The North American Plains Indians didn`t die because they fought, but because they weren`t interested in the European settlers` culture. Although the Indian wars are something of a pointed issue amongst the inhabitants of the United States of America, what they illustrate isn`t the outcome of a struggle between European and indigenous North American culture, but rather the indifference of the North American Plains Indians to the new. Described as the `New World` by Christopher Columbus, the explorer commissioned by Spain`s queen Isabella, his discovery of America in 1492 began its colonization by Europeans who, once established as the government of the USA, paid buffalo hunters to kill the 60, 000, 000 herd that the Plains Indians depended on as a natural resource for food, and clothing, etc. Consequently, when the Indians starved and the settlers built `reservations` for them to live where they were told to go, they`d fought and died because they wanted their own culture, rather than the European settlers. In other words, the Plains Indians of North America were indifferent to the culture of the west, which is why they lost their status but not their role.
Role and status are important concepts, because for many people life is about status, whereas for others it`s about role. For mothers, the distinction is particularly relevant, because their role is biologically determined, although socio-economic status is the standard by which they`re measured by those who believe that status is of greater significance than a mother`s role. Actors probably appreciate the distinction to a much greater degree than ordinary folk, who aren`t cast in a role that they perforce must perform to the best of their ability, and are judged according to their success in the role, rather than by reference to socio-economic factors involving others` perceptions of what their status level is within the societal framework, so that they know how much caution to show in their dealings with them. Or, in other words, actors confuse those who`re primarily concerned with status because they don`t understand that for actors it`s about role, rather than status, that is, an acting role is their work, whereas for those concerned with status, work is status, and status is maintained by reference to others status in relation to theirs. In short, status is about how polite the European settlers had to be towards the North American Plains Indians, before they killed them all, because they didn`t care about the Indians` role in North America, although the Plains Indians still have their role despite losing status, which is what they were largely indifferent to, and that was the cause of their losing statehood faced with Europeans who were more technologically advanced in accordance with their role and status.
Status is how an individual is perceived by others whereas role is what the life of the individual is about. An actor has a role, which isn`t independent of people`s perceptions of status while the actor is in the role, for example, the movie, Down And Out In Beverley Hills (1986), starring Bette Midler and Nick Nolte as a `down and out`, Jerry Baskin, helped by a housewife, Barbara Whiteman, when he`s discovered looking through her garbage to find food, because he`s hungry, isn`t divorceable from people`s perceptions about status while Nolte is in the role. Nolte`s character`s preoccupations are with his role, and are almost entirely independent of others` perceptions of his status, which is how a professional actor lives, whereas those who`re concerned with status want to define an individual`s role in those terms. In simpler terms, for those preoccupied with status the role of an individual is secondary, that is, perceptions of status are life endangering for those who are concerned only with performing the role allocated to them by society or chosen by them within society, which is why the North American Plains` Indians culture declined. The settlers of the `New World` were concerned with status, rather than role. Whereas the Indians` role was as the indigenous inhabitants of the ecology they lived as a part of, the settlers were interested in status, and the imposing of the United States of America upon the Indians, which was their chosen role.
In the Bible the Jews are called the `chosen people` which is the status and role given to them by God, according to Jewish history and law, which is the Old Testament, that is, the Torah and Talmud of the Jews, before it was superseded, according to Christian tradition, by the teaching of the Jew, Jesus Christ: `Love your neighbor as you love yourself.` (Mk: 12. 31) The German National Socialist (Nazi) Party elected in 1933 disagreed with the role of the Jews chosen for them by God, and built `concentration camps` in which upwards of 20, 000, 000 Jews were poisoned with gas before being stacked like logs and incinerated. Nominally, the Germans were Christians, and the war of 1939-45 was fought by the Europeans and their allies, including the United States, to stop fascism, which was a political philosophy deriving from the ancient Romans, who were responsible for the crucifixion of Jesus Christ as a `dissident` when they were the occupying Empire in Jewish Palestine.
The emblem of Roman authority was the fasces, which means `bundle`, and is most often conceived as an axe in the center of a bundle of wood. Although the stylized bundle was used to represent the rods of the rulers of Rome governed by law, with capital punishment as the deterrent to disobedience, originally the bundle of wood represented Roman planning. A planner would cut wood to build a blind inside which he would work undisturbedly to conceive an encampment as Rome`s Empire expanded. The fasces` emblem of wood and axe was central to Jesus` crucifixion by the Roman Empire in Jewish occupied Palestine. The Romans cut wood and made a cross, which Jesus was nailed to and, according to Christian tradition, he died there, but then experienced Resurrection and Ascension to heaven. The Nazis borrowed the fasces` emblem of wood bundle and axe, which were the instruments of crucifixion, from the fascist leader of Italy, Benito Mussolini who, after the election of 1922, declared himself dictator in Rome, and the German Nazi leader, Adolf Hitler, did the same in Germany in 1933. Afterwards, Germany and Italy`s alliance with Japan made it difficult to prevent the spread of fascism globally, which had begun with the Jew Jesus` crucifixion and continued with Hitler`s pogrom against the `chosen people`.
Although it isn`t evident to shallow readers of the Bible, Jesus` mother, the Virgin Mary, represented the `seed` of Eve, the first woman created by God in the paradise that was heaven on Earth, Eden, and who accepted the `fruit of the tree of the knowledge of good and evil`, which it was death to taste, from the angel, Satan, who`d been turned into a serpent for rejecting God`s plan that the human host would be greater than the angelic. Eve and the first man, Adam, created by God, exchanged the `tree of life`, which was immortality, for the power of host womb slavery in parasitoid ephemerality. In parasitology, the parasite that emerges from the host to kill it is termed `parasitoid`, and Jesus` disciple, John, describes in his prophetic Revelation how the serpent develops after Eve accepts power through death in ephemerality from her species` enslaver: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) Because Jesus` mother, the Virgin Mary, bore Jesus uncontaminated by male semen, she represents human futanarian `woman`s seed`, that is, the capacity of women to sexually reproduce human brainpower through their own `seed`, which is that of the `chosen people`. The capacity to self-fertilize is a survival trait of the `chosen` species of women who have their own semen. Consequently, Jesus` Resurrection and Ascension to heaven is a prefiguration of that of `woman`s seed`. As God told Eve: `You will crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) In Christian iconography Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot, because women`s brains will take her to colonize the planets amongst the stars of heaven along with redeemed men, and in spite of the `serpent`s seed` of men who remain irredeemably a part of host womb slavery of the human futanarian race in Satanism seeking to prevent her from escaping, for example, from Hitler`s Nazi `death camps`, which were built by the Satanists to make sure she didn`t survive.
The role of women is then that of the `chosen people` of Judeo-Christianity, for example, it`s Jewish tradition that a Jew is born from a Jewish woman. Consequently, Jesus was a Jew born of his mother, the Virgin Mary, because it was a futanarian birth, that is, Jews were `chosen` because they were human futanarian `woman`s seed`, whereas in movies like Sophie`s Choice (1982) starring actress, Meryl Streep, in the role of Sophie Zawistowski, chooses her son, actor Adrian Kalitka as Jan, over her daughter, Eva, that is, actress Jennifer Lawn, when invited by a `death camp` guard to decide who should live, and who should die, because it`s a part of Satanism to have humans make torturer`s decisions, and Sophie chooses her son, rather than her daughter, who is gassed with poison, although Eva represents the `remnant` of `woman`s seed` being warred against by the Satanist Nazis, whereas her son, Jan, is a Jew born of a woman, but not from `woman`s seed`, that is, he`s redeemable, but her daughter is the `seed` of Eve, and so forever redeemed because of her enslavement. Sophie subsequently kills herself with the poison cyanide as she despairs of escaping slavery, which is the level of despair that fascism wants for human futanarian `woman`s seed`, because it doesn`t want to waste energy and resources on running the human race`s pogrom.
The Jews in Germany were stateless before the 1939-45 war against fascism, which resulted in the restoring of Palestine to them as a Jewish homeland. In other words, the war was about the status of the homeless within society. In short, the perception that the homeless hadn`t status was the basis for the success of the totalitarian state, which defined role in terms of status, that is, without status there wasn`t a role for the Jews in German society, and because the Jews were homeless status wasn`t conferred. In simpler terms, Jews had status in Palestine after the war, but before the war they had a role, like the North American Plains Indians, which wasn`t state supported. The Jews were an older tradition indifferent to the New Testament of the Christians ostensibly represented by the Nazis, while the Plains Indians remained equally indifferent to the European settlers, who proclaimed a `New World` along with the New Testament, to an equally old culture concerned primarily with its role, whereas the Europeans were about constructing a state based on status, that is, racism, against the older indigenous Indian population who, like the Jews, were Old Testament, rather than `New World`.
Although the Koran (610-30 C.E.) of the Moslem`s in Islam, which means those who `submit` (Moslem) in `acceptance` (Islam), was dictated to Mohamed by the angels of God, according to tradition, it`s main character, Abraham, is found in the Old Testament of the Jews, and his son, Isaac, born from Sara, his wife, is the founder of Judaism. After Sara bore Isaac she was barren and gave her maid, Hajer, to Abraham, and Hajer bore Ishmael, who was the founder of Islam through his descendant, Mohamed, that is, although the Koran contains the story of Jesus and Mary, the Moslems in Islam are an Old Testament people, who the Christians of the New Testament don`t want, because Moslem marriages that permit four wives afford the possibility of futanarian sexual reproduction between women within the Islamic family, which is in accordance with Judaic tradition. In simple terms, Christianity has come to oppose the human tradition, because it`s influenced by Satanism. In Moslem Islam it`s traditional for women to wear the burka in public, a one-piece coverall that conceals the wearer from scrutiny, because in the so-called democracies of the western powers women are depicted nude without penis, which for futanarian peoples is a sign of Satan: `Let he that has wisdom have understanding. The number of a man is the number of the beast and his number is six hundred three score and six` (Rev: 13. 8), that is, `666`, which is the 66.6% ratio of men and women to 33.3% futanarian humans if they aren`t labeled animals, like the `chosen people`, who were sent to the `ovens` in Auschwitz, Poland, for example, where Sophie Zawistowski`s daughter, Eva, was surrendered to the new guards by her mother.
Sophie`s choice was a fulfilment of Satan`s words to Eve and Adam after they surrendered the human host to ephemeral slavery in war: `You shall be as gods.` (Gen: 3. 5) The Nazi guards were the new gods of the New Testament. Although the Jews were Old Testament, the manufacture of the single male brained creature wearing each others` clothes as a transvestite `TV` for the parasitoid to watch killing itself for entertainment had been going on since the period of the Greek Empire when the enslaving of women`s host wombs for the spread of the contagion of homosexuality in pederasty for war was institutionalized. Although ancient Greece is held by many historians as the model of democracy, it`s dictatorially misogynist. When John Logie Baird invented the television machine in 1926 for the transmission of `TV` pictures, it was the precursor of the transmission of the human immuno-deficiency virus (HIV) and acquired immuno-deficiency syndrome that causes the collapse of all bodily organs including the brain through infection spread by men`s mixing of blood, shit and semen in each others` anuses in rejection of women, and as a `biological weapon` ensuring women`s fearful faithfulness to men`s ring slavery in the late 20th century and beyond: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was accept the parasitoid nature that somehow untold millennia ago had inveigled itself into the host womb of the futanarian human species to replicate itself and emerge to kill her.
According to science, life can originate on planets as a space borne virus,1 which suggests the angels of God were saurian intelligences that evolved during the Mesozoic period (248 m. a.) of Earth`s prehistory, and before hominids began to appear in the Jurassic period (220 m. a.), which evolved into humans. The encounter between Eve and the serpent that became the winged dragon, war, is that of a saurian nature fallen because of a virus, which hominids contracted through their relations with it, although the winged angels of God denote the saurian nature that remained in heaven, because it doesn`t have the virus, whereas degenerate nature wants to ensure that everybody sinfully contracts it, so that they`re evil and, when they die, their punishment from God is eternal unendurable pain, that is, perdition, rather than heaven. Concealing women`s penis from her own futanarian race is a Satanist mode to ensure that the viral form supplants the human. The viral brain wages war against `woman`s seed` on behalf of the dragon, which seeks the extinction of human intelligence so that it, as an alien parasitoid, can watch the species` death throes for its entertainment.
Because homosexuality in pederasty for war against `woman`s seed` is associated with the `brutality and violence` of `rough trade`,2 the hijacking of civil airliners by the Al Qaeda terrorist organization operating under the auspices of the notoriously misogynist Taliban regime of Afghanistan on September 11, 2001, to crash into the Twin Towers of the World Trade Center in New York city to re-establish warfare as the socio-economic basis of international relations can be understood as the last throes of the Old Testament peoples in relation to the new guards of the New Testament who don`t want human futanarian `woman`s seed` to escape from the `death camp` of Satanism. The United States of America`s response to 9/11 was to reactivate an almost dormant Military Industrial Complex (MIC) and invade the oil rich Middle East to safeguard oil consumption for the automobile industry, which effectively meant full tanks for the mobile `TV` as it transmitted its pictures of the spread of the virus through warfare against the futanarian Moslem peoples in Islam, who were struggling to live despite their own misogynist dictators. The role of the US` Military Industrial Complex (MIC), as an `economic booster` during war, is itself an indicator of the psychopathology of the male brained who, because of their evil sinful devouring parasitoid nature, have a rather large war complex to deal with.
Rather than spend money on permanent memory through immortality conferring medical science to ensure the operation and maintenance of labor saving technologies, government would buy 1 billion each US$ `Spirit` bombers to keep the people in slavery to war, while manufacturing men and women as the `beast` of Revelation, a transvestite `TV` wearing each others` clothes as a single male brained creature for transmitting war as its plague: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) The scene of the planes crashing into the Twin Towers, `live on CNN` and other global news networks, was what men and women were made for through Hollywood, Babylon, movie propaganda: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) In the Bible, `Babylon` was `a woman` who gave her name to the capital city of the Persian Empire, Babylon (c. 4000 B.C.), because it was a typical instance of a parasitoid devourer breeding a `TV` by enslaving the human futanarian host of `woman`s seed`, which interfered with her role in order to confer status upon itself through militarism. In other words, status is the parasitoid`s language for its subjugating of the role of the human, while the humans` roles are concerned with humanity, that is, the development of labor saving technology and immortality conferring medical science to live and escape slavery to war and death.
As an alien, the parasitoid devourer possesses the human species through male braining for war to prevent its slave host from escaping its `TV` entertainment. Consequently, the human is the `snuff` film star of the parasitoids` theater, where `snuff` is the term used for the making of movies with real life killing as the basis for the entertainment of the audience: ``Your candle burned out long before your legend ever did.`1 Pop star Elton John`s lyric to the 1973 song, `Candle In The Wind`, was about the death of movie sex symbol, Marilyn Monroe, found dead in the nude in 1962, although `snuff` was programed into the film industry as its central theme in the district of Hollywood, Babylon, that is, in the capital city of the movies, Los Angeles, on the west coast of the state of California, after the first film made there by director, D. W. Griffith, Old California (1910), and the subsequent establishment of the `Hays code` (1930) by President of the Motion Picture Producers and Distributors (MPPDA), Will Hays, who effectively stopped `woman`s seed` from being seen to exist by the simple expedient of banning it. With a mass media `blackout` on dissemination, women wouldn`t know they could sexually reproduce their own brains` powers as a species, and so they wouldn`t: ``... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`4 Without sexual reproduction of human brainpower between women there`d be no balanced human system and the species would die out to be replaced by a parasitoid devourer manufacturing its `TV` to watch the `remnant` of the human race die for its alien pleasure as a `live` recording. What Guatama Buddha (563-483 B.C.) of India called `reincarnation` was a rerun of the `snuff` film, that is, humanity possessed by an alien parasitoid in male braining was a `snuff` repeat, and it`d go on being repeated as a brainless idiot that`d killed its own species` penis to facilitate the replication of a parasitoid alien that millennia ago had inveigled itself into the race`s host womb and would remain there until it`d extinguished the human host.
The role of the human host was to promulgate the human brain, which the alien parasitoid devourer, possessing the species for male braining in `snuff` wars` extinguishment of the race, thwarted for the purpose of conferring status upon its citizens, based on the concept of the `death camp` guards as the new gods of aspiration. Only aspirers to status within the `snuff` genre would have a role in the new pantheon of the guards who`d continue to extinguish the `remnant` of humanity while conferring godlike status on its evil members, who`d receive higher rewards for denying status to the human and endeavoring to ensure that such individuals became homeless and stateless without a role for their intelligence to aspire beyond slavery to the parasitoid devourer in death and `TV` war. For the parasitoid everyone was an Indian to be reincarnated as a repeated `snuff` film, which is what Hollywood, Babylon, produced. When the giant ape appeared at the top of the Empire State building in New York city to swat away planes threatening his status, he was a 9/11 programer. When actor, Steve McQueen, had the role of the firefighter in Towering Inferno (1973) at the scene of the Glass Tower conflagration in Chicago, Illinois, he was also a programer of 9/11, which was filmed as the movie, World Trade Centre (2005), and featured planes attacking the world`s highest building followed by a fire that raised it to the ground, because that`s what Hollywood, Babylon, programs to recur. Political philosopher, George Santayana, wrote in his The Life Of Reason (1905): `Those who cannot remember the past are condemned to repeat it.`5 Consequently, the theory is that `TV` and movies repeat the past to ensure that people remember, and so don`t make the same mistakes again. However, what occurs is that those who repeat the mistakes of the past are doomed, because it`s a parasitoid ape that copies what it sees, which is what the initial 1933 movie, King Kong, and its 1976 and 2005 reincarnations, were made to promote, and the movie World Trade Centre, with its scenes of planes crashing into the `new world`s tallest building` unopposed by King and McQueen, fulfil.
1 Wickramasinghe, Chandra, `Bacterial Morphologies Supporting Cometary Panspermia: A Reappraisal`, International Journal of Astrobiology, 10 (1), pp. 25-30, 2011.
2 Merriam-Webster Dictionary, https://www.merriam-webster.com/dictionary/rough%20trade .
3 John, Elton (music), and Bernie Taupin (lyrics), `Candle In The Wind`, Goodbye Yellow Brick Road, MCA, 1973.
4 https://tvtropes.org/pmwiki/pmwiki,php/Main/FootPopping/ .
5 Santayana, George, `Reason in Common Sense`, Vol. 1, The Life of Reason, 1905, p. 284.