Time`s `Nuff 4 Love
Time`s `Nuff 4 Love
Science fiction writer, Robert A. Heinlein (1907-88), wrote time travel stories for his audience often based on the taboo principle of a character traveling back to the past to have sexual intercourse with their mother and thereby father themselves, for example, Lazarus Long in Time Enough For Love (1973), who has sex with his mother but doesn`t fertilize her. Self-progenitor`s sex is the basic idea of the story `”- All You Zombies -”` (1959), which became the Australian SF film, Predestination (2014), about a hermaphrodite born with both physical attributes of man and woman, and who is operated upon surgically to make life easier: ‘Ever hear of that Scottish physician who was female until she was thirty five? - then had surgery and became legally and medically a man? Got married. All okay.’1 The protagonist, who`d been a girl, and thought she was a woman in hospital to birth her illegitimate child, replies: ‘What’s that got to do with me?’ The doctor explains: `When I opened you, I found a mess. I sent for the Chief of Surgery while I got the baby out, then we held a consultation with you on the table - and worked for hours to salvage what we could. You had two full sets of organs, both immature, but with the female set well enough developed for you to have a baby. They could never be any use to you again, so we took them out and rearranged things so that you can develop properly as a man.’
The story begins in a bar and the man that the bartender thinks of as the `Unmarried Mother`, a `confession` story writer, who is unaware that the bar is a place where the Time Corps recruit those they want to train as time travelers, is narrating the fate of his child: `Kidnapped - stolen from the hospital nursery!` Relating his belief that the father stole the child, the `Unmarried Mother` laments: `I was as ruined as a woman can be; that bum really ruined me - I was no longer a woman … and I didn’t know how to be a man.` Heinlein doesn`t describe a process whereby behavioralist psychology, and societal conditioning, produce a supposedly human male perspective. The surgically altered transgender personality of the `Unmarried Mother` is simply depicted as feeling male: ` I was staring down nurses necklines.` Although the imagery is suggestive of a male learning about human sexuality as he becomes physically aroused by the woman`s breasts, `neckline` also suggests the invisible line where the headsman cuts off the head of the condemned with his axe in an execution.
In the 1001 Nights 8th century collection of stories the `framing device` is the beheading of the wife of Shah Jehan for wrongly alleged unfaithfulness, and Sheherezade tells him stories to prevent him from taking a new wife each day and beheading her. She marries him and saves the women through her stories, which he wants to continue hearing rather than marry more women. Consequently, the 1001 Nights is about women who kept their heads, and their brainpower. Because women are able to sexually reproduce their own brainpower as futanarian `woman`s seed`, the `Unmarried Mother` represents the nascent human race, before her development is curtailed by surgery. Or, in other words, the unwritten distinction is between the human and the maled brain. Shah Jehan represents the male that doesn`t want women to have brains of their own, whereas Scheherezade convinces him that women`s brains are good.
In parasitology, the parasite that emerges from the host to kill it is termed `parasitoid`, that is, the surgery practiced on the `Unmarried Mother` is a form of male braining supportive of male `seed` to remove the woman`s point of view. When the `Unmarried Mother` is staring down the neckline of the women he`s become surgically male brained, because he`s now in the role of a parasitical beheader of women`s human futanarian species of `woman`s seed` through his sexual desire to replicate as a parasite that will emerge to devour humanity in war against her: `Everybody knows now why the Fizzle War of 1963 fizzled. The bomb with New York’s number on it didn’t go off, a hundred other things didn’t go as planned - all arranged by the likes of me.` The plot of the narrative is that the male brained are more logical and rational servers of a human race that works through time travel agents to prevent the species of `woman`s seed` destroying itself in parasitoid warfare against her.
Even revisionist history isn`t supportive of such an assertion. The truth is that the male brain is parasitoid and likes it, which threatens the continued existence of the human race. Or, as the actress, Sarah Snook, in the role of the `Unmarried Mother`, warningly says in Predestination, the Australian sci-fi film of `”- All You Zombies -”`: `You better not be fucking with me.`2 Consequently, the space borne virus scenario presented by science through which life can originate on a planet from a virus traveling through space before it finds a suitable habitable world is a more workable model in explaining how it was that the human futanarian host womb was invaded by a viral life form that, somehow untold millennia ago, inveigled itself into the host in order to emerge at periodic intervals to kill the development of `woman`s seed`, and force the race back into darker ages of unconscious ignorance to maintain slavery to the parasitoid devourer that breeds war, because it likes human extinction as its entertainment in planetary `snuff` movies.
The recruiter behind the bar at `Pop`s Place` makes his pitch: `What would you say to high pay, steady work, unlimited expense account, your own boss on the job, and lots of variety and adventure?` Saying he knows the kidnapper, the barkeep makes a suggestion: `I hand him to you, you settle with him, then try my job.` The Time Corps agent uses gives the `Unmarried Mother` a `U.S.F.F. Coordinates Transformer Field Kit, series 1992, Mod. II` after he uses it to take the `Unmarried Mother` back to 1963: `Settle him, then I’ll pick you up.` The kidnapper is revealed as the father. Heinlein gives the reader a `snapshot` of him in 1945: `Jane was sleeping soundly; I carried her out, put her in a grocery box on the seat of a car I had provided earlier, drove to the orphanage, put her on the steps.` Jane is the `Unmarried Mother` and the kidnapper travels forward in time to see her in 1963 before she conceives herself as a child with her lover: `Presently I spotted them down the street, arms around each other. He took her up on the porch and made a long job of kissing her goodnight - longer than I thought.` The man on the porch is the time-traveler who`s arranged the scene: `That’s all, son,` I announced quietly. `I’m back to pick you up.` He`s the bartender and all of the other characters too.
In the Time Corps HQ in the Rockies in 1992, he asks tiredly of no one else present as he prepares to sleep: `I know where I came from - but where did all you zombies come from?` The story concludes: ` You aren’t really there at all. There isn’t anybody but me - Jane - here alone in the dark. I miss you dreadfully!` Jane is lost to the `Unmarried Mother`, who is now maled, that is, he has a male body, although his role as a `confession story` writer affords him the opportunity to work the woman`s angle, which is what he`s able to do more than other males because he`s experienced what it is to be a woman. Heinlein`s narrative is a meditation on the difference between woman and maled, that is, the `Unmarried Mother` physically bore a child, her daughter as herself, after being impregnated by herself as a male, which suggests that brain and body are interchangeable aspects of the human system, that is, there isn`t any difference between male and female brains.
It`s Heinlein`s unwritten thesis in `”- All You Zombies -”` that the female brain is replaced by the male brain, because the maled brain becomes parasitoid and alien. Or, in other words, the relationship between male and woman is between alien parasitoid and human. Exposed to human social conditioning and behavioralist psychology, the male is less parasitoid, which is what religious conversion strives to achieve. In Christianity, the term metanoia is used by Jesus, whose teaching became the basis of the Christian religion: `Love your neighbor as you love yourself.` (Mk: 12. 31) Without brain transformation in acceptance of `woman`s seed`, which is what Scheherezade seeks from Shah Jehan in her 1001 Nights narrative, the male headsman keeps staring at the woman`s neckline with a view to beheading the species in war against her.
It`s implicit that the society of `”- All You Zombies -”` finds it easier to deal with people once the gender of the newborn has been `fixed` by the medical establishment`s interventionist surgical procedures, which in fact they`re empowered to do by US law. Consequently, Heinlein`s narrative treats of the theme of hermaphroditism as an alternative dismissed too readily by a social system approximating to fascism, which had as its emblem the fasces, a bundle with an axe in the center used by the German Nazis during their pogroms against the Jews in the 1930s and 1940s as a symbol of the `camps` they built, and inside which upwards of 20, 000, 000 Jews were killed, before being stacked in bundles like wood and incinerated in `ovens`, because the fascists wanted to behead the `chosen people` of Jesus` Jews, whose tradition it was, like the Moslems in Islam with their four wives affording the possibility of human sexual reproduction of brainpower through futanarian women in the family, that a Jew can only be born from a woman.
Jesus` mother, the Virgin Mary, was a woman, because he was born uncontaminated by male semen from a virgin futanarian self-fertilizing woman with `woman`s seed`. In Christian iconography, which fulfils the Jews` Old Testament, that is, the history and law of the Torah and Talmud, Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent, Satan, with her foot, because Satan was the angel that was depicted as offering Eve, the first woman, and Adam, the first man, power over the Earth as a `snuff` theater in which the human race would be memoryless ephemera born to be killed for the entertainment of the alien parasitoid in war against `woman`s seed`: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) As `woman`s seed` escapes to colonize the planets amongst the stars of heaven above the Earth, the male brained will seek to retain the human futanarian species host womb for its entertainment in parasitoid devouring alien war against her `seed`: `The dragon was wroth with the woman and went to make war upon the remnant of her seed.` (Rev: 12. 17) Because the serpent isn`t prevented, it emerges as the many armed `serpent`s seed` of men`s armies devouring the human race lest it run to the planets amongst the stars and escape from host womb slavery to its alien parasitoid craving `snuff` as its entertainment short of extinction for the futanarian species of `woman`s seed` so that it can continue enslaving and killing her for its pleasure.
Heinlein`s barkeep shows the `Unmarried Mother` his ring, which reveals the author`s understanding and knowledge of the human futanarian species of `woman`s seed`, and its predicament, without deigning to explain it to the reader with compassion. Although the sexual taboo maintaining the male brained system of misogynist fiction publishing during Heinlein`s long career as a science fiction guru largely precludes a compassionate exegesis, simply observing that the male brained race devours the `remnant` of futanarian human species of `woman`s seed` doesn`t seem sufficient after the 20th century, with its pogroms against Jews and Moslems by a largely Christian Earth supported by a belief in a New Testament it clearly hasn`t understood as anything other than fascistoid approval for its preconceived racist ideology directed against humans.
In the Old Testament of the Bible the angel, Satan, who has been transformed by God into a serpent for rejecting God`s pan that the human host should be greater than the angelic, tempts Eve with `the fruit of the tree of the knowledge of good and evil`, which it is death to taste, that is, it`s a symbol of memoryless ephemerality in womb slavery to a parasitoid `snuffer`: `You shall be as gods.` (Gen: 3. 5) The `death camp` guards of the Nazis after the leader of the German National Socialist (Nazi) Party, Adolf Hitler, came to power and declared himself dictator after the election of 1933 where the gods of the New Testament, that is, the `camp` guards who supervised the extermination of the `chosen people` of the Jews before World War II (1939-45) to prevent German, Italian and Japanese fascism. Although the Germans` Nazism largely replaced the term `fascist` in the public imagination because of the `death camp` pogroms against the Jews, Hitler appropriated the fasces Roman emblem used by Benito Mussolini who`d declared himself dictator in Rome after the 1922 election there.
Mussolini had appropriated the fasces emblem of a bundle with an axe from the more ancient Roman Empire, which had killed Jesus Christ by taking him to the hill of Calvary outside the city of Jerusalem where it had built a cross out of wood cut with an axe and where he died before experiencing Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`. In short, the Romans sought to kill the Jews and the Old Testament, which included the Islamic nations of Islam, because Isaac, who founded Judaism, was the child of Sara, wife of Abraham, and she gave her maid, Hajer, to Abraham after the birth because she`d become infertile. Hajer bore Ishmael, who was the founder of `Islam`, which means `accept`, through his descendant, Mohamed, who received the Koran (610-30 C.E.) and gave it to the `Moslem`, that is, `submit`, people as a gift, according to Islamic tradition, from the angels of God, who`d been told that the human host was to be greater than the angelic and so humanity needed a futanarian family `framing device` for the human story to unfold. Although Christians are told that Ishmael was illegitimate and so the four wives of the Moslem nations in Islam are an attempt to retroactively legitimize Ishmael`s birth, Islam`s polygamous Moslems are the futanarian narrative that the misogynist guards of the New Testament posing as gods want to burn as racist zealots promoting a single novel for a parasitoid alien to enjoying reading alone.
The theme of self-progenitive sex is basic to `”- All You Zombies -”` because the male braining alien parasitoid devourer of the human futanarian species of `woman`s seed` isn`t the progenitor of the race, that is, the `Unmarried Mother` represents the thwarting of humanity`s progenation through interventionist surgical procedure designed to prevent `woman`s seed` from having progeny with brains enough to escape her `lover`, who in fact represents species` extinction through time, rather than the mother-love supposedly depicted in Heinlein`s narrative of the son-lover, Lazarus Long, who travels back in time to 1916 and has inconceivable sex with his mother, Maureen, `never in all his lives been so unbearably attracted, so sexually obsessed, by any woman any where or when.`3 Although Heinlein`s novel, Time Enough For Love, seemed avant garde in 1973, it`s actually a story about killing children, because, without human futanarian `woman`s seed` and her sexual reproduction of brainpower for liberation from slavery to `snuff` wars in ephemerality to feed the pleasure of an observing parasitoid alien devourer, human children aren`t born. Consequently, writers who promulgate the myth that the male brain is the `seed` of humanity are species` extinguishers in their preoccupation with writing about war against futanarian `woman`s seed`. Political philosopher, George Santayana, wrote in his The Life Of Reason (1905): `Those who cannot remember the past are condemned to repeat it.`4 In fact those who repeat the past are doomed, which is what male braining does to the human futanarian species of `woman`s seed`.
The term `snuff` comes from the snuffing out of a candle flame where the light from the candle is deemed analogous to life: `Your candle burned out long before your legend ever did.`5 Pop star Elton John`s lyric to the 1973 song, `Candle In The Wind`, was about the death of movie sex symbol, Marilyn Monroe, found dead in the nude in 1962. Her penis wasn`t in shot, because film propaganda since the 1930 `Hays Code` established by the Motion Picture Producers and Distributors of America (MPPDA) President, Will Hays, effectively banned `woman`s seed`: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`6 Because all humans are `snuff` to parasitoids, Marilyn`s death was typically `Hollywood`, which was labeled `Babylon` in the 20th century as the capital of the Earth`s movie industry in the United States of America. Named for `a woman` of the Bible, `Babylon` gave her name to the city, Babylon (c. 4000 B.C.), capital of the Persian Empire, and a host womb slaver for war: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Producing movies in denial of `woman`s seed` in the west coast Hollywood district of the city of Los Angeles, California state, Hollywood, Babylon, was a model of Greek democracy.
In ancient Greece women`s host wombs were enslaved for the spread of homosexuality in pederasty for war against `woman`s seed`: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was prefer homosexuality in pederasty for war against `woman`s seed`, which resulted in the mixing of blood, shit and semen in each others` anuses in rejection of women. That gave birth to the human immuno-deficiency virus (HIV) resulting in acquired immuno-deficiency syndrome (AIDS), which collapsed the organs of the body and killed the brain through infection, and is what male braining for alien parasitoid `action` is. As a `biological weapon` HIV/AIDS kept women in fearful faithfulness to their ring slavers in parasitoid misogyny, which contributed to the wars with the Moslem nations in Islam. Its women wear the one-piece coverall of the burka in public because they don`t want the models of democracy to pry: `Let he that has wisdom have understanding. The number of a man is the number of the beast and his number is six hundred three score and six.` (Rev: 13. 8) Because the human futanarian species of `woman`s seed` is 100% human, men and women are a single male brained creature wearing each others` clothes in `TV` transvestism for the transmission of war and HIV/AIDS, which is why the Revelation of Jesus` disciple, John, describes them as only 66.6% before human reproduction begins with God`s creation of a new heaven and Earth while the evil receive perdition, that is, eternal unendurable pain as their punishment: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) The male and the human have been manufactures as a `TV` for the alien parasitoid devourer to watch kill itself.
Tobacco ingested nasally is also called `snuff`, because cigarettes are `secret` symbols of fellatio. A sexual practice between the human that doesn`t want to be extinguished, and the male brain that wants to extinguish the human futanarian species of `woman`s seed`, fellatio`s identification with `smoking` is symptomatic of the alien parasitoid devourer. Nasally ingested tobacco is symbolic of the spirit of the deceased for the `snuff` taker who `smokes`, which is a 20th century euphemism for murder with a gun as well as fellatio. The psychopathology of the child killer identifies the `smoking gun`, after the bullet has killed the victim, with semen discharge during fellatio, which cigarette `smoking` symbolizes for the unbalanced psychopathic alien parasitoid male brain. `”- All You Zombies -”` is a description of an unbalanced psychopath that removes its own genitals to kill its own species under the pretense that it`s following the spiritual teachings of the virgin, Jesus, who was killed because the alien parasitoid devourer didn`t want him to campaign for human sexual reproduction of women`s brainpower, because that would have interfered with the teleology of its `snuff` theater. Or, in simpler terms, some Christians worshipped the virgin, Jesus, as brainless Nazis, because they didn`t want any.
The ring shown to the `Unmarried Mother` by the barkeeper in Heinlein`s story, `”- All You Zombies -”`, is the warring of parasitoid slavery: `I glanced at the ring on my finger. The Snake That Eats Its Own Tail, Forever and Ever. I know where I came from - but where did all you zombies come from?` He`s his own progenitor and so wears the symbol of the Time Corps battling against the parasitoid devouring of the human race by its alien antagonist, which is the fictional premise. History relates a different tale, which is that of the corpse of the woman on the floor of the editing room, where Hollywood, Bablyon, deemed it time that she was killed, so that the snuff movie genre could be preeminent. Or, in other words, the `Unmarried Mother` wears the ouroboros ring, because he`s a tale eater along with all his other male brained selfishnesses.
1 Heinlein, Robert A. `”- All You Zombies -”`, Fantasy And Science Fiction, 1959.
2 Snook, Sarah as The Unmarried Mother/Jane/John, Predestination, Pinnacle, 2014.
3 Heinlein, Robert A. Time Enough For Love, G. P. Putnam`s, 1973, p. 488.
4 Santayana, George, `Reason in Common Sense`, Vol. 1, The Life of Reason, 1905, p. 284.
5 John, Elton (music), and Bernie Taupin (lyrics), `Candle In The Wind`, Goodbye Yellow Brick Road, MCA, 1973.
6 https://en.wikipedia.org/wiki/Pre-Code_Hollywood#Origins_of_the_Code .