The Sword And The Animus
The Sword And The Animus
Carl Gustav Jung (1875-1961) was the developmental psychologist whose influence on the 20th century and beyond was most significant for his theory of individual growth through knowledge of the reasons for behavior. Jung based his theory of individuation on the analytical psychology of the `father` of psychoanalysis, Sigmund Freud (1856-1939), who argued that women were the victims of `penis envy` in their relationships with men. Freud`s other contribution to psychology was the Oedipal `complex`, which characterized the relations between men and boys, who wanted to replace the father in the mother`s affections. Freud`s usage of the term `Oedipal` derived from the Greek dramatist Sophocles` Oedipus Rex (c. 429 B.C.) in which a son, Oedipus, is depicted as unwittingly killing his father, Laius, before unknowingly marrying his mother, Jocasta, to become king of Thebes. Freud`s main contribution to psychological theory was his concept of the `id`, which he suggested contained all of the previously conscious material that the individual was unwilling to accept as belonging to the personal consciousness and repressed into unconsciousness. Freud argued that the whole of art, civilization and culture was `nothing but` a manifestation of the repressed penis. Part of Freud`s `Vienna school` of psychology founded by the analyst, Jung split from his mentor and founded his own `Jungian school` based on the concept of the `projection making factor` of the archetype of the Self, which he argued existed in an unconscious state as a facultas praeformandi waiting to become conscious as the individual developed. According to Jung the archetype of the `Self` was indistinguishable from what had been described as God, and existed as a collection of archetypes within the unconscious that appeared as images and symbols arising within dreams, art and imagination impelling individual development. As an instance of projection Jung gave as an example what he called the shadow or `personal unconscious`, which was projected when the individual falsely perceived another as inferior, although the inferiority lay with the projector of the unconscious content. Jung argued that the collective unconscious contained a colllective shadow and the building of `death camps` for the Jews by the German Nazis in the 1930s was an instance of the manifestation of the collective shadow insofar as the Germans perceived the Jews as inferior, whereas the inferiority lay within the German psyche. According to Jung the personal shadow could be recognized and integrated into the individual psyche by assisting the ego to understand where the feelings of inferiority lay and so reduce their negative effect on development. The soul of a man Jung saw as being often contaminated by the shadow, which gave rise to feelings of homosexuality, because the image of the soul was female, and so she was often repressed into unconsciousness by the male ego, although introjected into consciousness the anima functioned as a guide through individual growth. According to Jung a woman represented the possibility of a growth experience, but the projected shadow-anima complex resulted in the individual having a relationship with the soul or anima as a projection contaminated by the shadow, rather than a woman, while recognition and integration of the shadow within the relationship resulted in introjection of the anima as the guiding soul. Women were different in that they had an animus which was characterized as a throng of male admirers that caused the woman to see herself at the center of a circle of wooers she needs must relate to in order to live successfully later within a framework of relationships supportive of her future role as a mother. Jung`s description of the relations between men and women was of the shadow-animus complex projecting its poison of illusion, while the woman`s shadow-animus complex drew its sword of power. Sword and sorcery movies followed this pattern of a male figure with a sword representing the woman`s animus symbolically while the women in the plot were anima figures symbolizing the hero`s defended or imperiled soul.
Raiders Of The Lost Ark (1981) was the movie starring Hollywood Babylon movie actor Harrison Ford who often relates the tale of how he was due to record a scene with an Arabian swordsman who`d trained for months for his appearance but the production team didn`t have time for the full sequence and so Ford shot the swordsman as his character Indiana while he was brandishing his sword in preparation for the swordfight. The swordsman was perceived as inferior, because Ford had a gun, although Jungian psychology argues that projecting inferiority onto others is a sign of inferiority within the individual who is projecting his shadow. Consequently, the cinema theater audience represent a collective shadow constellated by Ford`s treatment of the Arabian swordsman as inferior, which may have contributed to a global projection of the collective shadow onto Moslems in Islam. Ford`s character Indiana was his second role in a successful movie series after Han Solo in the Star Wars franchise that began in 1977 with Star Wars IV: A New Hope in which he acted the role of a hero defending Princess Leia, the leader of the Federation against the evil Empire. Because he wasn`t defending a woman when he shot the swordsman the scene had significant repercussions for the woman`s animus contaminated by a collective shadow. Dressed in black robes the Arabian swordsman is a symbol of the women of Moslem Islam who wear the one-piece coverall of the burka and whose symbol in Jungian psychology is the sword, which represents the animus contaminated by the collective shadow in men`s wars against `woman`s seed`. Consequently, when Ford shot the swordsman he was shooting the woman, rather than defending her.
Islam is based on the belief that Ishmael, its founder through his descendant, Mohamed, who received the Koran (610-30 C.E.) from the angels, had a legitimate birth, which is why Moslems are permitted four wives. Ishmael was the son of Hajer, the maid of Sara, who gave Hajer to Abraham when she became barren after the birth of Isaac, founder of Judaism. Christianity`s founder was the Jew, Jesus, who was born of his mother, the Virgin Mary, uncontaminated by male semen, because humans are: `Love your neighbor as you love yourself.` (Mk: 12. 31) Jewish tradition is futanarian, that is, Jews are born only from women, because Jews are futanarian women. Eve is told by God her `seed` will have `enmity` with the `serpent`s seed`, although: `You shall crush the head of the serpent with your foot, but he shall bruise your heel.` (Gen: 3. 15) Futanarian women have penis` semen of their own and so can sexually reproduce the brainpower needed to crush the head of the serpent, who was the angel Satan transformed by God into a serpent for rejecting God`s plan that the human host would be greater than the angelic. Placed in Eden Satan tempted Eve to `eat of the tree of the knowledge of good and evil`, that is, death, saying `You shall be as gods.` (Gen: 3. 5) Expelled from Eden by God, the first man, Adam, is told he must work while Eve, the first woman, will experience labor pain before Redemption, which is why Jesus` mother is depicted in Christian iconography crushing the head of the serpent with her `foot`, because she represents futanarian `woman`s seed` that can produce humans from the host womb of the species without male semen. Eve and Adam rejected God`s `fruit of the tree of life`, which is immortality, for ephemerality, that is, host womb slavery in blind unconscious ignorance, because ephemerality isn`t time enough for knowledge of how to escape the slaver. Consequently, women`s futanarian capacity for sexually reproducing the brainpower of the human species with each other to produce the medical science necessary to confer immortality and the technology of escape to colonize the planets amongst the stars of heaven is Redemption from the sinful nature of men`s parasitism upon the host womb. Preventing `woman`s seed` from escaping by waging expensive wars upon her Earth, while the `incurable killer disease` of the late 20th century, HIV/AIDS, spread through men`s mixing of blood, shit and semen in each others` anuses in mockery of `woman`s seed`, was symptomatic of what parasitology calls the parasitoid devouring stage of parasitism where the human host is extinguished by the viral life form to prevent its `seed` from escaping its `biological warfare` of boy sons, that is, poisons, manufactured in homosexuality in pederasty at least since the ancient Greeks institutionalized women`s host womb slavery for the spread of warfare to nearby city states. As a consequence of the repression and subjugation of `woman`s seed` in slavery for parasitoid devouring in warfare, men who can`t sexually reproduce with each other have abrogated 50% of the democratic vote based on the Greek model of democracy, whereas women who can sexually reproduce with each other apart from the HIV/AIDS transmitter are kept faithful in monogamous ring slavery through fear of men`s `biological weapon` of HIV/AIDS` `blood plague` (Rev: 11. 6): `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was wage war on `woman`s seed` and keep her in fearful faithfulness to their ring slavery for parasitoid devourment in war by creating HIV/AIDS in each others` anuses by way of a sterile rejection of life: `And the dragon was wroth with the woman, and went to make war with the remnant of her seed.` (Rev: 12. 17) Because a woman has her own penis, Harrison Ford`s shooting of the swordsman in Raiders Of The Lost Ark is a confrontation between the animus of a woman and the male ego, which either does or doesn`t know about `woman`s seed`. As a woman has her own penis, the sword is its symbol, which means that Ford`s character, Indiana Jones, kills her because he doesn`t want her to show her penis to him, which is why the Moslem women in Islam wear the one-piece coverall of the burka. Western imagery transmitted by the Hollywood Babylon movie, video, and `TV` industry promotes penisless women, because `woman`s seed` has been killed in the West, whereas in the supposedly authoritarian Moslem nations in Islam the four wife marriage affords the possibility of sexual reproduction between women, and therefore human democracy, because men don`t sexually reproduce with each other. Although secular and religious dictatorship is prevalent in Moslem Islam it`s because men are parasites, but the framework for sexual reproduction between women and democratic institutions based on `woman`s seed` is Islamic, whereas in the Western democracies `woman` is dead: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Hollywood was named for `a woman` of the Bible, Babylon, who gave her name to the capital city of the Persian Empire in modern Iraq, Babylon (c. 4000 B.C.), which ruins dictator Saddam Hussein could see from his summer palace at Hillah. Hollywood was called `Babylon`, because the President of the Motion Picture Producers and Distributors of America (MPPDA), Will Hays, established the `Hays code` (1930) to ban `woman`s seed` from cinema theaters and keep her futanarian race from escaping from host womb parasitism in slavery for the continuing filming of their parasitoid devourer war`s activities: : `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`1 The US ostensibly invaded Iraq in March, 2003, because Saddam Hussein had used `biochemical weapons` against the Kurd population there. In 2016 the Turkish government was still endeavoring to crush Kurd resistance in Turkey, whereas the Kurds whose population was spread between the nations of Iraq, Iran, Syria, Turkey and Armenia, represented the human ideal of a state without borders. Saddam was executed on December 30, 2006, although as a metaphor for poisons, `biochemical weapons` are boy sons, so Hussein was using them for what Hollywood Babylon`s propaganda media industry Empire had taught him they were for, because that`s why Babylon was labeled `abomination` by the Bible, while Saddam Hussein, whose name means `small handsome man` and `crusher`, represents an Arabian `leading man` endeavoring to `crush` Western feelings of superiority based on the false assumption that their social and political system is better for not having any women in it.
Conan The Destroyer (1984) with ex-Mr Universe, bodybuilder Arnold Schwarzenegger, in the leading acting role, alongside 15 year old actress, Miriam D`Abo, as Jehnna, features a stereotypical performance from a strong, square jawed male hero with muscles aplenty to carry the sword as a symbol of the woman`s absent penis, which has been cut off unannounced in the opening credits by the sword wielder`s viral form. Conan The Destroyer is a sword and sorcery movie with technology approaching the level of the Middle Ages to emphasize the need that the woman has to be protected, whereas in the 20th century Arnold`s carrying a sword along the local high street brandishing it protectively as a symbol of the woman`s severed penis would have seemed anachronistic. Consequently, the role of the swordsman in the sword and sorcery epic is logically that of the man keeping at bay the men who would prevent the woman from using her penis. Hollywood Babylon`s inability to make that explicit in mainstream media is the sign of its degeneracy, although for generations moralists` arguing for less sex explicit sex education has had a deleterious affect on serious human relations that could have resulted in later centuries` peace. The fallacy is that a man has to be strong to protect the woman`s phallus` see, which is her bred. In the Middle Ages Arabs were criticized for harems, whereas that`s where the women were bred. Moslem Islam`s affording four wives in each marriage represents the modern Arabian perception that all are equal and women can be bred. Although the perception in the West is that women were harem slaves, the concept is of `woman`s seed` bred for brainpower, which is why there are tales amongst the Eastern peoples of geniuses known as `genies` with `special powers` similar to Jesus` ability to bring the dead back to life and walk on water. Jesus` strength resided in his life`s teaching. Discovered by Judas, his disciple, being anointed by a woman with expensive perfume, Judas, who was known for stealing from the collection plate after a sermon, suggested the perfume be sold to raise money but Jesus demurred: `Leave her alone.` (Mk: 14. 6) Betraying Jesus as a `dissident` to the Roman Empire then occupying Jewish Palestine, for `thirty pieces of silver`, Judas gave Jesus over to the Jewish religious police, the Pharisees, who gave Jesus to the Romans who took him to the hill of Calvary outside Jerusalem where he was nailed to a cross of wood and left there to die but experience Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`. Consequently, Jesus was a hero to women but not physically strong enough to defeat the male brained the Roman Empire of parasitoid devouring, which is what irredeemable men are. In short, a modern era that persists in the bizarre belief that men should behave as though they`re the powerful severer of women`s penis in order to protect her, is an anachronistic abomination based on the notion, not that `the meek shall inherit the Earth`, which was Jesus` assertion, but that they won`t, because the woman doesn`t have a sword of her own amongst the cowards that have cut her penis off, so that she can`t ever have enough brains to remember.
In 1001 Nights the framing device for the 8th century collection of tales is Shah Jehan`s beheading of his wife for believing that she was unfaithful with his brother, although the belief is unfounded in truth. The storyteller Scheherezade narrates a series of tales to keep Shah Jehan interested and so saves the women of the realm because it`d become the practice of the ruler to marry a new bride each day and behead her each evening. The meaning of the story is that men have beheaded the human species, because women`s penis is so rarified as to be invisible in the mass media. Scientists argue that viruses can be space borne so it`s possible that a viral life form carried through the cosmos arrived on Earth millions of years ago to inveigle its way into the host womb of the human futanarian species of woman and stole her penis to replicate itself as her devourer. According to paleontologists saurian evolution appeared on Earth 240 million years ago (240 Ma), whereas hominids appeared 220 million years later (20 Ma), during the Jurassic period of Earth`s history, which suggests that the story of the angel, Satan, turned into a serpent by God, and that became a devouring dragon, is a metaphor for a pre-human host of `angelic` saurian evolution, which is still existent as God`s angel host in heaven. The Bible predicts `war in heaven`, between God`s angels and Satan`s, although the battle between good and evil on Earth takes place on the plain of Megiddo near the port of Haifa in Israel, which culminates in God`s judgement of eternal unendurable pain as a punishment upon the evil, that is, their perdition, and the creation of a `new heaven and Earth` for the good. In short, humans are subject to Satan`s angelic host, while God`s angelic host remain amongst the planets and stars, which Satanism seeks to prevent `woman`s seed` from reaching and so has killed her. Although transsexual surgery in the United States of America isn`t common it`s possible, whereas standard interventionist procedure to determine the gender one way or the other for a futanarian child is the norm. Consequently, although John Logie Baird invented `TV` in 1926, the US` single male brained creature wearing each others` clothes in `TV` transvestism had arrived as long ago as the Roman Empire`s building of huge amphitheaters to entertain its parasitoid devourer`s nature with killing people for entertainment even before the US built its cinema theaters and prepared its `snuff movie` video revolution whereby parasitoids could watch people recorded `live` being killed. Feigning `political correctness` over individuals who want to change gender, transsexuals or `trannies` represent a sop to the human futanarian species` desire for sexual reproduction, that is, the US` pretense is that they care about futanarian humanity`s `woman`s seed`, whereas `trannies` are valued less than `TVs` because, however the `trannies` sound, they don`t produce a good picture, whereas futanarian women in Hollywood Babylon could, because they look fabulous. Although Megiddo is depicted as a last battle between good and evil, it`s a metaphor for `make it do`, that is, coercion, and `make do`, which is to make the best of the materials available; for example, `trannies` and `TVs`. Consequently, humans will be absent from Megiddo, because only the evil and those retarded adults who`re blind ignorant and unconscious of Jesus` heroic teaching will be there. If humans want to be there then they`ll be blind ignorant and unconscious, which is why only the evil will be there. Futanarian `woman`s seed` are surgeried out of existence when born in the USA so Satanism is still killing humanity there, because Hollywood Babylon don`t want the humans to interfere with the filming.
1 TV Tropes, `Foot Popping`, https://tvtropes.org/pmwiki/pmwiki.php/Main/FootPopping/ .