Plague Aims Weren`t Jesus`

22/04/2014 11:12


Plague Aims Weren`t Jesus`


Christianity is a belief system but Jesus had aims, which means faith isn`t enough. Jesus` aims have to be considered. Most Christians accept the concept of Salvation because they want Jesus` promise of heaven for the redeemed to be fulfilled so they can have eternal life in God without perdition, which is the eternal unendurable pain of God`s punishment for the evil. The nature of evil has puzzled generations since the biblical story of Eve`s accepting the `fruit of the tree of the knowledge of good and evil` from the serpent, `Ye shall be as gods.` (Gen: 3. 5) Giving Adam the fruit, she and the first man were expelled from God`s heaven on Earth, which was paradise, with the exhortation from God that Eve`s `seed` will `crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) After Eden Eve experienced pain in childbirth while Adam had to work. Whereas in paradise the pair had the `fruit of the tree of life`, which was immortality from God, afterwards the fruit of her womb was the raw material of the future she bore in pain. Although Christianity believes in man and woman, humans born from the womb of Eve, and her daughters after Eden, were `futanarian`, that is, men and women with their own penis` semen and host wombs. Consequently, the `foot` God is prophesying Eve will use to `crush` the `serpent` that will have `perpetual enmity` with her `seed` is the `futanarian` human species, which was born from her and her daughters host wombs after expulsion from paradise. Because there are so few `futanarian` men and women publically on the planet Earth their rarity is indicative of a pogrom and an enslavement of the human race early in its development which began with Adam and Eve`s sons, who perceived that they could have power like gods if they enslaved the host wombs of humanity.

 If `futanarian` humans were culled, male braining would occur and humanity`s brains would be enslaved by the `serpent`s seed` of men`s acceptance of evil rather than good. The subsequent  ephemerality of the human species, which according to the Bible of Judaeo-Christianity is less long-lived than before, is traceable by the 21st century of the Christian era to men`s refusal to fight the plague aims impulse of their parasitism upon the host womb of the human species. The HIV/AIDS virus, which is described in the Bible as the `blood plague` (Rev: 11. 6), remained incurable by the second decade of the 21st century after it was first discovered in the late 20th century as a `killer disease` spread mainly amongst homosexual men engaging in mockeries of sexual reproduction with each other and mixing blood, shit and semen during what was erroneously described as `anal sex`. Failure to find a cure for HIV/AIDS, rather than fight global wars and devote huge sums of money and resources to death, was symptomatic of men`s unspoken aim of keeping the human race ephemeral and enslaved in brainlessness. The model for Western civilization was Greece where homosexuality was institutionalized in order to spread the viral contagion of war in pederasty while the host wombs of women were enslaved for that purpose. The Trojan war, documented by Homer in his poetical work Iliad (c. 429 B.C.), describes the way In which men`s viral paradigm works and spreads. Leaving a huge hollow wooden horse, as a `friendship gift` before the walls of Troy, the Greeks emerged from within to enslave the host wombs of the Trojan women to further spread their contagion of pederasty and war. The HIV/AIDS virus works in the same way because it indicates to the white cells of the body`s defensive immune system that it`s friendly before killing the brain. The pattern is familiar from Jesus` `Last Supper` at which he was the host. Born uncontaminated by male semen from his mother, the Virgin Mary, Jesus` offer of `bread and wine` to his disciples at the `Last Supper`, as symbols of his `body and blood`, represented his `futanarian` birth and the hope of Resurrection for `woman`s seed` from the host womb of the human race. Judas` betrayal of Jesus for `thirty pieces of silver` to the Roman authorities as a `dissident` constituted his betraying of the human species` host womb. Jesus was nailed upon a wooden cross and tortured to death by the Romans before he experienced Resurrection and Ascension to heaven, which prefigures the Resurrection of `futanarian` humans born uncontaminated by male semen.



 At the outset of the 21st century guests of the host nation of the United States of America hijacked planes at Boston, Logan airport and crashed them into the Twin Towers of the World Trade Centre on September 11, 2001, in an act of `rough trade`, which is a euphemism for homosexuality in slavery, and so the World Trade Centre was chosen as the target for the attack, because the terrorist group based in Afghanistan, Al Qaeda, `the base`, were offered a base in Iraq by dictator, Saddam Hussein, which resulted in the United States` invasion of March 2003 to depose him as ruler and reestablish  that `brutality and violence`between nations associated with `rough trade` and attributable to homosexuality`s contagiousness. Effectively the plague aims of Al Qaeda were how men play games, that is, just as computer `geeks` write bad machine code to crash computer systems and their Greek predecessors used a `Trojan horse` to trick the citadel of Troy into accepting their virus, so Al Qaeda crashed the US` defence system by means of trickery and betrayal to reestablish war through the paradigm of `gay plague`. Because men`s paradigm is the virus of homosexuality their preference for death and war indicates that the host womb of the human species is where their parasite gestates, while the `futanarian` human race of woman with her own penis` semen and host womb for the sexual reproduction of her own independent brains` powers for socio-economic liberation from maled brain slavery remains in abeyance:


`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)



 The Bible story of Adam and Eve reveals that the parasite somehow inveigled itself into the host womb of the human race at the beginning of human development and eradicated the `futanarian` human species born after Eden in order to enslave the race for pederasty and war because that`s what parasitism is. Jesus` birth from `the woman clothed with the sun and with the moon at her feet` to `rule the nations with an iron scepter` offers some hope while the `red dragon` grown in size since paradise waits in vain to devour Jesus Christ, the `New Redeemer` in his `Second Coming` to the Earth after remaining in God`s heaven since his Resurrection and Ascension after crucifixion by the Romans. According to the Bible the woman will be given the `wings` of an `eagle` which will take her to the desert to wait out the `war in heaven` against her `seed` while upon the Earth what remains of her `seed` will be persecuted.  The symbolism suggests the Great Seal of the United States of America with its eagle emblem protecting the hymen or seal of the woman during the war to depose Saddam Hussein, which reached its apotheosis on 2 May, 2011, when US Navy Seal Team Six killed AL Qaeda`s leader, Osama Ben Laden at his hideout in Pakistan. The victory of the United States over the moon of Al Qaeda, `the base`, following upon its defeat of the red sun of Japan after a similarly unannounced attack at Pearl harbor, Hawaii, to disable the Pacific fleet on 7 December, 1941, represented the success of the woman, symbolized by the statue of `Liberty` in New York harbor, after the death of the terrorist leader who`d attacked New York on 9/11, 2001. With the moon reflected in her birth waters as `the pearl of great price`, that is, heaven above, `Liberty` was `clothed` in the red sun of the flag of Japan, and the moon of the flag of Al Qaeda, which heralds he who will `rule the nations with an iron scepter` to ensure the Resurrection of `woman`s seed`, that is, Jesus Christ, the Messiah of Christianity, whose aims aren`t men`s plague aims which have degenerated into a play games system of homosexuality in pederasty and war transmitted in forms as viral and diverse as Hollywood Babylon movies and personal computer games in which humans are depicted as viruses.



 Saddam Hussein`s name meant `small handsome man` and `crusher`, in the style of the serpent, `he will crush your head and you will bruise his heel` (Gen: 3. 5) God tells Eve, which made Saddam Hussein a Hollywood Babylon actor. The Hays code of Hollywood (1934-67) insisted that one foot of the woman remained on the floor at all times in bedroom scenes, which effectively prevented `futanarian` women from ever being seen in Hollywood movies, lest she raise her `foot` from the floor to crush the serpent`s  head, that is, sexually reproduce her own brains` powers for human freedom and escape from drudgery through labor saving devices, for example, as a prelude to woman`s diaspora from the world of men to the stars and planets by means of colonizing space technologies which men don`t seem to want. Having placed a man on the moon in 1969 at the tip of a rocket, by 1982 US President Ronald Reagan had initiated the `Strategic Defence Initiative` (SDI) to ring the Earth with a `ground and missile based system` to keep woman a prisoner and threaten her with extinction if she didn`t accept male braining and devouring in the wars of the parasite upon the Earth against her. Because Babylon was the ancient seat of Iraq, Saddam Hussein was the `small handsome man` and `crusher` perfect for the Hollywood Babylon leading role in the `TV war` (2003-11) of the Gulf. Beginning with the crashing of hijacked planes into the Twin Towers of the World Trade Centre on 9/11, 2001, `live on CNN` and other television news networks, the `serpent`s seed` of men`s male braining of the human species had devolved into transvestism, that is, `TV` in which women wore men`s clothes to kill themselves, which is what the Earth`s parasite had male brained her for.



 Because of Hollywood Babylon`s preference for `snuff` movies, `futanarian` woman with her own penis` semen and host womb couldn`t get her `foot` off the Earth`s floor. Male braining`s enslavement of her for the `TV war` of the Gulf and, 9/11, 2001, which took place on Manhattan Island, were intended to depict `futility`, that is, the `futile` attempts of the `futanarian` human species` to develop and escape from their isle of imprisonment. On April 15, 2013, a `footrace` in Boston, Massachusetts, was disrupted by terrorist bombs in a further warning to the `futanarian` human race not to try to `run` its development program. The sandshoes of the `runners` reminded the spectators of the `sandmen` of Boston, Logan airport, that is, the Al Qaeda terrorists, whose crashing of hijacked planes into the Twin Towers of the World Trade Centre on 9/11, 2001, prevented the 21st century from being born, as the `sandmen` of William F. Nolan`s novel, Logan`s Run (1967) made into a Hollywood Babylon science fiction movie in 1976, killed all those above the age of 21, who were labelled` runners`  for attempting to escape the socio-historical `snuff` movie written for the `futanarian` footrace by the `serpent`s seed` of men.



 What now puzzles students of Hollywood Babylon is the absence of real aliens and the continual depiction of men with weapons attempting to penetrate shields with the false hypothesis that men need to constantly develop stronger shields to defend against aliens when there are none. As women are a potentially independent species with their own penis` semen and host womb, shields are for `futanarian` womankind, because men are the virus seeking to fertilize her eggs by penetrating the shield of her hymen with their `serpent`s seed`  in order to wage war against her. The science fiction movies made by Hollywood Babylon in which men discover ways of penetrating the shields of aliens because they`re threatening the Earth is an analogy for their devising of weaponry to penetrate the shields of women`s hymens to spread their incurable homosexual `killer disease` of war through pederasty and enslavement of women`s brains by means of their `serpent`s seed`. Men would have to construct aliens in order to develop more powerful methods of penetration lest the woman cover herself, which in fact is what Arabian Moslem women do when wearing the one piece coverall, the burkha, in public, so that they are `cloaked`, which is the Hollywood Babylon `scifi` term for `hidden starship, so that penetrating weapons, that is, males, aren`t attracted.

In the Bible the woman, given the `wings of an eagle`, `hidden` in the desert, corresponds to the human `futanarian` race beneath her burkha. 9/11, 2001, was devised to give men an opportunity to attack the hymen of the human race, because women produce war if health isn`t a priority for men, but it wouldn`t be if men`s plague aim was to infect and kill the brain of human women so she couldn`t live long enough to remember her own penis` semen and escape through technologies invented by her own sexually reproduced brainpower from her own host wombs. Men play games because they`re plague aims, that is, the aim is to penetrate the woman`s shield, so weakening the shields of the human species is a part of the plague aims system of men who`re aliens that play games. In 1978 the Space Invader computer game, which was introduced into many public places of entertainment, inspired a lot more games where the objective was to `zap` the alien. Whereas Hollywood Babylon scifi movies depict `zapping the alien` as the aim, the real aim is to zap men who want to penetrate the shields of the Earth, which are women`s. In the movie War Of The Worlds (1953) from the 1897 novel  by H.G. Wells the aliens die because they contract a virus, which is what HIV/AIDS is. Because AIDS is a homosexually transmitted plague, the aliens in Wells` War Of The Worlds are extrapolations of what women represent to men, that is, humans living inside a carapace which excludes men and so must be penetrated or men will, to use the time honored phrase from television`s scifi series, Star Trek (1965-), `cease to exist`, because they constitute a parasite that needs women to sexually reproduce itself as her destroyer, which is what parasites use host wombs for. The traditional slice of Americana in Hollywood Babylon movies is a boy who has a car meets a girl who needs transport, which is essentially the reverse of what a woman needs, that is, a carapace of her own. The era of the crab began circa 8600 BC and ended c. 6450 BC, while the enslaving of the woman Babylon, which was a city built in what is modern day Iraq c. 4000 BC, is described as having occurred in the Bible, which suggests that woman`s male braining and host womb enslavement was being described in the period after her carapace was lost, that is, she was a woman without a shield, or car in Hollywood Babylon terms.



 According to developmental psychologist, Carl Gustav Jung (1875-1961), the crab is the archetype of the mother, because she has a carapace, that is, the shell of the crab describes what a woman needs in order to live, whereas descriptions of Greek institutionalized pederasty and war before the walls of Troy needing a plague tool, that is, the huge hollow structure of the `Trojan horse`, to inveigle itself inside the city so that the Greek men could emerge from within to enslave the host wombs of the women to spread their contagion further, describes how the mother archetype is penetrated by the virus of the `serpent`s seed` to destroy her. In Jungian psychology archetypes exist in the dreams, art and imagination of humans and emerge to impel progress, so the mother archetype represents the city and the starship, that is, men are for imprisoning her upon the Earth to fight the wars of `perpetual enmity` against `woman`s seed` God warned Eve would occur in the Bible, whereas the `futanarian` human race of women with their own penis` semen and host womb are for the stars, because men are the `serpent`s seed` who don`t want the `foot` of the woman to rise from the Earth. Hollywood Babylon`s scifi scenarios of aliens being penetrated in the way that cities are captured reveals that the aliens are extrapolations of women, because strong shields are important for humans and penetration is an irrelevancy relating only to men`s desire to perpetuate their parasitism as the virus that kills womankind.



 At the beginning of the 21st century `geeks` had replaced Greeks as the virus paradigm. Computer programers, known as `geeks`, devised `bad machine code` to infect computers and kill what amounted to the peripheral brains of humanity. The term `geek` was used to describe modern circus sideshow freaks who ate the heads of chickens, which is what humans are for men. The term `circus` was used in the 20th century to describe `spying` as the means employed by governments and quasi-government organizations to describe how humans are prevented from developing. Common perceptions are that industrial espionage is for obtaining secrets that will assist manufacturing, for example, whereas such spy networks exist to protect existing manufacturing and quash development. The term `circus` derived from Greece where huge amphitheatres  were used to train invasion forces, which degenerated into the Roman circuses in which spectators watched people fight and die,  whereas `circus` actually denotes a woman training for the stars and the new carapace of her starship while men attempt to stop her.



 In the Hindu religion of India, the mother archetype is Kali, who is a many armed figure representing what men fear, which is a woman with many arms. Kali`s appearance is spider-like because `futanarian` woman doesn`t need men to sexually reproduce from her own host womb with her own penis` semen. The concept of a many armed demon is familiar from the military of the Earth, which are demons with many arms. In archetypal terms women are spiders, which is why Kali is often depicted as having more than a single pair, and even six or more arms, because she represents the `futanarian` human species of woman that can sexually reproduce herself with many more arms than men, whereas men`s nature is that they`re unable to sexually reproduce at all. Because `futanarian` women are the human race, men are demons with their military presence of many arms preventing her from being her own natural producer, because she has all of the host wombs and `woman`s seed`.



 The genius of Jesus Christ was to indicate that he was the host and that men killed him because woman is the host womb of the human species and the `serpent`s seed` of men don`t want her to leave as killing her is what they`re for. Born uncontaminated by male semen from the host womb of his mother, the Virgin Mary, Jesus` birth wasn`t that of a parasite seeking to kill. Consequently, Jesus was the host at the `Last Supper` before his death, Resurrection and Ascension to heaven, killed by men, because he was their supper in the sense that the `serpent`s seed` devour what women produce from their womb. Although Judas Iscariot betrayed Jesus to the Roman authorities as a `dissident`, killing the host is what men are for, and so Judas was being a man. On September 11, 2001, the terrorist group Al Qaeda`s crashing of planes into the World Trade Centre, despite being regarded as visitors and so guests of their host, that is, the unsuspecting United States, were attacking and killing the host because that`s what men are for:


`We are the Borg. Lower your shields and surrender your ships. We will add your biological and technological distinctiveness to our own. Your culture will adapt to service us. Resistance is futile.`1



 The people of the `Borg mother` from Star Trek:The Next Generation (1987-94) TV series live by constructing bodies from parts that become available in the course of her progress. Hers represents the plight of the `futanarian` mother who can`t sexually reproduce from her own host womb and penis` semen because men kill her. The phrase can be adapted to apply to the Hollywood Babylon `blockbuster` movie World Trade Centre (2005), which was made as a film about the terrorist attack on New York`s Twin Towers. The events of 9/11, 2001, resembled a 1950s Hollywood Babylon `alien invasion` scenario, because it was. The target was `futanarian` woman`s growing possibility of sexual reproduction from her own penis` semen and host womb, which threatened the socio-economic hegemony of men as her parasitical enslavers and devourers in war. Provoking global conflict would reestablish the `rough trade` of homosexual `brutality and violence` as the paradigm of Western behavior since Greek womb slavery and the spread of war through institutionalized pederasty, which by the outset of the 21st century had developed its biological weapon of HIV/AIDS to keep women in fearful faithfulness to her owners in monogamous slavery to male braining. For `futanarian` womankind men are alien invaders and 9/11, 2001, reestablished their paradigmatic role as her killers, because the diversion of resources from health and the strengthening of her shields to death and war was the parasites` way of reiterating:


`Resistance is futile!` 2


 The futility of the human `futanarian` race is what the terrorist attack upon the isle of Manhattan was designed to emphasize. Plunged into a war consuming the resources of humanity proved the assumption of Al Qaeda, `the base`,  that provoking the United States of America would be the death of humanity because, although humans are for eating food, parasites are for eating their own `foot`, that is, the `futanarian` human species of the woman who carries them.  21st century technology is the aeroplane which is cruciform and passengers are restrained from moving while the aircraft is in transit between the airports of the different nations it flies from and towards. Archetypally the plane corresponds to Jesus` cross upon which he was nailed so he couldn`t move in a `mysterious way, His wonders to perform`,3 whereas the crew of the starship Enterprise in Star Trek travel by teleporter to planetary surfaces before returning to the starship, `beaming up` into the Enterprise `transporter room` instantaneously after relaying their coordinates by means of their `communicator devices`. The terrorist action of Al Qaeda, `the base`, in demolishing the World Trade Centre by crashing hijacked planes into the Twin Towers, could be interpreted as a comment upon Christianity`s limiting of humans to low level technology, because Christians want people to `move in a mysterious way, His wonders to perform`, as 18th century poet William Cowper wrote of God, while Satanists want to nail people`s movements down to aeroplane transports that are heavily monitored by security guards; as if the Earth were a `concentration camp` constructed by the `serpent`s seed` of men while the human species of `futanarian` woman with her own penis` semen and host womb waits in hopeless futility for its `death camp` end.



 Unless women as the `futanarian` human species with her own penis` semen and host womb for the sexual reproduction of her own brains` powers can develop technology to carry her away from the Earth she`ll be imprisoned by the `serpent`s seed` of men`s desire to keep her in parasitism and death. The `Great Mother` is an archetype of Jungian psychology whose attributes are various, but the Kore relationship of mother and daughter is represented by the goddesses, Demeter and Persephone, who are fertility and sleep respectively, that is, the growing season and the season of winter following harvest in anticipation of the next year`s growth.  Demeter is fertility because women have penis` seed of their own as well as host wombs represented by their daughters. The cancer or crab archetype of the mother in the period of history before male homosexuality in war and pederasty was recorded as enslaving women`s host wombs to spread their contagion further represented the archetype of the city and the starship where the shield of the goddess of the city of Troy, that is, Pallas Athene, is analogous to the shields a starship needs to prevent the hull`s integrity from being ruptured by meteors or attack. Because men are the only creatures produced from the host wombs of the `futanarian` human species of woman with her own penis` semen that seek to kill and enslave their host in parasitism, shields are what the archetype of cancer the crab, that is, the `Great Mother`, represents. Woman`s carapace is the starship she needs to develop in order to escape from the death men have planned for her on Earth. In countries where Moslem women wear the burkha,  they`re forbidden to drive a car, because it`s the first step for the `futanarian` woman`s `foot` as she endeavours to construct a carapace, that is, a starship, behind which to shield herself from men`s viral penetrations.



 Hindus and Moslems are perceived as antithetical to one another; particularly because of the border disputes between Moslem Pakistan and India, which is predominantly Hindu. But there are four wives in Moslem marriages, which is an optimum number for `futanarian` women`s secret sexual reproduction through her own penis` semen and host womb, while the Hindu goddess, Kali, with her many arms, represents women`s capacity for sexually reproducing more arms than men, who need women`s host wombs and can`t reproduce without her. Moslem marriage and Hinduism`s Kali represent women`s potential socio-economic independence and natural superiority in terms of the human race`s capacity for productive growth.  Unlike the spider, which is a soft bodied arthropod, the carapaced crab is a decapod with eight legs for locomotion and a pair of what constitute arms; although they`re actually tool-like claws. The archetypal configuration of a many armed female with a shell represents the defensive capacity of a `futanarian` woman with her own penis` semen and host womb for the production of herselves. The Greek goddess Aphrodite, who is Venus in Roman mythology, is depicted as emerging from the sea as a pearl upon an oyster shell, and `the pearl of great price` is heaven, according to the Bible, which means the Graeco-Roman Aphrodite-Venus is an archetype of the `Great Mother`, who will be the `pearl` within her shell again if the archetype of the starship is developed by her `futanarian` humans as a carapace to raise her `foot` from the Earth and win the race to have her own arms about herself in those spaces between the planets and stars where starships may journey unmolested apart from the arms race of men`s desire for her death.



1 Coopwood, Jeff as the `voice actor` for the Borg`s mission statement in Star Trek: First Contact, Paramount Pictures, November 22, 1996.

2 Stewart, Patrick as captain Jean Luc Picard of the starship Enterprise, temporarily `assimilated` by the Borg mother and declaring himself, `Locutus of Borg`, Season 3 and 4, Episodes 26 and 1, June 18 and September 24, 1990.

3 Cowper, William God Moves In A Mysterious Way, 1773.