Time`s `Nuff 4 Love

Science fiction writer, Robert A. Heinlein (1907-88), wrote time travel stories for his audience often based on the taboo principle of a character traveling back to the past to have sexual intercourse with their mother and thereby father themselves, for example, Lazarus Long in Time Enough For Love (1973), who has sex with his mother but doesn`t fertilize her. Self-progenitor`s sex is the basic idea of the story `”- All You Zombies -”` (1959), which became the Australian SF film, Predestination (2014), about a hermaphrodite born with both physical attributes of man and woman, and who is operated upon surgically to make life easier: ‘Ever hear of that Scottish physician who was female until she was thirty five? - then had surgery and became legally and medically a man? Got married. All okay.’1 The protagonist, who`d been a girl, and thought she was a woman in hospital to birth her illegitimate child, replies: ‘What’s that got to do with me?’ The doctor explains: `When I opened you, I found a mess. I sent for the Chief of Surgery while I got the baby out, then we held a consultation with you on the table - and worked for hours to salvage what we could. You had two full sets of organs, both immature, but with the female set well enough developed for you to have a baby. They could never be any use to you again, so we took them out and rearranged things so that you can develop properly as a man.’

 The story begins in a bar and the man that the bartender thinks of as the `Unmarried Mother`, a `confession` story writer, who is unaware that the bar is a place where the Time Corps recruit those they want to train as time travelers, is narrating the fate of his child: `Kidnapped - stolen from the hospital nursery!` Relating his belief that the father stole the child, the `Unmarried Mother` laments: `I was as ruined as a woman can be; that bum really ruined me - I was no longer a woman … and I didn’t know how to be a man.` Heinlein doesn`t describe a process whereby behavioralist psychology, and societal conditioning, produce a supposedly human male perspective. The surgically altered transgender personality of the `Unmarried Mother` is simply depicted as feeling male: ` I was staring down nurses necklines.` Although the imagery is suggestive of a male learning about human sexuality as he becomes physically aroused by the woman`s breasts, `neckline` also suggests the invisible line where the headsman cuts off the head of the condemned with his axe in an execution.

 In the 1001 Nights 8^th century collection of stories the `framing device` is the beheading of the wife of Shah Jehan for wrongly alleged unfaithfulness, and Sheherezade tells him stories to prevent him from taking a new wife each day and beheading her. She marries him and saves the women through her stories, which he wants to continue hearing rather than marry more women. Consequently, the 1001 Nights is about women who kept their heads, and their brainpower. Because women are able to sexually reproduce their own brainpower as futanarian `woman`s seed`, the `Unmarried Mother` represents the nascent human race, before her development is curtailed by surgery. Or, in other words, the unwritten distinction is between the human and the maled brain. Shah Jehan represents the male that doesn`t want women to have brains of their own, whereas Scheherezade convinces him that women`s brains are good.

 In parasitology, the parasite that emerges from the host to kill it is termed `parasitoid`, that is, the surgery practiced on the `Unmarried Mother` is a form of male braining supportive of male `seed` to remove the woman`s point of view. When the `Unmarried Mother` is staring down the neckline of the women he`s become surgically male brained, because he`s now in the role of a parasitical beheader of women`s human futanarian species of `woman`s seed` through his sexual desire to replicate as a parasite that will emerge to devour humanity in war against her: `Everybody knows now why the Fizzle War of 1963 fizzled. The bomb with New York’s number on it didn’t go off, a hundred other things didn’t go as planned - all arranged by the likes of me.` The plot of the narrative is that the male brained are more logical and rational servers of a human race that works through time travel agents to prevent the species of `woman`s seed` destroying itself in parasitoid warfare against her.

 Even revisionist history isn`t supportive of such an assertion. The truth is that the male brain is parasitoid and likes it, which threatens the continued existence of the human race. Or, as the actress, Sarah Snook, in the role of the `Unmarried Mother`, warningly says in Predestination, the Australian sci-fi film of `”- All You Zombies -”`: `You better not be fucking with me.`2 Consequently, the space borne virus scenario presented by science through which life can originate on a planet from a virus traveling through space before it finds a suitable habitable world is a more workable model in explaining how it was that the human futanarian host womb was invaded by a viral life form that, somehow untold millennia ago, inveigled itself into the host in order to emerge at periodic intervals to kill the development of `woman`s seed`, and force the race back into darker ages of unconscious ignorance to maintain slavery to the parasitoid devourer that breeds war, because it likes human extinction as its entertainment in planetary `snuff` movies.

 The recruiter behind the bar at `Pop`s Place` makes his pitch: `What would you say to high pay, steady work, unlimited expense account, your own boss on the job, and lots of variety and adventure?` Saying he knows the kidnapper, the barkeep makes a suggestion: `I hand him to you, you settle with him, then try my job.` The Time Corps agent uses gives the `Unmarried Mother` a `U.S.F.F. Coordinates Transformer Field Kit, series 1992, Mod. II` after he uses it to take the `Unmarried Mother` back to 1963: `Settle him, then I’ll pick you up.` The kidnapper is revealed as the father. Heinlein gives the reader a `snapshot` of him in 1945: `Jane was sleeping soundly; I carried her out, put her in a grocery box on the seat of a car I had provided earlier, drove to the orphanage, put her on the steps.` Jane is the `Unmarried Mother` and the kidnapper travels forward in time to see her in 1963 before she conceives herself as a child with her lover: `Presently I spotted them down the street, arms around each other. He took her up on the porch and made a long job of kissing her goodnight - longer than I thought.` The man on the porch is the time-traveler who`s arranged the scene: `That’s all, son,` I announced quietly. `I’m back to pick you up.` He`s the bartender and all of the other characters too.

 In the Time Corps HQ in the Rockies in 1992, he asks tiredly of no one else present as he prepares to sleep: `I know where I came from - but where did all you zombies come from?` The story concludes: ` You aren’t really there at all. There isn’t anybody but me - Jane - here alone in the dark. I miss you dreadfully!` Jane is lost to the `Unmarried Mother`, who is now maled, that is, he has a male body, although his role as a `confession story` writer affords him the opportunity to work the woman`s angle, which is what he`s able to do more than other males because he`s experienced what it is to be a woman. Heinlein`s narrative is a meditation on the difference between woman and maled, that is, the `Unmarried Mother` physically bore a child, her daughter as herself, after being impregnated by herself as a male, which suggests that brain and body are interchangeable aspects of the human system, that is, there isn`t any difference between male and female brains.

 It`s Heinlein`s unwritten thesis in `”- All You Zombies -”` that the female brain is replaced by the male brain, because the maled brain becomes parasitoid and alien. Or, in other words, the relationship between male and woman is between alien parasitoid and human. Exposed to human social conditioning and behavioralist psychology, the male is less parasitoid, which is what religious conversion strives to achieve. In Christianity, the term metanoia is used by Jesus, whose teaching became the basis of the Christian religion: `Love your neighbor as you love yourself.` (Mk: 12. 31) Without brain transformation in acceptance of `woman`s seed`, which is what Scheherezade seeks from Shah Jehan in her 1001 Nights narrative, the male headsman keeps staring at the woman`s neckline with a view to beheading the species in war against her.

 It`s implicit that the society of `”- All You Zombies -”` finds it easier to deal with people once the gender of the newborn has been `fixed` by the medical establishment`s interventionist surgical procedures, which in fact they`re empowered to do by US law. Consequently, Heinlein`s narrative treats of the theme of hermaphroditism as an alternative dismissed too readily by a social system approximating to fascism, which had as its emblem the fasces, a bundle with an axe in the center used by the German Nazis during their pogroms against the Jews in the 1930s and 1940s as a symbol of the `camps` they built, and inside which upwards of 20, 000, 000 Jews were killed, before being stacked in bundles like wood and incinerated in `ovens`, because the fascists wanted to behead the `chosen people` of Jesus` Jews, whose tradition it was, like the Moslems in Islam with their four wives affording the possibility of human sexual reproduction of brainpower through futanarian women in the family, that a Jew can only be born from a woman.

 Jesus` mother, the Virgin Mary, was a woman, because he was born uncontaminated by male semen from a virgin futanarian self-fertilizing woman with `woman`s seed`. In Christian iconography, which fulfils the Jews` Old Testament, that is, the history and law of the Torah and Talmud, Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent, Satan, with her foot, because Satan was the angel that was depicted as offering Eve, the first woman, and Adam, the first man, power over the Earth as a `snuff` theater in which the human race would be memoryless ephemera born to be killed for the entertainment of the alien parasitoid in war against `woman`s seed`: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) As `woman`s seed` escapes to colonize the planets amongst the stars of heaven above the Earth, the male brained will seek to retain the human futanarian species host womb for its entertainment in parasitoid devouring alien war against her `seed`: `The dragon was wroth with the woman and went to make war upon the remnant of her seed.` (Rev: 12. 17) Because the serpent isn`t prevented, it emerges as the many armed `serpent`s seed` of men`s armies devouring the human race lest it run to the planets amongst the stars and escape from host womb slavery to its alien parasitoid craving `snuff` as its entertainment short of extinction for the futanarian species of `woman`s seed` so that it can continue enslaving and killing her for its pleasure.

 Heinlein`s barkeep shows the `Unmarried Mother` his ring, which reveals the author`s understanding and knowledge of the human futanarian species of `woman`s seed`, and its predicament, without deigning to explain it to the reader with compassion. Although the sexual taboo maintaining the male brained system of misogynist fiction publishing during Heinlein`s long career as a science fiction guru largely precludes a compassionate exegesis, simply observing that the male brained race devours the `remnant` of futanarian human species of `woman`s seed` doesn`t seem sufficient after the 20^th century, with its pogroms against Jews and Moslems by a largely Christian Earth supported by a belief in a New Testament it clearly hasn`t understood as anything other than fascistoid approval for its preconceived racist ideology directed against humans.

 In the Old Testament of the Bible the angel, Satan, who has been transformed by God into a serpent for rejecting God`s pan that the human host should be greater than the angelic, tempts Eve with `the fruit of the tree of the knowledge of good and evil`, which it is death to taste, that is, it`s a symbol of memoryless ephemerality in womb slavery to a parasitoid `snuffer`: `You shall be as gods.` (Gen: 3. 5) The `death camp` guards of the Nazis after the leader of the German National Socialist (Nazi) Party, Adolf Hitler, came to power and declared himself dictator after the election of 1933 where the gods of the New Testament, that is, the `camp` guards who supervised the extermination of the `chosen people` of the Jews before World War II (1939-45) to prevent German, Italian and Japanese fascism. Although the Germans` Nazism largely replaced the term `fascist` in the public imagination because of the `death camp` pogroms against the Jews, Hitler appropriated the fasces Roman emblem used by Benito Mussolini who`d declared himself dictator in Rome after the 1922 election there.

 Mussolini had appropriated the fasces emblem of a bundle with an axe from the more ancient Roman Empire, which had killed Jesus Christ by taking him to the hill of Calvary outside the city of Jerusalem where it had built a cross out of wood cut with an axe and where he died before experiencing Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`. In short, the Romans sought to kill the Jews and the Old Testament, which included the Islamic nations of Islam, because Isaac, who founded Judaism, was the child of Sara, wife of Abraham, and she gave her maid, Hajer, to Abraham after the birth because she`d become infertile. Hajer bore Ishmael, who was the founder of `Islam`, which means `accept`, through his descendant, Mohamed, who received the Koran (610-30 C.E.) and gave it to the `Moslem`, that is, `submit`, people as a gift, according to Islamic tradition, from the angels of God, who`d been told that the human host was to be greater than the angelic and so humanity needed a futanarian family `framing device` for the human story to unfold. Although Christians are told that Ishmael was illegitimate and so the four wives of the Moslem nations in Islam are an attempt to retroactively legitimize Ishmael`s birth, Islam`s polygamous Moslems are the futanarian narrative that the misogynist guards of the New Testament posing as gods want to burn as racist zealots promoting a single novel for a parasitoid alien to enjoying reading alone.

 The theme of self-progenitive sex is basic to `”- All You Zombies -”` because the male braining alien parasitoid devourer of the human futanarian species of `woman`s seed` isn`t the progenitor of the race, that is, the `Unmarried Mother` represents the thwarting of humanity`s progenation through interventionist surgical procedure designed to prevent `woman`s seed` from having progeny with brains enough to escape her `lover`, who in fact represents species` extinction through time, rather than the mother-love supposedly depicted in Heinlein`s narrative of the son-lover, Lazarus Long, who travels back in time to 1916 and has inconceivable sex with his mother, Maureen, `never in all his lives been so unbearably attracted, so sexually obsessed, by any woman any where or when.`3 Although Heinlein`s novel, Time Enough For Love, seemed avant garde in 1973, it`s actually a story about killing children, because, without human futanarian `woman`s seed` and her sexual reproduction of brainpower for liberation from slavery to `snuff` wars in ephemerality to feed the pleasure of an observing parasitoid alien devourer, human children aren`t born. Consequently, writers who promulgate the myth that the male brain is the `seed` of humanity are species` extinguishers in their preoccupation with writing about war against futanarian `woman`s seed`. Political philosopher, George Santayana, wrote in his The Life Of Reason (1905): `Those who cannot remember the past are condemned to repeat it.`4 In fact those who repeat the past are doomed, which is what male braining does to the human futanarian species of `woman`s seed`.

 The term `snuff` comes from the snuffing out of a candle flame where the light from the candle is deemed analogous to life: `Your candle burned out long before your legend ever did.`5 Pop star Elton John`s lyric to the 1973 song, `Candle In The Wind`, was about the death of movie sex symbol, Marilyn Monroe, found dead in the nude in 1962. Her penis wasn`t in shot, because film propaganda since the 1930 `Hays Code` established by the Motion Picture Producers and Distributors of America (MPPDA) President, Will Hays, effectively banned `woman`s seed`: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`6 Because all humans are `snuff` to parasitoids, Marilyn`s death was typically `Hollywood`, which was labeled `Babylon` in the 20^th century as the capital of the Earth`s movie industry in the United States of America. Named for `a woman` of the Bible, `Babylon` gave her name to the city, Babylon (c. 4000 B.C.), capital of the Persian Empire, and a host womb slaver for war: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Producing movies in denial of `woman`s seed` in the west coast Hollywood district of the city of Los Angeles, California state, Hollywood, Babylon, was a model of Greek democracy.

 In ancient Greece women`s host wombs were enslaved for the spread of homosexuality in pederasty for war against `woman`s seed`: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was prefer homosexuality in pederasty for war against `woman`s seed`, which resulted in the mixing of blood, shit and semen in each others` anuses in rejection of women. That gave birth to the human immuno-deficiency virus (HIV) resulting in acquired immuno-deficiency syndrome (AIDS), which collapsed the organs of the body and killed the brain through infection, and is what male braining for alien parasitoid `action` is. As a `biological weapon` HIV/AIDS kept women in fearful faithfulness to their ring slavers in parasitoid misogyny, which contributed to the wars with the Moslem nations in Islam. Its women wear the one-piece coverall of the burka in public because they don`t want the models of democracy to pry: `Let he that has wisdom have understanding. The number of a man is the number of the beast and his number is six hundred three score and six.` (Rev: 13. 8) Because the human futanarian species of `woman`s seed` is 100% human, men and women are a single male brained creature wearing each others` clothes in `TV` transvestism for the transmission of war and HIV/AIDS, which is why the Revelation of Jesus` disciple, John, describes them as only 66.6% before human reproduction begins with God`s creation of a new heaven and Earth while the evil receive perdition, that is, eternal unendurable pain as their punishment: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) The male and the human have been manufactures as  a `TV` for the alien parasitoid devourer to watch kill itself.

 Tobacco ingested nasally is also called `snuff`, because cigarettes are `secret` symbols of fellatio. A sexual practice between the human that doesn`t want to be extinguished, and the male brain that wants to extinguish the human futanarian species of `woman`s seed`, fellatio`s identification with `smoking` is symptomatic of the alien parasitoid devourer. Nasally ingested tobacco is symbolic of the spirit of the deceased for the `snuff` taker who `smokes`, which is a 20<sup>th</sup> century euphemism for murder with a gun as well as fellatio. The psychopathology of the child killer identifies the `smoking gun`, after the bullet has killed the victim, with semen discharge during fellatio, which cigarette `smoking` symbolizes for the unbalanced psychopathic alien parasitoid male brain. `”- All You Zombies -”` is a description of an unbalanced psychopath that removes its own genitals to kill its own species under the pretense that it`s following the spiritual teachings of the virgin, Jesus, who was killed because the alien parasitoid devourer didn`t want him to campaign for human sexual reproduction of women`s brainpower, because that would have interfered with the teleology of its `snuff` theater. Or, in simpler terms, some Christians worshipped the virgin, Jesus, as brainless Nazis, because they didn`t want any.

 The ring shown to the `Unmarried Mother` by the barkeeper in Heinlein`s story, `”- All You Zombies -”`, is the warring of parasitoid slavery: `I glanced at the ring on my finger. The Snake That Eats Its Own Tail, Forever and Ever. I know where I came from - but where did all you zombies come from?` He`s his own progenitor and so wears the symbol of the Time Corps battling against the parasitoid devouring of the human race by its alien antagonist, which is the fictional premise. History relates a different tale, which is that of the corpse of the woman on the floor of the editing room, where Hollywood, Bablyon, deemed it time that she was killed, so that the snuff movie genre could be preeminent. Or, in other words, the `Unmarried Mother` wears the ouroboros ring, because he`s a tale eater along with all his other male brained selfishnesses.

1 Heinlein, Robert A. `”- All You Zombies -”`, Fantasy And Science Fiction, 1959.

2 Snook, Sarah as The Unmarried Mother/Jane/John, Predestination, Pinnacle, 2014.

3 Heinlein, Robert A. Time Enough For Love, G. P. Putnam`s, 1973, p. 488.

4 Santayana, George, `Reason in Common Sense`, Vol. 1, The Life of Reason, 1905, p. 284.

5 John, Elton (music), and Bernie Taupin (lyrics), `Candle In The Wind`, Goodbye Yellow Brick Road, MCA, 1973.

6 https://en.wikipedia.org/wiki/Pre-Code_Hollywood#Origins_of_the_Code .

Status Role

The North American Plains Indians didn`t die because they fought, but because they weren`t interested in the European settlers` culture. Although the Indian wars are something of a pointed issue amongst the inhabitants of the United States of America, what they illustrate isn`t the outcome of a struggle between European and indigenous North American culture, but rather the indifference of the North American Plains Indians to the new. Described as the `New World` by Christopher Columbus, the explorer commissioned by Spain`s queen Isabella, his discovery of America in 1492 began its colonization by Europeans who, once established as the government of the USA, paid buffalo hunters to kill the 60, 000, 000 herd that the Plains Indians depended on as a natural resource for food, and clothing, etc. Consequently, when the Indians starved and the settlers built `reservations` for them to live where they were told to go, they`d fought and died because they wanted their own culture, rather than the European settlers. In other words, the Plains Indians of North America were indifferent to the culture of the west, which is why they lost their status but not their role.

 Role and status are important concepts, because for many people life is about status, whereas for others it`s about role. For mothers, the distinction is particularly relevant, because their role is biologically determined, although socio-economic status is the standard by which they`re measured by those who believe that status is of greater significance than a mother`s role. Actors probably appreciate the distinction to a much greater degree than ordinary folk, who aren`t cast in a role that they perforce must perform to the best of their ability, and are judged according to their success in the role, rather than by reference to socio-economic factors involving others` perceptions of what their status level is within the societal framework, so that they know how much caution to show in their dealings with them. Or, in other words, actors confuse those who`re primarily concerned with status because they don`t understand that for actors it`s about role, rather than status, that is, an acting role is their work, whereas for those concerned with status, work is status, and status is maintained by reference to others status in relation to theirs. In short, status is about how polite the European settlers had to be towards the North American Plains Indians, before they killed them all, because they didn`t care about the Indians` role in North America, although the Plains Indians still have their role despite losing status, which is what they were largely indifferent to, and that was the cause of their losing statehood faced with Europeans who were more technologically advanced in accordance with their role and status.

 Status is how an individual is perceived by others whereas role is what the life of the individual is about. An actor has a role, which isn`t independent of people`s perceptions of status while the actor is in the role, for example, the movie, Down And Out In Beverley Hills (1986), starring Bette Midler and Nick Nolte as a `down and out`, Jerry Baskin, helped by a housewife, Barbara Whiteman, when he`s discovered looking through her garbage to find food, because he`s hungry, isn`t divorceable from people`s perceptions about status while Nolte is in the role. Nolte`s character`s preoccupations are with his role, and are almost entirely independent of others` perceptions of his status, which is how a professional actor lives, whereas those who`re concerned with status want to define an individual`s role in those terms. In simpler terms, for those preoccupied with status the role of an individual is secondary, that is, perceptions of status are life endangering for those who are concerned only with performing the role allocated to them by society or chosen by them within society, which is why the North American Plains` Indians culture declined. The settlers of the `New World` were concerned with status, rather than role. Whereas the Indians` role was as the indigenous inhabitants of the ecology they lived as a part of, the settlers were interested in status, and the imposing of the United States of America upon the Indians, which was their chosen role.

 In the Bible the Jews are called the `chosen people` which is the status and role given to them by God, according to Jewish history and law, which is the Old Testament, that is, the Torah and Talmud of the Jews, before it was superseded, according to Christian tradition, by the teaching of the Jew, Jesus Christ: `Love your neighbor as you love yourself.` (Mk: 12. 31) The German National Socialist (Nazi) Party elected in 1933 disagreed with the role of the Jews chosen for them by God, and built `concentration camps` in which upwards of 20, 000, 000 Jews were poisoned with gas before being stacked like logs and incinerated. Nominally, the Germans were Christians, and the war of 1939-45 was fought by the Europeans and their allies, including the United States, to stop fascism, which was a political philosophy deriving from the ancient Romans, who were responsible for the crucifixion of Jesus Christ as a `dissident` when they were the occupying Empire in Jewish Palestine.

 The emblem of Roman authority was the fasces, which means `bundle`, and is most often conceived as an axe in the center of a bundle of wood. Although the stylized bundle was used to represent the rods of the rulers of Rome governed by law, with capital punishment as the deterrent to disobedience, originally the bundle of wood represented Roman planning. A planner would cut wood to build a blind inside which he would work undisturbedly to conceive an encampment as Rome`s Empire expanded. The fasces` emblem of wood and axe was central to Jesus` crucifixion by the Roman Empire in Jewish occupied Palestine. The Romans cut wood and made a cross, which Jesus was nailed to and, according to Christian tradition, he died there, but then experienced Resurrection and Ascension to heaven. The Nazis borrowed the fasces` emblem of wood bundle and axe, which were the instruments of crucifixion, from the fascist leader of Italy, Benito Mussolini who, after the election of 1922, declared himself dictator in Rome, and the German Nazi leader, Adolf Hitler, did the same in Germany in 1933. Afterwards, Germany and Italy`s alliance with Japan made it difficult to prevent the spread of fascism globally, which had begun with the Jew Jesus` crucifixion and continued with Hitler`s pogrom against the `chosen people`.

 Although it isn`t evident to shallow readers of the Bible, Jesus` mother, the Virgin Mary, represented the `seed` of Eve, the first woman created by God in the paradise that was heaven on Earth, Eden, and who accepted the `fruit of the tree of the knowledge of good and evil`, which it was death to taste, from the angel, Satan, who`d been turned into a serpent for rejecting God`s plan that the human host would be greater than the angelic. Eve and the first man, Adam, created by God, exchanged the `tree of life`, which was immortality, for the power of host womb slavery in parasitoid ephemerality. In parasitology, the parasite that emerges from the host to kill it is termed `parasitoid`, and Jesus` disciple, John, describes in his prophetic Revelation how the serpent develops after Eve accepts power through death in ephemerality from her species` enslaver: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) Because Jesus` mother, the Virgin Mary, bore Jesus uncontaminated by male semen, she represents human futanarian `woman`s seed`, that is, the capacity of women to sexually reproduce human brainpower through their own `seed`, which is that of the `chosen people`. The capacity to self-fertilize is a survival trait of the `chosen` species of women who have their own semen. Consequently, Jesus` Resurrection and Ascension to heaven is a prefiguration of that of `woman`s seed`. As God told Eve: `You will crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) In Christian iconography Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot, because women`s brains will take her to colonize the planets amongst the stars of heaven along with redeemed men, and in spite of the `serpent`s seed` of men who remain irredeemably a part of host womb slavery of the human futanarian race in Satanism seeking to prevent her from escaping, for example, from Hitler`s Nazi `death camps`, which were built by the Satanists to make sure she didn`t survive.

 The role of women is then that of the `chosen people` of Judeo-Christianity, for example, it`s Jewish tradition that a Jew is born from a Jewish woman. Consequently, Jesus was a Jew born of his mother, the Virgin Mary, because it was a futanarian birth, that is, Jews were `chosen` because they were human futanarian `woman`s seed`, whereas in movies like Sophie`s Choice (1982) starring actress, Meryl Streep, in the role of Sophie Zawistowski, chooses her son, actor Adrian Kalitka as Jan, over her daughter, Eva, that is, actress Jennifer Lawn, when invited by a `death camp` guard to decide who should live, and who should die, because it`s a part of Satanism to have humans make torturer`s decisions, and Sophie chooses her son, rather than her daughter, who is gassed with poison, although Eva represents the `remnant` of `woman`s seed` being warred against by the Satanist Nazis, whereas her son, Jan, is a Jew born of a woman, but not from `woman`s seed`, that is, he`s redeemable, but her daughter is the `seed` of Eve, and so forever redeemed because of her enslavement. Sophie subsequently kills herself with the poison cyanide as she despairs of escaping slavery, which is the level of despair that fascism wants for human futanarian `woman`s seed`, because it doesn`t want to waste energy and resources on running the human race`s pogrom.

 The Jews in Germany were stateless before the 1939-45 war against fascism, which resulted in the restoring of Palestine to them as a Jewish homeland. In other words, the war was about the status of the homeless within society. In short, the perception that the homeless hadn`t status was the basis for the success of the totalitarian state, which defined role in terms of status, that is, without status there wasn`t a role for the Jews in German society, and because the Jews were homeless status wasn`t conferred. In simpler terms, Jews had status in Palestine after the war, but before the war they had a role, like the North American Plains Indians, which wasn`t state supported. The Jews were an older tradition indifferent to the New Testament of the Christians ostensibly represented by the Nazis, while the Plains Indians remained equally indifferent to the European settlers, who proclaimed a `New World` along with the New Testament, to an equally old culture concerned primarily with its role, whereas the Europeans were about constructing a state based on status, that is, racism, against the older indigenous Indian population who, like the Jews, were Old Testament, rather than `New World`.

 Although the Koran (610-30 C.E.) of the Moslem`s in Islam, which means those who `submit` (Moslem) in `acceptance` (Islam), was dictated to Mohamed by the angels of God, according to tradition, it`s main character, Abraham, is found in the Old Testament of the Jews, and his son, Isaac, born from Sara, his wife, is the founder of Judaism. After Sara bore Isaac she was barren and gave her maid, Hajer, to Abraham, and Hajer bore Ishmael, who was the founder of Islam through his descendant, Mohamed, that is, although the Koran contains the story of Jesus and Mary, the Moslems in Islam are an Old Testament people, who the Christians of the New Testament don`t want, because Moslem marriages that permit four wives afford the possibility of futanarian sexual reproduction between women within the Islamic family, which is in accordance with Judaic tradition. In simple terms, Christianity has come to oppose the human tradition, because it`s influenced by Satanism. In Moslem Islam it`s traditional for women to wear the burka in public, a one-piece coverall that conceals the wearer from scrutiny, because in the so-called democracies of the western powers women are depicted nude without penis, which for futanarian peoples is a sign of Satan: `Let he that has wisdom have understanding. The number of a man is the number of the beast and his number is six hundred three score and six` (Rev: 13. 8), that is, `666`, which is the 66.6% ratio of men and women to 33.3% futanarian humans if they aren`t labeled animals, like the `chosen people`, who were sent to the `ovens` in Auschwitz, Poland, for example, where Sophie Zawistowski`s daughter, Eva, was surrendered to the new guards by her mother.

 Sophie`s choice was a fulfilment of Satan`s words to Eve and Adam after they surrendered the human host to ephemeral slavery in war: `You shall be as gods.` (Gen: 3. 5) The Nazi guards were the new gods of the New Testament. Although the Jews were Old Testament, the manufacture of the single male brained creature wearing each others` clothes as a transvestite `TV` for the parasitoid to watch killing itself for entertainment had been going on since the period of the Greek Empire when the enslaving of women`s host wombs for the spread of the contagion of homosexuality in pederasty for war was institutionalized. Although ancient Greece is held by many historians as the model of democracy, it`s dictatorially misogynist. When John Logie Baird invented the television machine in 1926 for the transmission of `TV` pictures, it was the precursor of the transmission of the human immuno-deficiency virus (HIV) and acquired immuno-deficiency syndrome that causes the collapse of all bodily organs including the brain through infection spread by men`s mixing of blood, shit and semen in each others` anuses in rejection of women, and as a `biological weapon` ensuring women`s fearful faithfulness to men`s ring slavery in the late 20<sup>th</sup> century and beyond: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was accept the parasitoid nature that somehow untold millennia ago had inveigled itself into the host womb of the futanarian human species to replicate itself and emerge to kill her.

 According to science, life can originate on planets as a space borne virus,1 which suggests the angels of God were saurian intelligences that evolved during the Mesozoic period (248 m. a.) of Earth`s prehistory, and before hominids began to appear in the Jurassic period (220 m. a.), which evolved into humans. The encounter between Eve and the serpent that became the winged dragon, war, is that of a saurian nature fallen because of a virus, which hominids contracted through their relations with it, although the winged angels of God denote the saurian nature that remained in heaven, because it doesn`t have the virus, whereas degenerate nature wants to ensure that everybody sinfully contracts it, so that they`re evil and, when they die, their punishment from God is eternal unendurable pain, that is, perdition, rather than heaven. Concealing women`s penis from her own futanarian race is a Satanist mode to ensure that the viral form supplants the human. The viral brain wages war against `woman`s seed` on behalf of the dragon, which seeks the extinction of human intelligence so that it, as an alien parasitoid, can watch the species` death throes for its entertainment.

 Because homosexuality in pederasty for war against `woman`s seed` is associated with the `brutality and violence` of `rough trade`,2 the hijacking of civil airliners by the Al Qaeda terrorist organization operating under the auspices of the notoriously misogynist Taliban regime of Afghanistan on September 11, 2001, to crash into the Twin Towers of the World Trade Center in New York city to re-establish warfare as the socio-economic basis of international relations can be understood as the last throes of the Old Testament peoples in relation to the new guards of the New Testament who don`t want human futanarian `woman`s seed` to escape from the `death camp` of Satanism. The United States of America`s response to 9/11 was to reactivate an almost dormant Military Industrial Complex (MIC) and invade the oil rich Middle East to safeguard oil consumption for the automobile industry, which effectively meant full tanks for the mobile `TV` as it transmitted its pictures of the spread of the virus through warfare against the futanarian Moslem peoples in Islam, who were struggling to live despite their own misogynist dictators. The role of the US` Military Industrial Complex (MIC), as an `economic booster` during war, is itself an indicator of the psychopathology of the male brained who, because of their evil sinful devouring parasitoid nature, have a rather large war complex to deal with.

 Rather than spend money on permanent memory through immortality conferring medical science to ensure the operation and maintenance of labor saving technologies, government would buy 1 billion each US$ `Spirit` bombers to keep the people in slavery to war, while manufacturing men and women as the `beast` of Revelation, a transvestite `TV` wearing each others` clothes as a single male brained creature for transmitting war as its plague: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) The scene of the planes crashing into the Twin Towers, `live on CNN` and other global news networks, was what men and women were made for through Hollywood, Babylon, movie propaganda: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) In the Bible, `Babylon` was `a woman` who gave her name to the capital city of the Persian Empire, Babylon (c. 4000 B.C.), because it was a typical instance of a parasitoid devourer breeding a `TV` by enslaving the human futanarian host of `woman`s seed`, which interfered with her role in order to confer status upon itself through militarism. In other words, status is the parasitoid`s language for its subjugating of the role of the human, while the humans` roles are concerned with humanity, that is, the development of labor saving technology and immortality conferring medical science to live and escape slavery to war and death.

 As an alien, the parasitoid devourer possesses the human species through male braining for war to prevent its slave host from escaping its `TV` entertainment. Consequently, the human is the `snuff` film star of the parasitoids` theater, where `snuff` is the term used for the making of movies with real life killing as the basis for the entertainment of the audience: ``Your candle burned out long before your legend ever did.`1 Pop star Elton John`s lyric to the 1973 song, `Candle In The Wind`, was about the death of movie sex symbol, Marilyn Monroe, found dead in the nude in 1962, although `snuff` was programed into the film industry as its central theme in the district of Hollywood, Babylon, that is, in the capital city of the movies, Los Angeles, on the west coast of the state of California, after the first film made there by director, D. W. Griffith, Old California (1910), and the subsequent establishment of the `Hays code` (1930) by President of the Motion Picture Producers and Distributors (MPPDA), Will Hays, who effectively stopped `woman`s seed` from being seen to exist by the simple expedient of banning it. With a mass media `blackout` on dissemination, women wouldn`t know they could sexually reproduce their own brains` powers as a species, and so they wouldn`t: ``... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`4 Without sexual reproduction of human brainpower between women there`d be no balanced human system and the species would die out to be replaced by a parasitoid devourer manufacturing its `TV` to watch the `remnant` of the human race die for its alien pleasure as a `live` recording. What Guatama Buddha (563-483 B.C.) of India called `reincarnation` was a rerun of the `snuff` film, that is, humanity possessed by an alien parasitoid in male braining was a `snuff` repeat, and it`d go on being repeated as a brainless idiot that`d killed its own species` penis to facilitate the replication of a parasitoid alien that millennia ago had inveigled itself into the race`s host womb and would remain there until it`d extinguished the human host.

 The role of the human host was to promulgate the human brain, which the alien parasitoid devourer, possessing the species for male braining in `snuff` wars` extinguishment of the race, thwarted for the purpose of conferring status upon its citizens, based on the concept of the `death camp` guards as the new gods of aspiration. Only aspirers to status within the `snuff` genre would have a role in the new pantheon of the guards who`d continue to extinguish the `remnant` of humanity while conferring godlike status on its evil members, who`d receive higher rewards for denying status to the human and endeavoring to ensure that such individuals became homeless and stateless without a role for their intelligence to aspire beyond slavery to the parasitoid devourer in death and `TV` war. For the parasitoid everyone was an Indian to be reincarnated as a repeated `snuff` film, which is what Hollywood, Babylon, produced. When the giant ape appeared at the top of the Empire State building in New York city to swat away planes threatening his status, he was a 9/11 programer. When actor, Steve McQueen, had the role of the firefighter in Towering Inferno (1973) at the scene of the Glass Tower conflagration in Chicago, Illinois, he was also a programer of 9/11, which was filmed as the movie, World Trade Centre (2005), and featured planes attacking the world`s highest building followed by a fire that raised it to the ground, because that`s what Hollywood, Babylon, programs to recur. Political philosopher, George Santayana, wrote in his The Life Of Reason (1905): `Those who cannot remember the past are condemned to repeat it.`5 Consequently, the theory is that `TV` and movies repeat the past to ensure that people remember, and so don`t make the same mistakes again. However, what occurs is that those who repeat the mistakes of the past are doomed, because it`s a parasitoid ape that copies what it sees, which is what the initial 1933 movie, King Kong, and its 1976 and 2005 reincarnations, were made to promote, and the movie World Trade Centre, with its scenes of planes crashing into the `new world`s tallest building` unopposed by King and McQueen, fulfil.

1 Wickramasinghe, Chandra, `Bacterial Morphologies Supporting Cometary Panspermia: A Reappraisal`, International Journal of Astrobiology, 10 (1), pp. 25-30, 2011.

2 Merriam-Webster Dictionary, https://www.merriam-webster.com/dictionary/rough%20trade .

3 John, Elton (music), and Bernie Taupin (lyrics), `Candle In The Wind`, Goodbye Yellow Brick Road, MCA, 1973.

4 https://tvtropes.org/pmwiki/pmwiki,php/Main/FootPopping/ .

5 Santayana, George, `Reason in Common Sense`, Vol. 1, The Life of Reason, 1905, p. 284.

It Is A Thing To Do, Like Feeding Vaal

The Vulcans of the television series, Star Trek (1966-9), had pointed ears, not because they were devils, but because the fictional basis of their ancestry was a she-wolf. The Romulans, from the planet Romulus, remained hidden from humans even when they were at war with the Federation of planets that had been colonized; or otherwise incorporated within Earth`s sphere of influence, according to the plot of the television series, and its subsequent movie spin-offs, which began with the same cast, Star Trek: The Movie (1979), featuring the adventures of the crew of the starship, Enterprise. Its `first officer` was the Vulcan, Mister Spock, labeled a `pointy eared alien` by the ship`s medical expert, Dr `Bones` McCoy, and in the 1967 episode, `The Apple`, Captain James T. Kirk asks, while he and McCoy circle Spock looking at him thoughtfully: `Is there anyone on this ship ... who even remotely ... looks like Satan?`1 Spock`s pointed ears were natural to Vulcans, who were a people that had raised logic to the level of a savior during a period in their history when it looked like the baser emotions of their race would destroy their planet in war. When the Romulans were first seen by humans, in the Star Trek episode, `Balance Of Terror` (1967), it was a surprise to them to discover that they had pointed ears too, although it wouldn`t have been to those who knew Roman history and the legend of the founder of Rome, Romulus, who was suckled by a she-wolf. Spock conjectures that the warlike Romulans were lost Vulcans, who hadn`t learned to control their emotional lives through logic. The Romulans` home world, Romulus, had a sister planet, Remus, and the Remans had been enslaved by the Romulans, which was a further illustration of the Romulans` unlikeness to the saved Vulcans and so of their unredeemed `wolf` nature.

 In the Old Testament of the Bible, which is the history and law of the Jewish `chosen people`, that is, the Talmud and Torah, Satan is depicted as the angel turned into a serpent by God for rejecting God`s plan that the human host should be greater than the angelic. In the Revelation of the New Testament of Jesus, whose teaching is believed by Christians to supersede that of the Old Testament of the Bible, Jesus` disciple, John, depicts Satan as having grown since its days in the paradise of Earth that was Eden: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Gen: 3. 15) In parasitology, the parasite that emerges from the host to devour it is termed `parasitoid`, which is what war is. The Star Trek episode, `The Apple`, refers to the `fruit of the tree of the knowledge of good and evil`, which it is death to taste, and that was given to Eve, the first woman, by Satan, the `pointy-eared alien`, who said: `You shall be as gods.` (Gen: 3. 5) Subsequent generations of humans after Eve, and the first man, Adam, would be ephemeral and memoryless children subject to slavery, although God tells Eve her `seed` will triumph despite her `enmity` with the `serpent`s seed`: `You will crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) In other words, her brainpower will be greater than the serpent`s, and she will raise her foot to the planets amongst the stars of heaven above.

 In 3715 when Kirk punches a humanoid in the face who`s `spying` on Gamma Trianguli VI`s `away team`, he`s surprised when the indigenous native inhabitant begins to cry before introducing himself as: `Akuta, the leader of the feeders of Vaal`, who mysteriously lack children, although the imputation that Vaal eats them is belied by their apparent lack of sexuality, which is indicated by their ignorance of kissing as an expression of the simplest form of human physical love. Akuta`s god lives inside a cave made to resemble the head and mouth of a saurian: `I am the eyes of Vaal. He must see.`2 According to archaeologists, saurian evolution occurred 248 m. a. before hominids appeared 220 m . a., which suggests Satan represents a degenerated, and degenerating, saurian intelligence that preferred to enslave humanity, whereas the angels of God remained in heaven supportive of human development. Two of the natives, Sayana and Makora,3 see Yeoman Martha Landon and Ensign Chekov kissing. Vaal reacts by shaking the ground when Akuta sees them, suggesting that Akuta truly is `the eyes of Vaal`. Vaal communicates through Akuta`s antennae, telling him that Kirk and the others are dangerous, and so must be killed. The villagers don't understand, and Akuta explains: `It is a thing to do, like feeding Vaal`. He demonstrates by smashing a piece of fruit representing a `stranger's head` with a stick.

 The Enterprise uses its phaser weapons to destroy Vaal, and Kirk tells the natives they`re now free to love. Spock suggests that the `people of Vaal` have been `driven out of paradise`, as in the biblical Genesis, and Kirk asks if Spock is trying to cast him in the role of Satan, to which the `pointy-eared` Vulcan replies: `I am not aware of anyone who fits that description, captain.`4 Kirk amusedly leaves Spock`s ears to speak volumes: `No, Mr. Spock, I didn't think you would.` What concerns Vaal about sex is that Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot, because of Jesus` teaching: `Love your neighbor as you love yourself.` (Mk: 12. 31) Because human futanarian women have their own `woman`s seed`, they can sexually reproduce their own brains` power for liberation, that is, Jesus is God`s `foot` born uncontaminated by male semen and so free from male braining, which produces the evil nature associated with parasitoid war. Taken by the Romans then occupying Jewish Palestine as a `dissident` to the hill of Calvary outside Jerusalem where they nailed him to a cross of wood and left him there until he died, Jesus had Resurrection and Ascension to heaven in prefiguration of `woman`s seed`.

 According to Roman tradition, Romulus and Remus, were the twin sons of the war god, Mars, born of a virgin, Rhea, that is, in a story similar to Jesus` birth from his mother, the Virgin Mary, Rhea is the daughter of Numitor, the king of Alba Longa, usurped by his brother, Amulius, who forces Rhea to remain a virgin so her line won`t have an heir. Exposed to die, the twins are suckled by a she-wolf, and afterwards Romulus founds Rome (758-728 B.C.) after killing his brother, Remus, and the Romans subsequently made war on the Sabine people in order to abduct and rape women, because they didn`t have enough host wombs. Consequently, the legend of `the rape of the Sabine women` was a metaphor for men`s subjugation of the human futanarian host womb of `woman`s seed` for war against her species. The Romulans of Romulus` enslavement of the Remans of Remus is a restatement of the problem, which is that the rational mind needs to control instinct. Kirk`s observation to Spock that the Vulcan has pointed ears, resembling Satan`s horns, follows upon the scene where Akuta receives instructions, through his antennae, from the saurian god, Vaal, to kill the humans; because sexual reproduction of brainpower threatens his slave system.

 Because of taboos associated with the establishment of the production code of filmmaking in 1930 by President of the Motion Picture Producers and Distributors of America (MPPDA), Will Hays, Spock`s unable to explain that human futanarian `woman`s seed` isn`t afforded the expression of her love for her own species through the medium of the mass media edutainment system: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`5 Consequently, actor William Shatner as Kirk does have the role of Satan for the slavers of the human host who made Star Trek, because the people of Vaal remain male brained, and so susceptible to be ignorantly accepting of Akuta`s description of killing strangers as equivalent to smashing the fruit of heaven: `It is a thing to do, like feeding Vaal.` Vaal represents parasitoid nature, which kills and eats its host: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) The biblical description of the `blood plague` (Rev: 11. 6), sent by God to convert men from their evil sinful parasitoid nature, is the late 20^th century human immuno-deficiency virus (HIV), and acquired immuno-deficiency syndrome (AIDS), causing organ collapse and brain death, through infection transmitted by men`s mixing of blood, shit and semen in each others` anuses in rejection of `woman`s seed`. In ancient Greece, women`s host wombs were enslaved institutionally in homosexuality and pederasty for war, so although Greece is often held to be the `model of democracy`, it`s infection is the killer of the human brain: `It is a thing to do, like feeding Vaal.` In short, homosexuality is men`s parasitoid virus, which has as its objective the killing of the human brain to maintain its slavery of the host.

 Star Trek history begins with Zefram Cochrane`s first warp flight in the Phoenix ship on April 5, 2063, which attracts the extraterrestrial intelligence of the Vulcans, who for followers of the `camp` humor of the show represent the full cans, that is, the starships of Federation Starfleet are film `cans`. The early Enterprise`s `saucer section` corresponds to the canister in which films were stored and, in its subsequent versions, to the compact disk (CD) medium developed by the Philips company in the 1980s. The low humor of the street that uses the term `can` for the contents of the anus, as well as any receptacle into which the shit from the anus is deposited by an individual as human bodily waste, is a reflection on the role of the parasitoid in Earth society. Having removed the woman`s penis from the scene, the parasitoid has produced its `biological weapon`, HIV/AIDS, to infect and kill the human brain, and with this it seeks to enter and win the coveted Cannes movie award for avante garde filmmaking held every year in the South of France. In short, unredeemed men represent humanity`s viral plague that seeks to infect a full can, which is represented by the arrival of the Vulcans at Zefram Cochrane`s first test of the warp ship, Phoenix. The Vulcans represent tamed instinct through logic, which is Jesus` teaching, whereas the Romulans` enslaving of the Remans is what men represent for the human futanarian species of `woman`s seed`, but misogynist taboo doesn`t afford the filmmaker the capacity to express that, so the `camp` humor of Star Trek is written for the wise to laugh at the children of the `death camp` pogrom for whom it isn`t written as risible.

 God told the Jewish `chosen people`: `You shall have no other gods before me.` (Ex: 20. 3) Because a Jew has to be born from a Jewish woman, Judaism is a futanarian tradition of `woman`s seed` represented by Jesus` birth from his mother, the Virgin Mary, because the species of women are potentially socio-economically independent of men, for example, self-fertilization is a species` survival trait, which is illustrated by Jesus` birth. Consequently, the new gods are women`s guards in the `concentration camp`. Although the `camp` wasn`t invented by the German National Socialist (Nazi) Party elected in 1933, its leader Adolf Hitler used it to intern Jews accused of spying and killed upwards of 20, 000, 000 with poison gas before stacking the corpses like logs and burning them in incinerators, which is what male braining parasitoid devourers do. In short, the men of Star Trek are depicted as guards in the `death camp` of the human futanarian species of `woman`s seed`. Lest women escape to breed intelligence and live independently of their parasitoid enlavers, which is what Vaal laughably represents for the innuendo experts in adult `camp` humor laughing at the children`s incomprehension: `It is a thing to do, like feeding Vaal.` The children`s `death camp` guards are the new gods because, like Vaal, they don`t want the humans to breed intelligent brains enough to avoid being mashed by his dick.

 The automobile is the mobile television of the 20^th century first mass produced in Detroit, Michigan, at the Henry Ford manufacturing plant, that is, as the Model T Ford, in 1908. Because the human race was manufactured by the male brainers, as a single creature wearing each others` clothes in `TV` transvestism for the alien parasitoid devourer to watch killing itself, the motor car`s engine transmission system, based on fuel from a can, meant the `TV` pictures could be broadcast globally. By the late 20^th century parasitoids had a `dish`, after John Logie Baird`s invention of the television `TV` machine for the receiving of home entertainment pictures by aerial gave way to satellite receptions, and the Satanical technological metaphor in mockery of Jesus` reception for his bride, the church, was complete: `Blessed are those who are invited to the marriage supper of the Lamb.` (Rev: 19. 9) Jesus is `the lamb` from a Christian perspective, because he`s peaceful, although the lamb that`s devoured by an evil parasitoid nature, as `Live TV`, isn`t likely to trouble it, which is why the Satanists attempt to obviate the possibility of the human futanarian species of `woman`s seed` being able to recover.

 Oil from the can to fuel the car with the fossil remains of the prehistoric fauna and flora upon the Earth is how the automobile `TV` screens its featured film, which is that of the wheeled brainless head fucked by parasitoid homosexuals engaged in pederasty for war with their `biological weapons` deployed to spread their viral contagion against `woman`s seed` and prevent her from sexually reproducing her own brains` powers to escape from the head-fucker endeavoring to end her race`s run to the planets amongst the stars of heaven above. Just as it had ended all of the previous evolutionary possibilities, so that they became oil to fuel the genius` appearances from behind his headlamps. Although Judeo-Christianity is based on `woman`s seed` per se the Moslem people of Islam, which is the religion based on the Koran (610-30 C.E.) dictated to Mohamed by the angels of God, according to tradition, are taught that there are humans, djinn, and angels. It`s a djinn that is the genie of the lamp in the collection of 8^th century folktales known as the 1001 Nights with the framing device of India`s Mogul ruler, Shah Jehan, who beheads his wife, after wrongly accusing her of unfaithfulness, and then proceeds to marry a new bride each day before beheading her in the evening. It`s the stories of Scheherezade related to Jehan to persuade him to listen that subsequently cause him to marry her and so save the women, which is a metaphor for the need to prevent men from beheading women in male braining. The genie of the lamp appears to grant wishes because she`s technologically superior based on intelligence derived from her heritage of `woman`s seed`, which is why she`s depicted as rare. Consequently, djinn are human futanarian `woman`s seed`, which is why Moslem marriages in Islam have four wives to afford the possibility of sexual reproduction for the race of women to escape through the production of their own brains` powers for liberation.

 Just as the lamp is the oil fueled car, so the male brained `TV` genius sitting in it is the lamb that emerges: `And I beheld another beast coming up out of the earth; and he had two horns like a lamb, and he spake as a dragon.` (Rev: 13. 11) He speaks as a dragon when he`s got a full tank, which is how parasitoids speak in `TV` war when the `biological weapon` of their penis is transposed as the turret gun at the front: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) George Santayana, in his The Life Of Reason (1905), wrote: `Those who cannot remember the past are condemned to repeat it.`6 In fact, as the expression of the transvestite `TV` in male braining wearing each others` clothes as a single creature bred as `lamb` to entertain a parasitoid nature in warfare against its own race, in repeating its recordings of the past it programs the doom of a future that can`t escape its mistakes.

 Star Trek is a defense parody in which there aren`t any genuine aliens attacking the human room, which in German is a metaphor for space itself, that is, the litany spoken by the Captain of the Enterprise that begins each episode, and movie in the Star Trek cosmos, begins in German with: `Die weltraum ...` Retranslated as the world`s `room`, `space` in German becomes a metaphor for the womb of the futanarian species of `woman`s seed` invaded by men`s parasitoid nature: `Space, the final frontier. These are the voyages of the starship, Enterprise ...` The aggressive Klingons, who were subsequently gentled into acceptance of the Federation, after years of inexplicably `alien` war waged against Earth`s Starfleet, the nomadic Borg, who cannibalize other races for replacement body parts, while `assimilating` them, and the enslaving Romulans, are men`s extrapolations of their own parasitoid nature. According to scientists a space born virus could have been responsible for life`s origination on Earth,7 which suggests that, at some indefinable point in the prehistoric past, which corresponds to Eve and Adam`s encounter with the serpent, who`d been the angel, Satan, and would become the dragon, war, a viral life form inveigled itself into the host womb of the human futanarian race of women to steal their penis and replicate itself as a parasitoid devourer emerging as the alien enemy from within to kill and enslave the Earth`s host species for its perpetual entertainment in the weltraum.

 Zefram Cochrane is a `Mittel European` parody on the vulgar term `cock` for the penis of the species that doesn`t `run`, that is, women can`t sexually reproduce their own brains` powers to run their own race and escape from the alien parasitoid devourer, unredeemed men, who have enslaved the species of women`s host wombs for the production of war as men`s entertainment theater. Zefram Cochrane`s name parodically translates as `you from cock ran`, because human futanarian women`s sexually reproduced brains from their own penis` semen could run their race; if men didn`t run from the idea. Zefram Cochrane`s `warp drive` is the forever unrepaired `warped drive` of women`s sexuality. Devoid of her own penis` capacity to sexually reproduce, men have attempted to doom `woman`s seed` to be forever schizophrenically desireful of what she sees in the mirror, while being told she`s a psycho-sexually aberrant `lesbian` if she prefers women, that is, her own futanarian species, to men, who`re socio-historically her parasitoid devourer in war against her race kept deliberately unbalanced mentally and, indeed, physically off-balance, so she can`t walk erect.

 Just as oil goes in the tank, so that the `TV` pictures can be transmitted, the metaphor is anal, that is, oil driven motors represent the transmission of a `biological weapon` in homosexuality and pederasty`s war against `woman`s seed`, that is, it`s the HIV/AIDS paradigm, which infects and kills the brain of the human futanarian species for the entertainment of the parasitoid alien watching its `TV`. In ancient Greece the women of the city of Troy were captured and enslaved by the Greeks for homosexuality in pederasty and war against their race after a huge hollow wooden horse was constructed and left outside the walls by the besieging Greeks and the Trojans took it into the city where the Greeks then emerged from inside. In short, the car is a `Trojan horse` from which men emerge as a virus: `You will crawl on your belly and you will eat dust all the days of your life.` (Gen: 3. 14) God`s words to the serpent, Satan, after his tempting of Adam and Eve with death in ephemerality for the power of slavery to `TV` war through the subsequent generations of their humanity are a prophetic description of the motor vehicle as the head of the serpent wending its way while other motorists follow its behind.

 The serpentine traffic flow, before the full tank war of the serpent transformed into a dragon, is a metaphor for brain extinction through the transmission of an anal virus, while the starship Enterprise is a fuller can with a Vulcan science officer, Spock, whose logical rationality is used by the show`s writers as a comedic foil to Kirk`s Satan, who represents the `snuff` movie ethos of the Hollywood, called `Babylon`, after the `woman` of the Bible with the same name as the capital city of the Persian Empire, Babylon (c. 4000 B.C.): `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) The district of Hollywood, California, on the USA`s west coast, became the capital city of the movie industry after the first film made there in 1910 by director, D. W. Griffith, Old California, by making war its staple product for cinema theater audiences. By the time John Logie Baird had invented the `TV` television in 1926, men and women had been manufactured as a single male brained creature wearing each others` clothes in `TV` transvestism for millennia, because `snuff` is what the parasitoid alien likes: `Your candle burned out long before your legend ever did.`8` Bernie Taupin`s lyric to pop musician Elton John`s song, `Candle In The Wind`, about the premature death of Hollywood, Babylon, sex symbol, Marilyn Monroe, found dead in the nude in 1962, seems a lament, but it actually celebrates `snuff`, which is the term given to the recorded killing of individuals for entertainment. The concept is endemic in US` culture; for example, the lyric to the song, `Whatever`, from the album The Legend Goes On (1982) by The Statler Brothers, `whatever lights your candle ..,`9 suggests that, if `snuff` excites you, it`s okay because, if your candle`s `snuffed`, men and women are a candle manufacturer.

 Judeo-Christianity promotes the `camp` humor separation of wise adults from innocent children through the comedic vehicle of innuendo in Star Trek, for example, on the moral grounds that sexual liberation promotes adultery, whereas it`s human futanarian `woman`s seed` that`s adulterated by the `serpent`s seed of irredeemable men. Consequently, ground tobacco, that is, `snuff` ingested nasally, is a metaphor for what religious moral grounds are actually based on, which is a perception that the Holy Spirit is the invisible woman. Upon Jesus` death, the Roman guard Longinus pierced his side with a spear, because the Romans had understood that the first woman, Eve, emerged from the side of the first man, Adam, as a spiritual being. Consequently, Jesus, who was called the `Second Adam` by the Jews, had his side cut open by the Roman guard Longinus to release the `spirit of God`, that is, the ancient wisdom of the `Second Eve`, who was called `Shekinah` in Judaism, and dwelt in the temple, while in Moslem, Islam, she`s `tranquility`. Longinus` perception was that Jesus was her mother in the invisible realm: `Surely, this was the son of God.` (Matt: 27. 54) The secret of modernity is that the tobacco cigarette is phallic, because it represents the woman`s penis `smoked` by men and women in celebration of their brains` extinction as parasitoid devourers of the potential of futanarian `woman`s seed` to produce brainpower to escape their `TV` wars against her species. Smoking is a euphemism for both killing and fellatio because, after `smoking` the woman`s penis, the parasitoid`s homosexual nature in pederasty `smokes` the `remnant` in warfare against her, which explains Judeo-Christianity`s obsession with a `last battle between good and evil` on the plain of Megiddo near the port of Haifa in Northern Israel, which is commonly called `Armageddon`, and is prophesied as occurring in the future by Jesus` disciple, John, as part of a crusade against adultery on moral grounds.

 Uncle Remus was the pen name of Joel Chandler Harris, a journalist in post-Reconstruction Atalanta, Georgia, and compiler of Afro-American folktales from the Southern States after the American Civil war (1861-5) to abolish slavery in the cotton plantations there, Uncle Remus in Uncle Remus, His Songs and His Sayings: The Folk-Lore of the Old Plantation (1881). Because Remus was the brother of Romulus in Roman history, and the Romulans of the planet, Romulus, in Star Trek, enslaved the Remans, Remus represents the untold story of the murdered ghost. In Christianity, Jesus` `Holy Spirit` has the role of the murdered ghost of the human futanarian race that he said would teach after him. The Roman, Longinus, who pierced Christ`s side after his death, clearly perceived the murdered victim as bearing the `spirit of God` in the invisible realm, as the `Second Eve` since Eden, and who represented the truth about human nature yet unrevealed. Brer is `brother` and, In the anthropomorphic tales of Harris, Brer Wolf thinks of himself as the most vicious of all his animal `brothers`, which is itself a telling comment on racism. The alien races depicted in Star Trek are often `brothers`, for example, security officer aboard the Enterprise during the 1980s reviving of the show as Star Trek: The Next Generation (1987-94) was Afro-American actor, Michael Dorn, as Lieutenant Worf. Ironically then, it is Afro-American Worf who runs the Enterprise`s `camp` environment. His home world, Kronos, is totalitarian, which isn`t surprising given the mythic basis of the name of the planet. Kronos was the father god of Greek mythology who ate his children, although the Klingon legend is that they killed their gods. Presumably so that they could eat their own children themselves.

 A martial race characterized by prideful ruthlessness supported by slave labor, the Klingons` spiritual leader is Kahless, which explains the Klingons` perception of the body as a `shell`, because in ancient Egyptian the spirit was called the `Ka`, and the soul the `Ba`, which is why the temple of Abraham in Islam`s Moslem Mecca is called `Ka` Ba`. Abraham`s wife, Sara, after giving birth to Isaac, founder of Judaism, was barren. She gave her maid, Hajer, to Abraham, and Hajer, an Egyptian woman, bore Ishmael, who was the founder of Islam through his descendant, Mohamed, who received the Koran from the angels of God, who`d been told that the human host was to be greater than the angelic. Although Judeo-Christianity believes that the four wife marriages of Islam are an attempt to retroactively legitimize Ishmael`s birth from an unmarried woman, Hajer, it`s designed to afford the possibility of sexual reproduction amongst futanarian `woman`s seed` within the Moslem family, that is, the conjoining of `Ka` and `Ba`. The Klingon Kahless is symbolic of those who don`t have a `Ka` or spirit, that is, they`re `shells`, which the Klingons dispose of summarily when the individual life force dies. In simple terms, without a `Ka` there isn`t a `Ba` to join with, that is, the Klingons are `empty`, which is neatly antithetical to the Vulcans, who abhor slavery and have said so to their soi distant Romulan relatives, who enslave even their own Reman remains; the almost empty cans of the long ago lost tribes of the Vulcans. Although Kronos` Klingons have been pronounced completely empty by Kahless, who`s obviously mislaid his, the Klingons still cling on to their cans that they once got from some women behind bars in the hope of being slave drivel.

1 Shatner, William as Captain James T. Kirk, `The Apple`, Star Trek, Series 2, Episode # 5 (34), October 13, 1967.

2 Andes, Keith as Akuta, `The Apple`, Star Trek, Series 2, Episode # 5 (34), October 13, 1967.

3 David Soul, Hutch in the TV series, Starsky and Hutch (1975-9).

4 Nimoy, Leonard as Mister Spock, `The Apple`, Star Trek, Series 2, Episode # 5 (34), October 13, 1967.

5 https://tvtropes.org/pmwiki/pmwiki.php/Main/FootPopping .

6 Santayana, George, `Reason in Common Sense`, Vol. 1, The Life of Reason, 1905, p. 284.

7 Wickramasinghe, Chandra, `Bacterial Morphologies Supporting Cometary Panspermia: A Reappraisal`, International Journal of Astrobiology, 10 (1), pp. 25-30, 2011.

8 John, Elton (music), and Bernie Taupin (lyrics), `Candle In The Wind`, Goodbye Yellow Brick Road, MCA, 1973.

9 Reid, Don, and Harold, `Whatever`, The Statler Brothers, The Legend Goes On, Mercury, 1982.

Star Trek Universe City

Starfleet Academy is tangential to the main storyline of the Star Trek television and movie franchise that features mainly the adventures of the Starship, Enterprise, in its five year missions: `To boldly go where no one has gone before.` Despite the success of Deep Space Nine (1993-99), a `TV` series about a Star Base, with actor Avery Brooks as Captain Benjamin Sisko, rather than a starship, like Voyager, with actress Kate Mulgrew as Captain Kathryn Janeway, and which complemented the Enterprise crew`s visits to the planets amongst the stars in the series, Star Trek: Voyager (1995-2001), the continuing adventures of the starship, Enterprise, in Star Trek: The Original Series (1966-68) , Star Trek: The Next Generation (1987-94) and Enterprise (2001-05), was an indication of the edutainment facility afforded by the deck with its commanding officer, who effectively had the role of university principle for crew and audience.

 It`s a linguistic curiosity that the cities of the universe amongst the planets and stars are the places where the crew and viewer are invited to conduct research and study the variegated civilizations, culture and art of the life they encounter as a universe city in the shape of a starship voyaging through the cosmos for that very purpose. The planets that the Enterprise and its crew visit correspond to the university of the starship insofar as the universes` cities bear the signs of the riches of the education available to the traveler in places that haven`t been seen before, and the exaggerated care imposed upon the journeyers by the `Prime Directive` of Starfleet is indicative of the politesse that all travelers need to have in places where they`re visitors and guests, if they aren`t to be perceived as invaders and terrorists, which they`d be if they weren`t polite. Consequently, the role of the captain aboard the starship is important. In the original series (TOS), Star Trek, actor William Shatner was in the role of Captain James T. Kirk, who was replaced by actor, Patrick Stewart, as Captain Jean Luc Picard for the revamped `TV` series, Star Trek: The Next Generation, and Stewart also took over the principal role in the movies.

 After Shatner and his crew`s making of Star Trek: The Movie (1979), and its successors, The Wrath Of Khan (1982), The Search for Spock (1984), The Voyage Home (1986), The Final Frontier (1989), and The Undiscovered Country (1991), Stewart`s Picard again took over Shatner`s role as captain of the starship, Enterprise, in Star Trek Generations (1994), First Contact (1996), Insurrection (1998), and Nemesis (2002). The role of the captain, as principal amongst the crew and the audience in the universe city, that is, within a starship like the Enterprise journeying amongst the planets between the stars, is to provide discipline for the students engaged in the research: `As the right of each sentient species to live in accordance with its normal cultural evolution is considered sacred, no Star Fleet personnel may interfere with the normal and healthy development of alien life and culture. Such interference includes introducing superior knowledge, strength, or technology to a world whose society is incapable of handling such advantages wisely. Star Fleet personnel may not violate this Prime Directive, even to save their lives and/or their ship, unless they are acting to right an earlier violation or an accidental contamination of said culture. This directive takes precedence over any and all other considerations, and carries with it the highest moral obligation.`1 Although the threat of alien intelligence is presented as a theme for Starfleet to deal with throughout the Star Trek cosmos, it`s a metaphor for evil, that is, any form of intelligence is a threat to slavery, which is why intelligence is defined as alien by science fiction writers engaged in propaganda.

 Though the threat of alien invasion is postulated as a metaphor for the danger posed by men`s nation`s armies, that postulate is extended to war against intelligence per se, that is, intelligence is presented as alien, and a threat to be extinguished by men, who`re known for invading other nations as aliens, whereas intelligence is almost uniformly characterized by a desire to live peacefully. Consequently, irrespective of men`s extrapolations about the future, their history is of enslaving the people of the Earth, through whatever invasive means is available to them, as a prelude to their extinguishing of the intelligence that the local humans would need to liberate themselves. Perceptions of alien intelligence follow men`s behavioral pattern, which is slavery and extinction of intelligence, that is, intelligence is perceived as alien to freedom. Or, in other words, intelligence is perceived as a threat to slavery, and so is presented as alien in its many extrapolated forms; for example, in Star Trek there are the warlike Klingons, and the cyborg Borg, a race that cannibalize other humanoids for body parts, and who`re amongst the aliens depicted as intelligent and dangerous. In simple terms, intelligence is depicted as dangerously threatening to freedom, or is represented as a form of slavery. Not because it is, but because that`s how it`s depicted; a self-perpetuating prophesy of men`s doom. The philosopher, George Santayana, wrote in his The Life Of Reason (1905): `Those who cannot remember the past are condemned to repeat it.`2 Or, more simply, those who repeat the mistakes of the past, through the medium of `TV` and cinema, are dooming the future by programing it to repeat the mistakes of the past. The simplest mistake is to kill intelligence, because the propaganda is that intelligence is alien, whereas it`s a threat to slavery, and so in the interests of the slaver to be perceived as alien and killed.

 Newer specially generated effects provoked interest in how the earlier Star Trek would have looked with the SFX available to 21^st century filmmakers, and so the `reboot` television series, Enterprise, with Captain Jonathan Archer, that is, actor, Scott Bakula, in the role, was made. In terms of the fictional timeline, Bakula is Captain of the Enterprise, but only 90 years after the invention of the warp drive by Zefram Cochrane, and so he is Kirk`s predecessor. The Enterprise `TV` series` `reboot` provoked interest in how the 1960s Star Trek would have been with upgraded SFX, so actor Chris Pine, as a more youthful Kirk, took on the role in Star Trek (2009), Star Trek Into Darkness (2013), and Star Trek Beyond (2016), a nostalgic series of filmed prequels appealing to audiences still enthusing over the earliest storylines, but with the less enthusing SFX upgraded to meet the expectations of early 21^st century cinema-goers. Because film theater movies are narrowed to suit a more general public taste, whereas science fiction `TV` shows are tailored for a particular audience, it ought to be possible to trace the theme of intelligence as an alien threat to slavery through an analysis of the cinema releases. Star Trek: The Movie features a cloud approaching Earth. A Starfleet monitoring station detects that it contains an entity. The entity destroys three of the Klingon Empire`s new K`tinga class warships - and the station. The Enterprise is sent to investigate and a probe is sent by the entity, `V`Ger` within the cloud, which appears on the bridge. The probe abducts Indian actress, Persis Khambatta in the role of navigator, Ilia, and she`s replaced by an aspect of V`Ger, which is the living ship inside the cloud. V`Ger is discovered to be Voyager 6, an Earth probe found by a race of living machines who interpreted its programing as being to learn everything and then return to Earth. The probe learned so much on its voyage that it awoke as a living consciousness. Willard Decker, who`d had a relationship with Ilia, the navigator, merges with the V`ger entity through Ilia, and the pair disappear into another dimension. V`Ger is depicted as a forgivably childlike alien intelligence, but it destroys the Starfleet monitoring station, which means that alien intelligence is presented as a threat without any sign that anything other than intelligence is seen as being a danger to the Earth in reality, that is, intelligence is represented as dangerous.

 Star Trek: The Wrath Of Khan features actor, Ricardo Montalbán, reprising his role of Khan from the 1967 Star Trek: TOS episode, `Space Seed`, a superhuman with a superhuman crew who, exiled to Ceti Alpha V by Kirk, when he and his crew had attempted to take over the Enterprise, is there when the starship, Reliant, is looking for a planet to test the terraforming device, Genesis, and Khan captures an `away team` teleported down to the surface. A product of a eugenics program on 20^th century Earth to breed the perfect human, Khan and his fellow superhumans had become warlords during the fictional, `Eugenics Wars` (1992-6), conquering a third of the planet. Consequently, superintelligence is again depicted as a threat to the Earth. Using creatures that enter the ears and control the mind, Khan uses the starship Reliant`s away team to capture it, then attacks the Enterprise sent to investigate. Khan attempts to use the Genesis device inside the Mutara Nebula to transform it, along with the Enterprise, into a new planet. Although the nebula is transformed, the Enterprise`s Vulcan science officer, Spock, loses his life exposing himself to harmful radiation while repairing the starship`s warp drive so that the Enterprise can escape. As a Vulcan, Spock is trained in emotionless intelligence and self-sacrifice, that is, his alien intelligence is depicted as extinguishing his own life for the collective. In other words, intelligence is extinguishable if it doesn`t serve the needs of the collective, because intelligence that doesn`t further the group is presented as threatening. In other words, the group mind is presented as superior to intelligence, which is an adjunct to the life of the collective, but it can be dispensed with as long as the collective persists.

 Star Trek: The Search For Spock, finds Kirk`s son, David Marcus, a key scientist in the development of the Genesis device, aboard the science vessel, Grissom, along with Saavik, a Vulcan crew member of the Enterprise during the encounter with Khan, who`s been reassigned. Her people are Romulans, who`d been at war with the Earth`s Federation of planets a century before the 1966 Star Trek: TOS episode, `Balance Of Terror`, in which Romulans are seen for the first time to resemble Vulcans. In `Balance Of Terror`, the Enterprise is sent to inspect outposts near the `Romulan Neutral Zone` and discovers that they`re being destroyed. Outpost 4 is under attack and its commander, Hansen, transmits pictures of a Romulan Bird Of Prey uncloaking to use a single plasma torpedo to destroy the outpost. Spock`s theory is that the Romulans are isolated Vulcans still practicing war, whereas the Vulcans` embracing of logic allowed them to become a part of the Federation. Savvik is depicted as being a descendant of the Romulan Vulcans. She and Marcus descend to the Genesis planet and find that Spock`s there resurrected as a child, but without his memory. Kruge, a ship`s commander of the Klingon Empire, believing the Genesis device to be useful as a weapon, destroys the Grissom and takes hostage Marcus, Saavik, and Spock. Kirk learns that Spock transmitted his katra spirit to `Bones` McCoy, the ship`s doctor, before he died, and finds he has to steal the Enterprise from Spacedock to make a rescue attempt. An undermanned Enterprise is disabled by Kruge in an engagement, which is a homosexual metaphor commonly applied to male conflict, whereas it`s humanly used in the context of a relationship about to become marital.

 As a martial term `engagement` derives from ancient Greece, where the host womb enslavement of women was institutionalized for the spread of homosexuality in pederasty and war symbolized by the Klingon Empire, which clings on to war, because that`s the basis of homosexuals` enslaving. As with the former Miss India, Persis Khambatta, in Star Trek: The Movie, the viewing audience`s focus is Saavik, acted by Kirstie Alley in Star Trek: The Wrath Of Khan, although Robin Curtis took over the role for Star Trek: The Search For Spock, and Star Trek: The Voyage Home. Consequently, although Kirk`s saving of Spock is lauded, the aim is for the homosexuals to divorce the viewer from women, which is why V`Ger disappears into another dimension. Because futanarian women can sexually reproduce as `woman`s seed` with women, it`s human sexuality that`s being played with. Decker`s disappearing with V`Ger mocks human futanarian `woman`s seed` and the derision is biblical: `Love your neighbor as you love yourself.` (Mk: 12. 31) Jesus` teaching resulted in his being accused of dissidency against the Roman Empire then occupying Palestine, and he was taken to the hill of Calvary outside Jerusalem, where he was nailed to a cross of wood, and died before experiencing Resurrection and Ascension to heaven, which was a prefiguration of that of `woman`s seed` through her own brains` powers for colonizing the planets amongst the stars of heaven above the Earth. In Christian iconography, Jesus` mother is the Virgin Mary, because futanarian women are self-fertilizing as a species` survival trait, that is, Jesus wasn`t male brained for war as a desired activity, which is what men are male brained for by homosexuals.

 In an attempt to take the upper hand in the stand off between the two ships, Kruge orders the execution of one of the hostages on the surface of the Genesis planet, and Kirk`s son, David Marcus, is killed defending Saavik and Spock. Kirk self-destructs the Enterprise killing a Klingon boarding party while he and his crew teleport to the surface of the Genesis planet. Kruge agrees to teleport Kirk`s crew to his ship if Kirk gives him the secret of the Genesis device. Kirk and Kruge engage in unarmed combat on the surface of the Genesis planet and Kruge is dispatched by Kirk`s kicking him off a cliff into the lava flow of a volcano. The Enterprise crew take over the Klingon ship, and leave with Kirk for Vulcan, where Spock`s katra is reunited with him and his memory returns. The pastiche is Edenic insofar as it`s permanent memory in immortality that Eve and Adam, the first man and woman, lose when they accept the `fruit of the tree of the knowledge of good and evil`, which it is death to taste, from Satan, who was the angel turned into a serpent by God for rejecting the plan that the human host would be greater than the angelic: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) Jesus` disciple John`s prophecy is of the serpent grown into the dragon of war, because human futanarian nature isn`t able to sexually reproduce brainpower to escape slavery in memoryless ephemerality, although God tells Eve in the book of Genesis: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) As her species escapes her slavers, Eve`s futanarian brainpower will give her the planets amongst the stars, which is why Jesus` mother, the Virgin Mary, is depicted as crushing the head of the serpent, Satan, with her foot in Christian iconography lest male brained men become the dragon of war that kill her upon the Earth to prevent her colonization of the cosmos.

 If it`s the plan of the `serpent`s seed` to kill women`s human futanarian race before it can learn to walk, then it`s necessary to present intelligent women as brainless, and if possible to remove their brainpower, which is what the penisless babes of the pornographic movie industry signify for the human futanarian race prevented from running and escaping its enslavers. In simple terms, women who`re presented as aliens, like V`Ger and Saavik, are intelligent forms that the homosexuals don`t want because it interferes with their program for human extinction. Or, to put it another way, homosexuality is the virus that kills humans. Consequently, although relationships between men and women are carefully presented by the movies as intelligently human, homosexuals don`t want women`s species of futanarian humanity, which represents a basic human defense system based on species` interconnectivity lacking in `gay` people. Although men are taught that they`re the essence of the human connection, the absence of `woman`s seed` reveals the truth, which is that, since at least the time of Jesus` Romans, men and women have been manufactured as a single male brained creature wearing each others` clothes in `TV` transvestism for the entertainment of their alien enslaver. In parasitology, the parasite that emerges from the host to kill it is termed `parasitoid`, which is what men do. Consequently, human futanarian `woman`s seed` represents the connectivity that is missing from the species and that homosexuality seeks to rid itself of in order to continue with its extermination of the race: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) By the late 20<sup>th</sup> century men`s rejection of women had resulted in the spread of the `incurable killer disease, HIV/AIDS, through men`s mixing of blood, shit and semen in each others` anuses. Acting as homosexuality`s `biological weapon`, HIV/AIDS, kept the human species of futanarian women in fearful faithfulness to their ring slavers, because that`s what homosexuals are for. Consequently, homosexuality is a manifestation of an alien parasitoid intelligence that masks its takeover of the human race by assuring men that they`re redeemed humans, whereas it`s the women that are the `remnant` of futanarian humanity, while the men are the `other half` of the alien parasitoid devourer`s `TV` manufacturing so that the homosexual can watch the species die in its wars.

 In Star Trek: The Voyage Home it`s 2286 and a large cylindrical object enters Earth`s orbit where it disables the global power generators and generates storms to block out the sun`s life-giving energies. Perceiving that the object seeks the extinction of all life on Earth Starfleet Command sends out a planetary distress call. Spock identifies the sound emitted by the object as akin to that of extinct humpback whales and Kirk agrees to perform a `sling-shot` manoeuver around the sun that will take the Romulan Bird Of Prey back in time to bring whales to communicate with the object. When the whales are released into San Francisco Bay, California, they respond to the object`s signal and the global power network is restored. As the storms dissipate, the sun`s life-giving energies are felt again by the Earth as the object leaves. It`s a movie that warns against not caring for the ecosystem of the Earth, which guarantees the continuation of human life. In simple terms, the whales are intelligences that are unknown, and the alien object indicates that whales` intelligence might be of more value than humans`. Because homosexuals are `humpback`, that is, anal entry is the mode for non-reproductive sexual gratification, and `subdom` activities based on who`s subjugated and who`s dominated, the whales` intelligence is depicted as that of the destructive alien object. In other words, the whales are extinct, because they`re intelligent aliens, which is what homosexuality is for, because it`s parasitoid, that is, it`s for the death of intelligence. Or, to put it another way, the `humpback` whales represent homosexuality, and its object is to continue slaving the Earth, rather than save it, which is why the humpback whales` intelligence is depicted as superior to humans`.

 Demoted to the rank of Captain of the Enterprise as a `punishment` for his stealing of it to rescue Spock, in Star Trek: The Final Frontier Kirk and the crew are sent to rescue hostages on the planet Nimbus III. They encounter Sybok, Spock`s half-brother, who has lured the Enterprise to Nimbus III because he wants to be taken to the mythical planet of Sha Ka Ree where creation is supposed to have begun. The lone blue planet is discovered to lie behind a supposedly impenetrable barrier at the center of the galaxy which the Enterprise successfully breaches. The entity there asks for the Enterprise to be brought closer and Kirk wants to know: `What does God need with a starship?`3 In attacking Kirk it`s apparent that the entity is a representation of what the ancients knew as `gods`, that is, those who inflicted harm on people for pleasure, which is what `subdom` homosexual culture does. Realizing his error Sybok dies attempting to fight the creature. The Klingon, Klaa, who`s been following the Enterprise in his ship, uses its weapons to kill the creature. Although Klaa was pursuing the Enterprise in the hope of a glorious engagement, his killing of a god on Sha Ka Ree is suggestive of divine providence, that is, intelligence is evil and is to be killed for masquerading as God. Or, in other words, killing is more intelligent than God, which of course it isn`t, but that`s the parasitoid pogromer`s programing of human nature; to believe that intelligence is evil and must be killed: to prevent the real evil from being recognized.

 In Star Trek: The Undiscovered Country the starship Excelsior is affected when a Klingon moon explodes destroying the ozone layer of the Klingon home world and the Klingons who`d been at war with the Federation sue for peace. When the Enterprise is sent to escort Klingon`s Chancellor Gorkon to Earth for negotiations, Kirk and Doctor McCoy are accused of attempting to assassinate Gorkon after the Enterprise appears to have launched photon torpedoes at the Klingon ship. Then figures wearing Starfleet uniforms appeared to have beamed aboard to grievously wound the Chancellor. Kirk and McCoy are sentenced to life imprisonment on a frozen asteroid, Rura Penthe, while Gorkon`s daughter, Azetbur, resumes negotiations as Chancellor. On Rura Penthe, Kirk and McCoy are befriended by Martia, a shapeshifter, who says she`ll help them escape, but it`s a ruse to make it look as if Kirk and McCoy were killed while escaping. Spock teleports Kirk and McCoy to the Enterprise. It was a cloaked Romulan Bird Of Prey that fired the torpedoes as part of a conspiracy amongst Romulan, Klingon and Federation officers to prevent `the undiscovered country`, that is, peace, from being realized. Spock`s Vulcan Valeris, is the key conspirator. Unaware of the identity of the traitor, Kirk and Spock succeed in fooling the hidden accomplice of Yeomen, Burke and Samno, who were the assassins of Gorkon, and who were subsequently killed by their accomplice to ensure secrecy. Believing that Burke and Samno yet remain alive, the accomplice arrives in sickbay to complete their murder, but actress Kim Cattrall, in the role of the accomplice is trapped. She`s revealed as Spock`s Vulcan protégé, Valeris. Gorkon`s Chief of Staff, General Chang, is aboard the Romulan Bird Of Prey as the Enterprise heads towards Camp Khitomer, where the peace conference is scheduled. The Enterprise and the Excelsior destroy the Bird Of Prey and personnel beam down to Camp Khitomer to thwart an attempt to assassinate the Federation President where, afterwards, talks continue.

 There are so many alien intelligences within the plot of Star Trek: The Undiscovered Country that it`s difficult to discern where the evil alien resides. Of course it`s simpler if the storyline is understood as an extrapolation of what men do. Then it`s the sexually desirable Kim Cattrall who`s identified as their betrayer, which is symbolic of the latent sexual desire of the penisless babe in the audience, whose genetically thwarted futanarian inheritance tells her that she wants women, rather than men`s `camp` discussions. Kim is vilified in the character of Valeris, because the desirability of the actress, who starred as being amongst some notoriously sexually independent women characterized by the cast of the television series, Sex In The City (1998-2004), is representative of her own species` desire to practice their mode of human futanarian sexual intercourse, which is productive of the race of women`s brain power for liberating themselves from host womb slavery to a parasitoid monster seeking to devour her race. In other words, the depiction of intelligent aliens in science fiction is an excuse to label women as evil aliens, that is, intelligence is evil, because women are aliens who want to escape from their `camp` guards, who need a host womb to emerge from in order to continue their homosexual pogroms against human futanarian `woman`s seed`.

 Star Trek: The Undiscovered Country concludes with Kirk`s decision not to go on, and Star Trek: Generations sees actor, Patrick Stewart, as Enterprise Captain, Jean Luc Picard, from the television series, Star Trek: The Next Generation, assuming the principal`s role. The plot is of a place called Nexus, an extra-dimensional realm where time has no meaning and anyone can experience whatever they desire. Answering a distress call from an observatory orbiting the star, Amargosa, the Enterprise pick up an El-Aurian, Dr Tolian Soran, who subsequently attacks engineer, Geordi La Forge, and launches a trilithium solar probe at Amargosa, which causes the star to implode. The observatory is destroyed by the shock wave but La Forge and Soran are rescued by a Klingon Bird Of Prey belonging to the Klingon sisters, Lursa and B`Etor, who have agreed to help Soran in exchange for plans for a trilithium weapon. Picard and the superintelligence of the android, Data, determine that Soran, unable to fly a ship into the Nexus, because of uncertainty that the ship will survive, is altering the path through by destroying stars, and that he will attempt to enter the Nexus at the planet of Veridian III after first destroying the planetary system`s star, and a heavily populated planet. The El-Aurian`s homeworld was destroyed by the Borg in the 23<sup>rd</sup> century and they`re akin to the peoples of Earth, for example, Afro-Americans and Jews, who represent the diaspora concept of those looking for a place to live and being persecuted for wanting somewhere of their own.

 Captain Picard changes places with La Forge on the Klingon sisters` ship; ostensibly so that he and Soran can speak together: but La Forge`s brains have been picked by the Klingon sisters who use his knowledge to lower the defensive shields of the Enterprise and inflict heavy damage. The Enterprise destroys the Klingon Bird Of Prey, but actor Jonathan Frakes, in the role of commander Willian Riker, orders an evacuation in which the saucer section of the starship detaches and crash lands on Veridian III. Soran launches his trilithium missile and, subsequently inside the Nexus, Picard meets Shatner`s Kirk, who was presumably trapped there when the Enterprise was pressed to save refugee El-Aurian ships in 2293, according to the film`s opening sequence, although he was presumed dead. Kirk is asked by Picard to help him defeat Soran. The two leave the Nexus and arrange for Soran to be killed by his own missile`s detonation at the launch point. Kirk is mortally wounded and dies. The ambiguity suggests that all of the action subsequent to Soran`s missile launch to destroy the star of the Veridian III system is wish fulfilment occurring inside the Nexus, which the protagonists will never escape. Kirk dies because Picard wants him to, and so does Soran, which is how men live with their parasitoid evil nature. Consequently, the Nexus isn`t a `Promised Land`, which is the place God told the Jews they`d have if they left slavery in Egypt and crossed the Red Sea with the chariots of the Egyptians drowning in their wake as a demonstration of God`s power to deliver. It`s rather a place for men who`ve already `necked` women, that is, they`ve chopped off their heads, because a human futanarian species of `woman`s seed` without the capacity to sexually reproduce her own brains` powers is headless, and so men`s `Nexus` means just that for women: necks us.

  In Star Trek: First Contact the Borg are attacking a beleaguered Earth defended by Starfleet. Picard hearing Borg communications in his mind, perhaps because he was once taken over by the Borg in `The Best Of Both Worlds` episode of the Star Trek: TNG television series, Picard directs the Enterprise`s weaponry at a seemingly innocuous part of the cuboid Borg ship and destroys it. However, it`s able to launch a smaller spherical Borg ship towards Earth, which generates a temporal vortex. As the Enterprise is enveloped in the vortex they glimpse an Earth entirely populated by Borg. Realizing that the Borg are attempting to change Earth`s history, Picard orders the Enterprise to follow the Borg. The Enterprise arrives in the past on April 4, 2063, the day before humanity`s historic first contact with extraterrestrial intelligence following Zefram Cochrane`s successful test of his invention, the warp drive, which allows the starships of Starfleet to travel across the cosmos at fantastic speeds; arriving before they left, etc. Lily Sloane, Zefram Cochrane`s assistant, is attacked by the Borg sphere, and is admitted to the Enterprise`s sickbay with radiation sickness by actress Gates McFadden in her role as Dr Beverley Crusher. La Forge begins work on repairing Cochrane`s warp ship, Phoenix, damaged by the Borg ship, before it was destroyed by the Enterprise. Borg survivors begin to appear aboard the Enterprise assimilating members of the crew and modifying the starship to use in a Borg conquest of the Earth. Lieutenant Worf, a Klingon officer with Starfleet and a member of the Enterprise`s crew, argues that Picard should self-destruct the Enterprise, but Picard calls him a coward and vows to fight the Borg. Lily Sloane reminds Picard of Ahab in Herman Melville`s Moby Dick (1851) who fought the white whale until disaster overtook him aboard the Pequod whaling vessel. Picard relents and apologizes to Worf before implementing the self-destruct program. The Borg Queen, believing that she`s bribed Data into working with the Borg by giving him human skin and its sensations, is fooled when Data obeys her order to fire torpedoes, but he deliberately misses her target, Cochrane`s Phoenix. Data, deactivates the self-destruct and ruptures a conduit releasing a corrosive that fatally dissolves the Borg`s biological components. That evening Cochrane`s Phoenix`s warp flight takes place and Vulcans appear to meet Earth`s people in a first contact with extraterrestrial intelligence.

 The appearance of Vulcans is important, because they stopped short of destroying their planet by becoming emotionless logicians. Although emotionlessness is depicted as opposing natural fellowship amongst humans, Earth`s history of parasitoid warfare against `woman`s seed` suggests that Vulcan`s alien intelligence is superior, and although the Borg are depicted about their usual activities of assimilation, and the obtaining of bodies for replacement parts for those worn out, it`s an extrapolation more representative of 21^st century medical science that can`t confer immortality, because ephemerality is necessary for human slavery in memoryless unconsciousness to continue. Star Trek: Insurrection features the immortal, Ba`ku people, who`re made so by `metaphasic particles` emanating from their planet`s rings. The Ba`ku are being secretly watched by the Son`a, who were Ba`ku but embraced technology and now prolong their lives, at the expense of disfigurement, through medical science, because the Ba`ku exiled them from the planet after an attempt at seizing power. Starfleet Admiral, Matthew Dougherty, is discovered to be plotting to relocate the Ba`ku to the holodeck of a starship; giving only the illusion of their remaining. The Son`a would then collect the rejuvenating radiation, but the planet would be poisoned in the process. Picard says that the plan violates the `Prime Directive` of non-interference and Dougherty renounces his support for the Son`a leader, Ahdar Ru`afo, who kills him. Picard is sent for execution by Ru`afo but convinces the Son`a Gallatin to assist a ruse in which Ru`afo and his crew are transported to the holoship while the machine harvesting the rejuvenating radiation is deactivated. Ru`afo detects the ruse and seeks to restart the harvester. Picard set the machine to self-destruct killing Ru`afo and escaping to the Enterprise. Gallatin`s Son`a are welcomed back amongst the Ba`ku people and Picard arranges an emotional meeting between Gallatin and his Ba`ku mother. Emotion is perceived as the essence of humanity, while immortality is desirable to facilitate intelligent action, and the absence of immortality is the reason for the success of the baser emotions; such as the subjugation and domination of ephemerals to maintain ignorance and slavery. Immortality means a memory for the intelligent individual to continue to apply what has been learned, which is liberating.

 The subject of Star Trek: Nemesis is slavery. On the planet Romulus, the Romulans are debating whether or not to accept the peace and alliance terms of the Reman rebel leader, Shinzon. The Reman are the Romulans` slave race. After rejecting the motion the Romulan Praetor and senate are disintegrated by a device left in the room. The Enterprise is sent to investigate an alleged coup by Shinzon, who has taken over the Romulan Empire to facilitate a free Remus while seeking an alliance with the Federation to guarantee its freedom. The `submyth` is that of Romulus and Remus, who were the founders of Rome raised by wolves, that is, the suggestion is that the Reman and Romulan people were raised by wolves, while Lieutenant Saavik was a Romulan Vulcan, that is, the Vulcans were also raised by wolves, which is a metaphor for instinct that has to be overcome. Consequently, Vulcans are emotionless and logical, whereas the Romulans have enslaved the Remans. Shinzon is revealed to be a clone of Picard`s created by the Romulans to infiltrate Starfleet, but the project was abandoned and Shinzon was left to die amongst the Reman slaves. Aboard Shinzon`s ship, Scimitar, low levels of thalaron radiation are detected of the same poisonous nature that killed the Romulan Praetor and senate. Shinzon plans to use the Scimitar to invade the Federation using its thalaron radiation generator as a weapon, with the eradication of all life on Earth being his first priority. He kidnaps Picard to facilitate a blood transfusion that will prolong the life of his dying clone body, but Data, who is taken by Shinzon too, because he thinks Data is his B-4 android, rescues Picard, and the two return to the Enterprise. Romulan Warbirds come to assist the Enterprise against the Scimitar, which destroys one and disables the other. After Picard uses the Enterprise to ram the Scimitar, Shinzon activates the thalaron weapon. Picard boards the Scimitar and kills Shinzon. Data uses a personal transporter to jump between the ships and teleports Picard back to the Enterprise before using his hand phaser to destroy the thalaron weapon, but he`s lost in the subsequent explosion. Picard learns that Data had transferred the engrams of his neural net to B-4 before he `died` and that B-4 will become like his friend in the fullness of time. The subject of artificial intelligence or `AI` is presented as self-sacrificial as is most usual, that is, Christ-like. However, Jesus Christ represented the dilemma for the intelligent man who men want to do what they tell him to. Before he was crucified in Jerusalem, Jesus was told he could avoid that fate by not going there, but he went because he didn`t want to be told what to do by men. Consequently, although his crucifixion is usually represented as a self-sacrifice, it`s a rejection of what men want, which is that the individual obey them. Jesus` Resurrection and Ascension to heaven above prefigures that of human futanarian `woman`s seed` through the sexual reproduction of her own brains` powers for liberation, and it`s disobedient. In short, Data is depicted as an obedient slave, because that`s what intelligence is for: self-sacrifice. Or, in simpler terms, human sacrifice.

 Star Trek, which is set in a time before James T. Kirk became Captain of the starship Enterprise, begins with the events surrounding the birth of Kirk in the aftermath of an engagement between the Kelvin and the Romulan, Narada. Its first officer, Ayel, wants the Kelvin`s Captain Robau to go aboard the Narada to negotiate. Narada`s commander, Nero, kills Robau after he`s unable to answer questions about an `Ambassador Spock`. George Kirk, the Kelvin`s first officer, rams the Narada, resulting in the loss of his own life, but after he`d evacuated the ship`s personnel; including his pregnant wife, Winona, who subsequently gave birth to James Tiberius, who later becomes a cadet at Starfleet Academy, where the cadets are mobilized after a distress signal from Vulcan, with the fleet out of range and unable to respond. Recognizing the similarity between the lightning storm at his birth and that which attended the Narada`s infamy, Kirk deduces a Romulan trap. Kirk is aboard Captain Pike`s Enterprise when it discovers the fleet destroyed and the Narada drilling into Vulcan`s core. After engaging with the Narada, before surrendering himself to its Captain, Nero, Pike delegates the captaincy of the Enterprise to Spock, and the position of first officer to Kirk. Nero launches `red matter` into the core of the planet, Vulcan, so creating a `black hole` which destroys the planet. Spock rescues his father, Sarek, but his mother, Amanda, a woman of Earth, dies, and her fate is illustrative because it was his half-human status and the perception of the Vulcan Science Academy that his mother was a `disadvantage` that persuaded Spock to join Starfleet instead. The element of racism and prejudice against women as aliens pervades the Star Trek cosmos because it`s endemic in men.

 The Narada`s Captain Nero tortures Pike on the way to Earth for its defense codes, and Spock maroons Kirk on Delta Vega after he argues that Nero should be pursued immediately rather than waiting for the fleet. There on Delta Vega Kirk finds an older Spock who explains that Nero and he are from 129 years in the future where Spock had used `red matter` in a failed attempt to swallow a supernova that destroyed Romulan Nero`s home world, Romulus. The Narada and Spock`s ship were caught by the black hole which sent them back into the past. There Nero destroyed Vulcan, and marooned Spock on Delta Vega to endure the torment of seeing his own home world destroyed. Consequently, in science fiction plot terms men destroy two worlds in the future where intelligences not their own were to be found, which is the promulgation of racism. At an outpost on Delta Vega they meet Montgomery Scott, who explains that he was marooned there for losing Admiral Archer`s dog, a beagle, during an experiment in `transwarp beaming`. With Spock`s help Kirk and Scott teleport aboard the Enterprise where the older Spock advises Kirk to provoke the younger Spock and make him emotional enough to realize he`d lost command of his emotions. The ruse works and Spock relinquishes command to Kirk, who teleports aboard the Narada with Scott to rescue Pike, while the younger Spock uses the older Spock`s ship to destroy the Narada`s drill. The older Spock engineers a collision between his ship and the Narada, which ignites the `red matter`, while Kirk, Pike and Spock teleport back aboard the Enterprise where Kirk offers to help Nero escape the subsequently created `black hole`, but Nero rejects his offer and the Enterprise uses its weapons to doom the Narada to be consumed therein. The older Spock`s advice to his younger self is to persevere in doing what is right, rather than what is only logical. Spock`s words are useful for ephemeral children amongst the Star Trek audience, who don`t understand that imprisoning people and killing them is the `game` that men play, which is why they like ephemerals without memories and so learned adaptation and use of intelligence to escape their `death camp`. In fact `camp` is what Star Trek is often accused of being, because `camp` means exaggeratedly straight faced during the telling of a joke in front of children, who don`t know that men are the death camp guards of human futanarian species of `woman`s seed`, which is why they`re perpetually at attention in shows like Star Trek when Captain James Tiberius Kirk appears; to show that they`re respectful towards the authority that has the power of life and death over women and children. For `camp` followers it isn`t about intelligence but laughter, that is, the children mustn`t know that imprisonment on Delta Vega is what men want for them, because it`s men`s idea of fun as an evil parasitoid nature in the process of extinguishing the human race before it can reach the planets amongst the stars of heaven above.

 Star Trek: Into Darkness begins with the removing of Kirk as Captain for ignoring the `Prime Directive` by revealing the existence of the Enterprise to the primitive inhabitants of the planet Nbiru in order to save them from a cataclysmic volcanic eruption. Pike is reinstated and Kirk becomes first officer with Spock transferred to another starship. Shortly afterwards renegade Starfleet operative, John Harrison, bombs London`s notoriously unfettered intelligence and defense organization, Section 31, before using a jumship to attack Starfleet HQ, where discussions about the terrorist action are taking place, and where he kills Pike and others. Kirk disables the jumpship, but Harrison escapes to the Klingon home world, Kronos. Admiral Marcus reinstates Kirk and Spock aboard the Enterprise with orders to kill Harrison, who surrenders on Kronos upon learning how many torpedoes the Enterprise carries. Dr McCoy and Admiral Marcus` daughter, Dr Carol, open a torpedo at Harrison`s behest and a man in cryogenic stasis is revealed. Harrison is Khan, the genetically engineered superhuman. He was awakened by Admiral Marcus from centuries of suspended animation to develop advanced weapons of war against the Klingon Empire. Khan reveals that Marcus has sabotaged the Enterprise's warp drive, intending for the Klingons to destroy the ship after it fired its torpedoes, so creating an act of war by the Klingon Empire, which is why Khan replaced the torpedoes with his crew, so that he could save the Enterprise and defeat Marcus, whose ship, Vengeance, intercepts and demands Khan be surrendered before attacking and disabling the Enterprise near Earth`s moon where it`d fled seeking safety from the much larger, and more powerful, Vengeance.  Marcus forcibly transports Carol to his ship, and orders the Enterprise`s destruction. Scott, who`s infiltrated the Vengeance, disables it, and Kirk and Khan `space-jump` to secure its bridge. Khan then treacherously overpowers Kirk, Scott, and Carol, kills Marcus, and seizes control. Khan wants to exchange the Enterprise officers he holds hostage for his crew inside the torpedoes. Spock sends over the torpedoes but removes Khan`s crew and arms the torpedoes. Khan demands that Spock return his crew sealed in the cryogenic tubes in exchange for the Enterprise officers. Spock complies but surreptitiously removes Khan's frozen crew and arms the warheads. Khan treacherously inflicts critical damage on the Enterprise but his Vengeance is disabled when the torpedoes detonate. The Enterprise and Vengeance plummet towards Earth. Kirk is able to realign the `warp core`, saving the ship, but dies from the radiation in the `radioactive reactor chamber`. In an attempt to avenge himself on Starfleet, Khan crashes his ship into its HQ in San Francisco. Dr McCoy discovers that Khan`s blood has regenerative properties that can restore Kirk, so Spock, with communications` officer, Lieutenant Uhura`s help, arrests Khan, and Kirk is restored, but Khan is again sealed in his cryogenic pod and stored with his superhuman cohort. Obviously, Kirk`s restored life is more valuable than Khan`s and his crew of superhumans to the writers, who`re of course limited in their vision by the `camp` requirements. Consequently, although Khan is depicted as `Byronic`, that is, as a 19^th century hero seeking liberty for himself and others above all else, he`s not `camp` enough for Starfleet, that is, he doesn`t accept curbs on his freedom. The `Byronic hero` is a term derived from English poet, Lord Byron, who not only gave his name to the term but was perceived as the type of the individual he wrote of in his poetry, for example, these lines from Byron`s `The Corsair` (1814) fit Khan`s persona perfectly:

`He knew himself a villain - but he deem'd

The rest no better than the thing he seem'd;

And scorn'd the best as hypocrites who hid

Those deeds the bolder spirit plainly did.

He knew himself detested, but he knew

The hearts that loath'd him, crouch'd and dreaded too.

Lone, wild, and strange, he stood alike exempt

From all affection and from all contempt.`4

 Khan is the type of the individual who doesn`t want to die in an extrapolation of Earth`s theme of the `death camp`. In Star Trek: Beyond the Enterprise is sent to rescue Kalara, when an escape pod emerges from an uncharted nebula. Her ship is stranded on Altamid, a planet there. The Enterprise is ambushed by a swarm of small ships before being boarded by Krall and his crew looking for a relic, an Abronath, Kirk has. Krall begins to empty the Enterprise of its personnel and Kirk orders the saucer section to be detached so that the remainder of the ship`s personnel can escape to the planet, Altamid. After the crash landing, and Kalara`s attempt to retrieve the Abronath for Krall, Kirk crushes Kalara using the still functional warp thrusters of the saucer section. Scott, a lost survivor, is rescued by the ironically named Jaylah, a scavenger who`d previously escaped from Krall`s `camp` scene, and with tongue firmly in cheek the writers have jailer take Scott to her home, the grounded Franklin, a ship lost over a century before. On the planet's surface, Sulu, Uhura, and other survivors are captured by Krall. Kirk and navigator Pavel Chekov, accompanied by Kalara, locate the wrecked saucer section. Kalara is discovered to be Krall's ally when she tries to retrieve the Abronath. To escape Krall's soldiers, Kirk activates the still-functional thrusters, causing the saucer to lurch forward, crushing Kalara. Meanwhile, a wounded Spock and Dr. Leonard McCoy search for other survivors. Scott is rescued by the ironically named, Jaylah, a scavenger who previously escaped Krall's encampment.

 Scott`s Jaylah takes him home, the grounded USS Franklin, an early Starfleet vessel reported missing over a century earlier. Krall succeeds in coercing the Enterprise`s Ensign Syl to give him the Abronath that she`d kept for Kirk. It`s part of an ancient bioweapon, created by the planet Altamid`s original inhabitants, and can disintegrate any humanoid. Krall launches his drone fleet pursued by the remnant of the Enterprise`s crew aboard the repaired Franklin. Scott transports Spock and McCoy into one of Krall`s drone ships where they discover that VHF signals can disrupt Krall`s communications, so they transmit the `classical` song, `Sabotage` (1994) by the rap group, The Beastie Boys, which results in ill communication and the destruction of Kraal`s fleet: `Listen all of y'all it's a sabotage.`5 Uhura and Kirk discover from the Franklin`s logs that Kraal is its Captain, Balthazar Edison who, after an encounter with an uncharted wormhole, was stranded with at least three of the remaining members of his crew on Altamid: `The indigenous race abandoned this planet long ago. They left behind sophisticated mining equipment and a drone workforce. They have some sort of technology that prolongs life. I will do whatever it takes for me and my crew ... The Fed - Federation do not care about us. You'll probably never see me again. But if you do ... Be ready.`6 Edison`s supporters used the life-extension technology of the Ancient Ones to sustain their lives by absorbing the biological attributes of other crew members and native species` lured for the purpose of absorption, but they`re now unrecognizable as human, although Krall`s absorption of several Enterprise crew members had largely restored his own human appearance. Kirk traps Krall in the ventilation system of Starbase, Yorktown, where he`s about to deploy the bio-weapon. Kirk spaces Krall and the bio-weapon before being rescued by Spock and McCoy. Jaylah is accepted into Starfleet Academy where presumably she`ll be trained as a `camp` guard. The moral is that defining human in terms of the body isn`t intelligent, but it`s simple. In the same way, futanarian `woman`s seed` is human, but it isn`t identifiably bodily, because of men`s mass media propaganda in Star Trek: Beyond, for example. Krall is intelligent because he prolongs his life, but he`s evil because men have a parasitoid nature. Unless it`s redeemed through an understanding of Jesus` crucifixion as being what Spock calls persevering in the right, rather than obedience to logic, men like Krall will continue to devour Human.

1 Genta, Giancarlo, `The Search for Extraterrestrial Intelligence` in Lonely Minds in the Universe, Springer, 2007, Ch. 4, p. 208.

2 Santayana, George, `Reason in Common Sense`, Vol. 1, The Life of Reason, 1905, p. 284.

3 Shatner, William as Captain James T. Kirk, Star Trek V: The Final Frontier, Paramount Pictures, 1989.

4 Byron, Lord, `The Corsair`, 1814, I, XI.

5 Horovitz, Adam, Michael Diamond, and Adam Yauch, `Sabotage`, The Beastie Boys, Ill Communication, Grand Royal, 1994.

6 Elba, Idris as Krall, Star Trek: Beyond, Paramount Pictures, 2016.

Fascistoid

Robert A. Heinlein (1907-88) was accused of being `fascistoid` when his juvenile adventure novel for boys, Starship Troopers (1959), was presented to his usual publisher, Charles Scribner`s Sons, and although it was finally published by G. P. Putnam`s Sons, the term arose from perceptions of fascist content in the author`s descriptions of a social system, which was allegedly based on that of ancient Rome`s Imperialism, and gained acceptance amongst critics as accurately assessing the substance of the book.  The term `fascist` derives from the symbol of Roman Imperialism, the fasces, which was a bundle of wood with an axe in the center, and the symbol was subsequently revived by the Italian dictator, Benito Mussolini, who assumed power in Rome after the election of 1922. The German dictator, Adolf Hitler, adopted the symbol from Mussolini and the fasces was prominent after the National Socialist (Nazi) Party was elected in 1933. Originally used as a symbol of Roman planning, the fasces represented the cutting of wood to build a hide behind which the planner would plan an encampment. The fascist regimes of Japan, Italy and Germany built `concentration camps` inside which millions of people were killed before being stacked like logs and incinerated. Consequently, Heinlein`s Starship Troopers was criticized for its `History and Moral Philosophy`, which is what the military of the novel are revealed to have been indoctrinated with in the unfolding of the narrative about their hero, Juan `Johnnie` Rico: `To vote is to wield authority; it is the supreme authority from which all other authority derives - such as mine to make your lives miserable once a day. Force if you will! - the franchise is force, naked and raw, the Power of the Rods and the Ax. Whether it is exerted by ten men or by ten billion, political authority is force.`1 Although the statement, which is typical of Rico`s instructor, Lt. Col. Jean V. Dubois (Ret.), takes place within the framework of an interplanetary war between Earth and the arachnoid `bugs` of the planet, Klendathu, who destroyed Rico`s home city, Buenos Aires, Argentina, critics` labeling of Starship Troopers `fascist` bears scrutiny.

 Fascism is the perception that people aren`t angry enough to avoid being killed, which is what the fascist wants. Starship Troopers begins with the `bug` attack on Buenos Aires, which makes Juan `Johnnie ` Rico, a citizen, angry enough to join the Mobile Infantry (M.I.) to defend the Earth against the arachnoid denizens of the planet, Klendathu. In short, the `bug war` with the arachnoids is a plot device to facilitate the action sequences, which play a very important role in the later movie version, Starship Troopers (1997), starring actress, Denise Richards, as Carmen, a starship pilot, whose cadre are called `mothers` by Heinlein, who drops her angry boy sons onto the `bug worlds` where the arachnoids kill them, because that`s what fascism wants. The Nazi pogroms against the Jews, which took place after 1933, and before the end of the war (1939-45) to defeat fascism, were directed against the `chosen people` of the Bible, that is, the Old Testament Torah and Talmud, which is the history and law of the Jews, and might have been expected to provoke anger enough to warrant the Nazis killing of the Jewish and other minorities` populations they`d targeted. Because the Jews didn`t display anger, the Nazis killed them anyway, which argues for fascism as a philosophy based on provoking anger. In other words, the angry are killed, so fascists provoke anger, because killing per se is what fascism is for. Consequently, movies labeled `action` are intrinsically fascistoid, because they promote anger and killing as an entertainment medium, which is why Heinlein`s Starship Troopers was criticized as providing material unsuitable for boys, who were being told to get angry, so that they could kill as a genuine expression of human nature, whereas it isn`t: `If you wanted to teach a baby a lesson, would you cut its head off? Of course not. You'd paddle it. There can be circumstances when it's just as foolish to hit an enemy city with an H-bomb as it would be to spank a baby with an axe.` Or, indeed to behead all the Japanese in the city of Hiroshima, rather than use an H-bomb, which would be just as effective, and the buildings would all have remained.

 Heinlein`s aren`t descriptions of human nature, but they`re representative of fascism, which won the war against Japan by dropping the H-bomb on the city of Hiroshima on August 6, 1945, after the infamous `sneak attack` by the Japanese on the US Pacific fleet, Hawaii, on December 7, 1941, that angered the United States of America and precipitated its involvement in WWII. From a fascist perspective, it was a successful operation. Many people were angry and died, which is what Hollywood, `Babylon`, the movie industry that grew out of the US city district of Los Angeles, California, after the first film made there on the west coast by director, D. W. Griffith, Old California (1910), promoted as entertainment, that is, before war with fascism angered the US into a fascist display of slow release footage of an atomic explosion mushrooming silently and majestically into the cerulean skies above Hiroshima on 6 August, and again above the Japanese city of  Nagasaki on August 9, 1945. Soi distant anger, as it were, by a newly arisen population converted to fascism and believing its provocation unanswerable: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Though only described as `a woman` in the Bible, Babylon (c. 4000 B.C.) was the capital city of the Persian Empire, which suggests that, like that of ancient Greece, its Empire was based on host womb enslavement of women in institutionalized homosexuality for pederasty and conquest through war, which are the abominations described as belonging to the rape victims.

 Heinlein`s descriptions aren`t of human nature, and the Bible explains the reason for that. In Eden the first woman created by God, Eve, accepted `the fruit of the tree of the knowledge of good and evil`, that is, death, from the angel, Satan, who had been transformed into a serpent for rejecting God`s plan that the human host should be greater than the angelic. Death is ephemerality and impermanence in terms of memory and knowledge, so that it`s possible for slavers to maintain a society in ignorance. Consequently, death is necessary to slavers of the human host womb. Because women are capable of sexually reproducing as an independent futanarian species from their own `seed`, Eve is told her `seed` will be redeemed by God: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) As `woman`s seed` leaves to colonize the planets amongst the stars of heaven above through her brains` powers for technological development, and starships of her own devising, Satanism will endeavor to stop her in order to maintain its slave system.

 In Christian iconography Jesus` mother, the Virgin Mary, is depicted as crushing the head of the serpent with her foot, because Jesus was born uncontaminated by male semen, and so his teaching was essentially `lesbian` as a reflection of his own futanarian heritage: `Love your neighbor as you love yourself.` (Mk: 12. 31) Though Jesus` mother, the Virgin Mary, is depicted as producing a child through parthenogenesis, futanarian women can self-fertilize, which is the human futanarian species` survival trait. Consequently, when Jesus was taken to the hill of Calvary outside the city of Jerusalem by the Roman occupying Empire and nailed to a cross of wood as a `dissident` preacher, his experience of Resurrection and Ascension to heaven was a symbolic prefiguration of the destiny of `woman`s seed`. As the emblem of the power of Imperial Rome was the fasces, so the construction of Jesus` cross represented the first of the steps that the fascists took towards exterminating the human futanarian `chosen people` of the Jews, whose tradition it is that a Jew can only be born from a Jewish woman, for example, the Virgin Mary, that is, futanarian women and their offspring are Jews, although conversion and repentance from evil sinful nature confers redemption, according to Jesus` disciple John, who also describes what will happen if men don`t accept `woman`s seed`: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) In parasitology, the term `parasitoid` is given to the parasite that emerges from the host to kill it, which is why the serpent becomes a dragon, war. Human nature isn`t unredeemed men`s. 

 As the character, Carmen, in Starship Troopers, actress Denise Richards is the pilot of the Rodger Young, a starship that drops its boy sons onto the `bug world`, Klendathu, and so suggests `biological warfare` involving poisons and viruses, which is what the men of the car with its carbon monoxide poison gas, and the demon driver`s spreading of its HIV/AIDS contagion through host womb enslavement of the human futanarian species of women in institutionalized homosexuality in pederasty for war against `woman`s seed`, is. Carmen`s `boy sons` readying themselves for a `drop` are her `poisons` to be used against the `bugs`, because host womb enslavement of the human futanarian species of `woman`s seed` in homosexuality in pederasty for war against her had, by the late 20^th century, resulted in the spread of the `incurable killer disease`, HIV/AIDS, through men`s mixing of blood, shit and semen in each others` anuses in rejection of women: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was develop men`s nature as a `biological weapon` against the futanarian human species, which in Heinlein`s Starship Troopers is extrapolated into the threat to Earth`s future posed by an eight-limbed `bug` depicted as an eight-limbed arachnoid.

 In Islam, which is wrongly represented as antithetical to Judeo-Christianity, Abraham`s marriage to Sara is productive of the founder of Judaism, Isaac, but Sara is barren thereafter and gives Abraham, Hajer, her maid who gives birth to Ishmael, the founder of Islam through his descendant, Mohamed who, according to Islamic tradition, received the Koran (610-30 C.E.), that is, the narrative of the history and the projected future in heaven of the people of the Earth, from the angels of God, who`d been told that the human host was to be greater than the angelic. In Islam the father of Isaac, and Ishmael, is revered, for example, the people celebrate the Eid Al-Adha, that is, the sparing of Isaac by God, after God had commanded Abraham to kill Isaac as a human sacrifice to God, which would have aborted Judaism. Abraham`s temple is the holiest place in Islam, and is visited by pilgrims in the `Haj`, named for Hajer. Called the `Ka` Ba`, the temple reflects upon Hajer, `an Egyptian woman`, because `Ka`, during the period of the Empire of Egypt, was `spirit`, while `Ba` was soul. Consequently, the `Ka` Ba` is the temple of Hajer`s belief in human futanarian `woman`s seed`, that is, the sexual conjoining of women with each other. In simple terms, the temple or `shrine` of Abraham represents women`s belief in the rebirth of humanity, which reaches its apotheosis in the Koran and the New Testament of the Christian Bible with the birth of Jesus from the Virgin Mary as a futanarian `seed` uncontaminated.

 Heinlein`s Starship Troopers` character of Carmen, as a `mother pilot` preparing her boy sons` drops, extrapolates from the car men`s poison, that is, the poison gas that the Nazis used to kill the `chosen people` of the Bible, before stacking them like logs and incinerating them in the `death camps`, to `biological warfare`, that is, HIV/AIDS, as a metaphor for the war of men`s `seed` against women`s, who`re depicted as spiders in Starship Troopers, because women`s race sexually reproduces as a pair, whereas men can`t sexually reproduce without women, which means they`re `stand alone`, rather than collective. In other words, Abraham, Jesus, and Mohamed are representative of those who stood alone against the evil parasitoid nature possessing humanity, whereas Carmen in Starship Troopers` victory over `the bugs` represents women`s defeat, because the arachnoids are extrapolations of `woman`s seed` as alien to the car men of the Earth, who poison the planet and don`t want `woman`s seed` to escape their parasitoid pogrom in which the human host womb is devoured in warfare against her.

 The stand alone theory of men doesn`t apply to warfare, which is the false assumption that hordes of men killing each other together are heroic, whereas that`s what evil unredeemed parasitoid nature does. In short, Jesus is heroic, because he stood alone uncontaminated against the male brained Empire of the parasitoid Romans, whereas the First World War (1914-18) against German Imperialism, for example, was an illustration of men`s collective parasitoid nature. The Archduke Ferdinand of the Empire of Austro-Hungary was assassinated by a Serb, Gavrilo Princip, in Bosnia. The Germans told the Austro-Hungarians to present a list of demands to Serbia, and the Serbians replied that they couldn`t meet the demands, so the German Empire declared war on Serbia, which precipitated global conflict, because that`s what parasitoid evil nature wants. Effectively, the German Empire declared war on Gavrilo Princip, a Serb, who shot an Austro-Hungarian in Bosnia, and who spent the war in prison, because he was too young to be executed. The millions of men killed in WWI is what fascist parasitoid nature is for, and Heinlein`s Starship Troopers explains that it`s `woman`s seed` that`s the target, that is, human extinction by an alien nature denying futanarian mankind`s capacity to sexually reproduce its own brains` powers to escape from the collective devourer by making sexual reproduction inaccessible to the human race through propagandist control of the mass media edutainment system.

 In Islam, which means `accept` God, `woman`s seed` is hidden beneath the one-piece coverall of the burka and the veil, because the so-called democracies of Judeo-Christianity reveal female nudity as penisless and enslaved in pornography, and experience of war against the Moslem peoples, where `Moslem` means `submit` to God, suggests to the `remnant` of human futanaria that they should hide from prying parasitoid eyes: `Let he that has wisdom understand. The number of a man is the number of the beast and his number is six hundred three score and six.` (Rev: 13. 8) Because men and women constitute 66.6%, if futanarian are 33.3% of the human species. However, if women can sexually reproduce with each other, men`s voting system is rigged in favor of male brained dictatorship by repressing `woman`s seed` into disenfranchisement, that is, an alien subjugation of human nature for slavery to parasitoid devouring of `woman`s seed` in war against her: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) Jesus` disciple John`s description of `TV` derives from his understanding of the way that the parasitoid Empire of Rome manufactured men and women as a single male brained creature wearing each others` clothes in `TV` transvestism for its entertainment. Killed in huge amphitheaters built by its fascist parasitoid planners the Romans were the forerunners of John Logie Baird`s `TV` home entertainment system of television invented in 1926, which became the global propaganda instrument of the alien devouring spirit possessing the people of the Earth after Hollywood, `Babylon`, and its construction of huge cinema theaters to show `action` movies as a complement to the war theaters of the 20^th century, where the transvestite killed itself in reality for the pleasure of the evil. Heinlein`s Starship Troopers extrapolates from the `small screen` of `TV` to the `big screen` of the theater of interplanetary war to depict men and women`s crushing of the human species as a `bug`:  `When you come right to it, it is easier to die than it is to use your head.`3 As a part of Sergeant Charles Zim`s response to Ted Hendrick's question on the purpose of the M.I., his is a simple description of how men`s parasitoid collective beheads the human race of futanarian `woman`s seed`, because an alien devouring spirit doesn`t want a slave species with a brain.

1 Heinlein, Robert A., Starship Troopers, G. P. Putnam`s Sons, 1959, Ch. 12.

2 Charles Zim in Heinlein, Robert A., Starship Troopers, G. P. Putnam`s Sons, 1959, Ch. 5, p. 63.

3 Lt. Col. Jean V. Dubois (Ret.) in Heinlein, Robert A., Starship Troopers, G. P. Putnam`s Sons, 1959.

Star Trek Beyond

The thirteenth Star Trek movie was released in 2016, Star Trek Beyond, which continued a series of film releases based on the Star Trek (1966-69) television series with a cast that supplied most of the crew of the starship Enterprise in the first movie of the franchise, Star Trek: The Motion Picture (1979), also starring new crew member, shaven headed Persis Khambatta, 1965`s Miss India, as Lieutenant Ilia. From what transpires in the plot of the movie, the feminine name, `Ilia`, probably derives from the Greek poet Homer`s Ilium, that is, the city of Troy, as depicted in his poetic narrative of the siege of the Trojan city by the Greeks in his Iliad (760-10 B.C.), Lieutenant Ilia represents the threat to civilization, culture and art posed by the alien, which is usually extrapolated in science fiction as invading Earth from the planets amongst the stars above. However, as the siege of Troy illustrates, the huge hollow wooden horse that the Greeks leave outside Troy and that is taken in by the Trojans where the Greeks emerge to capture the city and enslave the host wombs of the women for homosexuality in pederasty is the Greek `model` for the spread of war as the contagion of the desire for Empire, rather than the `model of democracy` that ancient Greece is often held as the example to follow by historians: `Beware Greeks bearing gifts.`1 The Greek model for society led to the spread of the incurable killer disease of the late 20^th century, that is, HIV/AIDS, spread by men`s mixing blood, shot and semen in each others` anuses in rejection of women, which suggests that Ilia in Star Trek represents a species under siege.

 It could be argued that the human immuno-deficiency virus (HIV), which results in the acquired immuno-deficiency syndrome (AIDS), and that ultimately causes organ collapse and brain death, is a `biological weapon` launched against women by the ancient Greeks as long ago as the siege of Troy. In fact the paradigm of the late 20^th century was the HIV/AIDS virus and the `geek` successors to the ancient Greeks were the software computer programers that devised `bad machine code` to infect the human brain-augmenting machine brains and kill them in the same way that the HIV/AIDS virus infected and killed human brains, because the launchers of the biological weapon didn`t want humans to think for themselves a way out of extinction through war against their race by a genuine alien already on Earth. Although Persis Khambatta is required to portray Ilia as a Deltan and not a human from Earth, the ubiquitous distinction between `good` aliens and `bad` aliens is again evident as the Enterprise encounters an `energy cloud` containing an `alien vessel`. A `probe` appears on the bridge of the Enterprise and abducts Ilia, as Helen was abducted by Paris, the Trojan, from Greece and her husband Menelaus, brother of Sparta`s king, Agamemnon, which resulted in the Greek capture of Troy. Ilia is possessed by `V'Ger`, the alien, which is a ship living inside the cloud that begins to study the Enterprise and its crew through Ilia. V'Ger is Voyager VI, a 20th-century Earth space probe believed lost. Damaged, it was found by living alien machines that interpreted its programing as instructions to learn all that can be learned, and return. The aliens upgraded the probe to fulfill its mission, and on its journey the probe gathered so much knowledge that it achieved consciousness. The Enterprise`s First Officer, actor Stephen Collins as Willard Decker, merges with Ilia and V'Ger, creating a new form of life that disappears into another dimension, that is, Helen is rescued, and the continued adventures of `V`Ger` take place elsewhere, because `woman`s seed` and humanity aren`t parts of an alien `feature` to each other. Although `V`Ger` is presented as possessing Ilia, she escapes men`s `Trojan virus` with the help of the intelligent alien machine, which stands for the computer brain that the second generation Greeks, that is, the `geek` software designers, who program computer brains to die after being infected with `bad machine code`, want to kill, and so prevent it from saving Woman and her human `seed`. Or, in other words, good intelligence is presented as inalienably human, whereas acceptance of the alien parasitoid devourer by human nature is evil, and an endemic viral plague; at least since Paris took Helen to Troy and the Greeks captured Ilium to enslave the host wombs of the women and spread the contagion of homosexuality in pederasty`s `biological warfare` against `woman`s seed` further.

 In Star Trek Beyond, which is the third in a series of films described as a `reboot`, because the films feature the characters from Star Trek: The Original Series, but not the original actors, that is, the names of the crew are the same as those of Star Trek: TOS, but there are different actors in the characters` roles. The `reboot` began with Star Trek (2009), which is a standard space opera reuniting viewing audiences with the crew of the Enterprise who are dealing with a Romulan attack in which Vulcan, the home world of the ship`s first officer, Mr Spock, is destroyed. Although the movie presents an alien menace, the Romulans, Mr Spock, the Vulcan, represents the edutainment focus on overcoming xenophobia to achieve universal peace, which is instructional because of the lack of species` harmony due to racism upon Earth. In parasitology, the parasite that emerges from the host is termed `parasitoid`, which is the actual danger to a human race being attacked by a parasitoid alien that`s been developing a `biological weapon` to maintain the species as an exclusive `snuff` film it can`t escape, and where `snuff` is a term for illegal film recordings of actual killings being presented as entertainment to satisfy the appetite of the irredeemably evil parasitoid alien, Satan. The first Star Trek `reboot` movie was followed by Star Trek Into Darkness (2013), and featured the reintroduction of the character Khan, who Ricardo Montalbán acted the part of in the movie Star Trek: The Wrath Of Khan (1982), so reprising his role from television`s Star Trek: TOS, `Space Seed` (# 23), in which Khan and his crew of genetically bred superhumans, who in this alternative universe were responsible for Earth`s last major global conflict, the `Eugenics Wars` (1992-6), are discovered aboard the vessel, Botany Bay, adrift in space. After Khan, who declares his ambition of ruling the Earth again, attempts to take control of the Enterprise away from actor William Shatner in the role of Captain James T. Kirk, he and his crew are exiled on the planet Alpha Ceti V. The Wrath Of Khan is about the `Genesis Device`, a tool to reorganize neutral matter to produce habitable worlds, and Khan and his crew on Ceti V are encountered while the devisers of the Genesis Device are looking for suitable planets to `terraform`. Khan implants indigenous creatures that enter the ears and render the victims susceptible to mind control, which he uses to capture the ship, Reliant, and the Genesis Device located at Regula I starbase, before attempting to use the device on the Mutara Nebula, and so treat it and the Enterprise as neutral matter from which to make habitable worlds. The concept of alien invaders of the body to control the minds of Earthmen is familiar from Jack Vance`s novel, The Body Snatchers (1953), which was made into the movie, Invasion Of The Body Snatchers (1956), and represents the actual fate of `woman`s seed`, who`re male brained to accept direction from a mind not of their own race. Although the concept isn`t unique, for example, in Robert A. Heinlein`s The Puppet Masters (1953) `slugs` attach themselves to the bodies of Earth`s people and take over their minds, the idea of men`s brains being inhuman because of their slaving of women`s wombs in homosexuality and pederasty for war upon the Earth is more recent.

 In the biblical Genesis, the first woman, Eve, is depicted accepting the `fruit of the tree of the knowledge of good and evil`, that is, death, from the serpent, Satan, who was the angel transformed by God and exiled in the paradise of heaven on Earth for rejecting God`s plan that the human host should be greater than the angelic. Satan tells Eve: `You shall be as gods.` (Gen: 3. 5) God tells Eve her `seed` will have `enmity` with the serpent`s before Redemption: `You shall crush the head of the serpent with your foot but he will bruise your heel.` (Gen: 3. 15) In Christian iconography Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot, because futanarian women can sexually reproduce without men from their own penis` semen: `Love your neighbor as you love yourself.` (Mk: 12. 31) Consequently, when Jesus, who was born uncontaminated by male semen, was taken to the hill of Calvary by agents of the Roman Empire and nailed to a cross of wood where he was left to die, he had Resurrection and Ascension to heaven in prefiguration of `woman`s seed` liberated through her own brains` powers to confer immortality through medical science and develop advanced technology to colonize the planets amongst the stars of heaven above; so breaking the curse of male braining humanity to be memoryless ephemera in slavery to death`s wars against her.

 Khan is depicted close to death at the end of Star Trek: The Wrath Of Khan after an engagement between the Enterprise and the Reliant, but Khan emerges again In Star Trek Beyond in the guise of actor Benedict Cumberbatch as terrorist, John Harrison, who after attacking Starfleet is pursued to the Klingon home world, Kronos, where he surrenders after hearing about the torpedoes carried by the Enterprise. Dr McCoy opens a torpedo at Harrison's behest. Inside is a man in cryogenic stasis. Every torpedo contains a member of Khan`s crew, because that`s who Harrison is. Khan says he was awakened from centuries of suspended animation by Admiral Marcus to develop advanced weapons of war against the Klingon Empire, which of course represents those who cling to war as an unredeemed activity of an evil nature. The Enterprise's warp drive has been sabotaged, so the Klingons would destroy the ship as it fell towards Kronos, which Starfleet would then interpret as an act of war, so provoking it. The Enterprise is intercepted by the starship Vengeance with Admiral Marcus in command. The Enterprise`s Chief Engineer, Scot, disables the Vengeance after infiltrating the ship, and Khan, after killing Marcus, takes command. After Spock reneges on an agreement with Khan to restore his crew to the Vengeance, and instead removes the cryogenic sleepers before arming the torpedoes to detonate aboard the Vengeance, Khan crashes the disabled Vengeance onto Earth`s Starfleet Academy before being returned to cryogenic slumber with his superhumans, who return to their role within the Star Trek cosmos as its dormant virus waiting to be reawakened. Khan`s crew represent men as a cyclical destroyer emerging from the host as a parasitoid devourer in the absence of a long term human memory with the knowledge of how to maintain a developed civilization, culture and art resistant to the cycle of parasitoid activity. In fact the evil parasitoid nature seeks to keep the human host of `woman`s seed` in slavery to death in war to ensure its memoryless ephemerality. That way the parasitoid alien nature can exterminate the human race while watching its death throes as entertainment without the species becoming aware of its danger, which is what the cyclical reappearances of Khan`s crew in Star Trek represent.

 In Star Trek Beyond the Enterprise is sent on a rescue mission to save the occupant of an escape pod, Kalara, who says her ship is stranded on Altamid, a planet within an uncharted nebula. The Enterprise is ambushed by smaller ships and the character, Krall, boards the vessel to unsuccessfully look for an alien relic, an Abronath, which Kirk has. The saucer section of the Enterprise crashes on the planet, Altamid, and Krall recovers the Abronath, a `bioweapon` devised by the ancient inhabitants of Altamid as a disintegrator of any humanoid life form, that is, it`s an extrapolation of HIV/AIDS. As Kalara emerges from the escape pod she`s a symbol of the host womb of women that somehow millennia ago the parasite inveigled itself into in order to steal the penis of `woman`s seed` and replicate itself as the human species parasitoid devourer in wars against her race. Ostensibly attractive to the men of the crew of the starship Enterprise, Kalara facilitates Krall`s ambuscade, because that`s what the parasite uses New Woman for. Krall is discovered to be Balthazar Edison, Captain of the starship, Franklin, which has been the home of Jaylah, the rescuer of ship`s engineer, Montgomery Scott, since she escaped a Krall `camp` and found the grounded vessel. `Scotty`, and the remnant of the stranded Enterprise crew, use the Franklin to pursue Krall, that is, Balthazar Edison, who himself pursues galactic conflict in rejection of the Federation`s principles of unity and cooperation, because he`s a Satanist parasitoid: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) As the Bible warns, Satanists war with humanity as serpents that grow into devouring parasitoid dragons of warfare against `woman`s seed`. Edison is spaced by Kirk before he can launch the bioweapon, but in reality that resolution is cosmetic. The `biological weapon` of HIV/AIDS keeping human futanarian `woman`s seed` in fearful faithfulness to men`s ring slavery, when she could sexually reproduce her own brains` powers for liberation from host womb enslavement to an alien parasitoid devourer, remains a genuinely real threat to the `remnant` of her species. Her race is lulled into a sense of false security by the movie`s end, because the `death camp` guards, represented by the crew of the Enterprise, appear heroic, whereas they`re actually in the role of being `jailor` to Jaylah, although the audience is meant to feel she`s rewarded for her efforts when Kirk gains entrance for her into what is effectively another male run prison for women; Starfleet Academy.

 Most critics of the `TV` series, Star Trek: TOS, and its successors, Star Trek: The Animated Series (1973-4), Star Trek: The Next Generation (1987-94), Star Trek: Deep Space Nine (1993-9), a space station, rather than a starship, and Star Trek: Voyager (1995-2001), before the TOS prequel, Star Trek: Enterprise (2001-05), describe the action as `camp`; a term for humor invisible to children but evident to adults. The ongoing joke of Star Trek, `where no one has gone before`, is that the Enterprise is a symbolic `death camp` for women without penis` semen of their own so that their species can`t escape its `concentration camp` guards, who want the audience to accept their conditioning unquestioningly, because unanswered questions about the absence of the woman`s penis from the `TV` fiction are too revealing of the purpose of the edutainment medium as propaganda. At least since the time of the ancient Romans and their supposedly primitive amphitheaters in which the evil parasitoid watched humans being killed for entertainment, humans have been manufactured by men as a single male brained creature wearing each others clothes in `TV` transvestism, which is the unanswerable question being posed: where are humanity`s women? The `camp` humor aboard the Enterprise suggests either that futanarian `woman`s seed` and their human offspring are being kept prisoner away from the `TV` action and its `TV` audience, or the `concentration camp` guards are there to keep the children ignorant, so that the guards` extermination pogrom can continue against human nature, which doesn`t really want to watch `TV` as a vicariously alien parasitoid devourer of itself.

1 Laocoon, the Trojan priest, Virgil, The Aeneid, Bk II, 19 B.C.

Socialites

The basic socio-political distinction of the 20^th century was between communism and fascism, although the German National Socialist (Nazi) Party had the socialist label attached to its manifesto, which resulted in the election win of 1933 and the leader of the German National Socialists, Adolf Hitler, declaring himself dictator. Emulating the dictators of ancient Rome, with their fasces emblem of a bundle of wood and an axe, which represented Roman planning, whereby a planner would construct a hide to plan an encampment as the Empire spread, Hitler adopted the fasces from Benito Mussolini after the Italian fascist leader, who became dictator in Rome after he won the election there in 1922. Although the affinity between socialism and fascism isn`t self-evident, an understanding of the basic principle of communism is called for, that is, `workers control of the means of production`, which appears in the German economist Karl Marx`s Das Kapital (1867) as a revolutionary principle against capitalism. Workers didn`t want to be slaves to the monied, whereas German National Socialism (Nazism) built `death camps` for the Jewish `chosen people` of the Bible, which is the Talmud and Torah, that is, the history and law of the Jews, and stacked them in piles like logs before incinerating them after they`d been poisoned. In other words, the Nazis killed the Jews because they didn`t fit in, which is what socialism is.

 After the Russians adopted Marx`s communism in 1917, while assisting the defeat of German Imperial ambitions in Europe, the Russian `Gulags` (1918-56) were written about by the writer, Alexander Solzhenitsyn, whose narrative of the `labor camps`, The Gulag Archipelago (1973), were of millions of Russians dying in environments as fascist as anything the Nazis later produced, and not just during the period known as the `Great Terror` (1934-9) of dictator, Joseph Stalin (1922-52), during which brainpower within the Communist Party was eliminated as a threat to Stalinism, but almost immediately after the Revolution, which brought Vladimir Lenin (d. 1924), to power, largely through the efforts of Leon Trotsky, commander of the army of the Revolution. After the army`s war (1939-45) to defeat German, Italian and Japanese fascism, the Russians withdrew from Eastern Europe in the late 1980s, and war ensued between Christians and Moslems, because they didn`t fit in with each other. During the Bosnian war (1992-5) Christian Serbian militia built `rape camps` in which upwards of 70, 000 Moslem women were raped, which was fascist; because that`s what socialism is.

 To understand, it`s necessary to comprehend Islam, which means `accept`, and `Moslem`, that is, `submit` to God, in the context of Judeo-Christianity, which began at the time of the Roman Empire in Jewish Palestine when the itinerant rabbi, Jesus Christ, was teaching his religious perspective on the Old Testament of the Jews, which became the New Testament of the Christians in Christianity: `Love your neighbor as you love yourself.` (Mk: 12. 31) The Old Testament was the history and law of the Jewish `chosen people` of the Bible, that is, the Torah and Talmud, which Christianity believed was superseded by Jesus` teaching. In the Old Testament, the first woman, Eve, is depicted as being tempted by the angel, Satan, who rejected God`s plan that the human host be greater than the angelic. Satan was turned into a serpent and left in the paradise of Eden that was heaven on Earth where Eve and the first man, Adam, lived after being created by God. Satan tempted Eve with the `fruit of the tree of the knowledge of good and evil`, which it was death to taste, saying: `You shall be as gods.` (Gen: 3. 5) God told Eve that Adam must labor, while she`d experience labor pain, but Redemption would occur after their expulsion from Eden as a punishment for rejecting God`s `fruit of the tree of life`, that is, immortality: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) In Christian iconography Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her heel, because God had told Eve her `seed` would have `enmity` with the serpent`s before Redemption. Taken to the hill of Calvary by the Romans and nailed to a cross of wood where he died, Jesus is described in Christianity as the redeemer, because he was uncontaminated by male semen born from his mother, the Virgin Mary. Jesus had Resurrection and Ascension to heaven as a symbol of humanity`s capacity to sexually reproduce the brainpower it needs in order to leave the Earth and colonize the planets amongst the stars of heaven above the Earth in starships of its brains own devising. Eve and Adam`s acceptance of Satan is symbolic of host womb parasitism in war and death, which is the gods` power that Satan confers upon humanity, and so the Bible depicts Satan as the dragon waging war on Eve`s `seed`: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) Because futanarian women are capable of sexually reproducing as `woman`s seed`, women are a species independent of men`s semen, that is, Mary`s `foot` uncontaminated by male semen is the capacity of women to produce Jesus` `seed`, which is the future brainpower of the human race to defeat the male brain of Satan. Consequently, the rape of the Moslem women in Bosnia was a male braining of a religious grouping of a people permitted four wives in marriage, which affords the possibility of futanarian sexual reproduction of human brainpower within the family independently of male semen. In short, the Serbian Christian militia raped the women in order to male brain their children in Satanism. In Judaism it isn`t possible for a Jew to be born unless from a woman, that is, women are Jews, because Judeo-Christianity, like Moslem Islam, is a futanarian tradition. Jesus` birth from his mother, the Virgin Mary, uncontaminated by male semen, is as a futanarian Jew, that is, a symbol of the possibility of women`s sexually reproducing human brainpower to defeat male braining in Satanism.

 In ancient Greece the host womb enslaving of women for homosexuality in pederasty and war against `woman`s seed` was institutionalized, that is, human sexual reproduction was forbidden. In parasitology, a parasite that emerges from the host to devour it is termed `parasitoid`, which is why the serpent, Satan, became a dragon, war. Although Greece is held by historians to be the `model` of democracy, in fact it more properly corresponds to Jesus` disciple John`s `beast` in Revelation, which is included in the Christian New Testament of the Bible: `Let he that has understanding understand. The number of the beast is the number of a man and his number is six hundred three score and six.` In a society that accepts futanarian humanity the percentage split before sexual reproduction takes place is 66.6% men and women, 33.3% futanarian. However, men can`t sexually reproduce with each other, so the numbers of humans engaged in futanarian sexual reproduction is likely to out produce and outvote men. Consequently, men and women are depicted in the Bible as `beasts` encouraging each other by the medium of `TV` to wage war: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) By the Roman era of Empire men and women were being manufactured as a single male brained creature wearing each others` clothes as a transvestite `TV` preceding the invention of the television `TV` machine by John Logie Baird in 1926 for the transmission of pictures of the transvestite killing itself for the entertainment of the evil alien parasitoid nature that somehow millennia ago had inveigled itself into the host womb of the human species of `woman`s seed` to replicate itself and emerge from the host to kill her as the race`s devourer.

 The Greco-Roman period was characterized by the construction of huge amphitheaters, while Hollywood, `Babylon`, was the mass media Empire that grew by producing films of war and death for the entertainment of the unconverted parasitoid nature that inspired the global construction of cinema theaters: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) The term `theater of war` came into general usage, because that was what men and women were manufactured as a `TV` for. Although `Babylon` is described as `a woman` in the Bible, the city of Babylon (c. 4000 B.C.), which was the capital of the Persian Empire, represents host womb slavery for homosexuality in pederasty and war against `woman`s seed`, which is why Hollywood district, in the city of Los Angeles, California, on the west coast of the United States of America, was labeled `Babylon`. The philosopher George Santayana wrote in his The Life Of Reason (1905): `Those who cannot remember the past are condemned to repeat it.`1 In fact those who repeat the mistakes of the past are doomed, which is what recorded films encourage people to do. Consequently, reincarnation is a `rerun` in which the relaxed parasitoid watches its children kill the human species as home entertainment, which is why brainless humanity occasionally experiences what the French language calls de ja vu, that is, the impression that they`ve seen this `reality TV` before. It`s a reincarnation rerun. Christianity abhors reincarnation, which is described by the Vedas (1500 B.C.) of the believers of the religion of the Hindus of the Indus Valley in India as a part of the world of illusion, because humans are futanarian. In the Vedas, for example, the god Vishnu can be all of the women, because that`s `TV`. Amongst the women in Moslem Islam, it`s traditional to wear the one-piece coverall of the burka to conceal their futanarian nature from being seen by democrats because, in the United States of America, for example, ubiquitous female nudity is penisless, so by inference brainless, and Moslem women in Islam want brainpower to escape slavery, which is why the democracies waged war on the Moslem peoples for oil. They don`t want the human futanarian species of `woman`s seed` to get up from behind their car wheels, which is the `wheel of karma` spoken of by Guatama Buddha (560 B.C) of India, the founder of the Buddhist religion, who perceived that `woman`s seed` was trapped by karma, that is, an inability to escape from the illusion created by men in repeated degenerating reincarnations that enslaved a calmer, because brainless and penisless, human futanarian race of `woman`s seed` behind the wheels of men`s cars.

 Socialism isn`t the perception that people don`t fit in, it`s the fact that they won`t fit under the wheels of men`s cars in fascism, which is the prevailing ideological perspective. Based on men`s refusal to accept genuine democracy, and the liberation of the human race from oil, it can`t leave to escape the alien parasitoid devouring nature through colonization of the planets amongst the stars in starships of its brains` devisings. Karl Marx argued that capitalist wage slavery would collapse as a socio-economic system, because of `contradiction`. However, without `woman`s seed` to contradict, there aren`t any humans to argue, which means that capitalism`s exploitation of the host womb of the human futanarian species of `woman`s seed` in wage slavery belies Marx`s belief in what should happen, that is, `workers control of the means of production`, where women are the `workers` denied `fruit of their labor`, because their brains are damned as maled. Capitalism is the perception that people aren`t brain dead enough to fit into the system of wage slavery, whereas socialism is the belief of the brain dead that other people don`t fit in with them; if they show signs of brain activity. As George Orwell observes, writer of the dystopian novel of totalitarian Britain, 1984 (1948), `Big Brother` rules through others` fears of being seen committing unsociable acts observed by the dictator`s ubiquitous surveillance: `Ignorance is strength.` Orwell described himself as a `socialist` but that`s what fascists, and everybody else, is. Although the brain damned don`t like the illusion they inhabit, which the Buddhist followers of the Buddha call samsara, unless human futanarian `woman`s seed` is undamned the species` brainpower for liberation won`t emerge from the contradiction inherent in a general belief in capitalism, which is that the workforce has to be brain dead to accept socio-economic dependency. Because socialism is the fascist perception that others don`t fit and so the axe must be taken to them, which is why the Nazis constructed their `death camps` for the Jews, socialism and capitalism are fascist ideologies, and although `workers control of the means of production` was the ideology of communism, men were manufactured by women`s `labor`, so the result was Stalin`s fascist reassertion of the `labor camp`, where `camp` is a comedic term for the comedy inherent in men`s inability to stop guarding `woman`s seed` to ensure her safety, because they`re her `death camp` guards. As women aren`t able to sexually reproduce together the brainpower needed to escape from host womb enslavement to a parasitoid devouring alien nature, its unredeemed male brained labor lies in building a `TV` to watch the human race being killed for its entertainment. Accused of rejecting God, communism was closer to the human ideal of a caring society in its concept of `workers control of the means of production`, but Christianity didn`t teach about `woman`s seed`, which defeated Marxism, because women are the means of production, whereas men are the slavers of `woman`s seed`, who are the rightful owners, whereas the male brained intellectuals of Stalin`s communist era encouraged him to believe that he was.

1 Santayana, George, `Reason in Common Sense`, Vol. 1, The Life of Reason, 1905, p. 284.

Death Race 2000

US President Ronald `Ray Gun` Reagan initiated his `Strategic Defense Initiative` (SDI) on March 23, 1983, called `star wars` by the mass media after the movie Star Wars (1977) in which an evil Emperor, Palatine, constructs a `Death Star` to orbit planets and kill them. Ronnie Ray Gun`s `ground and space based missile system` was ostensibly designed to defend against intercontinental ballistic missiles (ICBMs) armed with nuclear warheads directed by `rogue states` against the other nations of the Earth. In science fiction `bug-eyed monsters` (BEMs) are extrapolations of men`s invasive nature and eyes see BEMs because ICBMs are everywhere, that is, men are the Earth`s aliens. The `race into space` was a euphemism for the 1960s North American Space Administration (NASA) Apollo space program, which put a man on the Earth`s moon on July 21, 1969, UTC: 2. 56. Neil Armstrong of the Apollo 11 mission proclaimed optimistically: `That`s one small step for a man, one giant leap for mankind.` Ronnie `Ray Gun` Reagan`s SDI effectively imprisoned the human species upon the Earth while a pogrom was readied. The incidence of pogroms in human history is a long one. In the 1800s the government of the European settlers to the United States of America paid buffalo hunters to kill the food resource of the indigenous North American Plains Indians inhabiting the continent. Labeled the `New World` after its finding by ships of the explorer, Christopher Columbus, which were commissioned by Spain`s queen Izabella in 1492, only a hundred or so buffalo were left in North America by 1880 from a herd originally numbering around 60, 000, 000, while the Indians starved to death. Although the best known instance of pogroming was the extermination and incineration of the Jewish `chosen people` of the Bible, that is, the Old Testament of the Torah and Talmud, which is the history and law of the Jews, by the 1933 elected German National Socialist (Nazi) Party that built `death camps` for upwards of 20, 000, 000 Jews, pogroms are frequent and Ronnie Ray Gun`s was established in `83.

 Hollywood was instrumental in assisting Ray Gun`s pogrom with propaganda. President Will Hays of the Motion Picture Producers and Distributors of America (MPPDA) established the `Hays code` (1930) banning women from raising their foot from the floor in bedroom scenes ostensibly to discourage adultery: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`1 In Christianity Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot as a symbol of the greater strength of human brainpower. However, Jesus` birth from his mother, the Virgin Mary, suggests she herself was symbolic of women`s capacity for self-fertilization, that is, futanarian `foot` women, who have penis` semen of their own for the sexual reproduction of the single species of `woman`s seed` independent of men. In the Bible God tells Eve, the first woman, her `seed` will have `enmity` with the `serpent`s seed`: `You shall crush the head of the serpent with your foot but he will bruise your heel.` (Gen: 3. 15) Women`s `foot` is her futanarian species` capacity for sexually reproducing brainpower to take her race to colonize the planets amongst the stars of heaven above the Earth. Consequently, Hollywood`s `Hays code` prohibiting women`s `foot` from being seen to rise in bedroom scenes is a ban on knowledge of human sexual reproduction preparatory to species genocide begun by the Nazis in 1933. Although Judaism is depicted as the antithesis of Islam, which means `accept`, the wife of Abraham bore the founder of Judasim, Isaac, and barren thereafter gave Hajer, her maid, to Abraham, who bore Ishmael, the founder of Islam through his descendant, Mohamed, who received the Koran (610-30 C.E.) from the angels who`d been told by God that the human host was to be greater than the angelic. Or, in other words, Judaism and Islam share a common antecedent in Abraham. In Islam four wives are permitted affording futanarian sexual reproduction in the family amongst the Moslem peoples, where `Moslem` means `submit` to God, that is, `accept`, which is `Islam`. Jesus` role in Christianity was to be taken to the hill of Calvary as a `dissident` opponent of the Roman Empire then occupying Jewish Palestine where he was nailed to a cross of wood and left there to die. Afterwards Jesus` experience of Resurrection and Ascension to heaven prefigured that of `woman`s seed` through her own sexually reproduced brainpower.

 The Nazis pogrom against the Jews extended Roman fascism. The ancient symbol of Roman power was the fasces, a bundle of wood with an axe in the center, which the Nazis used as a symbol of their `death camps` after adopting it as an emblem used by the Italian dictator, Benito Mussolini, elected in Rome in 1922. In ancient Rome the fasces was a symbol of the Roman planner who`d build a hide, using an axe and some wood, and behind which he`d design an encampment of the expanding Roman Empire. Because Judeo-Christianity and Moslem Islam are a single futanarian tradition, that is, it`s only possible for a Jew to be born from a woman, because women are Jews, so Jesus was a Jew uncontaminated by male semen, because humans are women, fascism was a movement against `woman`s seed`. In the Bible Eve, the first woman, is depicted accepting the `fruit of the tree of the knowledge of good and evil`, that is, death, from the serpent, who`d been the angel, Satan, in heaven above, but he`d rejected God`s plan that the human host should be greater than the angelic and so was turned into a serpent and placed in the paradise of heaven on Earth that was Eden where he tempted Eve and the first man, Adam, to reject the `fruit of the tree of life`, which was immortality, saying: `You shall be as gods.` (Gen: 3. 5) Ephemerality of memory and intelligence means host womb slavery in parasitism for children, and so the serpent is depicted as having grown into the dragon, war, in the Revelation of Jesus` disciple, John, which is in the New Testament of the Bible that Christians believe supersedes the Old Testament of Judaism: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) Humanity is unable to defend itself against what parasitology terms `parasitoid` nature. In parasitology, the parasite that emerges from the host to devour it is termed `parasitoid`. Consequently, the parasitoid of human futanarian nature is men and women in fascism: ``The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) In male braining a single creature is bred wearing each others` clothes as a `TV` transvestite, which is what John`s Revelation of `the beast` is: `Let he that has wisdom understand. The number of the beast is the number of a man and his number is six hundred three score and six.` Although 100% human is futanarian `woman`s seed` as evinced by the birth of Jesus from his mother, the Virgin Mary, uncontaminated by male semen, 66.6% is men and women before futanarian sexual reproduction begins, that is, 33%. Because women can sexually reproduce with each other as futanarian humanity, whereas men can`t, men and women are `the beast` of Revelation preventing the human race from running and escaping.

 Although Moslem Islam is criticized for misogynist dictatorship, the four wife marriage is a potentially democratic arrangement that begins with an 80% weighting in favor of `woman`s seed`, whereas the model for democracy in Judeo-Christianity was Greek, that is, institutionalized host womb enslavement of `woman`s seed` in homosexuality and pederasty for war against her. The marriage ring in monogamy is a symbol of the slave ring and, by the late 20^th century, men`s mixing of blood, shit and semen in each others` anuses, in rejection of `woman`s seed`, spread the `incurable killer disease`, HIV/AIDS. The human immuno-deficiency virus (HIV) resulted in acquired immuno-deficiency syndrome (AIDS) productive of systemic collapse and ultimately brain death, which was effectively men`s `biological weapon` keeping women in fearful faithfulness to ring slavery. Consequently, Western democracy is built on killing the human brain, which has inexorably produced what the Bible terms `blood plague` (Rev: 11. 6) sent by God to convert men from their evil parasitoid nature: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was establish a pogrom that might result in the extinction of a human species raised to entertain its evil parasitoid nature.

 The Roman planners built huge amphitheaters in which to watch the local populations being killed for their parasitoid entertainment, while the mass media Empire of Hollywood employed the same business selling point during a worldwide program for cinema theater building: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) By the time John Logie Baird had invented the home entertainment of the television machine transmitting recorded film and live `TV` theater, `rough trade`, that is, that `brutality and violence` associated with homosexuality in pederasty for war against humanity was endemic. When the Al Qaeda terrorist group operating under the auspices of the misogynist Taliban regime of Afghanistan hijacked civil airliners to crash into the Twin Towers of the World Trade Centre in New York city on September 11, 2001, it was to reestablish `rough trade` with the West in order to impose submission and acceptance of `woman`s seed` amongst the futanarian populations of Moslem Islam, which had already experienced the wars of Yugoslavia after the breakdown of the Russian liberators` system imposed upon Eastern Europe after the defeat of Nazism. Russia had helped defeat German Imperialism before the Revolution in 1917 based on the German economist Karl Marx`s Das Kapital (1867) which posited `workers control of the means of production` as the basis for society, and is the control that women should have as the labor that manufactures human brainpower. Consequently, when Russia withdrew from Yugoslavia and Eastern Europe in the late 1980s, war broke out between Christian male brainers and Moslem Islam, for example, `rape camps` were built by Christian militia during the Bosnian war (1992-5) in which an attempt was made to damn in male braining a generation of Moslems to prevent their being `Islamic`.

 The paradigm for 9/11, 2001, was the novel by William F. Nolan, Logan`s Run (1967), which was made into the movie Logan`s Run (1976) and pictured a world in socio-economic disarray because the population was too great for the society`s economy to support it. Consequently, all those who reached the age of 21 were killed. The terrorists` hijacking of civil airliners to crash into the WTC at Boston, Logan airport, Massachusetts, was Logan`s Run, because it was an attempt to kill the 21<sup>st</sup> century just after its birth, because `woman`s seed` breeds exponentially and men don`t want a population explosion that would force them to allow their slave race to leave to colonize the planets amongst the stars of heaven above. The subsequent terrorist bombing of the Boston Marathon on April 15, 2013, was a variation on the Logan`s Run theme in which `sandmen` kill `runners` to prevent their escape, while the movie Death Race 2000 (1975), which starred Hollywood film actor, David Carradine, about a car race in which the deaths of the other racers was arranged by the winner, was a paradigm for the Boston Marathon bombing, because it was an attempt to stop that race from running. The other protagonist amongst the fascist powers allied with Germany`s Nazis and the Roman Mussolini, was Japan, and their tradition was to bind the feet of women until they were so deformed they couldn`t walk, which is an analogy of the crippling of the human futanarian species of `woman`s seed`, so that her race can`t run. Consequently, Japan`s defeat by the USA, after a `sneak` Japanese attack on the US Pacific fleet at Pearl Harbor, Hawaii, on December 7, 1941, occurred on 6 and 9 August, 1945, with the dropping of atomic bombs on Japan`s cities of Hiroshima and Nagasaki, and then the race was with the United States, which put Neil Armstrong on the moon on July 21, 1969, but not the woman`s unbound `foot`, because the US didn`t want the `footrace` either.

 The temple of Abraham, in Saudi Arabia`s city of Mecca, is the Ka` Ba, because Hajer, the maid who was given by Sara, to Abraham, and who bore Ishmael, the founder of Islam, through Mohamed, was Egyptian, and `Ka` means `spirit`, while `Ba` means `soul` in ancient Egyptian mythology, that is, the `Ka` Ba` represents the yearning of women to sexually reproduce liberating brainpower with each other. Because women are banned from driving their own car in Saudi Arabia, the `Ka` Ba` is symbolic of the bars of their imprisoned spirit, and the cars that can`t leave the Earth. Consequently, actor David Carradine, who had the role of the character, `Frankenstein`, in Death Race 2000 was paradigmatic of the role of the car, that is, the human species` spirit possessed by a demon driver racing it to death, because the imprisoned spirit hasn`t a chance of escaping the prison and species` death, which is the `game` that fascist pogromers play with the human race. Consequently, the events of 9/11 shown `live` as `TV` entertainment by network news channels, and made into the Hollywood, `Babylon`, movie World Trade Centre (2005), were thematic. The alien parasitoid devourer that`s driving the human race to extinction doesn`t want a future for it, and the US propaganda machine centered in Hollywood, district of the city of Los Angeles, on the west coast, supports its pogroming. Although it`s been argued that the Gulf wars following upon the US` toppling of the Afghan regime in December 2001 were about oil, they were actually wars against `woman`s seed` in the Middle East and the maintaining of the automobile industry`s Death Race 2000 theme in which the human race will never escape the demon drivers` slaving ephemeral humanity for its alien parasitoid killers` `snuff` entertainment genre.

 Because the Romans effectively continued the ancient Greeks` manufacture of a single male brained creature in `TV` transvestism, the Earth was their Empire`s `TV`. Consequently, the phenomenon of reincarnation, experienced as de ja vu, is a `rerun` in which the alien parasitoid killer again watches itself kill throughout the entirety of the Earth`s history, that is, its `TV` theater: `Your candle burned out long before your legend ever did.`3 Pop singer Elton John`s lyric to the song `Candle In The Wind` (1973) was written about the death of movie sex symbol, Marilyn Monroe, who was found dead in the nude in 1962. While the snuffing out of the light from a candle is the paradigm for the snuff film genre of recorded killing for entertainment, Marilyn Monroe was the stereotypical `babe` without a woman`s penis, whereas `woman`s seed` amongst the Moslem peoples of Islam conceals herself beneath the one-piece coverall of the burka lest alien parasitoid devouring eyes perceive her veiled truth, which is that the West isn`t human, and `snuffing` women and her `seed` is what it practices thematically. Although 9/11 was perceived as a horrible crime, it was programed to happen by Hollywood pogromers who wanted to attack and subdue `woman`s seed` in order to ensure she couldn`t escape the car that was running her down.

 As early as 1933 the movie King Kong featured a giant ape climbing to the top of the Empire State building in New York city, which was the world`s tallest there before the WTC was opened in 1971, and fighter aircraft machine gunned the ape until it fell. The movie Towering Inferno (1973) was about a fire inside the fictional Glass Tower of Chicago, Illinois state, in which actor Steve McQueen was in the role of the firefighter, Mike O` Halloran. By the late 20^th century heroism had given way to the killer as anti-hero as watchable entertainment for the parasitoid mass mind, so 9/11`s planes and inferno were good `TV`, because that`s the way Hollywood, Babylon, had programed it. The fall of Afghanistan`s Taliban regime was more good `TV`, and worship of the parasitoid devourer, Satan, was reestablished when President Saddam Hussein, who appeared to be supporting Al Qaeda, provoked invasion of Iraq by the US army in March, 2003, and was subsequently deposed in what came to be called the `TV war`: `The US on the level of its rulers has taken it as a final verdict that it is the enemy of Arabs and Moslems. In so doing, they have stored the final verdict in their minds. On this basis, they built their preparation in advance. On this basis too, they prepared (the mind) of the computer, which was programed on this assumption, which has taken the form of a conclusive verdict.`4 By suppressing `woman`s seed`, and favoring the car to space travel, the bug-eyed monsters` ICBMs` preventing escape to the planets amongst the stars for the enslaved race of women, prepared in advance the `TV war` in the Gulf for oil to maintain the movie, Death Race 2000, which is the theme of low technological stasis, while the human species was extinguished in ephemeral host womb slavery to its alien parasitoid devourer.

1 TV Tropes, `Foot Popping`, https://tvtropes.org/pmwiki/pmwiki.php/Main/FootPopping/ .

2 https://en.wikipedia.org/wiki/Trade_(gay_slang) .

3 John, Elton (music), and Bernie Taupin (lyrics), `Candle In The Wind`, Goodbye Yellow Brick Road, MCA, 1973.

4 Hussein, Saddam, `Second Open Letter To The American People`, https://www.americanrhetoric.com/speeches/sadaamhusseinopenlettertous.htm .

A Transvestite Is A TV?

Transvestites either want acceptance of their being a woman; or to fool others` perception to inculcate a belief in transvestism. Although John Logie Baird invented the television machine in 1926, by the late 20<sup>th</sup> century that home entertainment system for receiving transmissions of recorded film and `live` events through a central transmitter often located in outer space was commonly described as `TV`, but though television isn`t automatically associated in the minds of viewers with transvestism, transvestites are also commonly described as Tee Vees. The first `TV` aerial was the wooden cross that Jesus Christ, the Jewish Messiah, was nailed to by the Romans during their occupation of Palestine. Jesus, born from his mother, the Virgin Mary, uncontaminated by male semen, was the picture that the Romans didn`t want. Accused of being a `dissident` against the Roman Empire, Jesus experienced Resurrection and Ascension to heaven, according to the New Testament of the Bible, which superseded the Old Testament of the law and history of the Jewish `chosen people`, that is, the Torah and Talmud, which vindicates his simple Christian teaching that superseded the Jews`: `Love your neighbor as you love yourself.` (Mk: 12. 31) Jesus` Ascension to heaven was the first aerial transmission of the `TV`, although his birth from the Virgin Mary, his mother, uncontaminated by male semen, suggests that he was futanarian `woman`s seed`, that is, he was transmitted by the `TV`, which is what men and women were to the Roman Empire. In the Old Testament of the Bible Eve is born from the side of Adam, that is, she`s created as the first woman from the rib of the first man, Adam, by God, which is sometimes interpreted as a product of masturbatory desire on the part of the man for a host womb to use for perpetuation of human `seed`, whereas futanarian women can self-fertilize. That suggests Adam was a futanarian woman and Eve was from her womb, that is, Adam is depicted as a wombless female, whereas the evidence suggests she was a penisful woman.

 Eve`s encounter with the serpent, Satan, transformed by God into a serpent for rejecting God`s plan that the human host be greater than the angelic, depicts the enslavement of the human host womb by an evil parasite, which is male. In the Revelation of Jesus` disciple John, written after Jesus` death, the `serpent` is depicted as having grown since the paradise of heaven on Earth, which was Eden, where Eve and Adam were tempted to `eat of the fruit of the tree of the knowledge of good and evil`, that is, enslaving death in memoryless ephemerality: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) Satan had told Eve and Adam: `You will be as gods.` (Gen: 3. 5) Because slavery to death and war is the power of Satan. God told Eve her `seed` would have `enmity` with the `serpent`s seed`, but her `seed` would have Redemption if Adam labored, although Eve would experience labor pain after they were expelled from Eden as their punishment for preferring death to the `tree of life`, which conferred immortality of memory. Permanent knowledge of how to operate and maintain those liberation conferring labor saving devices that would emerge from the brainpower sexually reproduced by uncontaminated humanity was the fruit of immortality that Eve and Adam had lost in acceptance of death in slavery to war as gods in Satanism. Because Eve and Adam were futanarian `woman`s seed`, that is, they were women, who could sexually reproduce with each other, the brainpower they needed to develop technologies to take them to colonize the planets and stars of heaven above, men and women, after Eve and Adam`s acceptance of parasitism upon the futanarian human species` host womb, were a Roman `TV`, that is, a single male brained creature wearing each others` clothes as a transvestite `TV`.

 During the Roman Empire`s occupation of Jesus` Palestine they were already the builders of huge amphitheaters in which viewers watched human kill each other. In parasitology a parasite that emerges from the host womb to kill the host is termed `parasitoid`, and so the death throes of the host species dying in the clutches of the viral alien is what was transmitted by the 20^th century `TV` home theater. Science fiction writer, Robert A. Heinlein (1907-88), in his twelve juvenile novels written between 1947 and 1959 depicted the United States of America`s hope in a space program, which culminated in the landing of a man on the moon, Earth`s satellite, on July 21, 1969, UTC: 2. 56, Apollo 11 mission astronaut, Neil Armstrong: `One small step for a man, one giant leap for mankind.` In Heinlein`s Rocket Ship Galileo (1947), Dr Cargraves is a man leading a group of youths who discover Nazis on the moon planning to attack the Earth. The Nazis were the German National Socialist (Nazi) Party elected in 1933 and led by Adolf Hitler who proclaimed himself dictator after the fashion of Benito Mussolini, the Italian leader, who`d proclaimed himself dictator in Rome after the election of 1922. Hitler adopted the symbol of power of ancient Rome from Mussolini, the fasces, a bundle of wood with an axe in the center that represented Roman planners who`d build a hide behind which they`d plan an encampment and the Empire would spread. Hitler built home entertainment theaters, `concentration camps` inside which the `chosen people` of the Jews were killed and stacked like logs of wood before being incinerated, which was another `TV` transmission equivalent to the Romans` transmission of Jesus. The theater of war in which fascist Japan, Italy and Germany were engaged against their opponents for Empire was another `TV` transmission, but not home entertainment `TV` represented by the Nazi `death camps`.

 In Heinlein`s Rocket Ship Galileo Cargraves` youths destroy the Nazi base and represent hope in planetary exploration and colonization for the people of Earth, which necessarily means car graves, that is, the abandonment of the car for space. By Starship Troopers (1959) Heinlein`s spaceship pilot was Carmen Ibanez, a woman, whose role was dramatized by actress, Denise Richards, in the movie Starship Troopers (1997), and whose name, Carmen, represents the refusal of car men to let go of the reins of the chariot, that is, the wheel of karma. The term karma appears in the Vedas (1500 B.C.) of the Hindus living in the Indus Valley of India as meaning the problem associated with reincarnation, that is, the refusal of men`s car nations to let go of the reins and allow `woman`s seed` to escape, because men can`t sexually reproduce with each other, whereas women can, so women are the race that should run to colonize the planets amongst the stars of heaven above. Refusal to allow `woman`s seed` to produce something different to men`s `TV` is karma. Consequently, Carmen in Heinlein`s Starship Troopers, who is amongst a cadre of women spaceship pilots called `mothers`, drops her boy sons onto a male extrapolated version of what a woman`s universe would look like if she were left to breed unrestrictedly. Her `troopers` fall on the `bug world` of Klendathu as her boys sons and boys` owners, that is, poisons and poisonous (fathers), and exterminate the arachnoid indigenous inhabitants. The plot device is that the arachnid `bugs` attacked Earth destroying the city of Buenos Aires in Argentina, home of Juan Rico, who becomes platoon leader of `Rico`s Roughnecks` in the subsequent interstellar war. However, because women are a sexually reproductive eight limbed single into being owned by a womb parasite, she`s extrapolated as a spider to be exterminated, which is why Heinlein`s last juvenile, Starship Troopers, was rejected by publisher Scribner`s as `fascistoid` before it was published by Putnam`s. It depicts Nazi pogroming of `woman`s seed` extrapolated as spiders to encourage boys to hold onto the wheel of karma, as car men do, and Carmen perforce must, but without hope.

 On March 23, 1982, US President Ronald Reagan announced his `Strategic Defense Initiative` (SDI) for a `ground and space base missile system`, which was known as `star wars` after the movie Star Wars (1977) featuring an evil Empire`s building of a `Death Star` to orbit planets and kill them. Ronald `Ray Gun` Reagan`s idea of a `missile shield` to prevent intercontinental ballistic missiles (ICBMs) armed with nuclear warheads from destroying the Earth seemed cogent, but it was a women`s prison. In science fiction alien invaders are `bug-eyed monsters` (BEMs), that is, icy BEMs are what ICBMs are. The absence from the mass media of representations of `woman`s seed` suggests that Ray Gun`s `SDI` wasn`t a shield but a coffin lid. Or, rather, the lid of a `snuff` video box, which is a recording of a killing that has occurred for the replaying and entertainment of the parasitoid viewer who may`ve killed the victim originally and is representationally comprehensible as reincarnation through men`s refusing to relinquish their parasitical hold on the wheel of the karma of women`s species` host womb. As a `TV` transmitter, the machine of television transmits the dying throes of the species of `woman`s seed`, which is what men breed her for. The term `snuff` comes from the way in which a candle flame, signifying life, is extinguished, for example, in the lyric to pop singer Elton John`s `Candle In The Wind` (1973), which was used as a lament for the 1997 death of Princess `Di`: ``Your candle burned out long before your legend ever did.`1 According to some reports, the death of England`s Diana in a car crash in the Pont D`Alma tunnel in Paris was mysterious, and the connection between Reagan`s SDI and Princess Di is. Diana was a United Nations` (UN) ambassadress who worked to draw attention to the difficulties posed by anti-personnel mines remaining after a battle and people returned to live there. The term `mine` is a euphemism for possession, and Diana divorced England`s future king, Charles, which meant at the very least a battle for possession of the children`s affection, that is, William and Henry`s. As an analogy of women`s struggle to escape men`s possessing of their host wombs and children, Di`s campaign against mine warfare was paradigmatic, that is, as an aspect of Reagan`s SDI. She didn`t want the coffin of the `TV` snuff video for her `seed`, because grown boys are taught Starship Troopers, that is, the role of the alien parasitoid invader gloating over the extinction of the human futanarian race of `woman`s seed`. Although there`s little evidence to suggest that the death of Di was nefarious, the event is indicative of parasitoid car men`s refusal to let go of the wheel of karma and facilitate the woman`s leaving without employing a plot device equivalent to the `TV` aerial of Jesus` crucifix, that is, a mobile `TV` auto`s transmission.

 Although Robert A. Heinlein`s juveniles seem full of optimistic hope, Dr Cargraves` role in Rocket Ship Galileo leading a group of youths to defeat the regrowth of Nazism faces defeat in the depiction of Carmen Ibanez`s dropping of Mobile Infantry (M.I.) on her own species of `woman`s seed` extrapolated into spiders in Starship Troopers, although Heinlein`s women readers had a surprise coming with a novel written for adolescent girls, that is, the juvenile Podkayne Of Mars (1963), which describes the adventures of Podkayne, who wants to be a pilot: `Poddy Fries, free citizen of Mars, female. Future pilot and someday commander of deep-space exploration parties. Watch for me in the news.`2 Kidnapped by terrorists, she`s accidentally killed by her brother, Clarke, who detonates a small atomic device to escape. Heinlein`s readers protested and, in a rewrite, Poddy Fries was resurrected, so didn`t fry. Clarke may`ve been a depiction of British science fiction writer, Arthur C. Clarke, whose novel, Childhood`s End (1953), treats of the `Overlords`, a race of leathery winged, cloven footed, horned devils, who supervise the extinguishment of the human race, and its addition to their `Overmind`, which contains many species that are ineffectual and unthreatening to the Overlords, because formerly corporeal. Poddy`s resurrection, in defiance of Clarke`s extinguishing of her, is a rejection of the Overlords, and their Overmind, in favor of `the Poddy Beautiful` and a heaven made up entirely of `woman`s seed`, because its transmissions aren`t contaminated.

1 John, Elton (music), and Bernie Taupin (lyrics), `Candle In The Wind`, Goodbye Yellow Brick Road, MCA, 1973.

2 Heinlein, Robert A., Podkayne Of Mars, Putnam`s, 1963, Ch. 1, p. 3.

Heinlein`s Children

As a science fiction writer, Robert A. Heinlein (1907-88), was accused of giving harmful guidance to children on the path to becoming adult. However, if children behave like the adults they find in fiction, they won`t live, which is how children become adults; by not following the behavior patterns prescribed for them in fiction by adults. Fictional representations of adult activities aren`t peaceful, whereas what children want, and indeed represent, is peace. Consequently, childhood is peace disturbed by adults, who want the child to behave in accordance with the fiction that adult behavior will assist them to live, whereas the behavior prescribed in fiction as `adult` will more than likely result in a child`s early death, which suggests adults want neither children nor peace for them. British science fiction writer, Arthur C. Clarke, wrote the novel, Childhood`s End (1953), which depicts an alien race of `Overlords`,1 who resemble the traditional fallen angels of Christian tradition with leathery wings, cloven hooves, and horns. The Overlords take over the running of the Earth and prepare the human species to join the `Overmind`, an amalgamated cosmic intelligence comprised of the people of ancient civilizations, who were once corporeal, but are now free from material bodies. No more children are born, and many parents commit suicide. A column of energy ascends from the Earth to conjoin with the Overmind, and the Earth disappears in a flash of light, which is what the Overlords supervise.

 Robert A. Heinlein`s juvenile series of novels for children began with Rocket Ship Galileo (1947), a tale of Nazis defeated on the moon, and after thirteen books, concluded with Starship Troopers (1959), a war against an alien `bug` invasion of the Earth by arachnoids. Starship Troopers was succeeded by a supposedly more `adult` narrative, which had begun as a juvenile, Stranger In A Strange Land (1961), about a future Messiah similar to Jesus Christ, the founder of Christianity, with his teaching that became the theme of the New Testament of the Bible: `Love your neighbor as you love yourself.` (Mk: 12. 31) Heinlein`s Valentine Michael Smith is important in the literature of science fiction, because he represents many of the aspects of Jesus` life and teaching. Although Jesus was born in Palestine during its occupation by the Roman Empire, Smith was born on Mars and was educated by Martian `Old Ones`, who like Clarke`s Overlords believed in `discorporation`, that is, the body was a preamble to an adulthood apart from the material universe, so death was a goal for children, rather than their end.

 Born of his mother, the Virgin Mary, uncontaminated by male semen, Jesus was `woman`s seed`. Those women who self-fertilize from their own penis` semen are termed `futanarian`, and although Jesus` mother, the Virgin Mary, isn`t represented as futanarian in the Old Testament of the Bible of the `chosen people` of the Jews, which is the Talmud and Torah, that is, their history and law, Jesus` birth uncontaminated by male semen is futanarian. In Christian iconography Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot, because she represents futanarian `woman`s seed`. When the first woman, Eve, encountered the fallen angel, Satan, in the paradise of heaven on Earth, he`d been transformed into a serpent by God for rejecting God`s plan that the human host should be greater than the angelic. Tempting Eve to `eat of the fruit of the tree of the knowledge of good and evil`, that is, death, Satan told her, and the first man, Adam: `You shall be as gods.` (Gen: 3. 5) Eve and Adam accepted ephemerality for their children in exchange for the power of war, that is, Satan had the role of one of Clarke`s Overlords.

 God told Eve her `seed` would have Redemption but there`d be `enmity` between hers and the serpent`s: `You will crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) In other words, the brainpower of futanarian `woman`s seed` would prove stronger and humanity would escape from its overlords to colonize the planets amongst the stars of heaven above the Earth through starships of the species of women`s own devising. Taken to the hill of Calvary where he was nailed to a cross of wood, and left to die as a `dissident` against the male braining Empire of Rome, Jesus experienced Resurrection and Ascension to heaven as a figure of futanarian `woman`s seed` escaping from her overlords: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) Because the Mesozoic (20 m. a.) period of Earth`s history was saurian, it seems likely that winged reptiles were the angelic intelligences described in Judeo-Christianity as the heavenly host of God, while the fallen angels denote degenerate intelligence concerned to establish slavery of women`s futanarian species through war against her human race in order to maintain their position as overlords.

 Although Jesus` role is to illustrate the absence of `woman`s seed` for the sexual reproduction between women of human brainpower to take her species to colonize the planets amongst the stars of heaven above in starships of her brains` own devising, the philosophy of Heinlein`s Messiah, Valentine Smith, is more typical of Clarke`s Overmind. Towards the end of Stranger In A Strange Land Smith is `discorporated` by a mob: ``Lynch him! Give the bastard a nigger necktie!` A heavy-gauge shotgun blasted at close range and Mike's right arm was struck off at the elbow and fell. It floated gently down, then came to rest on the cool grasses, its hand curved open in invitation.`2 Smith`s beatific attitude reflects Heinlein and Clarke`s understanding of the Overlords and the Overmind: `Through bruised and bleeding lips he smiled at them, looking straight into the camera with an expression of yearning tenderness on his face. Some trick of sunlight and stereo formed a golden halo back of his head. `Oh my brothers, I love you so! Drink deep. Share and grow closer without end. Thou art God.`` Smith`s discorporation is a parody of Jesus` Ascension, because the Overlords are the fathers that want the nothingness of the Overmind for their children, which is the difficulty for science fiction writers ostensibly writing bildungsroman for adolescent readers looking to grow beyond acceptance of death.

 Heinlein`s first juvenile, Rocket Ship Galileo, is interesting because it deals with the socio-historical and religious phenomenon of the German National Socialist (Nazi) Party, which came to power in the election of 1933 when its leader Adolf Hitler assumed dictatorship and began to plan the pogroming of the Jews. Hitler`s Nazis built `concentration camps` and fought a global war while upwards of 20, 000, 000 Jews were exterminated and incinerated in what became `death camps` for the `chosen people` of the Bible incarcerated as `spies`. In Rocket Ship Galileo Nazis are discovered on the moon planning to launch an attack upon the Earth, which is foiled by Heinlein`s young heroes. Although Nazism seems far distant from Jesus` time and the Empire of Rome`s occupation of Jewish Palestine, the Roman symbol of authority, the fasces, was adopted by the Nazis from Italy`s dictator, Benito Mussolini, who`d assumed power in Rome after the election of 1922. The symbol of the bundle of wood with an axe in the center represented the Roman planners, who cut wood to build a hide, and behind which they planned the construction of camps during the expansion of Rome`s Empire. Consequently, fascism was a movement against Jesus` `seed`, begun by the Romans and continued by the Nazis.

 Just as Rocket Ship Galileo featured the boys` mentor, Dr Cargraves, Heinlein`s last juvenile continued the `car` theme in its featuring of the character, Carmen Ibanez, who is described as a `mother`, because she`s a starship pilot dropping her `boy sons` on the home world of the arachnoid `bugs`, Klendathu, where they fight and die. In the movie made from Heinlein`s novel, Starship Troopers (1997), actress Denise Richards stars in the role of Carmen, and it`s a typically adult scenario of children being fed to the machine guns by their fathers as `cannon fodder`. Actor Neil Patrick Harris says so, in his role of Colonel Carl Jenkins: `We're in this war for the species, boys and girls. It's simple numbers. They have more. And every day I have to make decisions that send hundreds of people like you to their deaths.`3 Familiar to those who know anything about the first world war (1914-18) with the German Empire`s ambition of slavery for Europe and the rest of humanity, Starship Troopers represents the fathering of boy sons, that is, `poisons`, who`re dropped by `mothers` to their deaths, because that`s the pattern of human behavior advocated by the supervising Overlords in respect of the nihilism of the Overmind they serve: `One day, someone like me is going to kill you and your whole fucking race!`4 The irony of course is that the extrapolated arachnoid enemy species is `woman`s seed` suppressed by male semen so that the fathers can keep poisoning the Earth in male braining.

 In parasitology, the parasite that emerges from the host womb to devour it is termed `parasitoid`: `When you battle 6 trillion enemies that will eat you alive, there are only two rules ... EVERYONE FIGHTS. NO ONE QUITS.` Because women can sexually reproduce with each other, whereas parasitoid men can`t, Heinlein`s eight limbed arachnoid aliens are an extrapolation of how women engage in a sexual reproduction of the human race that`s exponential, whereas men are her parasitoid enslavers. Written in 1947, Rocket Ship Galileo is infused with the optimism born of the age of the car, that is, Heinlein`s rocketeer, Dr Cargraves, together with the youths that make up the crew of the Galileo, look forward to the age of space travel. The first car mass produced in the United States of America, the Model-T Ford, came off the Henry Ford manufacturing plant`s production line in Detroit, Michigan, in 1908. However, by the time Starship Troopers was written in 1959, Heinlein`s perception that space travel represented the grave of the car, had evolved into the idea of fathers, who drove cars and left poisons, that is, boy sons, like pollutants hanging in the air above planets, because they didn`t want a future for their children apart from their supervising of them as Overlords nihilistically obsessed with their Overmind`s nothingness.

 Although Starship Troopers wasn`t a made for `TV` movie, in a sense it was, because the Romans had been manufacturing men and women as a single male brained creature wearing each others` clothes in `TV` transvestism since the ancient Roman Empire`s building of huge amphitheaters inside which its alien parasitoid devouring consciousness watched the `remnant` of human futanarian `woman`s seed` kill itself for its pleasure. Starship Troopers 2: Hero of the Federation (2004) was a `TV` film made for transmission by the television `TV` machine invented by John Logie Baird in 1926 as a home entertainment medium that largely supplanted the appeal of film theaters for the parasitoid public mind, and which had been built to serve the US movie industry centered around Hollywood, Los Angeles, on the west coast of California after director, D. W. Griffith, made the first film there, Old California, in 1910. Although the Nazi pogromers of the Jewish `chosen people` with their futanarian tradition of `woman`s seed` took center stage in the supposed war against fascism in the 1930s until the end of the second world war (1939-45), President of the Motion Picture Producers and Distributors of America (MPPDA), Will Hays` establishment of the `Hays code` (1930) was a step towards the banning of human sexual reproduction from the movie screens as fascist as anything the Nazis envisioned: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`5 Starship Troopers 2: Hero of the Federation premiered on Encore Action on April 24, 2004, and was released on DVD on June 1, 2004, to be watched as a recording bought by the `TV` viewer. The troopers face a new arachnoid, a `bug` that infests the human body by entering through the mouth and propagating inside the brain. At first Private Lei Sahara`s hallucinations are blamed on her pregnancy, which affords another neat opportunity to condemn women`s species of futanarian `woman`s seed` for wanting sex without men, who actually transmit the `incurable killer disease`, HIV/AIDS, in rejection of women for homosexuality`s mixing of blood, shit and semen in each others` anuses.

 The human immuno-deficiency virus (HIV) results in acquired immuno-deficiency syndrome (AIDS) inducing systemic collapse of the organs before infecting and killing the brain of the victim. Although human society has been taught that homosexuality is merely an acceptable sexual preference, in ancient Greece host womb slavery of women in homosexuality and pederasty for the spread of the contagion of war against `woman`s seed` was institutionalized. Consequently, HIV/AIDS is men`s `biological weapon` keeping women in fearful faithfulness to the ring slavery of the parasitoid devouring her species in war against her. Actor David Wells, in the role of a recruiting sergeant, makes it explicit for actress Coleen Porch in the role of Lei Sahara: `We need fresh meat for the grinder.`6 Starship Troopers 3: Marauder was released directly onto the recorded home entertainment medium of DVD for purchase by viewers as an owned movie on August 5, 2008. The Mobile Infantry (M.I.) are supported at home by a government suppression of seditionists, which echoes the suppression of the Jewish `dissident` Jesus, and the subsequent Nazi pogroms against the Jews in the middle of the 20^th century as `spies`, because of course the arachnoid aliens are spi-ders extrapolated from human women`s futanarian capacity to exponentially reproduce their own brains` powers as an antidote to men`s viral form.

 In his role of Sky Marshal, Omar Anoke, actor Steven Hogan, ostensibly embraces the arachnoids` religion in an attempt to make peace between `the bugs` and the Terran Federation: `I have made this great journey. I have evolved. I have sacrificed all so that I may create with you a great peace. And they're fucking it up!`7 After Omar Anoke`s popular arrival on planet Roku San, an attack by the arachnoids is attributed to Anoke`s deliberately collapsing the base`s defenses, because of what religious trooper, actress Marnette Patterson`s in her role as Holly Little, identifies as a contaminating telepathic rapport between Anoke and the arachnoid `Brain of Brains` which, like the Overlords and the Overmind in Clarke`s Childhood`s End, effectively usurps human consciousness: `It's the wrong God!`8 Returning from Roku San, Anoke and actress Jolene Blalock as Captain Lola Beck find themselves marooned on a planet, OM-1, while actress Amanda Donohoe, as Admiral Phid, ignores their distress signal. Anoke is subsequently killed in a terrorist attack staged by the government of the Terran Federation to discredit `peace protestors`, and dozens hang. New Sky Marshal, Admiral Phid, impressed with the way Anoke was rendered servile by the arachnids religion, decides to adopt a Christian-esque version. Those protesting that they want peace are labeled warlike and executed as unlovable.

 The war against `woman`s seed` extrapolated as `bugs` is a metaphor for homosexuality in pederasty`s `biological war` against the human futanarian race of women`s, which in the late 20<sup>th</sup> century was characterized by the HIV/AIDS paradigm. HIV/AIDS was translated as `bad machine code` by the `geek` successors to the Greek`s `biological weapon`. The geeks` sought to deploy their `Trojan virus` to infect computer brains to prevent the human race from running its own program, and rather have it succumb to the new pogroming against the peaceful, that is, the children, which is what Amanda Donohoe`s new Sky Marshal character at the close of Starship Troopers 3: Marauder stands for. In simple terms, for Donohoe`s Phid, religion approximates to a `snuff vid`, where `snuff` is the term used to describe that illegal genre of recorded entertainment, which is the real life recording of killings for the parasitoid alien to enjoy, and has been encouraged in homes since the invention of the DVD to make home-made pornography and `snuff films` feasible: `Your candle burned out long before your legend ever did.`9 Pop singer Elton John`s `Candle In The Wind` (1973) lament for Hollywood sex symbol, Marilyn Monroe, who was found dead in the nude in 1962, reflects upon the penislessness and brainlessness of the human race, `snuffed` like a candle flame by its parasitoid killers filming the extinction of `woman`s seed` for its pleasure.

 A huge hollow wooden horse, known as the `Trojan horse`, was the method by which the Greeks captured the city of Troy, as narrated by the poet, Homer, in his Iliad (760-10 B.C.). Left outside the gates of the city the horse was taken in by the Trojans, where the Greeks emerged to enslave the host wombs of the women for homosexuality in pederasty and war against `woman`s seed` to spread their contagion further: `Beware Greeks bearing gifts.`10 Starship Troopers extrapolates men`s desire for invasion into women`s being inaccurately presented as alien `bugs`, because invasion is how men`s viral form spreads. Consequently, the films, and personal computer games deriving from those who hold the franchise on Heinlein`s Starship Troopers, illustrate how patterns of adult behavior, prescribed for children to emulate in fiction, are lethal towards those who seek to live, rather than die.

 Starship Troopers 4: Invasion is a Japanese-American 2012 computer animated film released as a direct-to-video title in Japan on July 21, 2012, and in North America on August 28, 2012. The action consists in killing a `bug` queen bent on crashing a hijacked starship, John A. Warden, into Paris, but the interesting feature is of the developing of mind power by the Terrans to control `the bugs`. Minister of Paranormal Warfare, Carl Jenkins, voiced by Justin Doran, directs `bugs` to assist in the killing of the queen. Because invaded queens aren`t invasive kings, the attribution of a devouring parasitoid evil alien nature to females is symptomatic of an endemic misogyny manifest as xenophobia in the Starship Troopers fictional universe, that is, a supposedly adult genre that`s life-threatening to children who`re trained in militarism to espouse it as a pattern for universally successful human action.

 That peacefulness is childlike, and therefore foolish, is a poison endemic in modern civilization, culture and art. Inculcating the desire to kill, even vicariously, isn`t the way to develop children into adults: `Darkness is your friend. Whatever you do, don't turn on the lights.`12 In the `PC game`, Starship Troopers: The Terran Ascendancy (2000), the recovery of ancient teleportation equipment is essential to the `game`. The `hive` on the `bug` home world, Klendathu, is penetrated, and the M.I. plant bombs. On New Year`s Day, 2372, the Terran military celebrates its victory, but humans would want their children to have something better to do with teleporters capable of transmitting people to distances as far away as the surface of a nearby world, rather than have fathers explain their adult behavior pattern to the latest generation of `cannon fodder`; for the alien parasitoid devourer to enjoy watching itself being killed: so that it can die. Starship Troopers: The Terran Ascendancy isn`t `pc`, that is, it isn`t `politically correct`, because it isn`t for humans, and it purports to be about humans, whereas it`s actually for alien Overlords, who of course want humans to be at peace with the Overmind.

1 Clarke, Arthur C. Childhood`s End, Ballantine Books, 1953.

2 Heinlein, Robert A., Stranger In A Strange Land, G. P. Putnam`s Sons, 1961, p. 429.

3 Harris, Neil Patrick as Colonel Carl Jenkins, Starship Troopers, Tristar, 1997.

4 Muldoon, Patrick as Lt Zander Barcalow, Starship Troopers, Tristar, 1997.

5 TV Tropes, `Foot Popping`, https://tvtropes.org/pmwiki/pmwiki.php/Main/FootPopping/ .

6 Wells, David as Recruiting Sergeant, Starship Troopers 2: Hero of the Federation, Encore Action, April 24, 2004.

7 Hogan, Steve as Omar Anoke, Starship Troopers 3: Marauder, Sony Pictures, 2008.

8 Patterson, Marnette as Holly Little, Starship Troopers 3: Marauder, Sony Pictures, 2008.

9 John, Elton (music), and Bernie Taupin (lyrics), `Candle In The Wind`, Goodbye Yellow Brick Road, MCA, 1973.

10 Laoccon in Virgil, The Aeneid, Bk II, 19 B.C.

12 Doran, Justin as the voice of Dr Carl Jenkins, Starship Troopers 4: Invasion, Sony Pictures, 2012.