Robert A. Heinlein's slugs and Cloacan dagger AIDS

25/11/2023 07:04

Robert A. Heinlein's slugs and Cloacan dagger AIDS


In The Puppet Masters (1951) US’ science fiction writer Robert A. Heinlein (1907-88) described an alien invasion of a slug like collective of creatures that attached themselves to the spines of their victims to assert mind control over their bodies. To identify those who were ridden by the slugs, people were obliged to take off their clothes and appear naked in public: ‘I shot him through the chest to be sure to get the slug I knew was on his back.’1 The scenario had similarities with the HIV/AIDS’ plague of the early 1980s when the ‘incurable killer disease’ was first diagnosed by medical scientists and everyone began to wonder how those with the illness could be recognized:

‘Had Schedule Bare Back been ordered during the fortnight after the first landing it alone might have turned the trick. But by the next day it was clear that Schedule Bare Back had failed as an offensive measure. As a defense it was useful; the uncontaminated areas could be kept so, as long as the slugs could not conceal themselves. It had even had mild success in offense; areas contaminated but not "secured" by the parasites were cleaned up at once …’2

 The human immune deficiency virus (HIV) was discovered in Africa by DR Congo in 1983 as a variant mutation of the simian immune deficiency virus (SIV), which was presumably transmitted between homosexual monkey-fuckers mixing blood, shit and semen in each other’s anus. HIV resulted in acquired immune deficiency virus (AIDS), whereby the disease rose up the spine from the base to collapse the organ of the body and ultimately kill the brain. Consequently, HIV corresponds to Heinlein’s slug collective practicing mind control, while AIDS represents the viral life form’s killer stage.



 In order to understand the biological warfare of homosexuals, it’s necessary to know what the draco of Jesus’ disciple John’s New Testament apocalyptic vision of the future in the Christian Bible, Revelation, is, ‘Then I saw three impure spirits that looked like frogs; they came out of the mouth of the dragon, out of the mouth of the beast and out of the mouth of the false prophet.’ (Rev: 16. 13) The term draco is usually associated with the historical figure of Vlad Dracul III of Wallachia in the 15th century who impaled his victims on stakes, which became legend when Irish writer Bram Stoker wrote his novel, Dracula (1897), about a vampire that lived by drinking the blood of its victims, although the story differs from the historical figure of Dracul insofar as a stake in the heart will kill the draco. The New Testament was written with the teaching of Jesus, ‘Christ’, ‘the chosen’, as its subject, and was perceived by Christianity as superseding what they called the Old Testament of the Bible, that is, the Jewish Talmud and Torah, which was the history and law of the Jews: ‘Love your neighbor as you love yourself.’ (Mk: 12. 31) Jesus was identified as the special child of his mother, the Virgin Mary, because he was woman’s seed, that is, he represented the hopes of the future of futanarian women with penis’ semen of their own. Consequently, when Jesus was executed as a ‘dissident’ by the Roman Empire then occupying Jewish Palestine, he experienced Resurrection and Ascension to heaven in prefiguration of that of woman’s seed.

 John’s description of the draco in Revelation is of a parasite that lives by denying life to the child of the human race, that is, the futanarian species of women: `The dragon stood before the woman who was about to give birth, so that it might devour her child the moment it was born.’ (Rev: 12. 4) Moreover, John goes on to explain that men war on women’s seed: ‘The dragon was wroth with the woman and went to make war on the remnant of her seed.’ (Rev: 12. 17) ‘And that it’s the result of a false democracy that excludes women’s seed so that 66.6% of the possible vote determines everything: ‘Let he that has wisdom have understanding. The number of the beast is the number of a man and his number is six hundred three score and six.’ (Rev: 13. 8) That is, 666, and John describes how men and women had been manufactured since ancient times as a male brained creature wearing each other’s clothes in TV transvestism for wars entertainment: ‘… power to give life unto the image of the beast, that the image of the beast should both speak, and cause that as many as would not worship the image of the beast should be killed.’ (Rev: 3. 15) It was ancient grease that was the home of democracy, according to socio-historians, and there it was that homosexuality in pederasty for war through the host womb slavery of the species of women’s seed was institutionalized to defend Greece against the Persian Empire, which capital city, Babylon (c. 4000 B.C.), was named for a woman: ‘Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.’ (Rev: 17. 5) The stake in the heart of the draco is the women’s penis’ seed, which is the producer of the brainpower she needs to escape from Earth and colonize the planets amongst the stars of heaven above.

 The identification between frogs and the serpent’s seed of the draco is significant in terms of the ‘blood plague’ (Rev: 11. 6), that is, it’s reptilian, which is what Eve, the first woman, and Adam, the first man, were warned of by God in the paradise of Eden, according to the Old Testament of the Bible, who placed the angel, Satan, who’d rejected God’s plan that the human host be greater than the angelic, there, and turned him into a serpent. The result was that the pair accepted the power of war from the serpent in exchange for ephemerality for their descendants, ‘You shall be as gods.’ (Gen: 3. 5) However, God promised Redemption to Eve’s seed: ‘You shall crush the head of the serpent with your foot, but he will bruise your heel.’ (Gen: 3. 15) In other words, the human futanarian species of women will raise her ‘foot’ from the Earth, and so Jesus’ mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot in Christian iconography. In Revelation, the false prophet, the beast and the dragon are advocates of war against women’s seed remaining upon the Earth on behalf of parasitism, for example, in parasitology, the parasite that emerges from the host to kill it is termed ‘parasitoid’, so men are entirely parasitoid, whereas male brained women correspond to their help, which gives rise to such perversions as child abuse disguised as BDSM, that is, the animal training of bondage, domination, and sado-masochism, for example, although women’s role as slave ringed host wombs for parasitism precludes their being parasitoids by nature.

 The appearance of unclean spirits resembling frogs in the mouths of the false prophet, the beast and the dragon is because amphibians are cloacan. The cloaca is a posterior orifice that serves as the only opening for the digestive, reproductive, and urinary tract. Cloacans rub their cloaca together to reproduce. Consequently, although woman’s seed is natural, the pervasiveness of men and women requiring transgender surgery to resemble each other is an aspect of their role as ‘TV’, although described as ‘trannies’ by the mass media edutainment industry situated in the district of Hollywood, city of Los Angeles, West coast state of California, United States of America, and known as ‘Babylon’, ‘trannies’ more closely approximate to what cloacans are often called, that is, ‘shit slides’, because young, shit and urine emerge from the same orifice. For men, Philippino ‘lady boys’, who often seek transgender surgery to more perfectly resemble women, resemble cloacan shit slides, while some trannies who’ve had their penis removed have the same characteristic, which suggests that women’s futanarian species has been exterminated to satisfy a frog’s ambition to give a woman a penis she doesn’t want.

 The fairytale of course is of the frog that is kissed by a Princess, who turns into a handsome Prince, and they live happily ever after, although it’s difficult to see how they’d be able to if she were a woman, because frogs rub their cloaca together,  so it’s unlikely there’d be kids playing on the slide in the park, although that absence might conceivably be the source of their happiness, whereas from a biblical perspective it’d be a sign of the devouring ‘red dragon’.  A ‘frog child’ would be an ‘unclean spirit’, that is, an AIDS’ baby, emerging from the mouth after the collapse of the organs of the body and brain death, which is what a high five (HIV) is for amongst those who’re ‘happy with their hand’ and don’t want the shakes.

 Amongst the Moslems in the nations of Islam, the frocks are the Sheikhs, because of the long-sleeved white shirt worn there, that is, the thawb, while the women wear the one-piece coverall of the burka to illustrate their role as the meat in the bag. As a ‘drag queen’ is a transvestite TV, and men and women are manufactured as a male brained creature wearing each other’s clothes for ‘TV wars’ against women’s seed, they’re a drag on everybody, whereas homosexuals are usually thought of as being ‘girly’. The usual symbol of Special Forces within the military is a dagger, although a frog is the emblem of the British Special Boat Service, while in the US’ television TV series, Star Trek (1965-67), featuring the crew of the starship, Enterprise, led by actor William Shatner as Captain James T. Kirk, the ‘cloaking device’ was first encountered on December 15, 1966, in episode # 14, ‘Balance Of Terror’, developed by the alien Romulan civilization, a device that hid a vessel while attacking another much in the way that an assassin’s dagger is hidden beneath a cloak. The Romulan commander blows up his ‘Bird-of-Prey’ starship, after saying, ‘You and I are of a kind. In a different reality, I could have called you friend.’3

 Fears amongst US’ servicemen in the Gulf wars in the Middle East encountering women in burkas wearing suicide bombs beneath their clothing also included the threat of cloacan daggers, that is, when the US invaded Iraq in March 2003, after Al Qaeda terrorist Islamicists had crashed hijacked ‘civil’ airliners into the Twin Towers of the World Trade Centre in New York city on September 11, 2001, it was more than ‘rough trade’,4 that is, that ‘brutality and violence’ associated with homosexuality in pederasty for war against women’s seed. In the US the absence of depictions of women’s seed in the mass media edutainment industry was a certain sign of the pre-eminence of the serpent’s seed there, so 9/11 ‘live on CNN’ and other network channels was ‘TV’, whereas the presupposition that the burka concealed women’s seed was diluted by the perception that some of the women were engaged in a cloacan dagger operation, wherein aborted ‘frogs’ in the world of the ‘unclean spirit’ were raised as killers.


1 Heinlein, Robert A. The Puppet Masters, Doubleday, 1951, Ch. 5.

2 Heinlein, Robert A. The Puppet Masters, Doubleday, 1951, Ch. 15.

3 Lenard, Mark as Romulan Commander, Season 1, Episode 14, ‘Balance Of Terror’, Star Trek, ABC, December 15, 1966.

4 Merriam-Webster, ‘rough trade’ (n.), ’Male homosexuals who are or affect to be rugged and potentially violent also : such a homosexual’, .