The Aliens Abort Terminal Computed
When the United States of America ‘s astronaut became the North American Space Administration’s (NASA’s) first man on the moon , it was the highlight of the Apollo space program, ‘That’s one small step for a man, one giant leap for mankind.’1 The landing of the Apollo 11 spacecraft, Eagle, took place on July 21st, 1969, and most of the people on the Earth expected it to be the beginning of a journey to colonize the planets amongst the stars of heaven, but on March 23rd, 1983, US’ President Ronald Reagan introduced his ‘Strategic Defense Initiative’ (SDI), a space based missile launching platform, which effectively imprisoned the people of the world beneath a threat of extinction by nuclear weapons.
Beneath the nuclear umbrella, the airlines thrived. The airport terminals were open for the transportation by of passengers to all of the countries of the Earth where similar airport terminals were constructed for the arrival and departure of travelers. By the late 20th century, the computer terminals were able to book their flight tickets before airport terminal check-in, where the chick-ens prepare to receive their wings. So, the abort terminals were computed terminated before they had a rival, which is what the depart chair in the abort lounge was for.
In the modern age, sitting is a useful way of avoiding the HIV/AIDS virus, if the urinate wants you to stand. Before check-in and the abortionist’s chair, the women might want to use the abort facilities. The bowl of most toilets is shaped like an egg cup, which suggests the order to preempt the growth of the foetus was made countless eons before, as arrivals wanted to be sure that what had feared US Aliens might be still borne.
Although the airlines on planet Earth, for example, US Airlines, enjoy their masquerade, they’re the aliens aborting the human race as fast as they can persuade the women to empty her menstrual fluids into the egg cup. Because women are a futanarian species with their own penis’ semen and host wombs for the production of their own brains’ powers from their ova (egg), they aren’t gonchoric, which is the scientific label for male and female pairs found in nature, but rather partly hermaphroditic, that is, all women have vaginas, and some have penis and testes, so their capacity for sexual proliferation is exponential. As knowledge of their race is limited by the mass media and entertainment industries, logic argues that women are either farmed or aborted. While the sign on the Earth indicate abortion, it’s clear only that airlines are the abortionist, that is, women’s seed is aborted by an alien intelligence.
As all of art, literature and imagination, including dreams, was geared to develop the human mind, according to psychologist, Carl G. Jung (1875-1961), the fact that women’s seed is absent from the picture is evidence of a planned abortion on the part of a species killer. Jung argued that there were archetypes, devolving from a central ‘God archetype’ he called the facultas praeformandi, corresponding to the unconscious ‘Self’, which emerged into consciousness in diverse forms, such as the anima and animus, contrasexual components in the psyches of men and women. The anima archetype was characterized as a soul image provoking desire and acting as a guide into life for the individual who became conscious in the course of recognizing the role of the anima as an indication of his own developmental progress, for example, when the anima appeared in dreams she might take the form of a ‘Wise Old Woman’ with advice for the waking mind, while her appearance in a novel constructed by a writer might give the reader cause for reflection upon the meaning of her words. For Jung the animus was the spirit of a woman characterized by opinionatedness, and recognizable as a throng of male admirers.
The circle surrounding a woman is actually that of the US Cavalry in the movie, Soldier Blue (1970), set in 1877’s Colorado Territory, who encircle a village of the Cheyenne, a tribe of North American Plains Indians, in order to kill the Indians and rescue actress Candice Bergen, in her role as Kathy Maribel ‘Cresta’ Lee, a survivor of a previous massacre by the Cheyenne. Surrounding women to rape and kill is what men do, because they’re a parasite that doesn’t give birth, so they conctitute a tribe of ‘brothers’ whose objective is to support each other in their slaving of the human host womb.
It was Satan in the paradise of Eden that had been an angel turned into a serpent by God for rejecting God’s plan that the human host should be greater than the angelic host. God told Eve, the woman, and Adam, the man created by God, that they should eat only of ‘the fruit of the tree of life’, that is, immortality, but Satan gave Eve ‘the fruit of the tree of the knowledge of good and evil’, which it was death to taste, saying ‘You shall be as gods.’ (Gen: 3. 5) As death is slavery, Satan is an enslaver, which is why he didn’t want the human host to be greater than the angelic. God told Eve her ‘seed’ would have Redemption: ‘You shall crush the head of the serpent with your foot, but he will bruise your heel.’ (Gen: 3. 15) As Eve’s seed is the futanarian species of women’s seed, God’s promise isn’t to men’s slave rings, which is what their marriages are for. Those who accept a ring are either the duped of monogamy, or are helping monogamy to dupe. They’re blinding themselves, or others, to women’s seed, which doesn’t marry, and isn’t adulterous, but ever faithful to its own race, is holed by a parasite.
The genre known for featuring extinction is ‘snuff’, because the act of placing a cap onto a candle flame is called ‘snuffing’ the light, which in illegal films, usually recorded on video, killing people ‘live’ is the entertainment forbidden to mass media audiences, that is, the light of human intelligence is officially valued by the light entertainment industry, although movies such as the seminal, The Terminator (1984), science fiction starring Austrian-American actor, Arnold Schwarzenegger, promote the snuffing out of human intelligence by making it the central theme, which is the problem for the United States.
In the US’ entertainment capital, situated largely in the district of Hollywood, west coast state of California, city of Los Angeles, the human futanarian species of women’s seed is already excluded from the picture: ‘The dragon was wroth with the woman and went to war against the remnant of her seed.’ (Rev: 12. 17) Jesus ‘Christ’, ‘the chosen’, born of his mother, the Virgin Mary, was woman’s seed, because only her child. Jesus’ disciple, John, in his apocalyptic vision of the future, Revelation, written in the New Testament of the Bible, which future Christians believe supersedes the Old Testament of the Talmud and Torah, that is, the history and law of the Jews, saw Jesus’ birth as a prefiguration: ‘The dragon stood before the woman, who was about to give birth, so that it might devour her child the moment it was born.’ (Rev: 12. 4) The war is against women, which is what alien invasions have always been.
The Terminator movie franchise, which ran to five sequels, up to and including Terminator: Dark Fate (2019), alludes indirectly to the concept of the terminal and the terminated, that is, those who are doomed to die are terminals, while those who are killed are terminated. Those who are aborted are killed before they are alive, which seems to be the menu. The arrivals are aborted, as soon as they arrive at the terminal, before they leave as the more dearly departed, that is, expensively, which is the pogrom for the terminals.
The arrivals and departures are computed laboriously over many years as the terminals endeavor to use their central processing units (CPUs) to escape. However, the pogromers cleverly devised games for the terminals to be played on-screen as ‘shoot-‘em ups’, like Airport Clash 3D (2019), which engaged the brain of the user so that the extinction of the hunted human was ensured. Of course, the human had to overcome the egg-cup, that is, the toilet bowl, where countless foetus were pre-empted by means of the ‘after the night before pill’, but the bogey shot up at whatever time, 9 o’clock or 11 o’clock, etc., wouldn’t escape its terminal fate, because of the insult to the intelligent.
Despite the mass media cover up, the science fiction movie, Logan’s Run (1976) was the official model for the September 11, 2001, ‘events’, which saw the Moslem extremist terror organization, Al Qaeda, ‘the base’, operating under the auspices of the notoriously misogynist Taliban regime of Afghanistan, led by Saudi Arabian business heir, Osama Ben Laden, crash US Airlines passenger planes, hijacked at Boston’s Logan airport, into the Twin Towers of the World Trade Center (WTC). The premise of William F. Nolan’s novel, Logan’s Run (1967) was that ‘sandmen’ were paid to kill people when their allotted time had run out, because that’s the illegal snuff movie genre paradigm. Time was also running out for the futa race when the Boston Marathon was ‘pipe bombed’ on April 15th, 2013, which was why the ‘footrace’ was chosen. When the movie, World Trade Center (2006), starring actor Nicolas Cage, as surviving Port Authority Police (PAPD) officer, John McLoughlin, was released, that’s what snuff movie makers do, and the abort terminal target of the aliens is the human race.
1 Armstrong, Neil Apollo 11 Lunar Module Eagle, July 21st, 1969, UTC: 2.56.
Although the phenomenon of the concentration camp was familiar to most people from WWII (1939-45), during which the Chancellor of the 1933 democratically elected National Socialist (Nazi) Party of Germany, Adolf Hitler, had them built to disguise the pogroms mounted against the Jewish populations of Europe, Nazism’s liebescamps weren’t as widely known, that is, ‘love camps’, in contradistinction to the ‘death camps’, where the bodies of the Jews were incinerated after the Jews had been concentrated there. The love camps were the forerunner of the ‘rape camps’, which became notorious when it was discovered, during the break-up of the former Yugoslavian super state, after the Russian occupiers of Eastern Europe, subsequent to the defeat of Germany’s enslaving ambitions, withdrew in the late 1980s.
Upwards of 70,000 Moslem women were found to have been kept in a ‘rape camp’ by Christian Serb militia in the course of the Bosnian war (1992-95). Although the basis of the war was what came to be euphemistically described as ‘ethnic cleansing’, that is, exterminations, rape camps were created to enforce racial purity. However, the concept of ethnicity is primarily cultural, rather than religious, for example, Judeo-Christianity views the Moslems of the nations of Islam, who believe in the Koran (610-30 C.E.), dictated to the Prophet Mohamed by the angels of God, according to Islamic tradition, as illegitimate, because Mohamed was a descendant of Ishmael, who was the son of Abraham’s concubine, Hajer, whereas Judaism was founded by Abraham’s first son, Isaac, from wife Sara. However, Jesus ‘Christ’, ‘the chosen’, born of his mother, the Virgin Mary, legitimized the four wives that the polygamous Moslem marriages were permitted by the Koran, because futanarian women are capable of sexually reproducing from their own penis’ semen, that is, Jesus’ birth wasn’t about racial purity by presenting the woman inaccessible to the adulterer, but rather women’s seed.
Men were the human race of women’s adulterate, so Islam with its four wife marriages, affording the possibility of sexual reproduction between women within the Islamic family, was as legitimate as Christianity, although few realized, when Jesus was taken to the hill of Calvary outside the city of Jerusalem in Jewish Palestine, and nailed to a cross of wood, where he died, before experiencing Resurrection and Ascension to heaven, that he prefigured the rise of women’s seed, which is what the Christian Serb militia rape camps for Moslem women in Bosnia and Herzegovina were created to thwart, as the Christians Serbs didn’t want racial purity, but rather parasitism and slavery, which posed a problem for Judeo-Christian believers. Either religious instructors teach about women’s seed, or have to acknowledge that the environment in which their congregations live is made up of greater and lesser parasitical creatures, which is normative, rather than supernal, as the human race has been modified, which requires a reassessment of fundamental tenets.
As taught, religion’s a trap designed to convict and punish, for example, when Jesus was confronted by a woman trapped as an adulteress, he said ‘Let he who is without sin cast the first stone.’ (John: 8. 7) As men are women’s adulterate, because they’re the futanarian human species’ alien parasite, women can’t be convicted of adultery outside of their own race, which men aren’t. As men can’t be adulterated by their relationship with a womb, their actual appearance is guessable, while the Old Testament of the Bible, which is the Torah and Talmud, that is, the history and law of the Jews, only asserts that the first human, Adam, was created in the image of God, while Lilith, the first woman, according to Judaism, was replaced by Eve, as Lilith rejected being beneath Adam, which suggests she was futanarian, whereas Eve, made by God from the side of Adam, might have been a womb only, which was filled by the boy sons, Cain and Abel, who was slain by his brother, while Lilith and Eve represent the unadulterated human species of women’s seed.
Satan was the angel turned into a serpent by God, and placed in the garden of Eden, because he rejected God’s plan that the human host should be greater than the angelic. Satan gave Eve ‘the fruit of the tree of the knowledge of good and evil’, which it was death to taste, saying ‘You shall be as gods.’ (Gen: 3. 5) Although God expelled Eve and Adam from Eden for rejecting the immortality of ‘the fruit of the tree of life’, God told Eve her ‘seed’ would have Redemption: ‘You shall crush the head of the serpent with your foot, but he will bruise your heel.’ (Gen: 3. 15) The human futanarian race would leave Earth to colonize the planets amongst the stars of heaven above; despite the parasite’s attempt to thwart it, which is what their boy sons were for.
If the planet hadn’t had the ‘incurable killer disease’, HIV/AIDS virus, which made the human species susceptible to a virus epidemic causing severe acute respiratory syndrome (SARS), the ‘three score years and ten’ (70) allotted to human lifespan by the Bible, would have been challengeable. The human immune deficiency virus (HIV), discovered by Africa’s DR Congo in 1983, was a mutation of a simian immune deficiency virus (SIV), transmitted between homosexuals, through infected semen from their penis insertions into the anus, in sterile mockery of human sexual reproduction.
The scenario is reminiscent of the plot of the movie, Conquest of the Planet of the Apes (1972), where every household dog and cat are wiped out by a space virus, leading to the human desire for pets resulting in apes becoming domestic servants, who embark on a successful revolution, after humans relinquish control to their slaves. The original movie in the franchise, Planet of the Apes (1968), was based on the novel by French science fiction writer, Pierre Boulle, La Planète des singes (1963), which premise seemed by 1983 to have been adopted by biological weapons’ developers.
In Rise of the Planet of the Apes (2011) ALZ-112 is the code name for a cure for the brain degenerating Alzheimer’s disease developed by Will Rodman (actor James Franco) of Gen-Sys Laboratories, but clinical trials demonstrate that improvement in brain functioning is temporary. Moreover, the new ALZ-113 is a killer of humans, while it’s discovered that ape brains become enhanced. The fictional virus, like the real HIV/AIDS, is called ‘Simian Flu’, which has caused humans to lose the ability to speak in the movie, War for the Planet of the Apes (2017), a metaphor for homosexuality, which wants simian butt fuck, so HIV/AIDS SARS, is its biological weapon.
When it was discovered that humans were more susceptible to SARS coronavirus, because of HIV/AIDS, when the global epidemic began at a Wuhan city hospital, Hubei province, China, December 2019, followed by mask wearing in public places, and flatulence, Russia’s communist red draco, President Vlad Putin, ordered the invasion of the Ukraine with a heavy flamethrower system, TOC 1 (TOS 1, тяжёлая огнемётная система), which effectively farted before igniting the fart, causing lungs to rupture, and everything in the radius of the blast to be incinerated, that is, it was a conventional weapon based on the HIV/AIDS SARS biological weapon developed by homosexuals in the communist Republic of the Congo in 1983 and red China, where the communist dragon also breathes fire.
The German LZ-129 Luftschiff Zeppelin, which crashed on May 6th, 1937, in the United States of America at Lakehurst Navy Air Station, Manchester Township, New Jersey state, appears in flames on the cover of English rock group Led Zeppelin’s debut album, thereafter known as Led Zeppelin I (1969), while the rationale for the name of the band seems to have been the fact that such airships had to be led to their mooring by ground crew support, otherwise such disasters occurred. Although many believe the band, led by lead guitarist, Jimmy Page, was called Led Zeppelin for that reason, the logic of the group’s being associated with the LZ-129 Hindenburg class airship was of a balloon inflated with flammable gas that exploded, so Led Zeppelin weren’t the founders of heavy metal (HM) music, a genre which they denied membership of, but rather strained compositions performed under heavy fire (HF), as most composers.
Russian Modest Mussorgsky, who in 1874 wrote ‘The Bogatyr Gates, (In the Capital in Kiev)’, as amongst a suite of ten piano pieces, Pictures At An Exhibition, mightn’t have been a Russian bogatyr in the traditional sense, but a hero under fire nevertheless, although not so much as the heroes at the gates of Kiev in February 24th, 2022, when the Russian army had been ordered to take the city by Russian President Vlad ‘boot in’ Putin. Invading with the TOS 1 heavy flamethrower system, as their main ‘weapon of mass destruction’, Russia’s act of aggression was that of an aging politician demonstrating symptoms of a scientifically recognized concomitant of the SARS disease, brain degeneration, confusable with the fact and fiction ALZ-113, Alzheimer’s ‘Simian Flu’, and failure to deal with another symptom, flatulence, produced the ‘exploding balloon phenomenon’ of an old fart looking to make a name for himself.
Humanity is under prolonged and systemic attack from aliens, because that’s what those who’re interested in utilizing the explicable, for example, misogyny’s ‘smoking gun’ of ethnic cleansing, based on the false premise of racial purity by punishing a species not the adulterer’s own, have become. From a Ufologist’s perspective, Russia’s TOS 1 was a cigar lighter, and the LZ-129 Hindenburg a ‘cigar shaped object’, that is, an ‘unexplained flying object’ (UFO), giving rise to what developmental psychologist Carl G. Jung (1875-1961) described, in Flying Saucers: A Modern Myth of Things Seen in the Skies (1959), as expressing fear of alien invasion; in the shape of creatures from other worlds: ufonauts.1
Although observers of nighttime atmospheric displays, attributed by scientists to ‘weather balloon activity’, etc., were diagnosed insane, suffering from Alzheimer’s, or other self-induced brain damage derivable from illegal drug usage, for example, psilocybin ‘magic mushroom’ hallucinations, they saw solar activity about the corona of the sun as originating with UFOs, for example, the oumuamua ‘cigar shape’. Resembling Discovery One in the filmed version of science fiction writer Arthur C. Clarke’s 1951 story ‘Sentinel of Eternity’, 2001: A Space Odyssey (1968), it was conjectured that oumuamua was a returning human spaceship, which might have contained women’s star seed. As the ‘crown’ of the head, the Sahasrara chakra of Earth’s meditatives, was disturbed by coronavirus, that is, the human system was weakened by the loss of the strength given it by women’s seed, the sun’s corona cigar, oumuamua, was a prophetic sign of cancer: the setting alight of craniums in the Ukraine by alien invaders with the ‘mother Russia’ ship’s TOS 1 flamethrower, so that Vlad, 'the inhaler', Putin, could suck good.
In Greek mythology, the princess Europa was raped by the father god, Zeus, taking the form of a bull. In ancient Greece, homosexuality was institutionalized and the host womb enslavement of women for the production of soldiery in war against the Persian Empire of Darius (499-449 B.C.), for example, Zeus is depicted as transforming himself into a bull because that’s what homosexuals do; they have to be close to a nude heterosexual to be able to perform with a nude woman. Although the Ukraine was seeking admittance to the European Union, which is in an artificial ‘Schengen’ zone without border restrictions, the recent history of Eastern Europe suggests it’s a machine gun zone for rape camp guards looking to eliminate escapees, where 90 days without a permit will see a resident with a purchased home made an illegal alien, and subject to that rape which is property dispossession and worse. Vlad, ‘the flamethrower’, Putin’s invasion, as a means to prevent the Ukraine from becoming a member of the Schengen zone is justifiably interpretable as an attempt to stop a former Russian Republic of the Soviet Union from being made into a rape camp subject to East Europe’s machine gun zone.
What the homosexual rape camps are for is associable with Jesus’ disciple John’s apocalyptic New Testament vision of the future in Revelation, ‘The angel swung his sickle on the earth, gathered its grapes and threw them into the great winepress of God's wrath.’ (Rev: 14. 19) Although grapes rhymes with rapes, they’re the testicles of humans farmed for ball snort, symbolized by the statue of the 2nd century Greek goddess, Diana of Ephesus, with strings of testicles about her neck, which is what God’s angry about, for example, Onan in the Old Testament, which Christianity believes superseded by the New Testament, was ordered by God to impregnate the wife of his dead brother, Tamar, but ‘spilled his seed’ (Gen: 38. 9) upon the ground instead. Although Onan is associated with onanism, that is, masturbation, God’s punishment wasn’t a prescription for masturbators to be killed, as God was angry over there being no women to fertilize Tamar, because men had killed God’s futa race, while they prepared to farm it for ball snort, which was what Satan had wanted in the parasite of Eden.
The nape of the neck is where the head begins, while the inability of a species to breed its own brains’ powers is where decapitation begins. If woman’s seed doesn’t sexually reproduce from her own penis’ semen in her own host wombs, she’ll be a nape decapitated, that is, an ape, which is how host womb slavery of a race by a parasite proceeds. There are rapes, and then there are apes, which is why Satan is described as ‘the ape of God’, because Satan’s slaves haven’t human brains. They’re a single male brained creature, wearing each other’s clothes as a transvestite for ‘TV wars’ against women’s seed to please an alien parasite, Satan, who wants to ingest ‘the feminine spirit of God’ through his nostrils by snorting her testes, while watching her throws in a last chance saloon craps game, where snake eyes keeps coming up to thwart her winning a roll off the dice.
1 Jung, C. G. (R. F. C. Hull transl.) Civilization In Transition, Vol. 10, Part V, ‘Flying Saucers: A Modern Myth of Things Seen in the Skies’, 2. Ufos in Dreams, Bollingen Foundation, Princeton University Press, 1959, page 331, para. 599.
Ursula K. Le Guin and the Mindless Submyth
In her article, 'Myth and Archetype in Science Fiction', writer and critic Ursula K. Le Guin opined that, if you look hard at the 'Blond Hero',1 he doesn't look back at you, he disappears. She condemned what she thought of as an insufficiency of proper imagination in writers within her genre who promoted the mindless submyth of modern times, rather than the developmentally archetypal writing that creative minds like that of the poet T. S. Eliot wrote of the need for in heavily allusive works such as his, ‘The Waste Land’ (1922), designed to cultivate the spirit and desire for cultural activity to inspire and regenerate a 20th century wracked by two world wars and without hope of anything much less bleak:
‘”That corpse you planted last year in your garden,
Has it begun to sprout? Will it bloom this year?
Or has the sudden frost disturbed its bed?”’ (l. 71-3)2
Eliot’s demand was for literature that had archetypal content for readers who needed psychological development, a mature cultural understanding of life; how to enjoy each day consciously and reflectively, without becoming subdued by fate’s vicissitudes. Archetypes were largely to be found in the unconscious of human beings, according to Carl Gustav Jung (1875-1961), who detected in his clinical work as a psychiatrist what he described as a facultas praeformandi, that is, a preexistent disposition within the human psyche, which reacted and morphed to meet the needs and requirements of a nascent consciousness Jung termed the ‘God archetype’. Like the creator, God, the archetype of the ‘Self’ created many different forms, acting as guides to individual progress, through the unconscious-self’s relationship with dreams, art, and the imagination. Most particularly, Jung observed the workings of the soul image as it existed in man, which he called the anima, a feminine contrasexual component in contradistinction to the male ego. In women the contrasexual component was the animus, which had the character for a woman of a crowd of male observers, whereas the anima generally appeared to the unconscious in dreams as a type of woman, shapely in appearance, although in art and the imagination, for example, the novel form, her looks were dependent on God’s imitators:
‘Flushed and decided, he assaults at once;
Exploring hands encounter no defense;
His vanity requires no response,
And makes a welcome of indifference.’ (l. 239-42)3
Ursula K. Le Guin argued that the male ego appeared archetypally as the hero in countless mindless submyths without developmental value, but rather harmful to the reader psychologically, because the role model was sociopathic, that is, if the reader sought to emulate the fictional subject’s behavior he/she would be labeled ‘psychopathic’ by those for whom depictions of normative activity were the sine qua non of acceptable imagination. However, from a Jungian standpoint fiction was the means by which the author used archetypal material to educate and foster human development.
Archetypes developed what Jung called ‘individuation’, a desirable state in when the ego was no longer embroiled in conflict with projections arising from interactions characterized by an unconscious inability to discern the significance of the encounter. The shadow was that part of a human psyche that saw the ‘other’ as inferior, because its ego wasn’t developed enough to perceive its inferiority. When the ego was able to overcome its inferiority to see the other person as superior, that was shadow-integration, which was the use of archetypal projections in reality as well as fiction. The process of becoming conscious through projections Jung called introjection, while it was the role of the writer to assist in reality.
Jung descried many different archetypes, for example, the self, the hero, the mother, and the wise old man, etc., but there was a glaring error in his interpretation of the throng of men as admirers of women when he came to discuss the archetype he called the animus as it appeared in the psyche of women. Although Jung had determined that the anima was a soul image in man, because women were an independent species with their own penis’ semen as futanarian humanity, Jung’s interpretation of the anima, as an impetus towards the fulfilment of sexual desire, more properly belonged with the race of women, while the male crowd represented the aim of enslaving the host womb of women’s seed as a parasitical invader prepared to wage war to achieve its objective.
Although Jung touched on the subject of homosexuality tangentially, institutionalization of homosexuality, along with the enslavement of host wombs for war, which the ancient Greeks practiced against the Persian Empire of Darius (499-449 B.C.), was normative for men, that is, the animus as a ‘gang bang’ of actors in a snuff movie theater, where ‘snuff’, a term derived from the snuffing out of a candle flame using a douser, and adapted as a genre label for illegal entertainment videos featuring the real-life killing of humans, was a more accurate interpretation of the meaning of the animus archetype for women, who corresponded to the actual species, as opposed to the alien rapist looking for a ‘grow bag’ in which to place its ‘fertilizer’:
‘As though a window gave upon the sylvan scene
The change of Philomel, by the barbarous king
So rudely forced; yet there the nightingale
Filled all the desert with inviolable voice
And still she cried, and still the world pursues,
“Jug Jug” to dirty ears.’ (l. 98-103)4
In his poem, ‘The Waste Land’, T. S. Eliot metaphorically describes how the parasite leeches life from the human, as a vampire drinking blood from the jugulars of victims, while the poets endeavor to plant archetypes to grow positively in the mind to counter the sterile, dull, grey miasma of the homosexual world they’d watched emerge, as the mindless submyth of a parasitical alien invader masquerading as the German Empire of Kaiser Wilhelm I in WWI (1914-18), and that of the German Chancellor Adolf Hitler in WWII (1939-45), which had been noteworthy for what Jung called the embracing of evil in the form of the collective shadow as a Europe-wide pogrom was prosecuted through war against the Jews by Hitler’s National Socialist (Nazi) Party, democratically elected by the German people in 1933, by means of the construction of internment camps, where the Jews were killed and incinerated as inferior.
Judaism had been founded by Isaac, son of Abraham, according to the Old Testament of the Bible, which is the Talmud and Torah, that is, the history and law of the Jews, while Islam, according to the Moslem believers in the Koran (610-30 C.E.), dictated by the angels to the Prophet Mohamed, was founded by him, a descendant of Abraham’s second son, Ishmael, born of a concubine, Hajer, ‘the Egyptian woman’, so making both Ishmael and Islam illegitimate from the perspective of Judaic monogamy, which was conflated with monotheism. As the Koran permitted four wives to Moslem marriages, according to Judeo-Christianity, Islam was an attempt to legitimize an illegitimate religion. However, as women’s seed could reproduce within the Moslem marriage, Islam was more legitimate. ‘Christ’, ‘the chosen’ of the Christian religion, born of his mother, the Virgin Mary, taken to the hill of Calvary outside the city of Jerusalem, during the occupation of Jewish Palestine by agents of the Roman Empire, and nailed to a cross of wood, where he died, before he experienced Resurrection and Ascension to heaven, Jesus ‘Christ’ prefigured the destiny of woman’s seed, as an archetypal path of individuation. Absent from the mass media entertainment industry, that is, the educational instrument of the human race, women’s seed is needed.
Jesus was most notable for diluting the law of the Jews, given to Moses by God, during the Jews’ exodus from slavery to the Egyptians, in the reign of Thutmose III (1485-1431 B.C.), to the land they believed God promised them in Palestine: ‘Love your neighbor as you love yourself.’ (Mk: 12. 31) God’s ‘ten commandments’ were essentially prohibitions against theft, for example, thieving and killing were similar in their taking away possibility, a perspective reflected throughout God’s laws, for example, ‘You shall not covet.’ (Ex: 20. 17) Wanting what belonged to someone else encouraged the obtaining of what the other had, which stole their life’s possibilities; a form of murder. Jesus’ simpler maxim embraced God’s law as ‘love’ which was what women’s seed needed. In monogamy women were imprisoned as ring slaves, which didn’t permit of their species‘ mode of sexual reproduction; a truncation of life amounting to the taking of life unlawfully. When a woman was caught in adultery, Jesus’ questioned God’s ‘commandment’: ‘You shall not commit adultery.’ (Ex: 20. 14) As women were the human futanarian race, men were their adulterate, that is, it was impossible for women to be adulterous, as they were a single species, so Jesus observed: ‘Let he who is without sin cast the first stone.’ (John: 8. 7)
Although Jesus figures in the Koran, he’s described as a man who died, but it wasn’t him, that is, he was a meat bag for an ‘other’ who’s ‘sub’. According to Jung the unconscious is divided into two parts, the subconscious and the unconscious. The subconscious corresponds biologically to the submandibular gland at the jaw where subvocalizations occur. In hypnosis, for example, the subject subvocalizes what the hypnotist has recorded for the listener to hear. For Ursula K. Le Guin, the writer who produces mindless submythic material for the reader is manipulating the subvocalization process to persuade the psyche to accept the fiction as individuational. Moreover, as the character Khidr in ‘The Cave’ sura of the Koran, Al Kahf, chapter 18, explains to Moses, he made holes in the boats on the beach to prevent pirates pursuing them. In Islam the Shaitan djinn, Iblis, is the equivalent of Satan in Judeo-Christinaity, but he has no power other than to whisper at the ear lobes, which are just above the parotid gland where the cogitational capacities of the frontal lobes are pirated by the mindless submyth makers, who want repetition, rather than education, which is what shallow priests and hypnotists inculcate in minds they want submission and obedience from.
The angel, Satan, according to the book of Genesis in the Old Testament of the Bible, rejected God’s plan for the human host to be greater than the angelic. Turned into a serpent by God, Satan was placed in the paradise of Eden, where he persuaded the woman, Eve, to ‘eat of the tree of the knowledge of good and evil’, which it was death to taste, saying ‘You will be as gods.’ (Gen: 3. 5) However, despite expelling her and the man created by God, the creator promised Redemption to Eve’s seed: ‘You shall crush the head of the serpent with your foot, but he will bruise your heel.’ (Gen: 3. 15) The serpent’s seed of men won’t be able to prevent the futanarian ‘foot’ of Eve’s race from leaving Earth to colonize the planets amongst the stars, although the ‘submen’ will seek to prevent it.
The subconscious isn’t categorizable as subhuman, but it’s open to suggestion, and is what hypnotists seek to influence subliminally to instruct the minds of their subjects to obey their orders. While there are ethical consideration in the application of autosuggestion, religion, especially in the Middle East, for example, Islam, where the faithful Moslem believers are required to pray five times each day, is a routine administration of hypnotic sublimation of the human, while trance-like translations of the priest’s sermons mediated through headsets and ear ‘phones are common throughout the former Communist regimes of the Eastern European Christian churches, where for foreign ‘guests’ are subject to an undermining of their mindset to establish enslavement through mind control.
Amounting to ‘brainwashing’, a term used by the United States’ Central Intelligence Agency (CIA), after experiences in South East Asia and elsewhere, to describe how foreign powers attempt to ‘convert’ agents to make them work for them, such collapsing of the mental faculties was central not only to movies like A Clockwork Orange (1971) in which ‘droog’ leader, actor Malcolm McDowell as ‘ultraviolent’ Alex DeLarge, is subjected to the ‘aversion’ therapy of the ‘Ludovico technique’, but also to later 20th century fears over the ‘incurable killer disease’, HIV/AIDS, which had been discovered transmitted between homosexuals by Africa’s Dr Congo in 1983, ‘Eggy Wegs ... I would like to smash 'em.’5 The human immune deficiency virus (HIV) was revealed by science as mutant variant of the simian immune deficiency virus (SIV) which resulted in acquired immune deficiency syndrome (AIDS), organ collapse and brain death, that is, sufferers became simian, an attribute characteristic of descriptions of the subman obedient to mind control.
When the global coronavirus epidemic began in Wuhan city, Hubei province, China, December 2019, after its being initially uncovered in a cave of bats in Yunnan province, T. S. Eliot’s ‘The Waste Land’ looked like prophecy. Scientists demonstrated that the passing of HIV/AIDS between homosexuals made the human system more susceptible to severe acute respiratory syndrome (SARS),6 that is, death through lung collapse, as the individual lost the power of speech and consciousness. Homosexuality was manifest, as the subman, in the making of the mindless submyth of the subhuman, because it’d subliminally convinced the human race of futanarian women’s seed that it was acceptable to penetrate men anally with its penis’ semen:
‘And bats with baby faces in the violet light
Whistled, and beat their wings
And crawled head downward down a blackened wall.’ (l. 380-82)7
As SARS was characterized by flatulence, that is, the ‘perfume’ from the anus, the homosexual submen were killing the human race as its old farter, who wasn’t going to be in heaven, as Jesus’ disciple, John, observed in his apocalyptic New Testament vision of the future, Revelation: ‘A great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. She was pregnant and cried out in pain as she was about to give birth.’ (Rev: 12.3) The symbol is of the EU, that is, the political European Union of nations, symbolized by twelve stars. However, for the submen it’s EUthenasia, that is, first the EU then Asia, where the coronavirus emerged: ‘The dragon stood in front of the woman who was about to give birth, so that it might devour her child the moment he was born.’ (Rev: 12. 4) When President Vlad Putin’s Russia invaded the Ukraine in February 2022, because that country had asked for admittance to the EU membership of nations in January 2022, the appearance of the TOC 1 heavy flamethrower system mounted on a T-72 tank chassis. was greeted with dismay as a sign that ‘boot in’ was a draco.
For homosexuals Christianity was a homosexual surrounded by a clique of homosexuals because Jesus ‘Christ’, ‘the chosen’, born of his mother, the Virgin Mary, was an asshole birth, that is, Joseph and Mary practiced anal intercourse. Irrespective of the evidence of human biology, that is, that sperm fertilizes the ovum after the penis ejaculates semen into a woman’s vagina, homosexuals believed that their Redemption consisted in the recognition that Jesus’ was an ass birth, and that the disciples of Jesus were his homosexual anus fuckers, which is the ‘truth’ that they wanted to disseminate to the world. Received and promulgated as ‘real’ by writers of fiction, and purveyors of mass media entertainment, the mindless submyth became the prevailing cultural paradigm. Not only did it represent a defeat for the artist with the creative imagination, like that of T. S. Eliot, it represented subjugation, through homosexual domination, by an alien creature identifying itself as such before invading and taking over the minds of the human host.
The coronavirus was the virus of the submen grown large enough to whisper as a homunculus (human killers) in the ear of the host to effect the subhuman aim of extinguishing the light of intelligence,2 which is why T. S. Eliot wrote prophylactically, and as a forewarning to his readership, in his conclusion to ‘The Waste Land’, ‘These fragments I have shored against my ruins.’ (l. 431).9 A vampire slaver, the subman parasites watch and wait for the host to die before moving on to other victims. While the human struggles to produce and reproduce, the submen subliminally program through the parotid and submandibular glands for their host to be zombie-like repetitives, without creativity, or volition to move beyond the humdrum, so that the mindless submyth of the leech might triumph over the spirit of God.
1 Le Guin, Ursula K. 'Myth and Archetype in Science Fiction' in The Language of the Night: Essays on Fantasy and Science Fiction, ed. Susan Wood, London: Women's Press, 1979, pp. 61-9, p. 61.
2 Eliot, T. S. ‘The Waste Land’, Part I: The Burial of the Dead, The Criterion, October 1922, l. 71-3.
3 Eliot, T. S. ‘The Waste Land’, Part II: A Game of Chess, The Criterion, 1922, l.239-42.
4 Eliot, T. S. ‘The Waste Land’, Part II: A Game of Chess, The Criterion, 1922, l.98-103.
5 McDowell, Malcolm as Alex DeLarge in A Clockwork Orange, Polaris Productions; Hawk Films, 1971.
6 Healy, Melissa ‘Did failure to adequately treat HIV patients give rise to the Omicron variant?’, Los Angeles Times, https://www.latimes.com/science/story/2021-12-02/did-omicron-coronavirus-variant-arise-in-patient-with-uncontrolled-hiv , December 2nd, 2021, 4 am Pacific Time (PT).
7 Eliot, T. S. ‘The Waste Land’, Part III: The Fire Sermon, The Criterion, 1922, l.380-82.
8 Jung, Carl G. Psychology and Alchemy, Collected Works, Vol. 12, Part II Individual Dream Symbolism in Relation to Alchemy, Chapter 3, The Symbolism of the Mandala, II. The Mandalas in the Dreams, 31. Dream, Bollingen Foundation, Princeton University Press, 1953, para. 243.
9 Eliot, T. S. ‘The Waste Land’, Part V: What The Thunder Said, The Criterion, 1922, l.431.
Eastern Schengen Zone
Isten is the word for God in Hungarian, that is, magyarul, the language of the Magyar, as they call themselves, so for them, as a member state of the European Union since 2004, it was the Isten Schengen zone, while for the rest of Europe it was the Eastern Schengen zone: homonymous. As 26 member states of the EU believed, in their wisdom, that a region where they’re free to travel without passport control, so long as they don’t stay in a country of the EU for very long, especially if they own property, it wasn’t a concentration camp. However, to a hell ‘e would ‘snuff’ movie Mogul, it was a sten ‘chine gun zone.
The sten submachine gun was manufactured in WWII (1939-45) by Britain, with the Russian PPSh-41, known as papasha (папа́ша) that is, ‘daddy’, as its only rival for numbers produced, although the weapon is familiar to ordinary people mainly from so-called ‘action’ movies, for example, director Sam Peckinpah’s Cross Of Iron (1977), based on WWII events, such as Germany’s invasion of Russia in 1941, when the Red Army was encircled around Kiev, during ‘Operation Barbarossa’ first phase, from August 7th-September 26th, before surrendering. The invasion of the Ukraine on the orders of Russian Federation ‘daddy’, President Vlad ‘the flamethrower’, Putin, shown live on global TV news, provided similarly unacknowledged mass media entertainment for perverts.
The ‘snuff’ film genre is an illegal mode featuring recordings of live killings, usually on video cassette, where torture and death are the perversion being offered to the voyeur, for example, Peckinpah’s movie, Straw Dogs (1971), though an ‘action’ movie, rather than snuff, features the rape and murder that perverts like. Live war, a boon to the ghoul, who’ll pay more for cable and satellite, contrasts with what the United States calls public service broadcasting (PSB), represented in the United Kingdom by the British Broadcasting Corporation (BBC) TV, which provides live coverage of news events such as war, plague, famine and death. While cable and satellite channels compete for more gory subject material to keep viewing figures high enough to remain economically viable through advertising, PSB financing depends primarily on a TV licensing system, so censorship in the interests of public decency and taste is usual. However, if the rich want live snuff entertainment, war is their theater.
The Russian Red Army’s TOC 1 (TOS) Heavy Flamethrower System (тяжёлая огнемётная система), bore an uncanny resemblance to the human apparatus that, during the global coronavirus pandemic, produced a flammable gas in the form of flatulence, which allied to air being sucked from the lungs, in the course of the victim’s dying, if they succumbed to severe acute respiratory syndrome (SARS), caused by the virus, resembled the two stage apparatus of the thermobaric multiple rocket launcher, TOS 1, mounted on a T-72 tank chassis, which spread fuel air explosive in the form of vapor gas, before igniting to create a blast: vacuum sucking oxygen from the lungs accompanied by vaporization of everything within the weapon’s radius. For perverts viewing the deployment of the TOS 1, it was live mass media entertainment, based on their ghoulish knowledge of the SARS virus, which they’d be forbidden from enjoying the course of; even if they petitioned local hospital administrations for permission to observe. TOS 1 was, as with many such dire events, the ghouls’ vengeance.
HIV/AIDS, an ‘incurable killer disease’, discovered to be transmitting anally by homosexuals with infected semen in 1983, that is, the human immune deficiency virus (HIV), which in its virulent phase resulted in acquired immune deficiency syndrome (AIDS), collapse of the organs and brain death, made humans more susceptible to death by SARS’ lung collapse. As the human system produces flatulence, that is, flammable vapor, before succumbing to the virus, HIV/AIDS, properly considered, is the first stage of the ‘biological weapon’ equivalent to TOS 1, corresponding to masturbation, where ‘toss’ is a verb denoting ejaculation by hand.
Although Onan was the character in the book of the Old Testament of the Jewish Bible, Genesis, who was killed by God for ‘spilling his semen on the ground’ (Gen: 38. 9), rather than fertilize his dead brother’s wife, Tamar, he was killed for that, not masturbation, although the term onanism for masturbation derives from the name, Onan, who was similar to homosexuals in the sense that he preferred sterility, which was the reason for God’s killing him. Moreover, as women are a separate independent futanarian species with their own penis’ semen, God’s killing of Onan for refusing to impregnate Tamar was due to anger at the absence of women’s seed, while God’s drowning the Earth in a flood for unspecified evil suggests that men had killed, or sterilized, God’s original human futanarian species, which is what tossers do.
Although Star Trek: TOS (1966-69) means ‘The Original Series’, created by producer Gene Roddenberry for NBC TV in the states, which featured its own heavy weapons system in the shape of photon torpedoes, launched from aboard the USS Enterprise (NCC-1701) starship, center of the science fiction series, along with actor William Shatner as Captain James T. Kirk, in human terms men who don’t want to engage in ring slavery by being faithful to the farm, and/or those who want to avoid contracting HIV/AIDS, masturbate, that is, they’re tossers, while homosexuals are the virus. Star Trek: TOS, for example, was famous for Kirk’s Security, and beautiful women, like actress Grace Lee Whitney, who first appeared on September 8th, 1966, as yeoman Janice Rand in Season 1, Episode 1, ‘The Man Trap’, in which an alien from a planet, M-113, with the form of a woman, Professor Robert’s wife, Nancy Crater, is killed by Kirk’s phaser weapon, because host womb enslavement within the ‘camp’ framework is how the parasite farms, while ‘alien’ is the term applied by ‘ethnic cleansers’, that is, pogromers, to humans, for example, the 70,000 Moslem women interned and raped in camps during the Bosnian war (1992-95) by Christian Serb militia, as culturally different to the general population, so vulnerable to xenophobic prejudice and attack.
Ancient Greece institutionalized homosexuality in pederasty for war against the Persian Empire of Darius (499-449 B.C.), and the host womb slavery of women, to effectively manufacture soldiers, as the British sten and Russian PPsh-41 were similarly manufactured, that is, homosexual biological warfare is a concomitant of their conventional warfare against the human race. As futanarian women are capable of sexually reproducing their own brains’ powers to manufacture rejuvenation technologies and achieve interstellar space travel, for example, war is waged against them: ‘The dragon was wroth with the woman and went to make war on the remnant of her seed.’ (Rev: 12. 17) Jesus’ disciple John, in his apocalyptic vision of the future, Revelation, based on the teaching of Jesus ‘Christ’, ‘the chosen’ Messiah of the Jews, in the New Testament of the Bible, which Christianity believes supersedes the Old Testament of the Torah and Talmud of the Jews, that is, their history and law, describes a mother, similar to Jesus’, the Virgin Mary, who is depicted, in Christian iconography, as crushing the head of the serpent with her ‘foot’, because Jesus, as woman’s seed, is futanarian: ‘The dragon stood before the woman who was about to give birth to devour her child the moment it was born.’ (Rev: 12. 4) The dragon corresponds to homosexuality as a tosser, that is, celibacy enforcing HIV/AIDS is the first stage of their masturbator’s biological weapon deployment, and SARS, with its flatulence and expiration is its second. The TOS 1 heavy flamethrower system corresponds to active, rather than passive, homosexuality, that is, the tossers are the butts who woudn’t give up smoking, which is a Russian euphemism for fellatio, while smoking women’s penis down to their butt isn’t.
As draco, that is, dragon, is a term reserved for the blood-sucking vampire of legend in Eastern Europe, Vlad Putin’s deployment on the T-72 tank chassis of the multiple rocket launcher, TOS 1 system, against the Ukraine in the invasion of March 2022, is the sign of a vampire restlessly adjusting itself within the coffin to get a better suck when it sinks its teeth into the women’s jugular cassette, which sounds like the word for church (gyülekezete) in Hungary, and what the Eastern (sten) Schengen (machine gun) zone seemed to have been designed for. Russia’s argument with the EU is that the Ukraine had applied to become a member in February 2022, which would mean that there’d be less of a cigarette for the vampire emerging from its coffin to suck on.
As women’s futanarian species is essentially preyed on by men as its parasite, the legend of the immortal blood-sucking vampire that sinks its teeth into the jugular vein at the neck in order to drink, and can only be killed with a stake to the heart, is understandable in terms of the stake in their own race that women’s penis’ semen has, that is, as homosexuality has no stake in the heart of women, women’s penis is the stake in the heart of men: ‘Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.’ (Rev: 16. 11) The worm might view itself as immortal; however, it was Jesus, taken to the hill of Calvary outside the city of Jerusalem, during the period of the Roman Empire’s occupation of Jewish Palestine, who was nailed to a cross of wood and died there, but experienced Resurrection and Ascension to heaven in prefiguration of that of women’s seed.
With the withdrawal of the United Kingdom from the EU Schengen zone, named for the town in Luxembourg, where five members (Belgium, France, Germany, Luxembourg, and the Netherlands) of the earlier European Economic Community (EEC) agreed in 1985 to unfettered border crossing between European states, those nations that had been part of the Union of Soviet Socialist Republics (USSR), that is, Russia, before 1991, when it ostensibly changed its policies and ethos to become the Russian Federation, and allowed those satellite states that had been controlled by the central Communist government in Moscow, subsequent to the defeat of German ambitions to enslave the Earth in WWII, after asking the 30 members of the North Atlantic Treaty Organization (NATO), which includes three nations with nuclear defense capability, France, the UK, and the United States, if they propose to defend them in the event of Russian aggression, or continue with unkilled labor under fire from Eastern Schengen’s owners?
As the HIV/AID virus was first discovered by DR Congo, a mutated version of the simian immune deficiency virus (SIV), the heavy flamethrower system, TOS 1, was launched in Africa by apes, although the discovery of the coronavirus in a cave of bats in Yunnan province, China, suggests the designed evolutionary path of the secret tosser was that of the blood-sucking vampire. In December 2019, a mutant variant of the virus, SARS 2, was discovered at a Wuhan city hospital in Hubei province, which represented the second stage of the launching of a biological vacuum weapon, after HIV/AIDS weakening of the human futanarian system to make it more susceptible to virus infection, causing lung collapse, and final expiration from smoking women’s penis down to its cigarette butt.
As the People's Republic of the Congo (1969-92), until the collapse of the Soviet Russian Empire, was a communist country, and China is too, the emergence of Putin as a dragon lord breathing fire over the Earth is interpretable as a communist plot, assisted consciously or unconsciously, by Capitalism’s NATO members, who agreed to create an Eastern Schengen zone, that is, a sten ‘chine gun zone, for rich killers. Whereas Capitalism is the belief in exploitation of resources, both human and material, Communism is the ideology of workers’ ownership, although in practice the result is slavery in either case, because someone has to do the work.
Modern life has been characterized by the ‘Cargo Cult’, that is, work that has already been completed is done again in order to maintain a slave system. The term derives from the US’ discovery in the islands of the Pacific during WWII that natives built rough versions of airplanes, so they had the desire for aviation, but without the technological know-how they could be used as slave labor to reproduce what already existed, which is what Capitalism and Communism does with education, training, and retraining programs. The Russian nuclear physicist, Andrei Sakharov, after his role in the successful Soviet RDS-37 thermonuclear weapons’ program, was consigned by the A-bomb tossers to work as a toilet cleaner; the broken legs of the expert ballet dancer amongst the ‘Cargo Cult’ slavers.
As Isten is the name for God in Central Eastern Europe’s former Soviet controlled state of Hungary, gyula is the word for ‘leader’, while gyülekezete is ‘church’, and ‘rich jeweler’ is a term used to refer to expensive Christians, who’re conceivably ritualers, that is, human sacrifice is where the tossers are at. As Dror Ben Ami drily observed in The Jerusalem Post in 2015, ‘Paul of Tarsus never said that the animal sacrifices of the Jews didn’t remove sins. To the contrary: he agreed they removed sins. The point Paul of Tarsus was trying to make was that the blood sacrifice of Jesus was a more effective way to remove sins, because it was only needed once, whereas Jewish blood sacrifices needed to be repeated year after year.’2 For East Europeans raised by Communism, the ritual slaying of Jesus is Redemption, because killing special people is heaven for those jugular cassette blood drinkers rich enough to become richer tossers by appropriation. Jesus’ slaying was what sterilizers do, that is, ethnic cleansing. As woman’s seed, Jesus was killed, during the reign of the Roman Emperor, Tiberius Caesar Augustus (14-37 C.E.), because the Jewish religious police, the Pharisees, didn’t want women’s species to escape sterilization, but remain host womb slaves.
If gyula is ‘leader’, then gyülekezete (jugular cassette) is a ‘snuff’ video cassette, that is, the ritualers kill for what they want, which is what Isten’s Schengen Area was created for; using a sten ‘chine gun to kill for pleasure, property, and other means of financial gain and physical well being for the tossers. Vlad, ‘the flamethrower’, Putin, with his thermobaric sterilizer, TOS 1, was a vacuum cleaner, that is, an ethnic cleaner not unfamiliar from the days of his namesake, Vlad, ‘the impaler’, of the ancient country of Wallachia, inside modern Romania’s EU member state since 2007, whose habit it was to impale the assoles of his enemies on stakes of wood after a battle. Vlad Dracul III was the model for Irish writer Bram Stoker’s novel, Dracula (1897), about a vampire, who was immortal but sterile. The corollary with sterile anal penetration, resulting in HIV/AIDS, collapse of the organs and brain death, and the flatulence symptoms of the SARS virus, suggest Dracul (c. 1428-1477), releasing gas from the anus, as the originator of the heavy flamethrower system, TOS 1, which Vlad Putin still had enough fart left in him to ignite.
Although the SARS virus arose there, and China is traditionally the place of dragons, which legendarily breathe fire, as biological flamethrowers, Dracul in central Europe was a draco, that is, a dragon lord. Vlad Putin’s assault on the Ukrainian city of Kiev, just below the border region of Bukovina, where ethnic Romanians dwelt from the period of the existence of the country of Moldavia, which together with Wallachia founded Romania in 1859, challenged Romania’s draco, called voivode: ‘warlord’. Although it was Hungary that appointed Dragoș voivode of Moldavia in 1345, stripped of Transylvania on June 4th, 1920, at the Treaty of Trianon, in the château at the palace of Versailles, near Paris, France, which the victors of the First World War (1914-18), to prevent the German Empire of Kaiser Wilhelm I from enslaving Europe and the world, gave to Romania, Hungarians had to accept they were a minority in the region, despite constituting approximately 19% of Transylvania’s population, and a majority in the Romanian center, Szeklerland (Harghita, Covasna and part of Mureș counties). Just as the Ukrainian capital was forcibly removed from Kiev to the city of Vladimir inside Russia in 1196, Hungarian Romanians were powerless to prevent the guv’nor, Vladimir Putin, invading the Ukraine from Russia.
As with Chancellor Adolf Hitler’s National Socialist, ‘Nazi,’ Germany, when Poland, at the outset of WWII on September 29th, 1939, was divided west from east at the Bug River with Russia’s dictator Josef Stalin, the Ukrainian capital city, Kiev, a voivodeship of Poland (1569-1793), before Romania was founded, was the victim of a land grab. This time by Vlad Putin, a former lieutenant colonel (1975-91) with the secret ‘bug’ directors at the Russian Committee for State Security (КГБ), who described the KGB (Комитет государственной безопасности), at the height of the terror over the virality of the AIDS ‘bug’, collapsing the organs of the human system, as ‘the organs’.3 The philosophy of Germany, as evinced by Karl Marx, founder of ‘godless’ Communism, who wrote ‘workers should control the means of production’ in Das Kapital (1867), was proven the more successful sociopathology: its sign and symptom cigarette smoking and heavy farting in Oblast (region), Kiev.
1 Healy, Melissa ‘Did failure to adequately treat HIV patients give rise to the Omicron variant?’, Los Angeles Times, https://www.latimes.com/science/story/2021-12-02/did-omicron-coronavirus-variant-arise-in-patient-with-uncontrolled-hiv , December 2nd, 2021, 4 am Pacific Time (PT).
2 Ami, Dror Ben ‘Metaphors in the Torah: The Roles of Blood and the Liver in Removing Sin’, The Jerusalem Post, February 10th, 2015, 18:57 pm, https://www.jpost.com/Blogs/Torah-Commentaries/Metaphors-in-the-Torah-The-Role-of-the-Blood-and-the-Liver-in-Removing-Sin-390469 .
3 Sakwa, Richard Putin: Russia's Choice, London; New York: Routledge, 2008, p. 11.
Science Fiction with Women as Aliens
The concept of women as aliens in science fiction has a long history. Perhaps the most illustrative example in modern times is the US’ NBC TV two-part miniseries, V (May 1st-2nd, 1983), starring actress Jane Badler as Diana, supreme commander of the ‘Visitors’, who’re aliens that arrive on planet Earth in 50 ‘motherships’ offering advanced technology in exchange for aid: ‘We have come in peace, to all mankind. Our planet is the fourth in distance from the star you call Sirius, some 8.7 light years from Earth. This is the first time we have left our system, and you the first intelligent life we've encountered. We're pleased to meet you. We have come on behalf of our great Leader, him who governs our united planet with benevolence and wisdom. We have come because we need your help. Our planet is in serious environmental difficulty, far far worse than yours, it's reached the stage where we will be unable to survive without immediate assistance. There are certain chemicals and compounds which we must manufacture, which alone can save our struggling civilization. And you can help us manufacture these and in return, we will gladly share with you the fruits of our knowledge.’1 Their sojourn for most viewers was characterized by the pulchritudinous bodies of the women, contrasted with their ability to swallow quite large animals, which visibly distended their throats before their prey was digested by the reptilian ‘guests’, whose human-like appearance is a façade of thin, synthetic skin. Behind human-eye contact lenses, are carnivorous reptilian humanoids with horned foreheads and green, scaly skin.
In mockery of religion Diana’s mind-control is described as ‘conversion’, used as a means to make it easier for the Visitors to harvest the human race as food; leaving only a few as slaves and ‘cannon fodder’ for their entertainment in war with other races. Although the plot seems typical of the nation states of the Earth’s preoccupation with being invaded, as the world once again recognized, when President Vladimir Putin’s Russian Federation invaded the Ukraine on March 24th, 2022, the nature of women is as a species separate from men, because their futanarian race of women’s seed with their own penis’ semen is capable of sexually reproducing their own brains’ powers, so alien invasion movies in science fiction are both propaganda against women as aliens and a means of disguising what maliens do.
In the science fiction series aired first on US’ ABC TV, Battlestar Galactica (1978-79), a fleet of 220 ships, representing ‘The Twelve Colonies of Mankind’, is in search of a new home, legendary Earth and the mythic thirteenth tribe, after a thousand-year long war with the Cylons, ‘warrior robots’ created by a long since extinct race of reptilians wiped out by their own creations. Although it seems like a straightforward space opera, which is a term used to describe the SF equivalent of a sword and sorcery fantasy, like Star Wars, for example, with its Princess Leia and evil black knight, Darth Vader, in the later episodes of the franchised NBC’s Syfy channel TV miniseries, Battlestar Galactica (December 8th-9th, 2003), the Cylons are reconstructed to look like beautiful women. ‘Number Six’, for example, is actress Tricia Helfer, who’s produced as a model copied multiply; an allusion to women’s mode of sexual reproduction: a model that copies itself to multiply. In the NBC TV series, Battlestar Galactica (2004), actress Grace Park is, for example, ‘Number Eight’, Lieutenant Junior Grade, Sharon ‘Boomer’ Valerii, Raptor pilot, and copy of # 8, and (LTJG) Sharon ‘Athena’ Agathon, also a copy of # 8, and a Raptor pilot, who in Season 2, Episode 1 (14), ‘Scattered’, explains what happens when Cylons die, after Number Six is killed: ‘Her consciousness is being downloaded into another body right now.’2 Although the function of sexual reproduction is here elided, it’s difficult to ignore the implication, which is that women of science and technology don’t need men, while the denying of women access to technology is largely prevented by denying their futanarian species the sexual reproduction of their own capacity for thinking and doing.
The plot device of copied women is familiar to movie watchers from The Stepford Wives (1975), starring actress Katherine Ross as Joanna Eberhart, a woman who moves with her family from Manhattan island, New York city, to the suburb of Stepford in idyllic Fairfield County, US’ state of Connecticut. As the women are replaced by men who’re unsatisfied with the real woman they’d married, so more malleable, responsive to their whims, models are constructed: ‘If I am wrong, I'm insane... but if I'm right, it's even worse than if I was wrong.’3 The idea of cloning is implicit in Joanna’s expressing the impressions of her disturbed mind, which represents not only dehumanization, but copyright infringement, for example, actress Tricia Helfer might exist in the past for those who travel through time. However, for those who don’t, the Tricia they know is the only model. Moreover, proponents of cloning seem advocates of copyright infringement, that is, a Tricia Helfer, who’s diluted in economic terms by other Tricia Helfers, would suffer economically, unless she was professionally managed as a multiple personality, which is a term used by psychiatry in the diagnosis of schizophrenia.
Diagnosing women as schizophrenic because they reproduce with each other, and therefore constitute a multiple personality, which isn’t of the collective ‘men’, doesn’t infringe copyright, although men do represent economic dilution. The hypothetical Tricia Helfer species can’t achieve economic independence, if a single Tricia Helfer raises copyright issues, because that reduces her to a single economy, irrespective of whether she’s married, or has a ‘significant other’. Multiple personalities are what economic success for women is dependent on, whereas what men evince in their sociopathic behavior is a single minded psychopathology determined to leech like a vampire, as in V, off the blood of the human race.
While most people accept time travel as science fiction, a futanarian Tricia Helfer could produce herself alone simply by bending her penis into her vagina to self-fertilize her ova, with the resultant girl child a self-copy, that is, Tricia # 2, and such a copying of the original material can be done at any stage of maturity, that is, the possibility of a futa Tricia Helfer reproducing herself is dependent only on the time available to her for pregnancy. As a species, women’s concern isn’t with copyright at all; it’s with progress for their race to colonize the planets amongst the stars, which requires machine technology, rather than biological reproduction. Here Battlestar Galactica reaches its zenith with the humanoid Cylons and the humans arriving on Earth having begun to interbreed, so presenting theirs as ancient Earth history, while neatly eliding men’s extinction of women and the human race’s economic enslavement beneath the heel of their vampire.
The United Kingdom’s version of men as a metaphor for the exterminator of the human race is to be found in BBC TV’s Doctor Who (1963-) with aliens represented severally, but most noticeably, and repeatedly, since the second serial,4 by The Daleks (December 21st, 1963, to February 1st, 1964) in the form of the aliens of the planet Skaro, which originally had two races; the dark haired Kaleds and the blonde Thals. Though several other actors have since been in the role of the Doctor over the series’ long run, actor William Hartnell, arriving on Skaro inside his Tardis, a time-machine and spacecraft, discovers the Thals defeated in a nuclear conflict, which almost destroys the Kaleds, who’ve built themselves metal containers, resembling pepper pots, for their radiation damaged forms. These ‘Daleks’, an anagram of their creators, the Kaleds, continue their war of extermination and became the rulers of Skaro before leaving to begin building an Empire of planets in thrall. With his usually more than beautiful ‘assistant’, the Doctor represents the fiction that women and men don’t reproduce in TV, because they’re a single male brained creature wearing each other’s clothes in transvestism for TV wars, which is what children are taught; the Dalek characters’ pogrom as edutainment. Moreover, as women aren’t depicted as being able to sexually reproduce with each other in mass media edutainment and news, wars against women’s seed, that is, humans, is all men prepare for; abusing their daughters and killing the women as aliens.
1 Herd, Richard as John, Episode 1, V, NBC TV, May 1st, 1983.
2 Park, Grace as Sharon ‘Athena’ Agathon, Season 2, Episode 1 (14), ‘Scattered’, Battlestar Galactica, July 15th, 2005.
3 Ross, Katherine as Joanna Eberhart in The Stepford Wives, Palomar Pictures, 1975.
4 Hartnell, William as the Doctor, Doctor Who, Season 2, Serial 2, The Daleks, Episode 1 ‘The Dead Planet’, BBC TV, December 21st, 1963, Episode 2 ‘The Survivors’, December 28th, 1963, Episode 3, ‘The Escape’, January 4th, 1964, Episode 4, ‘The Ambush’, January 11th, 1964, Episode 5, ‘The Expedition’, January 18th, 1964, Episode 6, ‘The Ordeal’, January 25th, 1964, Episode 7, ‘The Rescue’, February 1st, 1964.
Vornan-19 and some Fags about Covid-19
The advent of Covid-19, the virus mutation causing severe acute respiratory syndrome (SARS), emerging in December 2019 at a Wuhan city hospital in Hubei Province, China, has something in common with Vornan-19, the central character of The Masks Of Time (1968) by US' science fiction writer, Robert Silverberg, a novel published in England as Vornan-19, who arrives from a thousand years in the future, naked, on the Spanish Steps, a stairway to the Trinità dei Monti church in Rome, Italy, on Christmas Day, 1998, rendering unconscious police attempting to arrest him with a touch from his fingers.
There are similarities between Vornan-19 and Michael Valentine Smith (MVS), the central character of US’ science fiction writer Robert A. Heinlein’s novel, Stranger In A Strange Land (1961), who arrives on Earth, discovered on Mars after a 19 day outward trip by Federation Champion spaceship, with its Lyle Drive propulsion system usable only in the solar system, where Smith had been raised by Martians, who found him in the wreckage of the Envoy, a previous Earth ship that, with a round trip then taking 971 days, and a need to refuel at a space station, had crashed on Mars twenty five years earlier. Taken to the state of Maryland's Bethesda military hospital, Valentine, who’s never seen a woman, is attended only by men, until pulchritudinous nurse, Gillian Boardman, highly-sexed, sneaks him out with her. When agents of the United States of America’s government catch up, Smith disappears them with a gesture similar to Vornan-19’s.
The plots by Silverberg and Heinlein are similarly concerned with the sexual individual’s need to be rid of homosexuality, which would seek to prevent their reproducing. In simple terms, that’s the meaning of MVS, Vornan-19 and Covid-19 for the healthy sexual being. Where the initial flu-like symptoms of AIDS, that is, the acquired immune deficiency syndrome, discovered by DR Congo in 1983, being contracted through HIV, that is, the human variant of a mutated simian immune deficiency virus, SIV, spread by homosexual monkey fuckers,1 and killing by organ collapse, like SARS, failed to prevent humans from reproducing, Covid-19 would, by preventing kisses, for example; the basic preliminary to human sexual intercourse. Everyone perforce wore masks during the ensuing pandemic, which was virulent throughout the globe for years: killing some millions of heteros dissuasively.
What science didn’t make clear with their description of AIDS was that monkeys are often homosexual, that is, SIV, as the simian variant of HIV, is found amongst primates, because it’s an STD transmitted homosexually, whereas HIV/AIDS is a consequence of homosexual activity between men. However, although it’s clear that the virus is transmitted between simians and homosexuals, it isn’t clear that homosexuals are men, while it is obvious that lesbians aren’t homosexuals, but rather a variant of the sexual valence of futanarian women’s seed. As scientists didn’t explain those transmitting the virus as homosexual monkeys, that is, non-human, they’re monkey science. What humans have been taught is their race is, in fact, an alien experimenter’s denying humans the science and technology needed to live, which an animal that wanted to eat you would do, and is the paradox that seminal nineteenth-century anthropologist, Charles Darwin, presented in The Descent of Man, and Selection in Relation to Sex (1871). Animals exhibit homosexual behavior symptoms, because of the absence of a ‘missing link’, the seed of the feminine, which they’ve eaten. Consequently, Darwin’s observation that the female is ‘less eager’,2 though perspicacious, is pertinent for the wrong reasons.
Feminism’s ‘pc’ mistake was similar to that of science’s, in wanting to be politically correct, without causing offence to homosexual necrophagia, that is, the desire of the animal to eat the kill, which women’s seed isn’t eager to be. The ‘Darwinian paradox' is that ‘pc’ is political control, which isn’t correct. In defining lesbians as homosexual, women were definable as monkeys, whereas women’s seed isn’t viral; but human. Darwin’s theory, in On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life (1859), that humans evolved from apes, amounts to the observation that homosexuals' behavior is simian. In more human terms, homosexuals are rapes, as women’s seed doesn’t want to be transmitted as TV, because it’s that monkey's brain that's the source of the infection; war against women: live.
Although women are a separate species with penis’ seed of their own, that’s dismissed by misogyny as equivalent to ‘foot and mouth disease’ (FMD) in animal husbandry livestock,3 for example. When US' actor Michael Douglas of The Streets of San Francisco (1972-77) ABC TV cop series fame, and the movie The Game (1997), etc., was reported as saying his throat cancer was caused by contracting the sexually transmitted disease (STD), human pappilomavirus (HPV), during oral sex, the headline ran, ‘Foot in Mouth Disease’,4 not because glamorous actress wife, Catherine Zeta Jones, Welsh star of British ITV’s adaptation of H. E. Bates’ novel, The Darling Buds of May (1991-93), and the movie Entrapment (1999), etc., was offending, but as the reporter wanted to ridicule the concept of a futa sucking their own penis.
While the futanarian race prefers to fellate itself, amongst the ancient Romans ‘filthy mouth’,5 os impurum, wasn’t only abusive invective against fellatio, but a metaphor directed against those perceived as morally decayed. However, whereas women’s oral sex with herself hasn’t any objective moral dimension, the disappearance of woman’s seed is indicative of ‘smoking’ related illnesses, which do. Down to her butt, on the agenda for her killer with the hammer of their ‘love gun', cock, preventing her race from using its own ‘starting pistol', Covid-19’s ‘tonsil hammer', smoking humanity's organs through its throat, after the infected penis' semen of the homosexuals’ ‘meat hammer’, through the anus, began the collapse of the organized human system by means of the (insufficiently non-gender specific) AIDS virus.
That the killer is homosexual relates to the concept of the alien in relation to women’s seed. In ancient Greece woman’s host womb was enslaved in institutionalized homosexuality for war; effectively against her. AIDS and Covid-19 aren’t only killer viruses; they’re bondage. People have to wear condoms and masks as prophylactics that come to resemble fetish; arousal by means of what is non-living: death worship. The killing homosexual is excited by the trappings of its viral success. Aroused by the condom and the mask as fetish objects directly relating to their viral nature’s desire that the woman be non-living; for example, as in burkas at McDonald’s. The seed buns are in their burka bags; catering to the fetish fantasy of women who’re meet for burgers.
For the enslaver, it’s expedient to kill a species to the point at which it will be a slave. To women, men are a killer virus enslaving their host wombs. Pornography is the way of an alien intelligence demonstrating how it skewers its meat, with the spit going in at mouth and anus. Those men who demonstrate this correspond to demons; acceptance of the virus’ programing of the human species to be its slave, and/or its food.
In Silverberg’s novel Vornan-19 reveals that he’s from the year 2999. During his initial press conference he says that, having tapped the energy within all matter, no one has to work in the future, which is the aim of the alien virus; the homosexual killer of the human race, who has convinced the species that its slavers are men by reference to indolence as its basic defining criteria.
Both Vornan-19 and Valentine Smith remove all opposition, like a virus, with a modicum of physical exertion, which is the ‘power fantasy' of the infantile,6 as described by Austrian psychologist, Alfred Adler (1870-1937), although he couldn’t make the now obvious connection between the homosexual's penis, AIDS, and the human on the tines of the fork of the devil. The infantile homosexual slaves the butts of the species from their rears, and are heard but not seen, while the adult human slave, tranquilized by ‘fear us’, is herd and scenic.
Old Nick, that is, and so prisons are ‘the nick’ in English, for those escapists who, wanting to be free of homosexuality, would have preferred to read how Gill went into Bethesda hospital and shoved her penis down MVS’ throat. Heinlein and generations of literary geniuses were prevented by homosexual infantilism from writing such scenes, because then the audience would be adult and heard, rather than seen in the nick of time for conditioning into acceptance of homosexuality through male rape in prison, where the desire to repress humanity is the real crime.
Those who have knowledge of women’s futanarian seed have, effectively, escaped from a mental prison, which is why the Virgin Mary is depicted in Christianity as crushing the head of the serpent with her foot, because Jesus, who his disciple Judas had killed, after he found him alone with a woman, experienced Resurrection and Ascension to heaven as the archetype of birth from women only. Previously men were able to maintain the belief that only they were created by God, while women were wombs for the production of slave meat by disdainful homosexuality, which was the curse broken by Jesus’ birth. Men could no longer argue that human womb births weren’t God.
According to Vornan-19, life began on Earth when an alien spacecraft jettisoned garbage, a fictional premise speaking volumes for the lack of respect science fiction writers, under the cosh of homosexual censorship, and the threat of men only prisons if they didn’t accept its propaganda, were made to wield against the human race, as they looked to be inventive; unique, and entertaining. As science fiction is, perforce, homosexual rubbish enforced by infantile censorship, visiting friends, Jack and Shirley in Arizona state, Silverberg depicts Vornan-19 as rebuffing Shirley’s discrete sexual advances while he seduces Jack, ‘I saw them!’7 Even if she’d been a woman with a penis of her own, Shirley could only have given it to the homosexuals in the ass or mouth, which is why the aliens are viral.
Spreading AIDS, as the homosexual snuffers of men and women’s transvestite species, bred to war against itself, as a single male brained creature, wearing each other’s clothes as TV, ‘smoking’ is their widely used euphemism in the television (TV) medium for killing, while Covid-19 is scoff/feed, where a person’s possessions can be thieved, but they have to die, that is, their penis is ‘smoked’. The renowned length, perceived ridiculous by misogyny, 19” is a relatively average size for a woman’s penis, though still representating a lot of possessions for the murderous fellator to thieve.
The remnant of women’s seed becoming subject to their castrator's weakening of them, as studies of the link between HIV/AIDS and the Omicron variant of the Covid-19 virus indicated,8 the human race is devoured at both ends by AIDS and the coughin' SARS 2: ‘The dragon stood before the woman who was about to give birth, so that it might devour her child the moment it was born.’ (Rev: 12. 4) Subject to flatulence, the mouth was the coffin’s ass #2 of the Covid-19 victim. In Jesus’ disciple John’s apocalyptic vision of the future, Revelation, he describes how men keep the futanarian species of women’s seed enslaved: ‘The dragon was wroth with the woman and went to wage war upon the remnant of her seed.’ (Rev: 12. 17) AIDS, pronounced as the Greek Áïdēs, Hades (hell), and Covid-19’s coffin, were apocalyptic signs of the human race being smoked to death; either end will do for the farter of it.
Heinlein's Smith, who afterwards is eaten as a broth by his followers, so illustrating that homosexuality’s religiosity, with regard to MVS’ advocacy of sexual freedom, is a feed from a coffin, is lynched and torn limb from limb by a crowd, ‘Give the bastard a nigger necktie.’9 Vornan-19’s shield, allowing him to interact with crowds, fails during a visit to Rio de Janeiro, Brazil, and like VMS’ body, Vornan 19’s is coff' feed, so never found.
Science once conjectured AIDS had been transmitted through the fingers of Africans who ate the brains of infected monkeys, although human burial practices were also hypothesized, rather than straightforward brain-eating by the spades,10 which in the 1960s was discovered in Papua New Guinea as resulting in a degenerative disease with a similar incubation period, kuru,11 transmitted through an infectious brain protein: prion.
A ‘gigantic black man', coffeed-color symbol of cannibalism, that is, the parasitoid devouring of the human by the necrophage, seizes upon Vornan-19. As Covid-19 did upon the partial spayed buried seed of women’s futanarian ‘foot’, that is, the remains of humanity, towards the beginning of the 21st century’s 3rd decade: ‘There was a terrible inward rush.’12 As the lungs, and/or other organs collapse, the body dies.
Silverberg’s narrator, Leo Garfield, Professor in the physics department at the University of California (UC) state, and a member of a government team detailed to study Vornan-19, recounts: ‘I heard cries of ecstasy.’ MDMA, 3,4-Methylenedioxymethamphetamine, Ecstasy, or ‘E’, the ‘love drug', first introduced by the E. Merck pharmaceutical company in 1912, Darmstadt, as an appetite inhibitor for the losing German army during WWI (1914-18), and used psychoactively by 1970s behavioral psychiatry, obsessed as usual with its lobotomy tweezers and/or chemically lobotomizing the unsurprisingly bewildered, was fed to ‘ravers’ at trance-dance parties by 1980s ‘drug pushers’. Inducing severe levels of serotonin depletion (50-80%),13 that is, brain damage, and respiratory disorders, such as pneumomediastinum, the handicapping effects of MDMA were a logical precursor to the burier of the human race; Covid-19 as the brain-eater of the debilitated but normatively sexual.
The Christ-like Messiah aspect to Heinlein’s Valentine, and Silverberg’s Vornan 19, is explicable in terms of the viral nature of homosexuality, which doesn’t want the truth about the human healthiness of women’s seed disseminated through the mass media edutainment system: ‘The crowd was going wild.' Vornan 19’s human nature, like Valentine’s, the ‘love god', is extinguished as a brain: neat.
1 Fox, E. A. ‘Homosexual behavior in wild Sumatran orangutans (Pongo pygmaeus abelii)', American Journal of Primatology, 55 (3), November 2001, pp. 177-81.
2 Darwin, Charles The Descent of Man, and Selection in Relation to Sex, Vol. 1, Pt II, ‘Sexual Selection’, Ch.8, ‘Principles of Sexual Selection’, Frankfurt am Main, Germany, 1871, p.150.
3 Jeffery, Simon ‘Foot and mouth “killed people in 1800s”’, The Guardian, London, November 23rd, 2001.
4 Soloist, The ‘Foot in mouth disease - Hollywood star claims oral sex caused cancer’, The Gleaner, June 10th, 2013, Monday, 12:00 AM, https://jamaica-gleaner.com/gleaner/20130610/flair/flair9.html .
5 Arena, Valentina ‘Roman Oratorical Invective’ in William Dominik and John Hall (eds.) A Companion to Roman Rhetoric, Blackwell, 2010, p. 156.
6 Adler, Alfred Understanding Human Nature, S. Hirzel, Leipzig, 1927, p. 40.
7 Silverberg, Robert The Masks of Time, Ballantine Books, 1968, Ch.16, p. 197.
8 Healy, Melissa ‘Did failure to adequately treat HIV patients give rise to the Omicron variant?’, Los Angeles Times, December 2nd, 2021, 4 AM Pacific Time (PT), https://www.latimes.com/science/story/2021-12-02/did-omicron-coronavirus-variant-arise-in-patient-with-uncontrolled-hiv .
9 Heinlein, Robert A. Stranger In A Strange Land, G. P. Putnam’s Sons, 1961, p. 340.
10 Kaplan, Sarah ‘How a history of eating human brains protected this tribe from brain disease’, The Washington Post: Democracy Dies in Darkness, June 11, 2015, https://www.washingtonpost.com/news/morning-mix/wp/2015/06/11/how-a-history- -eating-human-brains-protected-this-tribe-from-brain-disease/ .
11 Bosque P. J., and K. L. Tyler ‘Prions and prion disease of the central nervous system (transmissible neurodegenerative diseases) in Bennett, J. E., R. Dolin, and M. J. Blaser (eds.) Mandell, Douglas, and Bennett's Principles and Practice of Infectious Diseases, 9th edition, Philadelphia, PA: Elsevier, 2020, Ch. 179.
12 Silverberg, Robert The Masks of Time, Ballantine Books, 1968, Ch.17, p. 207.
13 American Academy Of Neurology, ‘Ecstasy Use Depletes Brain's Serotonin Levels' ScienceDaily, July 28, 2000, www.sciencedaily.com/releases/2000/07/000727081324.
Voice and Unvoiced In English Language Teaching
When teaching ‘Presentation’, a form of EAP (English for Academic Purposes) offered by institutions to government clients, who want to ensure that their employees are able to present their point of view to English speaking foreigners, the ELT professional invariably encounters the problem of explaining how it is that the English pronunciation of ‘the’ and ‘three’ sounds differently to the ear because a voiced ‘th’ isn’t the same when unvoiced. It was the science fiction writer, Frank Herbert, that developed the concept of voice in his novel, Dune (1965), which was about a planet called Arrakis, a desert world whose people, the Fremen, relied heavily on their knowledge of the use of sound for survival. For example, the Fremen employed a device to make rhythmic sounds upon the surface of the sand of the desert to call worms, that is, giant creatures resembling the sandworms of Earth, which the Fremen then harnessed to ride across the desert as a simple and convenient means of transporting themselves from one place to another.
In Dune Herbert describes the Bene Gesserit witches’ training in ‘Voice’, a means of issuing commands on a subconscious level, so that others can’t resist being compelled to obedience. Gesserit Voice can be strong enough to force physical action, and even paralysis, in the subject. Voice can be subtly employed in any manner of conversation, public speaking, or debate; to soothe, convince, persuade, influence, and otherwise enhance the spoken word. If the target understands what the Voice is, and how it works, and is aware that it’s being used, it may be resisted. Voice is useless against targets who cannot hear, and in English language teaching the voice of the teacher is useless with those who don’t want to understand the ‘target language’. Moreover, the native speaker of English would be resistant to Voice if it were used upon them, because they can’t understand the language of the desert peoples of the planet Earth’s Middle East region. However, a ‘Weirding Module’ is a sonic weapon introduced in and specific to Dune, the 1984 film adaptation directed by David Lynch, which translates specific sounds into attacks of varying potency.
The leading family on Arrakis is House Atreides, and its head, Paul Atreides, and his mother, ‘the Bene Gesserit witch’, Jessica, teach Voice to their Fremen army, ‘My own name is a killing word.’1 In fact the Fremen shout the name by which Paul Atreides is known by them as a battle cry, ‘Muad’Dib!’ Moreover, Paul’s name is a trigger for the Weirding Module, that is, the sound weapon that the Fremen are instructed in the use of by the Gesserit Voice teachers as a part of their ‘Weirding Way’. Consequently, for Arabian students who’ve seen the subsequent TV series, Dune (2000-), and who identify themselves with the science fictional characters, the Bene Gesserit witches’ advice to the desert dwelling Fremen is sociopathic, ‘… you will be able [to] paralyze …. an enemy or burst his organs.'2 Because of the language barrier, forcing the ELT professional to shut up and have their organs explode is a matter for the students’ understanding that Voice won’t work on those who can hear but can’t understand their language of Arabic, for example, so it’s only necessary to use ‘plosive consonants’, that is, p, t, k, b, d, and g. in order to slave drive the teacher and give him/her a heart attack if he/she shows any resistance to the coffin already prepared.
Director David Lynch’s Weirding Module wasn’t a sound weapon derived from Frank Herbert’s 1965 novel, Dune, although the device is a part of the science fictional armory available to the Fremen in Part One of director Denis Velleneuve’s 2020 film version of the 1965 novel. In Lynch’s 1984 movie the Weirding Module weapon system came in two pieces: the throat microphone and a gun-like device held in front of the mouth for the ELT student to cough in, for example, so producing the plosive consonants of a directed energy weapon (DEW). Sounds from the Weirding Module of Dune actually do cause explosions in the sense that the directed sound causes buildings to crumble and other structures, for example, human bodies, to crumple and collapse. For students who don’t like school, and for teachers who have to teach, it isn’t science fiction. Making the ELT professional ill enough to remove them from their post is a students’ activity that isn’t indicated as being an aspect of the teacher’s expected impotence in dealing with the curricula when the supposedly lucrative contract is signed to take them into the war zones of the Middle East where Westerners are often the target of terrorism. The premise of Dune is that Shaddam IV persuades the Atreides’ arch-rival, House Harkonnen, to attack House Atredies because it’s become too popular for the emperor to ignore it as a threat to his rule, ‘We will kill until no Harkonnen breathes Arrakeen air!’ In the Middle East where Saddam I of Iraq was deposed by the invading US army in March 2003, terrorist acts against Western workers are routine, and teachers are a ‘soft target’.
According to a designer of the science fiction world of the 1984 Dune movie, artist Ron Miller, the idea of death being a cough in sound had been the subject of US’ scientific research for at least a generation, ‘… inspired in large part by the old childhood trick of making a vortex cannon from an old oatmeal box.’2 Miller explains that there isn’t any escape, for those who don’t want to get into the cough-in-box, that is, the Fremen weapon hand-held in front of the plosive consonants emitted from their throat-mike implantations. ‘Uroshnor’, for example, is an example of a killing word/sound directed at the mind and body of the Harkonnen target, which contained ‘… energy that generated the lethal sound.’ Of course, Dune is science fiction, which suggests that a cough-in-box is sufficient to kill in reality, ‘Chuksa!’ Should the classroom terrorist wish to inflict a heart attack upon the native English language speaker visiting Baghdad, that is, to improve the lot of the war torn, ‘Bless you!’
1 MacLachlan, Kyle as Paul Atreides in Dune, Dino De Laurentiis Corporation, 1984.
2 Future War Stories, https://futurewarstories.blogspot.com/2019/02/the-weapons-of-sci-fi-weirding-modules.html .
Another Drop Of Boy Sons
In 1959 Robert A. Heinlein (1907-88) wrote a much cleverer novel than anyone thought, Starship Troopers, which described how mothers from Earth piloted starships to drop their boy sons on the planet Klendathu in response to an unprovoked destruction of the South American state of Argentina’s city of Buenos Aires. The invasive aliens are arachnoids, called ’bugs’ by Heinlein’s Mobile Infantry (MI), and extrapolate from the wars of men upon the Earth that aliens are what Earthmen are, that is, boy sons are poisons developed by a species’ exterminator to exterminate the human race by using itself against it. As Heinlein chooses arachnoids as his ’bug menace’, it’s logical to suppose that’s what he meant.
The mysterious rolling away of the stone from the tomb from which Jesus ’Christ’, the Jewish Messiah, emerged after experiencing being taken to the hill of Calvary outside the city of Jerusalem, where he was nailed to a cross of wood by agents of the Roman Empire then occupying Palestine. Jesus’ subsequent Resurrection from death has all the signs of someone escaping from a ctenizidae, that is, a trap door spider, which places a stone atop its lair to disguise its lying in wait there to trap its prey. Jesus’ basic teaching is, ’Love your neighbor as you love yourself.’ (Mk: 12. 31) However, there are indications that he wasn’t happy with men, for example, when Judas, his disciple, caught him with a woman, he suggested that Jesus sell the ’perfume’; to which Jesus replied: ’Leave her alone.’ (Mk: 14. 6) Judas subsequently sold Jesus to the Jewish religious police, the Pharisees, for ’thirty pieces of silver’, and they gave him to the Romans for execution as a ’dissident’. Just why Jesus was dangerous is evident from his birth. Born uncontaminated by male semen from his mother, the Virgin Mary, Jesus represented ’woman’s seed`, that is, the hidden fact that futanarian women can sexually reproduce their own species of women from their own penis’ semen. Consequently, when Jesus had Ascension to heaven after Resurrection it prefigured that of ’woman’s seed’ and her escape from the boy sons of the spider’s trap, which was Empire.
Among the first Western Empires was that of the ancient Greeks who institutionalized host womb slavery of women for homosexuality in pederasty for war, which suggests that’s what arachnoids do. Moreover, the Greeks were immortalized in the poet Homer’s Iliad (760-10 B.C.) description of the huge hollow wooden horse they put outside the gates of the city of Troy for the Trojans to take inside where the greeks emerged to capture the city for host womb slaving and homosexuality in pederasty for war. By the late 20th century the Greek paradigm had been replaced by that of the geeks who devised bad machine code to inject computer brains with Trojan viruses and kill them. Although the paradigm was perceived to be that of the ’incurable killer disease’, HIV/AIDS, transmitted by men mixing blood, shit and semen in each other’s anuses, which was discovered as a mutated variant of the simian SIV virus by DR Congo in 1983, the paradigm was actually to be found in ancient Greece. Consequently, Heinlein’s boy son drops on the planet Klendathu to deal with ’the bugs’ represent the launch of HIV/AIDS as homosexuality in pederasty’s ’biological weapon’ of the spider-men of Imperial war. Or, in simpler terms, because women aren’t depicted in the culture’s mass media as sexually reproductive with each other as a species, men and women have been manufactured as a single male brained alien creature wearing each other’s clothes in ’TV’ transvestism so that they can be made to participate in ’TV wars’ for the alien species’ exterminator to watch die.
The TV eyes are important because, as species’ sex becomes less important for the homosexual alien, numbers assume greater significance. Masquerading as economics, the considerable social factor is blindness, that is, it’s about who can see. In Jesus’ disciple John’s apocalyptic Revelation of the future: ’Let he that has wisdom have understanding. The number of a man is the number of a beast and his number is six hundred three score and six.’ (Rev: 13. 8) In the absence of ’woman’s seed’, 66.6% of the alien democracy determines Earth’s politics, which includes war. Without women’s mode of sexual reproduction, the human species of futanarian ’woman’s seed’ is beheaded, that is, eyeless and blind. Consequently, in socio-economic terms, those eyes are accounted for, because they won’t see anything: ’The dragon was wroth with the woman and went to make war ont he remnant of her seed.’ (Rev: 12. 17) Moreover, the future of ’woman’s seed’ is threatened: `The dragon stood before the woman who was about to give birth so that it might devour her child the moment it was born.’ (Rev: 12. 4) From an economist’s point of view, those who can see are economically successful, whereas those who can’t aren’t. The objective of alien government then would be to enslave the host wombs of the native species for homosexuality in pederasty for war to racial extinction while being able to watch, which is what 9/11 ’live on CNN’ represented. Terrorists hijacked civil airliners at Boston, Logan airport, Massachusetts, to crash into the World Trade Center in New York city to precipitate war. As it was September, 2001, the ’events of 9/11’ were based on the science fiction novel Logan’s Run (1967) by William F. Nolan, and the subsequent terrorist bombing of the Boston Marathon on April 15, 2013, was equally an attempt to correlate Logan’s society of ’runners’ seeking to escape from ’sandmen’, whose job it was to kill all those who reached their 21st year, because of the need to be economic with scarce resources, with preventing the futanarian future of ’woman’s seed’ from celebrating its birthday at the beginning of the 21st century.
In Moslem Arabia where the dictator of Iraq, Saddam Hussein, was deposed through invasion by the US army in March 2003 for offering bases to the terrorist group Al Qaeda operating out of Afghanistan under the auspices of the notoriously misogynist taliban regime of Afghanistan, only the women’s eyes can be seen publicly as they wear the one-piece coverall of the burkha, which is biblical: ‘But she was given two wings like those of a great eagle so she could fly to the place prepared for her in the wilderness. There she would be cared for and protected from the dragon for a time, times, and half a time.’ (Rev: 12. 14) Persuading the eagle of the United States of America to attack ’woman’s seed’ was an alien masterstroke. However, it’d been in the planning since at least 1933, when moves were made in the district of Hollywood, city of Los Angeles, mass media capital of the world on the west coast of the USA, to blind audiences to women’s mode of human sexual reproduction with each other. President of the Motion Picture Producers and Distributors (MPPDA) Will Hays’ ’Hays code’ banned scenes of sex between women to prevent their futanarian foot from ever being able to leave the floor of the Earth’s bedroom: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`1 As Moslems permit themselves four wives, it affords the possibility of reproduction amongst the human species of women within their own species’ families. However, without ’woman’s seed` there are no human eyes. Consequently, the US’ eagle was sent to claw her eyes out. In simple terms, the ’number of the beast’ is the one who can see where all the rest are blind. The US air force sent its B1 bombers, because ’woman’s seed` wouldn’t be ’a man’, and its B2 bombers ’live on TV’ because men and women were manufactured as one:
’Let's just do it you and me
You and me
On the floor.’2
’3’ was the Britney Spears’ pop song about alien economics. Western Judeo-Christianity preaches monogamy for a human futanarian single species, which doesn’t need ring slavers in order to be independent. Consequently, the quest for the right person is eyesight economics. Those who spend their time looking are slaves to a pair of legs, and sexual desire keeps them happy with what they’re permitted to look for. As the Eastern European nations joined the European Union, the old ’Cold War’ conditions of spies and spying seemed to be a thing of the past as the Russians withdrew from those parts of Europe they’d held since their armies had moved west to defeat the German Empire in World War Two (1939-45) as it looked to improve on its first attempt to enslave the Earth since its defeat in World War I (1914-18). However, the old formula of sex for secrets prevails. In accepting the former Soviet Union’s version of Judeo-Christian monogamy, the blind are those who are still looking starved, because there’s only a ’beast’ to watch over them:
’A pretty girl is like a melody
That haunts you night and day.
Just like the strain of a haunting refrain,
She'll start upon a marathon;
And run around your brain.
You can't escape, she's in your memory …’3
1 TV Tropes, https://tvtropes.org/pmwiki/pmwiki.php/Main/FootPopping/ .
2 Amber, Tiffany, Max Martin, and Shellback ’3’ Britney Spears, The Singles Collection, Jive, 2009.
3 Berlin, Irving ’A Pretty Girl Is Like A Melody’, 1919.
Torturing The Food To Death After It's Fucked It
Because men and women are only capable of fucking and eating in physical terms, that is, apart from defecating, that’s the function of the body, creativity develops from that. In psychological terms, the ‘father of psychoanalysis’, Sigmund Freud (1856-1939), argued that civilization, culture and art was ‘nothing but’ the result of sexual repression, while using ‘penis envy’1 as the basis of his thesis. What Freud noticed was that girls experienced ‘penis envy`, although he didn’t examine the biological evidence of women who have penis and semen of their own, that is, futanarian ‘woman’s seed`, which would explain why girls experience ‘penis envy’, because theirs is an independent species whose imagery isn’t disseminated through the mass media, so that girls can be educated in the alternative possibilities for fertilization of their ovum. Consequently, Freud’s repression theory of an ‘id’ that contains everything that the unconscious mind doesn’t want to deal with consists of futanarian imagery.
After Freud, the developmental psychologist, Carl Gustav Jung (1875-1961), posited a theory of the archetype, a facultas praeformandi in the unconscious mind that, in dreams, art and the imagination, impelled the individual to become conscious through what Jung called ‘archetypal imagery’, for example, the hero figure represented the ego, and the mother, sister, daughter, wife, etc., a soul image Jung called the anima. Although Jung observed that the hermaphroditus appeared in alchemical texts, which he interpreted as having something to do with the emerging consciousness of the medieval period, it didn’t occur to him that what he called the mysterium coniunctionis or ‘royal marriage’ of opposites, that is, the hierosgamos, was an actual physical possibility, represented by the union of women with penis’ semen and women without, although it would have explained Freud’s theory of sexual repression, that is, civilization, culture and art was ‘nothing but’ the result of the repression of human sexuality, where women are the species’ butt.
Although the 20th century was in many respects a great flowering of creativity, imagination and art, it was also a period of hideous atrocities and appalling waste, for example, the extermination of 20, 000, 000 Jews in the death camps of the elected National Socialist (Nazi) Party of Christian Germany from 1933, and the hijacking of civil airliners by the terrorist group, Al Qaeda, ‘the base’, operating under the auspices of the notoriously misogynist Taliban regime of Afghanistan, before crashing them into the Twin Towers of the World Trade Center in New York city, USA, on September 11, 2001. Though these events amongst many seem unrelated, it’s understandable if the Old Testament of the Jewish Torah and Talmud, that is, their history and law, is referred to, because in the Bible humans are defined as ‘woman’s seed’.
Although God tells the first created woman, Eve, her ‘seed’ will have ‘enmity’ with the ‘serpent’s seed’, ‘You shall crush the head of the serpent but he will bruise your heel.’ (Gen: 3. 15) In the New Testament of the Bible, Jesus’ disciple, John, in his apocalyptic Revelation of the future, describes the results of a growing serpent, ‘The dragon was wroth with the woman and went to make war on the remnant of her seed.’ (Rev: 12. 4) The New Testament was based on the teaching of Jesus ‘Christ’, the ‘Messiah’, and was believed by the Christians to supersede the Torah and Talmud of the Jews, ‘Love your neighbor as you love yourself.’ (Mk: 12. 31) During the Roman Empire’s occupation of Jewish Palestine, Jesus was taken to the hill of Calvary outside the city of Jerusalem as a ‘dissident’, where he was nailed to a cross of wood and died. However, his experience of resurrection, and ascension to heaven after death, prefigured that of ‘woman’s seed’, because Jesus was born uncontaminated by male semen, from his mother, the Virgin Mary, and ‘We hold these truths to be self-evident …’2
The serpent in the paradise of Eden created by God was the angel, Satan, according to the Bible, who was turned into a serpent for rejecting God’s plan that the human host be greater than the angelic. Persuading Eve to accept the ‘fruit of the tree of the knowledge of good and evil’, which was death, Satan overcame Eve’s resistance to selling her species into ephemeral slavery, saying ‘You shall be as gods.’ (Gen: 3. 5) Afterwards, Satan was in the role of plagiarist, because God’s intention was that ‘woman’s seed’ would be civilization, culture and art. Or, to put it another way, Freud’s theory of ‘id’ repression psychology plagiarized Satan, while Jung’s developmental psychology was based on Satan’s palimpsest, that is, he deduced that the unconscious contained an archetype he viewed as approximating to God but it was so well buried it was almost impossible to discern ‘woman’s seed’ struggling to breed.
By the early 20th century the foremost home communications’ device, the internet, was able to admit that women’s penis’ semen existed, although there was a bizarre taboo amongst pornographers preventing images of futanarian women having sex with women without penis’ semen of their own, although it did emphasize its meat as slave aspect. Consequently, the opposing creative philosophies were Satanism, and ‘woman’s seed`, that is, civilization, culture and art based on fucking and eating with good taste, and slavers’ wars based on fucking and eating who tasted good.
In the novella, The Unpleasant Profession Of Jonathan Hoag (1959), by science fiction writer, Robert A. Heinlein, for example, Hoag is a Critic amongst other Critics of the world, which is revealed to have been created by an ‘artist’ as a student project. Eating and drinking is an aspect of the creation, and sex, which of course is what humans are physically designed for. The ‘Sons of the Bird’ are an artistic mistake ‘painted over’,3 although they remain powerful, and await expungement, that is, they represent slavery. Hoag advises his friends, a couple, Ted and Cynthia, to leave the city, Chicago, Illinois. When they roll down their car windows, all that’s visible outside is pulsing, luminous mist. Now, every night before going to sleep, ‘he handcuffs one of her wrists to one of his’, which symbolizes the irony of a slaved society.
Although the simian SIV virus mutation, HIV/AIDS, had been discovered by DR Congo in 1983, an ‘incurable killer disease’ transmitted by homosexuals mixing blood, shit and semen in each other’s anus in mockery of women’s human mode of sexual reproduction, it wasn’t generally perceived that the monkey-fuckers were aliens launching a ‘biological weapon’ against ‘woman’s seed`. However, since ancient Greece’s institutionalization of women’s host wombs for homosexuality in pederasty and war against her species, it had become evident that the future of men was as the HIV/AIDS’ injectors of the ‘serpent’s seed’ in its ‘plague game’; biological warfare: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.’ (Rev: 16. 11) What they’d done was introduce contaminated meat, which annoyed the butchers, ‘We the people …’4
The 20th century movie about slave meat was Soylent Green (1973), based on science fiction writer Harry Harrison’s novel, Make Room! Make Room! (1966) in which industrialization has led to overcrowding, pollution, and global warming due to the ‘greenhouse effect’ in which urban conurbations produced heat that melted the ice at the poles, for example, and caused flooding, cyclones, famine, and plague, etc. The premise of the film is that, by 2022, 40 million people live in New York City, a state of decay. Most of the population survives on rations produced by the Soylent Corporation. Its latest product, Soylent Green, is advertised as containing ‘high energy plankton’ from the ocean, which is more nutritious and palatable than ‘Red’ and ‘Yellow’ but not so easily obtained, while riots at ration distribution centers, when the Soylent Green is exhausted, result, ‘When I was a kid, you could buy meat anywhere!’5 Scientists discover that the oceans no longer produce the plankton, so they infer that it’s produced from human remains, which is the only other conceivable supply of protein matching the product specifications: ‘Ocean's dying, plankton's dying ... it's people. Soylent Green is made out of people. They're making our food out of people. Next thing they'll be breeding us like cattle for food.’6
Some of the people in New York city are so disgusted with their degraded lives they seek assisted suicide at a government clinic advertising a ‘return home to God’, which euthanasia employs visuals and music featuring extinct forests, wild animals, rivers, and ocean life. Much in the way that the men and women manufactured as a single male brained creature wearing each other’s clothes in ‘TV’ transvestism occlude humanity from perceiving ‘woman’s seed’ as an antidote to homosexuality in pederasty for war against the Earth’s indigenous species; by presenting a false picture transmitted into homes by the ‘TV’ medium of television, etc. Actor, Charlton Heston, in the role of Frank Thorn, the detective, observes human corpses being ‘converted’, ‘Soylent Green is people!’ The metaphor is a not-so obvious parody of Catholic Christian conversion, because futanarian ‘woman’s seed’ doesn’t want to be the ‘cattle like’ food, although its preachers have obviously shot their congregation in its futanarian ‘foot’ by refusing to accept that the soil it’d been lent wasn’t for the ‘serpent’s seed` to hold as self-evidently its.
1 Freud, Sigmund, On Sexuality (PFL 7), p. 195-6.
2 United States’ Declaration Of Independence, July 4th, 1776.
3 Heinlein, Robert A. [John Riverside] The Unpleasant Profession Of Jonathan Hoag, Unknown Worlds, October 1942.
4 United States’ Declaration Of Independence, July 4th, 1776.
5 Robinson, Edward G. as Sol Roth, Soylent Green, MGM, 1973.
6 Heston, Charlton as Detective Frank Thorn, Soylent Green, MGM, 1973.
The Purge: Coprophile Criticism
Literary criticism is usually thought of as being either an analysis of the author’s mind based on the text, or of the text independent of the author’s intention. Consequently, Jungian literary criticism, which is based on an analysis of the educational intent of the author is a dominant form. According to the developmental psychologist, Carl Gustav Jung (1875-1961), literary products are an expression of what he called ‘the Self’, which was conscious and/or unconscious to a lesser or greater degree. The work could be analyzed critically to determine to what extent the author intended to write what was written, and also what the author was unconsciously revealing about his/her nature and/or human nature through the text.
Criticism that didn’t consider the author or text as anything other than a convenience for their opinions about civilization, culture, and art, were identifiably coprophile, that is, the work of the author was an excretion, which was what the author was. This approach to literature derived from Jung’s predecessor, Sigmund Freud (1856-1939), who described all civilization, culture and art as ‘nothing but’ the excretions of the sexually repressed human mind. For Freud the unconscious was the repressed ‘id’, which essentially was a convenience from whence humans excreted, whereas Jung’s perception of the unconscious ‘Self’ was of a consciousness in the process of becoming. Jung posited a collective human unconscious containing what he called ‘archetypes’ existing as a facultas praeformandi, that is, a pre-existent capacity to adapt. Jungian psychology identified many archetypes, for example, the hero, which was associated with the ego, and the anima corresponding to various aspects of the feminine and/or female, that is, mother, daughter, sister, wife, etc. Jungian literary analysis used archetypal knowledge to interpret text and mind of the author in order to understand what was being expressed and/or activated within the mind of the reader, so providing an analytical framework for determining a work’s positive or negative effect.
Although humans constitute a pool of knowledge, which can be accessed, for the coprophile humans should be a cess pool. Analysts are associated with the concept, ‘anal’, because they’re prepared to examine the products of human consciousness after Freud’s defining it as ‘nothing but’ excretive. Coprophiles, however, believe Freud, that is, all human activity is excrescence, that is, ‘shit’. In literary terms, this results in a determinist approach towards criticism that is coprophile. The author and the work are interpreted by as being of the degree of worthlessness that the mind of the coprophile can ascribe to it. Consequently, much of supposed literary analysis is thinly disguised coprophilia, because the critic is in love with their own shit and so reject the text as not being the convenience they want in order to express their self-love. The result is that society’s development can be measured by reference to the extent to which coprophile analysis prevails, that is, demonstrable ignorance of the text on the part of the critic.
A sociologically pertinent instance is ISIS, the Independent State of Iraq and Syria, whose flag, ‘There is no God but God’, features a bone white moon. Isis was the sun goddess of ancient Egypt, which religion was superseded by Islam. Although the Prophet Mohamed’s Koran (610-30 C.E.), which was supposedly gifted by the angels of God, forms the basis of Islamic belief, Islam is perceived by Judeo-Christianity as illegitimate, because Mohamed was of the line of Ishmael, who was the second son of Abraham, the father of Isaac, who founded Judeo-Christianity. When Sara, his wife, became barren, she gave Abraham her maid, Hajer, who bore Ishmael. Judeo-Christianity perceives Islam as illegitimate because Hajer was unwed. Consequently, a preoccupation with Islamicists is legitimacy. The Moslem peoples’ permitting themselves four wives is a retroactive attempt to legitimize Ishmael’s birth from a woman unwed by making polygamy de rigeur. Moreover, according to Jung, there are four functions of consciousness, that is, ‘Sensation, Thinking, Feeling and Intuition’. Coming to consciousness is a process of developing the functions, so the four wife marriage of the Moslem peoples is a developmental archetype. The earlier model is demonstrated in the ancient Egyptian myth of the sun god, Ra, who incarnates upon the Earth as Osiris, who is dismembered by his evil brother, the god Set, before Isis, the sun goddess, recovers the pieces of Osiris’ dismembered body and restores him. The four-part myth describes the process of what Jung called ‘individuation’, that is, individual development or growth through experience of the world.
The Independent State of Iraq and Syria (ISIS) is symptomatic of coprophile analysis, that is, associated with the bone white sterility of the moon, whereas Isis is the name of the resurrecting Egyptian sun goddess, ISIS is deterministically nihilist, because it’s rejective of life. Christianity, however, perceives itself as the expert on Resurrection, because Jesus ‘Christ’, the Jewish Messiah, was taken to the hill of Calvary outside the city of Jerusalem by agents of the Roman Empire then occupying Jewish Palestine for preaching, ‘Love your neighbor as you love yourself.’ (Mk: 12. 31) Nailed to a cross of wood, and left there to die as a ‘dissident’, Jesus experienced Resurrection and Ascension to heaven, because he was born of his mother, the Virgin Mary, so represented the future Resurrection and Ascension of ‘woman’s seed` to colonize the planets amongst the stars. The futanarian human species of ‘woman’s seed’ capable of sexually reproducing humans between women was what men had repressed. Although Sigmund Freud identified ‘penis envy’1 as the root of a young girl’s problematic psychology, he didn’t understand that it was her race that had been made almost extinct by men, so she was angry at not having a penis of her own, which futanarian women have. In short, Christianity is an instance of coprophile criticism, because Jesus’ teaching has been repressed in favor of a simplistic convenience.
Although ISIS, and ISIL, which was a title adopted by, amongst others, Moslem Russian Chechnyans in the Caucasus, who wanted an Independent State in the Levant (ISIL) where Jewish Palestine is situated, represent a concern with borders, it’s the borders of death cards for ‘woman’s seed` that’s the real issue. Russian President Vladimir Putin warred on Chechnya to secure the city of Derbent at what’s known as ‘the gateway to the East’, that is, the former Empire of Persia, which became Iran and Iraq, where ISIS’ leader Abu Bakr Al Baghdadi was declared the ruler of a new Islamic Caliphate in June 2014. Moreover, it was Russia’s decision to withdraw its influence over Yugoslavia that resulted in the Moslem-Christian wars for independent states in the region. During the Bosnian war (1992-5), for example, 70, 000 Moslem women were placed in ‘rape camps’ by Serbian Christian militia to ensure that a generation of newborn Moslems would be male brained, that is, it was an act of extinction of ‘woman’s seed`, because the human futanarian species of women was being targeted by those concerned with securing their borders against her. In simple terms, humanity’s borders were those of her death card, and her borders were being patrolled by her death camp guards. Because Moslems were permitted of four wives, their families were archetypal structures for the sexual reproduction of women between women, which was Christianity didn’t want Islam. However, Islam’s mistake was to equate men with humanity, that is, ISIS espoused the sterility of the bone white moon, and with ‘There is no God but God’ as its emblem, whereas the sun goddess Isis was the more ancient Egyptian symbol for life through women which was legitimate. Or, in other words, the borders of women’s death guards are an instance of the coprophile critic having achieved ascendancy over the life of the author, Mohamed, and the text, the Koran.
Although the terrorist attack by Saudi Arabia’s Osama Ben Laden’s Al Qaeda group operating out of Afghanistan under the auspices of the notoriously misogynist Taliban regime on September 11, 2001, has been interpreted as an instance of ‘rough trade’,2 that is, a brutal act of homosexuality directed against the World Trade Center in New York city after the terrorists hijacked civil airliners to crash into the Twin Towers of the WTC, 9/11’s events signaled the beginning of the Levant’s wars. Because futanarian women are known for having huge penis, they’re elephants to men, that is, the human species of ‘woman’s seed’ is the target of their hunting. In short, 9/11’s events were aimed at provoking the United States of America’s attack on the only family unit to provide the possibility of human sexual reproduction between women, that is, Moslem Islam’s.
As Iraq’s dictator, Saddam Hussein, whose army had previously invaded Kuwait in what was known as ‘the rape of Kuwait` in 1990, before it was ejected by the US’ army in 1991, publicly espoused Al Qaeda, the US ‘ army invaded and deposed him in March 2003, but the result was Iraqi Abu Bakr Al Baghdadi’s ISIS, that is, an instance of coprophile criticism, whereby the sterile bone white moon became associated with the Egyptian sun goddess, Isis, who wasn’t a symbol of her human species’ death. In other words, because the male brain is dyslexic it misinterpreted the text. Repressed into unconsciousness, futanarian ‘woman’s seed` represent the only possibility for the sexual reproduction of a psychologically balanced and conscious human race. However, manufactured as a single male brained creature wearing each other’s clothes in ‘TV’ transvestism for an alien to watch in ‘TV wars’ against itself, the human species can’t analyze its authors and texts well enough to avoid being exterminated in coprophilia.
A political instance of coprophilia is a purge, which takes the form of intellectual suppression, that is, the ruling elite prefer shit, because intelligence poses a threat to their power. In the USA a TV series, The Purge, made the transition from a ‘big screen’ movie series, which began with The Purge in 2013, and examined what would transpire if all crime was made legal each year for a single day. The theory is that of catharsis, which derives from the belief of the ancient Greek dramatists that their audience’s imaginations participated in the action to the extent that they were cleansed. However, it’s more likely that cinema encourages its audience to act out what it sees. In short, The Purge represents what happens when a society defecates on itself, because it can’t control its rulers who, in the alternative US’ reality posited by the movie series, are ‘The New Founding Fathers of America’ that, in 2014, following ‘economic collapse and social unrest’, replaces the government with its own totalitarianism and establishes a policed state. What follows are the uncontrollable bowel movements of an illiterate society fallen into ruin, because its religious leaders were unable or unwilling to understand the text of either the Bible or the Koran and translate it for the people, so that they could understand that women are the human race, which is what’s defensible.
The first movie of The Purge series begins chronologically with its prequel, The First Purge (2018), which features actor Rotimi Paul as crazed drug addict, Skeletor, who talks on camera about his desire to ‘purge’ and unleash his hatred on others. An experiment takes place on New York’s Staten Island where, for 12 hours, citizens are allowed to release their inhibitions in any way they choose. Skeletor commits the first-ever murder during the Purge, and the video ‘goes viral’: ‘Skeletor's purge is on.’3 It’s discovered that the NFFA are using the Purge as an excuse for eliminating opponents. The movie culminates with the announcement that the Purge will be a yearly national event, and a declaration from a survivor that they must somehow fight back.
In The Purge (2013) the Sandin family, are living in Los Angeles, California, on ‘Purge Night’ 2022 when ‘Purgers’ invade their home, where they’re sheltering a wounded stranger being targeted: ‘Our target for this year's purge is hiding in your home. You have one hour to find him and give him to us or we will kill all of you. We will be coming in.’4 Threatened with murder, if they don't surrender the sheltered fugitive, actor Edwin Hodge in the role of the stranger, Dwayne ‘Dante’ Bishop, helps the Sandins when the purging gang, and the Sandins’ neighbors, invade to kill them, which is the equivalent of defecating on the products of women’s host womb, that is, civilization, culture and art. Jesus’ disciple, John, succinctly analyzed it in his apocalyptic Revelation of the future: `The dragon was wroth with the woman and went to make war on the remnant of her seed.’ (Rev: 17. 5) Of course, God’s punishment for the evil is well known; eternal unendurable pain: perdition.
What Christians don’t seem to understand is that they’re urged to pray not to be evil, whereas many believe that they pray to move up socially. The Purge series of movies and TV dramas depict a rulership defecating on the poorer members of society, because they don’t want them to move up. Consequently, the objective of Christianity is to persuade people to pray together not to be evil. However, if evil is identified with women, because women encourage adultery, whereas women are a separate single species adulterated by men, so naturally unwed, and therefore not accusable, purges will occur such as that engineered by the misogynist Taliban regime of Afghanistan, which gave rise to the Levant war on ‘woman’s seed’ after 9/11’s events. When US’ President Donald Trump was elected to persecute the war against ISIS, religious leaders hailed him as a symbol of ‘the Last Trump’, which is the euphemism given to the angel of God’s announcing judgment upon the evil by blowing a trumpet. As the symbol of Trump’s Republican Party is the elephant, Levant war is what he was elected to represent. However, religious leaders mightn’t have been so enthusiastic, if they’d been aware that the Moslem families of Islam in the Middle East with their four wives constitute the only legitimized vehicle for the reproduction of women by women, that is, ‘elephants’ with huge penis, and that Jesus’ Messianic role was to espouse ‘woman’s seed`.
God told the first woman, Eve, ‘You shall crush the head of the serpent with your foot, but he will bruise your heel.’ (Gen: 3. 15) Eve’s foot is her futanarian species of ‘woman’s seed`, and the serpent will grow into the dragon of men’s ‘TV wars’ preventing her race from living: ‘The dragon stood before the woman who was about to give birth so that it might devour her child the moment it was born.’ (Rev: 12. 4) Its bombs dropping all over the Middle East is an image of nothing less than defecation, while that region of the Earth is explicitly associated in the Bible with the defense of ‘woman‘s seed’: ‘The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent's reach.’ (Rev: 12. 14) As many of the nations of the Middle East are associated with the eagle, and also the United States, it’s evident to all who can read that ‘woman’s seed’ there was defecated on by the illiterate.
The Purge: Anarchy (2014) is set in the Los Angeles area. Dwayne is a leader of an anti-Purge resistance group seeking to convince people that the Purge doesn’t cleanse, but rather eliminates the remaining people’s opposition which, metaphorically, are seeking to regain control of society’s bowels to prevent the illiterate degenerates from defecating on them: 'It's an unwritten Purge rule that we don't save lives. Tonight we take lives. We can't have any interference. We can't have heroes. No heroes.’5 Of course not, what we want is heroine.
In The Purge: Election Year (2016) US’ Presidential candidate, actress Elizabeth Mitchell as Charlie Roan, vows to end the Purge, having witnessed the death of her family 18 years ago, during the events of the initial movie in the series, The Purge: ‘I am gonna beat the shit out of you on election day.’6 To prevent this, The New Founding Fathers of America (NFFA) abolishes protection afforded to government officials, so allowing the Purgers to target Charlie, that is, she’s defecate: ‘It's time to do something about all these cocksuckers, like … the cunt senator, trying to dismantle everything we've built. We are going to use this year's Purge to do some spring cleaning, gentlemen.’7 Shit on the cunt obviously.
1 Freud, Sigmund ‘On Sexuality’ (PFL 7), p. 195-6.
3 Paul, Rotimi as Skeletor, The First Purge, Universal, 2018.
4 Wakefield, Rhys as Polite Leader The Purge, Universal, 2013.
5 Founding Father The Purge: Anarchy, Universal, 2014.
6 Mitchell, Elizabeth as Charlie Roan The Purge: Election Year, Universal, 2016.
7 Barry, Raymond J. as Leader Caleb Warrens The Purge: Election Year, Universal, 2016.