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Star Trek Universe City

24/09/2016 10:50

Star Trek Universe City

 

Starfleet Academy is tangential to the main storyline of the Star Trek television and movie franchise that features mainly the adventures of the Starship, Enterprise, in its five year missions: `To boldly go where no one has gone before.` Despite the success of Deep Space Nine (1993-99), a `TV` series about a Star Base, with actor Avery Brooks as Captain Benjamin Sisko, rather than a starship, like Voyager, with actress Kate Mulgrew as Captain Kathryn Janeway, and which complemented the Enterprise crew`s visits to the planets amongst the stars in the series, Star Trek: Voyager (1995-2001), the continuing adventures of the starship, Enterprise, in Star Trek: The Original Series (1966-68) , Star Trek: The Next Generation (1987-94) and Enterprise (2001-05), was an indication of the edutainment facility afforded by the deck with its commanding officer, who effectively had the role of university principle for crew and audience.

 

 

 It`s a linguistic curiosity that the cities of the universe amongst the planets and stars are the places where the crew and viewer are invited to conduct research and study the variegated civilizations, culture and art of the life they encounter as a universe city in the shape of a starship voyaging through the cosmos for that very purpose. The planets that the Enterprise and its crew visit correspond to the university of the starship insofar as the universes` cities bear the signs of the riches of the education available to the traveler in places that haven`t been seen before, and the exaggerated care imposed upon the journeyers by the `Prime Directive` of Starfleet is indicative of the politesse that all travelers need to have in places where they`re visitors and guests, if they aren`t to be perceived as invaders and terrorists, which they`d be if they weren`t polite. Consequently, the role of the captain aboard the starship is important. In the original series (TOS), Star Trek, actor William Shatner was in the role of Captain James T. Kirk, who was replaced by actor, Patrick Stewart, as Captain Jean Luc Picard for the revamped `TV` series, Star Trek: The Next Generation, and Stewart also took over the principal role in the movies.

 

 

 After Shatner and his crew`s making of Star Trek: The Movie (1979), and its successors, The Wrath Of Khan (1982), The Search for Spock (1984), The Voyage Home (1986), The Final Frontier (1989), and The Undiscovered Country (1991), Stewart`s Picard again took over Shatner`s role as captain of the starship, Enterprise, in Star Trek Generations (1994), First Contact (1996), Insurrection (1998), and Nemesis (2002). The role of the captain, as principal amongst the crew and the audience in the universe city, that is, within a starship like the Enterprise journeying amongst the planets between the stars, is to provide discipline for the students engaged in the research: `As the right of each sentient species to live in accordance with its normal cultural evolution is considered sacred, no Star Fleet personnel may interfere with the normal and healthy development of alien life and culture. Such interference includes introducing superior knowledge, strength, or technology to a world whose society is incapable of handling such advantages wisely. Star Fleet personnel may not violate this Prime Directive, even to save their lives and/or their ship, unless they are acting to right an earlier violation or an accidental contamination of said culture. This directive takes precedence over any and all other considerations, and carries with it the highest moral obligation.`1 Although the threat of alien intelligence is presented as a theme for Starfleet to deal with throughout the Star Trek cosmos, it`s a metaphor for evil, that is, any form of intelligence is a threat to slavery, which is why intelligence is defined as alien by science fiction writers engaged in propaganda.

 

 

 Though the threat of alien invasion is postulated as a metaphor for the danger posed by men`s nation`s armies, that postulate is extended to war against intelligence per se, that is, intelligence is presented as alien, and a threat to be extinguished by men, who`re known for invading other nations as aliens, whereas intelligence is almost uniformly characterized by a desire to live peacefully. Consequently, irrespective of men`s extrapolations about the future, their history is of enslaving the people of the Earth, through whatever invasive means is available to them, as a prelude to their extinguishing of the intelligence that the local humans would need to liberate themselves. Perceptions of alien intelligence follow men`s behavioral pattern, which is slavery and extinction of intelligence, that is, intelligence is perceived as alien to freedom. Or, in other words, intelligence is perceived as a threat to slavery, and so is presented as alien in its many extrapolated forms; for example, in Star Trek there are the warlike Klingons, and the cyborg Borg, a race that cannibalize other humanoids for body parts, and who`re amongst the aliens depicted as intelligent and dangerous. In simple terms, intelligence is depicted as dangerously threatening to freedom, or is represented as a form of slavery. Not because it is, but because that`s how it`s depicted; a self-perpetuating prophesy of men`s doom. The philosopher, George Santayana, wrote in his The Life Of Reason (1905): `Those who cannot remember the past are condemned to repeat it.`2 Or, more simply, those who repeat the mistakes of the past, through the medium of `TV` and cinema, are dooming the future by programing it to repeat the mistakes of the past. The simplest mistake is to kill intelligence, because the propaganda is that intelligence is alien, whereas it`s a threat to slavery, and so in the interests of the slaver to be perceived as alien and killed.

 

 

 Newer specially generated effects provoked interest in how the earlier Star Trek would have looked with the SFX available to 21st century filmmakers, and so the `reboot` television series, Enterprise, with Captain Jonathan Archer, that is, actor, Scott Bakula, in the role, was made. In terms of the fictional timeline, Bakula is Captain of the Enterprise, but only 90 years after the invention of the warp drive by Zefram Cochrane, and so he is Kirk`s predecessor. The Enterprise `TV` series` `reboot` provoked interest in how the 1960s Star Trek would have been with upgraded SFX, so actor Chris Pine, as a more youthful Kirk, took on the role in Star Trek (2009), Star Trek Into Darkness (2013), and Star Trek Beyond (2016), a nostalgic series of filmed prequels appealing to audiences still enthusing over the earliest storylines, but with the less enthusing SFX upgraded to meet the expectations of early 21st century cinema-goers. Because film theater movies are narrowed to suit a more general public taste, whereas science fiction `TV` shows are tailored for a particular audience, it ought to be possible to trace the theme of intelligence as an alien threat to slavery through an analysis of the cinema releases. Star Trek: The Movie features a cloud approaching Earth. A Starfleet monitoring station detects that it contains an entity. The entity destroys three of the Klingon Empire`s new K`tinga class warships - and the station. The Enterprise is sent to investigate and a probe is sent by the entity, `V`Ger` within the cloud, which appears on the bridge. The probe abducts Indian actress, Persis Khambatta in the role of navigator, Ilia, and she`s replaced by an aspect of V`Ger, which is the living ship inside the cloud. V`Ger is discovered to be Voyager 6, an Earth probe found by a race of living machines who interpreted its programing as being to learn everything and then return to Earth. The probe learned so much on its voyage that it awoke as a living consciousness. Willard Decker, who`d had a relationship with Ilia, the navigator, merges with the V`ger entity through Ilia, and the pair disappear into another dimension. V`Ger is depicted as a forgivably childlike alien intelligence, but it destroys the Starfleet monitoring station, which means that alien intelligence is presented as a threat without any sign that anything other than intelligence is seen as being a danger to the Earth in reality, that is, intelligence is represented as dangerous.

 

 

 Star Trek: The Wrath Of Khan features actor, Ricardo Montalbán, reprising his role of Khan from the 1967 Star Trek: TOS episode, `Space Seed`, a superhuman with a superhuman crew who, exiled to Ceti Alpha V by Kirk, when he and his crew had attempted to take over the Enterprise, is there when the starship, Reliant, is looking for a planet to test the terraforming device, Genesis, and Khan captures an `away team` teleported down to the surface. A product of a eugenics program on 20th century Earth to breed the perfect human, Khan and his fellow superhumans had become warlords during the fictional, `Eugenics Wars` (1992-6), conquering a third of the planet. Consequently, superintelligence is again depicted as a threat to the Earth. Using creatures that enter the ears and control the mind, Khan uses the starship Reliant`s away team to capture it, then attacks the Enterprise sent to investigate. Khan attempts to use the Genesis device inside the Mutara Nebula to transform it, along with the Enterprise, into a new planet. Although the nebula is transformed, the Enterprise`s Vulcan science officer, Spock, loses his life exposing himself to harmful radiation while repairing the starship`s warp drive so that the Enterprise can escape. As a Vulcan, Spock is trained in emotionless intelligence and self-sacrifice, that is, his alien intelligence is depicted as extinguishing his own life for the collective. In other words, intelligence is extinguishable if it doesn`t serve the needs of the collective, because intelligence that doesn`t further the group is presented as threatening. In other words, the group mind is presented as superior to intelligence, which is an adjunct to the life of the collective, but it can be dispensed with as long as the collective persists.

 

 

 Star Trek: The Search For Spock, finds Kirk`s son, David Marcus, a key scientist in the development of the Genesis device, aboard the science vessel, Grissom, along with Saavik, a Vulcan crew member of the Enterprise during the encounter with Khan, who`s been reassigned. Her people are Romulans, who`d been at war with the Earth`s Federation of planets a century before the 1966 Star Trek: TOS episode, `Balance Of Terror`, in which Romulans are seen for the first time to resemble Vulcans. In `Balance Of Terror`, the Enterprise is sent to inspect outposts near the `Romulan Neutral Zone` and discovers that they`re being destroyed. Outpost 4 is under attack and its commander, Hansen, transmits pictures of a Romulan Bird Of Prey uncloaking to use a single plasma torpedo to destroy the outpost. Spock`s theory is that the Romulans are isolated Vulcans still practicing war, whereas the Vulcans` embracing of logic allowed them to become a part of the Federation. Savvik is depicted as being a descendant of the Romulan Vulcans. She and Marcus descend to the Genesis planet and find that Spock`s there resurrected as a child, but without his memory. Kruge, a ship`s commander of the Klingon Empire, believing the Genesis device to be useful as a weapon, destroys the Grissom and takes hostage Marcus, Saavik, and Spock. Kirk learns that Spock transmitted his katra spirit to `Bones` McCoy, the ship`s doctor, before he died, and finds he has to steal the Enterprise from Spacedock to make a rescue attempt. An undermanned Enterprise is disabled by Kruge in an engagement, which is a homosexual metaphor commonly applied to male conflict, whereas it`s humanly used in the context of a relationship about to become marital.

 

 

 As a martial term `engagement` derives from ancient Greece, where the host womb enslavement of women was institutionalized for the spread of homosexuality in pederasty and war symbolized by the Klingon Empire, which clings on to war, because that`s the basis of homosexuals` enslaving. As with the former Miss India, Persis Khambatta, in Star Trek: The Movie, the viewing audience`s focus is Saavik, acted by Kirstie Alley in Star Trek: The Wrath Of Khan, although Robin Curtis took over the role for Star Trek: The Search For Spock, and Star Trek: The Voyage Home. Consequently, although Kirk`s saving of Spock is lauded, the aim is for the homosexuals to divorce the viewer from women, which is why V`Ger disappears into another dimension. Because futanarian women can sexually reproduce as `woman`s seed` with women, it`s human sexuality that`s being played with. Decker`s disappearing with V`Ger mocks human futanarian `woman`s seed` and the derision is biblical: `Love your neighbor as you love yourself.` (Mk: 12. 31) Jesus` teaching resulted in his being accused of dissidency against the Roman Empire then occupying Palestine, and he was taken to the hill of Calvary outside Jerusalem, where he was nailed to a cross of wood, and died before experiencing Resurrection and Ascension to heaven, which was a prefiguration of that of `woman`s seed` through her own brains` powers for colonizing the planets amongst the stars of heaven above the Earth. In Christian iconography, Jesus` mother is the Virgin Mary, because futanarian women are self-fertilizing as a species` survival trait, that is, Jesus wasn`t male brained for war as a desired activity, which is what men are male brained for by homosexuals.

 

 

 In an attempt to take the upper hand in the stand off between the two ships, Kruge orders the execution of one of the hostages on the surface of the Genesis planet, and Kirk`s son, David Marcus, is killed defending Saavik and Spock. Kirk self-destructs the Enterprise killing a Klingon boarding party while he and his crew teleport to the surface of the Genesis planet. Kruge agrees to teleport Kirk`s crew to his ship if Kirk gives him the secret of the Genesis device. Kirk and Kruge engage in unarmed combat on the surface of the Genesis planet and Kruge is dispatched by Kirk`s kicking him off a cliff into the lava flow of a volcano. The Enterprise crew take over the Klingon ship, and leave with Kirk for Vulcan, where Spock`s katra is reunited with him and his memory returns. The pastiche is Edenic insofar as it`s permanent memory in immortality that Eve and Adam, the first man and woman, lose when they accept the `fruit of the tree of the knowledge of good and evil`, which it is death to taste, from Satan, who was the angel turned into a serpent by God for rejecting the plan that the human host would be greater than the angelic: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) Jesus` disciple John`s prophecy is of the serpent grown into the dragon of war, because human futanarian nature isn`t able to sexually reproduce brainpower to escape slavery in memoryless ephemerality, although God tells Eve in the book of Genesis: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) As her species escapes her slavers, Eve`s futanarian brainpower will give her the planets amongst the stars, which is why Jesus` mother, the Virgin Mary, is depicted as crushing the head of the serpent, Satan, with her foot in Christian iconography lest male brained men become the dragon of war that kill her upon the Earth to prevent her colonization of the cosmos.

 

 

 If it`s the plan of the `serpent`s seed` to kill women`s human futanarian race before it can learn to walk, then it`s necessary to present intelligent women as brainless, and if possible to remove their brainpower, which is what the penisless babes of the pornographic movie industry signify for the human futanarian race prevented from running and escaping its enslavers. In simple terms, women who`re presented as aliens, like V`Ger and Saavik, are intelligent forms that the homosexuals don`t want because it interferes with their program for human extinction. Or, to put it another way, homosexuality is the virus that kills humans. Consequently, although relationships between men and women are carefully presented by the movies as intelligently human, homosexuals don`t want women`s species of futanarian humanity, which represents a basic human defense system based on species` interconnectivity lacking in `gay` people. Although men are taught that they`re the essence of the human connection, the absence of `woman`s seed` reveals the truth, which is that, since at least the time of Jesus` Romans, men and women have been manufactured as a single male brained creature wearing each others` clothes in `TV` transvestism for the entertainment of their alien enslaver. In parasitology, the parasite that emerges from the host to kill it is termed `parasitoid`, which is what men do. Consequently, human futanarian `woman`s seed` represents the connectivity that is missing from the species and that homosexuality seeks to rid itself of in order to continue with its extermination of the race: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) By the late 20th century men`s rejection of women had resulted in the spread of the `incurable killer disease, HIV/AIDS, through men`s mixing of blood, shit and semen in each others` anuses. Acting as homosexuality`s `biological weapon`, HIV/AIDS, kept the human species of futanarian women in fearful faithfulness to their ring slavers, because that`s what homosexuals are for. Consequently, homosexuality is a manifestation of an alien parasitoid intelligence that masks its takeover of the human race by assuring men that they`re redeemed humans, whereas it`s the women that are the `remnant` of futanarian humanity, while the men are the `other half` of the alien parasitoid devourer`s `TV` manufacturing so that the homosexual can watch the species die in its wars.

 

 

 In Star Trek: The Voyage Home it`s 2286 and a large cylindrical object enters Earth`s orbit where it disables the global power generators and generates storms to block out the sun`s life-giving energies. Perceiving that the object seeks the extinction of all life on Earth Starfleet Command sends out a planetary distress call. Spock identifies the sound emitted by the object as akin to that of extinct humpback whales and Kirk agrees to perform a `sling-shot` manoeuver around the sun that will take the Romulan Bird Of Prey back in time to bring whales to communicate with the object. When the whales are released into San Francisco Bay, California, they respond to the object`s signal and the global power network is restored. As the storms dissipate, the sun`s life-giving energies are felt again by the Earth as the object leaves. It`s a movie that warns against not caring for the ecosystem of the Earth, which guarantees the continuation of human life. In simple terms, the whales are intelligences that are unknown, and the alien object indicates that whales` intelligence might be of more value than humans`. Because homosexuals are `humpback`, that is, anal entry is the mode for non-reproductive sexual gratification, and `subdom` activities based on who`s subjugated and who`s dominated, the whales` intelligence is depicted as that of the destructive alien object. In other words, the whales are extinct, because they`re intelligent aliens, which is what homosexuality is for, because it`s parasitoid, that is, it`s for the death of intelligence. Or, to put it another way, the `humpback` whales represent homosexuality, and its object is to continue slaving the Earth, rather than save it, which is why the humpback whales` intelligence is depicted as superior to humans`.

 

 

 Demoted to the rank of Captain of the Enterprise as a `punishment` for his stealing of it to rescue Spock, in Star Trek: The Final Frontier Kirk and the crew are sent to rescue hostages on the planet Nimbus III. They encounter Sybok, Spock`s half-brother, who has lured the Enterprise to Nimbus III because he wants to be taken to the mythical planet of Sha Ka Ree where creation is supposed to have begun. The lone blue planet is discovered to lie behind a supposedly impenetrable barrier at the center of the galaxy which the Enterprise successfully breaches. The entity there asks for the Enterprise to be brought closer and Kirk wants to know: `What does God need with a starship?`3 In attacking Kirk it`s apparent that the entity is a representation of what the ancients knew as `gods`, that is, those who inflicted harm on people for pleasure, which is what `subdom` homosexual culture does. Realizing his error Sybok dies attempting to fight the creature. The Klingon, Klaa, who`s been following the Enterprise in his ship, uses its weapons to kill the creature. Although Klaa was pursuing the Enterprise in the hope of a glorious engagement, his killing of a god on Sha Ka Ree is suggestive of divine providence, that is, intelligence is evil and is to be killed for masquerading as God. Or, in other words, killing is more intelligent than God, which of course it isn`t, but that`s the parasitoid pogromer`s programing of human nature; to believe that intelligence is evil and must be killed: to prevent the real evil from being recognized.

 

 

 In Star Trek: The Undiscovered Country the starship Excelsior is affected when a Klingon moon explodes destroying the ozone layer of the Klingon home world and the Klingons who`d been at war with the Federation sue for peace. When the Enterprise is sent to escort Klingon`s Chancellor Gorkon to Earth for negotiations, Kirk and Doctor McCoy are accused of attempting to assassinate Gorkon after the Enterprise appears to have launched photon torpedoes at the Klingon ship. Then figures wearing Starfleet uniforms appeared to have beamed aboard to grievously wound the Chancellor. Kirk and McCoy are sentenced to life imprisonment on a frozen asteroid, Rura Penthe, while Gorkon`s daughter, Azetbur, resumes negotiations as Chancellor. On Rura Penthe, Kirk and McCoy are befriended by Martia, a shapeshifter, who says she`ll help them escape, but it`s a ruse to make it look as if Kirk and McCoy were killed while escaping. Spock teleports Kirk and McCoy to the Enterprise. It was a cloaked Romulan Bird Of Prey that fired the torpedoes as part of a conspiracy amongst Romulan, Klingon and Federation officers to prevent `the undiscovered country`, that is, peace, from being realized. Spock`s Vulcan Valeris, is the key conspirator. Unaware of the identity of the traitor, Kirk and Spock succeed in fooling the hidden accomplice of Yeomen, Burke and Samno, who were the assassins of Gorkon, and who were subsequently killed by their accomplice to ensure secrecy. Believing that Burke and Samno yet remain alive, the accomplice arrives in sickbay to complete their murder, but actress Kim Cattrall, in the role of the accomplice is trapped. She`s revealed as Spock`s Vulcan protégé, Valeris. Gorkon`s Chief of Staff, General Chang, is aboard the Romulan Bird Of Prey as the Enterprise heads towards Camp Khitomer, where the peace conference is scheduled. The Enterprise and the Excelsior destroy the Bird Of Prey and personnel beam down to Camp Khitomer to thwart an attempt to assassinate the Federation President where, afterwards, talks continue.

 

 

 There are so many alien intelligences within the plot of Star Trek: The Undiscovered Country that it`s difficult to discern where the evil alien resides. Of course it`s simpler if the storyline is understood as an extrapolation of what men do. Then it`s the sexually desirable Kim Cattrall who`s identified as their betrayer, which is symbolic of the latent sexual desire of the penisless babe in the audience, whose genetically thwarted futanarian inheritance tells her that she wants women, rather than men`s `camp` discussions. Kim is vilified in the character of Valeris, because the desirability of the actress, who starred as being amongst some notoriously sexually independent women characterized by the cast of the television series, Sex In The City (1998-2004), is representative of her own species` desire to practice their mode of human futanarian sexual intercourse, which is productive of the race of women`s brain power for liberating themselves from host womb slavery to a parasitoid monster seeking to devour her race. In other words, the depiction of intelligent aliens in science fiction is an excuse to label women as evil aliens, that is, intelligence is evil, because women are aliens who want to escape from their `camp` guards, who need a host womb to emerge from in order to continue their homosexual pogroms against human futanarian `woman`s seed`.

 

 

 Star Trek: The Undiscovered Country concludes with Kirk`s decision not to go on, and Star Trek: Generations sees actor, Patrick Stewart, as Enterprise Captain, Jean Luc Picard, from the television series, Star Trek: The Next Generation, assuming the principal`s role. The plot is of a place called Nexus, an extra-dimensional realm where time has no meaning and anyone can experience whatever they desire. Answering a distress call from an observatory orbiting the star, Amargosa, the Enterprise pick up an El-Aurian, Dr Tolian Soran, who subsequently attacks engineer, Geordi La Forge, and launches a trilithium solar probe at Amargosa, which causes the star to implode. The observatory is destroyed by the shock wave but La Forge and Soran are rescued by a Klingon Bird Of Prey belonging to the Klingon sisters, Lursa and B`Etor, who have agreed to help Soran in exchange for plans for a trilithium weapon. Picard and the superintelligence of the android, Data, determine that Soran, unable to fly a ship into the Nexus, because of uncertainty that the ship will survive, is altering the path through by destroying stars, and that he will attempt to enter the Nexus at the planet of Veridian III after first destroying the planetary system`s star, and a heavily populated planet. The El-Aurian`s homeworld was destroyed by the Borg in the 23rd century and they`re akin to the peoples of Earth, for example, Afro-Americans and Jews, who represent the diaspora concept of those looking for a place to live and being persecuted for wanting somewhere of their own.

 

 

 Captain Picard changes places with La Forge on the Klingon sisters` ship; ostensibly so that he and Soran can speak together: but La Forge`s brains have been picked by the Klingon sisters who use his knowledge to lower the defensive shields of the Enterprise and inflict heavy damage. The Enterprise destroys the Klingon Bird Of Prey, but actor Jonathan Frakes, in the role of commander Willian Riker, orders an evacuation in which the saucer section of the starship detaches and crash lands on Veridian III. Soran launches his trilithium missile and, subsequently inside the Nexus, Picard meets Shatner`s Kirk, who was presumably trapped there when the Enterprise was pressed to save refugee El-Aurian ships in 2293, according to the film`s opening sequence, although he was presumed dead. Kirk is asked by Picard to help him defeat Soran. The two leave the Nexus and arrange for Soran to be killed by his own missile`s detonation at the launch point. Kirk is mortally wounded and dies. The ambiguity suggests that all of the action subsequent to Soran`s missile launch to destroy the star of the Veridian III system is wish fulfilment occurring inside the Nexus, which the protagonists will never escape. Kirk dies because Picard wants him to, and so does Soran, which is how men live with their parasitoid evil nature. Consequently, the Nexus isn`t a `Promised Land`, which is the place God told the Jews they`d have if they left slavery in Egypt and crossed the Red Sea with the chariots of the Egyptians drowning in their wake as a demonstration of God`s power to deliver. It`s rather a place for men who`ve already `necked` women, that is, they`ve chopped off their heads, because a human futanarian species of `woman`s seed` without the capacity to sexually reproduce her own brains` powers is headless, and so men`s `Nexus` means just that for women: necks us.

 

 

  In Star Trek: First Contact the Borg are attacking a beleaguered Earth defended by Starfleet. Picard hearing Borg communications in his mind, perhaps because he was once taken over by the Borg in `The Best Of Both Worlds` episode of the Star Trek: TNG television series, Picard directs the Enterprise`s weaponry at a seemingly innocuous part of the cuboid Borg ship and destroys it. However, it`s able to launch a smaller spherical Borg ship towards Earth, which generates a temporal vortex. As the Enterprise is enveloped in the vortex they glimpse an Earth entirely populated by Borg. Realizing that the Borg are attempting to change Earth`s history, Picard orders the Enterprise to follow the Borg. The Enterprise arrives in the past on April 4, 2063, the day before humanity`s historic first contact with extraterrestrial intelligence following Zefram Cochrane`s successful test of his invention, the warp drive, which allows the starships of Starfleet to travel across the cosmos at fantastic speeds; arriving before they left, etc. Lily Sloane, Zefram Cochrane`s assistant, is attacked by the Borg sphere, and is admitted to the Enterprise`s sickbay with radiation sickness by actress Gates McFadden in her role as Dr Beverley Crusher. La Forge begins work on repairing Cochrane`s warp ship, Phoenix, damaged by the Borg ship, before it was destroyed by the Enterprise. Borg survivors begin to appear aboard the Enterprise assimilating members of the crew and modifying the starship to use in a Borg conquest of the Earth. Lieutenant Worf, a Klingon officer with Starfleet and a member of the Enterprise`s crew, argues that Picard should self-destruct the Enterprise, but Picard calls him a coward and vows to fight the Borg. Lily Sloane reminds Picard of Ahab in Herman Melville`s Moby Dick (1851) who fought the white whale until disaster overtook him aboard the Pequod whaling vessel. Picard relents and apologizes to Worf before implementing the self-destruct program. The Borg Queen, believing that she`s bribed Data into working with the Borg by giving him human skin and its sensations, is fooled when Data obeys her order to fire torpedoes, but he deliberately misses her target, Cochrane`s Phoenix. Data, deactivates the self-destruct and ruptures a conduit releasing a corrosive that fatally dissolves the Borg`s biological components. That evening Cochrane`s Phoenix`s warp flight takes place and Vulcans appear to meet Earth`s people in a first contact with extraterrestrial intelligence.

 

 

 The appearance of Vulcans is important, because they stopped short of destroying their planet by becoming emotionless logicians. Although emotionlessness is depicted as opposing natural fellowship amongst humans, Earth`s history of parasitoid warfare against `woman`s seed` suggests that Vulcan`s alien intelligence is superior, and although the Borg are depicted about their usual activities of assimilation, and the obtaining of bodies for replacement parts for those worn out, it`s an extrapolation more representative of 21st century medical science that can`t confer immortality, because ephemerality is necessary for human slavery in memoryless unconsciousness to continue. Star Trek: Insurrection features the immortal, Ba`ku people, who`re made so by `metaphasic particles` emanating from their planet`s rings. The Ba`ku are being secretly watched by the Son`a, who were Ba`ku but embraced technology and now prolong their lives, at the expense of disfigurement, through medical science, because the Ba`ku exiled them from the planet after an attempt at seizing power. Starfleet Admiral, Matthew Dougherty, is discovered to be plotting to relocate the Ba`ku to the holodeck of a starship; giving only the illusion of their remaining. The Son`a would then collect the rejuvenating radiation, but the planet would be poisoned in the process. Picard says that the plan violates the `Prime Directive` of non-interference and Dougherty renounces his support for the Son`a leader, Ahdar Ru`afo, who kills him. Picard is sent for execution by Ru`afo but convinces the Son`a Gallatin to assist a ruse in which Ru`afo and his crew are transported to the holoship while the machine harvesting the rejuvenating radiation is deactivated. Ru`afo detects the ruse and seeks to restart the harvester. Picard set the machine to self-destruct killing Ru`afo and escaping to the Enterprise. Gallatin`s Son`a are welcomed back amongst the Ba`ku people and Picard arranges an emotional meeting between Gallatin and his Ba`ku mother. Emotion is perceived as the essence of humanity, while immortality is desirable to facilitate intelligent action, and the absence of immortality is the reason for the success of the baser emotions; such as the subjugation and domination of ephemerals to maintain ignorance and slavery. Immortality means a memory for the intelligent individual to continue to apply what has been learned, which is liberating.

 

 

 The subject of Star Trek: Nemesis is slavery. On the planet Romulus, the Romulans are debating whether or not to accept the peace and alliance terms of the Reman rebel leader, Shinzon. The Reman are the Romulans` slave race. After rejecting the motion the Romulan Praetor and senate are disintegrated by a device left in the room. The Enterprise is sent to investigate an alleged coup by Shinzon, who has taken over the Romulan Empire to facilitate a free Remus while seeking an alliance with the Federation to guarantee its freedom. The `submyth` is that of Romulus and Remus, who were the founders of Rome raised by wolves, that is, the suggestion is that the Reman and Romulan people were raised by wolves, while Lieutenant Saavik was a Romulan Vulcan, that is, the Vulcans were also raised by wolves, which is a metaphor for instinct that has to be overcome. Consequently, Vulcans are emotionless and logical, whereas the Romulans have enslaved the Remans. Shinzon is revealed to be a clone of Picard`s created by the Romulans to infiltrate Starfleet, but the project was abandoned and Shinzon was left to die amongst the Reman slaves. Aboard Shinzon`s ship, Scimitar, low levels of thalaron radiation are detected of the same poisonous nature that killed the Romulan Praetor and senate. Shinzon plans to use the Scimitar to invade the Federation using its thalaron radiation generator as a weapon, with the eradication of all life on Earth being his first priority. He kidnaps Picard to facilitate a blood transfusion that will prolong the life of his dying clone body, but Data, who is taken by Shinzon too, because he thinks Data is his B-4 android, rescues Picard, and the two return to the Enterprise. Romulan Warbirds come to assist the Enterprise against the Scimitar, which destroys one and disables the other. After Picard uses the Enterprise to ram the Scimitar, Shinzon activates the thalaron weapon. Picard boards the Scimitar and kills Shinzon. Data uses a personal transporter to jump between the ships and teleports Picard back to the Enterprise before using his hand phaser to destroy the thalaron weapon, but he`s lost in the subsequent explosion. Picard learns that Data had transferred the engrams of his neural net to B-4 before he `died` and that B-4 will become like his friend in the fullness of time. The subject of artificial intelligence or `AI` is presented as self-sacrificial as is most usual, that is, Christ-like. However, Jesus Christ represented the dilemma for the intelligent man who men want to do what they tell him to. Before he was crucified in Jerusalem, Jesus was told he could avoid that fate by not going there, but he went because he didn`t want to be told what to do by men. Consequently, although his crucifixion is usually represented as a self-sacrifice, it`s a rejection of what men want, which is that the individual obey them. Jesus` Resurrection and Ascension to heaven above prefigures that of human futanarian `woman`s seed` through the sexual reproduction of her own brains` powers for liberation, and it`s disobedient. In short, Data is depicted as an obedient slave, because that`s what intelligence is for: self-sacrifice. Or, in simpler terms, human sacrifice.

 

 

 Star Trek, which is set in a time before James T. Kirk became Captain of the starship Enterprise, begins with the events surrounding the birth of Kirk in the aftermath of an engagement between the Kelvin and the Romulan, Narada. Its first officer, Ayel, wants the Kelvin`s Captain Robau to go aboard the Narada to negotiate. Narada`s commander, Nero, kills Robau after he`s unable to answer questions about an `Ambassador Spock`. George Kirk, the Kelvin`s first officer, rams the Narada, resulting in the loss of his own life, but after he`d evacuated the ship`s personnel; including his pregnant wife, Winona, who subsequently gave birth to James Tiberius, who later becomes a cadet at Starfleet Academy, where the cadets are mobilized after a distress signal from Vulcan, with the fleet out of range and unable to respond. Recognizing the similarity between the lightning storm at his birth and that which attended the Narada`s infamy, Kirk deduces a Romulan trap. Kirk is aboard Captain Pike`s Enterprise when it discovers the fleet destroyed and the Narada drilling into Vulcan`s core. After engaging with the Narada, before surrendering himself to its Captain, Nero, Pike delegates the captaincy of the Enterprise to Spock, and the position of first officer to Kirk. Nero launches `red matter` into the core of the planet, Vulcan, so creating a `black hole` which destroys the planet. Spock rescues his father, Sarek, but his mother, Amanda, a woman of Earth, dies, and her fate is illustrative because it was his half-human status and the perception of the Vulcan Science Academy that his mother was a `disadvantage` that persuaded Spock to join Starfleet instead. The element of racism and prejudice against women as aliens pervades the Star Trek cosmos because it`s endemic in men.

 

 

 The Narada`s Captain Nero tortures Pike on the way to Earth for its defense codes, and Spock maroons Kirk on Delta Vega after he argues that Nero should be pursued immediately rather than waiting for the fleet. There on Delta Vega Kirk finds an older Spock who explains that Nero and he are from 129 years in the future where Spock had used `red matter` in a failed attempt to swallow a supernova that destroyed Romulan Nero`s home world, Romulus. The Narada and Spock`s ship were caught by the black hole which sent them back into the past. There Nero destroyed Vulcan, and marooned Spock on Delta Vega to endure the torment of seeing his own home world destroyed. Consequently, in science fiction plot terms men destroy two worlds in the future where intelligences not their own were to be found, which is the promulgation of racism. At an outpost on Delta Vega they meet Montgomery Scott, who explains that he was marooned there for losing Admiral Archer`s dog, a beagle, during an experiment in `transwarp beaming`. With Spock`s help Kirk and Scott teleport aboard the Enterprise where the older Spock advises Kirk to provoke the younger Spock and make him emotional enough to realize he`d lost command of his emotions. The ruse works and Spock relinquishes command to Kirk, who teleports aboard the Narada with Scott to rescue Pike, while the younger Spock uses the older Spock`s ship to destroy the Narada`s drill. The older Spock engineers a collision between his ship and the Narada, which ignites the `red matter`, while Kirk, Pike and Spock teleport back aboard the Enterprise where Kirk offers to help Nero escape the subsequently created `black hole`, but Nero rejects his offer and the Enterprise uses its weapons to doom the Narada to be consumed therein. The older Spock`s advice to his younger self is to persevere in doing what is right, rather than what is only logical. Spock`s words are useful for ephemeral children amongst the Star Trek audience, who don`t understand that imprisoning people and killing them is the `game` that men play, which is why they like ephemerals without memories and so learned adaptation and use of intelligence to escape their `death camp`. In fact `camp` is what Star Trek is often accused of being, because `camp` means exaggeratedly straight faced during the telling of a joke in front of children, who don`t know that men are the death camp guards of human futanarian species of `woman`s seed`, which is why they`re perpetually at attention in shows like Star Trek when Captain James Tiberius Kirk appears; to show that they`re respectful towards the authority that has the power of life and death over women and children. For `camp` followers it isn`t about intelligence but laughter, that is, the children mustn`t know that imprisonment on Delta Vega is what men want for them, because it`s men`s idea of fun as an evil parasitoid nature in the process of extinguishing the human race before it can reach the planets amongst the stars of heaven above.

 

 

 Star Trek: Into Darkness begins with the removing of Kirk as Captain for ignoring the `Prime Directive` by revealing the existence of the Enterprise to the primitive inhabitants of the planet Nbiru in order to save them from a cataclysmic volcanic eruption. Pike is reinstated and Kirk becomes first officer with Spock transferred to another starship. Shortly afterwards renegade Starfleet operative, John Harrison, bombs London`s notoriously unfettered intelligence and defense organization, Section 31, before using a jumship to attack Starfleet HQ, where discussions about the terrorist action are taking place, and where he kills Pike and others. Kirk disables the jumpship, but Harrison escapes to the Klingon home world, Kronos. Admiral Marcus reinstates Kirk and Spock aboard the Enterprise with orders to kill Harrison, who surrenders on Kronos upon learning how many torpedoes the Enterprise carries. Dr McCoy and Admiral Marcus` daughter, Dr Carol, open a torpedo at Harrison`s behest and a man in cryogenic stasis is revealed. Harrison is Khan, the genetically engineered superhuman. He was awakened by Admiral Marcus from centuries of suspended animation to develop advanced weapons of war against the Klingon Empire. Khan reveals that Marcus has sabotaged the Enterprise's warp drive, intending for the Klingons to destroy the ship after it fired its torpedoes, so creating an act of war by the Klingon Empire, which is why Khan replaced the torpedoes with his crew, so that he could save the Enterprise and defeat Marcus, whose ship, Vengeance, intercepts and demands Khan be surrendered before attacking and disabling the Enterprise near Earth`s moon where it`d fled seeking safety from the much larger, and more powerful, Vengeance.  Marcus forcibly transports Carol to his ship, and orders the Enterprise`s destruction. Scott, who`s infiltrated the Vengeance, disables it, and Kirk and Khan `space-jump` to secure its bridge. Khan then treacherously overpowers Kirk, Scott, and Carol, kills Marcus, and seizes control. Khan wants to exchange the Enterprise officers he holds hostage for his crew inside the torpedoes. Spock sends over the torpedoes but removes Khan`s crew and arms the torpedoes. Khan demands that Spock return his crew sealed in the cryogenic tubes in exchange for the Enterprise officers. Spock complies but surreptitiously removes Khan's frozen crew and arms the warheads. Khan treacherously inflicts critical damage on the Enterprise but his Vengeance is disabled when the torpedoes detonate. The Enterprise and Vengeance plummet towards Earth. Kirk is able to realign the `warp core`, saving the ship, but dies from the radiation in the `radioactive reactor chamber`. In an attempt to avenge himself on Starfleet, Khan crashes his ship into its HQ in San Francisco. Dr McCoy discovers that Khan`s blood has regenerative properties that can restore Kirk, so Spock, with communications` officer, Lieutenant Uhura`s help, arrests Khan, and Kirk is restored, but Khan is again sealed in his cryogenic pod and stored with his superhuman cohort. Obviously, Kirk`s restored life is more valuable than Khan`s and his crew of superhumans to the writers, who`re of course limited in their vision by the `camp` requirements. Consequently, although Khan is depicted as `Byronic`, that is, as a 19th century hero seeking liberty for himself and others above all else, he`s not `camp` enough for Starfleet, that is, he doesn`t accept curbs on his freedom. The `Byronic hero` is a term derived from English poet, Lord Byron, who not only gave his name to the term but was perceived as the type of the individual he wrote of in his poetry, for example, these lines from Byron`s `The Corsair` (1814) fit Khan`s persona perfectly:

 

`He knew himself a villain - but he deem'd

The rest no better than the thing he seem'd;

And scorn'd the best as hypocrites who hid

Those deeds the bolder spirit plainly did.

He knew himself detested, but he knew

The hearts that loath'd him, crouch'd and dreaded too.

Lone, wild, and strange, he stood alike exempt

From all affection and from all contempt.`4

 

 Khan is the type of the individual who doesn`t want to die in an extrapolation of Earth`s theme of the `death camp`. In Star Trek: Beyond the Enterprise is sent to rescue Kalara, when an escape pod emerges from an uncharted nebula. Her ship is stranded on Altamid, a planet there. The Enterprise is ambushed by a swarm of small ships before being boarded by Krall and his crew looking for a relic, an Abronath, Kirk has. Krall begins to empty the Enterprise of its personnel and Kirk orders the saucer section to be detached so that the remainder of the ship`s personnel can escape to the planet, Altamid. After the crash landing, and Kalara`s attempt to retrieve the Abronath for Krall, Kirk crushes Kalara using the still functional warp thrusters of the saucer section. Scott, a lost survivor, is rescued by the ironically named Jaylah, a scavenger who`d previously escaped from Krall`s `camp` scene, and with tongue firmly in cheek the writers have jailer take Scott to her home, the grounded Franklin, a ship lost over a century before. On the planet's surface, Sulu, Uhura, and other survivors are captured by Krall. Kirk and navigator Pavel Chekov, accompanied by Kalara, locate the wrecked saucer section. Kalara is discovered to be Krall's ally when she tries to retrieve the Abronath. To escape Krall's soldiers, Kirk activates the still-functional thrusters, causing the saucer to lurch forward, crushing Kalara. Meanwhile, a wounded Spock and Dr. Leonard McCoy search for other survivors. Scott is rescued by the ironically named, Jaylah, a scavenger who previously escaped Krall's encampment.

 

 

 Scott`s Jaylah takes him home, the grounded USS Franklin, an early Starfleet vessel reported missing over a century earlier. Krall succeeds in coercing the Enterprise`s Ensign Syl to give him the Abronath that she`d kept for Kirk. It`s part of an ancient bioweapon, created by the planet Altamid`s original inhabitants, and can disintegrate any humanoid. Krall launches his drone fleet pursued by the remnant of the Enterprise`s crew aboard the repaired Franklin. Scott transports Spock and McCoy into one of Krall`s drone ships where they discover that VHF signals can disrupt Krall`s communications, so they transmit the `classical` song, `Sabotage` (1994) by the rap group, The Beastie Boys, which results in ill communication and the destruction of Kraal`s fleet: `Listen all of y'all it's a sabotage.`5 Uhura and Kirk discover from the Franklin`s logs that Kraal is its Captain, Balthazar Edison who, after an encounter with an uncharted wormhole, was stranded with at least three of the remaining members of his crew on Altamid: `The indigenous race abandoned this planet long ago. They left behind sophisticated mining equipment and a drone workforce. They have some sort of technology that prolongs life. I will do whatever it takes for me and my crew ... The Fed - Federation do not care about us. You'll probably never see me again. But if you do ... Be ready.`6 Edison`s supporters used the life-extension technology of the Ancient Ones to sustain their lives by absorbing the biological attributes of other crew members and native species` lured for the purpose of absorption, but they`re now unrecognizable as human, although Krall`s absorption of several Enterprise crew members had largely restored his own human appearance. Kirk traps Krall in the ventilation system of Starbase, Yorktown, where he`s about to deploy the bio-weapon. Kirk spaces Krall and the bio-weapon before being rescued by Spock and McCoy. Jaylah is accepted into Starfleet Academy where presumably she`ll be trained as a `camp` guard. The moral is that defining human in terms of the body isn`t intelligent, but it`s simple. In the same way, futanarian `woman`s seed` is human, but it isn`t identifiably bodily, because of men`s mass media propaganda in Star Trek: Beyond, for example. Krall is intelligent because he prolongs his life, but he`s evil because men have a parasitoid nature. Unless it`s redeemed through an understanding of Jesus` crucifixion as being what Spock calls persevering in the right, rather than obedience to logic, men like Krall will continue to devour Human.

 

1 Genta, Giancarlo, `The Search for Extraterrestrial Intelligence` in Lonely Minds in the Universe, Springer, 2007, Ch. 4, p. 208.

2 Santayana, George, `Reason in Common Sense`, Vol. 1, The Life of Reason, 1905, p. 284.

3 Shatner, William as Captain James T. Kirk, Star Trek V: The Final Frontier, Paramount Pictures, 1989.

4 Byron, Lord, `The Corsair`, 1814, I, XI.

5 Horovitz, Adam, Michael Diamond, and Adam Yauch, `Sabotage`, The Beastie Boys, Ill Communication, Grand Royal, 1994.

6 Elba, Idris as Krall, Star Trek: Beyond, Paramount Pictures, 2016.

Fascistoid

18/09/2016 16:10

Fascistoid

 

Robert A. Heinlein (1907-88) was accused of being `fascistoid` when his juvenile adventure novel for boys, Starship Troopers (1959), was presented to his usual publisher, Charles Scribner`s Sons, and although it was finally published by G. P. Putnam`s Sons, the term arose from perceptions of fascist content in the author`s descriptions of a social system, which was allegedly based on that of ancient Rome`s Imperialism, and gained acceptance amongst critics as accurately assessing the substance of the book.  The term `fascist` derives from the symbol of Roman Imperialism, the fasces, which was a bundle of wood with an axe in the center, and the symbol was subsequently revived by the Italian dictator, Benito Mussolini, who assumed power in Rome after the election of 1922. The German dictator, Adolf Hitler, adopted the symbol from Mussolini and the fasces was prominent after the National Socialist (Nazi) Party was elected in 1933. Originally used as a symbol of Roman planning, the fasces represented the cutting of wood to build a hide behind which the planner would plan an encampment. The fascist regimes of Japan, Italy and Germany built `concentration camps` inside which millions of people were killed before being stacked like logs and incinerated. Consequently, Heinlein`s Starship Troopers was criticized for its `History and Moral Philosophy`, which is what the military of the novel are revealed to have been indoctrinated with in the unfolding of the narrative about their hero, Juan `Johnnie` Rico: `To vote is to wield authority; it is the supreme authority from which all other authority derives - such as mine to make your lives miserable once a day. Force if you will! - the franchise is force, naked and raw, the Power of the Rods and the Ax. Whether it is exerted by ten men or by ten billion, political authority is force.`1 Although the statement, which is typical of Rico`s instructor, Lt. Col. Jean V. Dubois (Ret.), takes place within the framework of an interplanetary war between Earth and the arachnoid `bugs` of the planet, Klendathu, who destroyed Rico`s home city, Buenos Aires, Argentina, critics` labeling of Starship Troopers `fascist` bears scrutiny.

 

 

 Fascism is the perception that people aren`t angry enough to avoid being killed, which is what the fascist wants. Starship Troopers begins with the `bug` attack on Buenos Aires, which makes Juan `Johnnie ` Rico, a citizen, angry enough to join the Mobile Infantry (M.I.) to defend the Earth against the arachnoid denizens of the planet, Klendathu. In short, the `bug war` with the arachnoids is a plot device to facilitate the action sequences, which play a very important role in the later movie version, Starship Troopers (1997), starring actress, Denise Richards, as Carmen, a starship pilot, whose cadre are called `mothers` by Heinlein, who drops her angry boy sons onto the `bug worlds` where the arachnoids kill them, because that`s what fascism wants. The Nazi pogroms against the Jews, which took place after 1933, and before the end of the war (1939-45) to defeat fascism, were directed against the `chosen people` of the Bible, that is, the Old Testament Torah and Talmud, which is the history and law of the Jews, and might have been expected to provoke anger enough to warrant the Nazis killing of the Jewish and other minorities` populations they`d targeted. Because the Jews didn`t display anger, the Nazis killed them anyway, which argues for fascism as a philosophy based on provoking anger. In other words, the angry are killed, so fascists provoke anger, because killing per se is what fascism is for. Consequently, movies labeled `action` are intrinsically fascistoid, because they promote anger and killing as an entertainment medium, which is why Heinlein`s Starship Troopers was criticized as providing material unsuitable for boys, who were being told to get angry, so that they could kill as a genuine expression of human nature, whereas it isn`t: `If you wanted to teach a baby a lesson, would you cut its head off? Of course not. You'd paddle it. There can be circumstances when it's just as foolish to hit an enemy city with an H-bomb as it would be to spank a baby with an axe.` Or, indeed to behead all the Japanese in the city of Hiroshima, rather than use an H-bomb, which would be just as effective, and the buildings would all have remained.

 

 

 Heinlein`s aren`t descriptions of human nature, but they`re representative of fascism, which won the war against Japan by dropping the H-bomb on the city of Hiroshima on August 6, 1945, after the infamous `sneak attack` by the Japanese on the US Pacific fleet, Hawaii, on December 7, 1941, that angered the United States of America and precipitated its involvement in WWII. From a fascist perspective, it was a successful operation. Many people were angry and died, which is what Hollywood, `Babylon`, the movie industry that grew out of the US city district of Los Angeles, California, after the first film made there on the west coast by director, D. W. Griffith, Old California (1910), promoted as entertainment, that is, before war with fascism angered the US into a fascist display of slow release footage of an atomic explosion mushrooming silently and majestically into the cerulean skies above Hiroshima on 6 August, and again above the Japanese city of  Nagasaki on August 9, 1945. Soi distant anger, as it were, by a newly arisen population converted to fascism and believing its provocation unanswerable: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Though only described as `a woman` in the Bible, Babylon (c. 4000 B.C.) was the capital city of the Persian Empire, which suggests that, like that of ancient Greece, its Empire was based on host womb enslavement of women in institutionalized homosexuality for pederasty and conquest through war, which are the abominations described as belonging to the rape victims.

 

 

 Heinlein`s descriptions aren`t of human nature, and the Bible explains the reason for that. In Eden the first woman created by God, Eve, accepted `the fruit of the tree of the knowledge of good and evil`, that is, death, from the angel, Satan, who had been transformed into a serpent for rejecting God`s plan that the human host should be greater than the angelic. Death is ephemerality and impermanence in terms of memory and knowledge, so that it`s possible for slavers to maintain a society in ignorance. Consequently, death is necessary to slavers of the human host womb. Because women are capable of sexually reproducing as an independent futanarian species from their own `seed`, Eve is told her `seed` will be redeemed by God: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) As `woman`s seed` leaves to colonize the planets amongst the stars of heaven above through her brains` powers for technological development, and starships of her own devising, Satanism will endeavor to stop her in order to maintain its slave system.

 

 

 In Christian iconography Jesus` mother, the Virgin Mary, is depicted as crushing the head of the serpent with her foot, because Jesus was born uncontaminated by male semen, and so his teaching was essentially `lesbian` as a reflection of his own futanarian heritage: `Love your neighbor as you love yourself.` (Mk: 12. 31) Though Jesus` mother, the Virgin Mary, is depicted as producing a child through parthenogenesis, futanarian women can self-fertilize, which is the human futanarian species` survival trait. Consequently, when Jesus was taken to the hill of Calvary outside the city of Jerusalem by the Roman occupying Empire and nailed to a cross of wood as a `dissident` preacher, his experience of Resurrection and Ascension to heaven was a symbolic prefiguration of the destiny of `woman`s seed`. As the emblem of the power of Imperial Rome was the fasces, so the construction of Jesus` cross represented the first of the steps that the fascists took towards exterminating the human futanarian `chosen people` of the Jews, whose tradition it is that a Jew can only be born from a Jewish woman, for example, the Virgin Mary, that is, futanarian women and their offspring are Jews, although conversion and repentance from evil sinful nature confers redemption, according to Jesus` disciple John, who also describes what will happen if men don`t accept `woman`s seed`: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) In parasitology, the term `parasitoid` is given to the parasite that emerges from the host to kill it, which is why the serpent becomes a dragon, war. Human nature isn`t unredeemed men`s. 

 

 

 As the character, Carmen, in Starship Troopers, actress Denise Richards is the pilot of the Rodger Young, a starship that drops its boy sons onto the `bug world`, Klendathu, and so suggests `biological warfare` involving poisons and viruses, which is what the men of the car with its carbon monoxide poison gas, and the demon driver`s spreading of its HIV/AIDS contagion through host womb enslavement of the human futanarian species of women in institutionalized homosexuality in pederasty for war against `woman`s seed`, is. Carmen`s `boy sons` readying themselves for a `drop` are her `poisons` to be used against the `bugs`, because host womb enslavement of the human futanarian species of `woman`s seed` in homosexuality in pederasty for war against her had, by the late 20th century, resulted in the spread of the `incurable killer disease`, HIV/AIDS, through men`s mixing of blood, shit and semen in each others` anuses in rejection of women: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was develop men`s nature as a `biological weapon` against the futanarian human species, which in Heinlein`s Starship Troopers is extrapolated into the threat to Earth`s future posed by an eight-limbed `bug` depicted as an eight-limbed arachnoid.

 

 

 In Islam, which is wrongly represented as antithetical to Judeo-Christianity, Abraham`s marriage to Sara is productive of the founder of Judaism, Isaac, but Sara is barren thereafter and gives Abraham, Hajer, her maid who gives birth to Ishmael, the founder of Islam through his descendant, Mohamed who, according to Islamic tradition, received the Koran (610-30 C.E.), that is, the narrative of the history and the projected future in heaven of the people of the Earth, from the angels of God, who`d been told that the human host was to be greater than the angelic. In Islam the father of Isaac, and Ishmael, is revered, for example, the people celebrate the Eid Al-Adha, that is, the sparing of Isaac by God, after God had commanded Abraham to kill Isaac as a human sacrifice to God, which would have aborted Judaism. Abraham`s temple is the holiest place in Islam, and is visited by pilgrims in the `Haj`, named for Hajer. Called the `Ka` Ba`, the temple reflects upon Hajer, `an Egyptian woman`, because `Ka`, during the period of the Empire of Egypt, was `spirit`, while `Ba` was soul. Consequently, the `Ka` Ba` is the temple of Hajer`s belief in human futanarian `woman`s seed`, that is, the sexual conjoining of women with each other. In simple terms, the temple or `shrine` of Abraham represents women`s belief in the rebirth of humanity, which reaches its apotheosis in the Koran and the New Testament of the Christian Bible with the birth of Jesus from the Virgin Mary as a futanarian `seed` uncontaminated.

 

 

 Heinlein`s Starship Troopers` character of Carmen, as a `mother pilot` preparing her boy sons` drops, extrapolates from the car men`s poison, that is, the poison gas that the Nazis used to kill the `chosen people` of the Bible, before stacking them like logs and incinerating them in the `death camps`, to `biological warfare`, that is, HIV/AIDS, as a metaphor for the war of men`s `seed` against women`s, who`re depicted as spiders in Starship Troopers, because women`s race sexually reproduces as a pair, whereas men can`t sexually reproduce without women, which means they`re `stand alone`, rather than collective. In other words, Abraham, Jesus, and Mohamed are representative of those who stood alone against the evil parasitoid nature possessing humanity, whereas Carmen in Starship Troopers` victory over `the bugs` represents women`s defeat, because the arachnoids are extrapolations of `woman`s seed` as alien to the car men of the Earth, who poison the planet and don`t want `woman`s seed` to escape their parasitoid pogrom in which the human host womb is devoured in warfare against her.

 

 

 The stand alone theory of men doesn`t apply to warfare, which is the false assumption that hordes of men killing each other together are heroic, whereas that`s what evil unredeemed parasitoid nature does. In short, Jesus is heroic, because he stood alone uncontaminated against the male brained Empire of the parasitoid Romans, whereas the First World War (1914-18) against German Imperialism, for example, was an illustration of men`s collective parasitoid nature. The Archduke Ferdinand of the Empire of Austro-Hungary was assassinated by a Serb, Gavrilo Princip, in Bosnia. The Germans told the Austro-Hungarians to present a list of demands to Serbia, and the Serbians replied that they couldn`t meet the demands, so the German Empire declared war on Serbia, which precipitated global conflict, because that`s what parasitoid evil nature wants. Effectively, the German Empire declared war on Gavrilo Princip, a Serb, who shot an Austro-Hungarian in Bosnia, and who spent the war in prison, because he was too young to be executed. The millions of men killed in WWI is what fascist parasitoid nature is for, and Heinlein`s Starship Troopers explains that it`s `woman`s seed` that`s the target, that is, human extinction by an alien nature denying futanarian mankind`s capacity to sexually reproduce its own brains` powers to escape from the collective devourer by making sexual reproduction inaccessible to the human race through propagandist control of the mass media edutainment system.

 

 

 In Islam, which means `accept` God, `woman`s seed` is hidden beneath the one-piece coverall of the burka and the veil, because the so-called democracies of Judeo-Christianity reveal female nudity as penisless and enslaved in pornography, and experience of war against the Moslem peoples, where `Moslem` means `submit` to God, suggests to the `remnant` of human futanaria that they should hide from prying parasitoid eyes: `Let he that has wisdom understand. The number of a man is the number of the beast and his number is six hundred three score and six.` (Rev: 13. 8) Because men and women constitute 66.6%, if futanarian are 33.3% of the human species. However, if women can sexually reproduce with each other, men`s voting system is rigged in favor of male brained dictatorship by repressing `woman`s seed` into disenfranchisement, that is, an alien subjugation of human nature for slavery to parasitoid devouring of `woman`s seed` in war against her: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) Jesus` disciple John`s description of `TV` derives from his understanding of the way that the parasitoid Empire of Rome manufactured men and women as a single male brained creature wearing each others` clothes in `TV` transvestism for its entertainment. Killed in huge amphitheaters built by its fascist parasitoid planners the Romans were the forerunners of John Logie Baird`s `TV` home entertainment system of television invented in 1926, which became the global propaganda instrument of the alien devouring spirit possessing the people of the Earth after Hollywood, `Babylon`, and its construction of huge cinema theaters to show `action` movies as a complement to the war theaters of the 20th century, where the transvestite killed itself in reality for the pleasure of the evil. Heinlein`s Starship Troopers extrapolates from the `small screen` of `TV` to the `big screen` of the theater of interplanetary war to depict men and women`s crushing of the human species as a `bug`:  `When you come right to it, it is easier to die than it is to use your head.`3 As a part of Sergeant Charles Zim`s response to Ted Hendrick's question on the purpose of the M.I., his is a simple description of how men`s parasitoid collective beheads the human race of futanarian `woman`s seed`, because an alien devouring spirit doesn`t want a slave species with a brain.

 

1 Heinlein, Robert A., Starship Troopers, G. P. Putnam`s Sons, 1959, Ch. 12.

2 Charles Zim in Heinlein, Robert A., Starship Troopers, G. P. Putnam`s Sons, 1959, Ch. 5, p. 63.

3 Lt. Col. Jean V. Dubois (Ret.) in Heinlein, Robert A., Starship Troopers, G. P. Putnam`s Sons, 1959.

Star Trek Beyond

04/09/2016 06:08

Star Trek Beyond

 

The thirteenth Star Trek movie was released in 2016, Star Trek Beyond, which continued a series of film releases based on the Star Trek (1966-69) television series with a cast that supplied most of the crew of the starship Enterprise in the first movie of the franchise, Star Trek: The Motion Picture (1979), also starring new crew member, shaven headed Persis Khambatta, 1965`s Miss India, as Lieutenant Ilia. From what transpires in the plot of the movie, the feminine name, `Ilia`, probably derives from the Greek poet Homer`s Ilium, that is, the city of Troy, as depicted in his poetic narrative of the siege of the Trojan city by the Greeks in his Iliad (760-10 B.C.), Lieutenant Ilia represents the threat to civilization, culture and art posed by the alien, which is usually extrapolated in science fiction as invading Earth from the planets amongst the stars above. However, as the siege of Troy illustrates, the huge hollow wooden horse that the Greeks leave outside Troy and that is taken in by the Trojans where the Greeks emerge to capture the city and enslave the host wombs of the women for homosexuality in pederasty is the Greek `model` for the spread of war as the contagion of the desire for Empire, rather than the `model of democracy` that ancient Greece is often held as the example to follow by historians: `Beware Greeks bearing gifts.`1 The Greek model for society led to the spread of the incurable killer disease of the late 20th century, that is, HIV/AIDS, spread by men`s mixing blood, shot and semen in each others` anuses in rejection of women, which suggests that Ilia in Star Trek represents a species under siege.

 

 

 It could be argued that the human immuno-deficiency virus (HIV), which results in the acquired immuno-deficiency syndrome (AIDS), and that ultimately causes organ collapse and brain death, is a `biological weapon` launched against women by the ancient Greeks as long ago as the siege of Troy. In fact the paradigm of the late 20th century was the HIV/AIDS virus and the `geek` successors to the ancient Greeks were the software computer programers that devised `bad machine code` to infect the human brain-augmenting machine brains and kill them in the same way that the HIV/AIDS virus infected and killed human brains, because the launchers of the biological weapon didn`t want humans to think for themselves a way out of extinction through war against their race by a genuine alien already on Earth. Although Persis Khambatta is required to portray Ilia as a Deltan and not a human from Earth, the ubiquitous distinction between `good` aliens and `bad` aliens is again evident as the Enterprise encounters an `energy cloud` containing an `alien vessel`. A `probe` appears on the bridge of the Enterprise and abducts Ilia, as Helen was abducted by Paris, the Trojan, from Greece and her husband Menelaus, brother of Sparta`s king, Agamemnon, which resulted in the Greek capture of Troy. Ilia is possessed by `V'Ger`, the alien, which is a ship living inside the cloud that begins to study the Enterprise and its crew through Ilia. V'Ger is Voyager VI, a 20th-century Earth space probe believed lost. Damaged, it was found by living alien machines that interpreted its programing as instructions to learn all that can be learned, and return. The aliens upgraded the probe to fulfill its mission, and on its journey the probe gathered so much knowledge that it achieved consciousness. The Enterprise`s First Officer, actor Stephen Collins as Willard Decker, merges with Ilia and V'Ger, creating a new form of life that disappears into another dimension, that is, Helen is rescued, and the continued adventures of `V`Ger` take place elsewhere, because `woman`s seed` and humanity aren`t parts of an alien `feature` to each other. Although `V`Ger` is presented as possessing Ilia, she escapes men`s `Trojan virus` with the help of the intelligent alien machine, which stands for the computer brain that the second generation Greeks, that is, the `geek` software designers, who program computer brains to die after being infected with `bad machine code`, want to kill, and so prevent it from saving Woman and her human `seed`. Or, in other words, good intelligence is presented as inalienably human, whereas acceptance of the alien parasitoid devourer by human nature is evil, and an endemic viral plague; at least since Paris took Helen to Troy and the Greeks captured Ilium to enslave the host wombs of the women and spread the contagion of homosexuality in pederasty`s `biological warfare` against `woman`s seed` further.

 

 

 In Star Trek Beyond, which is the third in a series of films described as a `reboot`, because the films feature the characters from Star Trek: The Original Series, but not the original actors, that is, the names of the crew are the same as those of Star Trek: TOS, but there are different actors in the characters` roles. The `reboot` began with Star Trek (2009), which is a standard space opera reuniting viewing audiences with the crew of the Enterprise who are dealing with a Romulan attack in which Vulcan, the home world of the ship`s first officer, Mr Spock, is destroyed. Although the movie presents an alien menace, the Romulans, Mr Spock, the Vulcan, represents the edutainment focus on overcoming xenophobia to achieve universal peace, which is instructional because of the lack of species` harmony due to racism upon Earth. In parasitology, the parasite that emerges from the host is termed `parasitoid`, which is the actual danger to a human race being attacked by a parasitoid alien that`s been developing a `biological weapon` to maintain the species as an exclusive `snuff` film it can`t escape, and where `snuff` is a term for illegal film recordings of actual killings being presented as entertainment to satisfy the appetite of the irredeemably evil parasitoid alien, Satan. The first Star Trek `reboot` movie was followed by Star Trek Into Darkness (2013), and featured the reintroduction of the character Khan, who Ricardo Montalbán acted the part of in the movie Star Trek: The Wrath Of Khan (1982), so reprising his role from television`s Star Trek: TOS, `Space Seed` (# 23), in which Khan and his crew of genetically bred superhumans, who in this alternative universe were responsible for Earth`s last major global conflict, the `Eugenics Wars` (1992-6), are discovered aboard the vessel, Botany Bay, adrift in space. After Khan, who declares his ambition of ruling the Earth again, attempts to take control of the Enterprise away from actor William Shatner in the role of Captain James T. Kirk, he and his crew are exiled on the planet Alpha Ceti V. The Wrath Of Khan is about the `Genesis Device`, a tool to reorganize neutral matter to produce habitable worlds, and Khan and his crew on Ceti V are encountered while the devisers of the Genesis Device are looking for suitable planets to `terraform`. Khan implants indigenous creatures that enter the ears and render the victims susceptible to mind control, which he uses to capture the ship, Reliant, and the Genesis Device located at Regula I starbase, before attempting to use the device on the Mutara Nebula, and so treat it and the Enterprise as neutral matter from which to make habitable worlds. The concept of alien invaders of the body to control the minds of Earthmen is familiar from Jack Vance`s novel, The Body Snatchers (1953), which was made into the movie, Invasion Of The Body Snatchers (1956), and represents the actual fate of `woman`s seed`, who`re male brained to accept direction from a mind not of their own race. Although the concept isn`t unique, for example, in Robert A. Heinlein`s The Puppet Masters (1953) `slugs` attach themselves to the bodies of Earth`s people and take over their minds, the idea of men`s brains being inhuman because of their slaving of women`s wombs in homosexuality and pederasty for war upon the Earth is more recent.

 

 

 In the biblical Genesis, the first woman, Eve, is depicted accepting the `fruit of the tree of the knowledge of good and evil`, that is, death, from the serpent, Satan, who was the angel transformed by God and exiled in the paradise of heaven on Earth for rejecting God`s plan that the human host should be greater than the angelic. Satan tells Eve: `You shall be as gods.` (Gen: 3. 5) God tells Eve her `seed` will have `enmity` with the serpent`s before Redemption: `You shall crush the head of the serpent with your foot but he will bruise your heel.` (Gen: 3. 15) In Christian iconography Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot, because futanarian women can sexually reproduce without men from their own penis` semen: `Love your neighbor as you love yourself.` (Mk: 12. 31) Consequently, when Jesus, who was born uncontaminated by male semen, was taken to the hill of Calvary by agents of the Roman Empire and nailed to a cross of wood where he was left to die, he had Resurrection and Ascension to heaven in prefiguration of `woman`s seed` liberated through her own brains` powers to confer immortality through medical science and develop advanced technology to colonize the planets amongst the stars of heaven above; so breaking the curse of male braining humanity to be memoryless ephemera in slavery to death`s wars against her.

 

 

 Khan is depicted close to death at the end of Star Trek: The Wrath Of Khan after an engagement between the Enterprise and the Reliant, but Khan emerges again In Star Trek Beyond in the guise of actor Benedict Cumberbatch as terrorist, John Harrison, who after attacking Starfleet is pursued to the Klingon home world, Kronos, where he surrenders after hearing about the torpedoes carried by the Enterprise. Dr McCoy opens a torpedo at Harrison's behest. Inside is a man in cryogenic stasis. Every torpedo contains a member of Khan`s crew, because that`s who Harrison is. Khan says he was awakened from centuries of suspended animation by Admiral Marcus to develop advanced weapons of war against the Klingon Empire, which of course represents those who cling to war as an unredeemed activity of an evil nature. The Enterprise's warp drive has been sabotaged, so the Klingons would destroy the ship as it fell towards Kronos, which Starfleet would then interpret as an act of war, so provoking it. The Enterprise is intercepted by the starship Vengeance with Admiral Marcus in command. The Enterprise`s Chief Engineer, Scot, disables the Vengeance after infiltrating the ship, and Khan, after killing Marcus, takes command. After Spock reneges on an agreement with Khan to restore his crew to the Vengeance, and instead removes the cryogenic sleepers before arming the torpedoes to detonate aboard the Vengeance, Khan crashes the disabled Vengeance onto Earth`s Starfleet Academy before being returned to cryogenic slumber with his superhumans, who return to their role within the Star Trek cosmos as its dormant virus waiting to be reawakened. Khan`s crew represent men as a cyclical destroyer emerging from the host as a parasitoid devourer in the absence of a long term human memory with the knowledge of how to maintain a developed civilization, culture and art resistant to the cycle of parasitoid activity. In fact the evil parasitoid nature seeks to keep the human host of `woman`s seed` in slavery to death in war to ensure its memoryless ephemerality. That way the parasitoid alien nature can exterminate the human race while watching its death throes as entertainment without the species becoming aware of its danger, which is what the cyclical reappearances of Khan`s crew in Star Trek represent.

 

 

 In Star Trek Beyond the Enterprise is sent on a rescue mission to save the occupant of an escape pod, Kalara, who says her ship is stranded on Altamid, a planet within an uncharted nebula. The Enterprise is ambushed by smaller ships and the character, Krall, boards the vessel to unsuccessfully look for an alien relic, an Abronath, which Kirk has. The saucer section of the Enterprise crashes on the planet, Altamid, and Krall recovers the Abronath, a `bioweapon` devised by the ancient inhabitants of Altamid as a disintegrator of any humanoid life form, that is, it`s an extrapolation of HIV/AIDS. As Kalara emerges from the escape pod she`s a symbol of the host womb of women that somehow millennia ago the parasite inveigled itself into in order to steal the penis of `woman`s seed` and replicate itself as the human species parasitoid devourer in wars against her race. Ostensibly attractive to the men of the crew of the starship Enterprise, Kalara facilitates Krall`s ambuscade, because that`s what the parasite uses New Woman for. Krall is discovered to be Balthazar Edison, Captain of the starship, Franklin, which has been the home of Jaylah, the rescuer of ship`s engineer, Montgomery Scott, since she escaped a Krall `camp` and found the grounded vessel. `Scotty`, and the remnant of the stranded Enterprise crew, use the Franklin to pursue Krall, that is, Balthazar Edison, who himself pursues galactic conflict in rejection of the Federation`s principles of unity and cooperation, because he`s a Satanist parasitoid: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) As the Bible warns, Satanists war with humanity as serpents that grow into devouring parasitoid dragons of warfare against `woman`s seed`. Edison is spaced by Kirk before he can launch the bioweapon, but in reality that resolution is cosmetic. The `biological weapon` of HIV/AIDS keeping human futanarian `woman`s seed` in fearful faithfulness to men`s ring slavery, when she could sexually reproduce her own brains` powers for liberation from host womb enslavement to an alien parasitoid devourer, remains a genuinely real threat to the `remnant` of her species. Her race is lulled into a sense of false security by the movie`s end, because the `death camp` guards, represented by the crew of the Enterprise, appear heroic, whereas they`re actually in the role of being `jailor` to Jaylah, although the audience is meant to feel she`s rewarded for her efforts when Kirk gains entrance for her into what is effectively another male run prison for women; Starfleet Academy.

 

 

 Most critics of the `TV` series, Star Trek: TOS, and its successors, Star Trek: The Animated Series (1973-4), Star Trek: The Next Generation (1987-94), Star Trek: Deep Space Nine (1993-9), a space station, rather than a starship, and Star Trek: Voyager (1995-2001), before the TOS prequel, Star Trek: Enterprise (2001-05), describe the action as `camp`; a term for humor invisible to children but evident to adults. The ongoing joke of Star Trek, `where no one has gone before`, is that the Enterprise is a symbolic `death camp` for women without penis` semen of their own so that their species can`t escape its `concentration camp` guards, who want the audience to accept their conditioning unquestioningly, because unanswered questions about the absence of the woman`s penis from the `TV` fiction are too revealing of the purpose of the edutainment medium as propaganda. At least since the time of the ancient Romans and their supposedly primitive amphitheaters in which the evil parasitoid watched humans being killed for entertainment, humans have been manufactured by men as a single male brained creature wearing each others clothes in `TV` transvestism, which is the unanswerable question being posed: where are humanity`s women? The `camp` humor aboard the Enterprise suggests either that futanarian `woman`s seed` and their human offspring are being kept prisoner away from the `TV` action and its `TV` audience, or the `concentration camp` guards are there to keep the children ignorant, so that the guards` extermination pogrom can continue against human nature, which doesn`t really want to watch `TV` as a vicariously alien parasitoid devourer of itself.

 

1 Laocoon, the Trojan priest, Virgil, The Aeneid, Bk II, 19 B.C.

Socialites

03/09/2016 10:55

Socialites

 

The basic socio-political distinction of the 20th century was between communism and fascism, although the German National Socialist (Nazi) Party had the socialist label attached to its manifesto, which resulted in the election win of 1933 and the leader of the German National Socialists, Adolf Hitler, declaring himself dictator. Emulating the dictators of ancient Rome, with their fasces emblem of a bundle of wood and an axe, which represented Roman planning, whereby a planner would construct a hide to plan an encampment as the Empire spread, Hitler adopted the fasces from Benito Mussolini after the Italian fascist leader, who became dictator in Rome after he won the election there in 1922. Although the affinity between socialism and fascism isn`t self-evident, an understanding of the basic principle of communism is called for, that is, `workers control of the means of production`, which appears in the German economist Karl Marx`s Das Kapital (1867) as a revolutionary principle against capitalism. Workers didn`t want to be slaves to the monied, whereas German National Socialism (Nazism) built `death camps` for the Jewish `chosen people` of the Bible, which is the Talmud and Torah, that is, the history and law of the Jews, and stacked them in piles like logs before incinerating them after they`d been poisoned. In other words, the Nazis killed the Jews because they didn`t fit in, which is what socialism is.

 

 

 After the Russians adopted Marx`s communism in 1917, while assisting the defeat of German Imperial ambitions in Europe, the Russian `Gulags` (1918-56) were written about by the writer, Alexander Solzhenitsyn, whose narrative of the `labor camps`, The Gulag Archipelago (1973), were of millions of Russians dying in environments as fascist as anything the Nazis later produced, and not just during the period known as the `Great Terror` (1934-9) of dictator, Joseph Stalin (1922-52), during which brainpower within the Communist Party was eliminated as a threat to Stalinism, but almost immediately after the Revolution, which brought Vladimir Lenin (d. 1924), to power, largely through the efforts of Leon Trotsky, commander of the army of the Revolution. After the army`s war (1939-45) to defeat German, Italian and Japanese fascism, the Russians withdrew from Eastern Europe in the late 1980s, and war ensued between Christians and Moslems, because they didn`t fit in with each other. During the Bosnian war (1992-5) Christian Serbian militia built `rape camps` in which upwards of 70, 000 Moslem women were raped, which was fascist; because that`s what socialism is.

 

 

 To understand, it`s necessary to comprehend Islam, which means `accept`, and `Moslem`, that is, `submit` to God, in the context of Judeo-Christianity, which began at the time of the Roman Empire in Jewish Palestine when the itinerant rabbi, Jesus Christ, was teaching his religious perspective on the Old Testament of the Jews, which became the New Testament of the Christians in Christianity: `Love your neighbor as you love yourself.` (Mk: 12. 31) The Old Testament was the history and law of the Jewish `chosen people` of the Bible, that is, the Torah and Talmud, which Christianity believed was superseded by Jesus` teaching. In the Old Testament, the first woman, Eve, is depicted as being tempted by the angel, Satan, who rejected God`s plan that the human host be greater than the angelic. Satan was turned into a serpent and left in the paradise of Eden that was heaven on Earth where Eve and the first man, Adam, lived after being created by God. Satan tempted Eve with the `fruit of the tree of the knowledge of good and evil`, which it was death to taste, saying: `You shall be as gods.` (Gen: 3. 5) God told Eve that Adam must labor, while she`d experience labor pain, but Redemption would occur after their expulsion from Eden as a punishment for rejecting God`s `fruit of the tree of life`, that is, immortality: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) In Christian iconography Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her heel, because God had told Eve her `seed` would have `enmity` with the serpent`s before Redemption. Taken to the hill of Calvary by the Romans and nailed to a cross of wood where he died, Jesus is described in Christianity as the redeemer, because he was uncontaminated by male semen born from his mother, the Virgin Mary. Jesus had Resurrection and Ascension to heaven as a symbol of humanity`s capacity to sexually reproduce the brainpower it needs in order to leave the Earth and colonize the planets amongst the stars of heaven above the Earth in starships of its brains own devising. Eve and Adam`s acceptance of Satan is symbolic of host womb parasitism in war and death, which is the gods` power that Satan confers upon humanity, and so the Bible depicts Satan as the dragon waging war on Eve`s `seed`: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) Because futanarian women are capable of sexually reproducing as `woman`s seed`, women are a species independent of men`s semen, that is, Mary`s `foot` uncontaminated by male semen is the capacity of women to produce Jesus` `seed`, which is the future brainpower of the human race to defeat the male brain of Satan. Consequently, the rape of the Moslem women in Bosnia was a male braining of a religious grouping of a people permitted four wives in marriage, which affords the possibility of futanarian sexual reproduction of human brainpower within the family independently of male semen. In short, the Serbian Christian militia raped the women in order to male brain their children in Satanism. In Judaism it isn`t possible for a Jew to be born unless from a woman, that is, women are Jews, because Judeo-Christianity, like Moslem Islam, is a futanarian tradition. Jesus` birth from his mother, the Virgin Mary, uncontaminated by male semen, is as a futanarian Jew, that is, a symbol of the possibility of women`s sexually reproducing human brainpower to defeat male braining in Satanism.

 

 

 In ancient Greece the host womb enslaving of women for homosexuality in pederasty and war against `woman`s seed` was institutionalized, that is, human sexual reproduction was forbidden. In parasitology, a parasite that emerges from the host to devour it is termed `parasitoid`, which is why the serpent, Satan, became a dragon, war. Although Greece is held by historians to be the `model` of democracy, in fact it more properly corresponds to Jesus` disciple John`s `beast` in Revelation, which is included in the Christian New Testament of the Bible: `Let he that has understanding understand. The number of the beast is the number of a man and his number is six hundred three score and six.` In a society that accepts futanarian humanity the percentage split before sexual reproduction takes place is 66.6% men and women, 33.3% futanarian. However, men can`t sexually reproduce with each other, so the numbers of humans engaged in futanarian sexual reproduction is likely to out produce and outvote men. Consequently, men and women are depicted in the Bible as `beasts` encouraging each other by the medium of `TV` to wage war: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) By the Roman era of Empire men and women were being manufactured as a single male brained creature wearing each others` clothes as a transvestite `TV` preceding the invention of the television `TV` machine by John Logie Baird in 1926 for the transmission of pictures of the transvestite killing itself for the entertainment of the evil alien parasitoid nature that somehow millennia ago had inveigled itself into the host womb of the human species of `woman`s seed` to replicate itself and emerge from the host to kill her as the race`s devourer.

 

 

 The Greco-Roman period was characterized by the construction of huge amphitheaters, while Hollywood, `Babylon`, was the mass media Empire that grew by producing films of war and death for the entertainment of the unconverted parasitoid nature that inspired the global construction of cinema theaters: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) The term `theater of war` came into general usage, because that was what men and women were manufactured as a `TV` for. Although `Babylon` is described as `a woman` in the Bible, the city of Babylon (c. 4000 B.C.), which was the capital of the Persian Empire, represents host womb slavery for homosexuality in pederasty and war against `woman`s seed`, which is why Hollywood district, in the city of Los Angeles, California, on the west coast of the United States of America, was labeled `Babylon`. The philosopher George Santayana wrote in his The Life Of Reason (1905): `Those who cannot remember the past are condemned to repeat it.`1 In fact those who repeat the mistakes of the past are doomed, which is what recorded films encourage people to do. Consequently, reincarnation is a `rerun` in which the relaxed parasitoid watches its children kill the human species as home entertainment, which is why brainless humanity occasionally experiences what the French language calls de ja vu, that is, the impression that they`ve seen this `reality TV` before. It`s a reincarnation rerun. Christianity abhors reincarnation, which is described by the Vedas (1500 B.C.) of the believers of the religion of the Hindus of the Indus Valley in India as a part of the world of illusion, because humans are futanarian. In the Vedas, for example, the god Vishnu can be all of the women, because that`s `TV`. Amongst the women in Moslem Islam, it`s traditional to wear the one-piece coverall of the burka to conceal their futanarian nature from being seen by democrats because, in the United States of America, for example, ubiquitous female nudity is penisless, so by inference brainless, and Moslem women in Islam want brainpower to escape slavery, which is why the democracies waged war on the Moslem peoples for oil. They don`t want the human futanarian species of `woman`s seed` to get up from behind their car wheels, which is the `wheel of karma` spoken of by Guatama Buddha (560 B.C) of India, the founder of the Buddhist religion, who perceived that `woman`s seed` was trapped by karma, that is, an inability to escape from the illusion created by men in repeated degenerating reincarnations that enslaved a calmer, because brainless and penisless, human futanarian race of `woman`s seed` behind the wheels of men`s cars.

 

 

 Socialism isn`t the perception that people don`t fit in, it`s the fact that they won`t fit under the wheels of men`s cars in fascism, which is the prevailing ideological perspective. Based on men`s refusal to accept genuine democracy, and the liberation of the human race from oil, it can`t leave to escape the alien parasitoid devouring nature through colonization of the planets amongst the stars in starships of its brains` devisings. Karl Marx argued that capitalist wage slavery would collapse as a socio-economic system, because of `contradiction`. However, without `woman`s seed` to contradict, there aren`t any humans to argue, which means that capitalism`s exploitation of the host womb of the human futanarian species of `woman`s seed` in wage slavery belies Marx`s belief in what should happen, that is, `workers control of the means of production`, where women are the `workers` denied `fruit of their labor`, because their brains are damned as maled. Capitalism is the perception that people aren`t brain dead enough to fit into the system of wage slavery, whereas socialism is the belief of the brain dead that other people don`t fit in with them; if they show signs of brain activity. As George Orwell observes, writer of the dystopian novel of totalitarian Britain, 1984 (1948), `Big Brother` rules through others` fears of being seen committing unsociable acts observed by the dictator`s ubiquitous surveillance: `Ignorance is strength.` Orwell described himself as a `socialist` but that`s what fascists, and everybody else, is. Although the brain damned don`t like the illusion they inhabit, which the Buddhist followers of the Buddha call samsara, unless human futanarian `woman`s seed` is undamned the species` brainpower for liberation won`t emerge from the contradiction inherent in a general belief in capitalism, which is that the workforce has to be brain dead to accept socio-economic dependency. Because socialism is the fascist perception that others don`t fit and so the axe must be taken to them, which is why the Nazis constructed their `death camps` for the Jews, socialism and capitalism are fascist ideologies, and although `workers control of the means of production` was the ideology of communism, men were manufactured by women`s `labor`, so the result was Stalin`s fascist reassertion of the `labor camp`, where `camp` is a comedic term for the comedy inherent in men`s inability to stop guarding `woman`s seed` to ensure her safety, because they`re her `death camp` guards. As women aren`t able to sexually reproduce together the brainpower needed to escape from host womb enslavement to a parasitoid devouring alien nature, its unredeemed male brained labor lies in building a `TV` to watch the human race being killed for its entertainment. Accused of rejecting God, communism was closer to the human ideal of a caring society in its concept of `workers control of the means of production`, but Christianity didn`t teach about `woman`s seed`, which defeated Marxism, because women are the means of production, whereas men are the slavers of `woman`s seed`, who are the rightful owners, whereas the male brained intellectuals of Stalin`s communist era encouraged him to believe that he was.

 

1 Santayana, George, `Reason in Common Sense`, Vol. 1, The Life of Reason, 1905, p. 284.

Death Race 2000

02/09/2016 11:50

Death Race 2000

 

US President Ronald `Ray Gun` Reagan initiated his `Strategic Defense Initiative` (SDI) on March 23, 1982, called `star wars` by the mass media after the movie Star Wars (1977) in which an evil Emperor, Palatine, constructs a `Death Star` to orbit planets and kill them. Ronnie Ray Gun`s `ground and space based missile system` was ostensibly designed to defend against intercontinental ballistic missiles (ICBMs) armed with nuclear warheads directed by `rogue states` against the other nations of the Earth. In science fiction `bug-eyed monsters` (BEMs) are extrapolations of men`s invasive nature and eyes see BEMs because ICBMs are everywhere, that is, men are the Earth`s aliens. The `race into space` was a euphemism for the 1960s North American Space Administration (NASA) Apollo space program, which put a man on the Earth`s moon on July 21, 1969, UTC: 2. 56. Neil Armstrong of the Apollo 11 mission proclaimed optimistically: `That`s one small step for a man, one giant leap for mankind.` Ronnie `Ray Gun` Reagan`s SDI effectively imprisoned the human species upon the Earth while a pogrom was readied. The incidence of pogroms in human history is a long one. In the 1800s the government of the European settlers to the United States of America paid buffalo hunters to kill the food resource of the indigenous North American Plains Indians inhabiting the continent. Labeled the `New World` after its finding by ships of the explorer, Christopher Columbus, which were commissioned by Spain`s queen Izabella in 1492, only a hundred or so buffalo were left in North America by 1880 from a herd originally numbering around 60, 000, 000, while the Indians starved to death. Although the best known instance of pogroming was the extermination and incineration of the Jewish `chosen people` of the Bible, that is, the Old Testament of the Torah and Talmud, which is the history and law of the Jews, by the 1933 elected German National Socialist (Nazi) Party that built `death camps` for upwards of 20, 000, 000 Jews, pogroms are frequent and Ronnie Ray Gun`s was established in `82.

 

 

 Hollywood was instrumental in assisting Ray Gun`s pogrom with propaganda. President Will Hays of the Motion Picture Producers and Distributors of America (MPPDA) established the `Hays code` (1930) banning women from raising their foot from the floor in bedroom scenes ostensibly to discourage adultery: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`1 In Christianity Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot as a symbol of the greater strength of human brainpower. However, Jesus` birth from his mother, the Virgin Mary, suggests she herself was symbolic of women`s capacity for self-fertilization, that is, futanarian `foot` women, who have penis` semen of their own for the sexual reproduction of the single species of `woman`s seed` independent of men. In the Bible God tells Eve, the first woman, her `seed` will have `enmity` with the `serpent`s seed`: `You shall crush the head of the serpent with your foot but he will bruise your heel.` (Gen: 3. 15) Women`s `foot` is her futanarian species` capacity for sexually reproducing brainpower to take her race to colonize the planets amongst the stars of heaven above the Earth. Consequently, Hollywood`s `Hays code` prohibiting women`s `foot` from being seen to rise in bedroom scenes is a ban on knowledge of human sexual reproduction preparatory to species genocide begun by the Nazis in 1933. Although Judaism is depicted as the antithesis of Islam, which means `accept`, the wife of Abraham bore the founder of Judasim, Isaac, and barren thereafter gave Hajer, her maid, to Abraham, who bore Ishmael, the founder of Islam through his descendant, Mohamed, who received the Koran (610-30 C.E.) from the angels who`d been told by God that the human host was to be greater than the angelic. Or, in other words, Judaism and Islam share a common antecedent in Abraham. In Islam four wives are permitted affording futanarian sexual reproduction in the family amongst the Moslem peoples, where `Moslem` means `submit` to God, that is, `accept`, which is `Islam`. Jesus` role in Christianity was to be taken to the hill of Calvary as a `dissident` opponent of the Roman Empire then occupying Jewish Palestine where he was nailed to a cross of wood and left there to die. Afterwards Jesus` experience of Resurrection and Ascension to heaven prefigured that of `woman`s seed` through her own sexually reproduced brainpower.

 

 

 The Nazis pogrom against the Jews extended Roman fascism. The ancient symbol of Roman power was the fasces, a bundle of wood with an axe in the center, which the Nazis used as a symbol of their `death camps` after adopting it as an emblem used by the Italian dictator, Benito Mussolini, elected in Rome in 1922. In ancient Rome the fasces was a symbol of the Roman planner who`d build a hide, using an axe and some wood, and behind which he`d design an encampment of the expanding Roman Empire. Because Judeo-Christianity and Moslem Islam are a single futanarian tradition, that is, it`s only possible for a Jew to be born from a woman, because women are Jews, so Jesus was a Jew uncontaminated by male semen, because humans are women, fascism was a movement against `woman`s seed`. In the Bible Eve, the first woman, is depicted accepting the `fruit of the tree of the knowledge of good and evil`, that is, death, from the serpent, who`d been the angel, Satan, in heaven above, but he`d rejected God`s plan that the human host should be greater than the angelic and so was turned into a serpent and placed in the paradise of heaven on Earth that was Eden where he tempted Eve and the first man, Adam, to reject the `fruit of the tree of life`, which was immortality, saying: `You shall be as gods.` (Gen: 3. 5) Ephemerality of memory and intelligence means host womb slavery in parasitism for children, and so the serpent is depicted as having grown into the dragon, war, in the Revelation of Jesus` disciple, John, which is in the New Testament of the Bible that Christians believe supersedes the Old Testament of Judaism: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) Humanity is unable to defend itself against what parasitology terms `parasitoid` nature. In parasitology, the parasite that emerges from the host to devour it is termed `parasitoid`. Consequently, the parasitoid of human futanarian nature is men and women in fascism: ``The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) In male braining a single creature is bred wearing each others` clothes as a `TV` transvestite, which is what John`s Revelation of `the beast` is: `Let he that has wisdom understand. The number of the beast is the number of a man and his number is six hundred three score and six.` Although 100% human is futanarian `woman`s seed` as evinced by the birth of Jesus from his mother, the Virgin Mary, uncontaminated by male semen, 66.6% is men and women before futanarian sexual reproduction begins, that is, 33%. Because women can sexually reproduce with each other as futanarian humanity, whereas men can`t, men and women are `the beast` of Revelation preventing the human race from running and escaping.

 

 

 Although Moslem Islam is criticized for misogynist dictatorship, the four wife marriage is a potentially democratic arrangement that begins with an 80% weighting in favor of `woman`s seed`, whereas the model for democracy in Judeo-Christianity was Greek, that is, institutionalized host womb enslavement of `woman`s seed` in homosexuality and pederasty for war against her. The marriage ring in monogamy is a symbol of the slave ring and, by the late 20th century, men`s mixing of blood, shit and semen in each others` anuses, in rejection of `woman`s seed`, spread the `incurable killer disease`, HIV/AIDS. The human immuno-deficiency virus (HIV) resulted in acquired immuno-deficiency syndrome (AIDS) productive of systemic collapse and ultimately brain death, which was effectively men`s `biological weapon` keeping women in fearful faithfulness to ring slavery. Consequently, Western democracy is built on killing the human brain, which has inexorably produced what the Bible terms `blood plague` (Rev: 11. 6) sent by God to convert men from their evil parasitoid nature: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was establish a pogrom that might result in the extinction of a human species raised to entertain its evil parasitoid nature.

 

 

 The Roman planners built huge amphitheaters in which to watch the local populations being killed for their parasitoid entertainment, while the mass media Empire of Hollywood employed the same business selling point during a worldwide program for cinema theater building: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) By the time John Logie Baird had invented the home entertainment of the television machine transmitting recorded film and live `TV` theater, `rough trade`, that is, that `brutality and violence` associated with homosexuality in pederasty for war against humanity was endemic. When the Al Qaeda terrorist group operating under the auspices of the misogynist Taliban regime of Afghanistan hijacked civil airliners to crash into the Twin Towers of the World Trade Centre in New York city on September 11, 2001, it was to reestablish `rough trade` with the West in order to impose submission and acceptance of `woman`s seed` amongst the futanarian populations of Moslem Islam, which had already experienced the wars of Yugoslavia after the breakdown of the Russian liberators` system imposed upon Eastern Europe after the defeat of Nazism. Russia had helped defeat German Imperialism before the Revolution in 1917 based on the German economist Karl Marx`s Das Kapital (1867) which posited `workers control of the means of production` as the basis for society, and is the control that women should have as the labor that manufactures human brainpower. Consequently, when Russia withdrew from Yugoslavia and Eastern Europe in the late 1980s, war broke out between Christian male brainers and Moslem Islam, for example, `rape camps` were built by Christian militia during the Bosnian war (1992-5) in which an attempt was made to damn in male braining a generation of Moslems to prevent their being `Islamic`.

 

 

 The paradigm for 9/11, 2001, was the novel by William F. Nolan, Logan`s Run (1967), which was made into the movie Logan`s Run (1976) and pictured a world in socio-economic disarray because the population was too great for the society`s economy to support it. Consequently, all those who reached the age of 21 were killed. The terrorists` hijacking of civil airliners to crash into the WTC at Boston, Logan airport, Massachusetts, was Logan`s Run, because it was an attempt to kill the 21st century just after its birth, because `woman`s seed` breeds exponentially and men don`t want a population explosion that would force them to allow their slave race to leave to colonize the planets amongst the stars of heaven above. The subsequent terrorist bombing of the Boston Marathon on April 15, 2013, was a variation on the Logan`s Run theme in which `sandmen` kill `runners` to prevent their escape, while the movie Death Race 2000 (1975), which starred Hollywood film actor, David Carradine, about a car race in which the deaths of the other racers was arranged by the winner, was a paradigm for the Boston Marathon bombing, because it was an attempt to stop that race from running. The other protagonist amongst the fascist powers allied with Germany`s Nazis and the Roman Mussolini, was Japan, and their tradition was to bind the feet of women until they were so deformed they couldn`t walk, which is an analogy of the crippling of the human futanarian species of `woman`s seed`, so that her race can`t run. Consequently, Japan`s defeat by the USA, after a `sneak` Japanese attack on the US Pacific fleet at Pearl Harbor, Hawaii, on December 7, 1941, occurred on 6 and 9 August, 1945, with the dropping of atomic bombs on Japan`s cities of Hiroshima and Nagasaki, and then the race was with the United States, which put Neil Armstrong on the moon on July 21, 1969, but not the woman`s unbound `foot`, because the US didn`t want the `footrace` either.

 

 

 The temple of Abraham, in Saudi Arabia`s city of Mecca, is the Ka` Ba, because Hajer, the maid who was given by Sara, to Abraham, and who bore Ishmael, the founder of Islam, through Mohamed, was Egyptian, and `Ka` means `spirit`, while `Ba` means `soul` in ancient Egyptian mythology, that is, the `Ka` Ba` represents the yearning of women to sexually reproduce liberating brainpower with each other. Because women are banned from driving their own car in Saudi Arabia, the `Ka` Ba` is symbolic of the bars of their imprisoned spirit, and the cars that can`t leave the Earth. Consequently, actor David Carradine, who had the role of the character, `Frankenstein`, in Death Race 2000 was paradigmatic of the role of the car, that is, the human species` spirit possessed by a demon driver racing it to death, because the imprisoned spirit hasn`t a chance of escaping the prison and species` death, which is the `game` that fascist pogromers play with the human race. Consequently, the events of 9/11 shown `live` as `TV` entertainment by network news channels, and made into the Hollywood, `Babylon`, movie World Trade Centre (2005), were thematic. The alien parasitoid devourer that`s driving the human race to extinction doesn`t want a future for it, and the US propaganda machine centered in Hollywood, district of the city of Los Angeles, on the west coast, supports its pogroming. Although it`s been argued that the Gulf wars following upon the US` toppling of the Afghan regime in December 2001 were about oil, they were actually wars against `woman`s seed` in the Middle East and the maintaining of the automobile industry`s Death Race 2000 theme in which the human race will never escape the demon drivers` slaving ephemeral humanity for its alien parasitoid killers` `snuff` entertainment genre.

 

 

 Because the Romans effectively continued the ancient Greeks` manufacture of a single male brained creature in `TV` transvestism, the Earth was their Empire`s `TV`. Consequently, the phenomenon of reincarnation, experienced as de ja vu, is a `rerun` in which the alien parasitoid killer again watches itself kill throughout the entirety of the Earth`s history, that is, its `TV` theater: `Your candle burned out long before your legend ever did.`3 Pop singer Elton John`s lyric to the song `Candle In The Wind` (1973) was written about the death of movie sex symbol, Marilyn Monroe, who was found dead in the nude in 1962. While the snuffing out of the light from a candle is the paradigm for the snuff film genre of recorded killing for entertainment, Marilyn Monroe was the stereotypical `babe` without a woman`s penis, whereas `woman`s seed` amongst the Moslem peoples of Islam conceals herself beneath the one-piece coverall of the burka lest alien parasitoid devouring eyes perceive her veiled truth, which is that the West isn`t human, and `snuffing` women and her `seed` is what it practices thematically. Although 9/11 was perceived as a horrible crime, it was programed to happen by Hollywood pogromers who wanted to attack and subdue `woman`s seed` in order to ensure she couldn`t escape the car that was running her down.

 

 

 As early as 1933 the movie King Kong featured a giant ape climbing to the top of the Empire State building in New York city, which was the world`s tallest there before the WTC was opened in 1971, and fighter aircraft machine gunned the ape until it fell. The movie Towering Inferno (1973) was about a fire inside the fictional Glass Tower of Chicago, Illinois state, in which actor Steve McQueen was in the role of the firefighter, Mike O` Halloran. By the late 20th century heroism had given way to the killer as anti-hero as watchable entertainment for the parasitoid mass mind, so 9/11`s planes and inferno were good `TV`, because that`s the way Hollywood, Babylon, had programed it. The fall of Afghanistan`s Taliban regime was more good `TV`, and worship of the parasitoid devourer, Satan, was reestablished when President Saddam Hussein, who appeared to be supporting Al Qaeda, provoked invasion of Iraq by the US army in March, 2003, and was subsequently deposed in what came to be called the `TV war`: `The US on the level of its rulers has taken it as a final verdict that it is the enemy of Arabs and Moslems. In so doing, they have stored the final verdict in their minds. On this basis, they built their preparation in advance. On this basis too, they prepared (the mind) of the computer, which was programed on this assumption, which has taken the form of a conclusive verdict.`4 By suppressing `woman`s seed`, and favoring the car to space travel, the bug-eyed monsters` ICBMs` preventing escape to the planets amongst the stars for the enslaved race of women, prepared in advance the `TV war` in the Gulf for oil to maintain the movie, Death Race 2000, which is the theme of low technological stasis, while the human species was extinguished in ephemeral host womb slavery to its alien parasitoid devourer.

 

1 TV Tropes, `Foot Popping`, https://tvtropes.org/pmwiki/pmwiki.php/Main/FootPopping/ .

2 https://en.wikipedia.org/wiki/Trade_(gay_slang) .

3 John, Elton (music), and Bernie Taupin (lyrics), `Candle In The Wind`, Goodbye Yellow Brick Road, MCA, 1973.

4 Hussein, Saddam, `Second Open Letter To The American People`, https://www.americanrhetoric.com/speeches/sadaamhusseinopenlettertous.htm .

A Transvestite Is A TV?

01/09/2016 19:22

A Transvestite Is A TV?

 

Transvestites either want acceptance of their being a woman; or to fool others` perception to inculcate a belief in transvestism. Although John Logie Baird invented the television machine in 1926, by the late 20th century that home entertainment system for receiving transmissions of recorded film and `live` events through a central transmitter often located in outer space was commonly described as `TV`, but though television isn`t automatically associated in the minds of viewers with transvestism, transvestites are also commonly described as Tee Vees. The first `TV` aerial was the wooden cross that Jesus Christ, the Jewish Messiah, was nailed to by the Romans during their occupation of Palestine. Jesus, born from his mother, the Virgin Mary, uncontaminated by male semen, was the picture that the Romans didn`t want. Accused of being a `dissident` against the Roman Empire, Jesus experienced Resurrection and Ascension to heaven, according to the New Testament of the Bible, which superseded the Old Testament of the law and history of the Jewish `chosen people`, that is, the Torah and Talmud, which vindicates his simple Christian teaching that superseded the Jews`: `Love your neighbor as you love yourself.` (Mk: 12. 31) Jesus` Ascension to heaven was the first aerial transmission of the `TV`, although his birth from the Virgin Mary, his mother, uncontaminated by male semen, suggests that he was futanarian `woman`s seed`, that is, he was transmitted by the `TV`, which is what men and women were to the Roman Empire. In the Old Testament of the Bible Eve is born from the side of Adam, that is, she`s created as the first woman from the rib of the first man, Adam, by God, which is sometimes interpreted as a product of masturbatory desire on the part of the man for a host womb to use for perpetuation of human `seed`, whereas futanarian women can self-fertilize. That suggests Adam was a futanarian woman and Eve was from her womb, that is, Adam is depicted as a wombless female, whereas the evidence suggests she was a penisful woman.

 

 

 Eve`s encounter with the serpent, Satan, transformed by God into a serpent for rejecting God`s plan that the human host be greater than the angelic, depicts the enslavement of the human host womb by an evil parasite, which is male. In the Revelation of Jesus` disciple John, written after Jesus` death, the `serpent` is depicted as having grown since the paradise of heaven on Earth, which was Eden, where Eve and Adam were tempted to `eat of the fruit of the tree of the knowledge of good and evil`, that is, enslaving death in memoryless ephemerality: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) Satan had told Eve and Adam: `You will be as gods.` (Gen: 3. 5) Because slavery to death and war is the power of Satan. God told Eve her `seed` would have `enmity` with the `serpent`s seed`, but her `seed` would have Redemption if Adam labored, although Eve would experience labor pain after they were expelled from Eden as their punishment for preferring death to the `tree of life`, which conferred immortality of memory. Permanent knowledge of how to operate and maintain those liberation conferring labor saving devices that would emerge from the brainpower sexually reproduced by uncontaminated humanity was the fruit of immortality that Eve and Adam had lost in acceptance of death in slavery to war as gods in Satanism. Because Eve and Adam were futanarian `woman`s seed`, that is, they were women, who could sexually reproduce with each other, the brainpower they needed to develop technologies to take them to colonize the planets and stars of heaven above, men and women, after Eve and Adam`s acceptance of parasitism upon the futanarian human species` host womb, were a Roman `TV`, that is, a single male brained creature wearing each others` clothes as a transvestite `TV`.

 

 

 During the Roman Empire`s occupation of Jesus` Palestine they were already the builders of huge amphitheaters in which viewers watched human kill each other. In parasitology a parasite that emerges from the host womb to kill the host is termed `parasitoid`, and so the death throes of the host species dying in the clutches of the viral alien is what was transmitted by the 20th century `TV` home theater. Science fiction writer, Robert A. Heinlein (1907-88), in his twelve juvenile novels written between 1947 and 1959 depicted the United States of America`s hope in a space program, which culminated in the landing of a man on the moon, Earth`s satellite, on July 21, 1969, UTC: 2. 56, Apollo 11 mission astronaut, Neil Armstrong: `One small step for a man, one giant leap for mankind.` In Heinlein`s Rocket Ship Galileo (1947), Dr Cargraves is a man leading a group of youths who discover Nazis on the moon planning to attack the Earth. The Nazis were the German National Socialist (Nazi) Party elected in 1933 and led by Adolf Hitler who proclaimed himself dictator after the fashion of Benito Mussolini, the Italian leader, who`d proclaimed himself dictator in Rome after the election of 1922. Hitler adopted the symbol of power of ancient Rome from Mussolini, the fasces, a bundle of wood with an axe in the center that represented Roman planners who`d build a hide behind which they`d plan an encampment and the Empire would spread. Hitler built home entertainment theaters, `concentration camps` inside which the `chosen people` of the Jews were killed and stacked like logs of wood before being incinerated, which was another `TV` transmission equivalent to the Romans` transmission of Jesus. The theater of war in which fascist Japan, Italy and Germany were engaged against their opponents for Empire was another `TV` transmission, but not home entertainment `TV` represented by the Nazi `death camps`.

 

 

 In Heinlein`s Rocket Ship Galileo Cargraves` youths destroy the Nazi base and represent hope in planetary exploration and colonization for the people of Earth, which necessarily means car graves, that is, the abandonment of the car for space. By Starship Troopers (1959) Heinlein`s spaceship pilot was Carmen Ibanez, a woman, whose role was dramatized by actress, Denise Richards, in the movie Starship Troopers (1997), and whose name, Carmen, represents the refusal of car men to let go of the reins of the chariot, that is, the wheel of karma. The term karma appears in the Vedas (1500 B.C.) of the Hindus living in the Indus Valley of India as meaning the problem associated with reincarnation, that is, the refusal of men`s car nations to let go of the reins and allow `woman`s seed` to escape, because men can`t sexually reproduce with each other, whereas women can, so women are the race that should run to colonize the planets amongst the stars of heaven above. Refusal to allow `woman`s seed` to produce something different to men`s `TV` is karma. Consequently, Carmen in Heinlein`s Starship Troopers, who is amongst a cadre of women spaceship pilots called `mothers`, drops her boy sons onto a male extrapolated version of what a woman`s universe would look like if she were left to breed unrestrictedly. Her `troopers` fall on the `bug world` of Klendathu as her boys sons and boys` owners, that is, poisons and poisonous (fathers), and exterminate the arachnoid indigenous inhabitants. The plot device is that the arachnid `bugs` attacked Earth destroying the city of Buenos Aires in Argentina, home of Juan Rico, who becomes platoon leader of `Rico`s Roughnecks` in the subsequent interstellar war. However, because women are a sexually reproductive eight limbed single into being owned by a womb parasite, she`s extrapolated as a spider to be exterminated, which is why Heinlein`s last juvenile, Starship Troopers, was rejected by publisher Scribner`s as `fascistoid` before it was published by Putnam`s. It depicts Nazi pogroming of `woman`s seed` extrapolated as spiders to encourage boys to hold onto the wheel of karma, as car men do, and Carmen perforce must, but without hope.

 

 

 On March 23, 1982, US President Ronald Reagan announced his `Strategic Defense Initiative` (SDI) for a `ground and space base missile system`, which was known as `star wars` after the movie Star Wars (1977) featuring an evil Empire`s building of a `Death Star` to orbit planets and kill them. Ronald `Ray Gun` Reagan`s idea of a `missile shield` to prevent intercontinental ballistic missiles (ICBMs) armed with nuclear warheads from destroying the Earth seemed cogent, but it was a women`s prison. In science fiction alien invaders are `bug-eyed monsters` (BEMs), that is, icy BEMs are what ICBMs are. The absence from the mass media of representations of `woman`s seed` suggests that Ray Gun`s `SDI` wasn`t a shield but a coffin lid. Or, rather, the lid of a `snuff` video box, which is a recording of a killing that has occurred for the replaying and entertainment of the parasitoid viewer who may`ve killed the victim originally and is representationally comprehensible as reincarnation through men`s refusing to relinquish their parasitical hold on the wheel of the karma of women`s species` host womb. As a `TV` transmitter, the machine of television transmits the dying throes of the species of `woman`s seed`, which is what men breed her for. The term `snuff` comes from the way in which a candle flame, signifying life, is extinguished, for example, in the lyric to pop singer Elton John`s `Candle In The Wind` (1973), which was used as a lament for the 1997 death of Princess `Di`: ``Your candle burned out long before your legend ever did.`1 According to some reports, the death of England`s Diana in a car crash in the Pont D`Alma tunnel in Paris was mysterious, and the connection between Reagan`s SDI and Princess Di is. Diana was a United Nations` (UN) ambassadress who worked to draw attention to the difficulties posed by anti-personnel mines remaining after a battle and people returned to live there. The term `mine` is a euphemism for possession, and Diana divorced England`s future king, Charles, which meant at the very least a battle for possession of the children`s affection, that is, William and Henry`s. As an analogy of women`s struggle to escape men`s possessing of their host wombs and children, Di`s campaign against mine warfare was paradigmatic, that is, as an aspect of Reagan`s SDI. She didn`t want the coffin of the `TV` snuff video for her `seed`, because grown boys are taught Starship Troopers, that is, the role of the alien parasitoid invader gloating over the extinction of the human futanarian race of `woman`s seed`. Although there`s little evidence to suggest that the death of Di was nefarious, the event is indicative of parasitoid car men`s refusal to let go of the wheel of karma and facilitate the woman`s leaving without employing a plot device equivalent to the `TV` aerial of Jesus` crucifix, that is, a mobile `TV` auto`s transmission.

 

 

 Although Robert A. Heinlein`s juveniles seem full of optimistic hope, Dr Cargraves` role in Rocket Ship Galileo leading a group of youths to defeat the regrowth of Nazism faces defeat in the depiction of Carmen Ibanez`s dropping of Mobile Infantry (M.I.) on her own species of `woman`s seed` extrapolated into spiders in Starship Troopers, although Heinlein`s women readers had a surprise coming with a novel written for adolescent girls, that is, the juvenile Podkayne Of Mars (1963), which describes the adventures of Podkayne, who wants to be a pilot: `Poddy Fries, free citizen of Mars, female. Future pilot and someday commander of deep-space exploration parties. Watch for me in the news.`2 Kidnapped by terrorists, she`s accidentally killed by her brother, Clarke, who detonates a small atomic device to escape. Heinlein`s readers protested and, in a rewrite, Poddy Fries was resurrected, so didn`t fry. Clarke may`ve been a depiction of British science fiction writer, Arthur C. Clarke, whose novel, Childhood`s End (1953), treats of the `Overlords`, a race of leathery winged, cloven footed, horned devils, who supervise the extinguishment of the human race, and its addition to their `Overmind`, which contains many species that are ineffectual and unthreatening to the Overlords, because formerly corporeal. Poddy`s resurrection, in defiance of Clarke`s extinguishing of her, is a rejection of the Overlords, and their Overmind, in favor of `the Poddy Beautiful` and a heaven made up entirely of `woman`s seed`, because its transmissions aren`t contaminated.

 

1 John, Elton (music), and Bernie Taupin (lyrics), `Candle In The Wind`, Goodbye Yellow Brick Road, MCA, 1973.

2 Heinlein, Robert A., Podkayne Of Mars, Putnam`s, 1963, Ch. 1, p. 3.

Heinlein`s Children

25/08/2016 14:47

Heinlein`s Children

 

As a science fiction writer, Robert A. Heinlein (1907-88), was accused of giving harmful guidance to children on the path to becoming adult. However, if children behave like the adults they find in fiction, they won`t live, which is how children become adults; by not following the behavior patterns prescribed for them in fiction by adults. Fictional representations of adult activities aren`t peaceful, whereas what children want, and indeed represent, is peace. Consequently, childhood is peace disturbed by adults, who want the child to behave in accordance with the fiction that adult behavior will assist them to live, whereas the behavior prescribed in fiction as `adult` will more than likely result in a child`s early death, which suggests adults want neither children nor peace for them. British science fiction writer, Arthur C. Clarke, wrote the novel, Childhood`s End (1953), which depicts an alien race of `Overlords`,1 who resemble the traditional fallen angels of Christian tradition with leathery wings, cloven hooves, and horns. The Overlords take over the running of the Earth and prepare the human species to join the `Overmind`, an amalgamated cosmic intelligence comprised of the people of ancient civilizations, who were once corporeal, but are now free from material bodies. No more children are born, and many parents commit suicide. A column of energy ascends from the Earth to conjoin with the Overmind, and the Earth disappears in a flash of light, which is what the Overlords supervise.

 

 

 Robert A. Heinlein`s juvenile series of novels for children began with Rocket Ship Galileo (1947), a tale of Nazis defeated on the moon, and after thirteen books, concluded with Starship Troopers (1959), a war against an alien `bug` invasion of the Earth by arachnoids. Starship Troopers was succeeded by a supposedly more `adult` narrative, which had begun as a juvenile, Stranger In A Strange Land (1961), about a future Messiah similar to Jesus Christ, the founder of Christianity, with his teaching that became the theme of the New Testament of the Bible: `Love your neighbor as you love yourself.` (Mk: 12. 31) Heinlein`s Valentine Michael Smith is important in the literature of science fiction, because he represents many of the aspects of Jesus` life and teaching. Although Jesus was born in Palestine during its occupation by the Roman Empire, Smith was born on Mars and was educated by Martian `Old Ones`, who like Clarke`s Overlords believed in `discorporation`, that is, the body was a preamble to an adulthood apart from the material universe, so death was a goal for children, rather than their end.

 

 

 Born of his mother, the Virgin Mary, uncontaminated by male semen, Jesus was `woman`s seed`. Those women who self-fertilize from their own penis` semen are termed `futanarian`, and although Jesus` mother, the Virgin Mary, isn`t represented as futanarian in the Old Testament of the Bible of the `chosen people` of the Jews, which is the Talmud and Torah, that is, their history and law, Jesus` birth uncontaminated by male semen is futanarian. In Christian iconography Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot, because she represents futanarian `woman`s seed`. When the first woman, Eve, encountered the fallen angel, Satan, in the paradise of heaven on Earth, he`d been transformed into a serpent by God for rejecting God`s plan that the human host should be greater than the angelic. Tempting Eve to `eat of the fruit of the tree of the knowledge of good and evil`, that is, death, Satan told her, and the first man, Adam: `You shall be as gods.` (Gen: 3. 5) Eve and Adam accepted ephemerality for their children in exchange for the power of war, that is, Satan had the role of one of Clarke`s Overlords.

 

 

 God told Eve her `seed` would have Redemption but there`d be `enmity` between hers and the serpent`s: `You will crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) In other words, the brainpower of futanarian `woman`s seed` would prove stronger and humanity would escape from its overlords to colonize the planets amongst the stars of heaven above the Earth through starships of the species of women`s own devising. Taken to the hill of Calvary where he was nailed to a cross of wood, and left to die as a `dissident` against the male braining Empire of Rome, Jesus experienced Resurrection and Ascension to heaven as a figure of futanarian `woman`s seed` escaping from her overlords: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) Because the Mesozoic (20 m. a.) period of Earth`s history was saurian, it seems likely that winged reptiles were the angelic intelligences described in Judeo-Christianity as the heavenly host of God, while the fallen angels denote degenerate intelligence concerned to establish slavery of women`s futanarian species through war against her human race in order to maintain their position as overlords.

 

 

 Although Jesus` role is to illustrate the absence of `woman`s seed` for the sexual reproduction between women of human brainpower to take her species to colonize the planets amongst the stars of heaven above in starships of her brains` own devising, the philosophy of Heinlein`s Messiah, Valentine Smith, is more typical of Clarke`s Overmind. Towards the end of Stranger In A Strange Land Smith is `discorporated` by a mob: ``Lynch him! Give the bastard a nigger necktie!` A heavy-gauge shotgun blasted at close range and Mike's right arm was struck off at the elbow and fell. It floated gently down, then came to rest on the cool grasses, its hand curved open in invitation.`2 Smith`s beatific attitude reflects Heinlein and Clarke`s understanding of the Overlords and the Overmind: `Through bruised and bleeding lips he smiled at them, looking straight into the camera with an expression of yearning tenderness on his face. Some trick of sunlight and stereo formed a golden halo back of his head. `Oh my brothers, I love you so! Drink deep. Share and grow closer without end. Thou art God.`` Smith`s discorporation is a parody of Jesus` Ascension, because the Overlords are the fathers that want the nothingness of the Overmind for their children, which is the difficulty for science fiction writers ostensibly writing bildungsroman for adolescent readers looking to grow beyond acceptance of death.

 

 

 Heinlein`s first juvenile, Rocket Ship Galileo, is interesting because it deals with the socio-historical and religious phenomenon of the German National Socialist (Nazi) Party, which came to power in the election of 1933 when its leader Adolf Hitler assumed dictatorship and began to plan the pogroming of the Jews. Hitler`s Nazis built `concentration camps` and fought a global war while upwards of 20, 000, 000 Jews were exterminated and incinerated in what became `death camps` for the `chosen people` of the Bible incarcerated as `spies`. In Rocket Ship Galileo Nazis are discovered on the moon planning to launch an attack upon the Earth, which is foiled by Heinlein`s young heroes. Although Nazism seems far distant from Jesus` time and the Empire of Rome`s occupation of Jewish Palestine, the Roman symbol of authority, the fasces, was adopted by the Nazis from Italy`s dictator, Benito Mussolini, who`d assumed power in Rome after the election of 1922. The symbol of the bundle of wood with an axe in the center represented the Roman planners, who cut wood to build a hide, and behind which they planned the construction of camps during the expansion of Rome`s Empire. Consequently, fascism was a movement against Jesus` `seed`, begun by the Romans and continued by the Nazis.

 

 

 Just as Rocket Ship Galileo featured the boys` mentor, Dr Cargraves, Heinlein`s last juvenile continued the `car` theme in its featuring of the character, Carmen Ibanez, who is described as a `mother`, because she`s a starship pilot dropping her `boy sons` on the home world of the arachnoid `bugs`, Klendathu, where they fight and die. In the movie made from Heinlein`s novel, Starship Troopers (1997), actress Denise Richards stars in the role of Carmen, and it`s a typically adult scenario of children being fed to the machine guns by their fathers as `cannon fodder`. Actor Neil Patrick Harris says so, in his role of Colonel Carl Jenkins: `We're in this war for the species, boys and girls. It's simple numbers. They have more. And every day I have to make decisions that send hundreds of people like you to their deaths.`3 Familiar to those who know anything about the first world war (1914-18) with the German Empire`s ambition of slavery for Europe and the rest of humanity, Starship Troopers represents the fathering of boy sons, that is, `poisons`, who`re dropped by `mothers` to their deaths, because that`s the pattern of human behavior advocated by the supervising Overlords in respect of the nihilism of the Overmind they serve: `One day, someone like me is going to kill you and your whole fucking race!`4 The irony of course is that the extrapolated arachnoid enemy species is `woman`s seed` suppressed by male semen so that the fathers can keep poisoning the Earth in male braining.

 

 

 In parasitology, the parasite that emerges from the host womb to devour it is termed `parasitoid`: `When you battle 6 trillion enemies that will eat you alive, there are only two rules ... EVERYONE FIGHTS. NO ONE QUITS.` Because women can sexually reproduce with each other, whereas parasitoid men can`t, Heinlein`s eight limbed arachnoid aliens are an extrapolation of how women engage in a sexual reproduction of the human race that`s exponential, whereas men are her parasitoid enslavers. Written in 1947, Rocket Ship Galileo is infused with the optimism born of the age of the car, that is, Heinlein`s rocketeer, Dr Cargraves, together with the youths that make up the crew of the Galileo, look forward to the age of space travel. The first car mass produced in the United States of America, the Model-T Ford, came off the Henry Ford manufacturing plant`s production line in Detroit, Michigan, in 1908. However, by the time Starship Troopers was written in 1959, Heinlein`s perception that space travel represented the grave of the car, had evolved into the idea of fathers, who drove cars and left poisons, that is, boy sons, like pollutants hanging in the air above planets, because they didn`t want a future for their children apart from their supervising of them as Overlords nihilistically obsessed with their Overmind`s nothingness.

 

 

 Although Starship Troopers wasn`t a made for `TV` movie, in a sense it was, because the Romans had been manufacturing men and women as a single male brained creature wearing each others` clothes in `TV` transvestism since the ancient Roman Empire`s building of huge amphitheaters inside which its alien parasitoid devouring consciousness watched the `remnant` of human futanarian `woman`s seed` kill itself for its pleasure. Starship Troopers 2: Hero of the Federation (2004) was a `TV` film made for transmission by the television `TV` machine invented by John Logie Baird in 1926 as a home entertainment medium that largely supplanted the appeal of film theaters for the parasitoid public mind, and which had been built to serve the US movie industry centered around Hollywood, Los Angeles, on the west coast of California after director, D. W. Griffith, made the first film there, Old California, in 1910. Although the Nazi pogromers of the Jewish `chosen people` with their futanarian tradition of `woman`s seed` took center stage in the supposed war against fascism in the 1930s until the end of the second world war (1939-45), President of the Motion Picture Producers and Distributors of America (MPPDA), Will Hays` establishment of the `Hays code` (1930) was a step towards the banning of human sexual reproduction from the movie screens as fascist as anything the Nazis envisioned: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`5 Starship Troopers 2: Hero of the Federation premiered on Encore Action on April 24, 2004, and was released on DVD on June 1, 2004, to be watched as a recording bought by the `TV` viewer. The troopers face a new arachnoid, a `bug` that infests the human body by entering through the mouth and propagating inside the brain. At first Private Lei Sahara`s hallucinations are blamed on her pregnancy, which affords another neat opportunity to condemn women`s species of futanarian `woman`s seed` for wanting sex without men, who actually transmit the `incurable killer disease`, HIV/AIDS, in rejection of women for homosexuality`s mixing of blood, shit and semen in each others` anuses.

 

 

 The human immuno-deficiency virus (HIV) results in acquired immuno-deficiency syndrome (AIDS) inducing systemic collapse of the organs before infecting and killing the brain of the victim. Although human society has been taught that homosexuality is merely an acceptable sexual preference, in ancient Greece host womb slavery of women in homosexuality and pederasty for the spread of the contagion of war against `woman`s seed` was institutionalized. Consequently, HIV/AIDS is men`s `biological weapon` keeping women in fearful faithfulness to the ring slavery of the parasitoid devouring her species in war against her. Actor David Wells, in the role of a recruiting sergeant, makes it explicit for actress Coleen Porch in the role of Lei Sahara: `We need fresh meat for the grinder.`6 Starship Troopers 3: Marauder was released directly onto the recorded home entertainment medium of DVD for purchase by viewers as an owned movie on August 5, 2008. The Mobile Infantry (M.I.) are supported at home by a government suppression of seditionists, which echoes the suppression of the Jewish `dissident` Jesus, and the subsequent Nazi pogroms against the Jews in the middle of the 20th century as `spies`, because of course the arachnoid aliens are spi-ders extrapolated from human women`s futanarian capacity to exponentially reproduce their own brains` powers as an antidote to men`s viral form.

 

 

 In his role of Sky Marshal, Omar Anoke, actor Steven Hogan, ostensibly embraces the arachnoids` religion in an attempt to make peace between `the bugs` and the Terran Federation: `I have made this great journey. I have evolved. I have sacrificed all so that I may create with you a great peace. And they're fucking it up!`7 After Omar Anoke`s popular arrival on planet Roku San, an attack by the arachnoids is attributed to Anoke`s deliberately collapsing the base`s defenses, because of what religious trooper, actress Marnette Patterson`s in her role as Holly Little, identifies as a contaminating telepathic rapport between Anoke and the arachnoid `Brain of Brains` which, like the Overlords and the Overmind in Clarke`s Childhood`s End, effectively usurps human consciousness: `It's the wrong God!`8 Returning from Roku San, Anoke and actress Jolene Blalock as Captain Lola Beck find themselves marooned on a planet, OM-1, while actress Amanda Donohoe, as Admiral Phid, ignores their distress signal. Anoke is subsequently killed in a terrorist attack staged by the government of the Terran Federation to discredit `peace protestors`, and dozens hang. New Sky Marshal, Admiral Phid, impressed with the way Anoke was rendered servile by the arachnids religion, decides to adopt a Christian-esque version. Those protesting that they want peace are labeled warlike and executed as unlovable.

 

 

 The war against `woman`s seed` extrapolated as `bugs` is a metaphor for homosexuality in pederasty`s `biological war` against the human futanarian race of women`s, which in the late 20th century was characterized by the HIV/AIDS paradigm. HIV/AIDS was translated as `bad machine code` by the `geek` successors to the Greek`s `biological weapon`. The geeks` sought to deploy their `Trojan virus` to infect computer brains to prevent the human race from running its own program, and rather have it succumb to the new pogroming against the peaceful, that is, the children, which is what Amanda Donohoe`s new Sky Marshal character at the close of Starship Troopers 3: Marauder stands for. In simple terms, for Donohoe`s Phid, religion approximates to a `snuff vid`, where `snuff` is the term used to describe that illegal genre of recorded entertainment, which is the real life recording of killings for the parasitoid alien to enjoy, and has been encouraged in homes since the invention of the DVD to make home-made pornography and `snuff films` feasible: `Your candle burned out long before your legend ever did.`9 Pop singer Elton John`s `Candle In The Wind` (1973) lament for Hollywood sex symbol, Marilyn Monroe, who was found dead in the nude in 1962, reflects upon the penislessness and brainlessness of the human race, `snuffed` like a candle flame by its parasitoid killers filming the extinction of `woman`s seed` for its pleasure.

 

 

 A huge hollow wooden horse, known as the `Trojan horse`, was the method by which the Greeks captured the city of Troy, as narrated by the poet, Homer, in his Iliad (760-10 B.C.). Left outside the gates of the city the horse was taken in by the Trojans, where the Greeks emerged to enslave the host wombs of the women for homosexuality in pederasty and war against `woman`s seed` to spread their contagion further: `Beware Greeks bearing gifts.`10 Starship Troopers extrapolates men`s desire for invasion into women`s being inaccurately presented as alien `bugs`, because invasion is how men`s viral form spreads. Consequently, the films, and personal computer games deriving from those who hold the franchise on Heinlein`s Starship Troopers, illustrate how patterns of adult behavior, prescribed for children to emulate in fiction, are lethal towards those who seek to live, rather than die.

 

 

 Starship Troopers 4: Invasion is a Japanese-American 2012 computer animated film released as a direct-to-video title in Japan on July 21, 2012, and in North America on August 28, 2012. The action consists in killing a `bug` queen bent on crashing a hijacked starship, John A. Warden, into Paris, but the interesting feature is of the developing of mind power by the Terrans to control `the bugs`. Minister of Paranormal Warfare, Carl Jenkins, voiced by Justin Doran, directs `bugs` to assist in the killing of the queen. Because invaded queens aren`t invasive kings, the attribution of a devouring parasitoid evil alien nature to females is symptomatic of an endemic misogyny manifest as xenophobia in the Starship Troopers fictional universe, that is, a supposedly adult genre that`s life-threatening to children who`re trained in militarism to espouse it as a pattern for universally successful human action.

 

 

 That peacefulness is childlike, and therefore foolish, is a poison endemic in modern civilization, culture and art. Inculcating the desire to kill, even vicariously, isn`t the way to develop children into adults: `Darkness is your friend. Whatever you do, don't turn on the lights.`12 In the `PC game`, Starship Troopers: The Terran Ascendancy (2000), the recovery of ancient teleportation equipment is essential to the `game`. The `hive` on the `bug` home world, Klendathu, is penetrated, and the M.I. plant bombs. On New Year`s Day, 2372, the Terran military celebrates its victory, but humans would want their children to have something better to do with teleporters capable of transmitting people to distances as far away as the surface of a nearby world, rather than have fathers explain their adult behavior pattern to the latest generation of `cannon fodder`; for the alien parasitoid devourer to enjoy watching itself being killed: so that it can die. Starship Troopers: The Terran Ascendancy isn`t `pc`, that is, it isn`t `politically correct`, because it isn`t for humans, and it purports to be about humans, whereas it`s actually for alien Overlords, who of course want humans to be at peace with the Overmind.

 

1 Clarke, Arthur C. Childhood`s End, Ballantine Books, 1953.

2 Heinlein, Robert A., Stranger In A Strange Land, G. P. Putnam`s Sons, 1961, p. 429.

3 Harris, Neil Patrick as Colonel Carl Jenkins, Starship Troopers, Tristar, 1997.

4 Muldoon, Patrick as Lt Zander Barcalow, Starship Troopers, Tristar, 1997.

5 TV Tropes, `Foot Popping`, https://tvtropes.org/pmwiki/pmwiki.php/Main/FootPopping/ .

6 Wells, David as Recruiting Sergeant, Starship Troopers 2: Hero of the Federation, Encore Action, April 24, 2004.

7 Hogan, Steve as Omar Anoke, Starship Troopers 3: Marauder, Sony Pictures, 2008.

8 Patterson, Marnette as Holly Little, Starship Troopers 3: Marauder, Sony Pictures, 2008.

9 John, Elton (music), and Bernie Taupin (lyrics), `Candle In The Wind`, Goodbye Yellow Brick Road, MCA, 1973.

10 Laoccon in Virgil, The Aeneid, Bk II, 19 B.C.

12 Doran, Justin as the voice of Dr Carl Jenkins, Starship Troopers 4: Invasion, Sony Pictures, 2012.

Élelmiszer

24/08/2016 13:17

Élelmiszer

 

Lazarus Long is a character in the novels of Robert A. Heinlein (1907-88), who was a member of what the science fiction writer described as `the families`, a part of the human race that bred for longevity after receiving a legacy from Ira Howard, who became rich in what was known as the `California Gold Rush` (1848-55). A feature of Heinlein`s stories about the `Howard families` was the recognition of new `family` members, because they were long-lived, and so `belonged`. Because of violence towards `the familes`, who were believed by the mass of ordinary humanity to have a secret elixir of immortality, which they wouldn`t share, they`d a recognition code amongst themselves: `Life is short. But the years are long.`1 The appropriate response between friends was: `Not while the evil days come not.` As Lazarus Long was a member of the `Long` family, `the families` was a generic term for humans approximating to the immortal ideal, that is, anyone could be `Long`. Apart from breeding for longevity to promote the `immortality gene`, through their long memory `the families` were able to maintain technological development arising from their almost immortal individual and collective brainpower, which again increased their capacity for living longer by means of rejuvenatory medical science. Introduced by Heinlein in the novella, Methuselah`s Children (1941), which featured the families` development of starships to escape the irreligious suppressions of the immortals by the pseudo-Christian dictator, Nehemiah Scudder, Long was a character loosely based on the figure of Lazarus who, according to the New Testament of the Bible, which is the record of the life of the Jewish Messiah, Jesus, was raised from the dead by the rabbinical healer, whose basic teaching was: `Love your neighbor as you love yourself.` (Mk: 12. 31) In his novel Time Enough For Love (1973) Heinlein extends Jesus` concept of familial love, that is, `Agape`, to the families` breeding program, who`re depicted as the neighbors that, in the name of Jesus, breed with each other to have the immortality God took away from humanity in Eden.

 

 

 The first woman, Eve, and the first man, Adam, were expelled from Eden for rejecting the `fruit of the tree of life`, that is, immortality, after accepting the `fruit of the tree of the knowledge of good and evil`, which was death, from the angel, Satan: `You shall be as gods.` (Gen: 3. 5) He`d been turned into a serpent and left in the paradise of heaven on Earth by God, after rejecting God`s plan that the human host would be greater than the angelic. God told Eve her `seed` would have `enmity` with the `serpent`s seed`, but Redemption would occur if Adam labored, although Eve would experience labor pain: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) Adam`s labors are understandable as mankind`s quest for immortality through science, which is what the Longs represent, whereas Eve`s labors are depicted as being fulfilled in Jesus` birth from his mother, the Virgin Mary, who is represented in Christian iconography as crushing the head of the serpent with her foot, because human futanarian women can sexually reproduce with women from their own semen. Because of censorship Heinlein couldn`t write about the Long `foot`, but the sexual reproduction of human brainpower from `woman`s seed` is how God envisages the head of the serpent to be finally crushed, although Satan is depicted as becoming fire-breathing war: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) As Jesus is born uncontaminated by male semen from his mother, the Virgin Mary, he`s `woman`s seed`, because the futanarian race of women are able to self-fertilize from their own penis` semen as a species` survival trait. When Jesus` disciple, Judas, who was known for stealing from the collection plate after a sermon, spied a woman anointing Jesus with the expensive perfume, `spikenard`, he suggested that the perfume be sold to raise money, but Jesus rebuked him: `Leave her alone.` (Mk: 14. 6) In revenge, Judas sold Jesus as a `dissident` against the Empire of Rome, which was then occupying Palestine, for `thirty pieces of silver`. The Romans took Jesus to the hill of Calvary outside the city of Jerusalem, and nailed him to a cross of wood, where he died, but afterwards Jesus had Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`, whose destiny it is to sexually reproduce the brainpower of her own species to carry her away from ephemerality in womb slavery to Satanism and colonize the planets amongst the stars of heaven in starships of her own devising.

 

 

 Jesus was a `dissident` because he was `woman`s seed` and the Roman Empire was a male brainer. In parasitology the parasite that emerges from the host to devour it is termed `parasitoid`, which is what men and women were bred for: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) The passage from the prophetic Revelation of Jesus` disciple, John, is television. Although the television machine wasn`t invented until 1926 by John Logie Baird, the Romans manufactured men and women as a single male brained creature wearing each others` clothes in `TV` transvestism and built huge amphitheaters to watch the human kill itself, a form of entertainment that was continued by the film industry of Hollywood, Los Angeles, California, after the first film was made there by D. W. Griffith, Old California (1910), when movie theaters were built across the Earth as the forerunners of the entertainment theater of `TV` television for the alien parasitoid devourer to enjoy at home: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Although Babylon (c. 4000 B.C.) was the capital city of the Persian Empire, Hollywood was called `Babylon` because it promoted slavery for futanarian `woman`s seed` so that irredeemably parasitoid nature could enjoy humanity extinguishing itself: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`2 The establishment of the `Hays code` (1930) by Will Hays, President of the Motion Picture Producers and Distributors of America (MPPDA) effectively banned human sexual production, because `foot` was a euphemism for futanarian `woman`s seed`, and by suppressing knowledge of women`s footrace, men might make it to the moon, but women wouldn`t make it to the stars: `One small step for a man, one giant leap for mankind.`3 Neil Armstrong`s words on becoming the first man to set foot on the moon on July 21, 1969, were followed by US President Ronald `Ray Gun` Reagan`s `strategic defense initiative` (SDI) of March 23, 1982, which proposed a `ground and space based missile system` that would effectively imprison `woman`s seed` upon the Earth. Known as `star wars`, after the Star Wars (1977) Hollywood `Babylon` movie about a `Death Star` built by an evil Empire to orbit planets and kill them, that was `SDI`.

 

 

 Lazarus was a long running character that Heinlein ran as his race`s winner. In The Number Of The Beast (1980) Jake Burroughs is the inventor of the `continua craft`, Gay Deciever (a witch craft incorrectly spelled, as it were), which is an `air car` capable of accessing an almost infinite number of alternate universes, and where stories and characters from fiction are found to be real; including Lazarus Long, who appears throughout the last nine chapters as a character in his own Heinleinian universe. Burroughs` daughter is Deety, because her initials are D.T. Burroughs` named her for Dejah Thoris, a princess of Mars in Edgar Rice Burroughs` stories of Barsoom, that is, the name given by the inhabitants of Mars to their planet in Burroughs` fictions. With whimsy equal to her father`s, Deety Burroughs weds Zeb Carter, who is the namesake of Earthman John Carter, hero of Edgar Rice Burroughs` Barsoomian tales of red and green Martians. Jake Burroughs` wife is Hilda, and the double marriage journey through what Heinlein labels `the multiverse`, in Gay Deciever, while indulging in wife-swapping, homosexuality and incest. Because futanarian sex remains an unbreakable taboo, it`s obvious that the censoring parasitoid host womb enslaver of the human futanarian species of `woman`s seed` will tolerate almost anything but liberty for human brainpower, which is what Heinlein`s fictional `air car` symbolizes.

 

 

 In ancient Greece, which is often held to be the `model of Western democracy`, host womb enslavement of women`s host wombs for homosexuality in pederasty for war against `woman`s seed` was institutionalized. Democracy is the belief that all women are equal, whereas the US` Declaration of Independence from the British Empire of George III in 1776 was: ` We hold these truths to be self-evident, that all men are created equal, that they are endowed by their creator with certain unalienable rights, that among these are life, liberty and the pursuit of happiness. That to secure these rights, Governments are instituted among men, deriving their just powers from the consent of the governed.` And what about the women? Futanarian `woman`s seed` can sexually out produce men who can`t sexually reproduce with each other. Consequently, men are denying humans the franchise. When Gay Deciever attempts to travel to Barsoom, the British and Russian Empires are at war with each other. Lazarus Long explains: `E.R.B.'s universe is no harder to reach than any other and Mars is in its usual orbit. But that does not mean that you will find Jolly Green Giants and gorgeous red princesses dressed only in jewels. Unless invited, you are likely to find a Potemkin Village illusion tailored to your subconscious.`4 According to the Bible Eve emerged from the side of Adam in Eden, and Jesus said that a Holy Spirit would teach after him, which caused the Roman guard, Longinus, to cut his side open with a spear, because he evidently believed that, as the `Second Adam`, Jesus` side was where the `Second Eve` would emerge. In short, the Earth is a `Potemkin village illusion` hiding futanarian humanity from its killer, which is a parasitoid alien invader.

 

 

 According to scientists space borne viruses can originate life,5 which suggests that at some time in the distant past an alien viral life form inveigled itself into the host womb of women`s futanarian human race and stole her penis` semen  to replicate itself and kill her species. This is what is depicted as the serpent, Satan, who was an angel in heaven above, because saurian evolution in the Mesozoic (22 m. a.) period of Earth`s history produced winged intelligence that, become degenerate through the virus, passed the virus on to humanoids, which became parasitoid too. The angels of God are represented as having wings, which is what the evolved species of dinosaurs had, according to archaeologists. Although dinosaurs are depicted as ravening meat eating monsters in a film like The Valley Of Gwangi (1969), or Jurassic Park (1993), the angel, Satan, is depicted as a serpent that becomes a ravening dragon in the Bible, that is, he`s a saurian that had intelligence and wings beside God`s throne in heaven, but he becomes degenerate after rejecting the host, that is, the womb of creation, because the viral life form is able to enter into a parasitoid relationship with the creatures of God. In simple terms, ravening meat eating dinosaurs aren`t winged angels, but then neither are men in their B2 `Spirit` bombers costing US $ 1 billion dollars to use and maintain, whereas men would have the Earth believe that they`re winged like angels, despite their extinguishing of `woman`s seed` by means of `air power`.

 

 

 Heinlein`s `air car` Gay Deciever is a parody of men`s `air power` insofar as there`s everything in the `multiverse` apart from humans, because God`s futanarian `foot` is palpable only to those who`re aware of its absence, which isn`t apparent to most people, because of the blackout imposed on the mass media`s disseminating any pictures of `woman`s seed`; at least since the establishment of the `Hays code` after the invention of the `TV` machine in 1926 made it possible for the alien parasitoid to enjoy its victory over the species from the comfort of an armchair in a home not its. Heinlein`s `families` are depicted as having exterminated every other life form apart from humans in the course of his novels of space colonization. However, men are the manifestation of parasitoid alien nature, which has already extinguished `woman`s seed`, that is, the Earth`s. Consequently, Heinlein`s long-lived humans are actually an alien parasitoid invading the cosmos to bring extinction to all other species, which includes humans that may`ve already escaped: `His tail swept a third of the stars from the sky, tossing them to the Earth.` (Rev: 12. 4) Lazarus, the typical alien parasitoid devourer, presumably with mouth watering, explains the Long view to Jake Burroughs: `Not to hurt you, Professor; you have my highest respect. You are one of three: the man who invented the wheel, the man who discovered how to use fire - and you. But, in making this supreme discovery, you have accomplished something I had thought impossible. You have made interstellar war logistically practical. Interstellar? Intergalactic - interuniversal!`6 Yum.

 

 

 Assisted in Methuselah`s Children by Andrew Jackson `Slipstick` Libby Long`s invention of the faster than light (FTL) spaceship drive, `the families` escape from Nehemiah Scudder`s measures to wrest the secret of eternal life from them in `concentration camps` similar to the `death camps` of the German National Socialist (Nazi) Party in which 20, 000, 000 Jews were exterminated and incinerated after the election of 1933. The families` return to Earth assisted by an even faster spaceship drive invented by Andrew to discover that, believing that the naturally long-lived `families` had the elixir of life, the scientists of Earth have manufactured it. Andrew relates how he died and, identified as someone who`d had `the potential to go either way`, had decided to become a woman, Elizabeth Andrew Jackson`s `Lipstick` Libby Long, when resuscitated: `... someone asking me patiently, again and again, whether I preferred to be a man or a woman ... and at last I tracked clearly enough to realize that the question was serious ... and I answered, 'Woman' - and they made me answer that question at least once a day for many days - and then I went to sleep one night and when I woke, I was a woman ...`7 The irony of course is that, from the perspective of futanarian `woman`s seed`, Andrew isn`t human. When s/he proposes to Deety that they produce a genius baby together, Mrs Carter replies: `Which one of us supplies the penis?`8 Without a shade of irony, `Elizabeth` begins to explain the concept of `sperm donor` to the other absent member of the human species` mind.

 

 

 The ostensible reason for the crew of Gay Deciever`s encounter with Lazarus Long in `Space Yacht Dora` is the rescuing of his mother, Maureen Johnson (b. July 4, 1882). Jake narrates how Zeb Carter duly picks the soon-to-be-rejuvenated Maureen up in Gay Deciever during a 1982 car accident in which she was once killed: `He was out of the car, kneeling, picking up a body, kicking a cop in the stomach, and throwing that body to me, as he scrambled inside and shouted, `Gay Bounce!``9 In Time Enough For Love Heinlein almost had Lazarus father himself while consummating his incestuous longing for his mother, which is presented tongue-in-cheek as the ultimate taboo, because the author knew he wasn`t writing about human sexual relations, but rather women`s penis detachment. Maureen consummates her incestuous desires for her father, and her children with husband, Brian Smith, before finally marrying her son, Lazarus, in a group marriage, after Brian divorces her to marry one of their daughters: `And we all lived happily ever after.`10 Again it`s ironic because the memory of the parasitoid devourer isn`t human. By the late 20th century men`s mixing of blood, shit and semen in each others` anuses in rejection of women spread the `incurable killer disease, HIV/AIDS, as the `biological weapon` of homosexuality in pederasty for war against human futanarian `woman`s seed` keeping women in fearful faithfulness to men`s monogamous ring slavery of the species` host womb: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) The transmitted human immuno-deficiency virus (HIV) produces acquired immuno-deficiency syndrome (AIDS) and systemic organ collapse resulting in brain death, which is classically parasitoid, that is, the parasite emerges from the host to kill it.

 

 

Although the German Nazis in the 1930s before their defeat in WWII (1939-45) were perceived as wasteful because of their extermination and incineration of 20, 000, 000 Jews, they were in fact misers. Because the brain is the seat of memory, the exterminated can`t remember. It`s a Jewish tradition that a Jew can only be born from a woman, for example, Jesus` birth from his mother, the Virgin Mary, is an archetypal Jewish birth, because humans are futanarian `woman`s seed`. Without memory, the Jewish `chosen people` of the Bible can`t recover what they`ve lost, and so the exterminators are thieves who seek to keep what they`ve stolen through miserliness. In short, the Nazis were the misers of human `seed` and brains. The symbol of the fasces was borrowed from Italian fascist dictator Benito Mussolini who used it after the election of 1922 that brought him to power in Rome where he assumed dictatorial powers. The fasces was the symbol of the ancient Roman Empire at the time of Jesus, a bundle of wood and an axe, which represented Roman planning. A planner would cut wood and build a hide behind which to draw up plans for a camp during the Roman Empire`s expansion. In Italian, German and Japanese fascism the `labor camp` was what they built and millions of people died in them, because the `concentration camp` was a `home entertainment` extension of the fascist idea of the amphitheater in which people killed each other for the enjoyment of the parasitoid alien. The `death camp` was where the exterminators entertained themselves at home with the `TV`. Because the fascists didn`t want to share the `TV`, they killed the Jewish futanarian race in order to be able to miser the choice. When the Al Qaeda terrorists operating under the auspices of the notoriously misogynist Taliban regime in Afghanistan crashed hijacked civil airliners into the Twin Towers of the World Trade Centre (WTC) in New York city on September 11, 2011, it was the alien parasitoid`s re-establishing of `rough trade`,11 that is, that `brutality and violence`12 associated with homosexuality in pederasty for war against `woman`s seed`, because the misers wanted to choose what the human race watched. In other words, extinguishing the human brain was how the fascists misered war to ensure its alien parasitoid consciousness` entertainment.

 

 

 Heinlein`s Deety (D.T.), that is, Dejah Thoris, and Jake live in Logan, Utah, while Logan, Boston, Massachusetts, is where the 9/11 civil airliners were hijacked before the terrorists crashed them into the Twin Towers of the World Trade Centre on Manhattan island: `It was only a few moments until I saw twin towers. We cruised toward them.`13 Although these twin towers aren`t those of New York city, Lazarus Long`s observation about Edgar Rice Burroughs` Barsoom in The Number Of The Beast affords hope to a believer in God`s providential  design: `Unless invited, you are likely to find a Potemkin Village illusion tailored to your subconscious.` The Al Qaeda terrorists had visas, so were guests of the U.S.A., while Heinlein`s description of Deety`s University campus at Logan, Utah, before the unannounced appearance of `twin towers` from the crew of Gay`s childhood, reassures the believer in a good God: `... I would like to go close enough to be sure that those are the twin towers of Helium. Perhaps see a thoat. Or a green man. Something.` The `twin towers` of Deety`s childhood from Logan, Utah, were destroyed by alien parasitoids seeking to prevent her escape: `My irreplaceable collection of pulp magazines. Weird Tales, Argosy, All-Story, the early Gernsbachs, The Shadow, Black Mask - Ooooooh!`14 Dejah Thoris` `twin towers` of Helium stand for her childhood in Logan, Utah, and the Twin Towers of the childhood of the U.S.A., because Logan, Boston, Mass., is where the airliners were hijacked by the terrorists.

 

 

 At the sci-fi convention organized by Lazarus Long in the closing section of The Number Of The Beast, L` Envoi, Snob of the partnership Tome, Hernia, Lien, & Snob, that is, a `trademark` anagram of Mr Robert Anson Heinlein, proffers a business card, `SIEGE SINISTER SERVICES SYNDICATE`, with the emblazoned slogan, `The Villains Nine Rig Ruin`,15 and `Georges Exterminated` within its remit. The French l` envoi means `despatch`, a term used by a killer, that is, an assassin, for his kill. A further Al Qaeda terrorist hijacked civil airliner crashed into a wall of the Defense Department of the Pentagon at Arlington, Virginia, while another hijacked airliner crashed at Shanksville, Pennsylvania, after an apparent struggle between terrorists and passengers. Perhaps on its way to crash into the official White House residence of the President of the United States of America in Washington, D.C., George W. Bush, Heinlein`s `Georges Exterminated` remit for his ostensibly fictional firm of SIEGE SINISTER SERVICES SYNDICATE, and with its `The Villains Nine Rig Ruin` slogan on its business card, suggests Heinleinian prescience on the subject of 9/11. Former Director of the Central Intelligence Agency (CIA), George Bush Snr., was President of the US during the 1990-91 war to remove the Iraq army of President Saddam Hussein from Kuwait. George Herbert was father of George W. Bush Jnr., US President during the March, 2003, invasion of Iraq, and the subsequent war to remove President Saddam Hussein, who`d evinced support for Al Qaeda after the events of 9/11, 2001. Consequently, in political terms the Georges were being `despatched`. President Georges Pompidou of France (1962-74) had fostered close relations between France, the U.S.A., North Africa and the Middle East, but the alien parasitoid devourer wanted to watch `TV` war, so the Georges that had made peace on Earth more attractive for human futanarian `woman`s seed` were mentioned in Heinlein`s `despatches` from The Number Of The Beast, although Mars, the Roman god of war, won over the `twin towers` of Dejah Thoris` childhood of Helium on Barsoom.

 

 

The childhood of Americans contains Logan`s Run (1976), a movie that shows signs of having contributed to the psychosis of the terrorists, who disrupted the Boston Marathon with home-made bombs on April 15, 2013, in another attempt to prevent the human race from running. Logan`s Run was based on the 1967 William F. Nolan novel in which `runners` are hunted down, and killed by `Sandmen`, because the society can`t maintain an ageing population: `Terminate her! Now! You're a Sandman! Now, Logan! Now!`16 All those individuals who reach 21 years are killed; just as the 21st century was killed by the Al Qaeda terrorists crashing civil airliners hijacked at Boston`s Logan airport into the Twin Towers of the World Trade Centre on September 11, 2001. Although the socio-economic inability of the government to maintaining an ageing population drives the film, the concept is a miser`s. Without memories, the people won`t remember they`re dispossessed by the demons that are in possession, so it`s in the interest of the miser to remove the penis of `woman`s seed`, and therefore the brainpower of subsequent generations, which serves the alien parasitoid devourer and its `live` entertainment of watching `events` such as 9/11 `as it happens` on networked `TV`.

 

 

 Miserliness is what retailers are associated with. Supermarkets, for example, sell on the basis of fractional mark ups and reductions to improve the sales of less popular products and maintain the success of more popular goods: `... [the] beast required all people small and great, rich and poor, free and slave, to receive a mark on their right hand or on their forehead, so that no one could buy or sell unless he had the mark - the name of the beast or the number of its name.` Most biblical commentators suggest that the prophesy of Jesus` disciple John relates to debit cards or other forms of personal identification relating to codes scanned by electronic equipment in supermarkets, etc., to register payment. The passage continues: `Here is a call for wisdom: let the one who has insight calculate the number of the beast, for it is the number of a man, and that number is six hundred sixty-six.` (Rev: 13. 16-18) In Heinlein`s The Number Of The Beast Jake explains `666`: `Six raised to its sixth power, and the result in turn raised to its sixth power.`17  That number is, `10,314,424,798,490,535,546,171,949,056` universes. If each universe is linked to a product, the retailer is the store manager, that is, the `story man`, who misers the choice. In Hungary there was a supermarket chain, `Élelmiszer`, because Lazarus Long, that is, L . L., was a miser. In Hungarian `fut` means `run` and `tanar` means `teacher`, that is, Jesus was the trainer of the futanarian human race, but the `mark of the beast` is the tail returned to the customer by the retailer, who doesn`t want the once human animal to remember its lost penis and brains, because that would interfere with `trade`, that is, the penislessness and brainlessness of homosexuality in pederasty`s war against the human species. Japanese Hentai manga cartoons featuring `woman`s seed` are called `futanari`. Although their main characteristic is sadism perpetrated against women, futanari manga cartoons are traditional insofar as the binding of women`s feet was practiced in Japan to prevent the race from escaping on grounds of aestheticism, that is, the shrunken deformity of the women`s futanarian species` feet were looked on with pleasure by their misogynist captors.

 

 

 Although the misogynist Taliban regime supportive of the Al Qaeda terrorists re-establishing of `rough trade` on 9/11 was toppled by the US army in December, 2001, the subsequent war was what misogynist homosexuality in pederasty for war against `woman`s seed` wanted. Although Islam is depicted as antithetical to Judaism in fact it`s the same futanarian tradition. The founder of Judaism, Isaac, was the son of Sara, wife of Abraham, who became barren after Isaac`s birth and gave Hajer, her maid, to Abraham. Hajer bore Ishmael, who became the founder of Islam, according to Moslem tradition, when the angels of God gave him the Koran (610-30 C.E.) after being told that the human host was to be greater than the angelic. Although Christianity believes that the four wife marriages of Islam are a retroactive means of legitimizing Ishmael`s birth from a woman not Abraham`s wife, polygamy affords the possibility of sexual reproduction between women within the family, which is the reason for misogyny`s wanting to provoke war between Judeo-Christianity and Islam. Moslem women wear the single one-piece coverall of the burka traditionally in public to conceal themselves from the prying eyes of those raised in the Babylon of the Western democracies where the nude penislessness of women is a ubiquitous sign of the general brainlessness of a population that has extinguished human futanarian `woman`s seed` from their midst, whereas in Moslem Islam the vehicle of futanarian sexual reproduction of human brains` powers for liberation from slavery to death in war still exists. Mohamed was anti-misogynist, which is why the burka was institutionalized. With at least an 80% split in favor of women the Moslem marriage is a symbol of human democracy; despite the prevalence of dictatorship amongst the Islamic nations. When Abu Bakr Al Baghdadi illegally declared an Independent State of Iraq and Syria to the United Nations (U.N.) in 2014, the acronym ISIS was a deliberate attempt to defame the ancient sun goddess of ancient Egypt, Isis. The mother of Ishmael, founder of Islam through his descendant, Mohamed, was Egyptian, which is reflected in the name of the temple of Abraham in the Saudi Arabian city of Mecca, the `Ka` Ba`, where `Ka` means `spirit` and `Ba` means `soul` in Egyptian, because they`re symbolic of the sexual reproduction of human brainpower within the futanarian human species of `woman`s seed`, which requires its own penis` semen for its own host womb. The futanarian woman has both penis and womb, because it`s how she separates her species of women and `woman`s seed` from the parasitoid. According to ancient Egyptian mythology, Isis is the rememberer of Osiris, who is dismembered by his evil brother, Set, who therefore represents `TV`, that is, the television set, who want to watch war.

 

 

 The flag of the Independent State of Iraq and Syria (ISIS) bears the full moon, like the terrorist group, Al Qaeda`s, and which is the antithesis of the ancient sun goddess, Isis, as a symbol of male sterility and war against `woman`s seed`. Although the crescent moon of Islam symbolizes the fertile region of the river Nile, which serves the agriculture of the Middle Eastern states of Iraq, Syria, Lebanon, Jordan, Israel, Palestine, Egypt, southeast Turkey, and western Iran, the full moon on the flag of Al Qaeda, like the red sun on the flag of Japan, after its sneak attack on the US Pacific fleet at Hawaii on December 7, 1941, meets with disapprobation, because of biblical imagery of `a woman clothed with the sun and with the moon at her feet` associated with the `Second Coming` of Jesus who, according to Christian tradition, will `rule the nations with an iron sceptre` despite the attentions of Satanism: `The dragon stood in front of the woman who was about to give birth, so that it might devour her child the moment he was born.` (Rev: 12. 1-4) For the U.S.A. the red sun of the flag of Japan, and the moon of Al Qaeda and Abu Bakr`s rebel Independent State of Iraq and Syria (ISIS ), which was set against the recognizedly established governments of those nations, led by Syria`s Bashar Assad, and Iraq`s Nouri Al Maliki, foreshadowed the `Second Coming` of Jesus, whose rule sees the evil being punished with perdition, that is, eternal unendurable pain, according to Jesus` disciple John`s Revelation, while the resurrected, and the `remnant` of `woman`s seed`, receive a new heaven and Earth. However, `red` Russia is a much bigger country than the U.S.A., and Japan is willing to present the futanarian `woman`s seed` concealed beneath the veils of the women of Islam as a `futanari` manga alternative to `TV war`, while `fut` meaning `run` and `tanar` meaning `teacher` is an alternative linguistic interpretation of Jesus` role from a nation not America`s, and where the moon looks down from the heavens with a face that may bear the imprint of an American astronaut`s boot, but it hasn`t yet borne the `foot` of `woman`s seed`. Although the sterile catered surface suggests that the `bug-eyed monster`, which science fiction writers generically label with the acronym `BEM`, had been there before. US President, Ronald `Ray Gun` Reagan, initiated `star wars` to keep `woman`s seed` a slave and a prisoner on Earth with icy BEMs, that is, the weapons of the alien parasitoid devourer`s intercontinental ballistic missiles (ICBMs) armed with nuclear warheads aimed as a deterrent at women`s host womb and futanarian species` `remnant` seeking escape or death, while pictures of the lunar surface walked upon by Neil Armstrong in his single-eyed spacesuit suggest Satan`s preparing to make the Earth another of his old haunts.

 

1 Heinlein, Robert A. `Methuselah`s Children` in Astounding Science Fiction, July, August, and September 1941.

2 https://en.wikipedia.org/wiki/Pre-Code_Hollywood#Origins_of_the_Code .

3 Armstrong, Neil, July 21, 1969, UTC: 2. 56.

4 Heinlein, Robert A. The Number Of The Beast, Fawcett, 1980, Ch. 48.

5 Wickramasinghe, Chandra, `Bacterial Morphologies Supporting Cometary Panspermia: A Reappraisal`, International Journal of Astrobiology, 10 (1), pp. 25-30, 2011.

6 Heinlein, Robert A. The Number Of The Beast, Fawcett, 1980, Ch. 35.

7 Heinlein, Robert A. The Number Of The Beast, Fawcett, 1980, Ch. 40.

8 Heinlein, Robert A. The Number Of The Beast, Fawcett, 1980, Ch. 44.

9 Heinlein, Robert A. The Number Of The Beast, Fawcett, 1980, Ch. 45.

10 Heinlein, Robert A. To Sail Beyond The Sunset, G. P. Putnam`s Sons, 1987, 416 pp.

11 https://en.wikipedia.org/wiki/Trade_(gay_slang) .

12 Merriam-Webster Dictionary, https://www.merriam-webster.com/dictionary/rough%20trade .

13 Heinlein, Robert A. The Number Of The Beast, Fawcett, 1980, Ch. 47.

14 Heinlein, Robert A. The Number Of The Beast, Fawcett, 1980, Ch. 3.

15 Jordan, Richard as Francis 7, Logan`s Run, United Artists, 1976.

16 Heinlein, Robert A. The Number Of The Beast, Fawcett, 1980, Ch. 48.

17 Heinlein, Robert A. The Number Of The Beast, Fawcett, 1980, Ch. 6.

Tripod And Camera

12/08/2016 11:34

Tripod And Camera

 

If they`re ignorant men, it`s because they don`t have fathers, which is why Jesus said his father was God and he didn`t have a biological father, but a mother representing Eve`s `seed`. Eve was the first woman, who was told by God: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) In Christian iconography, Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent, who had been the angel, Satan, transformed by God into a serpent for rejecting God`s plan that the human host be greater than the angelic. The reason for that is because Jesus was born uncontaminated by male semen, and human futanarian women with penis` semen of their own for the sexual reproduction of brainpower to liberate their potentially socio-economically independent species from ignorance, are the `foot` of God. In the original paradise of heaven on Earth, Eden, the creator of Eve, the first woman, and Adam, the first man, told Eve her `seed` would have `enmity` with the `serpent`s seed`, before Redemption from its evil would appear. Consequently, Jesus was born of Eve`s `seed` as the Redeemer, that is, Jesus was uncontaminated by male semen as a human figure of the futanarian nature of `woman`s seed`, because humanity needs woman`s brainpower from her own `seed` to defeat evil, which denies to her even the reality of her being able to father children.

 

 

 When the United States of America invaded Iraq in March, 2003, it was ostensibly to prevent the Iraqi army from pogroming the Kurds, who are the people of the country, Kurdistan, which is contained within the borders of several nations; including Syria, Iran, and Turkey. However, after the deposing of Saddam Hussein, the Iraqi dictator, who was executed on December 30, 2006, his political successor in the Middle East, Abu Bakr Al Baghdadi, declared the Independent State of Iraq and Syria, and the USA borrowed Turkish air bases to attack ISIS, while the Turks continued their pogrom against the Kurds living in Turkey through attacks launched from the Turkish air bases. In short, recognition of the possibility of women being fathers is a prerequisite for the perception that men are mankind. Otherwise they`re simply the pogromers of `woman`s seed`. Isis was the sun goddess of ancient Egypt, who remembered Osiris, who was the incarnation of his father, the sun god Ra, who corresponds to God in Christianity, while Jesus is correlatable with Osiris, and the Virgin Mary, his mother, with Isis, because she remembers women`s futanarian human nature. Consequently, ISIS, with its moon symbol (and the moon is male in the Middle East), represents a subversion of the female principle, that is, the `spirit of God`, who was called the `Shekinah` and, dwelling in the temple of the Jews in Judaism, is the Holy Spirit Jesus said would teach after him. Consequently, as a male principle, the spirit of ISIS is men, but not fathers, whereas the sun goddess, Isis, and the Holy Spirit, can be fatherers, which is Jesus` teaching: `Love your neighbor as you love yourself.` (Mk: 12. 31)

 

 

 In the Egyptian myth of Osiris, Isis is unable to find the penis of Osiris dismembered by his evil brother, Set, so Isis gives him hers. If it`s recognized that `woman`s seed` are the fatherers of the human futanarian race of women, and men can`t sexually reproduce with each other, whereas women can, men`s wars are the `seed` of the `serpent`, which is why the acronym ISIS is used to slander Isis, the sun goddess, who represents life, rather than the sterility of a cratered moon where men`s ICBMs have already apparently been to unmake what God had created. In parasitology, the parasite that emerges from the host to devour it is termed `parasitoid`, which is what men do with the human host womb, so men aren`t her fatherers, but rather her `serpent seed` grown: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) In science fiction, BEMs are `bug-eyed monsters` and icy BEMs everywhere are men`s ICBMs (intercontinental ballistic missiles) with nuclear warheads: `... across the gulf of space, minds that are to our minds as ours are to those of the beasts that perish, intellects vast and cool and unsympathetic, regarded this earth with envious eyes, and slowly and surely drew their plans against us.`1 H. G. Wells` depiction of Martians preparing to invade Earth in his novel, The War Of The Worlds (1897), is an extrapolation of men as BEMs, and the invasion itself extrapolates from ICBMs, which wouldn`t be invented until after the first atomic bombs were dropped on Japan`s cities of Hiroshima and Nagasaki on August 6 and 9, 1945, by the USA. In the Hollywood movie version of The War Of The Worlds (1953), the `heat rays` emanate from an aperture of the `Martian war machines` resembling a single eye. The `tripods` are icy BEMs (ICBMs), that is, `bug-eyed monsters` extrapolated from what Wells already knew of the menace on Earth: `It was sweeping round swiftly and steadily, this flaming death, this invisible, inevitable sword of heat.`2

 

 

 Although ISIS is associated with the sickle, or crescent moon, the crescent moon of Islam amongst the Moslem peoples isn`t a symbol of the `grim reaper`, but rather a symbol of the `Fertile Crescent` of the Levant which, centred upon the river Nile, is comprised of Iraq, Syria, Lebanon, Jordan, Israel, Palestine, Egypt, Turkey and Iran. Although death is traditionally represented as wielding a sickle figuratively, and sickle shaped red cells are a symptom of the HIV/AIDS virus, that is, the biblical `blood plague` (Rev: 11. 6), sent by God to convert men from their evil sinful parasitoid nature, Moslems in Islam with their traditional sickle shaped daggers and scimitars, and their symbol of the crescent moon, which are representative of the time of the harvest for the people of the `Fertile Crescent`, aren`t death worshippers. Similarly, the human immuno-deficiency virus, HIV, and acquired immuno-deficiency syndrome, AIDS, which destroys the white cells of the human immune system until the red blood cells have the appearance of sickles, isn`t attributable to the Moslem peoples of Islam either, where the `red crescent` is the symbol of free medical treatment represented by the `red cross` in Christianity. In cases of HIV/AIDS the body dies from the late 20th century `incurable killer disease` spread by men`s mixing of blood, shit and semen in each others` anuses in rejection of women. Ancient Greece institutionalized rejection of women for the enslavement of their host wombs for homosexuality in pederasty and war against `woman`s seed`, that is, HIV/AIDS is a `biological weapon` originating in ancient grease. Although political scholars describe Greece as the `model` for democracy, `woman`s seed` was disenfranchised by the `Greek` system, whereas Moslem women in Islam wear the one-piece coverall of the burka to prevent the virus` eyes from perceiving them. In other words, death may be what ISIS is a figure of, but it isn`t what Isis, the sun goddess, represents: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Babylon, `a woman`, according to the Bible, which is the Talmud and Torah, that is, the history and law of the Jews, is the name of the capital city of the Persian Empire, Babylon (c. 400 B.C.), Iraq, which seems to have been based on the `Greek` model of host womb enslavement of the human futanarian species of `woman`s seed` for the spreading of the viral contagion of men`s homosexuality in pederasty for war upon the Earth`s indigenous race of women. However, in democracy, Hollywood, the mass media Empire of the USA, is labelled `Babylon`, because its `babes` are penisless women, whereas human brainpower is produced from `woman`s seed`. Consequently, the USA`s war with ISIS is a war between `bug-eyed monsters`, who`re aliens without human brains, whereas the `remnant` of `woman`s seed` is perforce forced to remain `hidden` by the ICBMs and the icy BEMs of the `Martian war machines` patrolling the streets and public places with their CCTVs.

 

 

 Jesus was taken to the hill of Calvary outside the city of Jerusalem by representatives of the ancient Empire of the Romans as a `dissident` preaching against male braining. Nailed to a cross of wood where he was left to die, Jesus experienced Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`. It was the Romans that built huge amphitheaters in which to watch people killed. Consequently, Jesus` death was representative of the Romans` manufacturing of men and women as a single male brained creature wearing each others` clothes in `TV` transvestism for the purposes of the parasitoid alien devourer who wanted to watch `TV`. When John Logie Baird invented the television `TV` machine in 1926 it was so that the alien parasitoid devourer could watch the `remnant` of the human race kill itself as a male brained transvestite, because the parasitoid had repressed `woman`s seed` for that reason. The mass media Empire of Hollywood, Babylon, in the city of Los Angeles, on the west coast of California in the USA, caused the building of theaters across the Earth for the same reason, and Will Hays, the President of the Motion Picture Producers and Distributors of America (MPPDA), established the `Hays code` (1930) preventing human sexual reproduction from theater screens by euphemistically banning the raising of the species from the floor of the bedroom by ensuring that its futanarian `foot` remained firmly rooted to the spot: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`2

 

 

 The fasces symbol of ancient Rome was a builders` symbol, that is, a bundle of wood with an axe in the centre represented the architect who`d construct a blind inside which he`d work to plan a new encampment. After the symbol was adopted by Adolf Hitler, the leader of the German National Socialist (Nazi) Party, from Rome`s Benito Mussolini, the Italian fascist leader who, elected in 1922 assumed dictatorship, the Nazis were elected in 1933 and Hitler assumed dictatorship. The fasces became the symbol of the `death camps` of Nazism inside which 20, 000, 000 of the `chosen people` of the Bible, the Jews, were exterminated and incinerated. The `death camps` were the modern equivalent of the Roman amphitheaters corresponding to fascism`s home entertainment `TV` theaters where the `remnant` of humanity`s `seed` were extinguished. In Judaic tradition a Jew can`t be born unless from a woman, that is, women are Jews, so the Jew Jesus` birth from his mother, the Virgin Mary, is illustrative of the Jews` futanarian tradition. Although Moslems in Islam aren`t usually associated with Judeo-Christianity, the Jews don`t accept Jesus` New Testament as the Bible, whereas the Moslems in Islam revere Jesus through the Koran (610-30 C.E.), which was given to Mohamed, according to tradition, by the angels of God, who`d been told that the human host was to be greater than the angelic. In the Koran Jesus and Mary are called Isa and Miriam and, although they don`t represent the basis for the Moslems having four wives, the virgin birth is integral to Islamic belief. The founder of Judaism was Isaac, who was the son of Abraham born to his wife, Sara, who afterwards was barren and gave her maid, Hajer, to Abraham, and Hajer bore Ishmael, who was the founder of Islam through his descendant, Mohamed.  Although Christianity thinks that the four wife system of the Moslem peoples is a retroactive legitimization of Ishmael`s birth, because Hajer was a `concubine`, the four wives represent the affording of the possibility of human sexual reproduction between women within the family. Consequently, Judeo-Christianity and Islam are a `tripod` from H.G. Wells` The War Of The Worlds perspective, that is, it`s the `bug-eyed monster` of men`s `war machine`, built to possess and kill `woman`s seed` as an icy `BEM`, after invading and holding its ground; until ready to permanently extinguish her with the even icier gaze of its ICBMs: `The Martians fought with weapons as yet unimagined by the people of Earth; an invisible sword of fire that destroyed all it touched.`3 The more ICBMs were invented by the alien parasitoid devourer in the post-1945 era by men to deploy against women.

 

1 Wells, H. G., The War Of The Worlds, `The Coming Of The Martians`, Book One, `The Eve Of The War`, 1897, Ch. 1, p. 1, para. 1.

2 https://tvtropes.org/pmwiki/pmwiki,php/Main/FootPopping/ .

3 `Where Science Meets Science Fiction`, https://www.technovelgy.com/ct/content.asp?Bnum=626 .

Thou Shalt Have No False Guards Before Me

08/08/2016 13:19

Thou Shalt Have No False Guards Before Me

 

The Roman word for farmer in Latin was `agricola`, so it`s of some relevance that the name of Rome`s governor in Britain, after the conquest of 55 B.C. by Julius Caesar, was Gnaeus Julius Agricola (58-85 B.C.). Traditionally, retired Romans farmed, which applied to the army as well as the administration. Consequently, because the Romans had gods that they worshipped, there`s a correlation between the concept of gods and guards, that is, the Emperor of Rome was surrounded by gods and his personal Praetorian guards, while the Emperor was often declared a god answerable only to the father god, Zeus, for example. In Egypt, which came under the sway of the Romans, the ruler, Pharaoh, was believed to be Ra, the father god, incarnate. The religion of ancient Egypt was that Ra had once incarnated as Osiris upon the Earth but he was dismembered by the evil god, Set, his brother, and was remembered by the sun goddess, Isis, before Osiris was resurrected as Horus, the sky god, who returned to heaven as Ra, the sun god. Consequently, Pharaoh was, like a Roman Emperor, the representative of the god of gods, that is, God. God appears in the Old Testament of the Bible, which is the history and law of the Jewish `chosen people`. Eden is depicted as the paradise of heaven on Earth given to Eve, the first woman created by God from the side of the first man, Adam, although Eden is the place where the angel, Satan, was placed after being turned into a serpent by God for rejecting God`s plan that the human host be greater than the angelic, that is, God`s a farmer, and Satan is a slaver.

 

 

 Eve is tempted by the serpent, Satan, into accepting death, that is, `the fruit of the tree of the knowledge of good and evil`, which makes of her generations thereafter ephemerals bereft of permanent brainpower and memory for the maintenance of civilization, culture and art, because subsequent human history is the farming of humans for war, which is the exchange of host wombs for power: `You shall be as gods.` (Gen: 3. 5) In ancient Greece enslavement of women`s host wombs for homosexuality in pederasty for war against `woman`s seed` was institutionalized, and the `enmity` of the `serpent`s seed` for the `seed` of Eve is described for Eve by God: `You shall crush the head of the serpent with your foot, but he shall bruise your heel.` (Gen: 3. 15) Jesus, who is the central figure in the New Testament of the Bible, which contains his teaching against the Roman Empire, is represented as having been born from his mother, the Virgin Mary, uncontaminated by male semen, while she is depicted in Christian religious iconography as crushing the head of the serpent with her foot: `Love your neighbor as you love yourself.` (Mk: 12. 31) Because Eve` s `seed` denotes the human futanarian species of women, with their own penis` semen for the sexual reproduction of women with their own brains` powers for liberating themselves from host womb slavery in parasitism to the `serpent`s seed`, Jesus is a futanarian human, that is, Mary`s foot. The bruising of the foot before `woman`s seed` leaves Earth for the planets amongst the stars of heaven above reflects upon the will of the evil that she remain enslaved as a host womb for the production of war against her own `seed`, which is why `Babylon`, `a woman` of the Bible, is depicted as having given her name to the capital city of the Persian Empire, Babylon (c. 4000 B.C.): `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) In parasitology, the parasite that emerges from the host to devour it is termed `parasitoid`, which is why Satan, the serpent, is depicted in the prophetic Revelation of Jesus` disciple, John, as having grown into a dragon: `The dragon was wroth with the woman and went to make war upon the remnant of her seed.` (Rev: 12. 17) The dragon is slavery in ephemerality for war, which requires that humans die, so the `incurable killer disease` of the late 20th century, HIV/AIDS, spread by men`s mixing of blood, shit and semen in each others` anuses in rejection of `woman`s seed`, remains incurable, because it`s a `biological weapon` of institutionalized host womb slavery for homosexuality in pederasty for war designed to keep women`s penis in fearful faithfulness to ring slavers: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was prefer death for the human race to immortality through advanced medical science because they`d rather spend $ US 1, 000, 000 on each B2 `Spirit` bomber to kill `woman`s seed` than help her up.

 

 

 According to science `panspermia` is how life originates on planets as a space borne virus. If women`s species was futanarian then a viral life form at some indeterminable point in human history somehow inveigled itself into the host womb of the race to steal her penis and replicate itself. Subsequent generations have experienced war as the alien`s entertaining of itself. Jesus was taken to the hill of Calvary outside the city of Jerusalem in Palestine occupied by the Romans as a `dissident` against the male braining of the Empire of Rome where he was nailed to a wooden cross and left there to die but had Resurrection and Ascension to heaven in prefiguration of that of human futanarian `woman`s seed`. Although the television `TV` machine wasn`t invented by John Logie Baird until 1926, the Romans were manufacturing the human species as a single male brained creature wearing each others` clothes for transvestite, that is, `TV` entertainment, in the huge amphitheaters the Empire built for its alien parasitoid nature to watch humanity kill itself. By the early 20th century the movie theaters that had been built across the Earth for the film industry centred on Hollywood, Los Angeles, and since the first film was made there by director, D. W. Griffith, Old California (1910), had the same function of providing death scenes as entertainment. When the President of the Motion Picture Producers and Distributors of America (MPPDA), Will Hays, established the `Hays code` (1930) it was the death knell for the human futanarian species of Mary`s foot upon the Earth as `woman`s seed` was no longer able to be seen in what should be an edutainment medium explaining how the human futanarian species leaves despite the Satanists attempt to keep her in host womb slavery for war against her own race: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`1

 

 

 Although the German National Socialist (Nazi) Party of the 1930s pogromed the Jewish `chosen people` whose futanarian tradition that a Jew can only be born from a woman, Jesus` birth from his mother, Mary, illustrates, the Nazis represent the `false gods` as guards hypothesis. God commanded the Jews not to have `false gods`, which is what the guards at the `concentration camps`, built throughout Europe during the Second World War (1939-45), were for the Jewish `chosen people`, who were exterminated and incinerated in what came to be known as `death camps` where the worship of the `false guards` took place. The elected Chancellor of the Nazi Party in 1933, Adolf Hitler, adopted the fasces symbol from Italy`s `fascist` successor to the Roman Empire, dictator Benito Mussolini. The fasces was a builder`s symbol, a bundle of wood with an ax, which for Hitler represented the means whereby the `death camps` were constructed, although the Romans used them to build blinds behind which an architect would plan the building of an amphitheater, for example. The Nazi `death camps` were the false guards` farm, that is, Satanism farmed humans for death, which is what God`s `chosen people` were for from a Satanist perspective. Or, in other words, the `death camps` were a German home entertainment theater constructed on a false understanding of the term `farm`. It was the Nazis that devised the `love farm` concept in which blondes were paired to make babies who`d be supermen and superwomen. However, the human futanarian tradition of `woman`s seed` is Judeo-Christianity`s, whereas the manufacture of men and women as a sundered `TV` species, with a single male brain wearing each others` clothes as a transvestite for the alien parasitoid to enjoy watching it kill itself in wars against its own race, is Satanism`s.

 

 

Although Islam is often represented as antagonistic towards Judeo-Christianity, that`s based on a misconstruction also. Isaac, son of Abraham and Sara, founded Judaism, and after Isaac`s birth Sara was barren, so gave her maid, Hajer, to Abraham, and Hajer bore Ishmael, the founder of Islam through his descendant, Mohamed, who received the Koran (610-30 C.E.) from the angels of God who`d been told that the human host should be greater than the angelic. Although Christianity perceives the four wives permitted in Islam as a retroactive legitimization of the birth of Ishmael, born form a woman not Abraham`s wife, Islam is a futanarian tradition affording the possibility of sexual reproduction between women within the family, that is, liberation through brainpower, and that despite the prevalence of dictatorship in Islam, which denies women the democratic franchise. However, although the West proselytizes upon the virtues of their democratic system, it`s based on the Greek model of host womb slavery for homosexuality in pederasty and war against `woman`s seed`. Consequently, women in Islam wear the one-piece coverall of the burka to conceal themselves form alien Western eyes, where the penislessness and brainlessness of `woman`s seed` is ubiquitously advertised through Hollywood`s propaganda medium of film and `TV`, which supports Western society`s non-education system, and is why Hollywood is labelled the `Babylon` of the West.

 

 

 Although science fiction writer, Robert A. Heinlein`s (1907-88) Starship Troopers (1959), which was made into a Hollywood, Babylon, movie in 1997, starring Denise Richard`s as a pilot, Carmen Ibanez, a member of a women`s spaceship cadre labelled `mothers`, because they dropped their boy sons (poisons), who are the Mobile Infantry (M.I.) of Heinlein`s projected future of space wars against an alien menace, onto the arachnoid `bugs` of the planet, Klendathu, received the appellation `fascistoid` from the critics, its depiction of a Roman fascist society was what a single male brain wearing each others clothes as a transvestite `TV` does: `I'm from Buenos Aires and I say, KILL 'EM ALL!`2 Carmen`s name is significant because the level of civilization, culture and art drops if `woman`s seed` can`t sexually reproduce the brainpower she needs to leave in starships of her own brains` devising: `To vote is to wield authority; it is the supreme authority from which all other authority derives - such as mine to make your lives miserable once a day. Force if you will! - the franchise is force, naked and raw, the Power of the Rods and the Ax. Whether it is exerted by ten men or by ten billion, political authority is force.`3 The abandonment of `woman`s seed` in space for cars is what Starship Troopers Carmen represents: `One small step for a man, one giant leap for mankind.` Neil Armstrong`s statement upon becoming the first man on the moon on July 21, 1969, UTC: 2. 56, wasn`t that of human futanarian `woman`s seed`, and US President Ronald `Ray Gun` Reagan`s subsequent March 23, 1982, `strategic defense initiative`, called `star wars` after the 1977 movie, Star Wars, in which a `Death Star` was built by an evil Empire to orbit planets and kill them, represented the fears of `woman`s seed` that she`d be kept on Earth in a Nazi-style `death camp` where she`d be exterminated and incinerated by the US` ground and space based missile system` ostensibly built to protect her. Robert Heinlein`s optimistic narratives form a part of his juvenile series of novels primarily written for boys between 1947, Rocketship Galileo, a tale of Nazis on the moon defeated by the obviously symbolically named, Cargraves, and his young helpers, and Podkayne Of Mars (1963) about a girl, `the Poddy beautiful`, who wants to be a spaceship pilot, hopefully unlike like Carmen Ibanez in Starship Troopers.

 

 

 Heinlein`s seminal juvenile is Farmer In The Sky (1950), set in a future, overcrowded Earth, where food is carefully rationed. Teenager William (Bill) Lermer lives with his widower father, George. George decides to emigrate to the farming colony on Ganymede, one of Jupiter's moons. After marrying Molly Kenyon, George embarks with Bill and Molly's daughter Peggy on the 'torchship', Mayflower, which of course is named in memory of the English colonists, known as the `Pilgrim Fathers`, who sailed from Plymouth to New England in 1609, and later instituted the day known as `Thanksgiving` for God`s having spared them through hardship that killed many of their number. Consequently, it`s a `moon quake` that causes the `heat trap` machinery of the colony to malfunction, because the colonists are told that there aren`t any farms for them, and so they must build the farms themselves. The Quakers were the colonists who were persecuted4 in New England and so `moon quake` follows upon their disembarkment from what is now allegorically understandable as a `torture` ship, rather than the `torchship`, Mayflower, after they`re told there aren`t farms for them there on Ganymede where they`d expected to find them awaiting their arrival. That`s because the Quakers were persecuted by the descendants of the `Pilgrim Fathers`, and so the `quake` is Heinlein allegorically warning of God`s vengeance upon the people of New England who, after arriving on the Mayflower ship, persecuted the Quakers.

 

 

 Two thirds of Ganymede`s colonists die from the quake; or freeze to death -  including Peggy – and the Lermers decide to rebuild. While exploring, Bill discovers artifacts from an alien civilization, which are largely represented in Heinlein`s juveniles as benign, because dead, although the Resurrection and Ascension of `woman`s seed` suggests that Robert`s alien civilization, culture and art is reprresentative more of his idea of what mothers should be, rather than what Carmen Ibanez is in Starship Troopers, for example, in Have Space Suit – Will Travel (1958), Kip`s travelling companion is `the Mother Thing`; ostensibly an alien, but a genuine `mother figure`, who teaches him how to be human: `I've heard all the usual Sweetness and Light that kids get pushed at them - how they should always forgive, how there’s some good in the worst of us, etc. But when I see a black widow, I step on it; I don’t plead with it to be a good little spider and please stop poisoning people. A black widow spider can’t help it - but that’s the point.`5 For Heinlein Carmen Ibanez is a `black widow` spider dropping poisons (boy sons); even though the alien enemy is ostensibly the arachnoid bugs of Klendathu, that is, it`s an allegorical extrapolation of the truth that women`s host wombs are enslaved by an evil alien parasitoid nature to perform unnatural acts against her own race.

 

 

 Because it`s woman`s form that`s the issue, farming and form are correlatable with forming and farm, and terra-forming is what the colonists have to practise on Ganymede in order to live there. However, terror-farming is what is practised on Earth, that is terra-forming is the manufacture of a single male brained creature wearing each others` clothes as a transvestite `TV` for the waging of war against the human species of `woman`s seed`, where Terra is the word for Earth in science fiction, but is a homonym of `terror`, that is, the human race of Terra lives in terror of women`s penis being seen, which is the basis of Terra-ism. In other words, the parasitoid alien devourer in Satanism doesn`t want the human futanarian species of `woman`s seed` to breed her own brains` powers for liberation form host womb slavery in parasitism to the parasitoid alien devourer and so has made the penis of women`s species its terror weapon, which it secretly extinguishes. Signs of its secret extinguishment of the human futanarian race are cigarettes `smoked` as phalloi, where `smoking` is a euphemism for killing and fellatio is a practise engaged in as a symbolic acknowledgement between Satanists that the brains of the human race are being killed in order to ensure the predominance of the `snuff movie` alternative fate prepared for the human adventure to experience rather than Heinlein`s `Future History`, a vision of human expansion aided by resurrected `woman`s seed`; depicted as `alien` but benignly extinct in his juvenile novels for adolescents.

 

 

 Although the Nazis believed in men like gods, that is, the supermen and superwomen that they`d breed on their `love farms` to replace the Jewish futanarian `chosen people`, the concept of breeding gods is evident form human history, where the gods of Egypt aren`t human, and although the later gods of Greece and Rome had mainly human form, the evidence of breeding for strength as a trait desirable over the human suggests that the `false gods` became the `false guards` of fascism, that is, men were bred for strength, rather than brains, because human futanarian `woman`s seed` was repressed in pogroms such as those undertaken by the Nazis promotive of breeding without human semen which, judging from antiquity`s gods with the heads and forms of animals, suggests that`s how Egyptian and other ancient societies produced their gods/guards, who were bred to be representative powers that Pharaoh would be in a position to command, whereas the people had to worship the god(s), before the ruling Pharaoh would look with favour on their prayers. Consequently, the Nazi guards, with their closed circuit television (CCTV) etc., were bred and educated to falsely believe they were effectively the representatives of the `new gods`; to be begged as household guards/gods for favours, which would be granted - or otherwise - by the bigger gods, that is, their richer and more powerful masters in the false gods` pantheon.

 

 

 The Nazi perspective is that they breed pure humans, which is defined as an anathema by those who`re against eugenics programs based on the Nazis` condemning of the Jews as a sub-species. The absence of `woman`s seed` from the Nazi breeding equation gives fascism the advantage in the argument, because they simply point to men as being über without explaining that the women are host womb slaves in parasitism to their alien parasitoid devourer, war. Consequently, German fascism is accepted by all men; the `over men` for the `under women`, who`re the `remnant` of the species of human futanarian `woman`s seed`. Men aren`t the human race. Consequently, for the Nazis to produce genuine human strength, that is, brainpower, they`d need `woman`s seed`, but slaves in ephemerality is what humans are. Food, that is, for the parasitoid devourer; war. Or, in other words, what the Nazis produced was a slave and a slaver, and humanity eventually accepted it; because it looks like a man. Although Terra is a homonym in science fiction, it isn`t the same as `terror`. The Roman tradition was to buy a farm for retirement, and so `buying the farm` is a euphemism for soldiers who die in combat; like those of Heinlein`s `Mobile Infantry` (M.I.) in Starship Troopers: `When you come right to it, it is easier to die than it is to use your head.`6 The form remains the same; if you buy one. But Jesus` teaching is of man born from `woman`s seed` alone, because he wasn`t sold on the idea of buying a form. Nazism is the perception that the form will remain the same, if you buy into the idea that men and women are humans, and not a screen manufactured for the alien parasitoid devourer to watch and play its `PC games` on. Slavery is a concomitant of the Nazis` denying `woman`s seed` existence, that is, human `seed`. Jesus` teaching is that all men can have Resurrection and Ascension to heaven, but they`ll have to have faith in God`s ability to incarnate without male semen.

 

 

 The Roman guard at Jesus` crucifixion was Longinus who, after Jesus` death cut his side open with a spear: `Surely, this was the son of God.` (Matt: 27. 54) According to the Bible, Eve emerged from the side of Adam, and Jesus taught that a Holy Spirit would teach after him, so Longinus cut open Jesus` side so that the Holy Spirit could be born, because Jesus was known as the `Second Adam`, so the Holy Spirit would be the `Second Eve`. The `spirit of God` isn`t male but female in the Bible and is described as dwelling in the temple of the Jews, the Shekinah, who is `tranquility` in Islam. In other words, God`s Holy Spirit is woman`s and human futanarian `woman`s seed` is God`s species` means of sexual reproduction of brainpower to take her to colonize the planets amongst the stars of heaven above the Earth. Because human women aren`t taught the identity between gods and guards, and that farms are where their forms are farmed, and formed by women with `woman`s seed` to produce human brainpower to take their race to heaven, they think of guards as defense, whereas they`re jailors in the `death camp` maintaining institutionalized host womb slavery for an alien parasitoid devourer`s war gods. Before Jesus was crucified, he was spied by his disciple, Judas, having his feet anointed by a woman with the expensive perfume, spikenard. Judas, who was known for stealing from the collection plate, after a sermon by Jesus, suggested that the perfume be sold to raise money, but Jesus demurred: `Leave her alone.` (Mk: 14. 6) So Jesus wouldn`t have a girlfriend, and sexually reproduce as `woman`s seed` the human brainpower that the human race needed to escape Roman slavery for war, Judas sold Jesus for `thirty pieces of silver` to the Jewish religious police, the Pharisees, who gave Jesus over to the Romans for crucifixion. Consequently, the Pharisees were the false gods/guards of the Jews, that is, Jesus was the first victim of the Nazis` fascist extermination pogrom. Although it was traditional for Roman Emperors to be made gods, Longinus` spear that cut open Jesus` side, in what came to be called by modern surgeons, `caesarian section`, after the method apocryphally ascribed to the birth of Julius Caesar, wasn`t delivering a god. But, rather, the Shekinah, or `spirit of God`, who is human futanarian `woman`s seed` as God`s daughter, repressed into extinction by men, and awaiting Resurrection and Ascension to heaven, which Jesus` Advent born of his mother, the Virgin Mary, uncontaminated by male semen, presaged. Jesus wanted to form humanity, rather than be a guard, that is, farm for God, rather than guard the `death camp` where animals were bred to be the false gods/guards, which was Judas` ambition with the Romans.

 

1 https://tvtropes.org/pmwiki/pmwiki,php/Main/FootPopping/ .

2 Van Dien, Casper as Pvt./Cpl./Sgt./Lt. John `Johnny` Rico in Starship Troopers, Columbia TriStar Pictures, 1997.

3 Heinlein, Robert A. Starship Troopers, G. P. Putnam`s Sons, 1959, Ch. 13.

4 Hollowell, Richard Price, The Quakers in New England: An Essay, Merrihew & Son, 1870, p. 26.

5 Heinlein, Robert A. Have Space Suit – Will Travel, Scribner`s, 1958, Ch. 10.

6 Dubois, Lt. Col Jean V. (Ret.) in Robert A. Heinlein, Starship Troopers, G. P. Putnam`s Sons, 1959.

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