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POTUS

22/08/2017 10:59

POTUS

 

Pol Pot was a Cambodian President, who led (1963-97) the Communist Khmer Rouge in their struggle against the United States of America, which wanted to prevent their taking control of their nation, and supported anti-Communism in the region militarily during a period in history known as the Indo-China wars (1946-89). `Khmer` was the name of the Cambodian people, and `rouge` is French for `red`, because colonialist France was in control of Cambodia, and Laos, before France`s war with the Vietnamese (1946-54) resulted in a split between the French supported North, and Bảo Đại`s Empire of Southern Vietnam. The Khmer Rouge were the Communist Party in the Asian country of Cambodia, and so the French word for `red` was what they associated with Communist revolution, after the Russian Red army, which was conceived in stark contrast to the White army of Tsar Nicholas II, who was the ruler of the Russian Empire overthrown in October, 1917, by Communist revolutionaries, during the First World War (1914-18) with Germany. After a series of defeats in which the Tsar had appointed himself commander of the Russian White army, the Red army took control of Russia. Those countries espousing Communism subsequently adopted red as their color, for example, the Khmer Rouge, during the French Indo-China war, which involved `red` China. Although it was the German economist, Karl Marx, who developed the ideology of `workers control of the means of production`, rather than owners, in his Das Kapital (1867), it was Russia, and not Germany, which was defeated in its First World War attempt to enslave the world, that embraced Communism. Because the United States of America was in favor of `ownership of the means of production` by capitalist investors, the USA was against Communism, which resulted in war in Asia against those countries that didn`t want to be slaves. Germany`s Second World War (1939-45) belied Capitalism`s insistence on ownership as innately progressive, because slaving the Earth was the avowedly Christian objective of the German Empire. Consequently, Christianity, and slavery through ownership, was what Capitalism stood for.

 

 

 Although Pol Pot became President of Cambodia (1976-9), he subsequently implemented a pogrom equivalent to that of the German National Socialist (Nazi) Party of Germany elected in 1933 which, during and before World War Two, exterminated upwards of 20, 000, 000 Jews in `concentration camps` beneath the Roman Empire`s Anti-Christ symbol of the fasces `bundle` with an ax in its center. Pot decimated his nation of approximately 8 million Cambodians by 25% in forced `labor camps` similar to the gulag of Josef Stalin during his Presidency of Russia (1922-52) when, according to some estimates, 10 million people didn`t survive. The President of the United States is labeled POTUS, and a satirist might label the Presidency `poll POTUS`, because its exterminations are democratically sanctioned; like those of the Nazis. During the period when the European settlers were dispossessing the indigenous native inhabitants of North America, the Plains Indians` buffalo food resource, a 60, 000, 000 herd, was culled to just above a hundred animals in order to starve the Indians to death. Since the period of the Roman Empire, fascism has been the dominant political ideology masquerading as Communism, Capitalism, and Democracy. The Romans occupied Jewish Palestine during the period of Jesus `Christ`, `the chosen`, whose teaching was: `Love your neighbor as you love yourself.` (Mk: 12. 31) Taken to the hill of Calvary outside the city of Jerusalem, Jesus was nailed to a cross of wood and left to die as a `political dissident`. Unfortunately for the Romans, he experienced Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`. The Jews called themselves the `chosen people`, and their tradition was that a Jew was born only from a Jewish woman, which effectively meant that women were Jews, so Jesus` birth from his mother, the Virgin Mary, uncontaminated by male semen, meant he was a Jew. In Christian iconography, the Virgin Mary is depicted crushing the head of the serpent with her `foot`, because futanarian women have their own penis` semen, and can sexually reproduce as women with each other. In short, the pogroms of the 20th century - and before - were symptoms of a human species culled to prevent its escaping from its enslaver, which isn`t deemed human. After a poll, POTUS Richard Milhous Nixon (1969-74) ordered the `carpet bombing` of Cambodia in March 1969, and the continuance of the defoliation of Vietnam by means of `agent orange`; although it`s debatable whether the `gooks` (as the Americans called them) were for the pot. By 1976 a unified Communist Vietnam had defeated the US, and invaded Cambodia in 1979 to remove the `gook` king Pot`s parasitoid regime; without having a poll of their own to help them decide.

 

 

 Official American science fiction writer, Philip K. Dick, in his 1962 novel, The Man In The High Castle, wrote of an Africa in which the Nazis won, and the skulls of the Africans were used as bowls to eat their brains from, a satire on `poll POTUS` democracy which, invented by the ancient Greeks, was based on the institutionalization of homosexuality in pederasty for war against `woman`s seed`; through host womb enslavement in parasitism upon women: `Africa. For the ghosts of dead tribes. Wiped out to make a land of - what? Who knew? Maybe even the master architects in Berlin did not know. Bunch of automatons, building and toiling away. Building? Grinding down. Ogres out of a paleontology exhibit, at their task of making a cup from an enemy's skull, the whole family industriously scooping out the contents - the raw brains - first, to eat. Then useful utensils of men`s leg bones. Thrifty, to think not only of eating the people you did not like, but eating them out of their own skull. The first technicians! Prehistoric man in a sterile white lab coat in some Berlin university lab, experimenting with uses to which other people's skull, skin, ears, fat could be put to. Ja, Herr Doktor. A new use for the big toe; see, one can adapt the joint for a quick-acting cigarette lighter mechanism. Now, if only Herr Krupp can produce it in quantity …`1 Or, as Jesus` disciple, John, wrote in his apocalyptic Revelation of the future: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) Just as Benito Mussolini`s fascist dictatorship in Italy, after the election of 1922, succeeded the Empire of ancient Rome, the Romans` Empire had succeeded that of Greece, and western democracy adhered to its basic principles: `The number of the beast is the number of a man and his number is six hundred three score and six.` (Rev: 13. 8) In other words, war full grown from 66.6% of the potential human race, without that 33% constituting the possibility of a balanced psychology emerging from futanarian `woman`s seed`, seeks to devour the human race, which can`t recover from its psychopathic killer`s male braining; unless the imbalance is restored.

 

 

 Or, as Jesus said: `At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30) Because women together bear humanity. In Judaism the original man, Adam, created by God, is described as a hermaphroditic anthropos, that is, a futanarian woman, whose basic survival instinct is self-fertilization. That explains why Eve is depicted in the Old Testament of the Bible, which is the Torah and Talmud, that is the history and law of the Jews, as euphemistically being born from the `rib` or side of Adam, because men don`t want to know that women are `man created in the image of God`. In the paradise of heaven on Earth which is Eden where Eve and Adam dwelt, their enemy is represented as a fallen angel expelled from heaven above the Earth by God; for rejecting God`s plan that the human host be greater than the angelic. Transformed by God into a serpent, the angel, Satan, represents alien intelligence, which gives to Eve the `fruit of the tree of the knowledge of good and evil`, that is, death in ephemeral ignorance for her descendants; in exchange for power through war: `You shall be as gods.` (Gen: 3. 5) God expelled Eve and Adam from Eden with the promise to Eve that her `seed` would have Redemption, although there`s be `enmity` with the `serpent`s seed`, which would enslave her species` womb: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) The enslaver would seek to prevent the human species of futanarian women`s brainpower from developing the medical science of bodily rejuvenation, and the starship technology to take `woman`s seed` to colonize the planets amongst the stars of heaven above the Earth.

 

 

 Although Philip K. Dick`s The Man In The High Castle depicts, through the eyes of the Jewish-American veteran, Frank Frink, what might have happened if the Nazis had won, it actually examines what might have happened if the US hadn`t dropped the atomic bomb, `Little Boy`, from the Enola Gay aircraft, a B-29 superfortress, and the `Fat Man` A-bomb from the B-29 superfortress, Bockscar, on 6 and 8 August, 1945, which fell onto the Japanese cities of Hiroshima and Nagasaki. Dick`s high ranking Japanese official, Nobusuke Tagomi, reflecting on the need to replace Martin Bormann, the recently deceased replacement for the - incapacitated with syphilis - German Führer, Adolf Hitler, says: `Evil is not a view ... it's an ingredient in us. In the world. Poured over us, filtering into our bodies, minds, hearts, into the pavement itself.`2 Killing around 100, 000 people, the US` atom bombs destroyed the cities of Hiroshima and Nagasaki and effectively won the war in the Pacific theater for the Americans against Japan, which had sneakily attacked the becalmed US Pacific fleet at Pearl Harbor, Hawaii, on December 7, 1941, to begin its part in international fascism`s war to enslave the Earth.

 

 

 Dick`s thesis is that Germany would ultimately have attacked Japan, because he`s a parasitoid American. In parasitology, the parasite that emerges from the host to kill it is termed `parasitoid`, which is what men are: `God has eaten man.`3 As Dick`s Nazi defector `Baynes` succinctly `pots it`, as he awaits a third party to a deal with the unsuspecting Tagomi, and prepares to warn the Japanese of a plot by newly appointed Führer, Joseph Goebbels, to obliterate Japan. Dick would rather the Nazis had eaten Japan than the Americans, because it`s more `politically correct` from his nation`s parasitoid perspective. Baynes isn`t an excuse for the US` dropping of its atom bombs on Japanese cities, but a meditation on what parasitoid men`s evil nature is: `A psychotic world we live in. The madmen are in power. How long have we known this? Faced this? And - how many of us do know it?`4 US` foreign policy since World War Two belies its assertion that it`s a Christian nation with goals corresponding to Jesus` teaching: `Let he that is without sin cast the first stone.` (John: 8. 7) The German Nazis were only nominally Christians too. In the real history that Dick made his alternative out of, Martin Bormann replaced Deputy Führer, Rudolph Hess, after Hess was captured purportedly flying solo to Scotland on May 10, 1941, in a Messerschmitt Bf 110E - 1/N, for unannounced peace talks with the Duke of Hamilton at Dungavel House , South Lanarkshire, and Bormann persecuted Christians with a view to eliminating their churches in accordance with Nazi policy. Baynes` viewpoint is colored by the fact that his omniscient author`s a parasitoid American looking to see another nation, Germany, held responsible for destroying Japan: `It goes on, he thought. The internecine hate. Perhaps the seeds are there, in that. They will eat one another at last, and leave the rest of us here and there in the world, still alive.`5 Although Dick`s capable of envisioning in the novel within his novel, The Grasshopper Lies Heavy by the fictional author, Hawthorne Abendsen, that the British Empire would have sought to devour America`s and vice versa, after Abendsen`s WWII ended in 1947, that`s merely illustrative of men`s evil nature, rather than being indicative of a desire on the part of the author, Dick, that America religiously convert from its own parasitoid activity.

 

 

 The founder of Judaism was Isaac, son of Abraham borne by his wife, Sara, who barren thereafter, gave her maid, Hajer, to Abraham, and Hajer gave birth to Ishmael, whose descendant, Mohamed, according to tradition, received the Koran (610-30 C.E.) from the angels of God, which permitted the Moslem peoples in Islam to have four wives, so affording the possibility of sexual reproduction between the members of the human futanarian species of `woman` s seed` to occur within the family of man. When Al Qaeda, `the base`, terrorist group operating under the auspices of the notoriously misogynist Taliban regime of Afghanistan, and led by Saudi Arabia`s rich business heir, Osama Ben Laden, hijacked civil airliners to crash them into the Twin Towers of the World Trade Center in New York city, USA, on September 11, 2001, it was a euphemism for global `rough trade`, that is, that `brutality and violence` associated with homosexuality in pederasty for war against `woman`s seed`, which the `serpent`s seed` wanted to precipitate to maintain women as host womb slaves of unredeemed men`s evil parasitoid nature: `It horrified him, this thought: the ancient gigantic cannibal near-man flourishing now, ruling the world once more. We spent a million years escaping him, Frink thought, and now he’s back. And not merely as the adversary … but as the master.`6 The Gulf wars to remove Iraqi dictator Saddam Hussein`s army from Kuwait (1990-1), and the US invasion of Iraq to depose the dictator in March, 2003, which resulted in the declaration by his putative successor, Abu Bakr Al Baghdadi, of a new Caliphate laying claim to territories as far away as Spain, were symptoms of homosexuality in pederasty for war`s aim of extinguishing `woman`s seed`.

 

 

The Great Seal of the Presidency of the United States is the eagle, as it was a fascist emblem of the ancient Roman, and modern German Empire, and the human species of `woman`s seed`, in the desert wasteland of the Middle East, is its potted meat; carefully preserved by POTUS: `The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent's reach.` (Rev: 12. 14) Hidden publicly beneath the one piece coverall of their black burkas in the deserts of the Middle East, the Moslem women of Islam look askance at the penisless female `babes` of the mass media Empire of the district of Hollywood, `Babylon`, in the city of Los Angeles, on the west coast of the state of California, because they`ve seen Babylon before, `a woman` of the Bible. Her ancient ruin, capital city of the Persian Empire (c. 4000 B.C.), could be seen from dictator Saddam Hussein`s summer palace of Hillah: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Manufactured as a single male brained creature wearing each others` clothes in `TV` transvestism, men and women were `TV` before the television machine was invented in 1926 to regenerate the first `beast` of Revelation, the film industry: 'The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.' (Rev: 13. 15) Although the USA isn`t usually considered fascist, the decision of the President of the Motion Picture Producers and Distributors of America (MPPDA), Will Hays, in 1930, before Adolf Hitler`s Nazi Party was elected in Germany, to establish the `Hays code` preventing `woman`s seed` from being seen in movies, was as brutal a wielding of the fasces` ax as any death camp guard`s stacking the Jews like a bundle of logs before the furnace door: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`7 No love scenes for the human futanarian species of women; lest the race escape through its own brainpower of sexual reproduction: `The dragon stood before the woman, who was about to give birth, that it might devour the child as soon as it was born.` (Rev: 12. 4) If human sexual reproduction doesn`t occur, the alien conquers.

 

1 Dick, Philip K. The Man In The High Castle (1962), Gollancz SF Masterworks III, 2001, Ch 1, p. 17.

2 Dick, Ch. 6, p. 97.

3 Dick, Ch. 3, p. 41.

4 Ibid.

5 Dick, Ch. 15, p. 237.

6 Dick, Ch. 1, p. 17.

7 TV Tropes,

https://tvtropes.org/pmwiki/pmwiki,php/Main/FootPopping/ .

Tonsil Hammer And Kate Bush`s Hammer Horror

09/08/2017 15:11

Tonsil Hammer And Kate Bush`s Hammer Horror

 

Kate Bush was the English singer and performer identified as `phenomenal` by the British pop music industry after the release of her first album, The Kick Inside (1978), which saw the success of the track, `Wuthering Heights`, released as a single based on Yorkshire writer Emily Bronte`s nineteenth century novel, Wuthering Heights (1847), about the ghost of a woman, Cathy, who appears at a window, so causing the occupant of the room to discover to the reader the tragedy of her thwarted love for the former owner of the house, Heathcliff: `Heathcliff, it's me, Cathy come home, I'm so cold! Let me in-a-your window.`1 Kate`s second album, Lionheart (1978), produced the hit single `Wow`, about the United States of America`s `Big Ear` radio telescope located at Ohio State University, which picked up a burst of energy from the stars on 15 August, 1977, that astronomer Jerry R. Ehman thought too structured to be anything other than an extraterrestrial life form`s signal to Earth: `Wow! Wow! Wow! Wow! Wow! Wow! Unbelievable!`2 The album also saw the less celebrated single release, `Hammer Horror`, although for women it was a definitive statement, because of the sexual metaphor, `tonsil hammer` is a euphemism for fellatio, whereas for audiences of Hammer House of Horror studios` film productions, it`s a reference to the hammer used by the vampire hunter to drive a stake into the heart of the creature that lives immortally by drinking the blood of its victims; in order to kill it. In the promotional video for the `Hammer Horror` song, Kate Bush dances with a figure, wearing the sort of black hood usually associated with torturers, terrorists, hangmen, headsmen, and other executioners, for example, those in charge of the guillotine during the French Revolution (1789-99) when the aristocracy was being beheaded, because they`re not to be recognized by the crowd during the terrorism and/or the execution. Lest by some chance the torture victim is released, the torturer doesn`t want to be seen. Because the horror is hammer, it`s `tonsil hammer` perpetrated by the figure holding Kate that is frightening for the woman, because women have penis` semen of their own as futanarian `woman`s seed`, which most young women are never taught, so that men can continue with their horror story of a species in thrall to its torturer and executioner. If women can`t give each other fellatio, there`s no recourse to men`s handling of them as an aspect of their slave-ringing: `I'm the replacement for your part. But all I want to do is forget you, friend.`3 Kate`s `friend` doesn`t have her genitals, but futanarian women with penis` semen of their own do, as `woman`s seed`, with their own penis. Kate wants to forget the separation, because it was torture, and it`s torture to remember that now men have her member, which is her memory of the divorce from her species, which men beheaded by giving it their brains through rape; the tragedy of the race of `woman`s seed`: because she doesn`t want the man`s part in her future.

 

 

 Jesus `Christ`, `the chosen`, born of his mother, the Virgin Mary, uncontaminated by male semen, was executed among the `chosen people` of Jewish Palestine, when occupied by the Roman Empire, for his `dissident` teaching: `Love your neighbor as you love yourself.` (Mk: 12. 31) Taken to the hill of Calvary outside the city of Jerusalem, Jesus was nailed to a cross of wood where he died, but experienced Resurrection and Ascension to heaven in prefiguration of the colonization of the planets among the stars by `woman`s seed` impelled by their own brains` powers reproduced through their own mode of sexual reproduction, while the slavers attempted to prevent her from escaping their rings. Although religion doesn`t seem important to pop music, Jesus was killed by his disciple, Judas, because he spied a woman anointing the Jewish Messiah with `spikenard` perfume. Judas` spy canard was that Jesus should sell the `perfume` to raise money, that is, the perfume of the woman was a euphemism for Judas` slave ambitions. Selling Jesus to the Jewish religious police, the Pharisees, Jesus was handed over to the representatives of the Empire of Rome for `thirty pieces of silver` and executed, because he told Judas: `Leave her alone.` (Mk: 14. 6) Jesus was a member of the human species of `woman`s seed`, whereas Judas was among the slaving camp. In the 20th century, the eagles of Rome beneath the fasces` `bundle` with an ax in the center was the symbol of the German National Socialist (Nazi) Party which, elected in 1933, waged war (1939-45) in Europe, and the rest of the world through its allies, Italy, Japan, and Iraq, and killed upwards of 20, 000, 000 Jews in camps, because the Jews were the `chosen people` of the Bible, as written in their history and law, which is the Torah and Talmud in Hebrew, and the Old Testament of the Christian Bible that the Christians believe is superseded by the New Testament teaching of Jesus Christ, `the chosen`. Unfortunately, for Christianity, the Nazis attempt to exterminate the history of the futanarian `chosen people` of `woman`s seed` belies that assertion. In Judaism, founded by Abraham`s son, Isaac, a Jew can only be born from a Jewish woman, because women are Jews, while in Moslem Islam, founded by Mohamed, descendant of Abraham`s second son, Ishmael, the Koran (610-30 C.E.), given by the angels, according to tradition, permits four wives as a basis for sexual reproduction between women within the family. Christianity perceives Islam as illegitimate because Abraham`s son Isaac was married to Sara, who gave Abraham her maid, Hajer, when she discovered she was barren after the birth of Isaac, and Hajer was an unmarried woman. However, the four wives of Islam aren`t a retroactive attempt to legitimize Ishmael`s birth, but an attempt to resurrect `woman`s seed` away from the eyes of her exterminators:

 

`Give me a break!

Oh, let me try!

Give me something to show

For my miserable life!

Give me something to take!

Would you break even my wings;

Just like a swallow?`4

 

 

 In The Dreaming (1982), her fourth studio album, Kate`s feminist track was `Night Of The Swallow`, an obvious reference to fellatio designed to be a definitive statement on women`s role within a misogynist society based on men hatred for women who sought liberation rather than ring slavery in what the ancient Greeks institutionalized as homosexuality in pederasty for war against `woman`s seed`, and which was subsequently adopted by the western nations as `model democracy`. Traces of the problem for `woman`s seed` can be found throughout the history of the Earth. Babylon (c. 4000 B.C.) was the capital city of another Empire in the east, the Persian, situated at modern Iraq`s Hillah, where the ruins were overlooked by dictator Saddam Hussein`s summer palace there, during the US invasion to depose Nazism`s last supporter in the Middle East in March, 2003. Described as `a woman` in the Old Testament, `Babylon` is: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Because there, women were bred in homosexuality and pederasty for war against the human race by its enemy. When the district of Hollywood, city of Los Angeles, on the west coast of the United States of America`s state of California, provided the location for the first film by director, D.W. Griffith, Old California (1910), and rapidly became the center of the global film and mass media entertainment industry`s Empire, it wasn`t long before the fascistoid establishment of the `Hays code` (1933), which was a veiled excuse for having exterminated `woman`s seed` to prevent women from remembering: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`5 In Christian iconography, Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot, because that`s why she raises her futanarian species of `woman`s seed`, so that she can sexually reproduce brainpower to escape slavery. In simple terms, she shouldn`t get into bed with a man, according to the film industry, although what it actually seeks to prevent is sex between women, whose penis has already been removed from the scene, and the slaving misogynist wants the remnant of `woman`s seed` to remember their slave status: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) Jesus` disciple John`s vision of an apocalyptic future in his Revelation in the New Testament describes how the `serpent`s seed` has grown into a dragon of war against the human species of `woman`s seed`. In parasitology, the parasite that emerges from the host to kill it is termed `parasitoid`, which is a fitting description of what men are: `The dragon stood before the woman who was about to give birth to the child; to devour it the moment it was born.` (Rev: 12. 4) The child is the human race killed at birth: `Ooh he's here again. The man with the child in his eyes.`6

 

1 Bush, Kate `Wuthering Heights`, The Kick Inside, EMI, 1978.

2 Bush, Kate `Wow`, Lionheart, EMI, 1978.

3 Bush, Kate, `Hammer Horror`, Lionheart, EMI, 1978.

4 Bush, Kate `Night Of The Swallow`, The Dreaming, EMI, 1982.

5 https://tvtropes.org/pmwiki/pmwiki,php/Main/FootPopping/ .

6 Bush, Kate `The Man With The Child In His Eyes`, EMI, The Kick Inside, EMI, 1978.

Damned In Midwich

31/07/2017 12:36

Damned In Midwich

 

John Wyndham`s Midwich Cuckoos (1957) was a novel about children born inside a village in the fictional county of Winshire where the people inside a 2 mile hemisphere mysteriously become unconscious. Aerial photographs reveal a silver object, but the affect disappears along with the object after the `Dayout`. When the village awakens, the women of child-bearing age discover they`re pregnant. With golden eyes and silvery skin, 31 boys and 30 girls are born who`re telepathic coercives that can control others` actions. `The Children`, as they are known, have distinct boy and girl `group minds` suggesting that boys and girls aren`t the same. A man who accidentally hits a `Child` while driving is coerced telepathically to drive into a wall and kill himself. The villagers try to burn down Midwich Grange, where the Children are taught and live, but the Children telepathically coerce the villagers to attack each other. The Children `phenomenon` has occurred also in an Inuit settlement in the Canadian Arctic, a township in Australia's Northern Territory, a Mongolian village, and the town of Gizhinsk in eastern Russia, northeast of Okhotsk. The Inuit killed the newborn Children, sensing they were not their own, and the Mongolians killed the Children and their mothers. The Australian babies all died within a few weeks, suggesting something went wrong with their xenogenesis. The town Gizhinsk was `accidentally` destroyed by the Russian government using an `atomic cannon` from 50–60 miles away. Midwich resident, Gordon Zellaby, acts as a teacher and mentor of the Children, who regard him with as much affection as they can have for any human, permitting him to approach them more closely than they allow others to, so he hides a bomb in some projection equipment he takes to show them a film about Greece; and he and they are all killed: because that`s what fathers do. They force the women to have children, so they can accuse the children of being interested in adult things, which is what pedophiles do. Because women have penis` semen of their own as futanarian women, women are the single separate unmarrying human species, which is why Wyndham`s boys and girls have distinctly separate `group minds`. Forced to bear Children by men`s xenogenesis, the women`s host womb is enslaved by their parasite. As parasites that emerge to kill the host are termed `parasitoid` by parasitologists, that`s what men are. Consequently, the Midwich Cuckoos is a description of the parasitoid father, who feigns relations with the human host and its progeny in order to extinguish it.

 

 

Midwich Cuckoos was filmed as Village Of The Damned (1960), which is more explicit in that actor George Sanders as Gordon Zellaby, along with the rest of the Children, kills his own son, David: `You have to be taught to leave us alone.`1 In the film sequel, Children Of The Damned (1964), six Children are discovered by a United Nations Education and Science Organization (UNESCO) team of researchers investigating child development. British psychologist Tom Lewellin (Ian Hendry), and geneticist David Neville (Alan Badel), are studying Paul, a boy from London, whose mother, Diana (Sheila Allen), thinks it important to insist she`s a virgin, like Jesus` mother, Mary, who bore `Christ`, `the chosen`, uncontaminated by male semen, because Jesus` Resurrection and Ascension after crucifixion by the Romans prefigures that of `woman`s seed` to the stars. Unlike Mary, Diana hates her `Child`, because she`s the product of later generations bereft of `woman`s seed`, and manufactured as a single male brained creature wearing each others` clothes in `TV` transvestism for the `broadcasting` of the wars waged by the parasitoid fathers against their children, who don`t understand that they`re destroyed when they`re adults because it`s entertaining for their parents. In the novel by Wyndham, Midwich Cuckoos, it`s important that it`s a film about Greece that the Children are watching when Zellaby kills them and himself with a bomb, because ancient Greece is where homosexuality in pederasty for war through host womb enslavement of women was institutionalized. Lauded for being the `model of democracy`, Greece is actually the `beast` of Jesus` disciple John`s prophetic Revelation of the future: `Let he that has wisdom have understanding. The number of the beast is the number of a man, and his number is six hundred three score and six.` (Rev: 13. 8) Without `woman`s seed`, parasitoid democracy is 66.6% of the vote and homosexual, which is why Diana hates her `Child`, Paul, because `TV` women are parasitoid too.

 

 

 In Children Of The Damned, the Children, from China, India, Nigeria, Russia, the United States of America, and Britain are brought to London, England, for a collective study into their advanced intelligence, but escape from their embassies and gather at an abandoned church in Southwark, London. They telekinetically build a machine to kill using sound waves. Realizing the Children only defend when attacked, the military allow psychologist, Tom Lewellin, to persuade the group to return to their embassies. In response to their respective nations` seeking to enslave what has been revealed as valuable mental power, the Children kill embassy and military officials before returning to the church. Lewellin`s team notice differences between ordinary human blood cells and the Children`s. It`s implied that the Children are non-human, so a threat to the human race, as Jesus` threat was perceived by Judas, who saw him with a woman, and was worried that Jesus might reproduce, so gave him over to the Romans for execution as a `dissident` preaching acceptance of `woman`s seed`: `Love your neighbor as you love yourself.` (Mk: 12. 31) If `woman`s seed` reproduced, she`d escape slavery to the `fatherly` parasitoid. Consequently, scientific opinion shifts in Children Of The Damned to include the possibility that the cells of the Children are evolultionarily advanced. However, the Children, seemingly having decided their presence is incompatible with basic humanity, intend to lower their defenses to sacrifice themselves. In other words, basic humanity is parasitoid and seeks their deaths; as it sought Jesus`. Although the military attempt to abort the attack, the church is destroyed, and the children are killed. Having ascertained that the Children aren`t basic human adults, they`re killed, which is what pedophile child abusers do. The minds of children evincing signs of being adult are killed by parasitoid society, because it doesn`t want more adult minds. Moreover, if there weren`t children, there wouldn`t be any for their fathers to accuse, so it`s in the interests of the pedophile child abuser that there aren`t any more adults, who mightn`t want to accuse their children of disobedience in order to torture them to death, like Jesus, as `dissident` humanity. The Children in Children Of The Damned are accused of being alien, because it`s an alien child abuser that`s abusing them, and as experts in child abuse know, the way to persuade a child to accept abuse is to pretend that it`s evil. Or, in other words, the alien pretends that the human is alien, which the child`s mind is young enough to be conditioned to believe. As humans are individually born into ignorant ephemeral unconsciousness, it`s not in the interests of the pedophile child abuser that adults are immortal, so medical science is prevented from developing in slavery. By preventing `woman`s seed` from producing human brainpower that would confer adult immortality through science, the human race remains childlike and abused by the pedophiles, who accuse it of being interested in its own mode of sexual reproduction, for example, and is the reason for the absence of humans in the mass media, that is, futanarian women alongside the women of their human race.

 


 

 In the film remake of Village Of The Damned (1995), the children `pair off`, except for David, whose intended partner was stillborn. As a seeming result, he shows human compassion, whereas the others don`t. Their leader is Mara (Lindsey Haun), daughter of local physician, Dr Alan Chaffee (Christopher Reeve): Mara Chaffee: `If we coexist, we shall dominate you. That is inevitable. Eventually you will try to eliminate us.`2 Mara's mother, Barbara, commits suicide by walking off an ocean cliff in a scene reminiscent of Jesus` meeting with a man possessed by demons: `I am Legion.` (John: 8. 7) Cast out from the man by Jesus, Legion asks to enter a herd of pigs, and they run off a cliff`s edge and drown, because that`s what humans possessed by the parasitoid alien collective do. In short, Barbara is parasitoidally possessed, whereas the Children are fighting for independence from it. Because of the childhood loss of his partner, David and his mother, Jill McGowan (Linda Kozlowski), share grief over Barbara`s suicide. Scientist, Susan Verner (Kirstie Alley), produces David`s stillborn partner, which she`d kept to perform an autopsy. She reveals it as `alien`. The Children are upset by the child abuser`s accusing them of being alien, which is a standard device used to persuade children to accept abuse. The Children use their mental powers to have Susan stab herself fatally. When the villagers try to kill the Children, their leader is set afire. He burns to death. The state police, who are sent there, are telepathically coerced into shooting each other. Chaffee kills the Children with the bomb in the classroom, but Jill helps David to escape, which symbolizes how the human host womb bereft of `woman`s seed` is duped by the natural desire to rear a child into accepting the `seed` of its parasitoid host womb enslaver. David looks emotionlessly distant as his mother, Jill, drives him emotionally away in a car, because he`s human, while she`s bred to accept parasitoid nature. The pedophiles will continue to try to kill him presumably; to prevent his becoming an adult: because that`s how they maintain their slavers` system. Innocent, the `Child`, can be abused, so the alien parasitoid abuser defends itself by ensuring children remain ephemeral, and ignorant; until death brings release from tortured enslavement. All inquiring minds are targets; so women`s cocks are out.

 

1 Stephens, Martin as David Zellaby, Village Of The Damned, MGM, 1960.

2 Haun, Lindsey as Mara Chaffee, Village Of The Damned, Alphaville Films, 1995.

Jesus Wasn`t Interested In Who Qualifies

31/07/2017 12:34

Jesus Wasn`t Interested In Who Qualifies

 

When Jesus `Christ`, `the chosen`, encountered a man on the road near the town of Gadarene, he told Jesus: `I am Legion.` (John: 8. 7) Because the Roman Empire was occupying Jewish Palestine in the name of the Emperor, Tiberius, the name `Legion` alludes to the legions of Rome, which was the name for the armies of Rome`s slaving. Consequently, Jesus` casting out of the demon, `Legion`, is a metaphor for the Jews` desire that the Roman legions would leave Palestine. So Jesus` words, which were understood as a distillation of the history and law of the Old Testament of the Christian Bible, that is, God`s `chosen people` of the Jews` Hebraic Torah and Talmud, were an attempt to persuade the people of Palestine to remain patient during the days of Imperial Rome: `Love your neighbor as you love yourself.` (Mk: 12. 31) Jesus wasn`t a Christian, and neither was the man on the road near the town of Gadarene, but the New Testament of the Christian Bible uses the narrative as the basis for Christianity, which was the religion that arose from Jesus` role as `Messiah`. Consequently, when Jesus cast the demons out of the man, `Legion` asked Jesus if it could go into a herd of pigs, and Jesus agreed. The pigs ran off the nearby cliff and into the sea where they drowned, because that`s what demon-driven flesh does. Jesus` observation was that the Jews didn`t want to be occupied by the Roman legions, while for Christians it`s an opportunity to criticize those who don`t convert from evil, so that they can be rid of demons. However, because Jesus didn`t make distinctions between people, Christianity is accusing people of being pigs rather than ridding them of demons on the simpler basis of Jesus` teaching, which is that humans don`t want demons, so Christians rid them of them. In other words, Jesus wasn`t interested in who qualified as a pig, whereas modern Christianity presupposes that the people of their parishes haven`t accepted Jesus` teaching well enough for the church to stop identifying them with animals.

 

 

 Jesus was taken to the hill of Calvary outside the city of Jerusalem by soldiers of the local Roman legion where he was nailed to a cross of wood to die as a `dissident` Jew preaching against the occupation of Palestine by the Roman Empire. After his death he experienced Resurrection and Ascension to heaven in prefiguration of `woman`s seed` because he was born from the Virgin Mary, his mother, uncontaminated by male semen, that is, he was the prefiguration of futanarian women`s `seed`, who are women with penis` semen of their own, which is why Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot in Christian iconography. Humans want human brains, not those of animals. In short, Christianity is an apologia for breeding the human species of futanarian `woman`s seed` as animals for slavers. During Jesus` crucifixion there are three Marys who are known as the women of the foot of the cross; Jesus` mother, Mary, Mary Magdalene, and Mary, the wife of Clopas, because a woman of the `foot`, that is, a futanarian woman can fertilize a woman without a penis, but she needs a woman with a penis to fertilize her. In simple terms, the three Marys represent the single species` nature of futanarian humanity, which isn`t monogamous but rather corresponds to Jesus` description of heaven, that is, species` colonization of the planets amongst the stars through `woman`s seed`, where humanity is born only from its sexual activity: `At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30) From a Roman slaver`s perspective Jesus was difficult because he wouldn`t accept that he was an animal, and later Christianity judged that their people were. Consequently, the genuine hypothesis presented by the Christian church is that they`re engaged in animal husbandry as an agent for a breeder.

 

 

 According to the Old Testament narrative of the creation of the first man, Adam, by God, and the first woman, who God made to emerge from the rib or side of Adam, the angel Satan was turned into a serpent by God and placed in the paradise of heaven on Earth, where Adam and Eve lived, for rejecting God`s plan that the human host be greater than the angelic. Representing an earlier saurian evolution 248 m.a., in the Mesozoic period of Earth`s history, which preceded the evolution of hominids by 20 million years, Satan`s a fallen nature seeking to rise through host womb slaving of a species not its own, which is futanarian `woman`s seed`. In short, the anthropos or first man, Adam, was a self-fertilizing futanarian woman demonstrating her species` survival trait in producing Eve, who is euphemistically described as emerging from Adam`s `side`. Cast out of heaven from amongst the stars, by God, Satan represents the enslaving of humanity in parasitism by a race that, according to the Bible, still dwells as angels in heaven with God, although their degenerate representatives have enslaved the human race on Earth as animal husbanders. In short, humans are bred by devils in the guise of men for export, and humans are not necessarily men`s species, which is why Jesus urged men`s conversion from the sin of slavery, because `woman`s seed` is God`s `chosen people`, and eternal perdition, that is, unendurable pain, is the punishment God promises to the evil, while a new heaven and Earth is promised to good humanity. Of course, if humans were animals that`s what they`d be promised, which admits of Christianity being understood in the terms that the German economist Karl Marx described it, `religion is the the opium of the people`,1 that is, it`s an animal pacifier, so that the meat can be devoured by the `red dragon` of Jesus` disciple John`s prophetic Revelation of the future: `The dragon stood in front of the woman who was about to give birth, so that it might devour her child the moment it was born.` (Rev: 12. 4) The child is `woman`s seed`, which the serpent, grown since its days in Eden into the devouring dragon of war against the human host, seeks to subdue as its meat slave: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17)

 

 

 Since ancient Greece men have been slaving women`s host wombs in institutionalized homosexuality in pederasty for war against her human race until, by the late 20th century, men`s mixing of blood, shit and semen in each others` anuses had produced the `incurable killer disease`, HIV/AIDS, as a `biological weapon`, described in John`s Revelation as the `blood plague` (Rev: 11. 6), to keep women in fearful faithfulness to enslavement of their host wombs for war against futanarian humanity in monogamy`s ring slavery: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was institutionalize misogyny as a means of maintaining slavery. If women were trained to believe themselves inferior, they`d be an inferior race, and if the `remnant` of their `seed` wasn`t extinguished in war, it`d be forever an `easy kill` for the evil enslaver. Consequently, ancient Greece, held as `the model of democracy` by history, because of the absence of `woman`s seed` in institutionalized homosexuality in pederasty for war, was in fact the `model` for human history; as a `snuff` theater. Men and women, manufactured since at least ancient Greece as a single male brained creature, wearing each others` clothes in `TV` transvestism for the broadcasting of death in war as entertainment for the evil, was what the alien husbanded. In simple terms, like the animal in Douglas Adams` science fiction novel, The Restaurant At The End Of The Universe (1980), Satanism has bred the human race to ask to eat itself in the expectation that, when it encounters the `serpent`s seed` of Satan amongst the stars, it`ll ask to be eaten there too: 'You mean this animal actually wants us to eat it?'2 Trillian`s aside to Ford Prefect, the galactic hitchhiker who saved Earthman, Arthur Dent, when the Earth was demolished by Vogon aliens to make way for a hyperspace bypass, is apropos. Having vogued, the Vogons vogue on; after eating a species not well prepared.

 

1 Marx, Karl `A Contribution to the Critique of Hegel's Philosophy of Right`, Deutsch-Französische Jahrbücher, February, 1844. 

2 Adams, Douglas The Restaurant At The End Of The Universe, Pan, 1980.

Christian E.T

22/07/2017 13:38

Christian E.T.

 

Heterosexuality is the way that homosexuality in pederasty for war against `woman`s seed` pretends that you`re not `gay` if you`re married, whereas as Jesus said: `At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30) How this can be seen is by reading the first book of the Bible, and just a few verses, which will tell you everything that you need to know, as God told Eve: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) The serpent was the angel, Satan, turned into a serpent by God, the creator of the first man, Adam, and the first woman, Eve, for rejecting God`s plan that the human host would be greater than the angelic. Placed in their paradise of heaven on Earth that was Eden, the serpent, Satan, tempted Eve to `eat of the fruit of the tree of the knowledge of good and evil`, that is, death, rather than the `fruit of the tree of life`, which was immortality, saying: `You shall be as gods.` (Gen: 3. 15) Telling Eve her `seed` will have `enmity` with the `serpent`s seed`, God expelled Eve and Adam from Eden, saying Adam must labor, while Eve would experience `labor pain`, which the New Testament of the Bible based on the teaching of the Jewish Messiah, Jesus `Christ`, `the chosen`, interprets as his birth from his mother, another of the Jewish `chosen people`, uncontaminated by male semen, depicted in Christian iconography as her foot crushing the head of the serpent. Jesus was taken to the hill of Calvary as a `dissident` Jew during the period of the occupation of Palestine by the Roman Empire where he was nailed to a cross of wood and left there until he died for preaching what Christianity views as a distillation of the meaning of the law of the Jews in the Old Testament of the Bible, that is, their law and history, which is the Torah and Talmud: `Love your neighbor as you love yourself.` (Mk: 12. 31) Because Jesus was born from his mother alone, he was `woman`s seed`, and Eve`s birth from the side or rib of Adam was a euphemism for the human species` survival trait, which is that of self-fertilization. The human race is futanarian, that is, women have penis of their own naturally, which is why the human race is described as God`s `foot`.

 

 

 The `fallen angel`, Satan, whose species God has in heaven as the angelic host, was a saurian of an earier epoch in the history of the Earth, the Mesozoic 248 m.a., and the book of Genesis presents its attempts to host womb slave the human species of futanarian `woman`s seed` for the power that war confers upon it for its entertainment as the human race`s parasite. Jesus` death was followed by his Resurrection, and Ascension to heaven in prefiguration of that of `woman`s seed`, which isn`t men`s. Consequently, the history of Judeo-Christianity is the attempt to persuade men to convert from the way of the serpent, which is that of the enslavement of the human race for war against her: `And the dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) Jesus` disciple John`s prophetic Revelation of the future also describes how men`s institutionalizing of homosexuality in pederasty for war against `woman`s seed` in host womb enslavement, as practiced by ancient Greece, for example, the `model of democracy` for the nations of the Earth`s western hemisphere, and elsewhere, resulted in the `blood plague` (Rev: 11. 6) of the `red dragon`, that is, the late 20th century `incurable killer disease`, HIV/AIDS, spread in mockery of women`s mode of sexual reproduction by men`s mixing of blood, shit and semen in each others` anuses, which kept women as fearful host womb slaves in ring-slavery to monogamy`s misogyny: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was extinguish the human race`s capacity to reproduce its own brains` powers to make it their slave for war against itself for socio-economic gain and position, which is what Satan promised.

 

 

 Hominid evolution didn`t begin on Earth until the Jurassic period, 220 m.a., according to paleontologists, which means that saurians were the dominant species on the planet for 20 million years before hominids began to appear as the forerunners of the human race. 20 million years is a long time in human history, for example, television was invented in 1926, which is only 2000 years after Jesus Christ, and in the time of Tiberius, Emperor of Rome, when Christ was crucified, the Romans had the wheel, but little else in technological terms. Consequently, the saurians had a long period of the Earth`s history in which to develop technologies to take them to colonize the planets amongst the stars of heaven above, which is why God`s angels are described as unfallen `serpent`s seed`, that is, dragons with wings that don`t consume humanity with fire. Although God`s promise to the evil slavers of the human race is the `eternal unendurable pain` of perdition as a punishment, while the good receive a `new heaven and Earth, if `woman`s seed` is extinct, there`ll be no humans in heaven, unless they left millennia ago by the same route as the saurians, whereas the `remnant` of humanity upon the Earth will always be the murdered for the entertainment of the evil alien. Although there are some scientific theories about life arriving upon planetary bodies in viral form,1 parasitology observes that parasites that emerge from the host to kill it are termed `parasitoid` so, because men emerge from the human host to kill it, it`s irrelevant whether the `serpent`s seed` arrived as a virus, or as a `fallen angel`. However, whether men ca be deemed entirely responsible for their own actions, or they`re possessed by a demon from which they must convert in acceptance of `woman`s seed`, so that they can be born in heaven, according to the book of Genesis in the Bible, the `serpent`s seed` can be interpreted as having inveigled itself into the human host womb of the futanarian species of `woman`s seed` millennia ago before emerging as a parasitoid alien devourer to kill the human host that bores it.

 

 

 Without the love interest, and the concept of `woman`s seed` sexually reproducing her own brains` powers to escape from the parasitoid slaver of the human host species` womb, all of fiction, civilization, culture and art is a description of how the evil alien finds ways of waging war against the `remnant` of the human futanarian race of women`s. Or, in simpler terms, parasitoidally infected humanity wants to go in for the kill, and the narrator simply finds ways of delaying nuclear Armageddon to entertain the alien enough to continue with the narrative, which is what the 8th century collection of stories, 1001 Nights was. The `framing device` was the story of the Mogul Emperor, Shah Jehan, who beheaded his wife for alleged unfaithfulness with his brother, although she was innocent. Scheherezade tells tales to keep Jehan`s interest long enough to prevent him from pursuing his new practice of marrying a woman each day and beheading her each evening. Jehan marries Scheherezade and so she saves the women, a metaphor for how women were beheaded in marriage with a parasitoid alien monster. All of fiction since then, and for some time before, has the same `framing device`. The `remnant` of `woman`s seed` seeks to tell a story entertaining enough to prevent the evil alien from destroying the Earth with its intercontinental ballistic missiles (ICBMs) armed with nuclear warheads.

 

 

 In the 1950s alien invasion films featuring `bug eyed monsters` (BEMs) were de rigeur because eyes see BEMs in the workings of men possessed by the `serpent`s seed` of Satanism, although that`s the inexorable paradigm of parasitoid humanity, which the artist, bound by convention, and the censorship on human activity that attends alien imposed taboo, can`t circumlocute to reprieve the death sentence placed upon the human race by the alien invader, which prefers its teleology of telling stories of a race warring against itself for its entertainment until its extinguished it utterly. Independence Day (1996) was the epitome of such science fiction entertainment extravagantly presented as taking place on the anniversary of the date of the United States of America`s Declaration of Independence from the Empire of Britain`s George III on July 4, 1776. Although, amongst many others gobblely, the cities of New York, Los Angeles and Washington, D.C., are destroyed by parasitoidally devouring alien spaceships with devastating weapons` technologies that the armies of the Earth can only desperately dream of possessing so that they can do the same everywhere, the film is a celebration of men`s indomitable spirit, with no actual aliens anywhere in sight, apart from the celebrated, who`re represented by actor Bill Pullman in his role as 42nd US` President Thomas Whitmore:

 

`Perhaps it's fate that today is the Fourth of July, and you will once again be fighting for our freedom ... Not from tyranny, oppression, or persecution ... but from annihilation. We are fighting for our right to live. To exist. And should we win the day, the Fourth of July will no longer be known as an American holiday, but as the day the world declared in one voice: `We will not go quietly into the night!` We will not vanish without a fight! We're going to live on! We're going to survive! Today we celebrate our Independence Day!`2

 

 

 The advice from the alien warlord; keep on fighting for the freedom to be extinct. In Independence Day: Resurgence (2016), the events of which take place twenty years later, the power of alien technology has been harnessed gobblely to form the international military defense and research organization, Earth Space Defense (ESD), to resist a second fictional invasion designed to promote gobble holocaust and the extinction of all human life on the planet. A larger alien ship responding to the destruction by ESD of another that emerged from a wormhole near Earth's moon, proceeds to destroy much of the Earth's planetary defenses before beginning to drill down toward the Earth's molten core. The operation is supervised by a queen amongst the aliens that practice eusociality, that is, functional differentiation, whereby individuals lose physical functions, or attributes, depending on what role they have within the eusociality, and the Earthmen decide to kill the queen, which is what in fact men had already done with `woman`s seed` on Earth to implement eusociality in reality, wherein homosexuality in pederasty for war against the human `remnant` of futanarian `woman`s seed` through host womb enslavement for the entertainment of the parasitoid alien is the eusociality that they practice. Actor Brent Spiner, as Dr Brakish Okun, in charge of research at the secret `other intelligence` research center, known as Area 51, and who is revealed to be `gay`, releases a female virtual intelligence (VI), who reveals that she has a `mission`, to evacuate survivors, and band together with other survivors of worlds attacked by the alien `Harvesters`, to make the battle to survive more than just gobble.

 

 

 The delusion is that Dr Okun is eusocial, that is, homosexuals are more than humanly sexual, and so represent the `spirit` of humanity. Whitmore volunteers to suicidally destroy the queen: `We convinced an entire generation, that this is a battle that we could win. We sacrifice for each other no matter what the cost. And that's worth fighting for.`3 Once again, the phoenix will rise, and with no hint of irony, inspired by `gay` eusociality. Whitmore`s successor, actress Sela Ward in the role of 45th US President, Elizabeth Lanford, is a woman, who shares uncritically former President Whitmore`s perception that it`s necessary to accede to `gay` philosophizing, and so rise from the ashes they`ve prepared humanity for; in order to safeguard their future: `The countless lives that we lost in the war of '96 did not perish in vain. They inspired us to rise from the ashes as one people of one world.`4 Symbolically, it`s Whitmore`s daughter, actress Maika Monroe as Patricia, who kills the queen, so maintaining the illusion that the `remnant` of `woman`s seed` is defending the human futanarian species of women`s upon the Earth.

 

 

 Okun`s VI, in the role of his Scheherezade, whose stories continue, so that the moment of beheading can be delayed, heads the species out into space for another battle with the awesomely powerful fictional queens of the cosmos, and it`s in accordance with the evil alien`s parasitoid plan to devour the `remnant` of the human futanarian species of `woman`s seed` out there, so presumably preparing the way for the human phoenix to rise from the stately ashes its `gay` mentors have prepared it for yet again. Pretending that marriage between men and women is heterosexuality, rather than just male braining for war against the `remnant` of `woman`s seed` to ensure humanity`s extinction, and that `gay` men everywhere represent an advanced form of human eusocialism, wherein they function as special men with humanitarian ideals, ESD implements a racial battle plan to avoid being annihilated by hugely expensive real, and fictional creatures and creations, which are created to mirror `gay` men`s desire for a gobble destruction that sterilely perpetuates them, while sterilizing the planet for their alien masters` entertainment. As 1st US President, George Washington (1789-97), might have wryly observed, every time a new film celebrates its `coming out`, it`s July 4th - boom!

 

1 Wickramasinghe, Chandra `Bacterial Morphologies Supporting Cometary Panspermia: A Reappraisal`, International Journal of Astrobiology, 10 (1), pp. 25-30, 2011.

2 Pullman, Bill as President Thomas Whitmore Independence Day, 20th Century Fox, 1996.

3 Pullman, Bill as President Thomas Whitmore, Independence Day: Resurgence, 20th Century Fox, 2016.

4 Ward, Sela as President Elizabeth Lanford, Independence Day: Resurgence, 20th Century Fox, 2016.

A Nape, Beheaded

14/07/2017 12:24

A Nape, Beheaded

 

In Egyptian mythology, the father god, Ra, incarnates upon the Earth as Osiris, and his evil brother, Set, dismembers him, which leads to his sister, Isis, remembering him, and giving him a new penis, before Osiris reascends as the `sky god`, Horus, in the shape of a hawk. In other words, Ra incarnates and is beheaded, which prevents him from sexually reproducing his brains` powers, so Isis gives him a new penis so that he can sexually reproduce the brains` powers he needs to reascend to the planets amongst the stars, and that`s the meaning of the myth. The ancient Egyptian religion was replaced by Moslem, `acceptance`, Islam, `accept`, which was given to the people by Mohamed, the descendant of Ishmael, who was the second son of Abraham, whose first son, Isaac, founded Judaism, and was the child of Sara, who was barren after his birth, so gave her maid, `the Egyptian woman`, Hajer, to Abraham, and Hajer bore Ishmael. Judeo-Christianity attempts to say that Islam is illegitimate because Mohamed was the descendant of Ishmael, who was the child of a woman unmarried. Consequently, when the Koran (610-30 C.E.) was given by the angels of God as the basis for the four wife marriages of the Moslems, Judeo-Christianity argued that it was a retroactive attempt to legitimize Ishmael`s birth from Hajer, `the Egyptian woman`, who was unmarried, and which made Moslem Islam illegitimate as a religion. However, in Egyptian terms, Islam is cogent as a means of ensuring that the people keep their brains through a larger capacity for sexual reproduction within the family.

 

 

 In Judaism the tradition is that a Jew can only be born from a Jewess, that is, Jews are women, which is why they`re described in the Old Testament of the Bible, which is their history and law, that is, the Talmud and Torah, as `the chosen people` of God. Jewish tradition is improved on in Christianity`s New Testament of the Bible in which Jesus `Christ`, `the chosen`, is depicted as born uncontaminated by male semen from his mother, the Virgin Mary, who is represented as crushing the head of the serpent with her `foot`, because of Jesus` teaching: `Love your neighbor as you love yourself.` (Mk: 12. 31) Taken by the soldiers of the Empire of Rome to the hill of Calvary outside the city of Jerusalem in occupied Palestine, Jesus was nailed to a cross of wood and left to die as a `dissident`, but he experienced Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`, which is that part of the human race that`s futanarian, that is, women with penis` semen of their own who can sexually reproduce their own brains` powers to take their species to colonize the planets amongst the stars. Consequently, Islam`s Moslems have four wives, because that affords the possibility of sexual reproduction between futanarian `woman`s seed` within the Islamic family. Without `woman`s seed` the human species is effectively beheaded, which is why Jesus` mother, the Virgin Mary, is depicted as crushing the head of the serpent, Satan.

 

 

 Satan was the angel, according to the first book of Genesis in the Bible, who rejected God`s plan that the human host should be greater than the angelic, and was turned into a serpent and left in the paradise of heaven on Earth that was Eden and where God had also placed the first man, Adam, created by God, and the first woman, Eve, who is described euphemistically as being created from Adam`s rib or side, because Adam was a futanarian woman with penis` semen of her own and so she self-fertilized herself to give birth to Eve in an early demonstration of the basic survival trait of a `remnant` of the human species lost and abandoned on an alien world, for example. Before hominids appeared on the Earth 220 m.a., in the Jurassic period, the dominant life form was saurian, 220 m.a., in the Mesozoic period and, because many of the saurians were winged, that suggests they were the angels of God, whereas the `fallen` Satan is a depiction of the saurian parasite that attempted to enslave the host wombs of the human futanarian species of `woman`s seed`. Satan tempts Eve to `eat of the fruit of the tree of the knowledge of good and evil`, that is, death, saying: `You shall be as gods.` (Gen: 3. 5)

 

 

 In ephemeral ignorant unconsciousness, without God`s `fruit of the tree of life`, which conferred immortality, and the capacity to learn and retain knowledge of how to live and deal with evil through higher levels of technological development arrived at through the use of immortal brainpower, the `serpent`s seed` could entertain itself with war waged by the human race against itself for what it could grasp. Explaining that Eve would have `enmity` with the `serpent`s seed`, but Redemption would come, God told her: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) Futanarian `woman`s seed` would produce better brains` powers for her race to escape. In parasitology, the parasite that emerges from the host to kill it is termed `parasitoid`, which suggests that the saurian host womb slaver of the human futanarian species of `woman`s seed` is the serpent, Satan, grown in size since its days in Eden to a dragon of war emerging from the human host womb. From whence it`d slaved the human futanarian race of `woman`s seed` through its `serpent`s seed`, which is how Jesus` disciple, John, perceived it in his prophetic Revelation of the future: `And the dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17)

 

 

 Although Moslem Islam doesn`t appear to be similar to ancient Egyptian mythology, the ancient Egyptians called their spirit, `Ka`, and their soul, `Ba`, which is the name, Ka Ba, of the shrine of Abraham in Mecca, Saudi Arabia, to where the Moslems pilgrimage on a journey known as the `Haj`, after Hajer who, along with Ishmael, was thought to be instrumental in the construction of the shrine, and which symbolizes the futanarian unity of `woman`s seed`, that is, the sexual union of women with their own penis` semen for the production of their own brains` powers to escape from the `serpent`s seed`, and its parasitoid devouring wars against her species. Beheading is an early feature of storytelling in Moslem Islam, for example, the 8th century 1001 Nights `framing device` is of a king, Shah Jehan, who has his wife, Mumtaz Mahal, executed for a perceived unfaithfulness with his brother, which didn`t occur. Jehan goes on to take a new wife each day and behead her each evening, before Scheherezade begins telling him tales that are so entertaining that he marries her and doesn`t behead her, which saves the women of the realm. The narrative illustrates the fact that evil is entertaining for the parasitoid, which can`t accept `woman`s seed`, and that`s why it`s beheaded her. In the New Testament Jesus is asked about a woman accused of adultery, and wryly he observes that a species in thrall to a parasitoid devourer is a victim of adultery, but can`t be accused of it: `Let he that is without sin cast the first stone.` (John: 8. 7) The human futanarian species of `woman`s seed` beheaded by the `serpent`s seed` can only be observed to be adulterated, that is, poisoned, and can`t be accused of adultery, although without a head it`s a nape without a penis, that is, an ape.

 

 

 In modern fiction the obvious allegory is French science fiction writer Pierre Boulle`s 1963 novel, La Planète des Singes (Planet Of The Apes), which relates the voyage of space explorers from 1972, who age little during cryogenic sleep, but their spacecraft crashes centuries later on a planet they call Soror (Sister), which is run as a slave society by apes that keep humans for meat, and forced labor. As God had told Adam he must labor, while Eve would experience labor pain before Redemption, slave labor is an important biblical theme, which appears again when the Jews are slaves in Egypt to the Pharaoh Thutmoses III, before they leave for the land God`s promised them, and which the Egyptians attempt to stop them doing before God drowns them in the Red Sea after parting the waves for the Jews to pass through unscathed. In Al Khaf, `the Cave` chapter of the Koran, Moses and Joshua, who led the Jews to the promised land of Palestine, are depicted by the Red Sea where Joshua loses the fish that he`d been asked to keep for their supper, and Khidr appears from the waters to lead them for a while, although he says that, if they can`t bear with him, they must go. Khidr rebuilds a wall where there`s treasure buried beneath, because the people who`ll find it aren`t those the treasure is destined for, and then he kills a child he says is evil. After that, Khidr makes holes in ships, and the three embark in another ship, because Khidr says that there are slavers behind and he wants to escape. Moses and Joshua say they can`t bear with Khidr`s bizarre acts, and he tells them they must leave. As the law giver of God, Moses embodied rationality, and although Moses didn`t enter Palestine, Joshua was bound to the sword by the law, which led to war with those already living there. Consequently, the battle at Jericho, where the walls came tumbling down at Joshua`s behest, was a symbol of the buried treasure the Jews didn`t want the Palestinians to have, that is, human futanarian `woman`s seed` for the sexual reproduction of brainpower to produce a level of technological development that would allow them to live in freedom. What Khidr represented was the belief that it was better to run and escape, because it was a sign of the brainpower of the futanarian species of `woman`s seed`, which didn`t want slavery or war, as both were a sign of the ascendancy of the `serpent`s seed`, and Khidr was more able than those who`d govern by the law through the sword, because his people in Moslem Islam would keep their heads and their brains through their four wife marriages.

 

 

 Pierre Boulle`s novel was made into a 20th Century Fox film, Planet Of The Apes (1968), starring Hollywood actor, Charlton Heston, and with a similar plot, except that the ancient history of the planet is discovered to be that of humans, who destroyed it, and in a last scene Charlton Heston`s character, George Taylor, discovers the torch of the statue of Liberty poking out of the sand on a deserted stretch of beach. The film was remade in 2001, following several sequels and prequels, and was followed by what the global movie Empire of the United States of America lodged in the district of Hollywood, city of Los Angeles, on the west coast of the state of California, called `reboot`, that is, old film ideas made with new technology. In the sequel to the original film, Beneath The Planet Of The Apes (1970), humans are discovered in the remains of New York`s St Patrick`s Cathedral worshiping a nuclear bomb, which Heston in his role as Taylor subsequently detonates. The closing narrative is somewhat too celebratory of the parasitoid devouring for the comfort of those cinema-goers who wouldn`t like to be thought of as the playthings of Satanism: `In one of the countless billions of galaxies in the universe lies a medium-sized star, and one of its satellites, a green and insignificant planet, is now dead.`1 The premise of the sequel, Escape From The Planet Of The Apes (1971), is that three chimpanzee apes, actor Roddy McDowell as Cornelius, actress Kim Hunter as Zira, and actor Sal Mineo as Dr Milo had repaired Taylor`s ship and travel through time back to 1973 where they`re taken to Los Angeles` zoo. The plot is reminiscent of the Arnold Schwarzenegger film, Terminator (1984), in which a killing machine, Arnie, is sent back in time from 2029 to kill Sarah Conner, that is, actress Linda Hamilton in the role of the woman, who`s son, John, is to lead a future revolution. In Escape From The Planet Of The Apes, Milo is killed by a gorilla in the zoo, and Zira names hers and Cornelius` child, Milo, after him. When it`s revealed that the Earth was destroyed by Taylor in the future, after the apes had taken over the Earth and bred humans for slaves, the continued existence of Zira and her child is perceived as a threat to the future. Cornelius, and Zira are killed, but Milo survives. The plot is reminiscent of God`s exhortation to Eve too. There`ll be labor pain, but Redemption will come, that is, Milo has a Christ-like role. In the sequel, Conquest Of The Planet Of The Apes (1972), actor McDowell returns in the role of Milo, who is now called Caesar, the leader of apes rebelling against the brutal conditioning they`re made to endure, before they`re sold into slavery: `Lousy human bastards!` Suspected of being Cornelius and Zira`s child, Caesar is tortured with electricity and speaks. He is immediately sentenced to death. Obviously a joke centering around the concept of `freedom of speech`, a basic human right for US` citizens. Caesar`s Christ-like role is emphatic after the apes succeed in capturing the Ape Management slaving company`s premises and killing the human riot police arrayed against them:

 

 `… from this day forward, my people will crouch, and conspire, and plot, and plan for the inevitable day of Man's downfall. The day when he finally and self-destructively turns his weapons against his own kind. The day of the writing in the sky, when your cities lie buried under radioactive rubble! When the sea is a dead sea, and the land is a wasteland out of which I will lead my people from their captivity! And we shall build our own cities, in which there will be no place for humans except to serve our ends! And we shall found our own armies, our own religion, our own dynasty! And that day is upon you now!`2

 

 

 Caesar`s girlfriend, actress Natalie Trundy as Lisa, raises what the audience are meant to see as an ironically human objection to serving the apes` ends in an era of the transmission of the `incurable killer disease` HIV/AIDS, the STD derived from the SIV1 mutant strain: `… those who were our masters are now our servants. And we, who are not human, can afford to be humane. Destiny is the will of God, and if it is Man’s destiny to be dominated, it is God’s will that he be dominated with compassion, and understanding. So, cast out your vengeance. Tonight, we have seen the birth of the Planet of the Apes!`3 Although Milo/Caesar appears Christ-like, he`s actually closer to the figure of Spartacus, a slave and Roman gladiator, who led a successful revolt against the Roman Empire, before he and many of his supporters were crucified along the Appian Way from Rome to Capua, near where Spartacus had been trained as a murmillo heavyweight gladiator, and whose story was portrayed by Hollywood actor, Kirk Douglas in the film, Spartacus (1960). Although many slaves were crucified, there aren`t any reports of Resurrection and Ascension, because Jesus` was a prefiguration of that of `woman`s seed`, which is the meaning of the anti-gay history lesson.

 

 

  In the sequel, Battle For The Planet Of The Apes (1973), 21st century global nuclear war is depicted as having destroyed civilization, perhaps because of the absence of `woman`s seed`, and the subsequent unbalanced and psycho-pathological make-up of the `remnant` of the human mind. Milo/Caesar succeeds in cultivating peace between the apes and the surviving humans, although in the light of the knowledge of the Earth`s annihilation by the `doomsday bomb` at the climax to Beneath The Planet Of The Apes (1970), it`s a morbid post mortem. In the 2001 remake, Planet Of The Apes, the idea of changes in the future affecting the past are examined. At a USAF space station In 2029, actor Mark Wahlberg, in his role as Captain Leo Davidson, works with apes trained for space missions. The chimpanzee, Pericles, probes an electromagnetic storm approaching Oberon in a pod. Leo`s pod crashes on a planet called Ashlar. It`s now the year 5021 and Ashlar is ruled by apes while human are slaves. Pericles is taken for the ape god, Semos, when he lands to rescue Leo, and the apes bow, which suggests that the peace that seems about to break out between humans and apes will result in a simian victory. On his return to Washington, D.C., it`s therefore not so very surprising that Leo is immediately surrounded by apes at the foot of what should be the Lincoln Memorial, but there`s a statue there of Tim Roth in his role as the ape General Thade, whom Leo`s just escaped from in the future. Abraham Lincoln was, of course, the US President that fought the Civil war (1861-5) against the Southern states to manumit the black African slaves that worked on the cotton plantations there, which suggests that the themes of miscegenation and racism weren`t far from the minds of the makers of the films, that is, the plight of black African slaves and that of the apes are meant to be perceived as correlatives, because human futanarian `woman`s seed` is absent from the picture. In short, from a racist perspective none of the people on Earth are human, because the parasitoid devourer has consumed the species in its wars against her, and afterwards it decided to make films of itself for its own entertainment as the human race`s exterminator.

 

 

 In the `reboot` franchise, Rise Of The Planet Of The Apes (2011), it`s related how apes being experimented upon at the company Gen-Sys, to find a cure for Alzheimer`s brain degenerative disease, steal the ALZ-113 gas canisters, and use them to enhance their intelligence, before going to the San Francisco Zoo, and releasing the apes there to do the same for them. The apes, led by actor Andy Serkis in the role of a new Caesar, fight their way through a police blockade at The Golden Gate Bridge and escape into forest: `Caesar is home.`4 It`s revealed that ALZ-113 is a human species` killer, like the HIV/AIDS virus, a mutated version of the simian SIV1 virus that, originating in the African Congo, according to scientists, became the `incurable killer disease` of the late 20th century and was spread by homosexuals mixing blood, shit and semen in each others` anuses in mockery of the human futanarian species of `woman`s seed` mode of sexual reproduction of human brainpower for escaping their host womb slavers in parasitoid devourment. There`s an implicit correlation between ALZ-113 and ancient Greece where women`s host wombs were institutionally enslaved for the spread of homosexuality in pederasty for war`s contagion. Humans don`t want brainpower, whereas apes do, and the ALZ-113 kills humans, as HIV/AIDS does, because humans prefer homosexuality in pederasty for war against `woman`s seed`, which leaves the stage free for apes to emerge as their owners. SIV1, as it were, has worked as the apes `biological wepaon`, while HIV/AIDS has been used as their `biological wepaon` by the apes` agents, men, to ensure that `woman`s seed` remain in fearful faithfulness to their ring slavers` `serpent`s seed` in Satanism.

 

 

 In the sequel, Dawn Of The Planet Of The Apes (2014), humanity is almost dead from `Simian Flu`, and conflict between the human `remnant` and apes centers upon `the tower`, a half-finished San Francisco skyscraper appropriated by some humans, amongst whom is a man named Carver, who shoots Ash, an ape he meets in the forest, wounding him. Caesar takes the ape army to the tower in a show of strength at the instigation of Koba, an ape who hates humans because of experiments made upon him. Caesar gives permission for the humans to work on a hydro-electric dam to bring power to the city. Dreyfus, a human leader, secretly uses an armory to arm his followers distrustful of the apes, and Koba, beaten by Caesar for suggesting Caesar loves humans more than apes, breaks in to the armory to steal an assault rifle with which he kills Calver. Koba shoots Caesar and blames Calver, so inciting the apes to capture the armory and invade the tower.The return of electricity allows Dreyfus to contact a military base, and its remaining humans are coming to fight the apes. At the top of the tower, Caesar confronts Koba, who starts shooting at the apes. Koba is rejected as an ape by Caesar, who allows him to fall to his death. As the apes prepare for war, it`s evident that evil is a cross-species problem, and that they must guard against it, because they aren`t naturally immune.

 

 

 Of course, they couldn`t be immune against evil, because they`re a nape as much as men without `woman`s seed` to add brains there, rather than that men should continue to wage war to take them away in what amounts to an effective beheading of the `remnant` of the human race to escape the parasitoid brain-eaters, which science had suggested was one of the ways that the SIV1 virus mutated into HIV/AIDS, that is, humans in Africa ate monkey`s brains. Although it`s ruefully admitted that they could have had sex with them as well, which would`ve been equally likely to result in the transmission of the STD, which is why there are such strong parallels drawn between apes released from slavery, and black Africans manumitted from the cotton plantations in the Southern states after the American Civil war in, for example, Rise Of The Planet Of The Apes, where the apes free themselves from experimental laboratories. The unannounced racist ideology is that black Africans spread HIV/AIDS, after having sex with apes, because they are apes, which is a strong argument for laws against miscegenation imposed by race-supremacists, and against sexual reproduction between men and women per se insofar as only `woman`s seed` is human. Consequently, although War For The Planet Of The Apes (2017) is couched as a race war, it`s an animal war, without the human species of `woman`s seed` involved, because that`s how alien racist pogromers pogrom the race they`re killing.

 

 

 As a type of Moses, leading his people to freedom in a promised land, Caesar`s a cult figure of heroic dimensions for a human race sitting in the cinema having snorted its own balls, that is, ingested `woman`s seed` nasally for what primitive societies called mana or power, and smoked its own penis down to the butt, which means that it`s killed `woman`s seed` in a frenzy of homosexuality in pederasty for war against her. Consequently, although Caesar`s a psychopathic animal killer, he`s an innocent pitted against actor Woody Harrelson, in his role of Colonel McCullough, over from the local military base to battle with the apes. The Colonel represents homosexuality in pederasty for war`s testes` ingesting, and penis` smoking of `woman`s seed` down to her butt, before injecting the `remnant` of the human race with its `biological weapon`, HIV/AIDS. The humans` battle with the apes is a last rump for a bygone macho era of unbridled misogyny, to which Caesar in his role as Moses, guiding his people away from a world where the `beast` of Revelation, that is, men and women, who`ve become a single male brained creature wearing each others` clothes in TV transvestism, manufactured for the transmission of their beasts` contagion, is administering euthanasia: 'Let he that has wisdom have understanding. The number of the beast is the number of a man and his number is six hundred three score and six.` (Rev: 13. 8) `666` is 66.6%, which is the `remnant` of `woman`s seed`, that is, futanarian `woman`s seed` is 33.3% absent, and what`s left is the parasitoid TV transvestite waging war against itself for the entertainment of the alien: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.' (Rev: 13. 15) The `TV` battle, between the humans and the apes, is what parasitoid nature produces, but Caesar remains likeable for cinema-goers, because he represents the death of an old sickness, and a new innocence going forward, which they`d have liked for themselves.

 

 

 Poverty of imagination is a sign of a nape and a beheading, and audiences have seen the alpha and omega, `The Beginning And The End` sign, which Colonel McCullough brands his racist exterminators with, before. The `doomsday bomb`, worshiped by the humans in the ruins of New York City`s St Patrick`s Cathedral in 1970`s Beneath The Planet Of The Apes, had the same symbol, before Taylor detonated it, so destroying the world. The mute girl, Nova, who Caesar`s apes pick up and take with them, when they`re forced to leave their hideout behind the waterfall in the forest, after an attack by McCullough`s forces, appeared as long ago as 1963, in Pierre Boulle`s novel, Planet Of The Apes, amongst humans surviving an ape slave raid on a settlement on the planet, Sister (Soror), shortly after the astronauts` ship crashes, and she`s captured with them. Later she has a son, Sirius, in what`s obviously meant to be seen as the result of a serious telepathic rapport with the astronaut, Ulysse, and when the family return to Paris, France, the writer-torturer telepaths a gorilla in a jeep to meet with them. In her role as Nova, actress Linda Harrison is killed in Beneath The Planet Of The Apes, which is perceivable as a partial revenge for her strangling the astronauts` pet chimp, Hector, because she`s frightened by it, like she`s frightened by the gorilla in the jeep at the end of Boulle`s Planet Of The Apes. Nova`s killing of Hector at the beginning symbolically precipitates the slave raid, because it`s a human sister`s nightmare, which she`d tried to suppress. Nova dies in the ape attack on St Patrick`s Cathedral, where the `doomsday bomb` is being worshiped, and which Taylor detonates, so denying the apes` Earth inheritance. The alpha and omega symbol on the bomb is McCullough`s, so actress Amiah Miller`s resurrection of the role of Nova as a mute girl in War For The Planet Of The Apes is symbolic. Nova always appears when the writers want to re-represent her killing of the astronauts` pet chimp, Hector, as the impetus for the simians` `blood-feud` against the human race.

 

 

 In the original 1963 Pierre Boulle novel, Planet Of The Apes, Nova`s people behaved as dumb animals, who`d left speech behind them in their adherence to a placid evolutionary path representative of the desire for harmony with nature whereas, in 2017`s War For The Planet Of The Apes, she`s portrayed as struck dumb by a derivation of ALZ-113, which was produced as a cure for Alzheimer`s brain degenerative disease in 2011`s Rise Of The Planet Of The Apes but, although it enhanced the brains of Caesar`s apes held at San Francisco`s Gen-Sys, the animal experimentation laboratory, humans succumbed to it as a plague, which left the apes in control of the planet. Consequently, Nova is the film franchise`s symbolic woman, who didn`t want her human futanarian species of `woman`s seed` to be a nape for a headsman`s axe from the start of the dystopian plot against her utopian life. That she loses her home, and her race to colonize the planets amongst the stars of heaven, as the Colonel and all the other humans succumb to the virus that reduces them to primitivism, is symptomatic of a malaise brought upon her species by its enslavement to a parasitoid alien devourer killing her for its pleasure, which is what War For The Planet Of The Apes is. It`s about men`s war to behead women`s planet Earth, so that they can live there as brainless apes without `woman`s seed`, and engage in endless celebratory wars against her `remnant`: `Human get sick. Ape get smart. Then human kill ape. But not me. I run.` In his role as Bad Ape, actor Steve Zahn is succinct. Apes will run, and the human `footrace` can`t. SIV`s HIV/AIDS` mutation is symptomatic of the collapse of civilization through a form of sexual regression denying of woman`s human `seed`.

 

1 Frees, Paul Beneath The Planet Of The Apes, 20th Century Fox, 1970.

2 McDowell, Roddy as Milo/Caesar Conquest Of The Planet Of The Apes, 20th Century Fox, 1972.

3 Trundy, Natalie as Lisa Conquest Of The Planet Of The Apes, 20th Century Fox, 1972.

4 Serkis, Andy Rise Of The Planet Of The Apes, 20th Century Fox, 2011.

5 Zahn, Steve as Bad Ape War For The Planet Of The Apes, 20th Century Fox, 2017.

Christians, Luddites, Levellers, and Communists Aboard The Starship Enterprise

08/07/2017 15:06

Christians, Luddites, Levellers, and Communists Aboard The Starship Enterprise

 

In 2255, using details of the alternate reality, which is described as the Kelvin Timeline in the film, Star Trek (2009), about the crew of the starship, Enterprise, from the television series, Star Trek (1966-69), and their earlier years at the Starfleet Academy, Rick Barba wrote, in his second contribution to the short-lived Starfleet Academy series of four novels, The Gemini Agent (2011), that when James T. Kirk was being investigated for irregular computer activity, Leonard McCoy briefly worried Kirk might have been searching for pornography. Why that should concern anyone in the year 2255 is of some concern. Given the fact that pornography is defined as non-violent, while callous routine murder is depicted almost universally in the mass media as entertainment, to suggest that everyone in 2010 should still be very worried about actress Denise Crosby, the Enterprise`s chief security officer and tactical officer, Tasha Yar, during the Star Trek: The Next Generation (1987-94) television `rehash`, appearing nude in the March 1979 issue of publisher Hugh Hefner`s Playboy (1955-), seems designed to highlight an evil that`s endemic in human socio-sexual relations.

 

 

 Capitalism is the belief that machines produce products, and that the products belong to the owners of the machines, although the communist perspective that became de rigeur after the publication of German socio-economic philosopher Karl Marx`s Das Kapital (1867) was that the operators of the machines should `control the means of production`, which was understandable so long as the machines needed operators, but by the late 20th century machines no longer needed operators and so earlier forms of dispute between workers and machine owners arose. People adopted a Luddite, or Levellers approach, whereby machines were condemned as evil because the owners wouldn`t share the product. During the Industrial Revolution (1760-1840) in Britain, which gave birth to the machine age, Luddites were named for Ned Ludd, a worker in the textile industry, who broke two knitting frames in 1799. The Luddite `frame-breakers` were against machines because they wanted the owners to share their products with them in the form of wages for operating the machines, whereas the capitalist perspective was that the machines belonged to them, and so did all of the product; if they didn`t need labor to operate the machines. The Levellers were a 17th century political organization that grew out of a move to combine several small holdings to make a larger farm, and which was fought by the Levellers, who levelled hedges enclosing land that was formerly shared communally, in the mistaken belief that the owner didn`t own the land. In other words, Luddites and Levellers held onto the false principle that the owner shouldn`t own, and which was the basis of the argument against communism that, as a political movement seemingly advocative of sharing product amongst the workers who produced it as operators of the owner`s machines, at one point took over almost all of the continent of Eurasia.

 

 

 In simple terms, the workers` movement was against those who owned machines and kept all of the product for themselves, whereas that`s what people who plant their own seeds do. At some point they cease to rely on others to work for them and the manufacturing process escapes from the employed. Traditionally, workers argue that the producer, that is, the manufacturer of the product through machinery owned by the producer, shouldn`t escape from them, but that ignores the fact that the producer is more intelligently human insofar as they have machines that produce without needing operators to give the manufacturer the product they`ve invested in. In Christian capitalism the perspective held derives from Jesus` words at what came to be called the `Last Supper` before his crucifixion as a `dissident` against the Roman Empire then occupying Jewish Palestine for preaching: `Love your neighbor as you love yourself.` (Mk: 12. 31) Christianity is a sharers` religion based on the principle that Jesus gave `bread and wine` to his disciples at the `Last Supper` as symbols of his `body and blood`, which all then partook of during the meal. When Jesus was taken to the hill of Calvary outside the city of Jerusalem and nailed to a cross of wood where he was left until he died, it was understood by Christians as a meal.

 

 

 Jesus` Resurrection and Ascension to heaven was understood as illustrating the idea that Christians would have what they called Redemption; if they had more meals like that. However, God`s words to Eve, the first woman, according to the Jewish Torah and Talmud, that is, the history and law of the `chosen people`, which is the Old Testament of the Christian Bible, before Jesus` New Testament, are clear: `You will crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) In Christian iconography, Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot, because `woman`s seed` is futanarian, that is, women can sexually reproduce with each other, so Jesus` Resurrection and Ascension to heaven uncontaminated by male semen prefigures that of the human brainpower of `woman`s seed` over that of males, who`re meals for Christians, because they prefer violence to pornography, whereas God explicitly told Abraham, who was the father of Isaac, who founded Judaism, `be fruitful and multiply`. Violence is important because it`s a version of Ludditism and what Levellers or communists do, that is, they deny the intelligent the products of their labors, which is why Eve and the first man, Adam, were told that Adam would labor, while Eve would experience `labor pain`, before Redemption could be. Eve`s labors were ended with the production of Jesus `Christ`, `the chosen`, as prefiguring the Resurrection and Ascension to heaven of `woman`s seed`. There the human futanarian species would produce without men, whereas men`s labors would continue; until they were able to accept the redemptive fact that they could be born from women alone. That was the heaven of colonization of the planets amongst the stars without their violent males` wars, which were the `meals` that were formerly associated with Jesus` `body and blood`, that is, Redemption through human sacrifice shared in by the violent. Although Jesus` sharing of his `body and blood` with the disciples was a promise of futanarian `woman`s seed` to come, the institutionalizing of the transubstantiation ritual of transformation within the Christian church, as a sip of communion wine form the officiate`s goblet, and a sliver of waver of bread, was interpreted by Christianity as a preliminary taste of the violence to come that would be Redemption for the believers.

 


 

 Although the transformation desired was acceptance of `woman`s seed` in heaven, male violence was interpreted as a transubstantiative meal in which everyone shared and had Redemption, although the murdered didn`t want to share in the murder, which meant that there wasn`t any Redemption for the murderer, although the victims were always sacrificed in Christianity`s wars on the understanding that they`d have Redemption after being a meal in the name of Jesus` `bread and wine`, which was his `body and blood` at the `Last Supper` before his death, Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`, which would be killed as a meal and so would never reach heaven., because that`s how Christianity`s Satanism interpreted it. Satan was the angel of God who rejected God`s plan that the human host should be greater than the angelic, so God turned Satan into a serpent where, in the paradise of heaven on Earth that was Eden, Satan tempted Eve to `eat of the fruit of the tree of the knowledge of good and evil`, that is, and accept death for her race in ephemeral ignorant unconscious host womb slavery to the parasitism of the `serpent`s seed`, saying: `You shall be as gods.` (Gen: 3. 5) Jesus` disciple, John, explained it in his prophetic Revelation, where he described what would happen when the `serpent`s seed` of Eden had become fully grown: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) In parasitology, the parasite that emerges from the host to kill it is termed `parasitoid`, which is what men are. In simple terms, the Bible explains that `woman`s seed` will be extinguished by men, but will have Resurrection and Ascension to heaven, and those men of the `serpent`s seed`, that is, who`re fooled by Satanism, will experience God`s eternal punishment of unendurable pain, that is, perdition, for believing that Jesus` Christian Redemption was devouring the human race in war as a meal in which more victims meant more redeemed.

 

 

 Although Jesus is epitomized as the `perfect man`, because he was celibate, according to Christian tradition, whereas in the Islamic tradition of the Moslem religion, based on the Koran (610-30 C.E.) received by Mohamed, founder of Islam, and the descendant of Abraham`s second son, Ishmael, Jesus has a family, Christian celibacy for Jesus is based on Judas` treachery. When Jesus was found with a woman, Judas, his disciple who was known for stealing from the collection plate after a sermon, suggested that the `perfume` be sold to raise money. Jesus demurred: `Leave her alone.` (Mk: 14. 6) Judas` response was to make sure that Jesus, born uncontaminated by male semen, as a prefiguration of the Resurrection and Ascension to heaven of `woman`s seed`, with her brainpower for developing advanced technologies to escape her `parasitoid` alien devourer waging war against her species, wouldn`t reproduce to threaten the male brained Empire of Rome`s slavery, so he accepted `thirty pieces of silver` from the Jewish religious police, the Pharisees, who gave Jesus over to the slavers of Rome for execution: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) `Babylon` (c. 4000 B.C.) was the capital city of the Persian Empire, which warred with ancient Greece, where homosexuality in pederasty for war was institutionalized as host womb slavery, that is, women were whored by the parasite, because that`s what men are. Christianity`s approval of Jesus` celibacy was a slaver`s, because the human futanarian race of `woman`s seed` wouldn`t produce its own brains` powers; if it didn`t. In Moslem Islam the Koran permits four wives, although Abraham`s son, Isaac, who founded the largely monogamous religion of Judeo-Christianity, was born of Sara, she became barren, so gave Abraham her maid, `the Egyptian woman` Hajer, who bore Ishmael, whose descendant, Mohamed, founded Islam, and which Judeo-Christianity views as a retroactive attempt to legitimize Ishmael`s birth from a woman unmarried, whereas the four wives of the Moslems legitimize the sexual reproduction of `woman`s seed` within the family as a means of avoiding the slaving of human brainpower by monogamy`s ring-slavers in ownership of host wombs for the waging of parasitoid war against the human race, which is why Jesus has a family in Islam.

 

 

 For Christianity pornography, that is, `be fruitful and multiply`, which was God`s instruction to Abraham, the patriarch of Judaism and Islam, is taboo, because adultery is perceived as evil, whereas women are a single species which is adulterated by men. Consequently, sex between women is what pornography is designed to conceal. By defining sex as evil, because encouraging of adultery, humans are defined as evil because sexual, which is how the parasitoid alien killed the species. If all of the pornography depicts men preparing a male meal in the alien parasitoid`s devouring wars against the human race, then violence is the result of not making pornography, which is non-violent, available to the human futanarian species of `woman`s seed`, that is, by banning Mary`s `foot` from the mass media, which is what the President of the Motion Picture Producers and Distributors of America (MPPDA), WIll Hays, did with his `Hays code` in 1933, war is the only entertainment made by men for the enjoyment of the alien parasitoid devourer in Christianity`s Satanism: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`1 No love scenes in bed for the woman with her futanarian foot on the cutting room floor of the film editors, who don`t want women to know that they`re only the host womb producers of war for the Moguls:

 

`From the sky will come a great king of terror:
To bring back to life the great king of Angolmois, (the Moguls),
Before after Mars [the Roman god of war] to reign by good luck.`2

 

 

 The 16th century French seer, Nostradamus, prophesied the events of 9/11, 2001, whereon planes hijacked by terrorists crashed into the World Trade Center in New York city to re-establish homosexuality in pederasty for the spreading of war and its contagions, that is, the Twin Towers were chosen because they symbolized `rough trade`, which is that `brutality and violence` associated with homosexuality and pederasty`s contagiousness represented at the close of the 20th century by the `incurable killer disease`, HIV/AIDS, spread by men`s mixing of blood, shit and semen in each others` anuses in mockery of the human futanarian species of `woman`s seed` mode of sexual reproduction: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was exterminate the futanarian human race`s production, so they could keep on killing it in racism by reproducing it from its own host womb as an alien parasitoid farmer, and make movies out of its adulterate, that is, its boy sons (poisons), to entertain themselves and their slavers in Satanism. Although Star Trek, with all of its series, prequels, movie spin-offs and `reboots` appears moral, and all of the aliens depicted as evil are in fact so, the premise is that of a jail for women, who aren`t conceived by the producers as able to sexually reproduce and, if they were, alien sexual taboos would prevent women`s human mode of sexual reproduction being disseminated to television audiences, so ensuring that the human race`s extinction went, as the inventor of the means of starship propulsion, the `warp drive`, Zefram Cochrane, said `… boldly on where no man has gone before.`3 Preventing chief security officer and tactical officer Tasha Yar`s cock from appearing in Playboy ensured human extinction, and complaining that she was nude made sure it wouldn`t ever be resurrected, or ascend to colonize the planets amongst the stars either.

 

 

 As capitalism wants to keep the product of its machines without sharing, so `woman`s seed` is the human machine that wants to keep its product. Those who want to debilitate the ingenuity of the individual entrepeneur are the enemy of the human race, because they want to operate the machinery. Consequently, Jesus was nailed to a `puppet control`, because `woman`s seed` represented the ingenuity of the human race unfettered. The nails made holes in Jesus` hands and feet, because the wooden cross was identical to the control used by puppeteers to attach puppets to by strings, so that Jesus could be manipulated by the `workers who control the means of production`, as Karl Mark said they should in Das Kapital, and so they do. The workers of the puppets `control the means`, that is, their `means` don`t allow the producers any of the product, and indeed endeavor to make sure that there isn`t any product and, if there is, kill it, and wait for it to stop being reincarnated as a poor copy of what went before. It was George Martin, producer of the pop group, The Beatles, who saw that the human race`s brainpower was diminishing with each successive generation denied by `the means`, who were those who don`t want the producers to have any of the products of their labor. Martin wrote the tracks for the album, Yellow Submarine (1968), which became the soundtrack for the film, Yellow Submarine (1968), in which Martin`s lyrics criticized the `means` in the person of Old Fred, `voiced` by comedic actor, Lance Percival: `It starts with a Blue Meanie attack.`4 Fred sets off in his submarine to ask The Beatles for help when the Blue Meanies invade Pepperland. As the lyric to the track, `It`s All Too Much`, suggests, the Meanies begin to prevent everyone from enjoying the means that had formerly been at their disposal: `All the world is birthday cake. So take a piece but not too much.`5

 

 

 The human futanarian species of `woman`s seed` is, symbolically, the Yellow Submarine, which isn`t a coward, because it could torpedo the `serpent`s seed` of men`s parasitoid devouring alien, but It`s too deeply submerged in the unconscious of women`s repressed human nature to re-emerge without, as the Yellow Submarine track `All You Need Is Love` suggests, removing taboo and censorship: `All you need is love, love. Love is all you need.`6 Woman wants to escape in starships, like the Enterprise, which represents technologies potentially devised by her own brains` powers, rather than be operated, or operated on by the `biological weaponry` of the `serpent`s seed` of homosexuality in pederasty for war`s `incurable killer disease`, HIV/AIDS, injected into the brain through the anus by means of the penis that the alien parasitoid had stolen from the human futanarian species of `woman`s seed` to enslave and kill her. Or, as actor Paul Angelis, the voice of the `Chief Meanie`, in The Beatles` Yellow Submarine film, says, `A thing of beauty; destroy it forever!`7 Whether the virus arrived from outer space,8 or the early hominid womb was slaved by the saurians dominant on the Earth 248 m.a., in the Mesozoic period, and which remain in heaven with God as `angels`, something `other` inveigled itself into the human host womb millennia ago to steal the penis` `semen of the species of `woman`s seed` to emerge and kill her at its leisure. Describing itself as her protector, it bugs its eyes at the stars, like the traditional `bug-eyed monster` (BEM) of the science fiction movie, while preparing to launch its intercontinental ballistic missiles (ICBMs) to make sure eyes see BEMs everywhere before they die on Earth. `TV` series, like Star Trek, pretend that they haven`t killed the women`s penis, so that the manufacture of the single male brained creature, that is, men and women wearing each others` clothes in `TV` transvestism for the `broadcasting` of wars against the `remnant` of `woman`s seed` on the television machine invented by John Logie Baird in 1926, can go on hiding their crime, so allowing the criminals to continue to present themselves as guarding Tashar Yar`s Enterprise for the stars and the future, while making sure the human race dies unfertilized.

 

 

 The 21st century successors to the ancient Greek pederasts in homosexual host womb enslavement for war were the `geeks`, who devised `bad machine code` to infect computer brains and kill them, so preventing individual entrepeneurships from developing enough financial independence for them to escape wage slavery, and workers who want to be the beneficiaries of the machines` product, although they aren`t the owners. The virus paradigm is that of the huge hollow wooden `Trojan horse` left by the Greeks before the walls of the city of Troy, according to Homer`s poem, Iliad (760-10 B.C.), which was let into the city by the unwitting Trojans and the Greeks emerged therefrom to enslave the host wombs of the women for pederasty and war against the `remnant` of `woman`s seed`. The modern `geeks` called their BMC `Trojan horse`, because the aim was the same as the ancients. To infect and kill the capacity of women to live independently of their enslavers, so that the `remnant` of `woman`s seed`, which was still capable of developing artificial intelligence (AI) to take them to colonize the planets amongst the stars, couldn`t.

 

 

 Tasha Yar`s name is evocative of Baba Yar, which means `the gully of the old woman`, and was a place in Russia, where the Jews in Kiev were murdered by the Christian `Nazis` on September 29-30, 1941. The German National Socialist Party movement, after their election, and that of their leader, Adolf Hitler, who assumed dictatorship in 1933, waged an unsuccessful 1939-45 war to enslave Europe, which followed on from the German Empire`s attempt in 1914-18, and both were typical of parasitoid activity. By the war`s close 20, 000, 000 Jews had been exterminated in `Stalag` death camps throughout Europe. In Judaism, it`s only possible to be born a Jew if born from a woman, that is, women are Jews, or rather the futanarian `chosen people` are `woman`s seed`, so incidents, like the extermination of the Jews in Kiev, were attempts by the alien parasitoid to make women`s futanarian `seed` extinct.

 

 

 For the evil, the meaning of the name of the Star Trek character, Tasha Yar, is the `gully` where `woman`s seed` was made extinct, because Tasha means `born on Christmas day`, which is the day of the birth of Jesus, born uncontaminated by male semen, from his mother, the Virgin Mary, and whose death, Resurrection, and Ascension to heaven prefigures that of `woman`s seed`, which the parasitoid alien Nazis killed, while pretending to be security guards for the sake of the children of pederasty underneath the tree. Or, rather, in between the logs, where the `nigger` always hides in the woodpile, because the Christian Nazis stacked the Jews like logs, after cutting down their `tree of life`, which was God`s promise of immortality, before they incinerated them, so the woman`s log was the one where, although she was stacked too, she didn`t feel so deserving of its being consumed in the flames. In Episode 23 of Star Trek: The Next Generation, Season 1, `Skin Of Evil` (1988), actor Patrick Stewart as the Enterprise`s Captain, Jean Luc Picard, has the task of remembering Tasha Yar, who`s been killed by Armus, an alien devourer, who resembles black quicksand, on the planet Vagra II, `Captain's Log, Stardate 41602.1. One of the saddest duties I've ever had to perform is now ahead of me.`9 Sadder, because no one remembers the woman`s penis, although she was well stacked. They only remember how evil her skin was for appearing in March 1979`s issue of Playboy.

 

 

 In the film, Red Dragon (2002), made from Thomas Harris` 1981 novel, actor Ralph Fiennes is Francis Dolarhyde, a psychopathic killer who `skins` women and wears their skins, which is effectively what men of the parasitoid `serpent`s seed` have been doing since ancient times when `woman`s seed` was first targeted for enslavement by the parasite through her human futanarian species` host womb. Perhaps the simplest explanation is to be found in the 8th century collection of stories, 1001 Nights, in which the `framing device` for Scheherezade`s stories is the beheading by Shah Jehan, the Mogul ruler, of his wife, who he falsely accuses of unfaithfulness. Scheherezade tells him stories that cause him to marry her, when he`d adopted the practice of wedding each day, and killing his bride each evening. Scheherezade saves the women by telling Jehan `spellbinding` tales, whereas Star Trek is a means of keeping the human race interested, while the alien kills it. The `red dragon` appears in Jesus` disciple John`s apocalyptic Revelation, because it`s a snake that doesn`t want to shed its skin, but grow into war`s devouring parasitoid alien. Without her own penis` semen, women`s race is brainless, or beheaded, that is, men wear her skin, because theirs isn`t the `seed` that has won, which is why Dolarhyde`s psychopathology is normative for meals. They want the story, and the dragon of war wants to be the narrator.

 

1 https://tvtropes.org/pmwiki/pmwiki.php/Main/FootPopping/ .

2 Nostradamus, Michel Les Prophecies, 1555, Century X, Quatrain 72.
3 Cromwell, James as Zefram Cochrane, (`Captain`s Oath`), `Broken Bow`, Episode 1, Season 1, Star Trek: Enterprise (2001-5), September 26, 2001.

4 Percival, Lance as the voice of Old Fred, Yellow Submarine, Apple, 1968.

5 Martin, George `It`s All Too Much`, The Beatles, Yellow Submarine, Apple, 1969.

6 Martin, George `All You Need Is Love`, The Beatles, Yellow Submarine, Apple, 1969.

7 Angelis, Paul as the voice of the Chief Meanie, Yellow Submarine, Apple, 1968.

8 Wickramasinghe, Chandra `Bacterial Morphologies Supporting Cometary Panspermia: A Reappraisal`, International Journal of Astrobiology, 10 (1), pp. 25-30, 2011.

9 Stewart, Patrick as Jean Luc Picard Star Trek: The Next Generation, `Skin Of Evil`, Episode 23, Season 1, April 25, 1988.

Jerry Wasn`t A Man

30/06/2017 07:38

Jerry Wasn`t A Man

 

Science fiction writer, Robert A. Heinlein (1907-88), wrote a short story, `Jerry Was A Man` (1947), because the tale concerned a `simp`, that is, a `superchimp` amongst many others created by a future society, with an enhanced brain to perform menial tasks that the people of the future didn`t want to perform themselves, and the title derives from the eventual verdict of a court of law that Jerry was a man, because he was demonstrably so. The theme was later developed by Pierre Boulle, science fiction author of the novel, Planet Of The Apes (1963), which was made into a Hollywood film, Planet Of The Apes (1968), starring actor, Charlton Heston, as astronaut George Taylor, and his crew, whose ship left Earth in 1972, and who`d been in cryogenic sleep, so age only 18 months, and arrive at a future Earth on November 25, 3978, although they believe it to be an unknown world. There they discover that the dominant life form are now chimpanzees, because humans were docile through advanced technology they no longer control, although the apes do have sufficient control of technology to now control the humans as their slaves, and Taylor, `Bright Eyes` to his captors, becomes a slave: `Take your stinking paws off me, you damn dirty ape!`1

 

 

 In Boulle`s 1963 novel, Planet Of The Apes, an ancient human city is excavated, and an unconscious human lab subject, whose brain has been stimulated by electrodes, recites from racial memory the events that led to the fall of human civilization. Humans tamed apes, and eventually used them as servants, but apes started looking humans straight in the eye, and after that they developed speech. In the 1968 film version, the remnants of the technologically advanced human society are also found to pre-date simian history: `… your breed made a desert of it … ages ago!` The apes set explosives to destroy the evidence of the human society, which is revealed to be that of ancient Earth, when Taylor finds the statue of Liberty`s torch, while walking along a deserted stretch of sand. In Boulle`s novel a cerebral laziness is depicted as taking hold of humans, and apes take over their homes. According to the subject`s racial memory, docile humans tried to live in camps, until only a single camp remained, which was attacked by apes carrying slavers` whips.

 

 

 On August 18, 2007, the United States of America`s ABC network broadcast a television version of `Jerry Was A Man`, as a part of its science fiction anthology series, Masters of Science Fiction, in which `anthropoid workers`, nicknamed `Joes`, were made into dogfood at the close of their useful working lives. Euphemistically, a `Joe` is someone thought of as being a joke, because of their personality, and the joke would be that Jerry represents `demons trouble`, that is, it`s demons` trouble that he`s a man. Or, in other words, it has to be demonstrable to men that a man is a man, because they`re demon slavers. In simpler terms, Jerry is the ape that is turned into a slave by simian slavers, which is the joke. That`s what men are. The slavers are simians, who artificially enhance a chimpanzee, so that he is demonstrable, that is, demons` trouble is what it means to be made an example of by men, who`re demons. Jesus `Christ`, `the chosen`, was taken to the hill of Calvary, outside the city of Jerusalem in Palestine, then occupied by the soldiers of the Roman Empire, where he was nailed to a cross of wood, as an example of what demons do, because Jesus was a `dissident` who preached: `Love your neighbor as you love yourself.` (Mk: 12. 31) He was demons` trouble, that is, trouble to the demons, who therefore made an example of him.

 

 

 Jesus had met a man near the town of Gadarene, who said: `My name is legion.` Legion was the demon possessing him and, far from coincidentally, was also the name by which the army of Rome, then occupying Jewish Palestine, was called. Jesus told the demons to leave the man, and they asked to go into a herd of pigs, which promptly ran off a cliff and drowned. Legion was demons` trouble. Jesus was able to demonstrate that those who seek to make an example of a man aren`t men, but demons, or possessed by demons, and who`re demons` trouble as demons. Born from his mother, the Virgin Mary, uncontaminated by simian semen, Jesus experienced Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`, which is futanarian women`s, with their own penis` semen for the sexual reproduction of their own brains` powers; to escape slavery through technological advancement.

 

 

 The Old Testament of the Bible, which is the history and law of the Jews, that is, the Torah and Talmud, gives some clues as to what possession by demons is. God tells Eve, the first woman: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) In Christianity, which is the religion deriving from the New Testament of the Bible, based on Jesus` teaching, Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot, because Jesus represents Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed` after the defeat of the `serpent`s seed`, which is demonically possessive. The serpent in the Bible is Satan, the angel expelled from heaven by the creator, God, for rejecting God`s plan that the human host be greater than the angelic, and turned into a serpent by God, which God then placed in the paradise of heaven on Earth that was Eden, and where Eve, the first woman, and Adam, the first man, had been placed after being created by God too.

 

 

 Eve emerged from the side, or `rib` of Adam, a euphemism for futanarian self-fertilization and birth, that is, Adam was a futanarian woman with `woman`s seed`. Satan represented earlier saurian evolution in the Mesozoic period 248 m.a., which preceded hominid evolution in the Jurassic period 220 m.a., which the `serpent`s seed` of the saurians wanted to enslave through host womb parasitism. Consequently, Satan`s temptation of Eve to `eat of the fruit of the tree of the knowledge of good and evil`, that is, death, was an aspect of the saurians attempt to enslave the human futanarian species of `woman`s seed` for the power to wage war upon her Earth: `You shall be as gods.` (Gen: 3. 5) In parasitology, the parasite that emerges to kill the host is `parasitoid`, which is demons` trouble. Because that`s what men do, they`re possessed by saurian consciousness; as Jesus` disciple wrote in his prophetic Revelation about the future that would occur if the `serpent`s seed` of Eden was allowed to grow in size to be a devouring dragon: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 17. 5)

 

 

 It`s demons` trouble that Jerry is a man, because he has to defer to their judgment, whereas God explains quite clearly in the Bible that the good will have heaven on Earth, and a new heaven after Judgment Day, whereas the evil will experience eternal unendurable pain, which is perdition, that is, it`s irrelevant whether Jerry is a man or not; he has to be good. Obviously, giving Jerry advanced intelligence, and turning him into a slave, isn`t good for Jerry, which is demons` trouble. Although it`s plan that Jerry is a good worker, and therefore he`s a man as defined by God`s law. However, in the ABC TV version, Jerry is an explosive ordnance disposal technician or `minesweeper`. As in the Heinlein short, Jerry demonstrates his humanity to the court by singing, `Old Folks At Home` (1851), which was sung by negro slaves, taken from their homes in Africa to work on the cotton plantations of the Southern slaving states of the US, before the Civil war (1861-5) of manumission: `Way down upon de Swanee ribber …` In spite of the sentimental power of the anti-slavery theme, Jerry`s lawyer argues that his most human characteristic is his sense of self-preservation, which is demons` trouble as video footage of Jerry cutting himself away from where a mine is, so a fellow minesweeper gets blown up instead, which may be pragmatic, but it isn`t human.

 

 

 Of course, science fiction, or any work of fiction that purports to be human, isn`t. Because the mainstay of fiction is war, by the parasitoid alien nature of the saurian demoniacal consciousness, against `woman`s seed`, and which somehow millennia ago inveigled itself into the human futanarian host womb of the species to steal its penis, and semen, to replicate itself as the race`s devourer, Jerry`s act of self-preservation is demons` trouble symptoms of race hatred for humanity. Some critics argued that Jerry was Robert Heinlein`s black African, and that he was arguing that black people were inferior, because it was demonstrable that a negro was a simian. However, such arguments are representative of demons` trouble, that is, of saurian parasitoid consciousness possessing the human, because it`s clearly Heinlein`s view that slavers are inferior and simian, because they don`t want `woman`s seed` to sexually reproduce man in heaven above, whereas that`s what Jesus said would occur after women`s Resurrection: `At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30) The race of women are single and independent, rather than ring slaves in ownership for the production of simian workers, which is why Jerry wasn`t a man to men, because he was demons` trouble, that is, until they could explain him as one of them. The ABC TV version, where Jerry facilitates another`s death in his stead, was an attempt to present him as a demon to men, who are his demons, because `Jerry Was A Man` was demons` trouble until he was explained as a-being like they were.

 

1 Heston, Charlton as George Taylor in Planet Of The Apes, 20th Century Fox, 1968.

Cultural Sensitivity In SF

15/04/2017 19:18
Cultural Sensitivity in SF
 
Sounding institutional, the word `religious` connects with ritual, or `established` in the sense of `establishment`, whereas `spirit` is a relational attitude corresponding to inner belief, or mental outlook, definable in terms of distrust of, or disregard for, materiality, wherein the individual discerns that which entraps or deceives the mind, so as to involve the body in activities likely to result in decay or degeneration. Religious activities, in the form of ritualized observance of rules and modes of behavior, are designed to ensure the safety of the body and/or mind in relation to what has been called, `the world, the flesh, and the devil`1, that is, religion observes God`s laws as helpful in maintaining the body/mind duality, while the spiritual individual is someone who has accepted that the world of the spirit is a source of aid when encountering the possible pitfalls and entrapments posed by wholeheartedly agreeing to engage with the external physical reality without reflection and unaided by religious ritual or spiritual attitude.
 
 
 
 
 Science fiction writing poses a dilemma. How to satisfy readers` interest in other religious beliefs, while remaining culturally sensitive to the local religion`s hegemony. Defining `spiritual` is more often than not simply a matter of equating it with `good` and steering well clear of descriptions of religious ritual and observance. However, there are some aspects to religion which are non-contentious. Religion presupposes a supreme divinity, called `God` in the West, and `Allah` more often than not in the Middle East, which is about as far as an SF writer is advisable to go when discussing the differences.
 
 
 
 
 Judeo-Christianity arose in Palestine, through the teachings of the Jewish Messiah, Jesus, and became the New Testament of the Bible, after the history and law of the Jews, that is, the Torah and Talmud, called by Christians the Old Testament of the Bible, which was historically followed by the Koran (610-30 C.E.) of Mohamed`s Moslems in Islam. The Koran is a history and law of the descendants of Ishmael, the second son of Abraham, whose first son, Isaac, founded Judaism, which called God variously; `Jehovah`, `Eloah`, `Yahweh` (there are no written vowels in the Hebrew word, YHWH, so the pronunciation of the tetragrammaton is traditional), etc. `Allah` and `Eloah` are homonyms suggestive of synonymity, although it`s testing the bounds of cultural sensitivity to suggest identity. Textual analysis of the Koran and the Old Testament is revelatory of more similarity than difference, which would be expected if the naming of the supreme deity was equivalent to an understanding of that being`s actual nature.
 
 
 
 Traditionally understood as given to him by angels, that is, beings assisting the supreme deity, the Koran of the Prophet Mohamed ibn Abdullah is seen in human terms as legitimizing Ishmael`s birth from a woman not Abraham`s wife, Sara, that is, her maid Hajer, given to Abraham by Sara after the birth of Isaac, her son, because the birth had made her womb barren. Judaism espoused monogamy, while Islam embraced a maximum four-wife polygamy, and although Christianity favors monogamy it accepts Jesus` simple teaching on the nature of promoting peaceful relations: `Love your neighbor as you love yourself.` (Mk: 12. 31). Sometimes erroneously used to mean `religious` in SF and/or usage, because `spiritual` could be applied to Jews, Moslems, and Christians, spirituality isnt related to belief, and believers aren`t religiously identical. Consequently, the word `spiritual` isn`t as contentious as `religion` when communicating with readers of different religious backgrounds, so it`s use is more advisable in open discussion, because less likely to provoke accusations of cultural insensitivity.
 
 
 
 Jesus was crucified by agents of the Roman Empire of Tiberius and experienced Resurrection and Ascension to heaven, according to what are called the Gospels of the four Evangelist disciples (Matthew, Mark, Luke and John) of the Jewish Messiah, that is, Jesus `Christ`, `the chosen`, which are corroborative narratives of the extraordinary life of the miracle working healer and proselytizer, Jesus, but in the Koran Jesus isn`t crucified, and rather enters into paradise as an Islamic teacher. In Judaism, Jesus` name doesn`t figure at all, and the narrative of the Patriarch Abraham, his son Isaac, and descendant Moses, `the law giver`, who according to the Old Testament received the Ten Commandments of God from a mountain top on tablets of stone during the Jews` exodus from their period of captivity as slaves in Egypt in the reign of Pharaoh Thutmoses III, which are the prohibitions by which Jews live against the taking of life in different ways, figures more highly. Research can provide a more satisfying and culturally acceptable framework for discussion amongst Jews, Moslems, Christians, Hindus, and Buddhists, etc., in which none of them find objections, and that suffices an SF approach posed with the problems of living and entering into new cultures, or welcoming those from other backgrounds with the minimum discomfort affordable to the welcomed and the welcomers in social terms.
 
1 Bernal, J.D. The World, The Flesh And The Devil: An Enquiry into the Future of the Three Enemies of the Rational Soul, 1929.

The Last Tramp

15/04/2017 07:28
The Last Tramp
 
A man walks into a hotel and goes to the reception where he stands and says to the receptionist, `I haven`t any money, but I`d like a cup of coffee.` The receptionist dispenses to him a cappuccino from behind the reception desk with the brass bell on it to ring if there`s no one there to deal with the visitors hoping to be admitted as guests of the establishment. The man asks, `Where can I sit to drink the coffee?` The receptionist comes around from behind the desk through the aperture devised to admit and afford egress to the encumbent within the reception area and leads the man over to a table amongst some other tables by a window and seats him upon a chaise longue. `Do you need anyone to work here? I haven`t any skills, but I`m strong and physically unimpaired.` The receptionist tells him, `Yes, we need someone to sweep the stairs. We have a lot of stairs and it`s a needed employment, which the hotel can afford to give to you.` `I accept your generous offer,` says the man, `please show me the tools I will require and tell me when to begin.` He drinks the cappuccino in a single gulp and stands. The receptionist says, `Come with me, please.` He follows and is led to a lift where the receptionist says to the lift attendant, `Please take this man to the second floor of the hotel and put him into room 213. Here`s the key.` `What,` the receptionist pauses to ask, `is your name?` The man tells her, `Geoffrey Monmouth.` `This man, who attends to the needs of the guests with the lift, is Gregory Liversidge, and I am Everest Snow.` The three watch the progress of the lift`s descent by means of the indicator lights as it travels down from 7 to G-for-ground floor.
 
 
 
 
 The lift attendant, resplendent in his hotel uniform of red serge, with golden stripes along the outside of the trouser legs, and golden buttons to fasten the double breasted jacket, takes care to adjust the red and gold striped pillbox hat on his crown and stands aside gesturing for Monmouth to enter the empty space within the lift as the doors open. The attendant passes through and into the lift before turning to press the button for floor 2. Before the doors close behind the lift attendant, and the newly ensconced sweeper of the stairways, the receptionist has something else to say, `You`ll find most of what you`ll need for your stay in the bathroom. The hotel will give an advance so you can buy what else you need. There`s a suit and shirt in the wardrobe in the bedroom, which may suit you. If not, we`ll establish what you need in the way of suitable attire and obtain it somehow. I`ll be along later with the advance.` The receptionist turns a heel and retreats without further remark from either of the occupants of the lift with its now silently closing doors. The attendant and his charge ascend to floor 2 and they leave the lift to cross the hallway to the room 213 where the attendant gives the key to the sweeper of the stairways, who says, `The key.` He takes the key and ceremoniously unlocks the door to the room. Uncertain whether the lift attendant has anything else to contribute to the scene, Monmouth walks through the hallway to the round brown glossy table he can see at the further end inside a room that he supposes is a lounge area. Placing the key on the table, he turns and asks, `Coffee?` Liversidge smiles, `There`s usually coffee in the bedrooms, along with a water heating jug and some bags of tea,  dried milk, sugar, and non-calorific sweeteners; for if you don`t want sugar. I`ll leave you here now.` The lift attendant, resplendent in his red and gold, leaves through the hallway and out the door; closing it simply.
 
 
 
 
 Monmouth goes through the lounge past what he supposes is the bathroom, because of the white gleaming marble he can see is there, and on into what he presumes is a bedroom as he can see the pink silken curtains parted to give a view of some trees with a similar pink and bedroomy colored carpet beneath the window. That causes him to gravitate towards the window`s trees, where he stands self-admiringly staring at his reflection, while barely acknowledging the correctness of his perspicacity as the bed looms into his peripheral vision upon his entering that portion of the suite of rooms made available to him by the receptionist of the hotel. Drawing his self-admiring gaze from his reflection, Monmouth goes over to the jug by the bed and, picking it up, returns to the bathroom where he fills the water heater before returning it to its stand and switching it on. He sits on the bed for a while, selecting from the various brands of coffee available and, having chosen a sachet of El Cordoba, tears it open and pours it into the cup provided. Monmouth adds dried milk from another sachet, and sugar from two further sachets. Observing the jug click itself off - as an indication that the water is ready for the coffee - Monmouth takes hold of the jug, and pours it thoughtfully amongst the crystals. Sipping it carefully, because of the heat that might burn, Monmouth watches the day turn to dusk.
 
 
 
 
 Placing the cup onto the saucer provided, Monmouth blinks circumspectly towards the wardrobe and goes over to inspect the contents. Throwing wide the wardrobe doors with their close brass handles, Monmouth observes not one but four suits of presumably varying size inside. Taking the suit that looks good to him, he puts it on, and opening the drawers located below a mirror, and beside where the suits hang, he discovers several shirts of differing sizes and colors inside their shop bought plastic wrappings. Going through to the lounge area with its brown glossy round table and sofa, Monmouth espies the kitchen area with its hotplate and sink. Opening a drawer beneath the sink unit, he takes a knife. Going back to the bedroom, he uses the knife to open one of the shirt packages, blue, and spends some time removing the pins, plastic and cardboard, before satisfied that he`s located all of the devices and contraptions designed to prevent his wearing the shirt, he puts it on, `Ouch!` A pin remains in the collar and it`s stuck into his neck. Monmouth can`t see the pin and so he looks into the wardrobe mirror to locate and remove it, `Ouch!` He removes the pin and stabs it into a section of the cardboard that had supported the collar in its cellophane wrapper. Crumpling the debris into a nondescript shape of manageable proportions, Monmouth deposits the rubbished pin and the other shirty paraphernalia into a waste bin thoughtfully provided by the establishment under a desk beside its chair next to the bed.
 
 
 
 
 Making another coffee, Monmouth watches the dusk turn to darkness and the moon and stars come out. Finally, around 6. 30 pm, there`s a knock at the door of the room. He goes to open the door. The receptionist is there and hands him an envelope with his name on it, and also with the hotel crest and its name, Chaise Longue, `There`s 500 Euros inside. The salary is 2000 a month and you live here.` `Thank you,` Monmouth replies, `as you can see,` he steps back,` the suit and shirt fit well enough for me.` `Yes,` the receptionist agrees, `I`ll show you where the broom cupboard is. Please come with me.` Walking together along the hallway of floor 2, the pair reach a doorway at corridor`s end and Snow pulls sharply on the knob to reveal a dark interior, which then illuminates automatically. There are an assortment of brooms and other equipment needful for the occupation of stairway and stairwell upkeep. Snow reveals, `When you have time tomorrow, take a look at what`s here. If there`s anything else you feel is needed, stop by at reception and tell whoever is there that you need something more to accomplish your tasks. Usually, the stairway sweeper begins up on the roof, which does actually require a broom to deal with the dust, etc., that accumulates up there. The muck has to be bagged, rather than swept off the roof; so as not to annoy the guests and the municipality. After that, it`s up to you how fast you progress to the ground floor. There`s a basement area too, and an underground car parking area. All of this is your responsibility now. Go at your own pace. When you`ve finished, it`s time to go back to the roof and begin anew. I hope the arrangement is satisfactory to you. There`ll be a contract after a week or two; for a year or so. We`ll have it drawn up for you, and you can sign it if you remain agreeable. I`ll be at reception until 12. 00 am if you need anything further.`
 
 
 
 
 The receptionist and the stair sweeper return along the hotel corridor. Snow departs at the lift and Monmouth continues to room 213 where the door has remained open. He steps through the entrance and the door closes. The door`s glossy brownness is identical to that of the table in the lounge and the camera on its trolley with the crew that have been following Monmouth about during his sojourn within the hotel environs can now be seen dismantling their equipment outside the door of room 213 and retiring to their rooms in the Chaise Longue where all are staying while the film is being made there. Inside his room, Monmouth is seen to be drinking coffee seated on the bed and looking out of the window at the clouds passing silently across the moon while the stars twinkle piercingly through the bedsheets of heaven. Shortly, the sound of bathroom water is heard running and Monmouth is seen brushing his teeth in the mirror there. Outside the bathroom door can be heard the sound of an electric shaver, although it`s difficult to discern where Monmouth could have produced such an item. In the reception area Snow is seen speaking to no one, `Perhaps he had a shaver in his pocket when he arrived.` Music is heard playing, `Hotel California` (1977) by the Eagles: `They stab it with their steely knives, but they just can`t kill the beast.` Finding a pair of pajamas in a bedside cupboard drawer with a lamp upon it to read the thoughtfully provided novel, The Number Of The Beast (1980) by Robert Anson Heinlein, Monmouth is seen to retire for the night.
 
 
 
 
 Before he switches off the lamp, however, he does take time to read the opening to Robert A. Heinlein`s book, `PART ONE: The Mandarin`s Butterfly`, `... it is better to marry than to burn.` Monmouth dreams, but first he switches on the device he keeps by him to gain esoteric knowledge about people, and things that interest him, while he is sleeping. The ear `phones are tiny and unobtrusive, and the data oozes into his unconscious mind as he enters that deep sleep state where theta waves arise to become the mind`s highest level receptors, "It`s a quotation from Saul of Tarsus (Cor: 7. 9), the Christian apostle who took the name Paul (c. 5-67 CE). He`d been a persecutor of Christians before his conversion to Christianity, which occurred after he was blind for three days subsequent to a vision on the road to the city of Damascus, Syria, of a resurrected Jesus Christ, the founder of the Christian religion, and based upon his simple preaching of non-violence: `Love your neighbor as you love yourself.` (Mk: 12. 31) Paul had been present at the stoning of the deacon of the church in Palestine`s Jerusalem, Steven: `And Saul approved of their killing of him.` (Acts: 8. 1) Steven was `stoned` because of opposition from the Jewish religious police, the Pharisees, who`d had Jesus crucified by the then occupying Roman Empire for `blasphemy`. Accused of calling God, `father`, Jesus was born from his mother, a virgin, Mary. Jesus` subsequent Resurrection was the basis of Christianity`s growth through those who wanted to live after death and Saul`s own conversion followed upon his vision of the resurrected Christ and restoration of his sight in Damascus by a disciple of Jesus, Ananias. The Roman church, with the Pope at its head, that is, the apostle Peter, was established in Rome after the collapse of Italy`s pagan Empire, because of the wider aceptance of Jesus` teaching. Labeling Mary, `the mother of God`, the church of Rome suggested women had their own `seed`, which was the reason for the Pharisees` labeling Christianity `blasphemous`. Consequently, Paul`s belief in wedlock derived from his perception that women bore God.
 
 
 
 
 `The Mandarin and the Butterfly` (1901) is a fairy tale written by Frank L. Baum about a Chinaman who hates children. He`s sent from China by the Emperor to the United States of America (USA) where he persuades a butterfly with the promise of a longer life to transmit his magic spell transforming children into pigs. The butterfly likes girls, and so tries the magic on a pig, which becomes a boy who torments girls. The butterfly turns the boy back into a pig, and then turns the Chinaman into a pig. When Jesus met a man possessed by demons on the road near the town of Gadarene, the demons, named `Legion`, asked to be allowed to go into a herd of pigs, after Jesus` expelling of them from the man`s body, and the pigs promptly ran off a cliff into the sea and drowned, because they were a metaphor for the occupying Roman legions of the Emperor, which obeyed orders and had no will of their own. Because Jesus` mother was the Virgin Mary, that is, his birth was uncontaminated by men`s semen, Baum`s fairy tale is a criticism of men`s desire to invade and possess, that is, girls aren`t boy sons (poisons), which correspond to `Legion` seeking to drive humanity to its death. The Number of The Beast is about a `magic car`, which takes its occupants wherever they want to go, for example, Frank L. Baum`s `Oz`, a fantasy land made famous by actress Judy Garland`s performance in the MGM film, The Wonderful Wizard Of Oz (1939):  `... on the advice of Professor Wogglebug, we made small changes in Gay Deceiver -` Glinda the Good, witch of Oz, reveals to Heinlein`s crew that she has adjusted their flying car: `... no harm has been done to the structural integrity or to the functioning of your beloved craft. When you notice - you will notice - if you do not like the changes, all you need do is say aloud, `Glinda, change Miss Gay Deceiver back the way she was.`` (XXXII, `Where Cat is, is civilization.`) Glinda has changed the car`s mind, that is, she represents `woman`s seed`, which doesn`t want to be invaded and possessed, whereas that`s men`s evil nature.
 
 
 
 
 Gay`s crew consists of two married couples. Jake, the inventor of the space-time `continua craft`, which translates as a flying car that can time-travel and access all universes `real and imaginary`, and his wife, Hilda, and Deety, Jake`s daughter, together with her husband, Zeb. In the course of the narrative, Jake and Zeb are described as MCPs, that is, `male chauvinist pigs`, because they aren`t girls, although the possibility of women sexually reproducing by means of their own `seed` - as mothers of God - remained a publishing taboo: `... when it involves changing male minds, it is better to let men reach their own decisions; they become somewhat less pig-headed.` (XIV, `Quit worrying and enjoy the ride.`) Part One of Robert Heinlein`s novel is succeeded by `Part Two: `The Butterfly`s Mandarin`, which suggests that, in the second half of his book, Heinlein`s Co-Pilot of the `magic car`, Zeb, evinces `pig-headed behavior` (XXX, `Difference physical laws, a different topology.`) towards Captain Jake, because Deety and Hilda correspond to female `butterflies` after the Japanese fashion. In the short story, `Madame Butterfly` (1898), by John Luther Long, the central male character, Pinkerton, takes a geisha as a temporary wife, and leaves only to return to the city of Nagasaki as an MCP married to a young blonde woman seeking to legitimize the bastard by adopting `butterfly` Cho-Cho-San`s baby. In short, women don`t produce pigs, men become so through MCP interaction with other males, which is what Heinlein`s description of the men as `pigs` by their wives, and each other in the `magic car`, Gay, comments upon during its routine bouts of realistic repartie.
 
 
 
 
 Often euphemisms for bureaucrats, Heinlein is attributing the absence from Western literature of women`s futanarian mode of sexual reproduction between themselves to the censoring of those who`re capable of perceiving the truth by international agreement amongst `Mandarins`, who give the responsibility of blinding those among the population to intelligence agencies employing assassins, who thereby permanently `dumb down` the masses: `Deety would kiss a pig if the pig would hold still for it (if he didn`t, I would turn him into sausage; kissing Deety is not to be scorned).` (XXXIII, `- solipsism is a buzz word.`) Zeb`s observation is tantamount to a declaring of the hidden truth, which is that bureaucratic Mandarins prefer pigs, and girls are conditioned to embrace them. `Part Three: Death And Resurrection` is devoted to an encounter with Lazarus Long, the long-lived-by-rejuvenation hero of several Heinlein novels, for example, Time Enough For Love (1973), in which Long travels back in time to the period of the First World War (1914-18) to have sex with his mother, Maureen, in an escapade stopping just short of Long fathering himself. In The Number Of The Beast Heinlein`s `magic car` participates - on June 20, 1982 (XLV, `A Stitch In Time`) - in a time-travel rescue of Long`s mother, 99 + years Maureen, from ephemerality. It`s a critique of modern religion`s handicapping of medical science to promulgate a univeral mysticism denying the role of bio-technology in the conferring of bodily immortality, along with the perception that Mandarins` preference for pigs doesn`t resurrect `woman`s seed`, which is what Jesus` mother, the Virgin Mary, represents, and what Maureen Long could have meant for Heinlein`s readers if he`d been able to break the publishing taboos against depictions of human futanarian sex between women.
 
 
 
 The last, and briefest part of Heinlein`s novel, is `L`Envoi`, which is the French word for `shipping`, and takes cognizance of the value of the socializing role of the science ficton convention at which fans arrive dressed as favorite characters. Heinlein`s characters `ship in` as themselves, and the ubiquitous hermaphroditic `black beast` that lurks in the shadows to plague the adventurers throughout the novel`s progress is finally identifiable: `Mellrooney! The worst troublemaker in all the worlds.` (XLVIII, `L` Envoi`) It`s an anagram of a Heinlein pseudonym, Lyle Monroe, where Bam Lyle was his mother`s name, and `mell` is the Hungarian word for the breasts of women like those of the famous Holywood movie star and sex symbol, Marilyn Monroe, so hinting that, from the perspective of the Mandarins` pigs,  the character of the `beast` is unconventional enough to pose a threat to conditioning, because it represents the unfilfilled potential of futanarian women`s semen. Although `futanari` is a generic word used in Japan for Hentai manga cartoons, and other forms of animation featuring penised women, `fut` meaning `run`, and `tanar` meaning `teacher`, translates in Hungarian as `running an education program`.
 
 
 
 Heinlein was aware of English fantasy writer J. R. R. Tolkien`s knowledge of Finno-Hungarian, in his construction of the Elven language, Sindarin, for his celebrated work, The Lord Of The Rings (1954), featuring the `Dark Lord`, Sauron, a slaver of elves, humans, and other races. In Tolkien elvish `Mellon` means `friend`, so Mellon [of] yore, which is an anagram of Mellrooney, is an old friend, and there are many such at the Heinlein convention. However, although several family names, and Christian names, are indicative of writers on Heinlein`s `guest list`, for example, Harlan [Ellison], who wrote the short story, `I Have No Mouth And I Must Scream` (1967), in which `AM`, a supercomputer, tortures humanity to death, and [Jerry] Pournelle who, with Larry Niven, wrote the novel, The Mote In God`s Eye (1974), about `first contact` with alien `Moties`, who keep museums to restore civilization after it collapses, `Isaac` isn`t Asimov, author of I, Robot (1950), which was made into a 2004 film about slavery starring black actor, Will Smith. He`s Sir Isaac Newton, a Venusian `dragon`, and a character in one of Heinlein`s 1950s novels for juveniles, Between Planets (1951), who is a physicist symbolically masterminding Venus` war of independence from Earth. Consequently, although Tolkien isn`t mentioned as being amongst the guests, that`s not unusual, because no one is mentioned other than ambiguously, that is, by last or first name only. However, the spiritual affinity of Heinlein for his contemporary, Tolkien, appears in the `Mellrooney` anagram as Mellon [of] yore, that is, Jonathan Ronald Reuel`s an old friend, like Isaac, representing freedom from slavery through Christian love and friendship. Heinlein`s contemporaries aren`t actually invited, because bound by alien publishing conventions advocating misogyny against the human race of futanarian women. Equating monogamy falsely with monotheism, men saw themselves as God, because they were monogamous host womb slavers in parasitoid parasitism for war against humanity, and so they couldn`t ever be considered Christians by Heinlein who, in `L` Envoi`, surreptitiously excises them from being invitees to prevent the terrorist warmongers from shipping in as conventionists.
 
 
 
 Before the hall of Moria, where the dwarves mined precious ores and jewels, Tolkien`s fellowship in `Part One: The Fellowship Of The Ring`, as they journey on to Mt Doom to unmake the ring of Sauron`s slavery (by dropping it into the mouth of the volcano), remain puzzled for a time by the elvish inscription, `Pedo Mellon a Minno`, which translates as, `Speak, friend, and enter.` (Bk II, Ch. 4, `A Journey In The Dark`). The wizard Gandalf guesses it`s a riddle and mirthfully says, `Mellon` (friend), which magically unblocks their path onwards. As `mell`, in Hungarian, means a woman`s `breasts`, and her race seeks freedom from slavery, that is, she`s beastly to men, because she wants to see their slave ring unmade, Heinlein`s hermaphroditic `beast`, Mellrooney, as an anagram of his author`s pseudonym, Lyle Monroe,  is using Hungarian to contribute his understanding of the reason for men`s slave rings. The conflation of `mell` with his mother`s family name, Lyle, and that of sex symbol Marilyn Monroe, represents the struggle of a writer bound by publishing conventions that represent the enslaver`s ring, which broken would leave science fiction writers free to plot the Resurrection of the futanarian human race of `woman`s seed` unfettered by sexual repression and taboo.  `L` Envoi`  is about convention, that is, MCPs don`t want women to sexually reproduce their own brains` powers to liberate their futanarian race from being warshipped for the entertainment of its Mandarins in conventional warfare engagements for the ring slaving of `woman`s seed`: `The men carried whips; vermin were muzzled. This one vermin - well, `wog` - this wog had managed to pull its muzzle aside and was stuffing this weedy plant into its mouth ... when a whip cracked across its naked back. It cried.` (XXIX, `- we place no faith in princes.`) In parasitology, the parasite that emerges to enslave the host and consume it as its food is termed `parasitoid`, which is the fate of the human species of hermaphoditic futanarian `woman`s seed`; if host womb slavery is what men perpetrate against humanity."
 
 
 
 Awakened and refreshed the next day, Monmouth proceeded in as leisurely way as the hotel management allowed. It took him a while to move from the roof to the car park area where he swept up into his pan whatever dust laden grams of the busy consumerist civilization was to be found to have accumulated there, and bagged it to be left for the refuse collectors at the side of the hotel in the large bins placed there by the municipality for that very purpose. By that time almost a year had transpired. During his lunch breaks he`d be found lounging in a second suit from the wardrobe he wore for the occasion in the hotel reception area where he sipped cappuccino thoughtfully handed over to him by the receptionist. He was there now, sipping thoughtlessly, when the receptionist hailed him with a concomitant wave of the arm, `Geoff! Come and stand behind the reception desk for a while, would you? I have something important to do elsewhere in the hotel.` Monmouth went over as bid, and took up his new station behind the reception desk. A man entered the hotel in dusty clothing. He came over to reception and said, `I haven`t any money, but I`d like a cup of coffee.` The sweeper upper hands him a cappuccino from the perculator on the hot plate kept behind the desk, and the new man says, `Where can I sit to drink the coffee?` From his position seated on the chaise longue where the sweep has ensconced him, the newcomer enquires, `Do you need anyone to work here? I haven`t any skills, but I`m strong and physically unimpaired.` The sweep hands him the key to room 213, `Wait for me there.`
 
 
 
 There weren`t any women in the hotel, and oinkoiling could be heard as Monmouth got closer to the car pool underneath the Chaise Longue. He poured himself a Hungarian hosszú kávé, or `long coffee`, before swallowing with relish a leisurely mouthful from a large ceramic beaker emblazoned with the hotel crest, a becrowned chaise longue, and read from the small white gold-emobossed New Testament with the edges of its pages gold leafed that he always now carried snugly in the breast pocket of his suit, `Send us among the pigs; allow us to go into them.` (Mk: 5. 12) Listening to the oinking of the horns from the car pool, beneath the chaise longue where he was nostalgically reclining, Monmouth observed, `The demon, Legion, seems to have survived its drowning in the bodies of the pigs, and is now looking to wend the serpentine way of the driven segments of its community.`
 
 
 
 The hotel staff at reception were provided with cream inside small receptacles made of golden tinfoil, so it was possible to make Hungarian hosszú kávé that didn`t make the mouth burn as black cappuccino without cream did. The plastic top could be removed from the tub containing the cream by means of a tab held between thumb and forefinger, which the coffee drinker could carefully pull to avoid spilling the cooling contents, which is what Monmouth had done. `Standing still,` he mused and, seating himself upon the stool provided, made some toast, `Here`s to St Steven. Patron Saint of the Hungarians. Saul watched him while he was stoned, of course, which is why Saul was blind. Later Saul was decapitated. Those who rise from the dead, and continue to live, are often labeled `vampire`, and their heads cut off as a means of disposing of them. I prefer coffee to being stoned, and losing my head. At least it keeps my eyes open for as long as sleep comes.` Monmouth munched into the toast after spreading margarine upon it from a silver package labeled, `marge`, with a rounded stainless steel butter knife also carelessly provisioned by the hotel administration. The camera crew busy themselves dismantling their equipment, and make for the lift where the attendant assists them to get to their rooms from whence they`ll shortly depart for good. Monmouth now has his own thermos. The crew prefer tomato juice and a vodka.­­­­­­­­­­­­­
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