When A Wasp Lays Its Eggs In A Spider

06/04/2016 13:07

When A WASP Lays Its Eggs In A Spider


In the United States of America the acronym WASP means white Anglo-Saxon Protestant and was used to distinguish between the different types of European settlers after the continent was discovered by Christopher Columbus in ships commissioned by Queen Isabella of Spain in 1492. The distinction between Catholics and Protestants derives from the traditional acceptance of the role of the Pope in Rome as the leader of Christianity based on the teaching of Jesus Christ: `Love your neighbor as you love yourself.` (Mk: 12. 31) Those who accept the Pope in Rome are Catholic, while those who don`t, but remain Christians, are Protestant, which is a term derived from protests about centralizing the power of the church to the detriment of national communities. Of course, `white` remains a sensitive issue because of the US` history of slaving black Africans to work in the cotton plantations of the southern states, which resulted in the Civil War (1861-5) of manumission. Consequently, WASP has been used by racists to distinguish themselves as white Europeans from blacks, although the term WASP is neutrally objective. A significant group in the settling of the US were Germans and the novels and short stories of science fiction writer Robert A. Heinlein (1907-88) featured WASP characters in space adventures; for example, his juvenile series that began in 1947 with Rocket Ship Galileo about an end of World War II scenario in which Nazis found on the moon secretly planning to enslave the Earth are defeated by the crew of the Galileo. The story was pertinent because Heinlein was a sixth generation German-American who`d helped the US against the fascist political movement. Japan, Italy and Germany were the axis powers that had emerged after Benito Mussolini was elected as dictator in Rome in 1922 with the fasces as his symbol, a bundle of wood with an ax in the center as a symbol of how people are blinded by the chopping of wood to construct fences to keep them in or out.



 The German dictator elected in 1933, Adolf Hitler, adopted the fasces as the symbol of the National Socialist (Nazi) government, and the Japanese Empire waged war in the Pacific theater to enslave Asia, after the Italians and Germans began a campaign to enslave Europe. The aim of the fascists 1939-45 war was to enslave the Earth after the German Empire`s first attempt in World War I, 1914-18, which meant that Heinlein, as a German-American, had something to prove. Consequently, when his final juvenile novel Starship Troopers (1959) was condemned for its depiction of a fascistoid society based on the model of Imperial Rome, it was Heinlein`s German ancestry that remained unspokenly unproven: `Violence, naked force, has settled more issues in history than has any other factor, and the contrary opinion is wishful thinking at its worst. Breeds that forget this basic truth have always paid for it with their lives and their freedoms.`1 Although Heinlein`s anti-Nazi stance was evident in Rocket Ship Galileo, embracing fascistoid manners and mores in Starship Troopers might have seemed retrogressive coming from a German-American whose nation had cost the US time, lives, and other national resources during WWI and WWII. Dr Cargraves` Galileo, and its crew of three teenage boys, who foil the Nazi plot on the moon, signify the graves of the car, that is, the end of the age of the automobile, which was first manufactured at the Henry Ford plant in Detroit, Michigan, in 1908 as the Model T Ford, and the beginning of space exploration. However, despite Heinlein`s work at the Philadelphia Navy yard during the war years on diving suits that would ultimately be the spacesuits used by the North American Space Administration (NASA) of the Apollo Space Program, which culminated in the July 21, 1969, Apollo 11 moon landing, space exploration never attained the anticipated level of vertical take off and landing rocket travel (VTOL). NASA`s original plan to fly to the moon in spaceplanes ended in 1959 when the X-15 program was cancelled because pilots experienced blackouts at high altitudes causing planes to crash when they reached the outer limits of the Earth`s atmosphere and could see the moon and stars. Consequently, Heinlein`s vision of space travel as being a grave for the age of the car in Rocket Ship Galileo belies the truth, which was that the automobile industry grew and space exploration was underfunded. Heinlein`s German-American status was proven worthy of citizenship by his work at the Philadelphia Navy yard on pressure suits, but his fascistoid description of an interstellar war between the arachnids of the planet Klendathu and the humans of Earth resembled Nazism in its depiction of a society in which mobilization for war was the iterated theme and pogroming another race was the essential ingredient of the narrative. Heinlein`s choice of spiders on the `bug world` of Klendathu as his alien enemy is the Nazi equivalent of labeling the Jews as dwarves poisonous to the social fabric and building death camps beneath the fasces emblem of a bundle of wood and an ax for the barbed wire fencing that kept those outside in blind ignorant unconsciousness of the extermination. Because there wasn`t a Klendathu planet and the city of Buenos Aires wasn`t destroyed by `bugs`, Heinlein`s Starship Troopers was an extrapolation of Nazism using `the bug war` as a ruse to promulgate fascist ideology.



 The moon of Rocket Ship Galileo is discovered by Dr Cargraves to have harbored an alien civilization, which was destroyed by nuclear bombs. Although the children`s nursery rhyme, `The Cow Jumped Over The Moon` seems unrelated to the alien race, the Egyptian goddess, Hathor, with the horns of the crescent moon, gives some idea of the meaning behind the rhyme, which features a `little dog` laughing at the scene. In Egyptian mythology the `House Of Hathor` was the home of the mother goddess, while the `House Of Horus` was the place where the worthy dwelt inside her, that is, the moon was the gateway to the planets and stars of heaven. In Egyptian `Ka` is `spirit` and `Kau` is many spirits, because when the cow jumps over the moon, the human spirit will be in heaven. Consequently, the alien race on the moon in Rocket Ship Galileo is Egyptian, which interpretation is biblical, rather than mythological. In the Old Testament, that is, the Torah and Talmud of the Jews, which is their law and history, Abraham`s wife, Sara, gives birth to Isaac, who founded Judaism, and afterwards she was barren, so gave her maid, Hajer, to Abraham, who bore Ishmael, the founder of Moslem Islam, through his descendant Mohamed, who received the Koran (610-30 C.E.) from the angels, according to tradition, because the human host was to be greater than the angelic. Hajer and Ishmael built the temple of Abraham in Mecca, Saudi Arabia, which is the Ka` Ba, because `Ka` is spirit, and `Ba` is soul in Egypt`s mythology. Consequently, the legitimization of Ishmael`s birth from the Egyptian woman, Hajer, by permitting four wives to Moslems also permits of sexual reproduction between women within the Islamic family, that is, between the `Ka` spirit and the `Ba` soul. In Christianity, Jesus` mother, the Virgin Mary, is described as crushing the head of the serpent with her foot, where the angel, Satan, is the serpent transformed by God for rejecting God`s plan that the human host be greater than the angelic. Because Jesus is born uncontaminated by male semen, he`s futanarian `woman`s seed`. In Eden, God told Eve her `seed` would have `enmity` with the serpent, Satan, although Redemption would occur, if Adam labored, while Eve experienced labor pain, after expulsion from Eden, that is, heaven on Earth, for eating the `fruit of the tree of the knowledge of good and evil`, which is death: `You shall crush the head of the serpent with your foot, but he shall bruise your heel.` (Gen: 3. 15) Women`s brainpower born from their `seed` can lift the futanarian human species to the planets and stars of heaven, despite Satanism`s enslaving of the host wombs of women in parasitism for the parasitoid devourer, war. As slavery requires ephemerality lest permanence produce intelligence and technology that`s maintained through immortality conferring medical science, Satanism uses the human host womb as a WASP lays its eggs in a spider, which is what Heinlein`s Starship Troopers is about. For the futanarian human species of `woman`s seed`, that is, an eight-limbed race represented in Moslem Islam by the `Ka` or spirt of the woman`s capacity to fertilize and the `Ba` soul`s capacity to host, a WASP is an egg-layer.



 In nature the wasp larvae live on the meat of the body of the spider, while it`s still alive, before the wasps emerge from the consumed remains: `And the dragon was wroth with the woman and went to wage war upon the remnant of her seed.` (Rev: 12. 17) Although Starship Troopers is the obvious descriptive narrative of how the futanarian human species of `woman`s seed` is enslaved by a host womb parasite to produce warfare against her own race, Heinlein`s novel, The Number Of The Beast (1980), which features a space time continua car, Gay Deciever, is the better description of the WASP, and how it emerges from the spider, that is, Satanism`s understanding of `woman`s seed` is of the human race as an eight-limbed single species independent of men`s semen. Consequently, WASPs are the `beast` of Revelation emergent as the `serpent`s seed` from the human host enslaved by the parasite. In parasitological terms, parasites live from the host and become parasitoid in the final stages of parasitism when the host is devoured, which is what warfare is amongst the independently single human futanarian race of `woman`s seed`. In Heinlein`s The Number Of The Beast the fictional premise is of a car that can access alternate universes to the number of six raised to the power of six raised to the power of six: `Here is wisdom. Let him who has understanding calculate the number of the beast, for it is the number of a man: his number is 666.` (Rev: 13. 18) The number is 66.6 % of the people on the planet Earth who`re a single male brained creature wearing each others` clothes in `TV` transvestism, because the 33.3 % that would make up the 100% is futanarian `woman`s seed`. However, because `woman`s seed` doesn`t ostensibly reproduce, and the mode of women`s sexual reproduction can only be guessed at from Moslem women in Islam`s concealing themselves beneath the black one-piece coverall of the burka in public, the `beast` of Revelation is `TV`, which occludes and imposes a media blackout on women`s sex education, while promulgating the `serpent`s seed` of warfare against the human futanarian species of `woman`s seed`: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) There are two beasts of Revelation, because `TV` is the single male brained creature wearing each others` clothes in `TV` transvestism, which is the human race without `woman`s seed`.



 Jesus Christ`s crucifixion by the Empire of Rome, after his disciple, Judas Iscariot, betrayed the human host, at what was known as his `Last Supper`, was as a `dissident`. Judas accepted from the Jewish religious police, the Pharisees, `thirty pieces of silver`, because his simple maxim threatened to collapse the Satanist Empire of Rome: `Love your neighbor as you love yourself.` (Mk: 12. 31) Taken to the hill of Calvary outside Rome where he was nailed to a cross of wood and left there to die, Jesus` Resurrection and Ascension to heaven prefigured that of `woman`s seed`, who remained unable to love herself, because `TV` reflection screened her from viewers who needed sex education. Because of sexual taboo ensuring blind ignorant unconsciousness for a human species of `woman`s seed` unable to sexually reproduce her own brains` powers for liberation from slavery in host womb parasitism, Heinlein`s novel The Number Of The Beast had to express, in symbolic terms, what the `beast` was, and so he introduces the character, the `black beast`, a hermaphroditic denizen of the `multiverse`, which is the term Heinlein uses to describe the alternate worlds, both fictional and real, that are accessible to the car, Gay Deciever, and its occupants, the pair of married heterosexual couples, Jake, Deety`s father, who is married to Hilda, and Zeb, Deety`s husband. Although homosexuality and incest occurs between the four, Heinlein is unable to depict the problem, because of sexual taboo against `woman`s seed`, that is, although the multiverse purports to contain all possible worlds real or imaginary, Heinlein can`t represent the woman`s penis, because the genre is stuck in infantilism, along with the rest of the human race. Consequently, the `black beast` is the hermaphroditic character that chases the married couples through the multiverse as an antagonist, because it represents the shadow of what it might be.

 Development psychologist Carl Gustav Jung (1875-1961) suggested the term shadow for the personal subconscious aspect of the human psyche, which contained the archetypes of the collective unconscious that appeared as imagery and symbols impelling human development. According to Jung the shadow component of the individual psyche represented the perception that an inferior quality perceived by the ego as belonging to others was a projection he called the shadow, that is, in sexual terms, the perception that the other person has female characteristics becomes an aspect of the shadow if `woman`s seed` isn`t taught to the human collective. In male braining the perception is that a woman doesn`t have a penis, so the shadow functions as a lie detector, that is, the other person is perceived as inferior, because men have effectively removed the woman`s penis from the picture. The `black beast` is depicted in Heinlein`s The Number Of The Beast as a pest amounting to a plague, because in ancient Greece; for example, institutionalized host womb slavery to promote war through homosexuality in pederasty became the model for democracy, which produced HIV/AIDS` `blood plague` (Rev: 11. 6), that is, the `incurable killer disease` of the late 20th century spread through men`s mixing of blood, shit and semen in each others` anuses in mockery and rejection of `woman`s seed`: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) In Islam secular and religious dictatorship is usual, because the four wife marriages amongst the Moslem peoples, which  affords the possibility of sexual reproduction between women, produces misogyny, rather than democracy. Consequently, the Persian Empire is represented in the Bible as deriving from a `woman`, who gave her name to its capital city, Babylon (c. 4000 B.C.): `Mystery, Babylon the Great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) As the collective shadow Heinlein`s `beast` is the white anglo-saxon protestant WASP emergent from the eight-limbed `spider` that misogyny characterizes as women`s seed`s sexual partnering with each other. Because the traditional Roman church established after Jesus` crucifixion featured transubstantiation, that is, the transformation ritual, whereby the `bread and wine` given to the disciples at the `Last Supper`, as symbols of his `body and blood`, is received by the petitioner from the officiate as a wafer and a sip of wine from a chalice. The absence of the transubstantiation ritual from Protestant churches further occludes the possibility of `woman`s seed` being taught, so WASPs are likely to emerge as a threat to humanity. Although Starship Troopers is about a war between spiders and humans, the analogy is of WASPs emergent from `woman`s seed`. In Rocket Ship Galileo Dr Cargraves` defeat of anti-Christian German Nazis represents the emergent WASPs. It`s the futanarian Jewish tradition that Jews are born from women, because women are Jews, so the Nazi pogromers were endeavoring to ensure that only WASPs would be produced in the future for their `TV wars` against the `remnant` of `woman`s seed`.


1 Heinlein, Robert A. Starship Troopers, G. P. Putnam`s Sons, 1959, p. 25.

2 Armstrong, Neil July 21, 1969, UTC: 2. 56.