Fascistoid
Fascistoid
Robert A. Heinlein (1907-88) was accused of being `fascistoid` when his juvenile adventure novel for boys, Starship Troopers (1959), was presented to his usual publisher, Charles Scribner`s Sons, and although it was finally published by G. P. Putnam`s Sons, the term arose from perceptions of fascist content in the author`s descriptions of a social system, which was allegedly based on that of ancient Rome`s Imperialism, and gained acceptance amongst critics as accurately assessing the substance of the book. The term `fascist` derives from the symbol of Roman Imperialism, the fasces, which was a bundle of wood with an axe in the center, and the symbol was subsequently revived by the Italian dictator, Benito Mussolini, who assumed power in Rome after the election of 1922. The German dictator, Adolf Hitler, adopted the symbol from Mussolini and the fasces was prominent after the National Socialist (Nazi) Party was elected in 1933. Originally used as a symbol of Roman planning, the fasces represented the cutting of wood to build a hide behind which the planner would plan an encampment. The fascist regimes of Japan, Italy and Germany built `concentration camps` inside which millions of people were killed before being stacked like logs and incinerated. Consequently, Heinlein`s Starship Troopers was criticized for its `History and Moral Philosophy`, which is what the military of the novel are revealed to have been indoctrinated with in the unfolding of the narrative about their hero, Juan `Johnnie` Rico: `To vote is to wield authority; it is the supreme authority from which all other authority derives - such as mine to make your lives miserable once a day. Force if you will! - the franchise is force, naked and raw, the Power of the Rods and the Ax. Whether it is exerted by ten men or by ten billion, political authority is force.`1 Although the statement, which is typical of Rico`s instructor, Lt. Col. Jean V. Dubois (Ret.), takes place within the framework of an interplanetary war between Earth and the arachnoid `bugs` of the planet, Klendathu, who destroyed Rico`s home city, Buenos Aires, Argentina, critics` labeling of Starship Troopers `fascist` bears scrutiny.
Fascism is the perception that people aren`t angry enough to avoid being killed, which is what the fascist wants. Starship Troopers begins with the `bug` attack on Buenos Aires, which makes Juan `Johnnie ` Rico, a citizen, angry enough to join the Mobile Infantry (M.I.) to defend the Earth against the arachnoid denizens of the planet, Klendathu. In short, the `bug war` with the arachnoids is a plot device to facilitate the action sequences, which play a very important role in the later movie version, Starship Troopers (1997), starring actress, Denise Richards, as Carmen, a starship pilot, whose cadre are called `mothers` by Heinlein, who drops her angry boy sons onto the `bug worlds` where the arachnoids kill them, because that`s what fascism wants. The Nazi pogroms against the Jews, which took place after 1933, and before the end of the war (1939-45) to defeat fascism, were directed against the `chosen people` of the Bible, that is, the Old Testament Torah and Talmud, which is the history and law of the Jews, and might have been expected to provoke anger enough to warrant the Nazis killing of the Jewish and other minorities` populations they`d targeted. Because the Jews didn`t display anger, the Nazis killed them anyway, which argues for fascism as a philosophy based on provoking anger. In other words, the angry are killed, so fascists provoke anger, because killing per se is what fascism is for. Consequently, movies labeled `action` are intrinsically fascistoid, because they promote anger and killing as an entertainment medium, which is why Heinlein`s Starship Troopers was criticized as providing material unsuitable for boys, who were being told to get angry, so that they could kill as a genuine expression of human nature, whereas it isn`t: `If you wanted to teach a baby a lesson, would you cut its head off? Of course not. You'd paddle it. There can be circumstances when it's just as foolish to hit an enemy city with an H-bomb as it would be to spank a baby with an axe.` Or, indeed to behead all the Japanese in the city of Hiroshima, rather than use an H-bomb, which would be just as effective, and the buildings would all have remained.
Heinlein`s aren`t descriptions of human nature, but they`re representative of fascism, which won the war against Japan by dropping the H-bomb on the city of Hiroshima on August 6, 1945, after the infamous `sneak attack` by the Japanese on the US Pacific fleet, Hawaii, on December 7, 1941, that angered the United States of America and precipitated its involvement in WWII. From a fascist perspective, it was a successful operation. Many people were angry and died, which is what Hollywood, `Babylon`, the movie industry that grew out of the US city district of Los Angeles, California, after the first film made there on the west coast by director, D. W. Griffith, Old California (1910), promoted as entertainment, that is, before war with fascism angered the US into a fascist display of slow release footage of an atomic explosion mushrooming silently and majestically into the cerulean skies above Hiroshima on 6 August, and again above the Japanese city of Nagasaki on August 9, 1945. Soi distant anger, as it were, by a newly arisen population converted to fascism and believing its provocation unanswerable: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Though only described as `a woman` in the Bible, Babylon (c. 4000 B.C.) was the capital city of the Persian Empire, which suggests that, like that of ancient Greece, its Empire was based on host womb enslavement of women in institutionalized homosexuality for pederasty and conquest through war, which are the abominations described as belonging to the rape victims.
Heinlein`s descriptions aren`t of human nature, and the Bible explains the reason for that. In Eden the first woman created by God, Eve, accepted `the fruit of the tree of the knowledge of good and evil`, that is, death, from the angel, Satan, who had been transformed into a serpent for rejecting God`s plan that the human host should be greater than the angelic. Death is ephemerality and impermanence in terms of memory and knowledge, so that it`s possible for slavers to maintain a society in ignorance. Consequently, death is necessary to slavers of the human host womb. Because women are capable of sexually reproducing as an independent futanarian species from their own `seed`, Eve is told her `seed` will be redeemed by God: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) As `woman`s seed` leaves to colonize the planets amongst the stars of heaven above through her brains` powers for technological development, and starships of her own devising, Satanism will endeavor to stop her in order to maintain its slave system.
In Christian iconography Jesus` mother, the Virgin Mary, is depicted as crushing the head of the serpent with her foot, because Jesus was born uncontaminated by male semen, and so his teaching was essentially `lesbian` as a reflection of his own futanarian heritage: `Love your neighbor as you love yourself.` (Mk: 12. 31) Though Jesus` mother, the Virgin Mary, is depicted as producing a child through parthenogenesis, futanarian women can self-fertilize, which is the human futanarian species` survival trait. Consequently, when Jesus was taken to the hill of Calvary outside the city of Jerusalem by the Roman occupying Empire and nailed to a cross of wood as a `dissident` preacher, his experience of Resurrection and Ascension to heaven was a symbolic prefiguration of the destiny of `woman`s seed`. As the emblem of the power of Imperial Rome was the fasces, so the construction of Jesus` cross represented the first of the steps that the fascists took towards exterminating the human futanarian `chosen people` of the Jews, whose tradition it is that a Jew can only be born from a Jewish woman, for example, the Virgin Mary, that is, futanarian women and their offspring are Jews, although conversion and repentance from evil sinful nature confers redemption, according to Jesus` disciple John, who also describes what will happen if men don`t accept `woman`s seed`: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) In parasitology, the term `parasitoid` is given to the parasite that emerges from the host to kill it, which is why the serpent becomes a dragon, war. Human nature isn`t unredeemed men`s.
As the character, Carmen, in Starship Troopers, actress Denise Richards is the pilot of the Rodger Young, a starship that drops its boy sons onto the `bug world`, Klendathu, and so suggests `biological warfare` involving poisons and viruses, which is what the men of the car with its carbon monoxide poison gas, and the demon driver`s spreading of its HIV/AIDS contagion through host womb enslavement of the human futanarian species of women in institutionalized homosexuality in pederasty for war against `woman`s seed`, is. Carmen`s `boy sons` readying themselves for a `drop` are her `poisons` to be used against the `bugs`, because host womb enslavement of the human futanarian species of `woman`s seed` in homosexuality in pederasty for war against her had, by the late 20th century, resulted in the spread of the `incurable killer disease`, HIV/AIDS, through men`s mixing of blood, shit and semen in each others` anuses in rejection of women: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was develop men`s nature as a `biological weapon` against the futanarian human species, which in Heinlein`s Starship Troopers is extrapolated into the threat to Earth`s future posed by an eight-limbed `bug` depicted as an eight-limbed arachnoid.
In Islam, which is wrongly represented as antithetical to Judeo-Christianity, Abraham`s marriage to Sara is productive of the founder of Judaism, Isaac, but Sara is barren thereafter and gives Abraham, Hajer, her maid who gives birth to Ishmael, the founder of Islam through his descendant, Mohamed who, according to Islamic tradition, received the Koran (610-30 C.E.), that is, the narrative of the history and the projected future in heaven of the people of the Earth, from the angels of God, who`d been told that the human host was to be greater than the angelic. In Islam the father of Isaac, and Ishmael, is revered, for example, the people celebrate the Eid Al-Adha, that is, the sparing of Isaac by God, after God had commanded Abraham to kill Isaac as a human sacrifice to God, which would have aborted Judaism. Abraham`s temple is the holiest place in Islam, and is visited by pilgrims in the `Haj`, named for Hajer. Called the `Ka` Ba`, the temple reflects upon Hajer, `an Egyptian woman`, because `Ka`, during the period of the Empire of Egypt, was `spirit`, while `Ba` was soul. Consequently, the `Ka` Ba` is the temple of Hajer`s belief in human futanarian `woman`s seed`, that is, the sexual conjoining of women with each other. In simple terms, the temple or `shrine` of Abraham represents women`s belief in the rebirth of humanity, which reaches its apotheosis in the Koran and the New Testament of the Christian Bible with the birth of Jesus from the Virgin Mary as a futanarian `seed` uncontaminated.
Heinlein`s Starship Troopers` character of Carmen, as a `mother pilot` preparing her boy sons` drops, extrapolates from the car men`s poison, that is, the poison gas that the Nazis used to kill the `chosen people` of the Bible, before stacking them like logs and incinerating them in the `death camps`, to `biological warfare`, that is, HIV/AIDS, as a metaphor for the war of men`s `seed` against women`s, who`re depicted as spiders in Starship Troopers, because women`s race sexually reproduces as a pair, whereas men can`t sexually reproduce without women, which means they`re `stand alone`, rather than collective. In other words, Abraham, Jesus, and Mohamed are representative of those who stood alone against the evil parasitoid nature possessing humanity, whereas Carmen in Starship Troopers` victory over `the bugs` represents women`s defeat, because the arachnoids are extrapolations of `woman`s seed` as alien to the car men of the Earth, who poison the planet and don`t want `woman`s seed` to escape their parasitoid pogrom in which the human host womb is devoured in warfare against her.
The stand alone theory of men doesn`t apply to warfare, which is the false assumption that hordes of men killing each other together are heroic, whereas that`s what evil unredeemed parasitoid nature does. In short, Jesus is heroic, because he stood alone uncontaminated against the male brained Empire of the parasitoid Romans, whereas the First World War (1914-18) against German Imperialism, for example, was an illustration of men`s collective parasitoid nature. The Archduke Ferdinand of the Empire of Austro-Hungary was assassinated by a Serb, Gavrilo Princip, in Bosnia. The Germans told the Austro-Hungarians to present a list of demands to Serbia, and the Serbians replied that they couldn`t meet the demands, so the German Empire declared war on Serbia, which precipitated global conflict, because that`s what parasitoid evil nature wants. Effectively, the German Empire declared war on Gavrilo Princip, a Serb, who shot an Austro-Hungarian in Bosnia, and who spent the war in prison, because he was too young to be executed. The millions of men killed in WWI is what fascist parasitoid nature is for, and Heinlein`s Starship Troopers explains that it`s `woman`s seed` that`s the target, that is, human extinction by an alien nature denying futanarian mankind`s capacity to sexually reproduce its own brains` powers to escape from the collective devourer by making sexual reproduction inaccessible to the human race through propagandist control of the mass media edutainment system.
In Islam, which means `accept` God, `woman`s seed` is hidden beneath the one-piece coverall of the burka and the veil, because the so-called democracies of Judeo-Christianity reveal female nudity as penisless and enslaved in pornography, and experience of war against the Moslem peoples, where `Moslem` means `submit` to God, suggests to the `remnant` of human futanaria that they should hide from prying parasitoid eyes: `Let he that has wisdom understand. The number of a man is the number of the beast and his number is six hundred three score and six.` (Rev: 13. 8) Because men and women constitute 66.6%, if futanarian are 33.3% of the human species. However, if women can sexually reproduce with each other, men`s voting system is rigged in favor of male brained dictatorship by repressing `woman`s seed` into disenfranchisement, that is, an alien subjugation of human nature for slavery to parasitoid devouring of `woman`s seed` in war against her: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) Jesus` disciple John`s description of `TV` derives from his understanding of the way that the parasitoid Empire of Rome manufactured men and women as a single male brained creature wearing each others` clothes in `TV` transvestism for its entertainment. Killed in huge amphitheaters built by its fascist parasitoid planners the Romans were the forerunners of John Logie Baird`s `TV` home entertainment system of television invented in 1926, which became the global propaganda instrument of the alien devouring spirit possessing the people of the Earth after Hollywood, `Babylon`, and its construction of huge cinema theaters to show `action` movies as a complement to the war theaters of the 20th century, where the transvestite killed itself in reality for the pleasure of the evil. Heinlein`s Starship Troopers extrapolates from the `small screen` of `TV` to the `big screen` of the theater of interplanetary war to depict men and women`s crushing of the human species as a `bug`: `When you come right to it, it is easier to die than it is to use your head.`3 As a part of Sergeant Charles Zim`s response to Ted Hendrick's question on the purpose of the M.I., his is a simple description of how men`s parasitoid collective beheads the human race of futanarian `woman`s seed`, because an alien devouring spirit doesn`t want a slave species with a brain.
1 Heinlein, Robert A., Starship Troopers, G. P. Putnam`s Sons, 1959, Ch. 12.
2 Charles Zim in Heinlein, Robert A., Starship Troopers, G. P. Putnam`s Sons, 1959, Ch. 5, p. 63.
3 Lt. Col. Jean V. Dubois (Ret.) in Heinlein, Robert A., Starship Troopers, G. P. Putnam`s Sons, 1959.