It Is A Thing To Do, Like Feeding Vaal
It Is A Thing To Do, Like Feeding Vaal
The Vulcans of the television series, Star Trek (1966-9), had pointed ears, not because they were devils, but because the fictional basis of their ancestry was a she-wolf. The Romulans, from the planet Romulus, remained hidden from humans even when they were at war with the Federation of planets that had been colonized; or otherwise incorporated within Earth`s sphere of influence, according to the plot of the television series, and its subsequent movie spin-offs, which began with the same cast, Star Trek: The Movie (1979), featuring the adventures of the crew of the starship, Enterprise. Its `first officer` was the Vulcan, Mister Spock, labeled a `pointy eared alien` by the ship`s medical expert, Dr `Bones` McCoy, and in the 1967 episode, `The Apple`, Captain James T. Kirk asks, while he and McCoy circle Spock looking at him thoughtfully: `Is there anyone on this ship ... who even remotely ... looks like Satan?`1 Spock`s pointed ears were natural to Vulcans, who were a people that had raised logic to the level of a savior during a period in their history when it looked like the baser emotions of their race would destroy their planet in war. When the Romulans were first seen by humans, in the Star Trek episode, `Balance Of Terror` (1967), it was a surprise to them to discover that they had pointed ears too, although it wouldn`t have been to those who knew Roman history and the legend of the founder of Rome, Romulus, who was suckled by a she-wolf. Spock conjectures that the warlike Romulans were lost Vulcans, who hadn`t learned to control their emotional lives through logic. The Romulans` home world, Romulus, had a sister planet, Remus, and the Remans had been enslaved by the Romulans, which was a further illustration of the Romulans` unlikeness to the saved Vulcans and so of their unredeemed `wolf` nature.
In the Old Testament of the Bible, which is the history and law of the Jewish `chosen people`, that is, the Talmud and Torah, Satan is depicted as the angel turned into a serpent by God for rejecting God`s plan that the human host should be greater than the angelic. In the Revelation of the New Testament of Jesus, whose teaching is believed by Christians to supersede that of the Old Testament of the Bible, Jesus` disciple, John, depicts Satan as having grown since its days in the paradise of Earth that was Eden: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Gen: 3. 15) In parasitology, the parasite that emerges from the host to devour it is termed `parasitoid`, which is what war is. The Star Trek episode, `The Apple`, refers to the `fruit of the tree of the knowledge of good and evil`, which it is death to taste, and that was given to Eve, the first woman, by Satan, the `pointy-eared alien`, who said: `You shall be as gods.` (Gen: 3. 5) Subsequent generations of humans after Eve, and the first man, Adam, would be ephemeral and memoryless children subject to slavery, although God tells Eve her `seed` will triumph despite her `enmity` with the `serpent`s seed`: `You will crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) In other words, her brainpower will be greater than the serpent`s, and she will raise her foot to the planets amongst the stars of heaven above.
In 3715 when Kirk punches a humanoid in the face who`s `spying` on Gamma Trianguli VI`s `away team`, he`s surprised when the indigenous native inhabitant begins to cry before introducing himself as: `Akuta, the leader of the feeders of Vaal`, who mysteriously lack children, although the imputation that Vaal eats them is belied by their apparent lack of sexuality, which is indicated by their ignorance of kissing as an expression of the simplest form of human physical love. Akuta`s god lives inside a cave made to resemble the head and mouth of a saurian: `I am the eyes of Vaal. He must see.`2 According to archaeologists, saurian evolution occurred 248 m. a. before hominids appeared 220 m . a., which suggests Satan represents a degenerated, and degenerating, saurian intelligence that preferred to enslave humanity, whereas the angels of God remained in heaven supportive of human development. Two of the natives, Sayana and Makora,3 see Yeoman Martha Landon and Ensign Chekov kissing. Vaal reacts by shaking the ground when Akuta sees them, suggesting that Akuta truly is `the eyes of Vaal`. Vaal communicates through Akuta`s antennae, telling him that Kirk and the others are dangerous, and so must be killed. The villagers don't understand, and Akuta explains: `It is a thing to do, like feeding Vaal`. He demonstrates by smashing a piece of fruit representing a `stranger's head` with a stick.
The Enterprise uses its phaser weapons to destroy Vaal, and Kirk tells the natives they`re now free to love. Spock suggests that the `people of Vaal` have been `driven out of paradise`, as in the biblical Genesis, and Kirk asks if Spock is trying to cast him in the role of Satan, to which the `pointy-eared` Vulcan replies: `I am not aware of anyone who fits that description, captain.`4 Kirk amusedly leaves Spock`s ears to speak volumes: `No, Mr. Spock, I didn't think you would.` What concerns Vaal about sex is that Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot, because of Jesus` teaching: `Love your neighbor as you love yourself.` (Mk: 12. 31) Because human futanarian women have their own `woman`s seed`, they can sexually reproduce their own brains` power for liberation, that is, Jesus is God`s `foot` born uncontaminated by male semen and so free from male braining, which produces the evil nature associated with parasitoid war. Taken by the Romans then occupying Jewish Palestine as a `dissident` to the hill of Calvary outside Jerusalem where they nailed him to a cross of wood and left him there until he died, Jesus had Resurrection and Ascension to heaven in prefiguration of `woman`s seed`.
According to Roman tradition, Romulus and Remus, were the twin sons of the war god, Mars, born of a virgin, Rhea, that is, in a story similar to Jesus` birth from his mother, the Virgin Mary, Rhea is the daughter of Numitor, the king of Alba Longa, usurped by his brother, Amulius, who forces Rhea to remain a virgin so her line won`t have an heir. Exposed to die, the twins are suckled by a she-wolf, and afterwards Romulus founds Rome (758-728 B.C.) after killing his brother, Remus, and the Romans subsequently made war on the Sabine people in order to abduct and rape women, because they didn`t have enough host wombs. Consequently, the legend of `the rape of the Sabine women` was a metaphor for men`s subjugation of the human futanarian host womb of `woman`s seed` for war against her species. The Romulans of Romulus` enslavement of the Remans of Remus is a restatement of the problem, which is that the rational mind needs to control instinct. Kirk`s observation to Spock that the Vulcan has pointed ears, resembling Satan`s horns, follows upon the scene where Akuta receives instructions, through his antennae, from the saurian god, Vaal, to kill the humans; because sexual reproduction of brainpower threatens his slave system.
Because of taboos associated with the establishment of the production code of filmmaking in 1930 by President of the Motion Picture Producers and Distributors of America (MPPDA), Will Hays, Spock`s unable to explain that human futanarian `woman`s seed` isn`t afforded the expression of her love for her own species through the medium of the mass media edutainment system: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`5 Consequently, actor William Shatner as Kirk does have the role of Satan for the slavers of the human host who made Star Trek, because the people of Vaal remain male brained, and so susceptible to be ignorantly accepting of Akuta`s description of killing strangers as equivalent to smashing the fruit of heaven: `It is a thing to do, like feeding Vaal.` Vaal represents parasitoid nature, which kills and eats its host: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) The biblical description of the `blood plague` (Rev: 11. 6), sent by God to convert men from their evil sinful parasitoid nature, is the late 20th century human immuno-deficiency virus (HIV), and acquired immuno-deficiency syndrome (AIDS), causing organ collapse and brain death, through infection transmitted by men`s mixing of blood, shit and semen in each others` anuses in rejection of `woman`s seed`. In ancient Greece, women`s host wombs were enslaved institutionally in homosexuality and pederasty for war, so although Greece is often held to be the `model of democracy`, it`s infection is the killer of the human brain: `It is a thing to do, like feeding Vaal.` In short, homosexuality is men`s parasitoid virus, which has as its objective the killing of the human brain to maintain its slavery of the host.
Star Trek history begins with Zefram Cochrane`s first warp flight in the Phoenix ship on April 5, 2063, which attracts the extraterrestrial intelligence of the Vulcans, who for followers of the `camp` humor of the show represent the full cans, that is, the starships of Federation Starfleet are film `cans`. The early Enterprise`s `saucer section` corresponds to the canister in which films were stored and, in its subsequent versions, to the compact disk (CD) medium developed by the Philips company in the 1980s. The low humor of the street that uses the term `can` for the contents of the anus, as well as any receptacle into which the shit from the anus is deposited by an individual as human bodily waste, is a reflection on the role of the parasitoid in Earth society. Having removed the woman`s penis from the scene, the parasitoid has produced its `biological weapon`, HIV/AIDS, to infect and kill the human brain, and with this it seeks to enter and win the coveted Cannes movie award for avante garde filmmaking held every year in the South of France. In short, unredeemed men represent humanity`s viral plague that seeks to infect a full can, which is represented by the arrival of the Vulcans at Zefram Cochrane`s first test of the warp ship, Phoenix. The Vulcans represent tamed instinct through logic, which is Jesus` teaching, whereas the Romulans` enslaving of the Remans is what men represent for the human futanarian species of `woman`s seed`, but misogynist taboo doesn`t afford the filmmaker the capacity to express that, so the `camp` humor of Star Trek is written for the wise to laugh at the children of the `death camp` pogrom for whom it isn`t written as risible.
God told the Jewish `chosen people`: `You shall have no other gods before me.` (Ex: 20. 3) Because a Jew has to be born from a Jewish woman, Judaism is a futanarian tradition of `woman`s seed` represented by Jesus` birth from his mother, the Virgin Mary, because the species of women are potentially socio-economically independent of men, for example, self-fertilization is a species` survival trait, which is illustrated by Jesus` birth. Consequently, the new gods are women`s guards in the `concentration camp`. Although the `camp` wasn`t invented by the German National Socialist (Nazi) Party elected in 1933, its leader Adolf Hitler used it to intern Jews accused of spying and killed upwards of 20, 000, 000 with poison gas before stacking the corpses like logs and burning them in incinerators, which is what male braining parasitoid devourers do. In short, the men of Star Trek are depicted as guards in the `death camp` of the human futanarian species of `woman`s seed`. Lest women escape to breed intelligence and live independently of their parasitoid enlavers, which is what Vaal laughably represents for the innuendo experts in adult `camp` humor laughing at the children`s incomprehension: `It is a thing to do, like feeding Vaal.` The children`s `death camp` guards are the new gods because, like Vaal, they don`t want the humans to breed intelligent brains enough to avoid being mashed by his dick.
The automobile is the mobile television of the 20th century first mass produced in Detroit, Michigan, at the Henry Ford manufacturing plant, that is, as the Model T Ford, in 1908. Because the human race was manufactured by the male brainers, as a single creature wearing each others` clothes in `TV` transvestism for the alien parasitoid devourer to watch killing itself, the motor car`s engine transmission system, based on fuel from a can, meant the `TV` pictures could be broadcast globally. By the late 20th century parasitoids had a `dish`, after John Logie Baird`s invention of the television `TV` machine for the receiving of home entertainment pictures by aerial gave way to satellite receptions, and the Satanical technological metaphor in mockery of Jesus` reception for his bride, the church, was complete: `Blessed are those who are invited to the marriage supper of the Lamb.` (Rev: 19. 9) Jesus is `the lamb` from a Christian perspective, because he`s peaceful, although the lamb that`s devoured by an evil parasitoid nature, as `Live TV`, isn`t likely to trouble it, which is why the Satanists attempt to obviate the possibility of the human futanarian species of `woman`s seed` being able to recover.
Oil from the can to fuel the car with the fossil remains of the prehistoric fauna and flora upon the Earth is how the automobile `TV` screens its featured film, which is that of the wheeled brainless head fucked by parasitoid homosexuals engaged in pederasty for war with their `biological weapons` deployed to spread their viral contagion against `woman`s seed` and prevent her from sexually reproducing her own brains` powers to escape from the head-fucker endeavoring to end her race`s run to the planets amongst the stars of heaven above. Just as it had ended all of the previous evolutionary possibilities, so that they became oil to fuel the genius` appearances from behind his headlamps. Although Judeo-Christianity is based on `woman`s seed` per se the Moslem people of Islam, which is the religion based on the Koran (610-30 C.E.) dictated to Mohamed by the angels of God, according to tradition, are taught that there are humans, djinn, and angels. It`s a djinn that is the genie of the lamp in the collection of 8th century folktales known as the 1001 Nights with the framing device of India`s Mogul ruler, Shah Jehan, who beheads his wife, after wrongly accusing her of unfaithfulness, and then proceeds to marry a new bride each day before beheading her in the evening. It`s the stories of Scheherezade related to Jehan to persuade him to listen that subsequently cause him to marry her and so save the women, which is a metaphor for the need to prevent men from beheading women in male braining. The genie of the lamp appears to grant wishes because she`s technologically superior based on intelligence derived from her heritage of `woman`s seed`, which is why she`s depicted as rare. Consequently, djinn are human futanarian `woman`s seed`, which is why Moslem marriages in Islam have four wives to afford the possibility of sexual reproduction for the race of women to escape through the production of their own brains` powers for liberation.
Just as the lamp is the oil fueled car, so the male brained `TV` genius sitting in it is the lamb that emerges: `And I beheld another beast coming up out of the earth; and he had two horns like a lamb, and he spake as a dragon.` (Rev: 13. 11) He speaks as a dragon when he`s got a full tank, which is how parasitoids speak in `TV` war when the `biological weapon` of their penis is transposed as the turret gun at the front: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) George Santayana, in his The Life Of Reason (1905), wrote: `Those who cannot remember the past are condemned to repeat it.`6 In fact, as the expression of the transvestite `TV` in male braining wearing each others` clothes as a single creature bred as `lamb` to entertain a parasitoid nature in warfare against its own race, in repeating its recordings of the past it programs the doom of a future that can`t escape its mistakes.
Star Trek is a defense parody in which there aren`t any genuine aliens attacking the human room, which in German is a metaphor for space itself, that is, the litany spoken by the Captain of the Enterprise that begins each episode, and movie in the Star Trek cosmos, begins in German with: `Die weltraum ...` Retranslated as the world`s `room`, `space` in German becomes a metaphor for the womb of the futanarian species of `woman`s seed` invaded by men`s parasitoid nature: `Space, the final frontier. These are the voyages of the starship, Enterprise ...` The aggressive Klingons, who were subsequently gentled into acceptance of the Federation, after years of inexplicably `alien` war waged against Earth`s Starfleet, the nomadic Borg, who cannibalize other races for replacement body parts, while `assimilating` them, and the enslaving Romulans, are men`s extrapolations of their own parasitoid nature. According to scientists a space born virus could have been responsible for life`s origination on Earth,7 which suggests that, at some indefinable point in the prehistoric past, which corresponds to Eve and Adam`s encounter with the serpent, who`d been the angel, Satan, and would become the dragon, war, a viral life form inveigled itself into the host womb of the human futanarian race of women to steal their penis and replicate itself as a parasitoid devourer emerging as the alien enemy from within to kill and enslave the Earth`s host species for its perpetual entertainment in the weltraum.
Zefram Cochrane is a `Mittel European` parody on the vulgar term `cock` for the penis of the species that doesn`t `run`, that is, women can`t sexually reproduce their own brains` powers to run their own race and escape from the alien parasitoid devourer, unredeemed men, who have enslaved the species of women`s host wombs for the production of war as men`s entertainment theater. Zefram Cochrane`s name parodically translates as `you from cock ran`, because human futanarian women`s sexually reproduced brains from their own penis` semen could run their race; if men didn`t run from the idea. Zefram Cochrane`s `warp drive` is the forever unrepaired `warped drive` of women`s sexuality. Devoid of her own penis` capacity to sexually reproduce, men have attempted to doom `woman`s seed` to be forever schizophrenically desireful of what she sees in the mirror, while being told she`s a psycho-sexually aberrant `lesbian` if she prefers women, that is, her own futanarian species, to men, who`re socio-historically her parasitoid devourer in war against her race kept deliberately unbalanced mentally and, indeed, physically off-balance, so she can`t walk erect.
Just as oil goes in the tank, so that the `TV` pictures can be transmitted, the metaphor is anal, that is, oil driven motors represent the transmission of a `biological weapon` in homosexuality and pederasty`s war against `woman`s seed`, that is, it`s the HIV/AIDS paradigm, which infects and kills the brain of the human futanarian species for the entertainment of the parasitoid alien watching its `TV`. In ancient Greece the women of the city of Troy were captured and enslaved by the Greeks for homosexuality in pederasty and war against their race after a huge hollow wooden horse was constructed and left outside the walls by the besieging Greeks and the Trojans took it into the city where the Greeks then emerged from inside. In short, the car is a `Trojan horse` from which men emerge as a virus: `You will crawl on your belly and you will eat dust all the days of your life.` (Gen: 3. 14) God`s words to the serpent, Satan, after his tempting of Adam and Eve with death in ephemerality for the power of slavery to `TV` war through the subsequent generations of their humanity are a prophetic description of the motor vehicle as the head of the serpent wending its way while other motorists follow its behind.
The serpentine traffic flow, before the full tank war of the serpent transformed into a dragon, is a metaphor for brain extinction through the transmission of an anal virus, while the starship Enterprise is a fuller can with a Vulcan science officer, Spock, whose logical rationality is used by the show`s writers as a comedic foil to Kirk`s Satan, who represents the `snuff` movie ethos of the Hollywood, called `Babylon`, after the `woman` of the Bible with the same name as the capital city of the Persian Empire, Babylon (c. 4000 B.C.): `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) The district of Hollywood, California, on the USA`s west coast, became the capital city of the movie industry after the first film made there in 1910 by director, D. W. Griffith, Old California, by making war its staple product for cinema theater audiences. By the time John Logie Baird had invented the `TV` television in 1926, men and women had been manufactured as a single male brained creature wearing each others` clothes in `TV` transvestism for millennia, because `snuff` is what the parasitoid alien likes: `Your candle burned out long before your legend ever did.`8` Bernie Taupin`s lyric to pop musician Elton John`s song, `Candle In The Wind`, about the premature death of Hollywood, Babylon, sex symbol, Marilyn Monroe, found dead in the nude in 1962, seems a lament, but it actually celebrates `snuff`, which is the term given to the recorded killing of individuals for entertainment. The concept is endemic in US` culture; for example, the lyric to the song, `Whatever`, from the album The Legend Goes On (1982) by The Statler Brothers, `whatever lights your candle ..,`9 suggests that, if `snuff` excites you, it`s okay because, if your candle`s `snuffed`, men and women are a candle manufacturer.
Judeo-Christianity promotes the `camp` humor separation of wise adults from innocent children through the comedic vehicle of innuendo in Star Trek, for example, on the moral grounds that sexual liberation promotes adultery, whereas it`s human futanarian `woman`s seed` that`s adulterated by the `serpent`s seed of irredeemable men. Consequently, ground tobacco, that is, `snuff` ingested nasally, is a metaphor for what religious moral grounds are actually based on, which is a perception that the Holy Spirit is the invisible woman. Upon Jesus` death, the Roman guard Longinus pierced his side with a spear, because the Romans had understood that the first woman, Eve, emerged from the side of the first man, Adam, as a spiritual being. Consequently, Jesus, who was called the `Second Adam` by the Jews, had his side cut open by the Roman guard Longinus to release the `spirit of God`, that is, the ancient wisdom of the `Second Eve`, who was called `Shekinah` in Judaism, and dwelt in the temple, while in Moslem, Islam, she`s `tranquility`. Longinus` perception was that Jesus was her mother in the invisible realm: `Surely, this was the son of God.` (Matt: 27. 54) The secret of modernity is that the tobacco cigarette is phallic, because it represents the woman`s penis `smoked` by men and women in celebration of their brains` extinction as parasitoid devourers of the potential of futanarian `woman`s seed` to produce brainpower to escape their `TV` wars against her species. Smoking is a euphemism for both killing and fellatio because, after `smoking` the woman`s penis, the parasitoid`s homosexual nature in pederasty `smokes` the `remnant` in warfare against her, which explains Judeo-Christianity`s obsession with a `last battle between good and evil` on the plain of Megiddo near the port of Haifa in Northern Israel, which is commonly called `Armageddon`, and is prophesied as occurring in the future by Jesus` disciple, John, as part of a crusade against adultery on moral grounds.
Uncle Remus was the pen name of Joel Chandler Harris, a journalist in post-Reconstruction Atalanta, Georgia, and compiler of Afro-American folktales from the Southern States after the American Civil war (1861-5) to abolish slavery in the cotton plantations there, Uncle Remus in Uncle Remus, His Songs and His Sayings: The Folk-Lore of the Old Plantation (1881). Because Remus was the brother of Romulus in Roman history, and the Romulans of the planet, Romulus, in Star Trek, enslaved the Remans, Remus represents the untold story of the murdered ghost. In Christianity, Jesus` `Holy Spirit` has the role of the murdered ghost of the human futanarian race that he said would teach after him. The Roman, Longinus, who pierced Christ`s side after his death, clearly perceived the murdered victim as bearing the `spirit of God` in the invisible realm, as the `Second Eve` since Eden, and who represented the truth about human nature yet unrevealed. Brer is `brother` and, In the anthropomorphic tales of Harris, Brer Wolf thinks of himself as the most vicious of all his animal `brothers`, which is itself a telling comment on racism. The alien races depicted in Star Trek are often `brothers`, for example, security officer aboard the Enterprise during the 1980s reviving of the show as Star Trek: The Next Generation (1987-94) was Afro-American actor, Michael Dorn, as Lieutenant Worf. Ironically then, it is Afro-American Worf who runs the Enterprise`s `camp` environment. His home world, Kronos, is totalitarian, which isn`t surprising given the mythic basis of the name of the planet. Kronos was the father god of Greek mythology who ate his children, although the Klingon legend is that they killed their gods. Presumably so that they could eat their own children themselves.
A martial race characterized by prideful ruthlessness supported by slave labor, the Klingons` spiritual leader is Kahless, which explains the Klingons` perception of the body as a `shell`, because in ancient Egyptian the spirit was called the `Ka`, and the soul the `Ba`, which is why the temple of Abraham in Islam`s Moslem Mecca is called `Ka` Ba`. Abraham`s wife, Sara, after giving birth to Isaac, founder of Judaism, was barren. She gave her maid, Hajer, to Abraham, and Hajer, an Egyptian woman, bore Ishmael, who was the founder of Islam through his descendant, Mohamed, who received the Koran from the angels of God, who`d been told that the human host was to be greater than the angelic. Although Judeo-Christianity believes that the four wife marriages of Islam are an attempt to retroactively legitimize Ishmael`s birth from an unmarried woman, Hajer, it`s designed to afford the possibility of sexual reproduction amongst futanarian `woman`s seed` within the Moslem family, that is, the conjoining of `Ka` and `Ba`. The Klingon Kahless is symbolic of those who don`t have a `Ka` or spirit, that is, they`re `shells`, which the Klingons dispose of summarily when the individual life force dies. In simple terms, without a `Ka` there isn`t a `Ba` to join with, that is, the Klingons are `empty`, which is neatly antithetical to the Vulcans, who abhor slavery and have said so to their soi distant Romulan relatives, who enslave even their own Reman remains; the almost empty cans of the long ago lost tribes of the Vulcans. Although Kronos` Klingons have been pronounced completely empty by Kahless, who`s obviously mislaid his, the Klingons still cling on to their cans that they once got from some women behind bars in the hope of being slave drivel.
1 Shatner, William as Captain James T. Kirk, `The Apple`, Star Trek, Series 2, Episode # 5 (34), October 13, 1967.
2 Andes, Keith as Akuta, `The Apple`, Star Trek, Series 2, Episode # 5 (34), October 13, 1967.
3 David Soul, Hutch in the TV series, Starsky and Hutch (1975-9).
4 Nimoy, Leonard as Mister Spock, `The Apple`, Star Trek, Series 2, Episode # 5 (34), October 13, 1967.
6 Santayana, George, `Reason in Common Sense`, Vol. 1, The Life of Reason, 1905, p. 284.
7 Wickramasinghe, Chandra, `Bacterial Morphologies Supporting Cometary Panspermia: A Reappraisal`, International Journal of Astrobiology, 10 (1), pp. 25-30, 2011.
8 John, Elton (music), and Bernie Taupin (lyrics), `Candle In The Wind`, Goodbye Yellow Brick Road, MCA, 1973.
9 Reid, Don, and Harold, `Whatever`, The Statler Brothers, The Legend Goes On, Mercury, 1982.