Robert A. Heinlein`s The Number Of The Beast And Ira Levin`s The Stepford Wives

The Stepford Wives (1975) was a science fiction movie made in Hollywood, California, and starring Katherine Ross as Joanna Eberhart. Joanna is a married aspiring photographer from New York, who moves with her family to Stepford, Connecticut. Making a friend of Stepford`s Carol Van Sant, played by actress Nanette Newman, Joanna is concerned to discover personality changes in Carol that match those of the rather too traditionally submissive townswomen of Stepford after Carol has a car accident. Befriending another new arrival in Stepford, Paula Prentiss in the role of Bobbie Markowe, and with another friend she`s made there, Tina Louise as `trophy wife` Charmaine Wimperis, Joanna begins a `Women`s Liberation` female `consciousness raising group` in contradistinction to Stepford`s secretive `Men`s Association`:

`Believe me, I know that it's unfair and sexist, but frankly, anything that gets him out of the house nights is fine with me.`1

 The Ira Levin novel, The Stepford Wives (1972), struck such a chord with cinema audiences, when the film treatment was released in 1975, that it resulted in an extensive movie franchise. In the Revenge of the Stepford Wives (1980) the chemically controlled women revolt from the Men`s Association`s prescriptive behaviour, `A perfect wife, always there for you. Any way you want her to be.` The Stepford Children (1987) elaborated on the Association`s concept of `conversion` for their women into chemical robots, while in The Stepford Husbands (1996) a powerful women`s group turn men into slaves in a Hollywood, Babylon, male brained alarmist step aimed at supporting misogyny, that is, men and male brained women who are conditioned to hate women.

 The Stepford Wives was made in 1972, just five years after the `one foot on the floor` rule enforced in movies by the `Hays code` (1930-1967) made it impossible for a woman to be seen raising her foot from the floor in bedroom scenes as a means of repressing women`s futanarian `seed` by making her penis taboo in the industry. Although the plot of the 2004 remake of The Stepford Wives, featuring actress Nicole Kidman, doesn`t materially change, it does reflect how little Hollywood cares about women. Nicole`s remade Joanna produces a `reality TV show` in Manhattan, I Can Do Better, in which husbands and wives choose between each other or prostitutes, and which results in one rejected man going on a killers` rampage.

 The biblical story behind I Can Do Better is Joseph and the Egyptian man and woman who care for the Israelite after his brothers leave him in a pit to die, because they`re jealous of the `coat of many colors` (Gen: 37. 3) given to him by their father, which is a familiar biblical rainbow metaphor for God`s promise of better things to come and Joseph does indeed become a powerful prince in Egypt. The Egyptian couple who befriend him ultimately represent the Technicolor movie dreams of Hollywood, Babylon, where women can`t sexually reproduce with each other. The Egyptian man is symbolically a father who stands between penisless daughters mocking even their inability to sexually gratify incestuous feelings for their beautiful mothers. Falsely accused of rape by an Egyptian woman, Joseph in fact represents the temptation that can`t be consummated, that is, the sexual desire of woman for woman, although he`s in the role of son rather than daughter. Joanna Eberhart`s daughter, Kim, can`t even be perceived as being sexually tempted by Nicole Kidman in the movie The Stepford Wives (2004), because men`s incest taboo has effectively removed the woman`s penis from the picture so that she doesn`t even guess at the possibility of sexual reproduction with her own species, which is the hidden meaning of the Egyptian man and woman`s relationship with Joseph.

 In the Bible story Joseph becomes as an `Egyptian man` who will marry a woman and stand between his penisless daughter and her beautiful mother mocking her inadequacy as a race, just as Hollywood, Babylon, mocks the inability of the daughters of their beautiful women by perpetuating the fiction that sex between alien and human is `heterosexual`, whereas reproduction amongst the host wombs of human women and `futanarian` women with their own penis` semen is heterosexuality. As Joanna Erbhart, Nicole Kidman`s `reality TV` show, I Can Do Better, examines the concept of supposed heterosexuality in which male and female couples abandon each other for prostitutes, where prostitution is the idea of women`s host wombs sold into slavery, so heterosexuality is redefinable as sex between women. Because women are a single human species, with their own penis` semen and host wombs, they`re not the marrying kind by nature, that is, partnering each other without exclusivity is normative, and so women`s Resurrection as a single humanity doesn`t entail marriage, although their mode of sexual reproduction is definable as heterosexually human, as Jesus taught:

`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)

 In Ira Levin`s novel, The Stepford Wives, Joanna uncovers the secret of Stepford which is that the women are replaced by their husbands to make them more sexually submissive and domestic slaves. The irony is that labor saving is what robots would mean for women. Consequently, robots are her friends while men are her enemies if they keep women at a technologically low level to ensure their sexual submissivity and enslavement as domestics:

`There'll be somebody with my name and she'll cook and clean like crazy, but she won't take pictures and she won't be me. She'll be like one of those robots in Disneyland.`2

 In the Bible the first man, Adam, is told by God he must labor after he and Eve are expelled from Eden for accepting the serpent`s offer of the `fruit of the tree of the knowledge of good and evil`, `You shall be as gods.` (Gen: 3.5) Eve is told she will have labor in childbirth until the Redemption they have labored for is fulfilled in the birth of Jesus uncontaminated by male semen from his mother, the Virgin Mary. The issue of `original sin` has puzzled biblical scholars, but if Eve and Adam`s progeny included `futanarian` women with their own penis` semen and host womb for the sexual reproduction of their own brains` powers for socio-economic independence from men, God`s warning to Eve is understandable, `he shall crush your head and you shall bruise his heel`, that is, Eve will `crush the head of the serpent as she leaves` (Gen: 3.15) Eden, because Jesus will be born uncontaminated by male semen and `futanarian` woman will be born from her womb as the `foot` that will leave Earth for the planets and stars of God`s heaven after she has liberated her human species from slavery. The Stepford Wives and its movie successors depict the robot technology denied to women that would liberate her from slavery, but it`s couched in the usual male way as a threat to labor.

 During the industrial revolution in England in the 19^th century, `Luddites` (1811-1817) were prevalent among the workers in the textile industry after Ned Ludd broke two stocking frames in 1779 as a protest against being made redundant by machines. Because women can sexually reproduce with each other as `futanarian` women, men can be made redundant by women. `Ludditism` takes many forms, but the essence is slavery through male braining. The Stepford wives are what men would do with women, that is, they`d replace them with robots, whereas robots in the image of women are what women need to keep their human species viable. In male braining only male semen is made available to women and so the male coerces the maled female into accepting her enslavement.

 The life of Jesus in the New Testament is prototypical insofar as he`s killed by the male brained collective, represented by the Roman Empire occupying Palestine, because he`s uncontaminated by male semen, that is, he`s `woman`s seed`, which wants labor saving machinery to escape from slavery, but men`s socio-economic system denies it to her. Jesus represents the female brain killed and culled by men since Eden, either as `futanarian` woman, or by limiting the more advanced technologies that would save her labor and give her freedom to keep her as a domestic slave in Stepford wives scenarios.

 The medium of science fiction is a form of terrorism in which aliens are the threat to the Earth, whereas men are the threat to the Earth and the alien invaders are either extrapolations of what men have already done to the Earth, because aliens haven`t, or aliens are extrapolated depictions of women and so are representations of how men react to women. In the science fiction of The Stepford Wives, robots are depicted as the bane of women, whereas they`d be a boon to women.  so technologically advanced civilizations from the planets and stars above the Earth are represented as destroyed, which is what occurs in the movie, The Abyss (1989), in which actress Mary Elizabeth Mastrantonio is Dr Lindsey Brigman with a team that discovers an undersea `alien` civilization, but the men she`s with destroy it because they can`t seem to think of anything else to do with what might have been an advanced human civilization too sophisticated for the `serpent`s seed` of the slaver.

 In movies like Independence Day (1966) with black American actor, Will Smith, the aliens are destroyers, whereas technological help from whatever else might live apart from the Earth is what women need to escape from her parasite. Consequently, women and aliens represents the human race`s being denied help because men don`t want her to escape their parasitism upon her host womb and the pogrom they`ve been implementing against her `seed` since Eden. Even the idea aliens exist as a threat to Earth is a matter for the human race, while men`s perpetual warring upon a planet they can`t prove they`re native to suggests that defence is a matter for women, because they can sexually reproduce with each other as the species, whereas men can`t, or if they can they`re keeping it a secret in order to maintain women`s brain slavery to a male `futanarian` breed that doesn`t want the enslaved race to find out.

 In Islam the right hand is preferred to the left in any occasion because the right hand is controlled by the left side of the brain, which is described by scientists as the creative or female half of the personality, while the male or rational half of the brain controls the left side of the body. Consequently, a culture that makes the left hand taboo is describing the rational male brain as forbidden or, as the Arabians say, `Haraam!` Favouring only the right hand is tanatamount to declaring a wrestling competition between the left or female half of the brain of the human race and the right side or hand of the human body. Because men are visible in the Moslem faith, while women are hidden beneath their burkha, that is, a one-piece coverall usually black from which only their eyes can be seen, the imagery is of a people subjugated by the male or right hand controlling the left sided female brain, and represents the struggle of the left sided or female creativity of women to work through men as their right hand. The difficulty is compounded by the concept of the male `futanarian` who has penis` semen and host womb, which is illustrated by the four wives permissible in Islam, that is, marriage as a vehicle for the sexual reproduction of women together within a marital framework that can contain `futanarian` women with their own penis` semen and host wombs. Arabian men may be male `futanarian` with their own penis` semen and host wombs for the sexual reproduction of men and women constituting another aspect of the human race, but the vast majority of humans are taught that men are the sexual counterpart of women, whereas `futanarian` women are indubitably the sexual counterpart of women, because both have wombs, while humans are taught men don`t have wombs and so they have no sexual counterpart by description, which suggests women`s host wombs are enslaved by men in parasitism.

 The Moslem faith was constructed more than six hundred years after Jesus` being nailed upon a cross by the Romans and tortured to death before his Resurrection and Ascension to heaven when, according to tradition, the angels dictated to the Prophet Mohamed their holy book, the Koran (610-30 C.E.),  which contains the stories of Abraham, Moses, and Jesus. Although there are differences between the Bible and the Koran, for example, Jesus has Ascension to heaven without death, the central meaning is the same because Moslems recognize the Resurrection of `woman`s seed` as the meaning of Jesus` birth. Consequently, the four wives of the Moslem marriage represents Islam`s faith in the Resurrection of `woman`s seed` through hidden `futanarian` sexual reproduction.

 Because women are subjugated by men, Islam`s emphasis upon the right hand wrestling with the female side of nature in fact represents male `futanaria` wanting to be accepted as female and human. As the penis is generally thought to be aroused solely by the female form, the story of the male `futanarian` is the tragedy of human nature. Sexually subjugated by men without wombs, women are slaves, while men with wombs are abominated. In the United States of America it`s surgically mandatory to make `futanarian` baby humans either male or female, because female brains would revolutionize the male brained socio-economy of the `serpent`s seed` and result in the independence of the human `woman`s seed`.

 Western civilization was based on the Greek model of institutionalized homosexuality and enslavement of the host wombs of women to further the contagion of conquest and war. The host wombs of women were enslaved to produce civilization, culture and art preparatory to men`s destruction of it, which Jesus` `Last Supper` with his disciples illustrated. As an agent of the Roman Empire, Judas rejects Jesus` offer of the `bread and wine` as symbolic of the `body and blood` of the human host, that is, woman`s womb and `woman`s seed`. Judas` treachery in betraying Jesus to crucifixion by the Roman Empire was his betrayal of the human species seeking liberation from male braining and warfare. Consequently, men`s role as woman`s parasisitcal devourer enslaved to produce civilization, culture and art for men to consume is to be found in the Bible as a prefiguration of Hollywood, Babylon, where there are no complete women and men`s idea of heroism is large scale destruction with the token uncompletable woman without her own penis` semen and host womb as justification for men`s destroying of her human race and making it into a movie for themselves to watch and admire in the style of the Greek plague carriers:

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 Before the walls of Troy, according to the Greek poet Homer`s Iliad (760-10 B.C.) , the Greeks left s huge hollow wooden horse inside which men hid to emerge when the Trojans took the horse inside the city and the Greeks enslaved the host wombs of the women to spread their contagion of war and pederasty further. The plague analogy was translated into the science fiction realm of `biological warfare` in the late 20<sup>th</sup> century when it was discovered that HIV/AIDS biblical `blood plague` was spread as an incurable `killer disease` by men`s mixing blood, shit and semen in each others` anuses in mockery of human sexual reproduction and in rejection of the love of women:

`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)

 The United States of America`s `Grand Master` of science fiction, Robert A. Heinlein (1907-88), wrote the novel, The Number Of The Beast (1980), about a `Ford aircar` called `Gay Deciever`, which was a `continua car` capable of accessing all possible universes (including that in which `deceiver` was spelt with `i` after `c`), whether fact or fiction. The premise was that two married couples would travel through space and time to places as diverse as the planet Mars of Edgar Rice Burroughs` fictional stories of Barsoom, with its red princess in Princess Of Mars (1912) for example, or Lewis Carroll`s Alice In Wonderland (1865) in which a girl falls down a rabbit hole and discovers a surreal world of talking animals and the even stranger society of playing cards who`re royalty with servants, and Frank L. Baum`s The Wonderful Wizard Of Oz (1900) in which Dorothy is lifted by a tornado from her home in Kansas and deposited in the land of Oz where she`s befriended by the Scarecrow, the Cowardly Lion, and the Tin Woodsman who journey with her on the yellow brick road to the Emerald City where Dorothy hopes to be told how she can return home by the wizard who rules there. Heinlein`s couple are D.T. or `Deety`, who is named for Dejah Thoris, Edgar Rice Burroughs` red Martian princess, and her husband Zeb Carter, who`s named for the hero of Burroughs` Barsoom stories, John Carter, while Jake Burroughs, the inventor of the `continua car` is Deety`s father, and Hilda is his second wife. Wife swapping ensues and the subject of the incest taboo is raised, while the men eventually sleep with each other.

 Robert Heinlein was criticized for his interest in the theme of incest, especially in the novel Time Enough For Love (1973) in which his ancient and often rejuvenated protagonist, Lazarus Long, travels through time to have sex with his mother, but the incest taboo is the basis of female subjugation insofar as the father stands between the daughter and the rest of her humans species of woman to prevent her from sexually reproducing with other women while fathers have created the fiction of an incest prohibition to prevent her from understanding the truth, which was Jesus` teaching that the whole of God`s law was, `Love your neighbor as you love yourself.` (Matt: 22.39) Because women are capable of sexual reproduction with other women, it`s a single species and incest is  purely academic insofar as the human race of women doesn`t have to listen to an alien`s opinion about uncontaminated `woman`s seed` being `haraam` for itself. What Heinlein`s The Number Of The Beast describes is the consequences of taboo, which is that the depiction ordinarily of women having sexually reproductive sex with each other, though natural, isn`t normative. Because men are normatively depicted as incapable of having sexually reproductive sex together, although by nature it`s perfectly possible for `futanarian` males, homosexual sex as an aberration is advocated in mainstream fiction as normative, which is an abomination and those who criticized Heinlein for puerility in terms of his preoccupations with the themes of incest and homosexuality are revealed as themselves trapped in the infantilism of the undeveloped.

 Unless the human race is to remain undevelopable, science needs to put Heinlein`s Ford `aircar`, the continua vehicle `Gay Deciever`, and Ira Levin`s `Stepford wives` together so that the robots created in the image of woman can save women`s labor and thenceforth the women by affording them time and leisure to sexually reproduce together their own brains` powers for socio-economic independence and liberation from male braining and domestic servitude. Heinlein`s Ford `aircar` was meant to reflect upon the reality of the first mass produced motor car, the Model-T Ford that rolled off Henry Ford`s production line in Detroit, Michigan, in 1908. Motor cars hadn`t changed any of their intrinsic design features for over a hundred years, while the pedal controls that still remained a part of a car`s operating system in the 21^st century made driving a laughable exercise in disabling the driver and keeping women at a low level of technological development preventing her from taking to the air as a first genuine step towards getting her futanarian foot on the moon:

`One small step for a man, one giant leap for mankind.`3

 North American Space Administration (NASA) astronaut Neil Armstrong`s speech on placing his foot on Earth`s satellite as `the first man on the moon` represented woman`s imprisonment while she waited for thermoglobal nuclear holocaust and the Bible`s `Armageddon`, described in the last pages in the book of the Revelation of Saint John the Divine, as the final battle between God`s humanity and the `serpent`s seed` of men`s refusal to reject male braining and embrace the human species of `woman`s seed`. Just as the `futanarian` foot is the human species` `missing link`, so the Stepford wives are the `missing step` for Robert Heinlein`s Ford `aircar` in The Number Of The Beast, because robots would care for the women so they could sexually reproduce with each other their own brains` powers to lift their futanarian `foot` off the Earth and `crush the head of the serpent` with her heel as God promised Eve her `seed` would in Eden. The Stepford wives are depicted as Joanna Eberhart and her friends` enemies because that`s what men want women to believe so they can continue in `Luddite` reduced levels of technological progress that maintain the enslaving of her host womb in male brained parasitism and devouring warfare.

 Independence Day was the typical 1950s alien invasion movie scenario based on the United States` fears about Russia after Eastern Europe came under Russian control subsequent to the defeat of German Imperial ambition that had been going on since 1914-18`s World War I. Then Russia had experienced a workers` revolution in October, 1917, which resulted in the overthrow of Tsar Nicolas I. During 1939-45`s World War II, when the National Socialist (Nazi) Party of Germany began its pogroms against what the Bible describes as the Jewish `chosen people`, Russia was targeted by the Nazis. Ultimately Europe was divided between the Western nations and Russia, which meant Russian controlled governments in Hungary, Poland, Czechosalvakia, and Romania, etc. The United States of America, fearing Russian expansionism, began producing `alien invasion` science fiction, for example, Robert A. Heinlein`s The Puppet Masters (1951), which depicted an alien slug collective that attached itself to the spines of humans in order to control their brains and take over the Earth. While Russian workers` control through the apparatus of state governments were perceived as evil by writers like Alexander Solzhenitsyn who wrote The Gulag Archipelago (1958-68), for example, about the labor camps in which millions of `intellectual` opponents died, the United States and the Western powers fought German National Socialism (Nazism), because of the German socializing of the Jews in `concentration camps` where they were collected for extermination. `Socialism` was definable as whatever `socialized` a group that resisted extermination by the male brained collective, which is why women are men`s veiled target, especially in Islam where women are forced to veil as a part of their socializing.

 In Judaism it isn`t possible to be born a Jew unless from a Jewish woman. The movie Sophie`s Choice (1982) with actress Meryl Streep explains the Jewish perspective insofar as Sophie chooses her daughter when offered the opportunity to save one of her children by the death camp guard. For Jews the woman is more important, because God`s `seed` is `woman`s seed` and the Nazis were attempting to exterminate her. Consequently, woman is the slug from Heinlein`s The Puppet Masters attempting to take over men`s brains from men`s point of view, whereas from women`s perspective men are the aliens that have invaded her host womb as her parasites in order to put her in their `concentration camp` and kill her there.

 Black actor, Will Smith, was the star of Independence Day which reflected upon the history of the United States` enslaving of blacks from Africa to work in the cotton plantations of the Southern United States before the American Civil War (1861-5) made slavery illegal. Will Smith`s talents were used to good effect in the film of science fiction writer Isaac Asimov`s anthology I, Robot (1950), which lamented the fate of robots in a future society that treated them as slaves. The analogy was rather more applicable to women than blacks, which is why Will Smith was the hero rather than diva Janet Jackson, whose pop star brother, Michael, was also a star of Independence Day alongside Smith. Having a black female star in the movie, I, Robot, (2004) would have been too close to the truth, which is that women are robots to men, as The Stepford Wives illustrates, because they afford host wombs for the parasites and function as domestic slaves without the possibility of developing their own brains` powers for socio-economic independence from slavery in male braining`s parasitism.

 The late 20^th century successors to Greek viral contagion in the form of institutionalized homosexuality in pederasty and war were the `geeks` who developed `bad machine code` after the model of HIV/AIDS` homosexually transmitted `biological warfare` to infect computers and destroy the machine brains that had been created from the host wombs of women`s desire for civilization, culture and art despite men`s  depredations against her species. Computer science represented women`s attempt to construct memories for herself to remember because her `futanarian` capacity for sexually reproducing her own brains` powers was severely delimited in men`s parasitical male braining. Consequently, the attack upon computer systems by `geeks` with their artificially created viruses to infect and kill the machine brains was an attempt to kill the woman as the host of the Earth`s human species. Moreover, although homosexuality`s HIV/AIDS doesn`t look like `biological warfare` perpetrated against the human species, that`s exactly what it is. Just as the `Trojan horse` was used by the ancient Greeks to infect the city of Troy, so `Trojan horse` viruses were used by computer `geeks` to infect the computer brains of the citadel of the information superhighway that women had consciously or unconsciously created to store and restore her memory of how to combat the alien virus God had promised Redemption from `woman`s seed` and her host womb, but which is resistant to conversion because it prefers women as slaves for itself rather than that women have robots to care.

 Isaac Asimov was a Russian émigré to the United States whose robot stories were romantic and poignantly affecting because they depicted the true fate of `woman`s seed`. The main thrust of the tales were centered upon the role of the leading character, robot Daneel Olivaw, who wanted to be human. The perception is that R. Daneel wanted to be a man, whereas the truth is that he wanted to be human but the prevailing fiction is that men are humans. If `futanarian` women with their own penis` semen and host wombs are human, they have the capacity to sexually reproduce their own brains` powers as a human species, whereas men without host wombs cannot and so aren`t readily definable as human, which is why God told Eve and Adam they must labor for Redemption from their sin of preferring enslavement for the human species to the `serpent`s seed`. In fact women are human and so robots in the image of women who care for women would be more human than the human because they care for the human. Consequently, R. Daneel Olivaw could never be human if he thought he wanted to be a man. He could only be human if he persisted in being a robot who cared:

`Aimless extension of knowledge, however, which is what I think you really mean by the term curiosity, is merely inefficiency. I am designed to avoid inefficiency.`4

 Olivaw isn`t advocating brainlessness in Asimov`s The Caves Of Steel (1954), which would mean the collapse of technological progress, but he`s a robot who recognizes that humans are physically capable of only eating and drinking, apart from sexual reproduction, which means that caring for humans is reducible to ensuring that their capacity to eat and drink and sexually reproduce is safeguarded within a technologically progressing system that isn`t handicapped by the criminal activities of the `serpent`s seed` of men`s enslaving of humanity. Olivaw lives three millennia into the Earth`s future when `Spacers` have colonized fifty worlds and limit birth so they can live well inside huge tracts of territory, which is what individual humans would do, because there`s no reason to birth if robots care for the living and rejuvenation technology is a part of the medical science employed by the robots who care:

`Because the human form is the most successful generalized form in all nature. We are not a specialized animal, except for our nervous system and a few odd items. If you want a design capable of doing a great many widely various things, all fairly well, you could do no better than to imitate the human form. Besides that, our entire technology is based on the human form. An automobile, for instance, has its controls so made as to be grasped and manipulated most easily by human hands and feet of a certain size and shape, attached to the body by limbs of a certain length and joints of a certain type. Even such simple objects as chairs and tables or knives and forks are designed to meet the requirements of human measurements and manner of working. It is easier to have robots imitate the human shape than to redesign radically the very philosophy of our tools.`

 If the basic human shape is `futanarian` woman, it would be better if robots were made in the image of women, because the sentient machine made by humans would be human. Cars are disabling vehicles for humans, but sentient robots wouldn`t be limited by the disabling environment constructed by men of the `serpent`s seed` who don`t want technology to facilitate the escape of `woman`s seed` from slavery in parasitism. In Mary Wollstonecraft`s Frankenstein (1818), often cited as the first science fiction novel, the `creature`, made from body parts by Dr Frankenstein and galvanized by electricity, is `born` disabled. The villagers` burning of Frankenstein`s home and laboratory reflects Mary Wollstonecraft`s position that people don`t want others to be enabled, that is, they want them to be born disabled, which is why cars, first mass produced in 1908 at the Henry Ford factory in Detroit, Michigan, remained in the 21<sup>st</sup> century disabling vehicles, because they were vehicles disabled, as Frankenstein`s home and laboratory were destroyed because the villagers feared he`d enable his `creature`. The `bug eyed` monster of the Hollywood, Babylon, alien invasion movies of the 1950s and onwards is the car with its headlights careering forward into the darkness. It`s a Frankenstein `monster` born disabled and constructed out of body parts designed to disable the human and make a disabled monster out of her:

`Taught from their infancy that beauty is woman's sceptre, the mind shapes itself to the body, and roaming round its gilt cage, only seeks to adorn its prison.`5

 Mary Wolstencraft was a 19^th century feminist writer, who wrote A Vindication of the Rights of Woman (1792), which argued for women`s education. In the 21<sup>st</sup> century women still lived without knowledge of their own penis` semen, despite Jesus` birth as the almost universally recognized redemptive paradigm for `woman`s seed` and Resurrection uncontaminated by male semen. As space and planets are theoretically endless, a single `futanarian` woman is representative of Redemption if she uses her own penis` `seed` to sexually reproduce herself on her own planet, whereas Earth is a place where humans are prevented from developing technology in what is `damnation` in religious terms, that is, reincarnation isn`t Resurrection, so the individual who`s reincarnated on Earth isn`t Resurrected by `woman`s seed` on far flung planets and cared for by robots where technologically advanced societies permit of only a few people. Although the `Spacers` are criticized in Isaac Asimov`s, The Caves Of Steel, for preferring a tiny population and living singly, or with one or two others, in vast parks cared for by robots, escape through `woman`s seed` and host womb amongs the planets and stars is the natural human solution to the problem of being preyed upon by the parasites of the `serpent`s seed` of men, who inveigle themselves into positions where they can kill the human race by feigning a desire for socialism as a pretext for exterminating `woman`s seed` and the host womb of the human race by persuading her to share herself in parasitism.

 Daneel Olivaw isn`t a victim of socialism, which is the belief system adopted by the Russians from the German socio-economic philosopher, Karl Mark (1818-1883), that is, `from each according to his abilities and to each according to his needs` in Das Kapital (1867-94), which criticized wage slavery and was adapted after World War I by Russia as an experimental societal solution to Tsarist dictatorship in parasitism. Olivaw is a victim of socialization insofar as he believes that human is what men are. Created in the image of a man, he`s a part of the artist`s delusion, because Asimov was restricted by the societal taboos of his time, which prevented him from writing about human women and their sexuality. Consequently, Olivaw is a `concentration camp` of one, because he can`t sexually reproduce and so is brainpower for the slaver, whereas women are host wombs in parasitism, and so `socialization` is extinction for their brains. From men`s point of view, Olivaw is the ideal man because he can`t sexually reproduce and he has brains they can use, which is what slavers want. Women are `socialized` in men`s `concentration camp`, where `camp` can be understood as the dramatis personae of an exaggeratedly  homosexual drama in which the ideal man doesn`t sexually reproduce with women, but he has brains that the homosexual parasites can employ, whereas the women have penis` semen of their own that they can employ to develop their own species, but men don`t want them, and so they`ve developed `concentration camp` as a form of method acting to ensure death in slavery for the human race.

 The term `camp` is used to describe a homosexual actor. The acting method of homosexuality is  definable as a form of socialization in which groups are defined as those who won`t interact socially with homosexuals, that is, `concentration camp` is an exaggerated form of method acting in which humans are exterminated by homosexuals who have condemned the humans for refusing to sexually interact with them. If the human species is `futanarian` with her own penis` semen and host wombs for the sexual reproduction of their own human brains` powers for development, she`s been exterminated after being condemned for refusing to interact socially with homosexuals, whereas social interaction with homosexuals is death socio-historically through sterility, or homosexual pogroms against `woman`s seed` and her host wombs. The parasites of the `serpent`s seed` have adopted an exaggeratedly `camp` method as actors, which involves removing the women`s penis` `seed` from the stage and, as with the dramas of the English playwright William Shakespeare (1564-1616), perform their plays without women:

`Did my heart love till now? Forswear it, sight! For I ne'er saw true beauty till this night.` (Romeo and Juliet, 1.5)

 In Shakespeare`s time homosexuality was an approved virus, which is what men who behave effeminately represent: the desire not to perform sexually with women. It could be argued that Shakespeare wrote for male `futanarian` men with their own host wombs and penis` semen, but that reinforces the conclusion that homosexual men are misogynists who don`t want `woman`s seed` or their host wombs as the only aspect of the human species that is entirely wombed and so irrevocably definable as human, whereas men aren`t if wombs are the criteria for defining humans who emerge from them at birth.

 In Robert Heinlein`s Time Enough For Love Lazarus Long stops short of impregnating his mother with himself as a time-traveller, which is a comment on misogyny, because women haters would kill their mothers in order to have never emerged from her womb. Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, illustrates `woman` seed`, that is, the human species of woman loves the products of her own womb. Although Mary is married to Joseph, she`s described as the `Virgin Mary`, because her womb wasn`t fertilized before she gave birth to Jesus. He has to show her the love of a son, because he`s symbolically her daughter with penis` semen and host womb of her own and so can return to the mother, because not male brained in misogyny`s desire to kill her. Heinlein`s protagonist Lazarus Long doesn`t impregnate Maureen with himself, because he can`t be sure he won`t father a misogynist. Consequently, Jesus` birth represents the future of the human species uncontaminated by male braining and misogynist hatred for women. Before Jesus` crucifixion a woman wants to anoint his feet with expensive perfume, but the false disciple, Judas, interferes:

`Why was this perfume not sold … and given to poor people?` (John: 5)

 Jesus mildly rebukes Judas, as he`ll die on the cross soon after because Judas betrayed him to the Romans, `… you always have the poor with you, but you do not always have me.` (John: 12.8) The woman anoints Jesus` feet with perfume, because she cares about `woman`s seed`, whereas Judas` betrayal of Jesus as the host at the `Last Supper` before his crucifixion indicates he doesn`t care about `woman`s seed` or the host womb of the human species and so is a misogynist who`d kill his own mother, which is why Heinlein`s Lazarus Long was a great science fiction character, because he didn`t want to kill Maureen, he wanted her to be beautiful so he could enjoy her environment and her body sexually. The delusion for children is that they associate humanity with sex, whereas it`s the environment that`s indicative of whether they`re loved or otherwise, `… you always have the poor with you ...` Those who are raised to believe that beautiful people are heaven are the victims of the illusion. Low level technology spiced with pictures of naked penisless women is a sign that the child of humanity is being murdered, which is why Jesus uncontaminated by male semen is a prefiguration of woman`s `futanarian` daughter with her own penis` semen and host womb for the sexual reproduction of her own brains` powers to develop the technology to improve her environment and so be beautiful everywhere rather than just physically desirable.

 Homosexuality`s `game` is that those who`re happy with the sexually desirable woman won`t notice the impotence of the mother to create an environment for humans to live in. That men are a virus devouring her is evident from the extent of the mimicry they employ to kill her. From the `geek` who feigns help and designs `bad machine code` as a `Trojan virus` to kill the woman`s artificial computer brain she needs to store her memory, to the HIV/AIDS` virus that mimics the body`s white leukocyte defensive cells before killing it, the metaphor is Greek homosexuality in pederasty and war against woman`s fortress, Earth. Consequently, homosexuality is a `plague game` for `gamers` who see women as Troy to be invaded by men hidden inside a `Trojan horse`, because women don`t know the truth about their own species` capacity for sexual reproduction as `futanarian` humans with their own penis` semen and host wombs. The devising of computer games in which prizes have to be won is simply a metaphor for men`s virality towards the human system of women. The games train the virus to exterminate the humans while describing their targets variegatedly as urban terrorists, Independence Day aliens, British fantasy writer J.R.R. Tolkien`s orcs from The Lord Of The Rings (1954), which is about the `Dark Lord` Sauron`s slave rings, or whatever else will soothe the innately human soul that`s being dehumanized to kill its host for the `serpent`s seed` engaged upon its parasitcal progress of enslaving humanity for pogroming until its brainless and nothing but a host womb for the parasites` devourings.

 The solution is to enable the woman`s capacity for sexual reproduction as the `futanarian` human species of `woman`s seed` to increase the race`s female brainpower, which the male `futanarian` in Islam attempted to artificially create by activating the female or left side of the human brain by making it `haraam` to use the left hand. As God told Eve, `he shall crush your head and you shall bruise his heel`, (Gen: 3. 5) because male `futanarian` don`t need men as they have wombs of their own. Consequently, the Earth is enslaved by `futanarian` misogynist males, and homosexuals who don`t want women sexually, that is, the head of Eve`s `seed` is crushed by the male `foot`, although she`s bruising the heel of the hand of his `futanarian` foot, because she`s resisting the right handedness of the male brain that`s wrestling with the female nature of the true human brain in order to enslave and kill her in its variegated pogroms known as war and designed to keep her as a brainless host womb for the parasites to emerge from and devour what she`s been able to produce of civilization, culture and art before the parasites` depredations begin anew to reduce her to brainlessness and host womb slavery.

 Robert Heinlein`s title for the novel, The Number Of The Beast, derives from the Bible, `let he that has understanding understand, the number of a man is the number of the beast and his number is six hundred three score and six` (Rev: 13. 18), which Heinlein translates mathematically as, `six raised to the power of six raised to the power of six`, as describing the number of possible alternate universes accessible by means of his inventor Jake Burroughs` `continua device`, that is, 10, 314, 424, 798, 490, 535, 546, 171, 949, 056. As his car with its occupants travel through the `multiverse`, they`re pursued by the `black beast`, a figure which is hermaphroditic and has more than human articulation insofar as its knees bend forwards as well as backwards. The hermaphroditism is explicable as what frightens men, because they don`t want to be replaced by `futanarian` women with their own penis` semen and host wombs for sexual reproduction with their own species of human women, while the impossible articulation associated with the appearances of the hermaphroditic `black beast` is the device Heinlein resorted to in order to explain to his publishers that their taboos against the discussion of sexual themes within science fiction was limiting the author`s ability to express and educate his readership. The `black beast` won`t leave Heinlein`s protagonists alone, that is, Deety, Zeb, Hilda and Jake, as it represents the future of humanity, which men have sought to repress into extinction.

 In the history of the United States people are divided into `white hats` and `black hats`, that is, the good cowboys and the bad cowboys, which is most graphically depicted in the movie High Noon (1952) in which actor Gary Cooper as sheriff Will is told by his wife Amy, played by Grace Kelly, that he must face a gunfighter, actor Ian MacDonald as Frank Miller, which Will does and lives after killing Miller with the help of wife, Amy.

 In The Number Of The Beast Heinlein`s `black beast` is described as a `black hat`, because the `white hats` are those that don`t want `futanarian` humans as it`s too difficult to articulate them within Western society. Just as the Germans found it difficult to articulate their society around the European Jews and the European settlers found Plains` Indians difficult to articulate into their society when North America was discovered by the ships of Spanish explorer, Columbus, after he was commissioned by queen Isabella of Spain in 1492 to discover new lands for colonization.

 The American hunters, who killed the buffalo to starve the Indians to death and put them into the `reservations` that were effectively the European settlers` `concentration camp` for the Indians, were `white hats`. So were the Nazis who killed the Jews, because Heinlein`s hermaphroditic `black beast` is a `black hat`, that is,  `futanarian` humanity is too difficult to articulate for a `white hat` society steeped in evil that doesn`t want the truth to be told, lest society understand the reverse `phone number of 999 for the police, is `666` because `white  hats` are evil, that is,  they`re `phoning the human species to extinction on behalf of the `serpent`s seed`. God, the creator of `woman`s seed`, can`t express his authorial intention as publishers have listened to their callers and have agreed to make God`s `seed` taboo:

`The figure appeared to be several klicks high now, when the illusion suddenly broke. The rainbow was gone … very high up, a figure was tumbling, twisting, falling.`6

 The `rainbow bridge` to Asgard is a leitmotif in the story of the fall of the gods in Norse mythology, while Robert A. Heinlein`s `aircar`, Gay Deciever, has an onboard computer Dora which, speaking with a human girl`s voice, has the role of Norse mythology`s Valkyrie, that is, horsewomen who collect the fallen after battle and carry them to Valhalla. The rainbow is a symbol of God`s promise of land to the `chosen people` of the presumably `futanarian` Jewish women in the Bible and their Godly brainpower, while the song sung by Judy Garland in The Wizard Of Oz movie musical version of Frank L. Baum`s novel is biblical as well as being a piece of traditional Americana referred to in Heinlein`s The Number Of The Beast as yet unanswered prayers as Heinlein`s `black hat` falls back to Earth after ascending upwards towards the heavenly realm of God:

`Somewhere over the rainbow bluebirds fly. Birds fly over the rainbow. Why then, oh, why can't I?`7

 Humans with the brains of women would be God`s. If `futanarian` women were killed and culled to prevent their sexually reproducing their own brains` powers to keep the human race in womb slavery, humanity would have killed its own brains, which is what the fall of the gods in Norse mythology`s Asgard represents. Maintaining slavery would require the periodic killing and culling of each nation`s intelligentsia, which in fact occurred in Russia during the period Solzhenitsyn wrote of in The Gulag Archipelago, and elsewhere, for example, during the regime of Pol Pot (1976-79) in Cambodia, where 25% of the population were slain in order to enforce agrarian socialism, that is, the devouring of the intelligent by those who want slavery and brainlessness. The fall of Heinlein`s `black hat` as the rainbow disappear is a sign of humanity`s inability to ascend because it won`t accept `woman`s seed` and God`s.

 Sura 2 of the Koran is `The Cow`, which contains the story of a man killed by another man, because he`s wooing a `golden woman`. A cow is killed and the man is resurrected. Symbolically, the cow is the `golden woman`, because the man needs a host womb in order to be resurrected. The `golden woman` is too intelligent for men and so the brainless cow is killed as a symbol of the fate that the `golden woman` can expect from a parasite that seeks Resurrection, but not brains through the goldenness of the `futanarian` woman and her `seed`. The meaning of the story is that men kill each other, but why would women resurrect them so that they can kill her as well? She`d have to be a stupid cow, which is what men indicate she`ll be.

 In the 8^th century 1001 Nights Arabian stories of Shah Jehan, the king doesn`t kill his brother, because his wife is a stupid cow, that is, the two men accuse her of being unfaithful. The reader understands it in this way, because Shah Jehan has her beheaded, as he believes she`s been unfaithful to him with his brother; although she hasn`t. Consequently, the woman is the cow because Shah Jehan wants her to be brainless. Scheherezade is the woman who tells Shah Jehan stories in the course of the unfolding of the 1001 Nights, during which she saves the women the king has decided to marry each day and behead the next morning, by entertaining him with her tales and making herself indispensable to his happiness until he marries her. Shah Jehan is the man who wants brainless cows instead of women while Scheherezade wants women because she`s a `golden woman` and not a brainless cow. She works for Resurrection through `woman`s seed`, because the women keep their heads during a male brained pogrom to establish womb enslavement in parasitism.

 What`s missing from the scene is the woman`s harem where she breeds her own brains` powers as a `futanarian` woman with her own penis` semen and host wombs to develop the technology to escape from her parasite. The romantic fiction would be that she loves Shah Jehan and so is prepared to stay with him and work to teach him so that he will have Redemption. In fact she`s a slave in male braining, which is why she doesn`t have a harem, and men can`t have Redemption until she does, because only in that way will women not be cows but golden. Jesus` story is of a woman`s romantic love for a man, that is, the `Virgin Mary`, because he`s born uncontaminated by male semen and so is `woman`s seed`. Consequently, Jesus` `seed` is mankind`s `seed` redeemed, although Jesus isn`t a woman, which describes the problem for the future, because men don`t want `woman`s seed`, and so Jesus is killed. The promise of Resurrection is fulfilled in Jesus, but Resurrection for `woman`s seed` and her intellectual growth through `futanarian` sexual reproduction from women`s own penis` semen and host wombs, resulting in the creation of escape technologies, is only hinted at.

 A man can understand from the Bible story of Jesus` New Testament that he`ll have Resurrection, but what he has is `The Cow` from the Koran, which isn`t the `Virgin Mary`, but a host womb in parasitism without brainpower to lift the human species` `foot` off the Earth. Although the story of the `Virgin Mary` and Jesus is romantic, Mary`s still a cow because she wants Jesus` Resurrection and Redemption without any sign that men will change or alter their pogroms against her human race of `futanarian` women with their own penis` semen and host wombs for the sexual reproduction of her own brains` powers to escape from her predator. The `Virgin Mary` hypothesis is that Redemption for man is Resurrection for `woman`s seed`, but Shah Jehan`s wife is dead and there`s no sign of woman`s harem. Mumtaz Mahal`s resting place is the Taj Mahal in Agra, India, which isn`t officially the site of her harem, although Christianity`s prophesied `marriage of the lamb` Jesus with his `bride`, the church, in heaven after Resurrection, suggests that`s what occurs with `woman`s seed` when they `Taj`. The `futanarian` human species breeds its brainpower to raise her `foot` from the Earth and go to the planets and stars.

 In Islam the Ka` Ba is the center of Moslem pilgrimage, because it`s the temple of Abraham, whose sons, Ishmael and Isaac, were of the line of Judaism and Islam respectively, while `Ka` is spirit in Egyptian mythology and `Ba` is soul, which means the Ka is the spirit of `woman`s seed` sexually desired by her soul driven body as her `futanarian` self with her own penis` semen and host womb for the sexual reproduction of her own brains` powers to life her from the Earth to heaven. Consequently, Abraham`s Ka` Ba is romantic, because it denotes the love of a woman`s soul for a woman`s spirit trapped inside a man`s body, which is why God tells Abraham:

`I will surely bless you and make your descendants as numerous as the stars in the sky and as the sand on the seashore.` (Gen: 22. 17)

 Eve emerged from the side of the first man Adam in Eden, while much is made of the `Holy Spirit` that Jesus says will come after him as a teacher, and Longinus, the Roman guard at the crucifixion, pierces Jesus` side with a spear upon Jesus` death, saying `Surely, this was the son of God.` (Matt: 27. 54) As the `Second Adam`, Jesus` Holy Spirit is the `Second Eve` born from his side as a spear birth, which is why the spear of Longinus was thereafter prized as the `Spear of Destiny`, because it represented the future Resurrection of `woman`s seed`. The Ka` Ba is the temple of Abraham and not the `Taj`, because it represents the place of prayer for the Ka and the Ba to be conjoined as what the Egyptians called the `magical personality` or Akh.

 In Judaism the Ark of the Covenant was a symbol of God`s promise to the `chosen people` of continued support after the flood that drowned the Earth in the time of Noah and who was vouchsafed the `arc of the rainbow` as a sign of God`s promise of land after the deluge of rain while the vessel Noah had built floated upon the water. The vessel was known as Noah`s Ark, while the Ark of the Covenant, containing God`s law for the `chosen people`, had two angels upon it with their wing tips touching as they prayed, because the arc of the rainbow is a symbol of future hope in God`s `seed`.

 In Greek mythology Iris is the rainbow while the part of the eye that`s colored is called the iris in medical science. In English writer D.H. Lawrence`s novel, The Rainbow, it`s a symbol of the relationship between people, because it is. Although the black part of the eye is the pupil, which reflects upon the idea that pupils learn, the iris represents relations between people with different colored eyes. Because the `Ka` and the `Ba` of Egyptian mythology are the soul and spirit of the woman conjoined as the `magical personality` or `Akh`, God`s promise to the pupils of Jesus` teaching is that the `Akh` of the Covenant that God has with Islam and Judaism through Jesus will be fulfilled, because just as eye coloring is but a sign of relationship, so God`s plan is for `woman`s seed` to sexually reproduce independently of mankind.

1 Louise, Tina as Charmaine Wimperis in The Stepford Wives, Columbia Pictures, 1975.

2 Ross, Katherine as Joanna Eberhart in The Stepford Wives, Columbia Pictures, 1975.

3 Armstrong, Neil UTC: 2. 56, July 21, 1969.

4 Asimov, Isaac The Caves Of Steel, Doubleday, 1954, 224 pp.

5 Wolstencraft, Mary A Vindication Of The Rights Of Woman, Part 1, Chapter 3, `The Same Subject Continued`, paragraph 20, 1792.

6 Heinlein, Robert A. The Number Of The Beast,  Chapter XLVIII  Rev: XXII. 13, p. 481, Fawcett, 1980.

7 Arlen, Harold and E.Y. Harburg `Over The Rainbow`, sung by Judy Garland in The Wizard Of Oz, Metro-Goldwyn-Mayer, 1939.

Sixth Column

The term `Fifth Column` was used during the first (1914-18) and second (1939-45) world wars that resulted in the end of Empire, that is, a form of international dictatorship based on the power of kings whose territories expanded to include nations to which they weren`t native royals. Kings, and sometimes queens, if there wasn`t a male child to rule after the incumbent`s death, were powerful figures who ruled over nations unchallenged. The French Revolution (1789-99) in which the aristocracy were beheaded by agents of democracy illustrates the value of fifth columnists, which is used to describe any insurgency or insurrection requiring agents working secretly within the societal group that is being subverted on behalf of an opposing political or social perspective.

 US science fiction `Grand Master` Robert A. Heinlein (1907-88) invented the term `sixth column` as the title of a three part story appearing in Astounding Science Fiction (January-March 1941), which was published almost a year before the war to end Empire began after the Japanese `sneak attack` on the US Pacific fleet at Pearl harbor on 7 December, 1941, brought the United States into the second world war. Robert Heinlein`s The Day After Tomorrow (1942) was the novel `Sixth Column` became and it describes the efforts of Whitey Ardmore to defend the US against a `Pan-Asian` roughly similar to the Japanese who were prevented from invading the US mainland by the simple expedient of dropping the nuclear bombs, prophetically named `Little Boy` and `Fat Man`, on Hiroshima and Nagasaki in August 6 and 9, 1945, which destroyed those Japanese cities and forced Japan to accept they couldn`t continue with their imperial ambitions.

 The Day After Tomorrow was prescient in its description of race-specific weapons directed against ethnic minorities. The concept of `ethnic cleansing` surfaced during the wars in Yugoslavia during the break-up of what had come to be called the Soviet Empire (1917-91) after the style of Russian communism, which ruled by means of larger and smaller government bodies called `soviets`. Soviet Communism arose after the second world war when the Russian communists had defeated the German invader. Germany came under the control of the Russians after world war two and so did much of Eastern Europe. Communism was the socio-economic theory that individuals should receive what they needed to live and the state would help them. The result was dictatorship and communism began to collapse globally when it was unable to fulfil the needs of populations demanding what the communist regimes were unwilling or unable to supply, that is, the `supply and demand` economics of capitalist Western democracies defeated communism socially and politically because they were prepared to produce what the people wanted. Although ancient Rome was the model for the criticism of capitalism, that is, the people demanded and were supplied with `bread and circuses`, which meant necessity and entertainment, Roman circuses were arenas in which people were killed to be entertaining for the Emperor and his aristocracy. Consequently, the second world war was fought to end slavery to necessity and death through `circus`, so `supply and demand` had to be concerned with more than `bread and circus` economics, whereas starvation and death was what the Germans, Japanese and Russians had.

 Josef Stalin`s (1878-1953) communist Russian Empire arose after Vladimir Lenin`s `October Revolution` of 1917 against Tsar Nicholas II`s involving the nation in the first world war. Communism was based on the German Karl Marx`s economic theory of state control described in Das Kapital (1856), but totalitarianism under Stalin was described by Alexander Solzhinitsyn in his Gulag Archipelago (1958-68), which depicted `work camps` where millions starved to death. Although Germany`s imperial ambitions were criticized by historians, Stalinism wasn`t any different. The gulags were similar to the slave labor camps the Japanese established for prisoners of war and captive populations, while those of Germany were actually labelled `death camps`, where millions of people were starved to death deliberately before being consumed in ovens, which was the focus for human concern. Socio-economic theory was that humans were consumed, rather than that they were consumers, which capitalist ideology wanted to believe, whereas the terminology of consumption meant cannibalism and cancer, as was recognized by pop group Toto Coelo, who represented cultural awareness within consumer society:

`Your love is so edible to me, I eat cannibals.`1

 Toto Coelo`s female perspective`s that, if women`s love for themselves as a species grew strong, they`d rid themselves of parasitism and cannibalism. Cancer was described by early medical practitioners as `consumption`, which suggests capitalist consumerism and consumption, that is, the buying of goods and services, is consumption in medical terms if the socio-economic system is sick enough to stop providing goods and services in order to devour itself in cannibalism through its parasite, the Military Industrial Complex (MIC), which ultimately promotes war worship, because conflict readiness supposes conflict as the goal rather than healthy living.

 In the United States the economy is determined by war, that is, economic growth depends on the extent to which the Military Industrial Complex (MIC) is active. Consequently, war is economics but consumption in those terms used by medical doctors to indicate cancer is the result. The incurable HIV/AIDS` `killer disease` of the late 20<sup>th</sup> century was spread by homosexuals mixing, blood, shit and semen in each others` anuses in sterile mockery of human reproduction. The illness was paradigmatic of a sick society in which economics was cancerous consumption. The symbol of Western capitalism was the World Trade Centre in New York, while the term `rough trade` was slang for that `brutality and violence` associated with homosexuality in pederasty and war`s contagion since the ancient Greeks institutionalized women`s womb slavery in homosexuality to further the spread of war as their viral contagion. When the terrorist group Al Qaeda hijacked planes on 11 September, 2001, to crash them into the Twin Towers of the World Trade Centre to reestablish conflict between the United States and the Moslem world, it was a homosexual attack on human economics designed to provoke consumption.

 The HIV/AIDS` virus kills the brain after feigning friendship for the white leukocyte cells of the human body`s defense system. Consequently, the events of 9/11, 2001, were the result of Al Qaeda`s feigning friendship as visitors to the US, that is, homosexuals were attempting to kill the brain of the human by breaching the US` defence system to provoke that `brutality and violence` associated with `rough trade` which ensures the consumption of human resources and constitutes an HIV/AIDS` form of cancer as the paradigm of the early 21<sup>st</sup> century following the Greek model of warfare. Ancient Greece`s expansion was documented by the poet Homer in the Iliad (760-10 B.C.), the narrative of the fall of the city of Troy, where the Greeks deployed a huge hollow wooden horse that was taken within the walls by the Trojans before the Greeks emerged to enslave the host wombs of women for homosexuality in pederasty and war, `Beware Greeks bearing gifts!`2 The viral paradigm was used by the late 20^th century successors to the Greeks, the `geeks`, who devised `bad machine code` to infect the computer brains built by humans to combat the deterioration in their thinking after the biblical `blood plague` (Rev: 11. 6) paradigm resurfaced as HIV/AIDS in the late 20^th century. Because homosexuals are interested in the genitals of other people, who don`t want homosexuals, homosexuals would steal the genitals of the people who don`t want homosexuals, which explains homosexuality as a virus` paradigm.

 In the Bible God tells Eve her `seed` will `crush the head of the serpent with her foot as she leaves` (Gen: 3. 15), because the `serpent` is the virus and Eve`s `seed` is to leave Earth to colonize the planets amongst the stars of heaven. The serpent gives Eve `the fruit of the tree of the knowledge of good and evil`, which it is death to taste, and she gives some to Adam, the first man, so God expels them from heaven on Earth, the paradisal Eden, because they prefer death to the `fruit of the tree of life`, which is immortality. God tells Eve she`ll have labor pains in childbirth and Adam must labor, because Redemption will only occur after the birth of Jesus uncontaminated by male semen born from the Virgin Mary, his mother. Death entered the world because men wanted to enslave women`s wombs after the birth of Eve`s `foot`, that is, the `futanarian` human species of woman with her own penis` semen and host womb after Eden. Consequently, the daughters of Eve had their genitals stolen, because that`s what homosexuality in parasitism means:

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 Teaching a species to eat itself as a cannibal is what parasitism means. Having inveigled itself into the host womb of the human species, the `serpent`s seed` has taught the woman that she doesn`t have a penis of her own and that her penis belongs to it so that it can entertain itself in `bread and circuses` by killing her human race for fun on `TV`, where `TV` is an abbreviation of transvestite, that is, a man and woman wearing each others` clothes. Humanity is a `TV` because male braining through male semen produces transvestism, that is, a man and woman wearing each others` clothes as a `TV` to be watched by homosexuals as it kills itself in recorded film narratives that have been institutionalized since Hollywood`s `one foot on the floor` rule for bedroom scenes involving women was made the rule by the `Hays code` (1930-67) to prevent women`s penis from being seen so she`d remain invisible and be unable to raise her foot from the Earth, `he shall crush your head and you shall bruise his heel,` (Gen: 3. 15) Hollywood Babylon`s future program for `futanarian` women, with their own penis` semen and host womb, produced Saddam Hussein, whose name means `small handsome man` and `crusher`, because he was the `TV` small screen`s  leading man during the `TV war` of the Gulf that began in March 2003 to depose him for supporting Al Qaeda, who was crushing the head of the woman to prevent her from raising her `foot` from the bedroom floor of the Earth by wasting her resources in consumption. Saddam Hussein was executed on 30 December, 2006, but he was Hollywood Babylon`s man, because he reestablished homosexuality in pederasty`s war against humanity.

 In the Bible the serpent is depicted as having grown to full size as a `red dragon` waiting in vain to devour Jesus in his `Second Coming` to the Earth where he will, `rule the nations with an iron scepter`. Homosexuality is the `red dragon` if it lives in the blood of the human species, so Jesus` rule will be for humans uncontaminated by male semen, which is why he was born from his mother, the Virgin Mary, because `futanarian` women with their own penis` semen and host womb are non-contaminatory.

 In The Day After Tomorrow Robert Heinlein describes a race-specific weapon used by the US against the Pan-Asian invader. Later the US would dehumanize their enemy in the Indo-China wars (1946-89) as `gooks`, reminiscent of Cain`s killing of Able because he could `cook`, that is, Abel was able and so belonged to the tribe of `cooks`, which the enemies of ability don`t want. Consequently, the US` defining of Indo-Chinese as `gooks`, because they didn`t want them, accords with the killers` definition of Abel and the able as `cooks`, because they don`t want humanity to develop and grow beyond being consumed by their parasites and cannibals, who`re the men born from the wombs of the woman with the penis they`ve stolen from her and the women who`ve been taught to produce the abominations that allow her to devour herself.

 Before the wars that broke the country of Yugoslavia up into several independent states, it was ruled for the communists by Marshall Tito until his death. Tito`s credible socio-economics were based on the production and supply of necessities for everyone, but denied the role of the inventor and entrepreneur who could make and supply what people needed, although they couldn`t see that they did. After the collapse of Yugoslavian communism, so-called `ethnic cleansing` occurred in which 20-50,000 Moslem women were raped in the Bosnian war (1992-5). Although the `rape camps` were described as a `weapon of war`, that`s HIV/AIDS` role as a `biological weapon`, which keeps women in fearful faithfulness to men`s communist `ownership of the means of production`3 in womb slavery to monogamy. HIV/AIDS was the first `ethnic weapon` and women its ethnic minority target group. Moslem women`s revolting against male semen`s exclusive access to the host wombs of their women with their own penis` semen is Islam, because marriages have four wives, which permits of human sexual reproduction between individuals of the same species. What the Christians were practicing in Yugoslavia was male braining, that is, `ethnic cleansing` by ensuring that `futanarian` women with their own penis` semen weren`t born from `futanarian` women`s own penis` semen.

 Although the Jews were the target of the National Socialist German government (1933-45), the extermination of 6,000,000 Jews in `death camps` can be traced sociologically to their role as the `chosen people` who can only be born a Jew if they`re born from a Jewess, which is another way of saying that the `chosen people` are women and the Nazis were exterminating God`s `seed` upon the Earth. Consequently, the wars in Yugoslavia against the Moslems on the part of the Christians were `biological warfare` against women and Robert Heinlein`s novel The Day After Tomorrow`s prescient prediction applies to Christianity and not Islam:

`Three things only do slaves require: work, food, and their religion.`4

 The US sixth columnists in The Day After Tomorrow work against the Pan-Asian invaders that have taken over their nation and win, but what Robert Heinlein didn`t reveal was men`s role as the fifth columnist subverters of the human species of women with her own penis` semen stolen by the parasite aiming to breed her as a cannibalistic destroyer of her own race. In fact the Moslem women are the sixth column working to save the human race, while the majority of incorrectly tutored Christians don`t follow the path of their Messiah, who explained the meaning of his birth when he offered `bread and wine` as symbols of his `body and blood` to his disciples as the host of the `Last Supper` before he was betrayed by his disciple, Judas Iscariot, to the Roman occupation of Palestine (63 B.C-636 C.E) as a `dissident`. Jesus was nailed to a wooden cross and murdered before experiencing Resurrection and Ascension to heaven, because `woman`s seed` uncontaminated by male semen will have Resurrection, while those Christians who believe in their pastors all along the way, and don`t feel it necessary to attempt to comprehend the Bible for themselves, believe it`ll be they who`ll be resurrected if they remain unreflectingly smug:

`All along the watchtower princes kept the view while all the women came and went.`5

 The Watch Tower (1879-) magazine is produced by the Jehovah`s Witnesses, who are the Christian sect that believe the world ended in 1914 and that heaven was then to be established upon the Earth. Bob Dylan`s lyric to `All Along The Watchtower` (1967) neatly encapsulates the secular perspective, which is that those born after 1914 are imprisoned upon the Earth by guards who think that they`re royalty with thrones watching to see that the women don`t escape from men, but that the women die and have to accept men in whatever passes for heaven amongst homosexuals in pederasty and war`s contaminations. If the world ended in 1914, all those born afterwards are reborn, that is, they aren`t resurrected, which is Jesus` term for `woman`s seed` that`s to have Resurrection through her own penis` semen and host womb. In other words, rebirth is reincarnation for Christians, which means the guards keep the children in ignorance so they can have heaven.

 From a secular perspective the 1914-18 war ensured the deaths in subsequent wars for generations of children who would afterwards be reborn and kept in ignorance by the aristocratic elite who`d remain in heaven with whatever technology the children were able to produce, before the old guard, who were supposedly watching over their childhood, had them killed in war to have them reborn from enslaved wombs for the war narratives they watched on their TVs. The real gulf lay between the death camp guards and the human species, which the host wombs of the women were bearing for the parasites and cannibals to watch dying in TVs living rooms, while they relaxed enthroned in their easy chairs as Satan`s `serpent`s seed` triumphant.

1 Bond, Lacey, Lindsey Danvers, Sheen Doran, Ros Holness and Anita Mahadevan, Toto Coelo `I Eat Cannibals Part 1`, Man O` War , 1982.

2 Virgil The Aeneid, Bk II, 19 B.C.

3 Marx, Karl Das Kapital, 1856.

4 Heinlein, Robert A. Astounding Science Fiction, January, February, March 1941.

5 Dylan, Bob `All Along The Watchtower` John Wesley Harding, Columbia, 1967.

Plague Aims Weren`t Jesus`

Christianity is a belief system but Jesus had aims, which means faith isn`t enough. Jesus` aims have to be considered. Most Christians accept the concept of Salvation because they want Jesus` promise of heaven for the redeemed to be fulfilled so they can have eternal life in God without perdition, which is the eternal unendurable pain of God`s punishment for the evil. The nature of evil has puzzled generations since the biblical story of Eve`s accepting the `fruit of the tree of the knowledge of good and evil` from the serpent, `Ye shall be as gods.` (Gen: 3. 5) Giving Adam the fruit, she and the first man were expelled from God`s heaven on Earth, which was paradise, with the exhortation from God that Eve`s `seed` will `crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) After Eden Eve experienced pain in childbirth while Adam had to work. Whereas in paradise the pair had the `fruit of the tree of life`, which was immortality from God, afterwards the fruit of her womb was the raw material of the future she bore in pain. Although Christianity believes in man and woman, humans born from the womb of Eve, and her daughters after Eden, were `futanarian`, that is, men and women with their own penis` semen and host wombs. Consequently, the `foot` God is prophesying Eve will use to `crush` the `serpent` that will have `perpetual enmity` with her `seed` is the `futanarian` human species, which was born from her and her daughters host wombs after expulsion from paradise. Because there are so few `futanarian` men and women publically on the planet Earth their rarity is indicative of a pogrom and an enslavement of the human race early in its development which began with Adam and Eve`s sons, who perceived that they could have power like gods if they enslaved the host wombs of humanity.

 If `futanarian` humans were culled, male braining would occur and humanity`s brains would be enslaved by the `serpent`s seed` of men`s acceptance of evil rather than good. The subsequent  ephemerality of the human species, which according to the Bible of Judaeo-Christianity is less long-lived than before, is traceable by the 21<sup>st</sup> century of the Christian era to men`s refusal to fight the plague aims impulse of their parasitism upon the host womb of the human species. The HIV/AIDS virus, which is described in the Bible as the `blood plague` (Rev: 11. 6), remained incurable by the second decade of the 21^st century after it was first discovered in the late 20^th century as a `killer disease` spread mainly amongst homosexual men engaging in mockeries of sexual reproduction with each other and mixing blood, shit and semen during what was erroneously described as `anal sex`. Failure to find a cure for HIV/AIDS, rather than fight global wars and devote huge sums of money and resources to death, was symptomatic of men`s unspoken aim of keeping the human race ephemeral and enslaved in brainlessness. The model for Western civilization was Greece where homosexuality was institutionalized in order to spread the viral contagion of war in pederasty while the host wombs of women were enslaved for that purpose. The Trojan war, documented by Homer in his poetical work Iliad (c. 429 B.C.), describes the way In which men`s viral paradigm works and spreads. Leaving a huge hollow wooden horse, as a `friendship gift` before the walls of Troy, the Greeks emerged from within to enslave the host wombs of the Trojan women to further spread their contagion of pederasty and war. The HIV/AIDS virus works in the same way because it indicates to the white cells of the body`s defensive immune system that it`s friendly before killing the brain. The pattern is familiar from Jesus` `Last Supper` at which he was the host. Born uncontaminated by male semen from his mother, the Virgin Mary, Jesus` offer of `bread and wine` to his disciples at the `Last Supper`, as symbols of his `body and blood`, represented his `futanarian` birth and the hope of Resurrection for `woman`s seed` from the host womb of the human race. Judas` betrayal of Jesus for `thirty pieces of silver` to the Roman authorities as a `dissident` constituted his betraying of the human species` host womb. Jesus was nailed upon a wooden cross and tortured to death by the Romans before he experienced Resurrection and Ascension to heaven, which prefigures the Resurrection of `futanarian` humans born uncontaminated by male semen.

 At the outset of the 21^st century guests of the host nation of the United States of America hijacked planes at Boston, Logan airport and crashed them into the Twin Towers of the World Trade Centre on September 11, 2001, in an act of `rough trade`, which is a euphemism for homosexuality in slavery, and so the World Trade Centre was chosen as the target for the attack, because the terrorist group based in Afghanistan, Al Qaeda, `the base`, were offered a base in Iraq by dictator, Saddam Hussein, which resulted in the United States` invasion of March 2003 to depose him as ruler and reestablish  that `brutality and violence`between nations associated with `rough trade` and attributable to homosexuality`s contagiousness. Effectively the plague aims of Al Qaeda were how men play games, that is, just as computer `geeks` write bad machine code to crash computer systems and their Greek predecessors used a `Trojan horse` to trick the citadel of Troy into accepting their virus, so Al Qaeda crashed the US` defence system by means of trickery and betrayal to reestablish war through the paradigm of `gay plague`. Because men`s paradigm is the virus of homosexuality their preference for death and war indicates that the host womb of the human species is where their parasite gestates, while the `futanarian` human race of woman with her own penis` semen and host womb for the sexual reproduction of her own independent brains` powers for socio-economic liberation from maled brain slavery remains in abeyance:

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 The Bible story of Adam and Eve reveals that the parasite somehow inveigled itself into the host womb of the human race at the beginning of human development and eradicated the `futanarian` human species born after Eden in order to enslave the race for pederasty and war because that`s what parasitism is. Jesus` birth from `the woman clothed with the sun and with the moon at her feet` to `rule the nations with an iron scepter` offers some hope while the `red dragon` grown in size since paradise waits in vain to devour Jesus Christ, the `New Redeemer` in his `Second Coming` to the Earth after remaining in God`s heaven since his Resurrection and Ascension after crucifixion by the Romans. According to the Bible the woman will be given the `wings` of an `eagle` which will take her to the desert to wait out the `war in heaven` against her `seed` while upon the Earth what remains of her `seed` will be persecuted.  The symbolism suggests the Great Seal of the United States of America with its eagle emblem protecting the hymen or seal of the woman during the war to depose Saddam Hussein, which reached its apotheosis on 2 May, 2011, when US Navy Seal Team Six killed AL Qaeda`s leader, Osama Ben Laden at his hideout in Pakistan. The victory of the United States over the moon of Al Qaeda, `the base`, following upon its defeat of the red sun of Japan after a similarly unannounced attack at Pearl harbor, Hawaii, to disable the Pacific fleet on 7 December, 1941, represented the success of the woman, symbolized by the statue of `Liberty` in New York harbor, after the death of the terrorist leader who`d attacked New York on 9/11, 2001. With the moon reflected in her birth waters as `the pearl of great price`, that is, heaven above, `Liberty` was `clothed` in the red sun of the flag of Japan, and the moon of the flag of Al Qaeda, which heralds he who will `rule the nations with an iron scepter` to ensure the Resurrection of `woman`s seed`, that is, Jesus Christ, the Messiah of Christianity, whose aims aren`t men`s plague aims which have degenerated into a play games system of homosexuality in pederasty and war transmitted in forms as viral and diverse as Hollywood Babylon movies and personal computer games in which humans are depicted as viruses.

 Saddam Hussein`s name meant `small handsome man` and `crusher`, in the style of the serpent, `he will crush your head and you will bruise his heel` (Gen: 3. 5) God tells Eve, which made Saddam Hussein a Hollywood Babylon actor. The Hays code of Hollywood (1934-67) insisted that one foot of the woman remained on the floor at all times in bedroom scenes, which effectively prevented `futanarian` women from ever being seen in Hollywood movies, lest she raise her `foot` from the floor to crush the serpent`s  head, that is, sexually reproduce her own brains` powers for human freedom and escape from drudgery through labor saving devices, for example, as a prelude to woman`s diaspora from the world of men to the stars and planets by means of colonizing space technologies which men don`t seem to want. Having placed a man on the moon in 1969 at the tip of a rocket, by 1982 US President Ronald Reagan had initiated the `Strategic Defence Initiative` (SDI) to ring the Earth with a `ground and missile based system` to keep woman a prisoner and threaten her with extinction if she didn`t accept male braining and devouring in the wars of the parasite upon the Earth against her. Because Babylon was the ancient seat of Iraq, Saddam Hussein was the `small handsome man` and `crusher` perfect for the Hollywood Babylon leading role in the `TV war` (2003-11) of the Gulf. Beginning with the crashing of hijacked planes into the Twin Towers of the World Trade Centre on 9/11, 2001, `live on CNN` and other television news networks, the `serpent`s seed` of men`s male braining of the human species had devolved into transvestism, that is, `TV` in which women wore men`s clothes to kill themselves, which is what the Earth`s parasite had male brained her for.

 Because of Hollywood Babylon`s preference for `snuff` movies, `futanarian` woman with her own penis` semen and host womb couldn`t get her `foot` off the Earth`s floor. Male braining`s enslavement of her for the `TV war` of the Gulf and, 9/11, 2001, which took place on Manhattan Island, were intended to depict `futility`, that is, the `futile` attempts of the `futanarian` human species` to develop and escape from their isle of imprisonment. On April 15, 2013, a `footrace` in Boston, Massachusetts, was disrupted by terrorist bombs in a further warning to the `futanarian` human race not to try to `run` its development program. The sandshoes of the `runners` reminded the spectators of the `sandmen` of Boston, Logan airport, that is, the Al Qaeda terrorists, whose crashing of hijacked planes into the Twin Towers of the World Trade Centre on 9/11, 2001, prevented the 21^st century from being born, as the `sandmen` of William F. Nolan`s novel, Logan`s Run (1967) made into a Hollywood Babylon science fiction movie in 1976, killed all those above the age of 21, who were labelled` runners`  for attempting to escape the socio-historical `snuff` movie written for the `futanarian` footrace by the `serpent`s seed` of men.

 What now puzzles students of Hollywood Babylon is the absence of real aliens and the continual depiction of men with weapons attempting to penetrate shields with the false hypothesis that men need to constantly develop stronger shields to defend against aliens when there are none. As women are a potentially independent species with their own penis` semen and host womb, shields are for `futanarian` womankind, because men are the virus seeking to fertilize her eggs by penetrating the shield of her hymen with their `serpent`s seed`  in order to wage war against her. The science fiction movies made by Hollywood Babylon in which men discover ways of penetrating the shields of aliens because they`re threatening the Earth is an analogy for their devising of weaponry to penetrate the shields of women`s hymens to spread their incurable homosexual `killer disease` of war through pederasty and enslavement of women`s brains by means of their `serpent`s seed`. Men would have to construct aliens in order to develop more powerful methods of penetration lest the woman cover herself, which in fact is what Arabian Moslem women do when wearing the one piece coverall, the burkha, in public, so that they are `cloaked`, which is the Hollywood Babylon `scifi` term for `hidden starship, so that penetrating weapons, that is, males, aren`t attracted.

In the Bible the woman, given the `wings of an eagle`, `hidden` in the desert, corresponds to the human `futanarian` race beneath her burkha. 9/11, 2001, was devised to give men an opportunity to attack the hymen of the human race, because women produce war if health isn`t a priority for men, but it wouldn`t be if men`s plague aim was to infect and kill the brain of human women so she couldn`t live long enough to remember her own penis` semen and escape through technologies invented by her own sexually reproduced brainpower from her own host wombs. Men play games because they`re plague aims, that is, the aim is to penetrate the woman`s shield, so weakening the shields of the human species is a part of the plague aims system of men who`re aliens that play games. In 1978 the Space Invader computer game, which was introduced into many public places of entertainment, inspired a lot more games where the objective was to `zap` the alien. Whereas Hollywood Babylon scifi movies depict `zapping the alien` as the aim, the real aim is to zap men who want to penetrate the shields of the Earth, which are women`s. In the movie War Of The Worlds (1953) from the 1897 novel  by H.G. Wells the aliens die because they contract a virus, which is what HIV/AIDS is. Because AIDS is a homosexually transmitted plague, the aliens in Wells` War Of The Worlds are extrapolations of what women represent to men, that is, humans living inside a carapace which excludes men and so must be penetrated or men will, to use the time honored phrase from television`s scifi series, Star Trek (1965-), `cease to exist`, because they constitute a parasite that needs women to sexually reproduce itself as her destroyer, which is what parasites use host wombs for. The traditional slice of Americana in Hollywood Babylon movies is a boy who has a car meets a girl who needs transport, which is essentially the reverse of what a woman needs, that is, a carapace of her own. The era of the crab began circa 8600 BC and ended c. 6450 BC, while the enslaving of the woman Babylon, which was a city built in what is modern day Iraq c. 4000 BC, is described as having occurred in the Bible, which suggests that woman`s male braining and host womb enslavement was being described in the period after her carapace was lost, that is, she was a woman without a shield, or car in Hollywood Babylon terms.

 According to developmental psychologist, Carl Gustav Jung (1875-1961), the crab is the archetype of the mother, because she has a carapace, that is, the shell of the crab describes what a woman needs in order to live, whereas descriptions of Greek institutionalized pederasty and war before the walls of Troy needing a plague tool, that is, the huge hollow structure of the `Trojan horse`, to inveigle itself inside the city so that the Greek men could emerge from within to enslave the host wombs of the women to spread their contagion further, describes how the mother archetype is penetrated by the virus of the `serpent`s seed` to destroy her. In Jungian psychology archetypes exist in the dreams, art and imagination of humans and emerge to impel progress, so the mother archetype represents the city and the starship, that is, men are for imprisoning her upon the Earth to fight the wars of `perpetual enmity` against `woman`s seed` God warned Eve would occur in the Bible, whereas the `futanarian` human race of women with their own penis` semen and host womb are for the stars, because men are the `serpent`s seed` who don`t want the `foot` of the woman to rise from the Earth. Hollywood Babylon`s scifi scenarios of aliens being penetrated in the way that cities are captured reveals that the aliens are extrapolations of women, because strong shields are important for humans and penetration is an irrelevancy relating only to men`s desire to perpetuate their parasitism as the virus that kills womankind.

 At the beginning of the 21^st century `geeks` had replaced Greeks as the virus paradigm. Computer programers, known as `geeks`, devised `bad machine code` to infect computers and kill what amounted to the peripheral brains of humanity. The term `geek` was used to describe modern circus sideshow freaks who ate the heads of chickens, which is what humans are for men. The term `circus` was used in the 20^th century to describe `spying` as the means employed by governments and quasi-government organizations to describe how humans are prevented from developing. Common perceptions are that industrial espionage is for obtaining secrets that will assist manufacturing, for example, whereas such spy networks exist to protect existing manufacturing and quash development. The term `circus` derived from Greece where huge amphitheatres  were used to train invasion forces, which degenerated into the Roman circuses in which spectators watched people fight and die,  whereas `circus` actually denotes a woman training for the stars and the new carapace of her starship while men attempt to stop her.

 In the Hindu religion of India, the mother archetype is Kali, who is a many armed figure representing what men fear, which is a woman with many arms. Kali`s appearance is spider-like because `futanarian` woman doesn`t need men to sexually reproduce from her own host womb with her own penis` semen. The concept of a many armed demon is familiar from the military of the Earth, which are demons with many arms. In archetypal terms women are spiders, which is why Kali is often depicted as having more than a single pair, and even six or more arms, because she represents the `futanarian` human species of woman that can sexually reproduce herself with many more arms than men, whereas men`s nature is that they`re unable to sexually reproduce at all. Because `futanarian` women are the human race, men are demons with their military presence of many arms preventing her from being her own natural producer, because she has all of the host wombs and `woman`s seed`.

 The genius of Jesus Christ was to indicate that he was the host and that men killed him because woman is the host womb of the human species and the `serpent`s seed` of men don`t want her to leave as killing her is what they`re for. Born uncontaminated by male semen from the host womb of his mother, the Virgin Mary, Jesus` birth wasn`t that of a parasite seeking to kill. Consequently, Jesus was the host at the `Last Supper` before his death, Resurrection and Ascension to heaven, killed by men, because he was their supper in the sense that the `serpent`s seed` devour what women produce from their womb. Although Judas Iscariot betrayed Jesus to the Roman authorities as a `dissident`, killing the host is what men are for, and so Judas was being a man. On September 11, 2001, the terrorist group Al Qaeda`s crashing of planes into the World Trade Centre, despite being regarded as visitors and so guests of their host, that is, the unsuspecting United States, were attacking and killing the host because that`s what men are for:

`We are the Borg. Lower your shields and surrender your ships. We will add your biological and technological distinctiveness to our own. Your culture will adapt to service us. Resistance is futile.`1

 The people of the `Borg mother` from Star Trek:The Next Generation (1987-94) TV series live by constructing bodies from parts that become available in the course of her progress. Hers represents the plight of the `futanarian` mother who can`t sexually reproduce from her own host womb and penis` semen because men kill her. The phrase can be adapted to apply to the Hollywood Babylon `blockbuster` movie World Trade Centre (2005), which was made as a film about the terrorist attack on New York`s Twin Towers. The events of 9/11, 2001, resembled a 1950s Hollywood Babylon `alien invasion` scenario, because it was. The target was `futanarian` woman`s growing possibility of sexual reproduction from her own penis` semen and host womb, which threatened the socio-economic hegemony of men as her parasitical enslavers and devourers in war. Provoking global conflict would reestablish the `rough trade` of homosexual `brutality and violence` as the paradigm of Western behavior since Greek womb slavery and the spread of war through institutionalized pederasty, which by the outset of the 21<sup>st</sup> century had developed its biological weapon of HIV/AIDS to keep women in fearful faithfulness to her owners in monogamous slavery to male braining. For `futanarian` womankind men are alien invaders and 9/11, 2001, reestablished their paradigmatic role as her killers, because the diversion of resources from health and the strengthening of her shields to death and war was the parasites` way of reiterating:

`Resistance is futile!` 2

 The futility of the human `futanarian` race is what the terrorist attack upon the isle of Manhattan was designed to emphasize. Plunged into a war consuming the resources of humanity proved the assumption of Al Qaeda, `the base`,  that provoking the United States of America would be the death of humanity because, although humans are for eating food, parasites are for eating their own `foot`, that is, the `futanarian` human species of the woman who carries them.  21^st century technology is the aeroplane which is cruciform and passengers are restrained from moving while the aircraft is in transit between the airports of the different nations it flies from and towards. Archetypally the plane corresponds to Jesus` cross upon which he was nailed so he couldn`t move in a `mysterious way, His wonders to perform`,3 whereas the crew of the starship Enterprise in Star Trek travel by teleporter to planetary surfaces before returning to the starship, `beaming up` into the Enterprise `transporter room` instantaneously after relaying their coordinates by means of their `communicator devices`. The terrorist action of Al Qaeda, `the base`, in demolishing the World Trade Centre by crashing hijacked planes into the Twin Towers, could be interpreted as a comment upon Christianity`s limiting of humans to low level technology, because Christians want people to `move in a mysterious way, His wonders to perform`, as 18<sup>th</sup> century poet William Cowper wrote of God, while Satanists want to nail people`s movements down to aeroplane transports that are heavily monitored by security guards; as if the Earth were a `concentration camp` constructed by the `serpent`s seed` of men while the human species of `futanarian` woman with her own penis` semen and host womb waits in hopeless futility for its `death camp` end.

 Unless women as the `futanarian` human species with her own penis` semen and host womb for the sexual reproduction of her own brains` powers can develop technology to carry her away from the Earth she`ll be imprisoned by the `serpent`s seed` of men`s desire to keep her in parasitism and death. The `Great Mother` is an archetype of Jungian psychology whose attributes are various, but the Kore relationship of mother and daughter is represented by the goddesses, Demeter and Persephone, who are fertility and sleep respectively, that is, the growing season and the season of winter following harvest in anticipation of the next year`s growth.  Demeter is fertility because women have penis` seed of their own as well as host wombs represented by their daughters. The cancer or crab archetype of the mother in the period of history before male homosexuality in war and pederasty was recorded as enslaving women`s host wombs to spread their contagion further represented the archetype of the city and the starship where the shield of the goddess of the city of Troy, that is, Pallas Athene, is analogous to the shields a starship needs to prevent the hull`s integrity from being ruptured by meteors or attack. Because men are the only creatures produced from the host wombs of the `futanarian` human species of woman with her own penis` semen that seek to kill and enslave their host in parasitism, shields are what the archetype of cancer the crab, that is, the `Great Mother`, represents. Woman`s carapace is the starship she needs to develop in order to escape from the death men have planned for her on Earth. In countries where Moslem women wear the burkha,  they`re forbidden to drive a car, because it`s the first step for the `futanarian` woman`s `foot` as she endeavours to construct a carapace, that is, a starship, behind which to shield herself from men`s viral penetrations.

 Hindus and Moslems are perceived as antithetical to one another; particularly because of the border disputes between Moslem Pakistan and India, which is predominantly Hindu. But there are four wives in Moslem marriages, which is an optimum number for `futanarian` women`s secret sexual reproduction through her own penis` semen and host womb, while the Hindu goddess, Kali, with her many arms, represents women`s capacity for sexually reproducing more arms than men, who need women`s host wombs and can`t reproduce without her. Moslem marriage and Hinduism`s Kali represent women`s potential socio-economic independence and natural superiority in terms of the human race`s capacity for productive growth.  Unlike the spider, which is a soft bodied arthropod, the carapaced crab is a decapod with eight legs for locomotion and a pair of what constitute arms; although they`re actually tool-like claws. The archetypal configuration of a many armed female with a shell represents the defensive capacity of a `futanarian` woman with her own penis` semen and host womb for the production of herselves. The Greek goddess Aphrodite, who is Venus in Roman mythology, is depicted as emerging from the sea as a pearl upon an oyster shell, and `the pearl of great price` is heaven, according to the Bible, which means the Graeco-Roman Aphrodite-Venus is an archetype of the `Great Mother`, who will be the `pearl` within her shell again if the archetype of the starship is developed by her `futanarian` humans as a carapace to raise her `foot` from the Earth and win the race to have her own arms about herself in those spaces between the planets and stars where starships may journey unmolested apart from the arms race of men`s desire for her death.

1 Coopwood, Jeff as the `voice actor` for the Borg`s mission statement in Star Trek: First Contact, Paramount Pictures, November 22, 1996.

2 Stewart, Patrick as captain Jean Luc Picard of the starship Enterprise, temporarily `assimilated` by the Borg mother and declaring himself, `Locutus of Borg`, Season 3 and 4, Episodes 26 and 1, June 18 and September 24, 1990.

3 Cowper, William God Moves In A Mysterious Way, 1773.

SF Politics

Politics is what science fiction is largely concerned with. The extrapolation of societal factors existent, or previously known, into fictional descriptions of places that could be, if the ideas of the writer about society were implemented, are the essence of the science fiction cosmos. Writers like Isaac Asimov with his Foundation series of novels about the psycho-historian, Hari Seldon, describe a character who attempts to plot civilizational collapse, and the response of the human race to such a hypothetical event, so that humanity can raise itself to the heights it had achieved before the well documented phenomenon of the rise and subsequent fall of socio-economies based usually on new innovations in technology that have given one population or another some advantage in their progress towards social success:

`The fall of Empire, gentlemen, is a massive thing, however, and not easily fought. It is dictated by a rising bureaucracy, a receding initiative, a freezing of caste, a damming of curiosity - a hundred other factors. It has been going on, as I have said, for centuries, and it is too majestic and massive a movement to stop.`1

 The main criticism of SF is that it is a ghetto for writers and readers engaging in power fantasies with no political truth in it because it`s not politically correct. As defined, political correctness is gender oriented insofar as human society constitutes those interactions between men and women in the societies they construct that cohere so they can live together without fear of attack by one another. The most criticized form of science fiction is that which deals with sexual themes in a gratuitously sexual way that emphasizes the wealth of human social interaction with regard to the desire for pleasure, which is the basis for normal activity and so perplexes the writer and the reader when the critic perceives it as problematic and uses the appearance of sexual material to condemn the writer and further ghettoize the genre as a medium for pornographic representations of women. Because most power fantasies are about sex the ghettoization of SF on the basis that sex isn`t politically correct is anti-human as sexual activity is human political truth and societally cohesive. Tearing the emphasis away from sex transforms the power fantasies into naked aggression because penetration is what males are for in terms of a woman`s hymen and so the power fantasy becomes an infantile soap opera constructed as a metaphor for those invasions and penetrations of women`s space that men engage in. Movies like Star Wars in which the Federation of planets is threatened by the Empire or Star Trek in which the shields of the ships are the most important aspect of the vessel`s progress between the stars and planets of the cosmos, represent men`s engagement with their power fantasy of penetrating women in order to spread their invasive virus further:

`A long time ago, in a galaxy far, far away ...  pursued by the Empire's sinister agents, Princess Leia races home aboard her starship, custodian of the stolen plans that can save her people and restore freedom to the galaxy ...`2

 In the Bible the phrase `got with child` is used to describe a woman who is pregnant and so to `get with child` is to fertilize the egg of the woman. She is then described as having been `got with child` before she has delivered the infant as a birth from her host womb. In English slang a `get` is an insult directed at a woman who has birthed a child, that is, the child is her `get`, meaning that it looks human but it resembles afterbirth, which is the placenta and amniotic fluid, etc., supportive of the infant`s gestation within the host womb of the mother prior to the baby`s being born. The word `ghetto` is Italian and means `slag` which is a slang term for a `whore` and was the name of the island where the Jews were `concentrated` in Venice (c. 1516). Because Jews are the `chosen people` of God, according to the Bible, and it is only possible to be born a Jew if born from a woman, women are Jews, and so the child of their  ghetto is woman, which is what men were either consciously or unconsciously attempting to prevent from being born when they made the island Ghetto that part of town where the `gets` of the whore lived, in misogynist terms:

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 The Jews` escape from slavery in Egypt to the land of Canaan (Ex: 13.17-14.29) was a paradigm for women`s liberation from the whoredom of producing boys for wars. SF is often described as literature`s `bastard child`, because it`s capable of dealing with societal problems in fiction but it resembles a `get` insofar as it can`t live because ghettoized as the Jews were on the Italian island of Ghetto and throughout history. Because the treatment of sexual themes are a taboo in SF, humans are reduced to an excuse for violence, upon the description of which there`s no limit. Human affection and normal sexual interest as practiced by adults is perceived as a cypher for the main interest of the narrative, which is death through hardship. The individual hero or group has dangers to face and the result could be death, which is presented as the essence of human activity and endeavor to the point at which death becomes the teleological goal of the texts as conceived by the SF writer or any other:

`As her young man dies, on a cold and gray Chicago morning, another little baby child is born in the ghetto.`3

 Because SF is perceived as the `bastard child` of literature its death throes as a `get` born in a `ghetto` are all that the writer is able to describe. The taboos imposed by critics upon sexual themes ensure SF remains stillborn because human sexual behavior is but one of only two activities that the human body is actually physically designed for; the other being eating. Actual human behavior is definable from the functions the human form is physically capable of, and so all human endeavor is describable in terms of the creation, through whatever technology is available, of somewhere to eat and enjoy coitus before sleep, which has nothing to do with those conflicts associated with war and which are encouraged by those warmongers that perceive SF as overly concerned with the human themes of sexual activity. As a consequence, eating and drinking is translated in SF terms into what the illegal movie making industry defines as a `snuff` film, that is, the action within the text is generally definable as the character`s attempts to avoiding death by action, which translates as devourment because food has been raised to the level of a single human activity after the taboo against depictions of normal human sexual behavior have been imposed upon the genre by its critics:

`It is a period of civil war. Rebel spaceships, striking from a hidden base, have won their first victory against the evil Galactic Empire. During the battle, Rebel spies managed to steal secret plans to the Empire's ultimate weapon, the Death Star, an armored space station with enough power to destroy an entire planet.`4

 Although Carrie Fisher as Princess Leia, and Natalie Portman as her mother, Padmé Amidala, in the series` prequel trilogy, are the inevitably elided sex interest, pretending to be concerned at the ghettoization of the literary medium, supposed genre critics have been asking writers to accept the spurious position that human sexuality shouldn`t be expressed within the SF story in order to remove human themes from the fiction and replace actual human desire for sex and food with killing in the shape of the appalling Death Star, for example, in Star Wars Episode IV: A New Hope (1977). The basic pattern is of the male action hero that saves society by killing people in large or small numbers, often indiscriminately as planets or cities, on the understanding that he, the action hero figure, has a girlfriend, and that his enemies are numerous and prolific, which is what women with their host wombs are: prolific and ubiquitous. By having the SF writer focus on devouring rather than human sexual behavior the creative artist is encouraged to depict the story of the human race as a `snuff` film, which is what most Hollywood blockbuster movies represent, that is, the destructivity of supposedly heroic figures who`re protective of a single human female while the rest of the globe experiences devastation and annihiliation for the female`s own species of woman. It`s no mystery that Hollywood is called Babylon, because that`s where the woman is devoured `on screen` by her supposed heroes who evince defensive postures but in fact are concerned with her devouring while breeding her for that purpose. From her host womb comes civilization, culture and art, while men practice the `perpetual enmity` of the `serpent`s seed` against her host womb that God tells Eve her `seed` will experience in Eden until she will:

`… crush the head of the serpent as she leaves.` (Gen: 3. 5)

The concept of Eve`s `seed` is the crux. Because `futanarian` women have their own penis` semen, they`re capable of sexually reproducing their own brains` power to become socio-economically independent of men as a separate species, which isn`t SF but is what SF has been censored for; to prevent the dissemination of the sexual knowledge of women`s  potential independence from men to become received wisdom, which is the sign and indication of success for any truth amongst the commonality of peoples if the commonweal is to be improved. Because fighting is perceived as the means of liberation descriptions of men killing each other for the hand of the fair maiden abound in literature and film but it`s only brain damage fighting itself if women with their own human penis` semen are the only creatures capable of sexually reproducing the brains` powers for the race to the planets and stars of heaven promised to Eve`s `seed` by God after she leaves Eden. She`s told she has to work for Redemption after succumbing to the temptation of accepting `the fruit of the tree of the knowledge of good and evil`, rather than that of the `tree of life`, from the serpent, and being expelled from Paradise along with Adam, who was also tempted. The fruit may be construed as the desire to enslave the host womb of the human species and prevent `futanarian` woman, as a subsequent aspect of the human race, from living as an independent socio-economic unity. Because Eve`s `seed` is `futanarian` human woman with her own penis` semen, human Redemption consists in recognizing this. Restriction and taboos upon the description or existence for human sexuality are interfering with the processes of human Redemption which requires knowledge rather than censorship. In occluding writers and readers from the wisdom that comes of describing sexual behavior within SF`s extrapolated societies , critics of the genre and its practitioners have contributed to the iredeemability of those not accepting of Jesus` teachings of `woman`s seed`. Born uncontaminated by male semen from the host womb of his mother, the Virgin Mary, Jesus is `woman`s seed`, that is, the child of `futanarian` humanity, which doesn`t need men who, moreover, can`t sexually reproduce together:

`Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11)

 After his Advent Jesus rejects his father, Joseph, and subsequently dismisses the relevance of the Jewish priests, that is, the rabbis, and their religious police, the Pharisees, because Christ is against patriarchy, which is the acceptance of a father who instructs:  `Why did you seek me? Did you not know that I must be about my father’s business?` (Luke: 2. 49) Jesus` father is God and the only authority he accepts because men` s fatherly instructiveness is based on homosexuality and pederasty, that is, Jesus is their boy:  `All the people in the synagogue were furious … got up, drove him out of the town, and took him to the brow of the hill on which the town was built, in order to throw him off the cliff.` (Luke: 2. 28-30) Jesus was a boy amongst adults to their way of thinking, which gave them the right to kill him from their point of view, whereas he was an able adult and showed them he was: `… he bent over her and rebuked the fever, and it left her.`  (Luke: 4. 39) As a healer Jesus is illustrative because he`s the fathers` boy so long as he`s good because they want a cure for disease, which is how 21<sup>st</sup> century doctors are also perceived by their patients. The priest of the church even wears a dog collar in Western democratic Christianity so he can be petted like a dog and recognized as a `good boy` obedient to the fathers of the congregation who want God`s aid:

“Jill ... had explained homosexuality, after Mike had read about it and failed to grok- and had given him rules for avoiding passes; she knew that Mike, pretty as he was, would attract such. He had followed her advice and had made his face more masculine, instead of the androgynous beauty he had had. But Jill was not sure that Mike would refuse a pass, say, from Duke - fortunately Mike's male water brothers were decidedly masculine, just as his others were very female women. Jill suspected that Mike would grok a 'wrongness' in the poor in-betweeners anyhow - they would never be offered water.`5

 If American football were to be used as a metaphor, Jesus scored a `touchdown` against the Christian `Fosterite` church fathers, who`re the opponents of the fictional Messiah, Michael Valentine Smith, and his `Church of All Worlds` in Robert A. Heinlein`s science fiction novel,  Stranger In A Strange Land (1961), because the text of the New Testament is accepted as the truth by all Christian church fathers and so it isn`t an argument, whereas conflict is what argument produces. Because Jesus` teachings are documented and so incontrovertible from a Christian perspective because they`re textual, an interpretation of the Bible accepted as correct because unarguable and which acknowledges the role of `woman`s seed` means Jesus has finally triumphed over the fathers who wanted to make him their boy:

`I see the beauty of Mike's attempt to devise an ideal ethic and applaud his recognition that such must start by junking the present sexual code and starting fresh. Most philosophers haven't the courage for this; they swallow the basics of the present code - monogamy, family pattern, continence, body taboos, conventional restrictions on intercourse, and so forth - then fiddle with details ... even such piffle as discussing whether the female breast is an obscene sight!`6

 God isn`t a boy and not a man either, as American writer Heinlein`s description of the instruction Smith receives from his acolyte, Jill, indicates. Jill doesn`t present God`s `futanarian` perspective, which is `woman`s seed` as an alternative to the `serpent`s seed` of men from her own penis` semen. Jill`s is the traditionalist picture in which boys are instructed about men, whereas women need to be instructed about each other in terms of human `futanarian`  sexual reproduction, that is, about women with their own penis` semen because female brainpower isn`t male and men see it as dangerous to their patriarchal position:

`There is no safety this side of the grave.`7

 In the Bible Jesus advises the patriarchs to accept God as the only `father` and so refrain from treating adult men as boys in slavery as the black men were during the period of their enslavement in the United States of America before the war of liberation (1861-5). To remind the Earth that Jesus isn`t men`s boy God sends the `blood plague` of Revelation as the incurable `killer disease` of HIV/AIDS, which results from supposedly adult men`s infantile mixing of blood, shit and semen in each others` anuses during mockeries of the human act of sexual reproduction. Because women with their own penis` `seed` are not a mockery of the human act of sexual reproduction, which anal sex between males is, Jesus describes `futanarian` women as the forebears of a new angelic host after Resurrection as men will no longer be a part of the marital picture between members of the human race of woman:

`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)

 Women represent the cleanliness of the new host womb of the human species, without the contaminant of the `serpent`s seed` and its concomitant brain damage handicapping its children, which will be mainly female because men`s socio-history is one of homosexual pederasty and `perpetual enmity` for each other in war and death to the true human species of `futanarian` woman with her own penis` `seed`. Woman`s host womb is enslaved by the male actors around her for what Hollywood, Babylon, calls `production values`, that is, a good looking civilization, culture and art, which looks more spectacular for her ghouls when it`s destroyed by the `warriors` defending her from the supposedly alien invader, who`s invariably some guy that looks like the other guys unless he`s actually in the guise of an alien space invader to disguise his true nature as an alien space invader in fact, which is what essentially happens in the movie Alien (1979) and its prequels and sequels. Actress Sigourney Weaver in the role of the space heroine, Ripley, spends most of her time trying to avoid being eaten by the alien menace while being `protected` by what amount to the woman`s tormentors who aren`t wrapped up in latex rubber to disguise their alien nature as `the alien`. Critics concerned to promote the notion of the genre as a serious medium for literary analysis represent the safe perspective of denying the presence of sexual material as anything other than a cypher for the plot to destroy the Earth, whereas sexual reproduction by `woman`s seed` is God`s plan to save the Earth through the production of technologies devised by those whose brains are capable of creating innovations in science and manufacturing to ensure that the species continues to grow and develop:

`Final report of the commercial starship Nostromo, third officer reporting. The other members of the crew, Kane, Lambert, Parker, Brett, Ash and Captain Dallas, are dead. Cargo and ship destroyed. I should reach the frontier in about six weeks. With a little luck, the network will pick me up. This is Ripley, last survivor of the Nostromo, signing off.`8

 Because men represent contamination of the brain of the human species due to the limitations imposed upon the gene pool by their killing of `futanarian` woman with her own penis` `seed`, and who`s capable of adding to the gene pool, or even of constructing her own independent socio-economy, thanks to her human ability to sexually reproduce her own brains` power, SF`s  rejection of sexual themes as stifling of the genre`s capacity to influence socio-economic development through societal extrapolations is an aspect of the desire of the `serpent`s seed` to oversee the extinction of the human species by supplanting sexual desire with the psychopathology of the devouring parasite`s psyche; if the alien devourer could be assumed to have such a thing as a psychology rather than merely be describable in parasitological terms as actor, Craig Griffin, in the role of the character, Rob Cardine,in the film Imprint (2009) describes the real `hero` of the movie:

`They call it the Long Virus. It broke out in Beijing during the year of the Dragon. Didn`t take long for it to find its way to the States. I can feel it, clawing away at my brain. In time the doctors say they hope to find a cure. But time is not on my side. Time has never been on my side.`9

 Unless science fiction embraces the concept of human love as Jesus` teachings advocated, which includes the concept of Christian `agape`, that is, familial love because women are a single unified biune species family, with descriptions of sexual human love as the basis of societal activity as well as the simple act of eating and drinking, the genre will remain ghettoized as a power fantasy for megalomanics who`re looking to exorcise the demons of their imaginations by destroying the Earth. Because men can`t sexually reproduce apart from women and women can sexually reproduce as human `futanarian` souls with their own penis` semen  men are the demons that are exorcising the spiritual imaginations of women who want to live upon the Earth as the human species with the children born from their own host womb and human penis` `seed`:

'Good evening', it lowed and sat back heavily on its haunches, 'I am the main Dish of the Day. May I interest you in the parts of my body?' It harrumphed and gurgled a bit, wriggled its hind quarters in to a more comfortable position and gazed peacefully at them. Its gaze was met by looks of startled bewilderment from Arthur and Trillian, a resigned shrug from Ford Prefect and naked hunger from Zaphod Beeblebrox. 'Something off the shoulder perhaps?' suggested the animal, 'Braised in a white wine sauce?`10

 SF texts can`t give the reader the flavor of food and it can`t be savoured in film, so descriptions of dining are minimized and, if present, relate to the appetite of the reader for actual sustenance, which mightn`t correspond to the meal described. Then the writer or film maker is placed in the role of tormentor, as in the British television series, The Hitch Hiker`s Guide To The Galaxy (1981), derived from science fiction writer Douglas Adams` BBC Radio 4 comedy, where the viewer is asked to empathize with the sentient meal`s desire to be consumed by the guests at table in an episode from the series based on Douglas Adams subsequent novel, The Restaurant At The End Of The Universe (1980),`We`ll meet the meat.`

 In the Hollywood movie, Hitch Hiker`s Guide To The Galaxy (2005), the concept of food asking to be killed and eaten is taken a stage further with the Point-of-view-gun, which has the target see it from the killer`s point of view and so the victim is represented as asking to be killed by the murderer. The science derives from quantum physics in which particles are observed to choose a path after they`re fired from an electron gun rather than travel in a straight line. Physicists posit alternative realities based on the unpredictability of the particles` `decisions` and so science fiction writers extrapolate parallel universes to our own while theologians cogitate on the existence of God and heaven from what is scientifically possible. From a psychopath`s perspective alternative worlds` theory gives an opportunity to hide and kill without discovery, which seems to have concerned the director of Hitch Hiker`s Guide To The Galaxy, Garth Jennings, particularly as religious thought conceives heaven upon Earth as a reality alternate to the everyday world of our usual experience.

 Because women are capable of sexual reproduction as `futanarian` humans with their own penis ` semen, sexual themes that deny her fictional reality represent another form of the `snuff` movie scenario projected by the Point-of-view-gun in Hitch Hiker`s Guide To The Galaxy because sex taboos are designed to occlude women from their own heaven`s `seed` and so constitute a plot to extinguish them. The SF writer is placed in the role of women`s tormentor by genre critics purporting to be concerned with raising the medium from its misogynist power fantasist ghetto into a sphere where it can be praised as serious art. But the SF genre could only be described as artistic if the role of women was perceived as humanly sexual and that their orientation was directed towards themselves as the true human species with its host womb and own penis` `seed` as `futanarian`, which is what SF is for as an extrapolative medium concerned with examining the present and changing the future through optimal societal modelling in its variegated fictional depictions of possibility.

 In arithmetical terms, 0 x 1 = 0 and 1 x 0 = 0, while in mathematical terms, 0 x 1 = 1, while 1 x 0 = 0, which is the basis of computer programing. The evil prefer simplicity and so the simple are taught to prefer evil and more simple people are born from the `serpent`s seed` of men who prefer arithmetic rather than mathematics and computers. For the evil man + woman = infant, while man + woman + `futanarian` woman with her own penis` `seed` and host womb = the cycle of sexual human reproduction, which the evil don`t want because it interferes with their pogrom for the human species based on woman`s inability to develop her own brains` powers and escape from enslavement and devourment by the `serpent`s seed` in its wars of `perpetual enmity` against humanity.

 In the novel The Number Of The Beast (1980) Robert Heinlein (1907-88), posits a character called `the black beast` after the figure in Revelation, who is worshipped for a period of time in human history, before God`s judgement upon humankind, and the declaration of a `new heaven and Earth`. In Heinlein`s narrative two married couples, Zeb, Jake, Deety and Hilda are pursued in their `continua vehicle`, Gay Deciever, through the `multiverse`, which contains all possible universes fictional or imaginary. The four visit Lewis Carroll`s Alice In Wonderland and Frank L. Baum`s Oz as well as Edgar Rice Burroughs` Barsoomian Mars, and other places real or fictional, while `the black beast` endeavours to prevent their progress. In the Bible `the beast` is described as `the number of a man and his number is six hundred three score and six`, which is 666, and Robert A. Heinlein uses the formula to construct a fiction in which `6 raised to the power of 6 raised to the power of 6` is the number of possible universes accessible to the continua vehicle, the Gay Deciever car. The concept of mathematics and God is not unusual in the Bible where God tells Adam and Eve:

`Be fruitful and multiply.` (Gen: 1. 28)

 The exhortation applies to `futanarian` woman with her own penis` semen too, which has an exponentially blossoming demographic insofar as all women have a host womb for their own penis` `seed`, while men can`t sexually reproduce together and so their numbers would inexorably decline unless women were enslaved, which is doubtless what the human cycle of sexual reproduction is supposed to result in. The `serpent`s seed` wouldn`t want to be born as `futanarian` human because it would interfere with their slavery and devouring of the humans, and so multiplication of men and women is the arithmetical equation they prefer. God`s `seed` is woman`s and the mathematics is demographically exponential so Heinlein`s The Number Of The Beast depicts `the number of the beast` as an arithmetical equation. The `serpent`s seed` want humans to live as brain damaged slaves for periodic devourment in war and man + woman = infant excludes that aspect of the human `futanarian` race of woman with her own penis` `seed` that would raise the powers of the brain, that is, `six raised to the power of six raised to the power of six` rather than `the number of the beast`, 666, which is the arithmetical sum God gave Adam and Eve to work out after Eden and the subsequent birth of the next part of the equation; `futanarian` woman with her own penis` semen:

`Eh? Oh! The Revelation of Saint John the Divine. But I scrawled it sloppily. You took it that I wrote this: 666. But what I intended to write was this: six raised to its sixth power, and the result in turn raised to its sixth power. That number is this: 1.03144 X 1028 - or written in full: 10,314,424,798,490,535,546,171,949,056 - or more than ten million sextillion universes in our group.`11

 The multiplication of human brains through `futanarian` sexual reproduction would have been an exponential raising of the powers to produce the advanced technology of Heinlein`s SF `continua car`, Gay Deciever; if men hadn`t enslaved `futanarian` woman`s host wombs to breed with her without her own species` `seed` and use her own brain damaged brains` powers  for their wars against her. In the course of Heinlein`s novel `the black beast` character is persistently ubiquitous and only interesting because of its enigmatic presence which led many critics to perceive the truth that it represented what people don`t want to see while they`re enjoying life even though the figure is mainly a nuisance rather than a threat. Because Heinlein`s `black beast` is hermaphroditic it corresponds to `futanarian` woman with her own penis` `seed` and so is a meditation on the marriage relationship. Zeb and Deety quarrel consistently, and so do Jake and Hilda. Eventually the son-in-law beds his mother-in-law and the daughter beds the father, which results in a discussion of Heinlein`s favourite theme of incest, because `the black beast` character represents the shadow aspect of the human personality that would rather have the small gene pool of man and woman with the brain damage of the `serpent`s seed` rather than a larger human potential with `futanarian` women`s breeding of their own brains` power . In The Number Of The Beast Heinlein`s `black beast` character represents man and woman`s fear of the `futanarian` human woman with her own `seed` for exponential reproduction of her species` brainpower:

`...  E.R.B.'s universe is no harder to reach than any other and Mars is in its usual orbit. But that does not mean that you will find Jolly Green Giants and gorgeous red princesses dressed only in jewels. Unless invited, you are likely to find a Potemkin Village illusion tailored to your subconscious ...`12

 In the Bible the `beast` is `worshipped` because it`s the slavery and war derived from the man and woman equation without the added ingredient of the `futanarian woman with her own penis` semen to improve the gene pool and increase the brains` power of the human species. In Heinlein`s novel The Number Of The Beast the `black beast` is hated because men have killed the human `futanarian` woman who is hermaphroditic and so she`s a projected shadow of the inferior aspect of the personality in psychological terms that represents the male`s unconscious but real hatred of woman and that`s why he`s killed her. In the Bible Jesus` teachings are of Resurrection for `woman`s seed` and so `the black beast` of Heinlein`s The Number Of The Beast is the projected future of men`s reaction to `futanarian` humans. According to the Bible there`ll be `war in heaven` between the `serpent`s seed` and `woman`s seed`, which will result in eternal unendurable pain, as a punishment from God to the evil, while the good receive a `new heaven and Earth`, because they don`t hate `futanarian` human `woman`s seed` and wage war against her host womb to enslave and devour it in ceaseless wars of `perpetual enmity` upon her Earth:

`As my mother once said: `The boys throw stones at the frog in jest. But the frogs die in earnest.`13

 Feminism is usually associated with political correctness and there are a few novels, like Joanna Russ` The Female Man, which treat of the theme of hermaphroditism as an aspect of lesbianism and female empowerment in fantasies treating of subjugation by men and women`s rebelling against it, but few works treat of the obvious reason for exclusive sexual relations between women as essential for the production of the human race`s brains` power. Instead feminist`s expound on the theme of lesbianism as conferring separateness and specialness upon women who`re defined as homosexual or `gay` within the mainstream of gender studies. But `futanarian` women with their own sexual orientation are a species desirous of escaping schizophrenia. Believing that what she sees in the mirror of her room isn`t for her to be sexually desireful of, a woman is taught that a man is the zenith of her aspirations, while he may be an alien virus not even of her race but something that once inveigled itself into her host womb where it lies snuggled like a parasite in feigned symbiosis waiting to emerge and exterminate her.  Unable to sexually propogate without her, a man is homosexual and `gay` by nature of the fact that he isn`t a woman with her own `futanarian` penis` semen and host womb for the propogation of her own species` brainpower, whereas a woman lives in schizophrenia because she`s trained like an animal to live as a split-minded creature with what she`s been taught is her male counterpart but what she sees in the mirror is her own species craving her own penis for the sexual reproduction of her own self:

`A great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. She was pregnant and cried out in pain as she was about to give birth. Then another sign appeared in heaven: an enormous red dragon with seven heads and ten horns and seven crowns on its heads. Its tail swept a third of the stars out of the sky and flung them to the earth. The dragon stood in front of the woman who was about to give birth, so that it might devour her child the moment he was born. She gave birth to a son, a male child, who `will rule all the nations with an iron scepter.` (Rev: 12. 1-6)

 Taught that men are her sexual counterpart the political truth is she`s potentially a socio-economically independent species capable of out-breeding her supposed mate. The socio-history of the planet is of men`s homosexual pederasty replicating itself to perpetrate war, which makes of them women`s cancer rather than their defender. The late 20<sup>th</sup> century incurable `killer disease` of HIV/AIDS is a metaphor for `Greek` democracy whereby homosexual pederasty enslaves the host wombs of women in order to maintain that 50/50 male-female schizophrenic split in society that maintains men`s power through its mode of `biological warfare` keeping women in fearful faithfulness to monogamous enslavement and war`s contagiousness because `futanarian` woman with her own human species` `seed`  would outvote and outthink men if she were to breed as 100% of the humans rather than the false 50/50 which she perforce has to accept even though men can`t sexually reproduce without her (0%) and she can sexually reproduce without men.

1 Asimov, Isaac Foundation, Gnome Press, 1951.

2 Star Wars Episode IV: A New Hope, crawl, 20^th Century Fox, May 25, 1977.

3 Presley, Elvis `In The Ghetto` written by Mac Davis from the album From Elvis In Memphis, April 1969.

4 Star Wars Episode IV: A New Hope, crawl, 20th Century Fox, May 25, 1977.

5 Heinlein, Robert A. Stranger In A Strange Land, Putnam, 1961.

6 Heinlein, Stranger In A Strange Land, 1961.

7 Heinlein, Stranger In A Strange Land, 1961, p. 365.

8 Weaver, Sigourney Alien,20^th Century Fox,  May 25, 1979.

9 Griffin, Craig as Rob Cardine Imprint, Vantage Point Productions, January 4, 2009.

10 Adams, Douglas The Restaurant At The End Of The Universe, Ch. 17, Pan, 1980.

11 Heinlein, Robert A. The Number Of The Beast, Fawcett, 1980.

12 Heinlein, The Number Of The Beast, Fawcett, 1980.

13 Russ, Joanna The Female Man, Bantam Books, 1975. 

The Cretin Of Snuff

In the United States of America the Japanese are remembered for having launched a `sneak attack` on the US Pacific fleet at Pearl harbor on 7 December, 1941, when `kamikaze` mitsubishi `zero` fighter pilots crashed their planes into the deck of the US carriers to bring the USA into World War II (1939-45), which resulted in the eventual defeat of the `red sun` of the flag of Imperial Japan. Because the `kingdom of God` upon the Earth is `the pearl of great price`, Japan`s `sneak attack` at Pearl harbor was upon the Earth`s woman, `clothed with the sun and with the moon at her feet`, who was `hidden` in the `wilderness`, after giving birth to the `New Redeemer`, who will `rule the nations with an iron scepter`.

 Because New York harbor was famous for fresh water pearls, New York`s statue of Liberty is the American woman `clothed` with the red `sun` of the flag of Japan`s embarassment. Flying the yellow moon of their cowardly flag, the terrorist group, Al Qaeda, `the base`, hijacked `civil` aircraft to crash them into New York`s World Trade Centre on 9/11, 2001. But the torch bearing statue of Liberty in New York harbor had `the moon at her feet`, when US Navy Seal Team Six, her birth waters` pearl divers,  killed Al Qaeda`s terrorist leader, Osama Ben Ladan, on May 2nd, 2011, `by the light of the silvery moon`.1 The seals were the hymen of the `hidden` woman and `the pearl of great price` is `woman`s seed` pearl, that is, the moon reflected in the waters of New York harbor, as seen by the torchlight of Liberty.  Her base is `futanarian` woman`s, with her own penis` `seed`, preparing to make her first foot`s step, in the name of Jesus, uncontaminated by male semen, to the planets and stars of God`s heaven:

`The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent's reach.` (Rev: 12. 14)

 The `wings` of the `great eagle` are those of the Great Seal of the United States of America, which has the motto e pluribus unum, `one of many`, and represents the authority of God. In the Bible God tells Eve her `seed` will have `perpetual enmity` with the `serpent`s seed`, because her hymen is to be sealed until `the pearl of great price`, which is the `kingdom of heaven`, appears on Earth. God promises it to Eve and that her `seed` shall `crush the head of the serpent with her foot` (Gen: 3.15) as she leaves for heaven above. Japan is known for `foot binding`, which is a metaphor. The `futanarian` woman with her own penis` `seed` can`t raise herself `by the light of the silvery moon` in her birth waters at Pearl harbor, or from the waters beneath the statue of Liberty in New York harbor after 9/11, 2001, if her `futanarian` feet are bound:

`One small step for a man, one giant leap for makind.`

 The North American Space Administration`s (NASA) Apollo program to put a human on the moon reached its culmination on July 20, 1969, when Neil Armstrong of Apollo 11 announced `the eagle has landed` to `mission control` back on Earth and became the first human to put his foot on a surface other than Earth`s. But the `futanarian` woman with her own penis` `seed`, who is the `pearl of great price`, because her `seed` was promised the pearl of the moon, and the planets and stars of heaven by God, is Earthbound and almost extinct. Hollywood Babylon is another ethnocentric picture of woman`s binding. From the 1930s the `foot on the floor rule`2 in `bedroom` scenes was applied so the penis` `seed` of the `futanarian` woman would be taboo and men could keep her in slavery:

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 Japanese `foot binding` was what the `sneak attack` on Pearl harbor was designed to maintain. Although the USA won the war it was `a bombing nation` that defeated the red sun of Imperial Japan by dropping atomic bombs on Hiroshima and Nagasaki, `Little Boy` and `Fat Man`, because men collectively bind the `futanarian` human species` penis` `seed`. The Gulf War (2001-11) to depose Saddam Hussein, President of Iraq, because he offered bases to Al Qaeda, `the base`, resulted from the collective unspoken desire of men to restore the `rough trade` of homosexual `brutality and violence`.

 That base was reestablished by the terrorists` crashing of hijacked planes into the World Trade Centre of New York state, while the `pearl of great price` , that is, the silver moon of the human species` first `futanarian` step to `heaven`, promised to `woman`s seed` by God, was at the base of the statue of Liberty, `clothed with the sun` of her victory over the red sun of the flag of Japan in WWII and `with the moon at her feet` in her waters at New York harbor after the victory over the yellow moon of the cowardly flag of Al Qaeda, `the base`, which symbol reflected in the water is `the pearl of great price`, because the moon is the `seed` pearl of woman`s `futanarian` human species with her own penis` semen:

`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22.30)

 Jesus` teachings of the Resurrection come from his understanding as `the first of woman`s seed` born from his mother, the Virgin Mary, uncontaminated by male semen. As the `host` at the `Last Supper`, before his death and Ascension to heaven, Jesus` giving of `bread and wine` to the disciples was symbolic of his `body and blood`, that is, he was a good host as his mother had been, because he wasn`t a betraying parasite, whereas the disciple Judas Iscariot was, and that`s why the Roman Empire were able to crucify Jesus as a dissident. Jesus` perception was that `woman`s seed` was able to self-fertilize, which is what `futanarian` woman with her own penis` semen does. Consequently, the `futanarian` host would be as the angelic host after Resurrection, which would have to occur because men had killed woman to enslave her host womb for itself as her devouring parasite:

`The dragon stood in front of the woman who was about to give birth, so that it might devour her child the moment he was born.` (Rev: 12. 4)

 The child would be the dragon, if it wasn`t `woman`s seed`, but the `New Redeemer` is Jesus in his `Second Coming`, and so the dragon `waits in vain` to devour its own `serpent`s seed` in wars of `perpetual enmity` for the `seed` of the daughters of Eve, because Jesus Christ has returned to redeem the repentant and resurrect the `futanarian` human species of `woman`s seed`:

`Men cursed the God of heaven because of their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)

 In 1986 animals were discovered to be suffering from a degenerative brain disease called bovine spongiform encephalitis (BSE), which scientific research suggested was caused by feeding cale, that is, processed animal remains in the form of small pellets, cannibalistically to the next generation of animals. By 2009 BSE had killed 210 people. The main feature of `mad cow`s disease` was an inability to stand.

 In the Bible Jesus cast out demons from men into swine, which promptly drowned themselves in the river, because the animals didn`t want to be possessed by demons. Jesus was uncontaminated by male semen, so he was human, whereas women`s brains are contaminated by men`s `serpent`s seed`, which is `demonic` because it doesn`t want `futanarian` woman with her own penis` semen to breed human brains.

 In the late 20th century HIV/AIDS was recognized as the `killer disease` produced by homosexuals in their mixing of blood, shit and semen in animalistic acts of sterile anal sex that rejected the host womb of woman and corresponded to what is described in the Bible as the `blood plague` of Revelation sent by God to convert men from their sin, which is breeding women as animals contaminated by their semen so women`s brains correspond to those of BSE`s `mad cow`s disease`.

 The `serpent`s seed` is devouring the brains of woman by breeding with her, that is, men are her demons and, according to Jesus Christ, not even the animals would want men after their refusal to repent. However, the presence of BSE in animals suggests somehow the demons managed to get into the `food chain` even though the animals don`t want them. Because `futanarian` woman is chained to the Earth by men, the `food chain` is the chain of the `futanarian` woman whose brains are being eaten by men who`ve chained themselves to her `futrace` so that it can`t run. Just as the demons in BSE prevented the `mad cows` from being able to walk.

 Told she`s `lesbian` because of her sexual feelings for her own species, `futanarian` woman with her own penis` semen is defined as `abnormal` by men to make it easier to keep her as a schizophrenic while her damaged brain continues to be progressively disabled in an extinguishment pogrom against her human `futrace`, so that she can never get her `foot` off the ground and into space to escape men through the development of her own travel technology.

 In the Greek drama by Sophocles, Oedipus Rex (c. 429 BC), the name of the eponymous protagonist means `lame`, because he blinds himself, after marrying his mother by mistake, which is a `lame` excuse. `Foot and mouth disease` causes lameness in animals with cloven hooves, which are often associated with the devil. Because the `futanarian` species of `woman`s seed` is devilled by men, Oedipus` lameness reflects his inability to transcend the incest taboo, which devils human progress because the `futanarian` woman with her own penis` semen is a single `futrace` family that cleaves to each other, but men want to cleave it asunder so her brain will remain dysfunctional and remain `lamed` by men`s breeding with her.

 In the Oedipus drama, Antigone, his daughter, continues to guide the blind adult, which is indicative of the woman`s false conditioning, because women have their own penis` semen as `futanarian`, that is, `foot and mouth` is men`s disease, because they`re animals. Jocasta, Oedipus` mother and wife, and Antigone, his daughter, are humans, whereas Oedipus is an animal, because he accepts the rule, which devils humanity and continues the devouring of woman`s brain. Because BSE`s `mad cow disease` suggests the possessing demons are responsible for the `mad cow`s` inability to stand, `foot and mouth disease` is a result of men`s demonic possession of the `food chain`. Although it`s a `lame excuse` for preventing the `futanarian` human species of woman`s own penis` `seed` from breeding, they can still stand her.

 The devil is associated with cloven hooves, because the woman cloven from her `futanarian` penis is devilled. In modern day Russia, `smoking` is a euphemism for fellatio, while throughout the 20th century `smoking` was a euphemism for premeditated murder, which suggests a connection between the white stick of the blind person and the white cigarette stick, a facsimile of which exists as the search engine bar for every internet in the 21st century, where female researchers are blind to the chain `smoking` of the enslaved `futanarian` penis` semen of `woman`s seed` by `foot and mouth` killers blowing her in demons` smoke rings.

 Because `futanarian` woman`s penis` `seed` is for women, men may be the result of incest between human communities that are inbred, which explains their lack of a capacity to lactate, or reproduce themselves from their own host wombs. What woman`s idiot child has learned to do is poison the woman with its boys` sons. so her brain degenerates through inbreeding. The cretin has killed its mother, the `futanarian` human species with her own penis` semen and capacity for self-reproduction, and its socio-economic indpendence from its killer.

 Smoking cigarette advertising was banned from television, because you`ll lose your marbles if you smoke, that is, women won`t be able to see their own penis` `seed` on television, because `losing your marbles` is a euphemism for the schizophrenia induced by men`s defining of women as `lesbian` by default of her not having penis` seed` of her own because it`s been murdered and the glass marbles of the television screens upon which she continues to be smoked in countless movie scenes ensures her brainlessness in schizophrenic conditioning  by her cretin of `snuff`.

 Ethnocentricity is a `smokescreen` because there`s only racism between men and women. In Arabia women are `hidden` beneath their one-piece coveralls, the abiyah (burkha), so their eyes can see in public but traditionally they have eyes only for each other because `futanarian` woman with her own penis` `seed` is socio-economically independent of men. In the developmental psychology of Carl Gustav Jung (1875-1961) the archetype of fourness is perceived as an impulse engine of human desire for progress because of Jung`s discovery of the four functions of consciousness; Thinking, Sensation, Feeling and Intuition. According to Jung archetypes emerge from the unconscious in dreams, images and the imagination to express the developmental functioning of humanity. The fourfold marriage of Arabia is the archetype of the ego`s differentiation of the four functions of consciousness; Thinking, Sensation, Feeling and Intuition, which are associated in undifferentiated form with hearing, seeing, eating and breathing.

 The Moslem marriage in Islam follows the advice of the holy book, the Koran (610-30 CE), dictated to the Prophet Mohammed by the angels after Jesus, who appears in the Koran as a teacher. The Moslem marriage posits a `futanarian` woman with her own penis` `seed` at its centre as the basis for human functionality. The Jews have the same patriarch as Islam, Abraham, whose tomb is the most holy place on Earth to the Moslem peoples, in Mecca, Saudi Arabia, and Eid Al Fitr, the public celebration after the holy fasting month of Ramadan, celebrates the founding of Israel after God`s sparing of Isaac when Abraham had been commanded to make a human sacrifice of his son. (Gen: 22. 5, 8) Abraham`s other son, Ishmael, went on to be of the line of the Prophet Mohammed who founded Islam, which means both Islam and Judaism were founded by Abraham, whose tomb is in Mecca, Saudi Arabia, and Judaism is publically celebrated by Islam, because they have the same patriarch, Abraham.

God destroyed Sodom and Gomorrah (Gen: 16, 19) for men`s preferring homosexuality, which was thereafter known as `sodomy`, while God warned men of eternal unendurable pain, that is, `perdition`, as their punishment for unrepentance. In ancient Greece men enslaved women`s host wombs to propogate war in pederasty through institutionalized homosexuality, which spread as a contagion. Against the city of Troy the Greeks employed the prototypical viral form, the `Trojan horse`, which the 20th century accepted as the name for the virus created by `geeks`, that is, modern day Greeks, infecting the human species` intelligent machines, that is, her computers. At Troy the Trojans accepted the huge hollow wooden `Trojan horse` as a `friendship gift` from which the Greeks emerged to enslave the host wombs of the Trojan women and spread their contagion of war and pederasty further against her:

`Beware Greeks bearing gifts.`3

 The 21st century information system for the home and office is the computer internet, which provides instantaneous access to researchers, but its white stick cigarette ubiquitous search engine bar is a symbol of the woman blind and censored from realizing her human species of `futanarian` woman with her own penis` semen is being `smoked`, that is, exterminated, while taboos against `futanaria` manga and pornography (https://www.futanaria.com) reinforce women`s conditioned belief that she shouldn`t mind, or have one of her own. The signs within ethnocentricism is that it`s a secret men`s  system for killing the human race in a pogrom against the woman`s `futanarian` species` future socio-economic independence and escape from her enslavement within the ethnocentricities of her killers` secret societies.

1 Edwards, Gus (music) and Edward Madden (lyrics), `By The Light of the Silvery Moon`, 1909. 

2 The Production Code of the Motion Picture Industry (1930-1967), Part II Sex (2b), `Scenes of passion`; `Excessive and lustful kissing, lustful embraces, suggestive postures and gestures are not to be shown.`

3 Virgil, The Aeneid, Bk II, 19 BC.

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