Tarantula Ranch
Tarantula Ranch
Ranch is a concept arising from the continent of America, where vast expanses of the country were farmed by cattle ranchers, for example, who needed grazing land to raise herds of beef requiring cattle drovers, before construction by the 1880s of near-at-hand rail transportation terminals, who’d drive the cattle by means of men on horseback, called ‘hands’ on the ranch, and ‘cowboys’, ‘cowpokes’, ‘cowhands’, ‘cowpunchers’, and/or ‘buckaroos’ en route to the buyer and/or the slaughterhouse. In the 20th century the idea was extended in the minds of people by singer-songwriter, Bruce Springsteen, whose album, The River (1980), containing the classic track, ‘Cadillac Ranch’, suggested in its lyrics that ranching could also be applied to manufacture in the automotive industry, as Cadillacs were a type of automobile, with their own drives and horns:
‘I'm gonna pack my pa and I'm gonna pack my aunt
I'm gonna take them down to the Cadillac Ranch.’1
Although it was difficult for the 20th century mind to envisage a ranch where cars were made, as ranches were farms, there was a clue in Eastern Europe, where taran is the word for people amongst the Romanians, while gyula is the term for leader amongst the Hungarians, who were rulers of a large swathe of Romania, Transylvania, famous for being the setting of Irish writer Bram Stoker’s novel of the legendary vampire creature, Dracula (1897), during the period of the Austro-Hungarian Empire, which collapsed after the First World War (1914-18) to prevent Germany enslaving the Earth, as Austro-Hungary was a supporter of Kaiser Wilhelm II’s territorial ambition:
‘Cadillac, Cadillac
Long and dark, shiny and black
Open up your engines let 'em roar
Tearing up the highway like a big old dinosaur.’
Although Natalie Cole, daughter of black singer-songwriter, Nat King Cole, further fueled speculation as to what a Cadillac ranch might conceivably be, with a 1984 track on her album Everlasting (1987), written by Springsteen, ‘Pink Cadillac’, it’s evident the art object, by Chip Lord, Hudson Marquez and Doug Michels of 1968 founded art group, Ant Farm, ‘The Cadillac Ranch’, (1974), located in a wheat field near Amarillo, Texas, comprising ten Cadillacs (1949-63), half-buried, with their hoods in the ground, inclined at the same angle as the ancient pyramids of entombed Pharaohs at Giza, Egypt, probably had something to do with the tarantula spider, Springsteen’s ‘aunt’, which paradoxically in light of the ‘tunnel spider’ theme of the Ant Farm art exhibit, isn’t of the ‘trapdoor’ variety, pulling a stone over its hole, after it’s caught prey to eat. Although the Egyptians were notable for wrapping their dead, like they’re the larder of a spider, it’s the curious, secretly hidden, shafts, beginning inside the Great Pyramid of the Pharaoh Khufu, constructed in the early 26th century B.C., and leading to the outside air, that give pause for thought to the paleontologist, made aware by micro-machine explorations of the tunnels, how a spider might use it to leave the body of the Pharaoh, before ascending to reach the light of the ‘father god’, Ra, who was the day star, Sol, that is, the sun, to Ra’s supposed incarnation, Osiris, upon the Earth, reincarnated anew in each reigning Pharaoh, after reascending as Horus, ‘the sky god’:
‘Well, baby, you know you bug me
There ain't no secret about that
Well, come on over here and hug me
…
In the dark, can't do that
In the back of your pink Cadillac.’2
In US’ slang ‘bug’ means insects that bite, for example, or some form of spy apparatus, as spiders are associated with webs and data collection by means of the 21st century telecommunications networks of the ‘phone companies’ global ‘web’, with instantaneous transference of recorded material, through the virtual space existing between personal computers and those ‘bitten by the bug’ of insatiable curiosity. However, Springsteen’s lyrics to Nat King Cole’s daughter Natalie’s ‘Pink Cadillac’ refer to racism behind slavery, that is, as slavers were white, and slaves were black, conventional people ‘can’t do that’, because of prejudice against miscegenation, but the prey of African tarantulas, like those of King Kong (1933), the movie made about a fight to the death between a gigantic ape King, and a King Tyrannosaurus, are pink, that is, racism is bloody.
The classic novel of black slavery in the United States of North America was Margaret Mitchell’s Gone With The Wind (1936), made into the 1939 movie, starring beautiful English actress, Vivienne Leigh, chosen as her accent was closer to that of the deep Southern drawl, likely employed by the central fictional protagonist of Mitchell’s book, Scarlet O’Hara of the Southern States plantation, Tara, where black slaves, as Springsteen’s lyrics indicate, captured in Africa by its indigenous peoples, and sold to European slavers, had been brought by ship, as human cargo, to labor in the fields of the South, growing mainly cotton there, despite their aversion and antipathy to being mastered by slavers, ‘Don't let 'em take me to the Cadillac Ranch.’ Though Springsteen’s lyrics refer to taking ‘pa’ and ‘aunt’ there, it’s pa-rasite, and à la Française; la plume de ma tante: a pen, as to a farmer it’s a novel.
The narrative details the American Civil war (1861-65) in which the army of the North, loyal to President Abraham Lincoln’s concept of a slavery free United States, and known as ‘the Union’, fought against what were perceived as the eleven rebel states of the Southern Confederacy, consisting of South Carolina, Mississippi, Florida, Alabama, Georgia, Louisiana, Texas, Virginia, Arkansas, Tennessee, North Carolina, Kentucky, and Missouri; after which the victorious Union abolished slavery. However, the name, Tara, suggests that the farm was a tarantula ranch, that is, a Cadillac ranch is where spiders are slaved, which is the reason for the Romano-Hungarian conflation, taran gyula, ‘spider leader’, as the word for church, in the language of the Hungarians, they call magyarul, and themselves Magyar, is gyülakezet, that is, taran gyülakezet. Although hít ostensibly means ‘faith’ in magyarul, as it’s pronounced ‘heat’, because of the accent ( í ), the Hít Gyülakezet, a Budapest, Hungary, church, stands for ‘heaters’, which is a euphemism for guns in the US, where murder is also called ‘smoking’, because of the ‘smoking gun’ metaphor. The tarantula cassette is ‘snuff’ for ‘spies’, in an Eastern Europe awoken by Russia’s 2020 invasion of the Ukraine to the need to dumb down its slaves, before they’re able enough to be independent and escape the firers, who’re paid to keep the employables’ chances of employment slim enough to ensure their continued enslavement, irrespective of knowledge, experience, and qualified professional status.
While the set of King Kong was burned to simulate the burning of a principal city of South Carolina, Charleston, by Union forces, in Gone With The Wind, the theme is of a people snuffed out, ‘like a candle in the wind’, as singer-songwriter, pianist Elton John, sang in the lyrics to ‘Candle In The Wind’ from his album, Goodbye Yellow Brick Road (1973), written by partner, Bernie Taupin, about Some Like It Hot (1959) movie star, sex symbol actress, Marilyn Monroe, found in 1962, mysteriously dead abed, on the morning of August 5th, at her home, 12305 Fifth Helena Drive, Brentwood, Los Angeles, California state. Although not officially condemned, as being an example of illegal entertainment by video-cassette, ‘church of Satan’, makers of real life murder recordings, Marilyn’s death made her a legend, as the ante-bellum period before the Civil war became for the Southern states:
‘There was a land of Cavaliers and Cotton Fields called the Old South. Here in this pretty world, Gallantry took its last bow. Here was the last ever to be seen of Knights and their Ladies Fair, of Master and of Slave. Look for it only in books, for it is no more than a dream remembered, a Civilization gone with the wind …’3
The origins of Judeo-Christianity are similarly with a wind that blew, according to biblical scholars, as Yahweh was a ‘storm god’ worshiped by the Jews, who came to be credited with being the creator, God, of the universe, though initially representing retribution, in accordance with the Jews’ perception of their role as a persecuted race having to deal, amongst other difficulties, with slavery in Persia’s ancient city of Babylon (c. 4000 B.C.), and by the ancient rulers of Egypt, the Pharaohs, as documented in Jewish history and law, which is their Torah and Talmud, known to Judeo-Christianity as the Old Testament of the Bible, ‘The wind blows over it and it is gone, and its place remembers it no more.’ (Ps. 103. 16) The Old Testament was superseded, according to Christians, by the New Testament teaching of Jesus ‘Christ’, ‘the chosen’, ‘Love your neighbor as you love yourself.’ (Mk: 12. 31) Jesus was entombed behind a stone; similar to those used by trapdoor spiders.
However, the circumstances of his death are significant in terms of the hypothesized ‘snuff’ Empire of the 20th century illegal mass media and beyond. Living during the period of the occupation of Jewish Palestine in the reign of the Emperor Tiberius Caesar Augustus (14-37 C.E.), Jesus’ homosexual disciple, Judas, had him arrested by the Jewish religious police, the Pharisees, after finding him with a woman. Taken to the hill of Calvary outside the city of Jerusalem, Jesus was nailed to a cross of wood and died there, but experienced Resurrection and Ascension to heaven, after the stone covering the place of his entombment, was found mysteriously rolled aside, that is, Jesus had escaped from the trapdoor spider, ‘Surely, this was the son of God.’ (Matt: 27. 54) As the ‘snuff god’, Jesus was what the South Americans call ranchero, that is, the farm manager, born uncontaminated by male semen from his mother, the Virgin Mary, as woman’s seed, which God told Eve would prevail over the serpent’s seed as hers, according to the Old Testament, ‘You shall crush the head of the serpent with your foot, but he will bruise your heel.’ (Gen: 3. 15) Depicted crushing the head of the serpent in Christian iconography, Jesus is Mary’s ‘foot’.
The serpent was the angel, Satan, turned into a serpent by God for rejecting God’s plan that the human host would be greater than the angelic. Tempting the woman, Eve, to ‘eat of the fruit of the tree of the knowledge of good and evil’, which it was death to taste, Satan told her, ‘You shall be as gods.’ (Gen: 3. 5) God expelled Eve, and the first man created by God, Adam, from the paradise of Eden, for rejecting ‘the fruit of the tree of life’, which was immortality, although Eve’s ‘seed’, the hermaphroditic futanarian species of women’s seed, for the host wombs of the human race of women’s, would be redeemed. Having Resurrection and Ascension to heaven in prefiguration of women’s seed, Jesus was their Redeemer.
As long as men waged war against women’s human species, Jesus’ disciple, John, foresaw in his apocalyptic vision of the future, they’d be the ‘seed’ of Satan, ‘The dragon stood before the woman, who was about to give birth, so that it might devour her child the moment it was born.’ (Rev: 12. 4) Since ancient times men and women had been manufactured as a single male brained creature wearing each other’s clothes as a transvestite ‘TV’ for killing as a mass entertainment industry, where television is the modern mass media version of the ‘tarantula vampire’ (TV) bred to be devoured, ‘The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.’ (Rev: 13. 15) What this means is that humanity is possessed, that is, the image of the beast isn’t the beast, but possessed humanity, which isn’t worshiping Satan; if women’s human species isn’t being killed.
According to legend, the vampire is an immortal creature, as it drinks the blood of humans, after biting through to the jugular vein at the neck, with powerful hollow incisors adapted for the purpose. The classic Dracula was 15th century Prince Vlad Dracul of Wallachia, later modern Romania, who impaled his victims, through the anus, onto stakes of wood, driven into the ground, up through their skulls. As the mutant simian immune deficiency virus (SIV), transmitted as a human variant by ape-ass-fucking homosexuals, driving infected penis semen into each other’s anus, was discovered similarly so to do by Africa’s DR Congo in 1983, as the human immune deficiency virus (HIV), an ‘incurable killer disease’, collapsing the organs of the body, when acquired immune deficiency syndrome (AIDS) developed, killed the brain after the initial impaling.
That the 15th century Romanian ‘dragon’, draco voivode Dracul, had something in common with homosexuals, is evidenced. That homosexuality is in large part responsible for war is also evident, from even a cursory examination of ancient Greek history, as Greece institutionalized the host womb slavery of women in pederasty to wage war (499-49 B.C) against the Persian Empire of Darius, for example. However, what homosexual vampires have to do with tarantula (Dracula) spiders isn’t so easy to comprehend. What is clear is that vampires are made from spiders. As women’s seed is accused of being faithless, that is, adulterate, because she’s fucked, spied her fucking is the basis of what Satanists have persuaded the human race is its guilt, whereas women’s species’ self-fertilization is the basis for their race being able to avoid being adulterated, through being raped by the alien seed of the serpent, which is the reason for the Satanists worshiping a goat, that is, Baphomet, as animal sex, which is bestiality, is how they farm the remains of humanity.
Whereas women’s seed is purely human, animal semen is how parasitical Satanism makes its demoniacal gods, like vampires, which are the faithless adulterate, that is, the adult traitors, of humanity, as their use of evil knowledge is premeditated, whereas humans, brain damaged in Satanical bestiality, can’t be wise to them in defense of their race. God’s wisdom is to have the punishment of perdition, which is eternal unendurable pain, awaiting Satanists as their punishment for having persuaded humans that the sowing of their seed is faithless adultery punishable by execution, for example, in Islam’s Sharia law, where the stoning of women, ‘caught in adultery’, that is, killing the remains of women’s seed by hurling rocks at them, as a woman once brought to Jesus was in danger of being killed, after she was accused in Judaic law, is common, ‘Let he who is without sin cast the first stone.’ (John: 8. 7)
Although Judeo-Christianity views Islam as illegitimate, as Isaac, the founder of Judaism, was Abraham’s legitimate son by his wife, Sara, while Ishmael, Abraham’s second son, whose descendant Mohamed founded Islam, through the Koran (610-30 C.E.), dictated by God’s angels, according to Islamic tradition, was the illegitimate child of a slave concubine, ‘the Egyptian woman’ (Gen: 16. 1) of the Old Testament, Hajer, so the permitting of four wives to the Moslems, amongst the nations of Islam, is a retroactive attempt to legitimize Ishmael’s birth through polygamy, the Moslem extended family provides the opportunity for women’s seed to sexually reproduce, as the human family, which is morally superior to Judeo-Christian thinking on the subject of adultery, guilt, and punishment. Christians have been taught women are faithless, if fucked outside of wedlock, whereas preventing women from self-fertilizing the host wombs of their own futanarian species, from the penis’ semen of their hermaphroditic race, is actually faithless adultery, which is the reason for God’s promise of hell for the adulterous brain damning slaver of humanity in bestiality.
The original 2000 outbreak of severe acute respiratory syndrome (SARS) virus was from a cave of bats in Yunnan province, China, a creature that the vampire, Dracula, is able to turn himself into in Stoker’s novel, Dracula, probably because the pookah of Ireland’s mythology is a metamorph able to turn itself into a spider, for example, which becomes relevant in the 1922 silent German Expressionist horror movie about a vampire, Nosferatu, in which R. M. Renfield, inmate of an insane asylum concerned over his vampirism, preys upon spiders in his cell for their blood. When the SARS virus again emerged at a Wuhan city hospital, Hubei province, China, and upwards of 6, 000, 000 people died in the ensuing global pandemic, it was a flying SARS attack from a communist country where the dragon, a creature of legend, is traditionally revered.
According to science AIDS weakened the human system sufficiently to make a SARS attack effective. As DR Congo was communist, before the 1991 pull out of communist Russia’s Soviet Union from those nations it’d held as Soviet Republic slave states, after the defeat of German ambitions to enslave the Earth in the Second World War (1939-45), it’s likely that President ‘Vlad’ Putin, elected as President of a revamped Russian Federation in 1999, putting in the ‘Red Army’ as his teeth into the Ukraine again, after the former Union of Soviet Socialist Republics (USSR) had given it independence in 1991, was a symptom of the Chinese dragon’s flying SARS attack, which symptoms of flatulence and brain damage can be seen in the 2020 invasion, as the TOS 1 and 2, fire-breathing dragon of the Red Army’s heavy flamethrower system was deployed as its main field weapon. The first stage laying of a flammable vapor was similar to SARS flatulence, while the second stage of the TOS missile launched weapon, fierily extinguishing, was similar symptomatically to extinguishing virally.
A former lieutenant colonel of Russia’s Committee for State Security (KGB), DR Congo’s existence as a communist Republic before 1991, together with China, and Russia itself, indicates Putin’s chosen role, as the 21st century implementer of a Russian biological and biochemical weapons’ research program, with human slavery as its focus, ‘And a great sign appeared in heaven: a woman clothed in the sun, with the moon under her feet and a crown of twelve stars on her head. She was pregnant and crying out in the pain and agony of giving birth.’ (Rev: 12. 1-2) The woman corresponds to the European Union with its blue flag of twelve stars, which the Ukraine was applying to join, as a member nation, before Putin’s invasion as the ‘red dragon’ (Rev: 12. 3).
According to Jesus’ disciple John’s vision, the woman is giving birth to Jesus, in his ‘Second Coming’ to the Earth, ‘he who will rule the nations with an iron scepter’, as women’s seed needs to sexually reproduce the human brainpower needed to give her race the immortality necessary through medical science for it to escape in colonization of the planets amongst the stars of heaven. Otherwise, the human species will remain a befuddled ephemeral; unable to perceive how evil is combated, bereft of the permanent knowledge of individuals, wise to the wiles of Satanism’s slavery. As women are the human race, there aren’t any humans, as women’s seed was virtually castrated by the Hollywood mass media Empire of the United States, located in the Hollywood district of the city of Los Angeles, West coast state of California, as long ago as 1930, when Will Hays, President of the Motion Picture Producers and Distributors of America (MPPDA) established the ‘Hays code’ (1930-67), which effectively made it impossible for humans ever to be seen, by banning women’s futanarian ‘foot’ species from the visual entertainment medium of the cinema and TV screen, `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`4 With their species on the Earth’s cutting room floor, women’s race to colonize the planets amongst the stars would ever be aborted by Putin’s ‘men’ in the film.
Although it’s clear that women’s penis would be the stake in the heart of the vampire that kills it, as the homosexual draco hasn’t any stake in humanity’s host wombs, what isn’t evidenced is the reason for Dracula rising from the coffin, although the cough symptoms of SARS again provide the essential clue, which is that Dracula is a tarantula spider, with eggs lain in human skulls, warmed by the virus of hell, before emerging from the coffin, as homosexual ‘blood plague’ (Rev: 11. 6) and death on the farms of the slavers; to ensure that the remains of human ‘seed’ didn’t become intelligent and capable of escape, ‘The dragon was wroth with the woman and went to wage war on the remnant of her seed.’ (Rev: 12. 17) The alien has killed the human race to make snuff films of the remains, with animals and insects, as Bruce Springsteen’s closing lyrics to ‘Cadillac Ranch’ imply, it’s a his and hearse movie:
‘Cadillac, Cadillac
Long and dark, shiny and black
Pulled up to my house today
Came and took my little girl away.’
Caddies are associated with teas, and tees, that is, tea caddies and golf caddies. A tea caddy is where the tea leaves are kept for making a beverage with hot water, that is, tea, an alternative to coffee, although both contain caffeine, a euphemism for coffin, whereas a golf caddy walks with the golfer. Carrying the clubs between each tee, caddies helps the player to choose which club to use to hit the ball forward to the hole that the ball has to be played into before the next tee is reached; the game usually consisting of eighteen holes, between two or more players. Although the Gulf wars, beginning with Iraq’s invasion of Kuwait in 1990, and culminating with the US’ invasion of Iraq in March 2003 to depose Saddam Hussein, were occasionally referred to as ‘golf’, it’d be necessary to know that the black body bags, inside which dead American servicemen were placed, before being returned, were tee bags, that is, as the victors, they’d resurrect in the teeth of the vampire.
Of course, the Moslems of the nations of Islam also had their own body bags, as the women traditionally wear the black one-piece coverall of the burka, or abiyah for girls, before acceptance of their marriage dowry and the addition of a face mask, that is, after abiyah the woman’s a burka, though unrecognizable at MacDonald’s fast food restaurants, for example. Covered in public to prevent the infidel from seeing their food, Moslem women are where their men expect to be reborn, which is the reason for their identity being hidden, as the original fatherer is required, although it’s possible for the vampire to resurrect through the legs of the eggs of the spider, without the human, by the simple expedient of being a ‘blood drinker’, like R. M. Renfield, in position to snaffle the elixir of immortality, should the medical establishment have any left, or the recipe perhaps, from a previously neutered Renaissance period of human enlightenment in the movie, Nosferatu, which title refers to the practice of farming the remnant of the human species’ testes for the ball snorter, who’s a vampire, and therefore a man, rather than a spider bag, attached to an animal warrior, bred by homosexuals in bestiality, to see die as TV snuff entertainment, in wars that the plague gamers engineer for exactly that purpose; somewhere behind: reading between the bloodlines.
It was during the late 20th century that people came to be familiar with T-cells, which the human body produces to fight disease, for example, the AIDS virus was found to have mimicked T-cells in the bloodstream of the human system. The T-cells were fooled into leaving the infecting viral cells alone, which not only resulted in collapse of the bodily organs, and brain death, but also a significant increase in the production of T-cells, in response to the homosexual transmitted ‘biological weapon’, causing the victim excruciatingly painful death throes, described by the cognoscenti as a ‘tea pot’, as chakra vampires feed on what’re known as T-chakras, that is, bodies wracked by pain.
The chakra system of the human body, as described by the Vedas (c. 1500-500 B.C.), that is, the ancient religious texts of the Hindu peoples of the subcontinent of India, has energy centers along the spine, beginning at the base, Muladhara chakra, and culminating at the crown of the head, Sahasrara chakra, which meditation activates as levels of conscious awareness. The chakra ladder was further elaborated by Gautama Buddha in the 5th century, who gave his name to Buddhism, while the concept of the chakra vampire became familiar to readers of science fiction writer Julian May’s metapsychic novels, beginning in 1981 with The Many Colored Land, and known collectively as The Saga of Pliocene Exile, which set in the past recounts humans visiting the Pliocene encountering ‘exotic’ extraterrestrials. In The Galactic Milieu Trilogy: Jack The Bodiless (1991), Diamond Mask (1994), and Magnificat (1996), they find their spines blackened, as if burned, by the chakra devouring of energy vampires, like ‘the Hydra’, a five person metapsychic operant, for example. However, despite recognition of such vampirism as a social evil, as it’s necessary to make tea pots in order to drink T-chakras, AIDS is a ‘tea bag’, which is what humans, encouraged to have a futile hope in working to enjoy a future, are ‘teed up’ for: to be the whored.
As King Kong features a fight to extinction, between Kong, the gigantic ape, and a ‘Thunder Lizard’ from the continent of Larimidia, later North America, that is, a Tyrannosaurus Rex, meat-eating, carnivorous dinosaur, survivor of the Late Cretaceous Epoch’s Maastrichtian age (68-66 M.a.), for late 20th century humans the T. Rex and the simian are a metaphor for the T-cells of their immune system’s battle with the simian immune deficiency virus (SIV), transmitted by homosexual ape-fuckers as a mutant variant, the human immune deficiency virus (HIV), resulting in acquired immune deficiency syndrome (AIDS), organ collapse, and brain death. After the activating by the homosexual virus of what medical science calls the instinctual ‘reptile brain’ survival mechanism, symptomatic of the absence of defensive T-cells, the human, instinctively devoured by its own teeth, is vampired.
1 Springsteen, Bruce, ‘Cadillac Ranch’, The River, Columbia Records, 1980.
2 Springsteen, Bruce ‘Pink Cadillac’, Natalie Cole, Everlasting, Manhattan Records, 1987.
3 Hecht, Ben (voiced Intro) Gone With The Wind, Selznick International Pictures, Metro-Goldwyn-Mayer, 1939.
4 TV Tropes, https://tvtropes.org/pmwiki/pmwiki.php/Main/FootPopping/ .