The Killer Doesn`t Want The Woman To Escape
The Killer Doesn`t Want The Woman To Escape
An edutainment theme of the 20th century was the killer, who didn`t want the woman to escape, but misogyny wasn`t perceivable as a new genre until the 21st century. Most cinema and `TV` critics observed that the killer stalking the woman was an adjunct of the horror genre, which derived from that of the thriller and often took the form of a murder with inexplicable elements and suspense, that is, a `Whodunnit?` A typical movie of the late 20th century was Scream (1996) in which an educational institution is beset by a killer called `Ghostface`, because of his black cloak and white face mask, who kills the women he targets with a knife. The film begins with a young high school student, Drew Barrymore in the role of Casey Becker, dealing with a menacing `phone caller: `You hang up on me again and I`ll gut you like a fish, you understand?`1 She fails to answer correctly the intimidating caller`s question about horror films: `Name the killer in Friday the 13th.` Casey`s punishment for saying `Jason` instead of `Mrs Voorhees` is for her hostage boyfriend, actor Kevin Patrick Walls in the role of Steve Orth, to be killed by Ghostface, who has him tied to a chair where she can watch. Casey`s parents arrive home to find her body hanging from a tree, and the cinema audience have seen that the masked killer, Ghostface, killed her there. The psychopath, as hero, isn`t a new phenomenon, but identifying the hero as psychopathic is useful for an audience, who mightn`t even know that what they revere as a hero is in fact clinically definable as an insane criminal acting against their own nature and inclinations. Most 20th century `action` heroes are clinically definable as psychopaths. It isn`t that their behavior is definable as `moral`, that is, that they act for reasons associated with facilitating escape from other killers, or simply in conflict with others, for example, supposedly justifiable war, but that psychopathic behavior is presented fictionally as laudable, because it`s categorized as acceptable, whereas it isn`t. The basic dichotomy is food and sex. Humans want both, but the psychopathic killer is in the ascendance over women, as society has been taught that sex is evil simply, because no one is allowed to see it in mainstream movies on the `moral grounds` that the children must be protected.
The reasoning doesn`t seem to be complicated, although Jesus` teaching in the New Testament of the Bible affords a clue: `Love your neighbor as you love yourself.` (Mk: 12. 31) Generally speaking women aren`t perceived as neighbors, but rather families of which women are a part are the people who live next door. However, if women are conceived as the neighbor living close by, it`s the children that must be protected from seeing what the neighbors do, which is depicted in the Bible in the person of the woman discovered to have been adulterous by the Jewish religious police, the Pharisees, who demand of Jesus that he should condemn her. To which the Jewish Messiah replies: `Let he who is without sin cast the first stone.` (John: 8. 7) After consulting their conscience, none are able to stone her, because human futanarian `woman`s seed` are those women with penis` semen of their own, who can sexually reproduce as a species of women, and so it`s women`s race that`s adulterated by men`s semen. This is illustrated in the birth of Jesus from his mother, the Virgin Mary, uncontaminated by male semen, and his subsequently being taken to the hill of Calvary outside the city of Jerusalem where he was nailed to a wooden cross by the Romans as a `dissident` preaching against the Empire then occupying Palestine. After his death, Jesus experienced Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`, that is, Jesus represents the role of `woman`s seed` to develop the human brainpower to take the futanarian species of women to the planets amongst the stars of heaven above the Earth.
Jesus is the `son of man`, because he represents the child of the futanarian woman who is yet to be, and who will `rule the nations with an iron scepter`, according to Jesus` disciple, John, whose prophetic Revelation appears in the New Testament of the Bible adopted by Christianity as a true continuation of humanity`s interpretation of God`s intentions for the future. The Old Testament of the Bible was the history and law of the `chosen people`, the Jews, that is, their Talmud and Torah, which contained the creation narrative of Eve, the first woman, and Adam, the first man, created by God in the garden of Eden, which was the paradise of heaven on Earth. Eve accepted the `fruit of the tree of the knowledge of good and evil`, which it was death to taste, from the angel, Satan, who`d been transformed into a serpent by God for rejecting God`s plan that the human host should be greater than the angelic: `You shall be as gods.` (Gen: 3. 5) In accepting ephemerality, Eve and Adam accepted short-term memory for humans, who`d be effectively learners forever afterwards, because they hadn`t permanent bodies and brains. Or, in other words, if words have to be processed on a word processor and no one knows how to process, the word processor has to be reinvented and people have to learn how to write with it. What Eve and Adam accepted was ephemerality in host womb parasitism by the serpent and the `serpent`s seed`, that is, the slaver: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` God tells Eve her `seed`, that is, human futanarian `woman`s seed`, will have `enmity` with the serpent`s, but she`ll escape to the planets amongst the stars of heaven, even though the serpent, grown to the size of the `red dragon` of war in John`s Revelation, will try to prevent her: `And the dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) Consequently, movies like Scream in which `Ghostface` targets and kills women on a high school campus are parasitoid expression of what the `serpent`s seed` has done. In parasitology, the parasite that emerges from the host to kill it is parasitoid, which is what men do in their wars against human futanarian `woman`s seed`. In short, psychopathic killers are presented as edutainment in Scream, for example, because it`s psychological warfare and propaganda on the part of a pedophile who doesn`t want humans to be anything other than children.
Although Judaism was founded by Isaac, son of Abraham by his wife, Sara, she was barren thereafter and gave Hajer, her maid, to Abraham, and Hajer bore Ishmael, who was the founder of Islam through his descendant, Mohamed, who received the Koran (610-30 C.E.) from the angels of God, who`d been told that the human host should be greater than the angelic. Where `Islam` means `accept`, `Moslem` means `submit`, which accords with interpretations of Islam as a branch of Judaism`s `chosen` who can`t be born a Jew unless from a woman, that is, women are Jews. Consequently, the four wives of Moslem families represent an extension of the Jewish principle that the human futanarian species of `woman`s seed` are `chosen` and that this has to be accepted and submitted to as God`s intention. In short, women can sexually reproduce with each other within the Moslem family because it`s their choice so to do and they`re chosen by God to do so. Or, in other words, Western societies practice slavery in monogamous misogyny against women, which is why the women of Islam wear the one-piece coverall of the burka in public to prevent Westerners from seeing them. Exposed to movies mainly emanating from the capital city of the film world, Hollywood district, on the west coast of the state of California, Los Angeles, Moslem women see only `babes` exposed without the penis of their own race in the ubiquitous nudity of the pedophile`s propaganda war against women`s production of immortal brainpower to facilitate their escape from enslavement to the `serpent`s seed` of the parasitoid devourer in its wars against them.
Having killed, or suppressed, the human futanarian species of `woman`s seed`, the West paraded women as `babes`, without the `babes` having the possibility of escaping infancy through the sexual reproduction of human brainpower, like Jesus`, between them: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Although `Babylon` was `a woman` of the Bible, it was the name of the capital city of the Persian Empire, because host womb slavery of women`s host wombs for war by men of the `serpent`s seed` is the contagion: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) In ancient Greece, which is held to be `the model of democracy` by Westerners, the enslaving of women`s host wombs for homosexuality in pederasty for war was institutionalized, which ultimately resulted in the spread of men`s `biological weapon` keeping women in fearful faithfulness to their ring slavery, that is, the biblical `blood plague` (Rev: 11. 6), HIV/AIDS, an incurable sexually transmitted killer disease (STD) contracted through men`s mixing of blood, shit and semen in each others` anuses in mocking rejection of human futanarian women`s nature. The power Satan offered to Eve and Adam was that they were the harbingers of doom through acceptance of host womb slavery in parasitism to the parasitoid devouring of them by the `serpent`s seed`, whereas God`s plan was for humanity to live by the `fruit of the tree of life`, which it was immortality to taste, as it meant permanence in terms of intelligence. Defined by God as `good`, knowledge afforded humans the opportunity to obtain better food and have sex in better places through the application of brainpower, which would interfere with the slaver and its pogroming of the human race.
Without human futanarian `woman`s seed`, the human race is a single male brained creature wearing each others` clothes in `TV` transvestism, that is, a creature manufactured as a `TV` in anticipation of John Logie Baird`s invention of the television machine for the parasitoid devourer to watch its planned extinction of the human race, which began in ancient times with the construction of amphitheaters, where humans were killed for the entertainment of the parasitoid crow, and continued with the building of movie theaters for the showing of more of such entertainment to the parasitoid audience, for example, Scream, in which women were depicted as being killed for entertainment. The possibilities of edutainment, that is, education through entertainment, were lost as early as 1930 when the President of the Motion Picture Producers and Distributors of America (MPPDA), Will Hays, established the `Hays code` on `moral grounds` that forced women to keep a foot firmly on the floor of the bedroom during romantic scenes, lest someone deduce the truth, which was that futanarian women were being persecuted and pogromed: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`2 Although the German National Socialist (Nazi) Party elected in 1933 killed upwards of 20, 000, 000 of the `chosen people` in `death camps` built for that purpose, before stacking them like logs and incinerating the bodies, the `Hays code` was supportive of Nazism, because it didn`t want women`s human mode of sexual reproduction between themselves to be seen by children, who might wonder why they weren`t immortal. The answer was that the parasitoid devourer spent huge amounts of money on killing their race to ensure that it died brainlessly, and relatively quickly, without troubling the enslaving monster overly, or as actor Jamie Kennedy in the role of Randy Meeks in Scream says: `There are certain rules that one must abide by in order to successfully survive a horror movie. For instance, number one: you can never have sex.`3
By the late 20th century, the cinema goer, or home entertainment viewer, was being provided with a diet of movie fare in which the killers of individual intelligence were presented as heroes who killed those that sought to live without the permission of the parasitoid alien devouring monster, because it was intelligence that conferred the power upon the individual to live without asking for help from a supposed educative instructor masquerading under the ubiquitous umbrella of parentage and motherliness and fatherliness, although maw and paw had been manufactured as a `TV` for millennia by the parasitoid alien. The male brained creature wearing each others` clothes in `TV` transvestism had been programed by constant exposure to `action` movies, featuring the psychopath as hero, to kill their children in wars against human futanarian nature. It was but as an aspect of a monstrous pedophile desire created by a parasitoid alien that only `babes` be produced in ephemeral brainlessness for the creature to watch being devoured `live`. Scientists argued that a space borne virus originated life on Earth untold millennia ago, but it seems more likely that an alien viral life form somehow inveigled itself into the host womb of the human futanarian species of `woman`s seed` to replicate itself and kill her, which is what human history and the biblical narrative of Eve and Adam depict, and that the parasitoid alien viral life form now watches as `TV`.
As a sociopathic medium `TV` was designed to promote psychopathological behavior as normative. Killers removed those who didn`t seek permission to live, which reduced society to those who resembled the psychopath, because human intelligence didn`t have permission to live independently of the enslaving alien parasitoid. Although Eve and Adam were human, evolutionary theory is that humans descended from hominids, which appeared in the Jurassic period of Earth`s pre-history, 220 m. a., while the saurians were the dominant species 220 m. a., that is, the wingless serpent, Satan, in Eden was a saurian, who were God`s winged angels in heaven above, before the space borne virus infected the Earth with its parasitoid nature, or simply that Satan was the saurian that wanted humans to be its slaves. According to the Bible, God`s angels remain in heaven above the Earth, and so correspond to the winged intelligence of the saurians, whereas Satan is depicted as a winged `red dragon` in Revelation, that is, as human air power for war, which is most easily recognizably represented by the US $ 1 billion paid since for each `Spirit` stealth bomber, a symbol of men infected by their acceptance of the viral life of a devouring parasitoid in host womb slavery for power.
Although the `fallen angel`, Satan, infected Eve and Adam, Jesus` teaching was that a `Holy Spirit` would teach after him, which obviously wasn`t the B2 `Spirit` bomber deployed by the US in the Gulf wars against Islam`s Moslem`s `remnant` of human futanarian `woman`s seed`: ``The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) After the `TV` audience had seen the B1 deployed in the Gulf war 1990-1, it wanted to see the B2 in 2003`s Gulf war, because the `TV` was programed to kill itself: `Let he that has wisdom have understanding. The number of a man is the number of a beast and his number is six hundred three score and six.` (Rev: 13. 8) `666` is the undemocratic percentage of men and women, that is, 66.6%, if human futanarian `woman`s seed` is the absent 33.3%, which would give the human race the opportunity of becoming human, so that it can run its own race and escape from its killer. If human futanarian `woman`s seed` is 33% and men can`t sexually reproduce with each other, then the 66.6% of men and women are the beasts of Revelation preventing the human species from sexually reproducing the brainpower they need to escape from the `TV` wars of the parasitoid devourer, which manufactures the human race as its `snuff` movie and doesn`t want to give humanity the democratic franchise to outvote it. By keeping the `remnant` of humanity psychotic, for example, women looking in the mirror are taught they want a man, rather than a human futanarian with `woman`s seed`, which makes them schizophrenically maladjusted towards men as the only possible sexual option in terms of production, the parasitoid maintains race war of the species against itself. Although `snuff` is an illegal movie genre based on the idea of life as a candle flame snuffed out for the pleasure of the parasitoid viewer who watches recorded murders for entertainment, because the Babylonians and others have been manufacturing men and women as a `TV` since ancient times, a `snuff` movie is what the species is, and it`ll be kept moving as long as it remains entertaining.
In the Bible war is depicted as an aspect of a universal malaise robbing Eve and Adam`s descendants of their birthright of immortality. Thereafter they`d live without permanent knowledge; as ephemerals doomed to be instructed by slavers: in host womb parasitism upon the human race. If children are ephemeral, maw and paw will always have slaves to instruct, which is the reasoning behind making educational institutions the bedrock of the human condition. For the warmongers to spend US $ 1 billion on each B2 `Spirit` bomber, meant there wouldn`t be enough money left to discover an elixir of youth and immortality, which would mean that adults would die and children would be born for maw and paw to educate and instruct, where maw is US` slang for `mother`, but is most often used in literature in association with `ravening` and `devouring`, that is, the mouth of the monster, which has an animal`s paw to put food into it. In Christian iconography, Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her `foot`, because she doesn`t want her human futanarian race to be food for the maw of the monster. Consequently, misogynist propaganda is Hollywood, Babylon, films of women not escaping, for example, in Scream, where actress Rose McGowan, in the role of Tatum Riley, dies when the killer crushes her head with the garage door at a party, because it`s Satanism`s perspective that `woman`s seed` is the serpent`s, which Christianity`s obsession with children`s moral instruction has helped.
Men believe they`re predestined to marry women, but women aren`t their species, so it`s slavery, that is, predestination is a manufactured lie, which is based on the idea of reincarnation as a belief that men and women are reborn, because of karma. Although karmic rebirth is the basis of the Eastern religion of Hinduism, which is to be found in the Vedas written amongst Australoid immigrants in the Indus valley of India, and that were adapted by Guatama Buddha, the founder of Buddhism, to explain reincarnation as samsara, that is, `the world as illusion`, what it means is that a human race devoid of its own `seed` can`t escape from its snuffers, which is its karma or reprobate state. The `remnant` of the human family is encouraged to watch `TV` to make sure that nothing escapes from its `snuff box`, and because men and women are `TV`, that`s how society thinks about itself. There are people who`re independent, and they must be killed, before they`re strong enough in brainpower to escape from society`s killers, who`re agents of the parasitoid alien that lives amongst humans programing their extinction. Consequently, although men are conditioned to believe that they`re brave, psychopathic killers are those who want the human race to be more vulnerable to slavers, which means that movies like Scream promote the killing of women as a means of maintaining the illusion that men are heroes, whereas killing human futanarian `woman`s seed` is what they`re about. After actress Neve Campbell`s character, Sidney Prescott, and actor Skeet Ulrich as her boyfriend, Billy Loomis, simulate a censored form of sexual intercourse for the audience, Billy appears to have been killed by the attacker and Sidney flees. News reporter, actress Courtney Cox in the role of Gale Weathers, who was at the party because she expected the killer to be there, crashes her van to avoid hitting the fleeing Sidney, who goes back into the house, where deputy sheriff, actor David Arquette in the role of Dewey Riley, is stabbed in the back. Sidney takes his gun and gives it to Billy Loomis, who lets high school film `geek` Randy Meeks into the house and shoots him, and reveals that he`s the killer. Actor, Matthew Lillard, in the role of Stu Macher, is Billy`s accomplice, who seemingly attacked Sidney and Billy, leaving Billy wounded, but Billy had been shamming. Gale, thought dead by the killers, reappears, and Sidney takes advantage of Gale`s attempt at intervention to kill Stu and Billy after he attacks her. Randy Meeks, wounded but alive, observes: `This is the moment when the supposedly dead killer comes back to life, for one last scare.` Billy rises and Sidney shoots him in the head, dead. Although the film looks like an exercise in empowerment, several good types are killed, because the aim is to balance out the deaths of the men and women to make it look like a typical human interest story in which psychopathic behavior is normative, that is, after the catharsis everyone is normalized. However, dead people aren`t normalled. What the movie encourages is the belief that psychopathic killing is edutainment, that is, the audience learn something from it, whereas it`s entertainment for a parasitoid devourer, which is becoming pervasive through the exclusivity of male braining for war against `woman`s seed`. Because women are more vulnerable than men, the perception is that the heroes and the heroines are defending the humans, whereas the humans are being killed for the entertainment of the male brained parasitoid devourer, which is a male brainer and isn`t women`s species. In other words, Scream is a normative exercise in depicting men as both the killer of the human race as well as its savior, while the women appear as the killed, and the saved, as well as the saviors, which is the more genuine truth in the teeth of the `red dragon`. Because women aren`t allowed to sexually reproduce with each other, according to mainstream cinema and `TV`, etc., they can`t produce the numbers, or the brainpower, to escape the killer, which means that they`re dealing with a coward that wants them to be a vulnerable `babe`.
Jesus` nativity is presented in Christianity as the essence of the belief system, which teaches: `Unless you change, and become like children, you will never enter into heaven.` (Matt: 18. 3) As a `babe`, Jesus is represented as the epitome of the childlike individual, who`ll enter heaven, whereas the killing of human futanarian `woman`s seed` by men is aimed at manufacturing a single male brained creature wearing each others` clothes in `TV `transvestism as an essentially ephemeral brainless human nature doomed to be slain for the entertainment of the `snuff` moviemaker that`s enslaved it. Consequently, the `babe` that`s humanity can`t become as a child, because it`s killed by the parasitoid, which is what Jesus` words meant. Men have to allow the human futanarian woman to live, or the human race will die as a `babe`, which is why Jesus` nativity was heralded. The presence of God`s heavenly angels, and wise men prepared to journey from the corners of the Earth to bring gifts of gold, frankincense and myrrh, were the pomp of the newborn savior, who wanted the infantilism of the Earth to cease, so that the `babe` could become at least a child, and `woman`s seed` might enter heaven, which Jesus` Resurrection and Ascension promises. Because Christianity represses knowledge of `woman`s seed` by refusing to explain that Jesus` appellation, `son of man`, was chosen by him because his mother, the Virgin Mary, was man, the Jewish Messiah is understood to be a woman by homosexuality in pederasty for war against `woman`s seed`, that is, his hole`s in the wrong place, but ... it`s okay.
1 Jackson, Roger L. as the voice of `Ghostface`, Scream, Dimension Films, 1996.
2 https://tvtropes.org/pmwiki/pmwiki,php/Main/FootPopping/ .
3 Kennedy, Jamie as Randy Meeks, Scream, Dimension Films, 1996.