A Nape, Beheaded

14/07/2017 12:24

A Nape, Beheaded


In Egyptian mythology, the father god, Ra, incarnates upon the Earth as Osiris, and his evil brother, Set, dismembers him, which leads to his sister, Isis, remembering him, and giving him a new penis, before Osiris reascends as the `sky god`, Horus, in the shape of a hawk. In other words, Ra incarnates and is beheaded, which prevents him from sexually reproducing his brains` powers, so Isis gives him a new penis so that he can sexually reproduce the brains` powers he needs to reascend to the planets amongst the stars, and that`s the meaning of the myth. The ancient Egyptian religion was replaced by Moslem, `acceptance`, Islam, `accept`, which was given to the people by Mohamed, the descendant of Ishmael, who was the second son of Abraham, whose first son, Isaac, founded Judaism, and was the child of Sara, who was barren after his birth, so gave her maid, `the Egyptian woman`, Hajer, to Abraham, and Hajer bore Ishmael. Judeo-Christianity attempts to say that Islam is illegitimate because Mohamed was the descendant of Ishmael, who was the child of a woman unmarried. Consequently, when the Koran (610-30 C.E.) was given by the angels of God as the basis for the four wife marriages of the Moslems, Judeo-Christianity argued that it was a retroactive attempt to legitimize Ishmael`s birth from Hajer, `the Egyptian woman`, who was unmarried, and which made Moslem Islam illegitimate as a religion. However, in Egyptian terms, Islam is cogent as a means of ensuring that the people keep their brains through a larger capacity for sexual reproduction within the family.

 In Judaism the tradition is that a Jew can only be born from a Jewess, that is, Jews are women, which is why they`re described in the Old Testament of the Bible, which is their history and law, that is, the Talmud and Torah, as `the chosen people` of God. Jewish tradition is improved on in Christianity`s New Testament of the Bible in which Jesus `Christ`, `the chosen`, is depicted as born uncontaminated by male semen from his mother, the Virgin Mary, who is represented as crushing the head of the serpent with her `foot`, because of Jesus` teaching: `Love your neighbor as you love yourself.` (Mk: 12. 31) Taken by the soldiers of the Empire of Rome to the hill of Calvary outside the city of Jerusalem in occupied Palestine, Jesus was nailed to a cross of wood and left to die as a `dissident`, but he experienced Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`, which is that part of the human race that`s futanarian, that is, women with penis` semen of their own who can sexually reproduce their own brains` powers to take their species to colonize the planets amongst the stars. Consequently, Islam`s Moslems have four wives, because that affords the possibility of sexual reproduction between futanarian `woman`s seed` within the Islamic family. Without `woman`s seed` the human species is effectively beheaded, which is why Jesus` mother, the Virgin Mary, is depicted as crushing the head of the serpent, Satan.



 Satan was the angel, according to the first book of Genesis in the Bible, who rejected God`s plan that the human host should be greater than the angelic, and was turned into a serpent and left in the paradise of heaven on Earth that was Eden and where God had also placed the first man, Adam, created by God, and the first woman, Eve, who is described euphemistically as being created from Adam`s rib or side, because Adam was a futanarian woman with penis` semen of her own and so she self-fertilized herself to give birth to Eve in an early demonstration of the basic survival trait of a `remnant` of the human species lost and abandoned on an alien world, for example. Before hominids appeared on the Earth 220 m.a., in the Jurassic period, the dominant life form was saurian, 220 m.a., in the Mesozoic period and, because many of the saurians were winged, that suggests they were the angels of God, whereas the `fallen` Satan is a depiction of the saurian parasite that attempted to enslave the host wombs of the human futanarian species of `woman`s seed`. Satan tempts Eve to `eat of the fruit of the tree of the knowledge of good and evil`, that is, death, saying: `You shall be as gods.` (Gen: 3. 5)



 In ephemeral ignorant unconsciousness, without God`s `fruit of the tree of life`, which conferred immortality, and the capacity to learn and retain knowledge of how to live and deal with evil through higher levels of technological development arrived at through the use of immortal brainpower, the `serpent`s seed` could entertain itself with war waged by the human race against itself for what it could grasp. Explaining that Eve would have `enmity` with the `serpent`s seed`, but Redemption would come, God told her: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) Futanarian `woman`s seed` would produce better brains` powers for her race to escape. In parasitology, the parasite that emerges from the host to kill it is termed `parasitoid`, which suggests that the saurian host womb slaver of the human futanarian species of `woman`s seed` is the serpent, Satan, grown in size since its days in Eden to a dragon of war emerging from the human host womb. From whence it`d slaved the human futanarian race of `woman`s seed` through its `serpent`s seed`, which is how Jesus` disciple, John, perceived it in his prophetic Revelation of the future: `And the dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17)



 Although Moslem Islam doesn`t appear to be similar to ancient Egyptian mythology, the ancient Egyptians called their spirit, `Ka`, and their soul, `Ba`, which is the name, Ka Ba, of the shrine of Abraham in Mecca, Saudi Arabia, to where the Moslems pilgrimage on a journey known as the `Haj`, after Hajer who, along with Ishmael, was thought to be instrumental in the construction of the shrine, and which symbolizes the futanarian unity of `woman`s seed`, that is, the sexual union of women with their own penis` semen for the production of their own brains` powers to escape from the `serpent`s seed`, and its parasitoid devouring wars against her species. Beheading is an early feature of storytelling in Moslem Islam, for example, the 8th century 1001 Nights `framing device` is of a king, Shah Jehan, who has his wife, Mumtaz Mahal, executed for a perceived unfaithfulness with his brother, which didn`t occur. Jehan goes on to take a new wife each day and behead her each evening, before Scheherezade begins telling him tales that are so entertaining that he marries her and doesn`t behead her, which saves the women of the realm. The narrative illustrates the fact that evil is entertaining for the parasitoid, which can`t accept `woman`s seed`, and that`s why it`s beheaded her. In the New Testament Jesus is asked about a woman accused of adultery, and wryly he observes that a species in thrall to a parasitoid devourer is a victim of adultery, but can`t be accused of it: `Let he that is without sin cast the first stone.` (John: 8. 7) The human futanarian species of `woman`s seed` beheaded by the `serpent`s seed` can only be observed to be adulterated, that is, poisoned, and can`t be accused of adultery, although without a head it`s a nape without a penis, that is, an ape.



 In modern fiction the obvious allegory is French science fiction writer Pierre Boulle`s 1963 novel, La Planète des Singes (Planet Of The Apes), which relates the voyage of space explorers from 1972, who age little during cryogenic sleep, but their spacecraft crashes centuries later on a planet they call Soror (Sister), which is run as a slave society by apes that keep humans for meat, and forced labor. As God had told Adam he must labor, while Eve would experience labor pain before Redemption, slave labor is an important biblical theme, which appears again when the Jews are slaves in Egypt to the Pharaoh Thutmoses III, before they leave for the land God`s promised them, and which the Egyptians attempt to stop them doing before God drowns them in the Red Sea after parting the waves for the Jews to pass through unscathed. In Al Khaf, `the Cave` chapter of the Koran, Moses and Joshua, who led the Jews to the promised land of Palestine, are depicted by the Red Sea where Joshua loses the fish that he`d been asked to keep for their supper, and Khidr appears from the waters to lead them for a while, although he says that, if they can`t bear with him, they must go. Khidr rebuilds a wall where there`s treasure buried beneath, because the people who`ll find it aren`t those the treasure is destined for, and then he kills a child he says is evil. After that, Khidr makes holes in ships, and the three embark in another ship, because Khidr says that there are slavers behind and he wants to escape. Moses and Joshua say they can`t bear with Khidr`s bizarre acts, and he tells them they must leave. As the law giver of God, Moses embodied rationality, and although Moses didn`t enter Palestine, Joshua was bound to the sword by the law, which led to war with those already living there. Consequently, the battle at Jericho, where the walls came tumbling down at Joshua`s behest, was a symbol of the buried treasure the Jews didn`t want the Palestinians to have, that is, human futanarian `woman`s seed` for the sexual reproduction of brainpower to produce a level of technological development that would allow them to live in freedom. What Khidr represented was the belief that it was better to run and escape, because it was a sign of the brainpower of the futanarian species of `woman`s seed`, which didn`t want slavery or war, as both were a sign of the ascendancy of the `serpent`s seed`, and Khidr was more able than those who`d govern by the law through the sword, because his people in Moslem Islam would keep their heads and their brains through their four wife marriages.



 Pierre Boulle`s novel was made into a 20th Century Fox film, Planet Of The Apes (1968), starring Hollywood actor, Charlton Heston, and with a similar plot, except that the ancient history of the planet is discovered to be that of humans, who destroyed it, and in a last scene Charlton Heston`s character, George Taylor, discovers the torch of the statue of Liberty poking out of the sand on a deserted stretch of beach. The film was remade in 2001, following several sequels and prequels, and was followed by what the global movie Empire of the United States of America lodged in the district of Hollywood, city of Los Angeles, on the west coast of the state of California, called `reboot`, that is, old film ideas made with new technology. In the sequel to the original film, Beneath The Planet Of The Apes (1970), humans are discovered in the remains of New York`s St Patrick`s Cathedral worshiping a nuclear bomb, which Heston in his role as Taylor subsequently detonates. The closing narrative is somewhat too celebratory of the parasitoid devouring for the comfort of those cinema-goers who wouldn`t like to be thought of as the playthings of Satanism: `In one of the countless billions of galaxies in the universe lies a medium-sized star, and one of its satellites, a green and insignificant planet, is now dead.`1 The premise of the sequel, Escape From The Planet Of The Apes (1971), is that three chimpanzee apes, actor Roddy McDowell as Cornelius, actress Kim Hunter as Zira, and actor Sal Mineo as Dr Milo had repaired Taylor`s ship and travel through time back to 1973 where they`re taken to Los Angeles` zoo. The plot is reminiscent of the Arnold Schwarzenegger film, Terminator (1984), in which a killing machine, Arnie, is sent back in time from 2029 to kill Sarah Conner, that is, actress Linda Hamilton in the role of the woman, who`s son, John, is to lead a future revolution. In Escape From The Planet Of The Apes, Milo is killed by a gorilla in the zoo, and Zira names hers and Cornelius` child, Milo, after him. When it`s revealed that the Earth was destroyed by Taylor in the future, after the apes had taken over the Earth and bred humans for slaves, the continued existence of Zira and her child is perceived as a threat to the future. Cornelius, and Zira are killed, but Milo survives. The plot is reminiscent of God`s exhortation to Eve too. There`ll be labor pain, but Redemption will come, that is, Milo has a Christ-like role. In the sequel, Conquest Of The Planet Of The Apes (1972), actor McDowell returns in the role of Milo, who is now called Caesar, the leader of apes rebelling against the brutal conditioning they`re made to endure, before they`re sold into slavery: `Lousy human bastards!` Suspected of being Cornelius and Zira`s child, Caesar is tortured with electricity and speaks. He is immediately sentenced to death. Obviously a joke centering around the concept of `freedom of speech`, a basic human right for US` citizens. Caesar`s Christ-like role is emphatic after the apes succeed in capturing the Ape Management slaving company`s premises and killing the human riot police arrayed against them:


 `… from this day forward, my people will crouch, and conspire, and plot, and plan for the inevitable day of Man's downfall. The day when he finally and self-destructively turns his weapons against his own kind. The day of the writing in the sky, when your cities lie buried under radioactive rubble! When the sea is a dead sea, and the land is a wasteland out of which I will lead my people from their captivity! And we shall build our own cities, in which there will be no place for humans except to serve our ends! And we shall found our own armies, our own religion, our own dynasty! And that day is upon you now!`2



 Caesar`s girlfriend, actress Natalie Trundy as Lisa, raises what the audience are meant to see as an ironically human objection to serving the apes` ends in an era of the transmission of the `incurable killer disease` HIV/AIDS, the STD derived from the SIV1 mutant strain: `… those who were our masters are now our servants. And we, who are not human, can afford to be humane. Destiny is the will of God, and if it is Man’s destiny to be dominated, it is God’s will that he be dominated with compassion, and understanding. So, cast out your vengeance. Tonight, we have seen the birth of the Planet of the Apes!`3 Although Milo/Caesar appears Christ-like, he`s actually closer to the figure of Spartacus, a slave and Roman gladiator, who led a successful revolt against the Roman Empire, before he and many of his supporters were crucified along the Appian Way from Rome to Capua, near where Spartacus had been trained as a murmillo heavyweight gladiator, and whose story was portrayed by Hollywood actor, Kirk Douglas in the film, Spartacus (1960). Although many slaves were crucified, there aren`t any reports of Resurrection and Ascension, because Jesus` was a prefiguration of that of `woman`s seed`, which is the meaning of the anti-gay history lesson.



  In the sequel, Battle For The Planet Of The Apes (1973), 21st century global nuclear war is depicted as having destroyed civilization, perhaps because of the absence of `woman`s seed`, and the subsequent unbalanced and psycho-pathological make-up of the `remnant` of the human mind. Milo/Caesar succeeds in cultivating peace between the apes and the surviving humans, although in the light of the knowledge of the Earth`s annihilation by the `doomsday bomb` at the climax to Beneath The Planet Of The Apes (1970), it`s a morbid post mortem. In the 2001 remake, Planet Of The Apes, the idea of changes in the future affecting the past are examined. At a USAF space station In 2029, actor Mark Wahlberg, in his role as Captain Leo Davidson, works with apes trained for space missions. The chimpanzee, Pericles, probes an electromagnetic storm approaching Oberon in a pod. Leo`s pod crashes on a planet called Ashlar. It`s now the year 5021 and Ashlar is ruled by apes while human are slaves. Pericles is taken for the ape god, Semos, when he lands to rescue Leo, and the apes bow, which suggests that the peace that seems about to break out between humans and apes will result in a simian victory. On his return to Washington, D.C., it`s therefore not so very surprising that Leo is immediately surrounded by apes at the foot of what should be the Lincoln Memorial, but there`s a statue there of Tim Roth in his role as the ape General Thade, whom Leo`s just escaped from in the future. Abraham Lincoln was, of course, the US President that fought the Civil war (1861-5) against the Southern states to manumit the black African slaves that worked on the cotton plantations there, which suggests that the themes of miscegenation and racism weren`t far from the minds of the makers of the films, that is, the plight of black African slaves and that of the apes are meant to be perceived as correlatives, because human futanarian `woman`s seed` is absent from the picture. In short, from a racist perspective none of the people on Earth are human, because the parasitoid devourer has consumed the species in its wars against her, and afterwards it decided to make films of itself for its own entertainment as the human race`s exterminator.



 In the `reboot` franchise, Rise Of The Planet Of The Apes (2011), it`s related how apes being experimented upon at the company Gen-Sys, to find a cure for Alzheimer`s brain degenerative disease, steal the ALZ-113 gas canisters, and use them to enhance their intelligence, before going to the San Francisco Zoo, and releasing the apes there to do the same for them. The apes, led by actor Andy Serkis in the role of a new Caesar, fight their way through a police blockade at The Golden Gate Bridge and escape into forest: `Caesar is home.`4 It`s revealed that ALZ-113 is a human species` killer, like the HIV/AIDS virus, a mutated version of the simian SIV1 virus that, originating in the African Congo, according to scientists, became the `incurable killer disease` of the late 20th century and was spread by homosexuals mixing blood, shit and semen in each others` anuses in mockery of the human futanarian species of `woman`s seed` mode of sexual reproduction of human brainpower for escaping their host womb slavers in parasitoid devourment. There`s an implicit correlation between ALZ-113 and ancient Greece where women`s host wombs were institutionally enslaved for the spread of homosexuality in pederasty for war`s contagion. Humans don`t want brainpower, whereas apes do, and the ALZ-113 kills humans, as HIV/AIDS does, because humans prefer homosexuality in pederasty for war against `woman`s seed`, which leaves the stage free for apes to emerge as their owners. SIV1, as it were, has worked as the apes `biological wepaon`, while HIV/AIDS has been used as their `biological wepaon` by the apes` agents, men, to ensure that `woman`s seed` remain in fearful faithfulness to their ring slavers` `serpent`s seed` in Satanism.



 In the sequel, Dawn Of The Planet Of The Apes (2014), humanity is almost dead from `Simian Flu`, and conflict between the human `remnant` and apes centers upon `the tower`, a half-finished San Francisco skyscraper appropriated by some humans, amongst whom is a man named Carver, who shoots Ash, an ape he meets in the forest, wounding him. Caesar takes the ape army to the tower in a show of strength at the instigation of Koba, an ape who hates humans because of experiments made upon him. Caesar gives permission for the humans to work on a hydro-electric dam to bring power to the city. Dreyfus, a human leader, secretly uses an armory to arm his followers distrustful of the apes, and Koba, beaten by Caesar for suggesting Caesar loves humans more than apes, breaks in to the armory to steal an assault rifle with which he kills Calver. Koba shoots Caesar and blames Calver, so inciting the apes to capture the armory and invade the tower.The return of electricity allows Dreyfus to contact a military base, and its remaining humans are coming to fight the apes. At the top of the tower, Caesar confronts Koba, who starts shooting at the apes. Koba is rejected as an ape by Caesar, who allows him to fall to his death. As the apes prepare for war, it`s evident that evil is a cross-species problem, and that they must guard against it, because they aren`t naturally immune.

 Of course, they couldn`t be immune against evil, because they`re a nape as much as men without `woman`s seed` to add brains there, rather than that men should continue to wage war to take them away in what amounts to an effective beheading of the `remnant` of the human race to escape the parasitoid brain-eaters, which science had suggested was one of the ways that the SIV1 virus mutated into HIV/AIDS, that is, humans in Africa ate monkey`s brains. Although it`s ruefully admitted that they could have had sex with them as well, which would`ve been equally likely to result in the transmission of the STD, which is why there are such strong parallels drawn between apes released from slavery, and black Africans manumitted from the cotton plantations in the Southern states after the American Civil war in, for example, Rise Of The Planet Of The Apes, where the apes free themselves from experimental laboratories. The unannounced racist ideology is that black Africans spread HIV/AIDS, after having sex with apes, because they are apes, which is a strong argument for laws against miscegenation imposed by race-supremacists, and against sexual reproduction between men and women per se insofar as only `woman`s seed` is human. Consequently, although War For The Planet Of The Apes (2017) is couched as a race war, it`s an animal war, without the human species of `woman`s seed` involved, because that`s how alien racist pogromers pogrom the race they`re killing.



 As a type of Moses, leading his people to freedom in a promised land, Caesar`s a cult figure of heroic dimensions for a human race sitting in the cinema having snorted its own balls, that is, ingested `woman`s seed` nasally for what primitive societies called mana or power, and smoked its own penis down to the butt, which means that it`s killed `woman`s seed` in a frenzy of homosexuality in pederasty for war against her. Consequently, although Caesar`s a psychopathic animal killer, he`s an innocent pitted against actor Woody Harrelson, in his role of Colonel McCullough, over from the local military base to battle with the apes. The Colonel represents homosexuality in pederasty for war`s testes` ingesting, and penis` smoking of `woman`s seed` down to her butt, before injecting the `remnant` of the human race with its `biological weapon`, HIV/AIDS. The humans` battle with the apes is a last rump for a bygone macho era of unbridled misogyny, to which Caesar in his role as Moses, guiding his people away from a world where the `beast` of Revelation, that is, men and women, who`ve become a single male brained creature wearing each others` clothes in TV transvestism, manufactured for the transmission of their beasts` contagion, is administering euthanasia: 'Let he that has wisdom have understanding. The number of the beast is the number of a man and his number is six hundred three score and six.` (Rev: 13. 8) `666` is 66.6%, which is the `remnant` of `woman`s seed`, that is, futanarian `woman`s seed` is 33.3% absent, and what`s left is the parasitoid TV transvestite waging war against itself for the entertainment of the alien: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.' (Rev: 13. 15) The `TV` battle, between the humans and the apes, is what parasitoid nature produces, but Caesar remains likeable for cinema-goers, because he represents the death of an old sickness, and a new innocence going forward, which they`d have liked for themselves.



 Poverty of imagination is a sign of a nape and a beheading, and audiences have seen the alpha and omega, `The Beginning And The End` sign, which Colonel McCullough brands his racist exterminators with, before. The `doomsday bomb`, worshiped by the humans in the ruins of New York City`s St Patrick`s Cathedral in 1970`s Beneath The Planet Of The Apes, had the same symbol, before Taylor detonated it, so destroying the world. The mute girl, Nova, who Caesar`s apes pick up and take with them, when they`re forced to leave their hideout behind the waterfall in the forest, after an attack by McCullough`s forces, appeared as long ago as 1963, in Pierre Boulle`s novel, Planet Of The Apes, amongst humans surviving an ape slave raid on a settlement on the planet, Sister (Soror), shortly after the astronauts` ship crashes, and she`s captured with them. Later she has a son, Sirius, in what`s obviously meant to be seen as the result of a serious telepathic rapport with the astronaut, Ulysse, and when the family return to Paris, France, the writer-torturer telepaths a gorilla in a jeep to meet with them. In her role as Nova, actress Linda Harrison is killed in Beneath The Planet Of The Apes, which is perceivable as a partial revenge for her strangling the astronauts` pet chimp, Hector, because she`s frightened by it, like she`s frightened by the gorilla in the jeep at the end of Boulle`s Planet Of The Apes. Nova`s killing of Hector at the beginning symbolically precipitates the slave raid, because it`s a human sister`s nightmare, which she`d tried to suppress. Nova dies in the ape attack on St Patrick`s Cathedral, where the `doomsday bomb` is being worshiped, and which Taylor detonates, so denying the apes` Earth inheritance. The alpha and omega symbol on the bomb is McCullough`s, so actress Amiah Miller`s resurrection of the role of Nova as a mute girl in War For The Planet Of The Apes is symbolic. Nova always appears when the writers want to re-represent her killing of the astronauts` pet chimp, Hector, as the impetus for the simians` `blood-feud` against the human race.



 In the original 1963 Pierre Boulle novel, Planet Of The Apes, Nova`s people behaved as dumb animals, who`d left speech behind them in their adherence to a placid evolutionary path representative of the desire for harmony with nature whereas, in 2017`s War For The Planet Of The Apes, she`s portrayed as struck dumb by a derivation of ALZ-113, which was produced as a cure for Alzheimer`s brain degenerative disease in 2011`s Rise Of The Planet Of The Apes but, although it enhanced the brains of Caesar`s apes held at San Francisco`s Gen-Sys, the animal experimentation laboratory, humans succumbed to it as a plague, which left the apes in control of the planet. Consequently, Nova is the film franchise`s symbolic woman, who didn`t want her human futanarian species of `woman`s seed` to be a nape for a headsman`s axe from the start of the dystopian plot against her utopian life. That she loses her home, and her race to colonize the planets amongst the stars of heaven, as the Colonel and all the other humans succumb to the virus that reduces them to primitivism, is symptomatic of a malaise brought upon her species by its enslavement to a parasitoid alien devourer killing her for its pleasure, which is what War For The Planet Of The Apes is. It`s about men`s war to behead women`s planet Earth, so that they can live there as brainless apes without `woman`s seed`, and engage in endless celebratory wars against her `remnant`: `Human get sick. Ape get smart. Then human kill ape. But not me. I run.` In his role as Bad Ape, actor Steve Zahn is succinct. Apes will run, and the human `footrace` can`t. SIV`s HIV/AIDS` mutation is symptomatic of the collapse of civilization through a form of sexual regression denying of woman`s human `seed`.


1 Frees, Paul Beneath The Planet Of The Apes, 20th Century Fox, 1970.

2 McDowell, Roddy as Milo/Caesar Conquest Of The Planet Of The Apes, 20th Century Fox, 1972.

3 Trundy, Natalie as Lisa Conquest Of The Planet Of The Apes, 20th Century Fox, 1972.

4 Serkis, Andy Rise Of The Planet Of The Apes, 20th Century Fox, 2011.

5 Zahn, Steve as Bad Ape War For The Planet Of The Apes, 20th Century Fox, 2017.