is a single `futrace` family that cleaves to each other, but men want to cleave it asunder so her brain will remain dysfunctional and remain `lamed` by men`s breeding with her.

 

 

 

 

 In the Oedipus drama, Antigone, his daughter, continues to guide the blind adult, which is indicative of the woman`s false conditioning, because women have their own penis` semen as `futanarian`, that is, `foot and mouth` is men`s disease, because they`re animals. Jocasta, Oedipus` mother and wife, and Antigone, his daughter, are humans, whereas Oedipus is an animal, because he accepts the rule, which devils humanity and continues the devouring of woman`s brain. Because BSE`s `mad cow disease` suggests the possessing demons are responsible for the `mad cow`s` inability to stand, `foot and mouth disease` is a result of men`s demonic possession of the `food chain`. Although it`s a `lame excuse` for preventing the `futanarian` human species of woman`s own penis` `seed` from breeding, they can still stand her.

 

 

 

 

 The devil is associated with cloven hooves, because the woman cloven from her `futanarian` penis is devilled. In modern day Russia, `smoking` is a euphemism for fellatio, while throughout the 20th century `smoking` was a euphemism for premeditated murder, which suggests a connection between the white stick of the blind person and the white cigarette stick, a facsimile of which exists as the search engine bar for every internet in the 21st century, where female researchers are blind to the chain `smoking` of the enslaved `futanarian` penis` semen of `woman`s seed` by `foot and mouth` killers blowing her in demons` smoke rings.

 

 

 

 

 Because `futanarian` woman`s penis` `seed` is for women, men may be the result of incest between human communities that are inbred, which explains their lack of a capacity to lactate, or reproduce themselves from their own host wombs. What woman`s idiot child has learned to do is poison the woman with its boys` sons. so her brain degenerates through inbreeding. The cretin has killed its mother, the `futanarian` human species with her own penis` semen and capacity for self-reproduction, and its socio-economic indpendence from its killer.

 

 

 

 

 Smoking cigarette advertising was banned from television, because you`ll lose your marbles if you smoke, that is, women won`t be able to see their own penis` `seed` on television, because `losing your marbles` is a euphemism for the schizophrenia induced by men`s defining of women as `lesbian` by default of her not having penis` seed` of her own because it`s been murdered and the glass marbles of the television screens upon which she continues to be smoked in countless movie scenes ensures her brainlessness in schizophrenic conditioning  by her cretin of `snuff`.

 

 

 

 

 Ethnocentricity is a `smokescreen` because there`s only racism between men and women. In Arabia women are `hidden` beneath their one-piece coveralls, the abiyah (burkha), so their eyes can see in public but traditionally they have eyes only for each other because `futanarian` woman with her own penis` `seed` is socio-economically independent of men. In the developmental psychology of Carl Gustav Jung (1875-1961) the archetype of fourness is perceived as an impulse engine of human desire for progress because of Jung`s discovery of the four functions of consciousness; Thinking, Sensation, Feeling and Intuition. According to Jung archetypes emerge from the unconscious in dreams, images and the imagination to express the developmental functioning of humanity. The fourfold marriage of Arabia is the archetype of the ego`s differentiation of the four functions of consciousness; Thinking, Sensation, Feeling and Intuition, which are associated in undifferentiated form with hearing, seeing, eating and breathing.

 

 

 

 

 The Moslem marriage in Islam follows the advice of the holy book, the Koran (610-30 CE), dictated to the Prophet Mohammed by the angels after Jesus, who appears in the Koran as a teacher. The Moslem marriage posits a `futanarian` woman with her own penis` `seed` at its centre as the basis for human functionality. The Jews have the same patriarch as Islam, Abraham, whose tomb is the most holy place on Earth to the Moslem peoples, in Mecca, Saudi Arabia, and Eid Al Fitr, the public celebration after the holy fasting month of Ramadan, celebrates the founding of Israel after God`s sparing of Isaac when Abraham had been commanded to make a human sacrifice of his son. (Gen: 22. 5, 8) Abraham`s other son, Ishmael, went on to be of the line of the Prophet Mohammed who founded Islam, which means both Islam and Judaism were founded by Abraham, whose tomb is in Mecca, Saudi Arabia, and Judaism is publically celebrated by Islam, because they have the same patriarch, Abraham.

 

 

 

 

 The Jews are the `chosen people` in the Bible and it isn`t possible to be a Jew unless born from the host womb of a Jewess, which means that women are the `chosen people` because `futanarian` woman with her own penis` `seed` can sexually reproduce without men who can`t reproduce without the `chosen people`. HIV/AIDS is the `blood plague` of Revelation which men have created in their anuses through the mixing of blood, shit and semen to keep women as the `chosen people` in fear and faithfulness to men`s misogynistic enslavement of her host womb to produce civilization, culture and art for men to destroy in their ceaseless wars against her breaking spirit. Because `futanarian` woman is the `futrace` of the Earth that men don`t want to leave, the Jews represent the shoes that keep her `fut`, which is why `Sheol` is the Judaiac name for the place of Resurrection. The `futanarian` dead are the future the Jews don`t want to occur, and so they`re the Jews walking on her. `Sheol` is a `place of broken pots`, so shoes are needed to protect the foot, that is, the `futanarian` human species of woman with her own penis` `seed`, but the Jews don`t want Resurrection for the pot, which contains past and future, and so she`s crushed.

 

 

 

 

 The name Saddam Hussein means `small handsome man` and `crusher`, which means he was the 2oth century tyrant attempting to crush the `woman`s seed` so she can`t restore her vessels by means of the wine of her penis` semen. The women publically hidden beneath the one piece coverall of the traditional abiyah in Moslem Arabia and elsewhere are vulnerable in private, because knowledge of the `futanarian` woman with her own restorative capacity isn`t disseminated. The perceived antagonism between Judaism and Islam is an ethnocentric `smokescreen` that conceals `shooterism`, that is, men`s betrayal of Jesus, which means that they`re Judas with `shooters` rather than with Jesus. While `run` in Hungarian, as the word `futanar`, means the `teaching` of Jesus as `woman`s seed`, the term `futanarian` is descryable mainly in Japanese manga cartoons and pornography as the term for a woman with her own penis` `seed` who is systematically tortured. The human race has been degenerated by men in rejection of the `futanarian` teachings of Jesus, born from his mother, the Virgin Mary, and tortured to death upon the cross of his crucifixion because men didn`t want woman`s penis` `seed` to breed her own brains` power for the human race`s technological advancements that would result in her escaping to the planets and stars of God`s heaven. Jesus` teachings were of the Resurrection of `woman`s seed` as a new angelic host within God`s heaven and the Messiah`s own Resurrection and Ascension to heaven showed that his `futanarian` teaching was the truth.

 

 

 

 

God destroyed Sodom and Gomorrah (Gen: 16, 19) for men`s preferring homosexuality, which was thereafter known as `sodomy`, while God warned men of eternal unendurable pain, that is, `perdition`, as their punishment for unrepentance. In ancient Greece men enslaved women`s host wombs to propogate war in pederasty through institutionalized homosexuality, which spread as a contagion. Against the city of Troy the Greeks employed the prototypical viral form, the `Trojan horse`, which the 20th century accepted as the name for the virus created by `geeks`, that is, modern day Greeks, infecting the human species` intelligent machines, that is, her computers. At Troy the Trojans accepted the huge hollow wooden `Trojan horse` as a `friendship gift` from which the Greeks emerged to enslave the host wombs of the Trojan women and spread their contagion of war and pederasty further against her:

 

`Beware Greeks bearing gifts.`3

 

 

 

 

 The 21st century information system for the home and office is the computer internet, which provides instantaneous access to researchers, but its white stick cigarette ubiquitous search engine bar is a symbol of the woman blind and censored from realizing her human species of `futanarian` woman with her own penis` semen is being `smoked`, that is, exterminated, while taboos against `futanaria` manga and pornography (https://www.futanaria.com) reinforce women`s conditioned belief that she shouldn`t mind, or have one of her own. The signs within ethnocentricism is that it`s a secret men`s  system for killing the human race in a pogrom against the woman`s `futanarian` species` future socio-economic independence and escape from her enslavement within the ethnocentricities of her killers` secret societies.

 

 

1 Edwards, Gus (music) and Edward Madden (lyrics), `By The Light of the Silvery Moon`, 1909. 

 

2 The Production Code of the Motion Picture Industry (1930-1967), Part II Sex (2b), `Scenes of passion`; `Excessive and lustful kissing, lustful embraces, suggestive postures and gestures are not to be shown.`

 

3 Virgil, The Aeneid, Bk II, 19 BC.

You Will Cease To Exist If You Don`t Accept Woman`s Seed

13/09/2013 16:45

 

You Will Cease To Exist If You Don`t Accept Woman`s Seed

 

In the US television series Star Trek (1966-67), which featured the exploration voyages of the starship Enterprise (c. 2260-), in The Changeling episode the crew encounter an entity describing itself as `Nomad`. The `perfect intelligent thinking machine` had been launched in 2002 to reach out to other life forms, which was what the later Starship Enterprise had been designed to achieve with a crew. Nomad encountered an alien space probe, Tan Ru, and merged to produce a being that was intolerant of anything it perceived as imperfect and destroyed it. Nomad`s creator was Dr. Jackson Roykirk and so Nomad mistook Captain James T. Kirk of the starship Enterprise for Roykirk and was dissuaded from continuing its atttack on the `imperfect` Enterprise after Kirk introduced himself:
 
`My function is to probe for biological infestations, to destroy that which is not perfect.`1
 
 
 
 
 Because `kirk` is the word for `church` in Scotland, the British Isles, the encounter between the creature created by Roykirk and Captain Kirk is religiously symbolic, because Roy derives from `roi`, the French word for `king`, and so the `captain` of the `church`, which is the starship Enterprise, is encountering a church `king` who, insofar as Nomad represents God`s desire for perfection, corresponds to Jesus, mocked by the Roman Empire in occupied Palestine as the `king of the Jews` when they were torturing the Messiah to death as a political dissident. Born uncontaminated by male semen from his mother, the Virgin Mary, Jesus was the `perfect man` and `the first of woman`s seed`, which God said would have `perpetual enmity` with the `serpent`s seed` before, leaving Earth for a `new heaven and Earth`, her `seed`:
 
`... will crush the head of the serpent with her foot.` (Gen: 3. 15)
 
 
 
 
  Because `futanarian` woman has her own penis` `seed`, she`s the `foot` which will leave the Earth; despite men`s desire to keep humanity`s `futrace` program from being `run` by God. Nomad`s perception on meeting the black female communications officer, Lt. Uhuru, is that her brain is imperfect and Nomad erases her mind, `That unit is defective. Its thinking is chaotic. Absorbing it unsettled me.` Psychologically, the meaning is that her brain contains a false picture of reality, because men aren`t her race, `A mass of conflicting impulses.` In the developmental psychology of Carl Gustav Jung (1875-1961), the `collective unconscious` of humankind contain images to be found in dreams, art and the imagination, which are the `impulse engines` of the species. If men aren`t `futanarian` women`s `seed`, their starships correspond to the `red dragon` of Revelation, waiting in vain to devour Jesus, in his `Second Coming`, as the `New Redeemer`.
 
 
 
 
 The `futanarian` woman wants to self-reproduce with her own penis` semen and have daughters with their own brains` power. Her `woman`s seed` seeks to create advanced technologies to escape from men`s alien parasitism upon her host womb, which has enslaved her to produce the civilization, culture and art her spirit from God is able to. In its ceaseless wars of `perpetual enmity` men are the `serpent`s seed` that, if women have a self-reproductive system of her own, men can no  longer pretend to be defending her.
 
 
 
 
 The rising of the `futanarian`, from the floor of the Earth to the planets and stars, is analogous to the `foot` being raised from the ground so that the `futrace` can `run`, but the `serpent`s seed` of men don`t want her to escape. Delayed by men`s killing of her `futanarian` penis` `seed`, and supplanting her own archetypally developmental self-image, in her conscious and unconscious mind, with a picture of `the false hero` who has killed her, men seek to maintain the enslavement of women for their worship of the devouring god of war in pederasty. Hollywood, Los Angeles, which is the centre of the United States` film industry,  is sometimes called `Babylon`, because it produces `propoganda` for the `serpent`s seed` in its depiction of `woman`s seed` as an enslaved species being killed by an alien parasite for entertainment in `action` movies:
 
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
 
 
 
 
 Actresses like black Nichelle Nicholls, who had the role of Lieutenant Uhuru, and Susan Oliver, who had the role of the green-skinned alien woman, Veena, in the original Star Trek episode, The Cage, represent the brainless woman because she can`t self-fertilize her own species` host womb with her own `futanarian` penis` `seed`, which is what her evil parasite has done to her. In The Cage Veena is a green-skinned `alien` metamorph, who can alter her appearance so she doesn`t appear undesirable, which is what men have made woman to herself. In other words, she is the `classic` schizophrenic multiple personality` alienated from herself by men`s lies:
 
`I contain no parasitical beings. I am Nomad.`
 
 
 
 
 Without knowledge of her own penis` `seed`, woman perceives herself as physically and psychologically disgusting, if she has what men have taught her are `lesbian` abherrant tendencies, while in fact she is `normal` if desirous of reproducing her own race`s brainpower through sexual fertilization as a `futanarian` woman with her own penis` semen. When Nomad erases Uhuru`s `imperfect` mind, symbolically it`s because she`s been `maled` by her alien devourer, and the starship Enterprise, armed with its photon torpedoes and phaser weapons, represents her as the `serpent`s seed`.
 
 
 
 
 Nomad is depicted as having killed billions in the Malurians `star system` on a recent imperfection purge, but that`s Hollywood Babylon propoganda, whereas men`s seeking to explore the cosmos in starships armed to the teeth of its devouring `red dragon` is what Revelation describes as `war in heaven` against `woman`s seed`, which is the `futarian` woman with her own penis` `seed` living in socio-economic independence from her parasites. As Jesus Christ indicated, as the host at the `Last Supper` before his crucifixion, death, Resurrection and Ascension to heaven, when he gave the disciples `bread and wine` as tokens of his `body and blood`, betraying the host womb of the species of woman`s `seed` of `futanarian` humanity with its own penis` semen is what men have done:
 
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
 
 
 
 
 In ancient Greece men enslaved the host wombs of women to spread their contagion of pederasty and war, and nothing has changed. By the late twentieth century men had developed the `blood plague` of Revelation by mixing blood, shit and their own semen in each others` anuses to produce HIV/AIDS as a `biological weapon` to keep her in fearful faithfulness to the enslaving and devouring `serpent`s seed`, while God`s Bible promised perdition, that is, eternal unendurable pain, to those who `refused to repent`. `Greek` is a euphemism for pederasty and so the Graeco-Roman civilization, culture and art of Jesus` era was devoid of `woman` s seed` because she`d been murdered. Jesus` teachings are of her Resurrection as an extended single human family where marriage will be only a memory of her period of enslavement:
 
`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Rev:  22. 30)
 
 
 
 
 The host womb of woman will produce and be the host of the angels of God in Resurrection as `futanarian` woman with her own penis` `seed` in heaven and she shall have `the pearl of great price` too, which is the `kingdom of God` upon the Earth. The `New Redeemer` is to be born from `the woman clothed with the sun and with the moon at her feet` and `he will rule the nations with an iron scepter`. The statue of `Liberty` in New York harbor with the moon of the flag of Al Qaeda, `the base`, at her feet after the assassination of Osama Ben Ladan, on May 2nd 2011, represents the woman of Revelation, because the United States` defeat of the red sun of the flag of Japan after the `sneak` attack upon the US Pacific fleet on 7 December, 1941, is `the pearl of great price`, `the kingdom of God`, which is what the US fights for.
 
 
 
 
 The Gulf war (2001-11) to depose President Saddam Hussein, who had offered bases in Iraq to Al Qaeda, `the base`, makes `Liberty`, the mother of the `New Redeemer`, looking at the moon reflected in her birth waters at New York harbor, after the Al Qaeda terrorist hijacking of `civil` planes to crash them into the World Trade Centre of New York. Al Qaeda, `the base`, at the feet of `Liberty` after September 11, 2001, had reestablished global `rough trade`, that is, homosexual `brutality and violence`, and Hollywood Babylon made the terrorist `action` movie World Trade Centre (2006) to continue the propoganda of the `serpent`s seed` and maintain `perpetual enmity` for `woman`s seed`, which the United States` movie industry had been doing since its `foot on the floor` rule in `bedroom scenes`2 prevented the `futanarian` penis of woman`s `futrace` from being seen to take itself off the Earth in Star Trek or other `science fiction` television and movie vehicles, like Babylon 5 (1994-98) for example, which focused on hiding the male pogrom against `woman`s seed` inside a plot with alien males in control of ethnocentricities differing from those under which women were enslaved on Earth and so seemed interestingly exotic but acceptably the same to the human race of `futanarian` woman with her own penis` `seed` kept in censored blindness and ignorance of her pogromers by Hollywood Babylon.
 
 
 
 
 Battlestar Galactica (1978) was another US space opera television series facing cybernetic aliens, the Cylons, where the humans became nomadic to find a new home after the Cylons had destroyed Earth. A nomad is a wanderer, and the term is applied to desert tent dwellers, such as the Tuareg of Arabia, or the North American Plains` Indians, who followed the paths of the animals, that is, the food, which they hunted. The `futanarian` is the `foot` which men have hunted almost to extinction because she`s the human species` host womb and the `serpent`s seed` don`t want the `futrace` to `run`. In the later version of the TV series, Battlestar Galactica (2004-9), the Cylons are revealed to have been humanoid and, reconciled, live together with humans. Tricia Helfer, the actress who has the role of `Cylon Number Six`, admits:
 
`All of this has happened before. But the question remains, does all of this have to happen again?`3
 
 
 
 
 Not if `woman`s seed` can overcome her `false picture makers`, Hollywood Babylon, which wants to plague; games of virality with the alien `serpent`s seed` of men`s against hers in wars of `perpetual enmity` because it refuses to leave the stage. In Sophocles` Oedipus Rex (c. 429 BC) Oedipus is `slow foot`, because he won`t leave the stage after blinding himself. He`s married his mother and can`t deal with the strength of men`s incest taboo, which is designed to prohibit `woman`s seed` from breeding with herself as `futanarian` woman with her own penis` `seed`. Guided away by his daughter, Antigone, at the end of the play Oedipus is still the central `lame` figure, because Antigone can`t penetrate her own censored blindness to prefer her own species. Before becoming king of Thebes by marriage, Oedipus had to solve the `riddle of the Sphinx`:
 
`What goes on all fours in the morning, two legs in the afternoon, and three in the evening?`4
 
 
 
 
 Oedipus gives the answer `Man`, because he`s a baby who`ll be blind and walking with a cane in old age, but the third `foot` of `Man` is the `futanarian` woman with her own penis` `seed` who`s the `futrace` being slowed by men. She can`t `run` in a three-legged race. The word `futanar` comes from the words `fut` and `tanar`, which is Hungarian for `run` and `teacher`, so Jesus is the `futanarian` teacher. Although the psychological term `Oedipal` is used to denote Oedipus` killing of his father, Laius, so he can marry his mother, that is, a more than usually perceived desire on the part of the son, who seeks sexual access to the wife, Jocasta hangs herself in Sophocles` drama, which makes her `choke a star`, because the symbol of Jesus` Advent was the mysterious `star` over Bethlehem heralding his birth.
 
 
 
 
 Because Jesus is `futanar` in Hungarian, Jocasta is `choke a star`, that is, Jesus` future `futanarian` message is choked in Sophocles` Oedipus Rex, because Christ`s `archetypal star` won`t be seen there. In Hungarian `sok` means `plenty` and `asztal` means `table`. The psychological term `Oedipal` is a misnomer, because it should be `Jocastal` for the psychological complex representing the desire of `woman`s seed` to be born from the teachings of the `futanar` Jesus` table at the `Last Supper`. Sophocles` drama Oedipus Rex is like the teachings of Jesus because the message is there but needs a `futanar` to teach it, whereas classical scholarship, and schools of psychology, particularly `the father` of psychoanalysis, Sigmund Freud (1856-1939), who argued that women are the `victims of penis envy`, obfuscate. Bible preachers arrogate Jesus` spiritual authority as a `futanarian` teacher of `woman`s seed` without being able to teach and so the human race remains ineducable and possessed by demons.
 
 
 
 
In the Bible Cain killed his brother, Abel, because he wasn`t able and wouldn`t `cook`, which is a metaphor for blindman`s Cain`s refusal to develop, which is the story of `Man` and the `futanarian` woman of the human species` `seed` with her own penis. Enslaving and devouring her, in its wars of `perpetual enmity` for developing `woman`s seed`, the `serpent`s seed` has put woman`s `fut` on the table, and its feet under it, because rather than `Man` becoming `able`, women can always be made to have a `bun in the oven`, that is, a slave child for devouring in pederasty, and so Cain can continue to walk alongside a three-legged handicapped race with the human `slow foot` he`s censoring, blinding, and keeping in unconcious ignorance of his murdering of it.
 
 
 
 
 Captain James T. Kirk (church) of the starship Enterprise manages to disable Nomad by logical reasoning, because he reveals himself to be James Kirk rather than Roykirk (king, church), which means Nomad`s made a mistake and is `imperfect` itself. Ironically, the Christian church`s inability to perceive that it isn`t perfect, because it doesn`t teach Jesus` message, makes it more `illogical` than Nomad because the machine seeks the perfection of God:
 
`... your creator, is dead. You have mistaken me for him. You are in error! You did not discovered your mistake; you have made two errors. You are flawed and imperfect, and you have not corrected by sterilization; you've made three errors!`
 
 
 
 
 Nomad self-destructs and so fulfils its program of sterilizing the `imperfect`. Ironically, the Moslem `church` made up of `nomad` desert dwellers, in their acceptance of the Prophet Mohammed and the holy book dictated to him by the angels, the Koran (610-30 CE), with a `fourfold marriage` of wives with someone at its centre, is closer to the teachings of Jesus` breeding of `woman`s seed` so that she can live in socio-economic independence from her own brains` power as a species of `futanarian` woman with her own penis` `semen hidden publically from prying eyes beneath her one-piece traditional covering of the burkha, which disguises everything of her, and men`s eyes are required to be publically averted from hers to prevent them from discovering the secret:
`The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent's reach.` (Rev: 12. 14)
 
 
 
 
 The black flag of the Prophet Mohammed with an eagle at its centre was `Al Uqaab` and the symbol upon the `Great Seal` of the United States of America is the eagle. Assisted by the Moslem peoples from the heart of Islam, Saudi Arabia, where Mecca contains the tomb of Abraham, patriarch of Judaism and Ilsam, `Liberty` deposed Iraq`s President, Saddam Hussein, supporter of `the base`, Al Qaeda, which had attacked the USA on September 11, 2001, by means of terrorist hijackers` crashing of `civil` airliners into the Twin Towers of New York`s World Trade Centre in an attempt to reimplement the `rough trade` of pederasty and war. But the hymen of `woman`s seed` was protected by the `Great Seal` of the eagle of the United States and the black flag of the eagle of the Prophet Mohammed, while the Seals of Navy Team Six killed Al Qaeda leader, Osama Ben Ladan, on May 2nd 2011, and that`s eagles and seals.
 
 
1 Star Trek, `The Changeling`, Season 2, Episode 3, September 29, 1967.
 
2 The Production Code of the Motion Picture Industry (1930-1967), Part II Sex (2b), `Scenes of passion`; `Excessive and lustful kissing, lustful embraces, suggestive postures and gestures are not to be shown.`
 
3 Helfer, Tricia Battlestar Galactica, `Daybreak`, Season 4, Episode 22, March 20, 2009.
 
4 Frazer, Sir James George (ed.) Apollodorus Library, Apollod, 3.5.8.

Holly Would But They Won`t Let Her

11/09/2013 12:54

Holly Would But They Won`t Let Her

 

 

The `model-T` Ford motor car was the orginal Terminator (1984) movie vehicle for women. Since the first mass produced automobile rolled off the production line at Henry Ford`s factory in 1908, women have been taught that, if they work the pedals well enough, they`ll really motor, but not in Arabia where women are fobidden to drive. The Arabian Moslems are often thought of as being backward in their treatment of women, but Jesus was born uncontaminated by male semen from his mother, the Virgin Mary, because he was the `first of woman`s seed`, who has penis` semen of her own as the `futanarian` human species capable of socio-economic independence of men through the sexual reproduction of her own brains` power.
 
 

 
 The Arabian holy book, the Koran (610-30 CE), was dictated to the Prophet Mohammed by the angels six hundred and thirty years after the birth of Jesus, and Moslem marriages in Islam follow the teachings of Jesus, which places an individual at the centre of a family that can have four wives. Because `futanarian` women with a penis of their own can live within a Moslem marriage, Arabian marriages are far more `liberal` than Westerners`, because they don`t preclude sexual reproduction between women, which men have defiled with innacurate definitions of the term `lesbian` as sexually abherrant and abnormal for an independent species` love for herselves.
 
 
 
 
 Although some Arab nations forbid women to drive motor vehicles, it`s because the car is viewed as a disabling vehicle for the `futanarian` race of humanity, that is, the pedals are for the `futrace`, because it`s men`s low technology to prevent `woman`s seed` from raising her `foot` from the Earth and racing to the planets and stars through the breeding of her own brains` power and capacity for developing the human race technologically to escape from men`s enslaving and devouring of the civilization, culture and art she`s able to produce from her host womb despite her parasite`s depredations. In the Christian Bible God tells Eve her `seed` will have `perpetual enmity` with the `serpent` seed`, but Eve`s daughters will leave for a `new heaven and Earth`, because she:
 
`...  will crush the head of the serpent with her foot.` (Gen: 3. 15)
 
 
 
 
 Because the model-T Ford is a disabling vehicle which hasn`t changed the pedals of its treadmill since its invention at the beginning of the 20th century, the Terminator robots of the movie franchise starring `gay` male icon, Arnold Schwarzenneger, represent the alien`s desire to disable the women of the Earth to prevent her from realizing her independence from the machinery of her enslavement, because the machine should be her labour-saving liberator but it being used by men to disable, enslave, and extinguish her human  species upon the Earth. Men could be parasitical aliens that have attached themselves virally through her own penis` semen before seeking to make her extinct. According to the Bible the `red dragon` is the `serpent`s seed` grown to full size, but will experience eternal unendurable pain as a punishment from God because men worship the `brutality and violence` of homosexuality in pederasty and war:
 
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
 
 
 
 
 The `blood plague` of Revelation corresponds to the HIV/AIDS` virus spread by men who have engaged in acts of homosexual pederasty in rejection of women to produce the disease in mixing blood, shit and semen by inserting their penis into each others` anus in sterile mockery of sexual reproduction between humans. In the late 20th century men`s `blood plague` functioned as the `biological weapon` enforcing women`s faithfulness to her alien in fear:
 
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
 
 
 
 
 Hollywood Babylon practices deceit because the penis` semen of the `woman`s seed` isn`t visible in the pictures produced by the movie industry. Taboos against the penis` visibility have been codified in Hollywood Babylon since the 1930s when the `foot on the floor` rule in bedroom scenes was enforced because men didn`t want the `futanarian` human species` `seed` of women to get off the Earth`s floor. Sexy Australian pop star Holly Valence would `Kiss Kiss` (2002) with penis` `seed` of her own, but Hollywood Babylon wouldn`t want to know her if she was `futanarian` woman with her own semen, because it would interfere with the `gay` picture of Hollywood Babylon `action` movies devastating the woman`s planet in the name of heroism.
 
 
 
 
 Gone are the days when Arnold Schwarzenneger, as Conan The Barbarian (1982), could claim that his sword was symbolic of the male penis` defending the woman, while her own penis` `seed` has been cut off by men`s sword. In the Terminator movies actress Linda Hamilton has the role of Sarah Connor, who is depicted as needing a defence for her son, John, whereas what she actually needs is a `robot defender` in the image of herself as a woman with her own penis` `seed`, to protect her against men`s sword. Henry Ford`s model-T vehicle disabled the `futanarian` human `futrace` as a precursor to Hollywood Babylon`s Terminator vehicle, which bamboozles the woman into protecting the `boy son`, that is, the HIV/AIDS` vehicle, which is the poison in the chalice of Hollywood Babylon, rather than protecting her own self`s `futanarian` human species with her own clean penis` `seed`:
 
`The woman was dressed in purple and scarlet, and was glittering with gold, precious stones and pearls. She held a golden cup in her hand, filled with abominable things and the filth of her adulteries.` (Rev: 17. 4)
 
 
 
 
 Because women are taught that men defend her with their swords, they accept the notion that the sword is the logical extension of a man`s penis, whereas the `futanarian` woman with her own human penis` semen has had her penis cut off by the alien `swordmaster`, so she`ll remain in a `master and slave` relationship, because she can`t breed her own brains` power to develop the technology that would allow the humans to leave the aliens` imprisonment. The robot has been feared by men since its conception, because it reveals their redundancy. Women need `labour-saving devices`, but men`s hampering of her through Ludditism, which is the disabling of machines to ensure that men don`t become redundant, is a legacy from the 18th century`s `Industrial Revolution` in England where `Luddites`, named for Ned Ludd, who reputedly broke two `stocking frames` in 1799, were workers employed in the textile industry.
 
 
 
 
 In Judaism Jesus isn`t yet accepted as the `Meshiah`, which is the Hebrew word for `Messiah` and is indicative of Jesus` role as the `Logos` or technological `Word` of God for the `Meshian` age. The `machine age` will liberate `woman`s seed` from drudgery, so she can work to live, rather than slave to die from curable diseases and weapons of mass destruction, which her human `futanarian` race from woman`s own penis` semen doesn`t want and could use her own brains` powers to terminate by the simple expedient of rejecting the sword of men and accepting the machine in her own image.
 
 
 
 
 
 In the US television series, Terminator: The Chronicles Of Sarah Connor (2008-9), actress Summer Glau has the role of `Cameron`, who is a `Terminator` sent back from 2027 by John Connor to protect his earlier self. If women, as a `futanarian` species with her own penis` `seed`, has `Cameron` to protect her, she doesn`t need John, who is depicted as a Messianic defender of the humans in the Hollywood Babylon `Terminator picture` but he`s `Satan` because robots should be saving the woman`s labour and helping her to give birth to her own children in her own image:
 
`I will greatly multiply your pain in childbirth. In pain you will bring forth children; yet your desire will be for your husband, and he will rule over you.` (Gen: 3. 17)
 
 
 
 
 Eve was told by God that she`d have `labour pains`, because she`d accepted the `fruit of the tree of the knowledge of good and evil` from the `serpent` in Eden, which meant death, because men wouldn`t want her `futanarian` penis` `seed` to live, and the `serpent`s seed` would seek to enslave her. The story is a depiction of how the `original couple` decided they wanted children, and God`s `tree of life`, which conferred immortality, was dependant on men`s acceptance of `woman`s seed`, but they didn`t:
 
`By the sweat of your brow you will eat your food until you return to the ground, since from it you were taken; for dust you are and to dust you will return.`
 
 
 
 
 Expelled from Eden by God, Eve was told her husband would rule over her, whereas in Revelation, Jesus, in his `Second Coming` as the `New Redeemer`, is described as he who `will rule the nations with an iron scepter`, because God`s punishment on Adam, and the male descendants of his line is far more severe. Men killed the `futanarian` human species of `woman`s seed` with her own penis` semen and enslaved the `daughters of Eve` in `perpetual enmity`, without even declaring war. The Japanese `sneak` attack upon Pearl harbor in 1941 was because the United States` eagle is the `Great Seal` upon the hymen of the `seed` pearl of the `kingdom of God` (Matt: 13. 45-46), which is `the pearl of great price`:
 
`The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent's reach.` (Rev: 12. 14)
 
 
 
 
 The `woman clothed with the sun and with the moon at her feet` who gives birth while the `red dragon` waits in vain to devour the `New Redeemer` is the `statue of Liberty` in New York harbor, where the yellow moon of the flag of Al Qaeda, `the base`, is reflected in her birth waters. September 11, 2001, was the day Al Qaeda terrorists crashed hijacked civil airliners into the Twin Towers of New York`s World Trade Centre on Manhattan island to reestablish the `rough trade` of the `brutality and violence` of homosexual pederasty`s war worship. US Navy Team Six`s assassination of Al Qaeda`s terrorist leader, Osama Ben Ladan, on May 2nd, 2011, ended the Gulf war (2001-11) to depose Al Qaeda` supporter, Saddam Hussein, the Iraq President who had offered bases to Al Qaeda, `the base`, to attack the United States. Al Qaeda`s `sneak` attack was a copy of Japan`s cowardly attack on the US PAcific fleet at Pearl harbor on 7 December, 1941, and `the two wings of a great eagle` had ensured that `Liberty`, `clothed` with the flags of her victories over the red `sun` of Japan and the yellow `moon` of Al Qaeda, would give birth `out of the serpent`s reach`.
 
 
 
 
 The main ally of the United States was Saudi Arabia in both Gulf wars to remove Saddam Hussein`s invading army from neighbouring independent Islamic, Kuwait (1990-1), and to capture Iraq`s capital city of Baghdad and execute Saddam Hussein (2001-11) and other terrorist leaders. The King of Saudi Arabia, Fahd bin Abdul Aziz, `Custodian of the Two Holy Mosques`, Al-Masjid al-Nabawi in Medina, and Al-Masjid al-Haram, close by the Ka`Ba, the tomb of Abraham, patriarch of both Islam and Judaism, in the most holy place on Earth to Moslems, Mecca, gave to the United States the support of Islam, where the flag of tradition is the `Al Uqaab`, which is a black flag with an eagle at its centre, and so `woman`s seed` was protected by `the two wings of a great eagle` in `the place prepared for her in the wilderness` where she`d remain `out of the serpent`s reach` until borne from the Earth on wings of her own.

Jesus Didn`t Have Any Knights With A Woman Because The Program Was For Male Robots

04/09/2013 12:29

Jesus Didn`t Have Any Knights With A Woman Because The Program Was For Male Robots

 

 

At the `Last Supper` before his crucifixion, death, Resurrection and Ascension to heaven Jesus gave `bread and wine` in token of his `body and blood` to the disciples of his teaching of the host, which condemned betrayal of the host by the guest. In the Catholic Commuion service the bread and wine is called the host, and it was the disciple Judas that would betray Jesus as the host after the `Last Supper` to the Jewish Pharisees who handed Jesus over to the Roman occupying forces, then in Palestine, as a dissident. The result was that Jesus was tortured and murdered upon the cross of his crucifixion with the sign `INRI` placed above him as the acronym for the Latin words meaning `King of the Jews`, because of his teaching `Mission` to promulgate belief in the mother as the host.
 
 
 
 
 Jesus was born uncontaminated by male semen from his mother, the Virgin Mary, as the `first of woman`s seed`, because women have their own penis` `seed` but require protection if they`re to reproduce as a species and develop their own brains` power and technology to help them live and escape from the parasites upon her womb that emerge to enslave and devour her in their wars of `perpetual enmity` as the `serpent`s seed`, which God warns Eve of in Eden and tells her she will have a `new heaven and Earth` and will:
 
`... crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15)
 
 
 
 
 The word for a woman with her own penis` seed is `futanarian`, so she`s the `foot` which God tells Eve of. Jesus` fellowship of disciples was mirrored in the knights of the round table of king Arthur of the Britons in the legendary Medieval  period of British history, which by the 20th century had received emulation in the shape of a diners` Rotary Club, where members invited guests to dinner. The symbol of Jesus` `Last Supper` was the bowl he drank and ate from, which was the custom of the early Christian era, and it became known as the Holy Grail, because it contained the `bread and wine` that was afterwards given by Catholic priests to their parishioners by means of the wine of the chalice and a small sliver of bread placed on the tongue by the officiating divine in token of Jesus` not wanting his `body and blood` to be enslaved and betrayed by men like Judas Iscariot. In Catholicism the `bread and wine` is given as the `host` to assist the congreagation to understand women are the host womb of the human species, and that men shouldn`t live as her parasitical devourers in what God warned Eve would be their wars of `perpetual enmity` against her enslaved `body and blood`:
 
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
 
 
 
 
 The Hollywood Babylon movie presents the 21st century knight, Iron Man (2008) as the super heroic figure, but Jesus` story is of someone who didn`t have any knights to defend himself and his congregation against the Empire of Roman with its legions. Armour wasn`t the solution. In the Bible Jesus is called `Logos`, the Word of God, because technological advancement is the meaning of his supposed celibacy. People have more to do than consider reproduction. If human are to progress in terms of technology, less spiritual and instinctual energy needs to be expended in reproduction and more in developmental functionality. Woman with her own `futanarian` penis` `seed` needs labour-saving technologies to liberate her, and robots to help her, which correspond to the real notion of the knights in shining armour, because men prefer devouring war, which is putting a `foot` that didn`t belong to them on the table instead of food. The `hidden` race of `futanarian` is in their bellies rather than that she cook for her own species.
 
 
 
 
 In the Bible Cain slew his brother, Abel, because he could cook and so was able to develop, which is men`s history. Arthur`s knights and the original Marvel `comic` superhero character, Iron Man,  are robotic aspects of the enslaver and devour of women`s host wombs so that men can continue in their armour, whether cars or tanks. Kept in enslavement by a parasite that refuses to develop beyond a level of technology that keeps the human `futanarian` race pedalling with her foot on the `exercise wheel` of her cage, so that men can go on pedalling death in motorized armoured vehicles, while cars haven`t developed from being children`s pedal vehicles since the first mass produced Model-T came out of Henry Ford`s factory in 1908, Arabian women can`t even get their foot on the gas pedal, because they`re forbidden to drive a motor vehicle, so how is the human `futanarian` race with her own penis` `seed` ever to get off the ground and to the colonization of the planets around the stars in the heaven that is the future destiny of God`s plan for the `chosen people`?
 
 
 
 
 Although the Jews are described as the `chosen people` in the Bible, it`s not possible to be born a Jew unless born from a Jewess, which means that women are the `chosen people`, because they`re the `futanarian` race of humanity with her own penis` `seed` and capacity for self-reproductioin of her own brains` power to devise technologies to take her away from the Earth and its enslaving and devouring aliens in starships of her own devising. Adam was told by God he must live by the sweat of his brow, while Eve was told she`s have pain in labour. Because machines are Eve`s labour-saving devices, technology is what the torch-bearing statue of `Liberty` in New York harbour, New York state, in the United States of America, symbolizes.
 
 
 
 
 `Liberty` is the statue of a woman and not a robot, but all machines that liberate the `futanarian` species of woman with her own penis` `seed` are robots, because they help her to live without the pain of labour, which is what Adam`s `serpent`s seed` represents for her, before she gives birth to the true human `futanarian` race of women with their own penis` `seed` and capacity for self-reproducing her own brains` power to live in socio-economic independence from men as a species.
 
 
 
 
 The program for men is a male robot which keeps the `futanarian` as a food processor for its devourers` activity, and as a foot pedaller for its treadmill, which produces civilization, culture and art to be periodically destroyed in the enslaving parasitical virus` wars against her. Jesus` knights weren`t yet developed, the washing machine, the refrigerator, the microwave oven, and the information system of the `world wide web` which, as the internet connecting everybody to a single publically accessible information system by the end of the 20th century, permitted research in areas previously taboo.
 
 
 
 
 Through the internet younger women could discover for themselves that men`s incest taboo, for example, was designed to prevent her from having reproductive sex with her own `futanarian` single species` biune family with her own penis` `seed` by accessing formerly censored men centred `pornography`, which depicted herself ghettoized as a curiosity. But without reference to her potential for reproducing with her own human species of woman in a `media blackout` that had lasted at least since Hollywood`s `foot on the floor` rule in bedroom scenes from the 1930s, which had tried to ensure women would never see her own species` penis and so be able to get her `futanarian` human species with her own penis` `seed` off the floor.
 
 
 
 
 `Liberty` in New York harbour, New York State, is the `solid state` robot image of woman, because she needs machines in her own image to liberate her from men`s enslaving and devouring of her `footrace`. The history of the 18th century`s `Industrial Revolution`, which began in England, was of men smashing machines, particularly in the textile industry, where the `Luddites`, named for Ned Ludd, who had reputedly smashed two `stocking frames` in 1799, saw that machines made them redundant, which in fact is what machines are for, although they`re labour-saving devices to women, because men are redundant in terms of a socio-economy in which women are the sexual reproducers of her own species brains` power to develop living technologies. In truth, women`s `futanarian` body with its own penis` `seed` is better technology than male sterility, which can`t reproduce itself and so constitutes a redundancy in terms of the human picture.
 
 
 
 
 In ancient Greece homosexuality was the institutionalized enslaving of women`s host wombs to further their worshiup of the god of death Thanatos through pederasty`s god of war, Ares, to spread their god of plague (Nosoi), which caused famine (Aetheon) and corresponded to the `blood plague` of Revelation, that is, the HIV/AIDS virus` `killer disease` caused by men`s mixing of blood, shit and semen in their anuses during women rejecting sterile acts of mock sexual reproduction, which ensured women`s faithfulness to her monogamous enslavers through fear of their terror weapon in the biological warfare they were waging against her host womb towards the end of the 20th century:
 
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
 
 
 
 
 If `futanarian` woman with her own penis` `seed` wasn`t visibly sexually reproducing because she was either hidden beneath her abiyah in Arabia, or extinguished by her jailors in the West, men were worshipping the Greek god of famine, Aetheon, as sexual starvation of the human species of `futanarian`, that is, `fut`. which means `run` in the language of the Hungarians, while `tanar` means `teacher`, and so `futanar` is what Jesus was; a teacher afoot amongst his people.
 
 
 
 
 When `Liberty` in her waters of New York harbour was challenged by the Al Qaeda terrorist hijackers` crashing of planes into the Twin Towers of the World Trade Centre in New York on September 11, 2001, it was an attempt to reestablish the homosexual `brutality and violence` of `rough trade`, which is the preying of men upon socio-economically disadvantaged boys, in worship of Thanatos, god of death, through Ares, pederasty`s god of war. In Revelation the `woman clothed with the sun and with the moon at her feet` giving birth to the `New Redeemer`, that is, Jesus, in his `Second Coming`, to `rule the nations with a sceptre of iron`, is `Liberty`, `clothed` with the flags of her victories over the red `sun` of Japan and the yellow `moon` of Al Qaeda, `the base`.
 
 
 
 
 In the Bible `the pearl of great price` is the `kingdom of God`, and so the United States` victory over the Japanese after their `sneak attack` upon the US` Pacific fleet at Pearl harbor in 1941, which precipitated the US` involvement in WWII (1939-45), was a step towards the establishing of the `kingdom of God` on Earth, while the deposing of Saddam Hussein, Iraq`s dictator, who had supported Al Qaeda, represented the possibility of liberation for `futanarian` Arabia where, in the Moslem religion of Islam, founded by the Prophet Mohammed through the Koran (610-30 C.E), dictated by the angels, four wives are permitted.
 
 
 
 
 In developmental psychologist, Carl Gustav Jung`s (1875-1961) archetypal structuring of human consciousness, there are four functions; Thinking, Sensation, Feeling and Intuition. The developmentally archetypal `fourfold` marriage of Arabia, according to a Jungian intepretation, has emerged from out of the depths of the unconscious human spirit to impel progress. The Arabian marriage quaternio is ready to place `futanarian` woman with her own penis` `seed` at the centre of the human species` path, because it represents the  developers` teachings of Jesus, who is the `futanar`  of the Moslem`s Koran in Islam.
 
 
 
 
 In Christianity Jesus` teachings are understood as sexual denial for spiritual growth through technological achievement which will result in medical science`s curing of all ills so that humans can live longer youthful lives in labour-saved comfort from pain and drudgery. Because the zenith of technology is the robot, men`s history of science fiction, writ large on the big screen of Hollywood propoganda, is of the Arnold Schwarzenneger Terminator (1984) wars of the future in which robotizized males are the weapons of destruction the `futanarian` human species of woman, with her own penis` seed` to self-reproduce in socio-economic freedom, can anticipate with fear. Men`s history of technology is of the tin that eats the `fut`, that is, instread of the food being eaten from the tin, the `futanarian` human species is enslaved and devoured by her `spammers`, who prevent her from knowing anything of herself as the human species` penis` `seed` killed by men for `spam` in a tin, for example, by making the penis` visibility a taboo.
 
 
 
 
 In the US` television series, Terminator: The Sarah Connor Chronicles (2008-9), Summer Glau is `Cameron`, a `Terminator` sent back from 2027 to protect the earlier self of Sarah Connor`s son, John. Cameron`s exact capabilities are not known, but she can consume small amounts of food, a `first` for Terminators. John`s a cypher in the plot, because the `serpent`s seed` of men`s real aim as `spammers` is to breed women as `spam`, that is, as meat for tins, which is why the pedal cars based on the model-T Ford disable the driver, especially in oil rich Arabia where women are forbidden to drive, because it`s a pre-Terminator of the `futanarian` human species of `woman`s seed` whose own penis` desire for the human species` continuation and success is what men want to terminate.
 
 
 
 
 Before the term `spam` was applied to mean `disinformation`, `spam` meant meat for a tin. Rather than face the liberated `futanarian` human species` self-reproducing brains` power to develop robots of her own, men `spam` to misinform, censor, and impose `media blackouts` to prevent `woman`s seed` from seeing what is done to her. Robots in her own image would save women`s labour, that is, protect her work, which is civilization, culture and art, which would help her to live. Escaping from her alien enslavers and devourers, Summer Glau`s real task as human woman`s representative is to prevent men`s constructing Terminator cyborgs to eat the `futanarian` race as `spam` for their tins. Robots, in the image of Summer Glau, for example, are more human than men insofar as they`ll liberate human women to self-reproduce her own brains` power to escape her enslaving and devouring aliens by means of her own development of advanced technologies.

The Buggers Are In Robert A. Heinlein`s Starship Troopers As Well

26/08/2013 13:54

The Buggers Are In Robert A. Heinlein`s Starship Troopers As Well

 

 

`Bugs` have been a major feature of the `spy` genre and Hollywood movie phenomenon since Richard Millhouse Nixon, `Tricky Dicky` to his political opponents, and the President of the United States for the Republican Party (1969-74) , was discovered to have `bugged` the National Democratic Committee headquarters, known as `Watergate`, on June 17, 1972. The `spy scandal`, which became the Hollywood movie All The President`s Man (1976), was uncovered by The Washington Post investigative journalists, Bob Woodward and Carl Bernstein, after it was found that the Central Intelligence Agency (CIA) had been ordered by Richard Nixon to `bug`, that is, `spy` on the Democratic Party by means of surveillance technology. President Nixon resigned, recognizing he`d exceeded his Presidential powers, which had threatened to establish a `dictatorship` in the United States of America:
 
`It's never a soldier's business to decide when or where or how - or why - he fights; that belongs to the statesmen and the generals. The statesmen decide why and how much; the generals take it from there and tell us where and when and how.`1
 
 
 
 
 The `Grand Master` of science fiction, Robert A. Heinlein (1907-88), examined the `spy` phenomenon in his juvenile novel for boys, Starship Troopers (1959), which featured an elite cadre to fight the `the Bug` war against a species of giant arachnoid creatures that had attacked the Earth. Heinlein`s interstellar warriors were based on US President Harry S. Truman`s `Green Berets`, which were created on June 19, 1952, as the United States Army Special Forces (USASF) working with the CIA. Heinlein`s Starship Troopers is a `scifi` extrapolation in which the paratroopers of the USASF descend from the skies like parachuting spiders to fight against `the Bugs`:
 
`Parachute spiders take their name from their method of hunting. They spin small circular webs the diameter of their leg-span, and then hang from tree limbs with outstretched legs, waiting for prey to pass beneath. The web serves as both a crude wing, allowing the spider to glide significant distances, and as a snare, the sticky webs quickly enveloping prey when the spider lands atop them. A quick bite and the victim is usually done for.`2
 
 
 
 
 In the `spy game` to kill those who `know too much`, the internet information system developed for public use in the 20th century was the `World Wide Web` (WWW), which George W. Bush`s declared `War On Terror` (2003-) began to defend in WWIII after US intelligence failed to stop 9/11, which was so called after Al Qaeda, a terrorist group, hijacked `civil` airplanes to crash them into the Twin Towers of New York`s World Trade Centre and precipitate the second Gulf war (2001-11) to depose Saddam Hussein in Iraq; because of his declared support for `the base`, which is what the name `Al Qaeda translates as, while identifying  their leader, Osama Ben Ladan, as an aspect of `the base` men, that is, amongst the many-headed `beasts` of Revelation during the apocalypse preceding God`s judgement upon mankind. The National Security Administration (https://www.nsa.gov) of the USA had been prepared to wage the intelligence war against those who sought to prevent knowledge from being disseminated in freedom since its creation by President Truman on 4 November, 1952.
 
 
 
 
 War `games` are `mock battles` in which army units test each other, so Heinlein`s novel Starship Troopers extrapolates a combined war and spy `game` in which the USASF are the parachuting `spidermen`, who `drop` from starships to the `Bug planet`, where they dare to encounter the giant arachnoid `spy-dare`. Heinlein`s genius was to see that all `scifi` was a `spy novel`, because men aren`t women`s species and so shouldn`t be in the pages of the text at all because they`re spies or insurgents working against the developing human species:
 
`There are no dangerous weapons; there are only dangerous men.`
 
 
 
 
 In the Bible God tells Eve her `seed` will have `perpetual enmity` with the `serpent`s seed`, and Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, was the first of `woman`s seed`. His teaching of the host, that is, the womb of woman, heralds the birth of the single biune species of `futanarian` woman with her own penis` `seed` and socio-economic valence for self-producing her own brains` power to develop herself and the starship technology she needs to escape the alien parasite that`s  invaded her womb and attached itself to her species through her penis` `seed` as her virus, which is`the Bugs`, men:
 
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done,` (Rev: 16. 11)
 
 
 
 
 In ancient Greece men`s institutionalized homosexual pederasty enslaved the host wombs of women to promote their worship of the Greek gods of Ares (war), Thanatos (death), Nosoi (plague) and Atheon (famine), which are called in Revelation, `the four horseman of the apocalypse` that precedes God`s judgement and proclaimed punishment upon men as eternal unendurable pain for enslaving woman`s host wombs to produce civilization, culture and art for men to devour in their viral parasites` alien devouring of the human species of woman in `perpetual enmity`; although God does tell Eve her `seed`:
 
`... will crush the head of the serpent as she leaves.` (Gen: 3. 15)
 
 
 
 
 Heinlein`s extrapolation has women called `mothers` as the starship commanders who `drop` their `boy sons` onto `the Bug` planet in a metaphor for `biological warfare` in which the mothers` boy sons are the `poisons` of the HIV/AIDS` virus, that is, `the Bug`, created by homosexual pederasty in men`s mixing of their blood, shit and semen in sterilely unproductive anal sex together. HIV/AIDS is called the `blood plague` of the `red dragon` of Revelation in the Bible because it`s men`s war against the human `seed` of woman as her parasite, which `waits in vain` to devour Jesus in his `Second Coming`. As the `New Redeemer`, `... he will rule the nations with an iron sceptre,` following his first sojourn upon the Earth as the celibate anti-viral teacher uncontaminated by male semen, born from his mother, the Virgin Mary, before being murdered by the `serpent`s seed` and his Resurrection and Ascension to heaven, where he waits to `drop` for God but not to fall for men in battle:
 
`Self-interest, love of family, duty to country, responsibility toward the human race ... The basis of all morality is duty, a concept with the same relation to group that self-interest has to individual.`
 
 
 
 
 Although `futanarian` women are a single biune self-reproductive species, Heinlein`s Starship Troopers posits women in battle, which is `lesbian butch`, according to the received wisdom of male chauvinism. But men are the virus that doesn`t want the females to function or the machines to work well enough to make their devouring parasitism redundant and obsolescent. Men have enslaved the host wombs of women to ensure their parasitical war against the human species continues,. Men aren`t  a species, but women`s abomination through enslavement, which can`t sexually reproduce itself:
 
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
 
 
 
 
 The Trinity of Christianity is God, the father, God, the son, and God, the Holy Spirit, which is intepreted variously as the creator, Jesus, and the spirit of God, whereas women are a `triune` species, from a psychological or spiritual perspective, because they have their own host womb and their own penis` `seed`, so their love for their own species necessarily presupposes what men have condemned as abnormal lesbian feelings for each other, which is in fact the spiritual aspect of the species` trinitarian togetherness that isn`t the sterile death worship of men`s homosexual rejection of women in pederasty and war`s contagions. HIV/AIDS` forcing of women to accept monogamous enslavement to a parasite upon her host womb was but one instance of men`s terroristical enslaving of woman in faithfulness through fear:
 
`Any group is weaker than a man alone unless they are perfectly trained to work together.`
 
 
 
 
 George Bush`s declared `War On Terror` and his activation of the NSA began a monitoring of the world wide web (WWW) in what was a part of World War III to liberate woman`s human species. Suppressed in blindness through censorship, women were being maintained as a species ignorant of her potential for independent socio-economic progress through her own penis` seed`s capacity for self-reproducing her own brains` power to create liberating technology, and the various `ethnic cleansings` taking place throughout the globe after the `break-up` of Moslem-Christian Yugoslavia in 1990 were what the wars were about:
 
`To permit irresponsible authority is to sell disaster.`
 
 
 
 
 To Moslems the Christians are `the Bugs`, while the Moslems are `the Bugs` to the Christians, because the men are the alien `Bugs` who won`t be removed from the host womb of the species and, in terms of parasitology, the death of the human species of `futanarian` woman and her `seed` is what men are for because they`re woman`s viral parasites. Heinlein`s Starship Troopers posits the war between the `spy-dare` and the `spidermen`, because it`s `Who Dares Wins`, as the British Special Forces` slogan of the Special Air Service (SAS) has it, that is, the better `paras` survive, but the species of woman remains enslaved; because she can`t escape from the sight of the paras` guns:
 
`Girls are simply wonderful. Just to stand on a corner and watch them going past is delightful. They don't walk. At least not what we do when we walk. I don't know how to describe it, but it's much more complex and utterly delightful. They don't move just their feet; everything moves and in different directions ... and all of it graceful.`
 
 
 
 
 In Starship Troopers women `drop` with the `boy sons`, that is, the `poisons`, symbolizing `the Bugs` of homosexual pederasty, which are HIV/AIDS, in a Heinleinian `covert operation`, because the book is actually written for `special` girls, who are able to perceive that their soldierly `sidekicks` in the novel are woman`s parasites. The men even shower alongside those members of the human species of `futanarian` woman`s penis` `seed` that have survived their pogroms upon the Earth women so far and have been trained to accept the `buggers`:
 
`Anything that conflicts with the survival instinct acts sooner or later to eliminate the individual ...`
 
 
 
 
 `Buggery` is British slang for anal sex, which translates as `the Bug` virus of HIV/AIDS, so women of the 21st century are depicted presciently by Starship Toopers` `spy` Robert A. Heinlein as a species with her own penis` `seed`, who is `dying for a fuck` who conflicts with her `survival instinct`. In the movie version of Starship Troopers (1997) the fuck even stands next to her in the shower, while `nothing is left to the imagination`, as they say, because the woman`s penis, as is usual in the faggotry of Hollywood taboo, is conspicuous by its absence, but not if you`re forbidden to know it`s there anyway:
 
`If you wanted to teach a baby a lesson, would you cut its head off?'
 
 
 
 
 The conclusion after the events of 9/11, 2001, is that the reestablishment of the `rough trade` of war`s homosexual `brutality and violence` through its maintenance of pederasty was more important than intelligence gathering networks that would have warned the USA of what was going to transpire on 9/11, when Al Qaeda`s terrorists crashed their hijacked planes into the World Trade Centre to renew conflict after the first Gulf war (1990-1) in which Saddam Hussein`s army had invaded its unwilling host neighbour, Kuwait, and been expelled by the USASF and the CIA, amongst others:
 
`Liberty is never unalienable; it must be redeemed regularly with the blood of patriots or it always vanishes. Of all the so-called natural human rights that have ever been invented, liberty is least likely to be cheap and is never free of cost.`
 
 
 
 
 George W. Bush`s activation of the NSA provided  a mandate for global surveillance of citizens` usage of the internet and world wide web (WWW), where the war for the future of the `futanarian` species of woman`s seed` would be fought. In WWW III the `spy` network would defend `freedom`s torch` held aloft by `Liberty` in New York harbor, where her skirts are long enough to conceal her own penis` `seed` and child:
 
`Citizenship is an attitude, a state of mind, an emotional conviction that the whole is greater than the part ... and that the part should be humbly proud to sacrifice itself that the whole may live.`
 
 
 
 
 After the victories of `Liberty` over the flags of the `red sun` of Japan`s attack upon her at Pearl harbor on 7 December, 1941, and the flags of the `yellow moon` of Al Qaeda, `the base`, which is described as the birth of the `New Redeemer`, Jesus, in his `Second Coming`, to `the woman clothed with the sun and with the moon at her feet` (Rev: 12. 1), the Earth must decide whether to assist the `red dragon` of bloody war waiting in vain to devour the woman and her child, the `Messiah`, or reinforce homosexual pederasty`s censorship to keep `woman`s seed` in blindness and ignorance, before the `dictatorship` of the paras removes her eyes in a final salute from their guns to the woman in the paras` sights.
 
 
1 Heinlein, Robert A. Starship Troopers, G. P. Putnam & Sons, 1959, 263 pp.
 
2 https://rpgdump.blogspot.com/2009/09/parachute-spider.html.

Dropping In With Starship Troopers, An Outing For Robert A. Heinlein

21/08/2013 13:48

Dropping In With Starship Troopers, An Outing For Robert A. Heinlein

 

 

 One of the main unspoken themes of the juvenile fiction of the first `Grand Master` of science fiction, Robert A. Heinlein (1907-88), is the projected incest between the boy and the girl in the story, where the reader idenitifes with the young woman through the mind of the boy and desires her sexually, which is a form of adult perversion for those who return to the books after their childhood. In his only juvenile specifically for girls, Podkayne Of Mars (1963), Poddy is `accidentally` killed by her brother, Clarke, because that represents men`s solution to their incestuous relations with their sister, who isn`t even of the same species, which makes of the male protagonist an alien:
 
`Anything that conflicts with the survival instinct acts sooner or later to eliminate the individual ...`1
 
 
 
 
 Ancient Greek society was based on homosexuality`s enslavement of the host wombs of women to spread the contagion of their alien war god of pederasty. THe dramatist Sophocles in Oedipus Rex (c. 429 BC) described the character Oedipus` `accidental` marriage with his mother leading to his self-blinding because of the power of the incest taboo upon him. Heinlein examines the theme of incest openly in many of his adult stories, Time Enough For Love (1973) and To Sail Beyond The Sunset (1987) for example, and concludes there`s no actual inhibitory factor to weigh against it other than the taboo:
 
... that anything two - or more - people want to do is all right as long as it does no physical harm. He fe[lt ... ] the words 'moral' and 'immoral' ridiculous when applied to sexual relations. Right and wrong the correct words, used exactly as they would be used in any other human relation.`2
 
 
 
 
 Because women have a penis` `seed` of their own as `futanarian` woman, they`re a single biune self-reproducing `family of Man`. The taboos against incest and the male penis are a device of men`s to prevent woman from knowing herself openly and so having a family of her own, which is why blindness is the theme of incest, as Laz and Lor point out to Time Enough For Love`s myopically long-lived character, Lazarus Long, `Coupling with us might be masturbation, but it can't be incest because we aren't your sisters.`3 He`s an alien to their species. Men don`t want women to remember their own penis` `seed` and so Lazarus Long`s penis in To Sail Beyond The Sunset, where time-travelling he falls just short of impregnating his mother with his own self (p. 551), and Oedipus` incestuous marriage in Oedipus Rex  represent the penis drawn too well by the mother. They`re types of the figure of Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, who draws Christ a self-reproducing `futanarian` picture rather than incest:
 
`What this world needs is more loving, sweaty and friendly and unashamed.` (p. 203)
 
 
 
 
 Christ is described as `the first of woman` s seed`, because he represents Redemption for `Man` if he`s accepting of the host womb of the human species, rather than enslaving it for the alien wars of pederasty waged against what woman is able to produce of civilization, culture and art. Despite men`s wars of what God warns Eve in Eden is the `serpent`s seed` of homosexuality`s `perpetual enmity` for her `seed`:
 
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
 
 
 
 
 HIV/AIDS functions as the `biological weapon` of men enslaving of woman`s host wombs in fearful faithfulness to monogamy, whereas she`s a triune species in her sexuality. In his juvenile for boys, Starship Troopers (1959), Robert A. Heinlein depicts mother`s delivering boys to fight against `the Bugs`, which are aliens that may be extrapolated as the HIV/AIDS virus that is decribed in Revelation as the `blood plague`:
 
`In a mixed ship the last thing a trooper hears before a drop (maybe the last word he ever hears) is a woman's voice, wishing him luck. If you don't think this is important you've probably resigned from the human race.`
 
 
 
 
 In the Starship Troopers (1997) Hollywood Babylon movie women also drop onto the planet of `the Bugs`, which immediately brands them as `lesbian` in the common imagination, because war is pederasty, and the `rough trade` of homosexual `brutality and violence` for men engaging themselves  with unwilling boys, while women are a separate species for whom lesbianism is a normal aspect of their sexual nature but isn`t `homosexual`, which is rather men`s alien nature:
 
`Violence, naked force, has settled more issues in history than has any other factor.`
 
 
 
 
 Because lesbians are able to recognize the alien enemy of their species, it`s logical to find them dropping onto `the Bug` worlds to defend humanity against the virus, but the extrapolation doesn`t go far enough. If men are the virus, `the Bugs` are the women, because the genuine aliens are the men. The dropping of the boys onto `the Bug` home planet is a book-writer`s subterfuge, where `lesbian` juveniles are being taught to fight for their own species:
 
 
`Liberty is never unalienable; it must be redeemed regularly with the blood of patriots or it always vanishes. Of all the so-called natural human rights that have ever been invented, liberty is least likely to be cheap and is never free of cost.`
 
 
 
 
 As `futanarian` woman with her own penis` `seed`, women have a socio-economic and technological valence for reproducing her own brains` power to produce starships to take her away from the Earth`s aliens. Those women who sexually reproduce are `futanarian` women with her own semen and women without, whereas lesbian women simply prefer their own gender, but have learned to recognize men as aliens and so are the legitimate defenders of their race:
 
`A scientifically verifiable theory of morals must be rooted in the individual's instinct to survive - and nowhere else! - and must correctly describe the hierarchy of survival, note the motivations at each level, and resolve all conflicts.`
 
 
 
 
 The `footrace` is what the `futanarian` woman may be described as, but for men she`s their `food race`, because they eat her, and so don`t want her to run, as a computer programmer might say, where `running` the `futanarian` human race as more than a `futrace`, that is, a `food race`, for the enslavers and devourers of what she`s able to produce from her host womb in the way of civilization, could leave behind men to engage themselves with cannibalism as well as their boys` wars in pederasty`s worship of themselves as war gods:
 
`You shall be as gods.`
 
 
 
 
 Those are the serpent`s words to Adam and Eve in Eden; tempting them to eat of the fruit of the tree of the `knowledge of good and evil`. But God tells Eve she`ll `crush the head of the serpent with her foot as she leaves` (Gen: 3. 15) for a `new heaven and Earth`. The suggestion God is intelligence, but not clever, is proven false. If women are the `futanarian` species of the human race, the `foot race` is what God is describing her as when she kills the serpent with her `foot` as she begins to `run`, in computer programming terms, her own race:
 
`Happiness consists in getting enough sleep. Just that, nothing more.` 
 
 
 
 
 The star of the movie Starship Troopers is Denise Richards, seen in shower scenes with men and women, in what critics perceived as liberated `unisex` scenes of male-female cameraderie against a common foe, whereas the women were naked with their parasites, and of course lesbianism as the titillating aspect of dutiful female nudes` reporting. No `futanarian` women with their own penis` `seed` were visible, which suggests Heinlein`s `book war` with his juveniles` publisher, G. P. Putnam`s and Sons, was unsuccessfully concluded when librarians ostensibly objected to a preview of the novel that it was unsuitable for young adults because it was `fascistoid`.
 
 
 
 
 During and before WWII (1939-45) the German Nazis` `shower scene` was of 6,000,000 Jews being taken to the `showers`, a euphemism for `poison gas chambers`, where they were killed. You can`t be born a Jew unless from a Jewess, which effectively means that women are Jews, so are God`s `chosen people`, because `woman`s seed` is `futanarian` with her own penis` `seed`. Heinlein`s Starship Troopers could be considered `fascistoid`, `Jeeze, Sarge will it kill you to shower once in a while?` But only insofar as there`re no `futanarian` women with their own penis` `seed` visible in the movie:
 
`Hey, babe. REAL men smell, and REAL men like it.`4
 
 
 
 
 T`Phai replies to Sergeant Brutto`s rebuking of Isabelle ``Dizzy` Flores in Roughnecks: The Starship Troopers Chronicles (1999-) TV series` shower scene, `That is true. My mate chose me for my scent.` He speaks like an animal because men are. The suggested lesbianism of the mixed shower scene is far more appropriate for the women of Heinlein`s Starship Troopers` cosmos, because they`ll need their own armies if they`re to fight and win the war against the `red dragon` of Revelation God depicts in heaven for her `futanarian` future as a species. Permanent unendurable pain awaits those who support the gods of pederasty, according to God, as men`s punishment for enslaving women`s host wombs for war. Men`s preference for mixing blood, shit and semen in the steriity of anal sex together is a rejection of the host wombs of women as the prelude to their planned `war in heaven` against God and the heavenly host of the angels, so men can worship Thanatos as the `Greek` god of death`s war gods:
 
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
 
 
 
 
 Robert Heinlein`s Starship Troopers was primarily criticized for being `militaristic` in its advocation of citizenship only for war `veterans`. But women who accept enslavement of their host wombs in pederasty to the devouring Greek gods of war, death and plague (Nosoi) are traitors to their own human species. To be a citizen she`ll have to fight for `woman`s seed`, and Jesus` birth from his mother, the Virgin Mary, uncontaminated by male semen, is a sign she`ll have help from human men, while those who have accepted enslavement for the host womb of the human species will have perdition:
 
`Citizenship is an attitude, a state of mind, an emotional conviction that the whole is greater than the part ... and that the part should be humbly proud to sacrifice itself that the whole may live.`
 
 
 
 
 As the host in his mother`s stead at the `Last Supper`, before his crucifixion, death, Resurrection and Ascension to heaven, Jesus gave `bread and wine` to the disciples instead of his `body and blood`, because he wanted neither his mother nor himself to die as hosts. The shower scene in Starship Troopers is the precursor to the `food fight` for men engaged with boys in the worship of the Greek gods of war, death and plague, because humans are `food` to their devourer. The `futanarian` species of woman with her own penis` `seed` is:
 
`One small step for a man, one giant leap for mankind.`5
 
 
 
 
 The words of Neil Armstrong, astronaut of Apollo 11, as the first man on the moon, sparing time to lament the death by war and plague of the human `futanarian` species, the `futrace`, which he`d just won. The concept embodied in the term `mankind` posits a kind man, whereas killing the `futrace` to step over the body of the human species into a sterile wilderness with no oxygen is unkind and alien to humanity, but perhaps the aliens were just visiting old haunts.
 
1 Heinlein, Robert A. Starship Troopers, George Putnam`s Sons, 1959, 263 pp.
 
2 Heinlein To Sail Beyond The Sunset, G. P. Putnam`s Sons, 1987, p. 121.
 
3 Heinlein Time Enough For Love, G. P. Putnam`s Sons, 1973, p. 448.
 
4 Staley, Steve Roughnecks: The Starship Troopers Chronicles, (1999-).
 
5 July 20 1969 (UTC).

Gwyneth Paltrow: Iron Woman

17/08/2013 11:57

Gwyneth Paltrow: Iron Woman

 

 

Men`s body fascism dictates they were suits to disguise their inability to reproduce with each other while emphasizing the more traditional armour as worn by the knights of the round table of the legend of King Arthur of the Britons from the Middle Ages period of socio-history. In the stories of Arthur the bowl of Jesus from the `Last Supper` before his crucifixion, death, Resurrection and Ascension to heaven is the talismanic Holy Grail for those knights who want to remain in fellowship with the host. Jesus` bowl is a symbol of the `bread and wine` offered to the disciples as tokens of Christ`s `body and blood` because the host doesn`t want to be consumed by treachery, while the disciple Judas Iscariot did betray Jesus to his torturers and murderers.
 
 
 
 
 Born uncontaminated by male semen from his mother, the Virgin Mary, Jesus perceived her as a type of the host womb of the human species. As a woman capable of reproducing herself without male semen, the Virgin Mary is `futanarian`, that is, she`s what God tells Eve is the `woman`s seed` that shall have `perpetual enmity` with the `serpent`s seed` because her future is to be a woman with her own penis. The knights of Arthur represent the protective armour of the woman, whoever she is, before `transubstantiation`, which is the term used by the Catholic church in the Communion service with the chalice and the wafer to represent the birth of the woman`s seed` from her host womb through the forebearance of the male towards her future self.
 
 
 
 
 Invisible beneath their armour the knights are Adamic in the sense that Adam and Eve were visible to themselves in Eden after eating the `fruit of the tree of the knowledge of good and evil`,  which made them conscious of their evil desires. God shouldn`t see them but the serpent would. Arthur`s besuited knights represent bodily shame at wanting to reproduce with women who aren`t of the same species; because she`s a single biune `futanarian` race with her own semen. Arthur`s knights represent their struggle with the parasite that emerges from her host womb to enslave and devour her civilization, culture and art in its wars of `perpetual enmity` against her. According to God `woman`s seed` will `crush the head of the serpent as she leaves` (Gen: 3. 15) for the `new heaven and Earth` promised her, but she`ll have to develop herself technologically before her starships are able to take her away from the Earth`s aliens. Men`s 21st century suits include cars and aeroplanes, or any other of their containers, while Hollywood, Babylon movies like Iron Man (2008), starring actor Robert Downey Jnr. as Tony Stark, represent obsolescent man coming to terms with his shadow:
 
`I build them a missile they'll kill me. If I don't they'll kill me. Either way, I'll be dead in a week.`1
 
 
 
 
 In the developmental psychology of Carl Gustav Jung (1875-1961) the shadow is the personal subconscious and the collective shadow of mankind is evil, because unconscious and instinctual, that is, undeveloped. If men are thought of as untransformed aspects of `woman`s seed`, that is, woman as a `futanarian` species with her own penis, they`re her subconscious or personal unconscious. Men`s evil collective shadow attempts to enslave and devour `woman`s seed` rather than assist her to consciousness and liberation, because the shadow seeks life for its own nature, which it doesn`t perceive as woman`s; although Jesus teachings do:
 
`Love your neighbour as you love yourself.` (Matt: 22. 39)
 
 
 
 
 Because your neighbour is yourself. If men don`t accept their host, it`s because they don`t want `woman`s seed` filling her womb with herself to develop her own brainpower through education to afford her an escape by means of the advanced technologies she contains within her own mind`s self. Men`s obsession with besuiting themselves in variegated protective shells suggests they`re collectively an alien in a suit of armor:
 
`Long ago, the bow and arrow was the ultimate technological achievement. It was used by Genghis Khan to forge an empire that stretched across Asia, from the wintry woods of Ukraine to the Eastern shores of Korea. Now, whoever holds the weapons manufactured by Stark Industries rules the world ... `2
 
 
 
 
 Men`s preoccupations with armor-piercing projectiles relates to their need to pierce the hymen of the woman`s defensive shield in order to propogate their virus, which was manifest in the late 20th century as HIV/AIDS. Described in Revelation as the `blood plague` HIV/AIDS constituted men`s `biological weapon` keeping women enslaved in faithfulness through fear produced by the collective shadow of her aliens` mixing blood, shit and semen in anal penile masturbations together. The femidom of the late 20th century came to prominence, because it denoted the woman`s shield, which constituted the technology ignored by her supposed male protectors; because they need to be always able to penetrate her host womb to maintain her as a slave race:
 
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
 
 
 
 
 In psychological terms, because Iron Man represents the woman, that is, Gwyneth Paltrow`s, personal unconscious or shadow personality, she`s the human in the suit, but the assumption is that Robert Downey Jnr is the human because he has the penis` `seed`, whereas the developed woman would be the `futanarian` woman with her own penis` semen to fertilize her own species. Although the sight of a male`s nude upper body is supposed to be a  virile display of strength, in fact what they`re revealing is contempt for the woman whose breasts contain the milk associated with fertilization, and the `hidden` male penis is only there to taunt the woman she doesn`t have theirs.
 
 
 
 
 Arms manufacturer Tony Stark in his Iron Man suit represents the male who doesn`t want the woman to be strong enough to protect herself from her parasites. In the Hollywood, Babylon movie franchise, actor Robert Downey Jnr portrays Stark in his Iron Man suit as a hero of the Gulf war with Iraq where the women are hidden beneath their burkhas so that their `futanarian` nature as the human species with her own penis` `seed` can`t be penetrated. The American superhero Iron Man represents men`s collective alien nature`s desire for  a genocidal pogrom against the human species of `woman`s seed`. Justifying itself as her parasitical enslaver, it gains power from perceiving it`s collectively asexual and sterile, which is what parasites are for; asexual sterility:
 
`In prostitution? You’re a senator. Come on.`3
 
 
 
 
 Iron Man is the impermeable male who constitutes the epitome of manhood because his penis` `seed` is asexually sterilized beneath his protecting armour. So he can appeal to a boy`s sexual inexperience, which is what he`s for. The adult human is a girl with her own penis` semen, while boy sons were representing men`s `killer disease` of HIV/AIDS, that is,  poisons, as the 21st century commenced. The terrorist attack of Al Qaeda on the World Trade Centre on 9/11 2001 precipitated global `rough trade`,4 that is, the brutality and violence of pederasty, which had beset Western civilization since the Greeks made homosexuality an institutionalized aspect of their enslaving of the host wombs of women to further their worship of devouring war and spread their contagion further. Iron Man in the Gulf war (2001-11) was pederasty writ large for the big screen:
 
`Mystery, Babylon [, Hollywood] the great, mother of harlots and of the abominations of the Earth.` (Rev: 16. 11)
 
 
 
 
 Hollywood, Babylon, made the events of 9/11 into the movie World Trade Centre (2006), which indirectly celebrated its collective shadow as manifest evil. Although Babylon is described as `a woman` in the Bible, the Gulf war against Iraq, where Babylon was the ancient capital, epitomizes the host womb of `woman`s seed` enslaved for the devouring of her human species in men`s worship of the god of war, pederasty, `live` on CNN for Hollywood Babylon`s `small screen` of `television war`. Translated onto the `big screen` of Babylon`s movie theatres, the Iraq war in Iron Man represents a flow of human resources away from a cure for the `killer disease` and towards the worship of Thanatos, which is the Greek god of death. If medical research isn`t given over to ensuring the bodily longevity of `woman`s seed`, so she can remember her own penis` `seed` well enough to educate her daughters in their responsibility to their human species, men will kill her in a sterile `schmaltz` of boy worship masquerading as her `defensive coordinator`:
 
`Collateral damage, Tony!`5
 
 
 
 
 Gwyneth Paltrow in Iron Man represents the woman who is the human species if she knows she has penis` `seed` of her own, which Hollywood, Babylon, has sought to keep her ignorant of through censorship since the 1930s `rule`6 of women in bedroom scenes keeping her foot on the floor to minimize sexual content, which was Hollywood Babylon`s way of keeping the `futanarian` species of `woman`s seed` on the `cutting room floor` of the movie of humanity. Capable of pregnancy, Iron Man`s assistant, Gwyneth Paltrow`s character, Pepper Potts, is a woman unconcerned with body fascism, which is men`s primary concern with taboo. Asexual sterile behaviouralism is what men aspire to with each other because the virus isn`t supposed to want to replicate sexually, but it does. The socio-history of men in armour is of them covering their shame at being parasites, rather than covering themselves with glory, as they prosecute sterilization pogroms against `woman`s seed` familiar to the Earth from the Nazis` `death camps` for the `chosen people`, that is, the Jews, which were constructed by the Germans in the 1930s to prevent the woman from getting her foot off the floor in Hollywood, Babylon, then.
 
 
 
 
 In the Christian Catholic Communion service `transubstantiation` is perceived as acceptance of the host in the shape of the wine from the chalice and the bread in the shape of the wafer, that is, the host womb of the Virgin Mary, which knowledge and wisdom is the gift of the teacher, Jesus Christ, as the host of the guests. If men are the personal shadow or unconscious of the `woman` seed`, which is collectively evil, the transformation symbolism of the Catholic Communion service is of the human `transubstantiated` in the host womb of the woman until `woman`s seed` is born. When asked about marriage in heaven, Jesus replied:
 
`... in the resurrection they neither marry, nor are given in marriage, but are as the angels of God in heaven.` (Matt: 22. 30)
 
 
 
 
 Because `woman`s seed` is a single biune `futanarian` species with her own penis` `seed` and the future angelic host of God. Although Jesus was the first of `woman`s seed`, men would have to be born in the host womb of `futanarian` woman, because she`s what God plans to resurrect. Men`s punishment for enslaving and devouring the human species in its wars of `perpetual enmity` against her is perdition, which is eternal unednurable pain. Iron Man in the Gulf with Pepper Pots is women`s future as a breeding slave. But Revelation tells her Jesus Christ, the `New Redeemer`, in his `Second Coming`, will be born to the `woman clothed with the sun and with the moon at her feet`, while the `red dragon` waits in vain to devour he who `will rule the nations with an iron
sceptre`.
 
 
 
 
 The woman of Revelation is `Liberty` in New York harbor, clothed with the flags of her victories. The red sun of the flag of the Japanese Empire sneakily attacking the `pearl of great price`, that is, Liberty`s burgeoning `kingdom of God`, at Pearl harbor on 7 December 1941, when Japanese mitsubishi zero `fighters` committin `hari kiri`, that is, suicide, crashed their planes into the decks of the carriers of the US Pacific fleet at Hawaii in an attempt to suicide the United States of America in World War II (1939-45), while the yellow moon is the flag of Al Qaeda, `the base`, flown by Arabian terrorists suiciding in their hijacked planes, crashing into the World Trade Centre of New York in an attempt to suicide the US in the Gulf war against Al Qaeda`s supporter, Iraq`s President Saddam Hussein, who`d offered bases in Iraq to Al Qaeda`s terrorist leader, Saudi Arabia`s Osama Ben Ladan, immediately after the events of 9/11, 2001, and was hung by the Americans on 30 December 2006 after the US` defeat of his army. Osama was assassinated by US` Team Six on May 2 2011 near where he was sheltering in the shade of the Pakistan Military Academy and his shadow was also a man`s:
 
`Ladies, children, sheep … some people call me a terrorist.  I consider myself a teacher.  Lesson number one:  heroes, there is no such thing.`7
 
 
 
 
 In the seminal drama of ancient Greece, Sophocles` Oedipus Rex is the story of a man who is blind because of ignorance about the meaning of the incest taboo, which is that a woman shouldn`t know she has a penis of her own, or she`ll breed without men, which is what the reinforcement of men`s taboo against incest is for. As a biune species women are a single family socio-economically independent of men as her slave owner and devourer in wars of `perpetual enmity` against her `seed`. Oedipus blinds himself upon discovering he`s married his mother, but marriage within the family of a single biune species is what women are for. Oedipus is too close to the truth to be permitted to see further and so the incest taboo is invoked. At the outset Oedipus encounters the Sphinx who riddles:
 
`What is that which has one voice and yet becomes four-footed and two-footed and three-footed?`8
 
 
 
 
 The answer is `Man` because he`s a baby, and then an adult, but walks with a stick in old age. The stick is his shadow, in psychological terms, which is what disables him. Men are the collective shadow of `woman`s seed`, that is, `futanarian` woman with a penis of her own and, according to God, the human species is to arise thereby. However, because men don`t want women to breed and live independently, men are cripplers of `Man` who doesn`t have any affinity with other men because he`s `woman`s seed`. The term `manhood` is single because `hoods` are criminals who live by crippling the able. Cain is depicted killing his brother, Abel, in the Bible, because Able was able to cook and Cain wanted an easier life as a fruit picker, rather than develop, which is what `hoods` do:
 
`My old man had a philosophy. Peace means having a bigger stick than the other guy.`9
 
 
 
 
 Oedipus` third leg is the `hood`, with his blinder`s stick, `the mark of Cain`, that is, the gun, and who is following Oedipus because he`s blinding `Man` who stumbles along with the cane that is a synonym for his blinder. Oedipus` penis is woman`s, which will allow him to cook, that is, develop, but his shadow is Cain`s, and the collective shadow of men is the evil that will pick Oedipus off, that is, murder the man, for the fruits of his labours. The incest taboo is Cain`s, who doesn`t want `woman`s seed` to breed with herself. If she does, the `monkey` on the back of `Man` will pick her off, that is, murder the human race, for the fruits of its labours, so it can have an `easy life`.
 
 
 
 
 The aim of the individual is to live without asking, which is what man and woman, as independent entities, are able to do. Men are the monkeys on the backs of humanity, because men don`t want independence for humans: their slave. Men represent their own instinct for survival, but they`re `shadows` of what the human species would be if women were the single biune human `futanarian` species without its collective evil shadow seeking to prevent `woman`s seed` from breeding with herself to rid her of the shadow personality causing her schizophrenic acceptance of a parasite that encourages the belief in her that sexual desire to self-reproduce with her own `futanarian` race of woman with her own penis` `seed` is a legitimate taboo branding her as `homosexual` and abnormal if she doesn`t accept men`s turning her racist against her own species` human love.
 
 
 
 
 In the Koran of Islam, the Moslem faith, dictated by the angels to the Prophet Mohammed (610-30 CE), `The Cave` Sura (Ch. 18) describes Satan as a `shaitan` djinn, an `angel` named Iblis. He has no power other than to whisper, because men are the shadows of women, and so do not exist in reality. Unless they`re `woman`s seed`, in accordance with the teachings of Jesus, born from his mother, the Virgin Mary, as `futanarian`, that is, the future angelic hosts of God, uncontaminated by male semen:
 
`I told you I don’t want to join your super-secret boy band.`10
 
 
 
 
 Jesus was celibate without an Iron Man suit, and men sought to ensure he`d remain celibate by crucifying him to death as his torturers upon a wooden cross. Robert Downey Jnr`s suit to Pepper Potts in the movie Iron Man isn`t a proposal from anything other than a warmongerer to produce more ironmongery in worship of the god of pederasty through the productivity of woman`s host womb as a whore for Hollywood, Babylon, which hopefully isn`t within Gwyneth Paltrow`s acting range; for Jesus` sake.
 
 
1 Downey Jnr., Robert as Tony Stark in Iron Man, 2008.
 
2 Raza, Iron Man, 2008.
 
3 Stark T., Iron Man 2, 2010.
 
4 https://www.urbandictionary.com/define.php?term=rough%20trade .
 
5 Iron Monger Iron Man, 2008.
 
6 `The Production Code of the Motion Picture Industry`, Part II, 2 (c), 1930-67.
 
7 The Mandarin Iron Man 3, 2013.
 
8 Apollodorus, The Library, Sir James George Frazer, F.B.A., F.R.S., (transl.), Cambridge, MA, Harvard University Press, 1921, 3,5,8.
 
9 Stark, Iron Man 2, 2010.
 
10 Stark, Iron Man 2, 2010.

Her Fut Waits At Table

13/08/2013 10:48

Her Fut Waits At Table

 

 

Science Fiction `Grand Master` Robert A. Heinlein (1907-88) wrote his juvenile novel for girls, Podkayne Of Mars (1963), featuring a young woman who wanted to learn how to pilot a starship, and that suggests `Pod` is `port side`, which is `left` in nautical terms, while positing a `star Pod`, that is, `starboard`, or `right` side of her ship. In Britney Spears` Oops I Did It Again` (2000) video single a spaceman arrives on her red planet of Mars to give her a gift, while an announcer is heard to shout:
 
`All aboard!`
 
 
 
 
The astronaut alludes to Robert A. Heinlein`s Have Space Suit - Will Travel (1958), which features a decision over the future of humanity by an extraterrestrial body that decides `love` is possibly a reason for allowing the Earth`s inhabitants to continue in existence. Britney Spears, in her red pilot`s suit, is Podkayne or `Poddy`, who places a hook in the spacesuit of the astronaut to hoist him above herself in a white bikini dress, to where she lies beneath upon a white blanket, stretched out between the points of a star. She`s `star Pod` or `starboard`, that is, the right side of the ship, to Pod`s side, which is the left or `port side`.
 
 
 
 
 Robert A. Heinlein`s novel Glory Road (1963) contains a character called Star, `Empress of the Twenty Universes`, who advertises for a hero in a newspaper. Oscar answers and becomes her champion. Britney Spears` video single `Lucky` features herself as Lucky, a Hollywood movie `star` winning the Oscar for `best actress`, while the companions at her side are herselves, to port and starboard, and the only sign of the Heinleinian hero, Oscar, is the golden statuette.
 
 
 
 
 The gift Britney Spears` spaceman gives her relates to the story of the Titanic, which was the ocean going liner on its maiden voyage in 1912 from Liverpool, England that hit an iceberg and sank before reaching its destination in New York. In the movie Titanic (1997) Rose drops the `heart of the ocean`, a blue diamond pendant in the shape of a heart at the scene of the ship`s salvage; as a memorial to her part in the tragedy as one of the ship`s passengers:
 
`But I thought the old lady dropped it into the ocean in the end?`
 
 
 
 
 Robert A. Heinlein was the retired naval officer graduated from the US Naval Academy at Annapolis in 1929 and aboard the destroyer, the USS Roper, when diagnosed with tuberculosis, which ended his active status with the US navy. Working as a naval reserve at the Philadelphia Navy Yard in 1943 Heinlein used his knowledge gained there to write Have Space Suit Will Travel and suits similar to his were worn by Neil Armstrong and the other Apollo 11 astronauts when their lunar module arrived upon the surface of Earth`s satellite as the last stage borne by the North American Space Program`s (NASA) Saturn V space rocket as Armstrong became the first man to set foot upon the moon:
 
`One small step for a man, one giant leap for mankind.`1
 
 
 
 
  Britney Spears` spaceman gives his gift in a small black box; as if in it are the recorded last moments of the Titanic before it descended into the ocean depths, which is how a black box functions in air crash scenarios. The pressure suits Heinlein was working on at the Philadelphia Navy Yard were ultimately for the X-15 spaceplane program which faced the problem of blackouts for pilots, whose pressure suits couldn`t maintain the occupant`s consciousness at high altitudes, and the `black box` was the only means of obtaining information in the event of the loss of the pilot`s life:
 
`Well baby I went down and got it for you.`
 
 
 
 
 The pressure suits worked on by Heinlein were diving suits before being adapted for aviators. Britney`s spaceman is a diver if he went to get the `heart of the ocean`, and so his spaceuit is an improved Heinlein diving suit. As he hangs above Britney, in her white bikini dress, the tines of a giant fork can be seen beside his spacehelmet`s camera as he films the `alien`. It`s `fork starboard` for the `small` star, whose `sister`, `Pod`, descended in her red pilot`s suit in a giant`s serviette ring at the outset of `Oops I Did It Again`. `Star` Pod is `ova` board without a hit from the eyes in the drink:
 
`You see my problem is this; I'm dreaming away: wishing that heroes, they truly exist.`
 
 
 
 
 Heinlein`s novel Job: A Comedy Of Justice (1984) was based on God`s question, `Can you pull in leviathan with a hook?` The raising of the sunken ship, the Titanic, posed a similar question: can it be done? Alex and his wife, Margarethe, experience a series of `world changes` during the course of Heinlein`s novel, Job, loosely based on God`s hammering of the eponymous biblical character because he wanted to to see if he could break a believer`s `spirit`:
 
`In the land of Uz there lived a man whose name was Job. This man was blameless and upright; he feared God and shunned evil.` (Job: 1)
 
 
 
 
 When Britney Spears, in her red suit in `Oops I Did It Again`, hooks her spaceman to suspend him above herself in a white bikini dress, he`s Job looking down upon leviathan. Heinlein`s Job is Alex and his wife Margarethe`s name means `pearl`, while `the pearl of great price` is the `kingdom of God`:
 
`Heaven is where Margrethe is.`2
 
 
 
 
Alexander was the surname of Britney Spears` first husband of 55 hours from January 3-5, 2004. The `marriage contract` is represented at the outset of `Oops I Did It Again` by the giant`s ring, and the contract `jewel` is the `heart of the ocean`, while the seemingly iron claws surrounding Britney Spears` dance routine represent the `unsheathed clause` attending marital infidelity:
 
`Oops! You think I'm in love. That I'm sent from above. I'm not that innocent.`
 
 
 
 
 Because the red planet of Mars is associated with the name of the Roman war god, in her red suit Britney Spears represents the war that would occur between herself and her betrayers if they tried to break her fingernails, that is, the claws holding onto her contract `jewel` ring. Britney`s allusion to Heinlein`s novel Job: A Comedy Of Justice relates to the concept of the `world changes` that befall the couple, Margarethe and Alex, where `Justice` is the iceberg, that is, `just ice`, which hit the Titanic and caused it to sink:
 
`Give me a sign. Hit me baby one more time.`
 
 
 
 
  According to Revelation there are signs attending the apocalyptic events that will change the world. Britney`s lyric for `... Baby One More Time` (1998) is intepretable as `Give Messiahn`, which means she wants a sign from God through the Messiah, Jesus Christ, about whether or not her ship is to sail on, and her projected marriage, which is conceived as Titanic, is to have justice or disaster because of the eyes in the djinn, that is, the ice in the drink of the injustice that sank the ship in a `world change` equivalent to those from Heinlein`s Job: A Comedy Of Justice in which Yahweh, the name for God in Judaism, is one amongst other gods, including Satan, who introduces himself as `Jerry` to Alex and Margaret, his `pearl of great price`, who is `the kingdom of God`:
 
`Please allow me to introduce myself. I'm a man of wealth and taste. I've been around for a long, long year;  stole many a man`s soul and faith. And I was round when Jesus Christ had his moment of doubt and pain;  made damn sure that Pilate washed his hands and sealed his fate. Pleased to meet you. Hope you guess my name.  But what's puzzling you is the nature of my game ...` 3
 
 
 
 
 Satan is `Iblis` in Arabia, who was a shaitan djinn that refused to `bow` before man, according to the Koran, which is the holy book of Islam, that is, the Moslem faith dictated by the angels to the prophet Mohammed six hundred and thirty years after Jesus` teachings of Redemption for `woman`s seed`, but unendurable eternal pain for the `serpent`s seed` of men`s `perpetual enmity` for the host wombs of women if they refuse to convert:
 
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
 
 
 
 
 Homosexuality is depicted in Revelation as the `blood plague` of HIV/AIDS and a concomitant of men`s worship of the god of war in pederasty`s enslavement of women`s host wombs to devour her civilization, culture and art despite her efforts to avoid men`s parasitical depredations upon her human species. The foundations of Western civilization were in ancient Greece where men enslaved women to further their god of pederasty and war. Against Troy the homosexual Greeks employed the device of the huge hollow wooden horse as a  `friendship gift` from within which they emerged to enslave the host wombs of the city and spread their contagion further.
 
 
 
 
 By the 21st century the `Trojan horse` virus had become the paradigm for resistance to technological progress, and terrorist visitors to the USA on 9/11 2001 denied the gift of friendship to hijack civil airliners and crash them into the World Trade Centre to precipitate another round of `rough trade`, that is, the homosexual brutality and violence associated with pederasty`s war against technological progress for the human species through the development of the contents of woman`s host wombs, which Iblis` `biological weapon` was attempting to deny her by enforcing faithfulness to the enslaver`s tool of monogamy through fear of death by sex.
 
 
 
 
 Jesus Christ`s birth uncontaminated by male semen from his mother, the Virgin Mary, prefigured the `futanarian` woman with her own penis` `seed` as the future of humanity. In the Bible Solomon the wise was asked by two women to judge which of them should have the child both claimed was theirs. Solomon offered to cut the babe in two and give half to each, but one woman said she`d rather give the infant to the other woman than see it die, so Solmon gave her the baby. If the child had been `futanarian`, that is, the baby of the women`s own penis` `seed`, there`d have been no offer from Solomon of the sword in judgement, because that infant, like Jesus Christ, is the future of the human species of `woman`s seed`, rather than an enslaved host womb for the improved development of men`s devourings of her and her child:
 
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 16. 11)
 
 
 The flag of the terrorist group Al Qaeda was the yellow moon, and the `woman clothed with the sun and with the moon at her feet` gives birth to Jesus Christ in his `Second Coming`, while the `red dragon` waits in vain to devour him who will `rule the nations with an iron scepter.` (Rev: 2. 27). The red flag of Japan may be understood as the sun `Liberty` is clothed with after her victories over the cowardly attack upon her Pacific fleet at her birth waters in Pearl harbor when, at Hawaii on 7 December 1941, the Japanese Empire of the sun`s mitsubishi suicide `zero` fighter `kamikaze` pilots crashed their planes into the decks of the becalmed US carrier fleet without warning in an attempt to suicide the USA in World War II (1939-45). In her birth waters of New York harbor after the executions of Al Qaeda`s leader and main supporter, Saudi Arabia`s Osama Ben Ladan, on May 2 2011 by US `Team Six` at his hideaway in Pakistan close by the walls of that nation`s Military Academy, `Liberty` prepared to birth herself and her child `clothed` also with the yellow moon of the flag of Al Qaeda after the Gulf war (2000-11) to defeat dictator, Saddam Hussein, who had offered Al Qaeda, that is, `the base`, bases for the spread of its contagion from his nation of Iraq:
 
`In the year of the new century and nine months, from the sky will come a great king of terror. The sky will burn at forty-five degrees. Fire approaches the great new city. In the city of [New] York there will be a great collapse, two twin brothers [, that is, the Twin Towers,] torn apart by chaos while the fortress falls the great leader will succumb [and a] third big war will begin when the big city is burning.`4
 
 
 
 
 The events of 9/11 were a `world change` from the perspective of Robert A. Heinlein`s Job: A Comedy Of Justice and fit not only with the apocalyptic Revelation but the predictions of the French seer Michel Nostradamus, which foretell World War III that began in 1990 when Christians and Moslems began `ethnic cleansing` within the breakaway states of Yugoslavia, formerly united under the governance of Soviet Russian Communism`s Marshal Tito before the withdrawal of the Soviet Union and its Red Army from Eastern Europe, where it had been since the defeat of Adolf Hitler`s genocidal pogroms against the `chosen people`, that is, the Jews, at the close of World War II in 1945. A Jew can only be born from a Jewess, which means that the German National Socialist `Nazi` Party that came to power in the 1930s was a woman killer. The `ethnic cleansings` in Yugosalvia were similarly manifestations of men`s concealing from women their true nature before killing her, and so `ethnocentricity` may be defined as woman`s enemy culturally disguised within civilized behaviour patterns embraced by `woman`s seed` but perceived as only painted on to prepare the scene for her predator:
 
`I was utterly confused. A stranger in a strange land, I was overcome by customs new and shocking. But through it all I clung to the conviction that I must appear to be sophisticated, at home, unsurprised.`  (Ch. 2)
 
 
 
 
 Britney Spears` `Oops I Did It Again` posits that the ice in the water waiting in vain to sink her Titanic ship is the `heart of the ocean` coveted by the eyes in the djinn, Iblis, who according to Islamic tradition has no power other than to whisper in the ears of his hearers. A `frozen margarita` is with ice, while Margrethe in Heinlein`s Job: A Comedy Of Justice was a hostess aboard a Danish cruise liner before the ship hit an iceberg in the South Seas and precipitated a `world change` attributed to the Norse god Loki, who is known for his `evil eye` in mythology, but Britney Spears` treatment of the theme in `Oops I Did It Again` suggests the eyes in the djinn, Iblis, and Loki`s freezing of Margrethe, after she`s begun a sexual relationship with Alex, are the theme of the gods, not because they want women but because they don`t:
 
`I, the Lord your God, am a jealous God.` (Ex: 20. 5)
 
 
 
 
 According to Revelation `woman`s seed` receives a `new heaven and Earth` from God, while the `serpent`s seed` have the punishment of perdition, so Margarethe is the `seed pearl` of God`s kingdom on Earth, and Jesus` birth uncontaminated by male semen is the breaker of the gods` theme of pederasty and `world change` through cataclysm, disaster and war. Because Christ`s `Mission` as the Messiah was to prepare women for self-reproduction, without conflict inspired by godlike parasites:
 
`You shall be as gods.` (Gen: 3. 5)
 
 
 
 
 The enslaving and devouring serpent, who tempted Eve with the `fruit of the tree of the knowledge of good and evil` in Eden, before Adam and Eve were expelled therefrom for disobedience by God, grew into the `red dragon` of Revelation waiting in vain to consume Jesus Christ in his `Second Coming` as the `New Redeemer` of `woman`s seed`, Margrethe, that is, the `pearl of great price`, which is the `kingdom of God`, according to her name and Alex`s belief in `wife worship`:
 
`I have what I want. I would not want to be a saint in Heaven if Margrethe was not with me; I wouldn't fear going to Hell if she was there - not that I believe in Hell or ever stood a chance of being a saint in Heaven.` (Ch.29)
 
 
 
 
 Male gods don`t have any power if you`re `woman`s seed`, because she doesn`t hear the whisperings of Iblis, but Loki`s `frozen margarita` of Job: A Comedy Of Justice, that is, Margrethe in the drink after the iceberg hits, implies Loki`s eye`s for the djinn, Iblis, though the shaitan can only whisper of drunken dissolution and Satan`s desire that `woman`s seed` be extinct in the darkness of unconsciousness and death:
 
`Boy you got me blinded.`
 
 
 
 
 Britney Spears` lyric from `... [Hit Me] Baby One More Time` suggests she`s aware of the `world change` phenomenon of Job: A Comedy Of Justice, which posits alternative time and parallel universes, while her allusion to the threat of the iceberg hitting her ship in `Oops I Did It Again` reinforces the theme of death as a means of attaining heaven, `... to lose all my senses; that is just so typically me baby ...` Appearing as `dual` in her red pilot`s suit, Britney hoists her spaceman to film above herself in a white bikini dress with the camera eye attached to his spacehelmet:
 
`When I'm not with you I lose my mind ... hit me baby one more time.`
 
 
 
 
 Although her penis isn`t visible beneath her white bikini dress, Britney Spears` contract `dual` partner to herself in a red pilot`s suit is implicitly `futanarian` woman with her own female semen. That baby would need her to keep her senses and not lose her mind in suicidal fantasies of self-sacrifice so it wouldn`t be hit by her `Russian roulette` game of accessing alternate parallel universes in space and time by inviting `hits`, which for `Stronger` is an issue resolved:
 
`Stronger than yesterday. Now it’s nothing but my way. My loneliness ain’t killing me no more. I’m stronger.`
 
 
 
 
 After her first hit, `[Hit Me] Baby One More Time,` Britney Spears` `frozen margarita` was herself in a white bikini dress appearing as if upon a cocktail`s parasol for `Oops I Did It Again`, because she`s Margrethe, the `pearl of great price` from Heinlein`s Job: A Comedy Of Justice and the giant`s mouth of the ocean of space also contains the tooth of the ogre waiting to devour her spaceman`s `kingdom of God`. By `Stronger` Britney`s jaw`d taken enough hits to accept Jesus` teachings of `just ice` for the bruises surrounding the `pearls` of her mouth:
 
`... do not throw your pearls before pigs, lest they trample them underfoot and turn to attack you.` (Matt: 7. 6)
 
 
 
 
 Britney Spears in the red `Poddy` suit from Heinlein`s novel Podkayne Of Mars, and in the white bikini dress of `Star` Pod atop the parasol umbrella as `frozen margarita`, that is, Margrethe, the `pearl of great price`, which is `the kingdom of God`, represent `port and starboard`, where Pod and `Star` Pod are `port wine` and whatever `star` fare is on the ship`s board when the meal`s prepared.
 
 
 
 
 Jesus` giving of `bread and wine` to his disciples at the `Last Supper`, before his crucifixion, death, Resurrection and Ascension to heaven, was in token of his `body and blood` and represents his desire not to be given over by the traitor Judas Iscariot to be tortured and murdered because he`d thought himself amongst friends.
 
 
 
 
 As the `host` at table, Christ represents his mother, the Virgin Mary, from whose `host` womb he received nurture, whereas his crucifiers were the ogres that would drink the blood of Britney`s `Pod` in her red suit, that is, at the port wine side, and at board they`d eat the flesh of Britney`s `star` Pod in her white bikini dress, that is, at the starboard side, in rites not cannibalistic but parasitical, because the true human species is `futanarian` woman with her own penis` `seed` and host womb.
 
 
 
 
 `Oops I Did It Again` is about being `at the left and right` in the sense of functionally capable, so Britney Spears` spaceman from Heinlein`s Have Space Suit Will Travel represents the petitioning astronaut outside the ship asking Pod and her twin, `Star` Pod, that is, port and starboard, to drink port and eat `star` board with them. In her red port side suit and dressed in her white bikini for `star` board, Britney Spears` Pod and `Star` Pod are there to remind the spaceman he`s a `reincarnation`, because he has no memory of the ship and is possessed by the demons of `Mission Control`, who are using the `reconditioned spacesuit`, which is how the boy Kip describes his purchase in Heinlein`s Have Space Suit Will Travel, to retrace his steps and `cheat` their way into a previous relationship held dear. The reincarnated astronaut, in his `reconditioned` Apollo 11 spacesuit, finds a miniature painting of her upon a stone shaped like a `cookie` that is, a biscuit, and it is as if it were an internet website`s `cookie` - `Open Sesame!` -  the discovery causes a Mars` `quake` while the huge set of `Oops I Did It Again` emerges from beneath the waterless sandy terrain; much to the enthusaistic delight of the demons:
 
`Cute. What is it?`
 
 
 
 
 In the Heinlein juvenile Have Space Suit Will Travel the boy Kip and an `alien`, `the Mother Thing`, who befriends him, together face an `intergalactic court` deciding the fate of humanity that defers its decision to deprive Earth of its `star`, based on Kip`s evaluation of the value of `human love`. `Oops I Did It Again` posits Heinlein`s `star` Poddy as valuable because loved. In placing a hook in the spacesuit to lift it so the spaceman can see her `Poddy` Britney is answering God`s question to Job:
 
`Can you pull in leviathan with a hook?`
 
 
 
 
 The `hook` is definable as the refrain from a song and `Oops! ... I did it again` is the phrase geared to remind the astronaut of what had happened previously in his various reincarnations before he arrived possessed by the demons inhibiting his retraced steps in the `reconditioned spacesuit` on the red planet of Mars until they`ve forced an entry to the ship by tracking him along his former lives` path. Britney Spears` duetting crew can remind her spaceman and so he`s `leviathan` in terms of the video single`s message of Resurrection and Ascension to heaven for him who`s remembered her with love, which is necessary if the Earth is to be redeemed from being deprived of its `star`, according to the plot of Heinlein`s Have Space Suit Will Travel, where human love is depicted as the means to their Salvation:
 
`All right, take away our star. You will if you can and I guess you can. Go ahead! We'll make a star!`
 
 
 
 
 For the intergalactic court the question would be, why? If love is Salvation for the human species, what does a beligerent refusal to die have to do with that? Most science fiction critics would argue that the will to survive as a species is admirably presented by Heinlein in Have Space Suit Will Travel, but not if the species is enslaved for food by the parasite, which wants to live in order to consume the guesting host. In her red pilot`s suit in `Oops I Did It Again` Britney Spears is birthing a new `star` as herself in a white bikini dress, beneath the eye of her spaceman`s camera. Because `futanarian` love for herself as the human species of woman with her own penis` `seed` is the newborn `star` that can save the ship of the Earth and be at the left and right, that is, port and starboard, where aboard the woman`s ship of the Earth she has her portholes and boards beneath her day star, but she has the foot of a woman, who may not be a man, and though her steps are smaller than Neil Armstrong`s, it`s a greater leap forward for humanity.
 
 
 
 
 At the beginning of the 21st century, the enslaving and devouring parasites of the food patrol were still assuring themselves that the foot of the woman wouldn`t ever get off the floor so her productive host womb would remain as a consumed durable, that is, civilization, culture and art would continue to be devoured by her enslaver in what God warns Eve in Eden will be the `perpetual enmity` of the `serpent`s seed` for `woman`s seed` in its wars of pederasty against her before she `will crush the head of the serpent with her foot as she leaves` (Rev: 3. 15) for the `new heaven and Earth` promised by God. However, it`s been the role of the censor in Hollywood, Babylon, to conceal the fact of the woman`s penis from cinema audiences, by making the penis so taboo even the innocuously sexless bedroom scenes of the 1950s and 1960s required the `futanarian` biune human species of woman with her own penis` `seed` to keep her foot on the floor. 9/11 was made into the movie World Trade Centre (2006) and it was the terrorist attack on the Twin Towers that precipitated the Gulf war (2001-11) with Iraq`s dictator Saddam Hussein, where the ancient capital was Babylon, which means Hollywood, Babylon was so called because, like Saddam Hussein, it wanted to keep the woman`s penis on the floor to produce more whore and war, while her foot waits table:
 
 
`I am the way and the truth and the life.` (John: 14. 6)
 
 
1 July 20 UTC.
 
2 Heinlein, Robert A. Job: A Comedy Of Justice, Ballantine Books, 1984, Ch. 29.
 
3 `Sympathy For The Devil` by The Rolling Stones from the album Beggar`s Banquet, 1968.
 
4 Nostradamus, Michel Les Propheties, 1555, Century 72, Quatrain 10, https://christiananswers.net/q-comfort/nostradamus.html .
 
5 Heinlein, Robert A. Have Space Suit - Will Travel, 1958.
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