Still Capable Of A Few Drops
Still Capable Of A Few Drops
Robert A. Heinlein`s Starship Troopers (1959) was a novel written by the science fiction writer as a juveniles, which was almost banned from public libraries in the United States of America before it became a Hollywood, Babylon movie in 1997. Its allegedly `fascistoid` content advocating rules for citizenship, `the franchise is today limited to discharged veterans,`1 owed something to Robert Heinlein`s (1907-88) appreciation of Graeco-Roman history in which service in the military was a prerequisite for citizenship rights. Contemporary scholars assume men gave up their lives in order to preserve society, which gave them the right to live as members of it. However, as institutionalized homosexuality in pederasty, and the enslavement of women`s wombs to further war, formed the basis of Graeco-Roman society, membership may`ve been `fascist`, that is, equivalent to the German National Socialist (Nazi) government`s approach towards the `chosen people` of the Jews during the Second World War (1939-45) when the Roman `fasces` bundle of sticks surrounding an axe was the symbol of the Imperialist Nazis who built `death camps` in which to consume Jews in ovens needing firewood or some other equivalent fuel.
The Roman fasces was a symbol of hardiness, that is, a bedroll made of sticks and an axe for the forest to make fire and cook, while amongst the higher echelons of Roman military society it represented the fence around which a general and his staff were surrounded by the soldiers that constructed it and plans were made inside there before an engagement. Consequently, the Nazi `concentration camps` for the Jews were what homosexuality in pederasty and war were for; to enclose those who wouldn`t accept the spread of homosexuality in pederasty`s womb slavery and exterminate them. The Greek poet, Homer, in his Iliad (c. 760-10 B.C.) describes how the Greeks built a huge hollow wooden horse before the walls of Troy and when the Trojans took the horse inside the city the Greeks emerged to enslave the host wombs of the women and spread their contagion of pederasty and war further. Rome`s fasces is a symbol of the process whereby the capitulation of a target group was planned, which is why German and Italian fascists adopted it. When Heinlein`s Starship Troopers was accused of being `fascistoid` the onus was on the critics to prove that the slur was justified. The premise of the tale is an attack upon the Earth by an arachnoid species repulsed by men like Juan Rico of `Rico`s Roughnecks`, who`re deposited on the alien worlds by `motherships` whose `pilots` are women and who `drop` their `boys` as if they were mothers in labor delivering babies to a growth experience. Those who fight against the arachnoid aliens have citizenship conferred upon them. By analogy those who fought for freedom against fascism during WWII earned their citizenship, which Heinlein did as an aeronautical engineer for the US Navy and so his novel is a refutation of fascism. The meaning of membership within fascism derives from what homosexuality in pederasty is, that is, the enslaving of the host wombs of women, which God warns Eve will occur in the Bible, although her `seed` will:
`… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15)
Women with their own penis` semen for the sexual reproduction of the human species from their own host wombs are called `futanarian`, which is why God places emphasis upon the power of Eve`s `foot` to crush the parasites as she leaves for the planets and stars of God`s heaven in `motherships` constructed through the brainpower she`s produced from her own womb free from enslavement to men`s male braining semen. According to biblical tradition the serpent in Eden was the angel, Satan, cast down from heaven to Earth by God for refusing to accept that humankind would be superior to the angelic host. The serpent promised Eve and the first man, Adam, `You shall be as gods.` (Gen: 3. 5) But they had to `eat of the fruit of the tree of the knowledge of good and evil`, which was death, and reject the `fruit of the tree of life`, that is, immortality, and so God expelled the pair from the paradise of Eden and laid an injunction upon Eve to bear labor in childbirth though it be painful, and Adam would labor to provide for her. The birth of Jesus uncontaminated from his mother, the Virgin Mary, as the `Second Adam` free of the `serpent`s seed`, represented Eve`s Redemption from her `original sin`, because men had killed and culled her `futanarian` daughters after Eden in order to institutionalize host womb slavery in parasitism, while men would remain irredeemable if women remained their slaves.
The Resurrection of `woman`s seed` will occur when there are educated women to embrace `futanarian` human society, which is the issue Starship Troopers addresses. Women devoid of penises have faced the axe of fascism before. In Judaism it isn`t possible to be born a Jew unless born from a Jewess, which means Jews are women and so `the chosen people` were the target of the Nazi pogroms because men didn`t want female braining, that is, sexual reproduction of human brains through the penis` semen of women, because it threatens male braining in parasitism. In Islam, the religion founded by the Prophet Mohamed, through the Koran (610-30 C.E.) dictated by the angels, according to Moslem tradition, marriages can have four wives, which means that Islam is a vehicle for `futanarian` sexual reproduction between women and explains the `rape camps` during Europe`s Bosnian war (1990-95) in which upwards of 70,000 Moslem women were raped by `fascistoid` Christians so that their children in Islam would be mentally disabled in male braining for a further generation.
Although Jesus is the focal point in Christianity, Christians are anti-Christian, because they`re Judas to Jesus` teaching of Resurrection through Redemption. As host at the `Last Supper`, before his death by torture, after being nailed to the cross by agents of the Roman Empire in occupied Palestine, Jesus offered `bread and wine` to his disciples as symbols of his `body and blood`, which was uncontaminated by male semen, because he was born from a human host, represented by his mother, the Virgin Mary, while Judas` selling him to the Romans was a betrayal of the same host, because he knew the Emperors of Imperialist Rome didn`t want `woman`s seed`. After his death, Jesus experienced Resurrection and Ascension to heaven, because `woman`s seed` is to have Resurrection, according to God, although Jesus is the redeemed `seed` of men, because uncontaminated by male braining, which is homosexuality in pederasty and war, and so death for women`s human species in parasitism`s host womb enslaving of her. If Christianity espouses the loss of `woman`s seed`, that is, women`s penis, then it`s Satanic, and if its teachers don`t teach the meaning of the birth, life, death, Resurrection and Ascension to heaven of Jesus, they`re Satanists in Satanism.
If Satanists don`t want `woman`s seed`, they don`t want her breasts either. Homosexuality in pederasty and war`s male braining resulted in the creation of the HIV/AIDS` incurable `killer disease` of the late twentieth century spread by men`s mixing of blood, shit and semen in each others` anuses as a `biological weapon` in the war of the `serpent`s seed` against the human race, because it represented a challenge to the will of the scientific community to channel resources away from war and death and into healthcare. If the lifespan of women is the target for her parasite, she`ll be dying without breasts, which suggests pedophilia as well as pederasty. Robert Heinlein`s Time Enough For Love (1973) features his long-lived character, Lazarus Long, who is periodically rejuvenated through advanced futuristic medical science, and so remains youthful despite being ancient. He travels back in time to have sex with his mother, Maureen, at the point in time where she`s believed to have conceived him, although he doesn`t impregnate her, because he doesn`t want to father himself. Lazarus` perception is Christian, because he`s examining the `Oedipal complex`, which Sigmund Freud (1856-1939), `the father of psychoanalysis`, said was at the center of human sexuality. The term comes from the Greek dramatist Sophocles` play Oedipus Rex (c. 429 B.C.) in which the king of Egypt`s city of Thebes, Oedipus, becomes so by unknowingly marrying his mother, Jocasta, after unwittingly killing his father. According to Jung the drama depicts the desire of the son to replace the fatherer of himself with himself as the fatherer, whereas the theme of incest, which results in Oedipus` self-blinding because of the weight of societal opprobrium demanding punishment for breaking the taboo, properly refers to his daughter, Antigone, who is perforce obliged to guide Oedipus thereafter. Without a penis of her own, Antigone is unable to see that her mother is her own species and Oedipus and the other men aren`t, which is the meaning of the incest taboo. Antigone can`t envision sexual reproduction between herself and a woman because she doesn`t have a penis of her own, although her `futanarian` race of women do. Consequently, the `Oedipal complex` denotes any man standing between a daughter and knowledge of her mother`s true nature.
In Time Enough For Love Lazarus poses the question: what`s wrong? The answer is that men who don`t want women to sexually reproduce with each other wouldn`t want themselves to have been sexually reproduced by their mother, which is an anti-Christian version of Jesus` birth, that is, men would Satanically kill their mothers, and the `futanarian` species of `woman`s seed`, to practice homosexuality in pederasty and war, through the enslaved host womb of a human race becoming ever more male brained: because that`s what they have done. Lazarus doesn`t want to father himself because he`s a Christian and he wants his mother to live.
Heinlein has Maureen marry Lazarus in the novel, To Sail Beyond The Sunset (1987), and they continue living together, whereas supposed Christians who don`t teach about `woman`s seed` are supporting men who seek to father themselves, that is, they don`t want to be fathered by women, because they don`t want wombs. Consequently, they don`t want to be fathered, because they don`t want to be born, which is the meaning of Lazarus` stopping at the point of fathering himself upon his mother, Maureen. In the Bible Lazarus was the figure who rose from the place where he`d been lain after death when Jesus placed his hand upon him, because Lazarus` story prefigures Resurrection rather than Reincarnation, which is what Heinlein`s Lazarus illustrates. Christianity doesn`t preach Reincarnation or Resurrection for `woman`s seed` either, which means it`s preaching men without women in male braining transvestism in which men wear women`s clothes everywhere as homosexuality in pederasty and war`s `TV` show. Lazarus and Maureen choose to continue rather than that he should father himself, because men who father themselves want to, as Heinlein himself wrote in his 11 June, 1959, short story `- All You Zombies -` in which all of the characters in the tale turn out to be the same person:
`That's all, son,` I announced quietly. I'm back to pick you up. `You!` He gasped and caught his breath. `Me. Now you know who he is - and after you think it over you'll know who you are ... and if you think hard enough, you'll figure out who the baby is ... and who I am. He didn't answer, he was badly shaken. It's a shock to have it proved to you that you can't resist seducing yourself.`2
If Lazarus hadn`t wanted to continue with Maureen, he would have fathered himself, which is what `TVs` do. They `cut` the woman out of the `picture`, which is why Hollywood, Babylon edited their `pictures` by applying the `Hays code` (1930-67) prohibiting the woman`s foot from being raised from the bedroom floor during romantic scenes, because it was symbolic of woman`s `futanarian` penis` semen being denied access to her own natural reproductive process by homosexual men of the `serpent`s seed` promoting host womb slavery for humanity and pederasty`s war against the race of `woman`s seed` to be shown live as `TV` later on in her socio-historical context as a species in extermination.
Movies are intrinsically about the past, which is why the concept of `immortalized on celluloid` arose as a description of film, that is, men don`t want to be born, so `TVs` are made to prevent women being born and the future from appearing. Judy Garland was famous for the movie, The Wonderful Wizard Of Oz (1939), in which she sang `Over The Rainbow` as Dorothy Gale, who is taken up in a cyclone from her family`s Kansas farm and deposited in the `magical land` of children`s author, Frank L. Baum`s, 1900 fantasy:
`Someday I'll wish upon a star and wake up where the clouds are far behind me. Where troubles melt like lemon drops away above the chimney tops, that's where you'll find me.`3
According to God `woman`s seed` will go a lot further after she`s crushed the serpent with her foot and left Earth and men behind her. Judy`s other famous film was A Star Is Born (1954), because `woman`s seed` needs stars, as Jesus`, to guide Antigone`s path away from sacrificing herself on the altar of empathy with a creature inveigling its parasitical life form into her host womb to kill her body and brain, which is what men have done after removing her penis and blinding her.
The 21st century war between Christians and Moslems that began in Yugoslavia, but spread to places as remote as Sudan, where the black West African Moslems engaged in civil war in the Sudanese province of Dharfur with the ruling Arabian Moslems, suggested that `woman`s seed` weren`t defeated. The 2011 overthrow of dictatorships in the Middle East was known as `the Arab Spring`, when Ben Ali of Tunisia, Mubarak of Egypt, and Colonel Gaddafi of Libya, lost their positions in the wake of the second Gulf war (2003) to depose Saddam Hussein, after the first (1990-1) to remove his invading Iraq army from Kuwait. Saddam Hussein had been vilified by the region for using poison gas against the Kurds in Kurdistan to prevent Kurdish independence from Iraq. Because Saladin was a Kurd, there was an obvious correspondence between Christianity`s Adam and Iraq`s Saddam, the Kurds` Saladin and Chinese Aladdin who had a genie`s magic. Although Saladin was the military genius that supported the Abbasid caliphate and defeated the Christians at the battle of Hatin to restore Jerusalem to Islam in 1187, Saudi Arabia`s Laden wasn`t Chinese and was infamous for being the leader of the terrorist group, Al Qaeda, that had begun the second Gulf war when hijacking planes to crash them into the Twin Towers of the World Trade Center on September 11, 2001.
The US army described Iraq insurgents as Ali Babas, because of the story `Ali Baba And The Forty Thieves` that takes place in Saddam`s capital city, Baghdad, according to the collection of folktales, 1001 Nights, which also contains the story of Chinese Aladdin and his genie`s magic. The framing narrative of the 8th century story collection, 1001 Nights, is Shah Jehan`s, the Indian Emperor, who built the Taj Mahal, that is, the tomb of his wife, Mahal, after he`d accused her of being unfaithful to him with his brother and beheading her, according to the tales, which are narrated by Scheherezade, a woman who saves the other women of the land by relating her tales to the Shah and so keeps him attentive to her, rather than marrying a new wife each day and beheading her that same evening, as had become his custom before Scheherezade began telling the stories that resulted in his marrying her. Scheherezade`s story of Shah Jehan, which forms the framing tale for the collection of her stories, explains what men do, which is behead women, that is, women without penis` semen of their own can`t sexually reproduce their own brains` powers. Consequently, Scheherezade`s a woman, because she has brains enough to deal with the monster. In Iraq the US army called the Iraqi insurgents Ali Baba, although the character from Scheherezade`s tale was the uncoverer of a thieves` den, rather than a thief himself, and the thieves tried to kill him, because he knew where they kept their treasure; inside a cave which magically opened at the words:
It would only make sense for the US army to call the Iraqi insurgents Ali Babas if they thought of themselves as thieves. `The Cave`, Sura 18, of the Koran is significant in Islam because it contains the story of some youths who enter into a cave and are hidden there, from unbelievers who`d kill them, by a spider spinning a web. After a few centuries, the youths awaken to find that the spider has spun monotheism in Islam and heaven upon Earth, which is the meaning of Iraq and Heinlein`s Starship Troopers, that is, arachnid. People believe that the Gulf wars were for adults, but the framing narrative is the English nursery rhyme, `Little Miss Muffet` (1805), which describes a girl frightened by a spider:
`Little Miss Muffet sat on a tuffet, eating her curds and whey, along came a spider, who sat down beside her, and frightened Miss Muffet away.`
The meaning of the thread in the yarn is that women don`t like parasites, and Iraq was a parasite on the Kurds, that is, the spider that was Saddam Hussein attempted to frighten the Kurds away, which Robert A. Heinlein`s Starship Troopers prefigures in his mobile infantry`s dropping on the `bug worlds` like 20th century paratroopers with parachutes based on arachnid means of descent, that is, Heinlein`s `boys` being `dropped` by their pilot `mothers` from `motherships` constitute a less developed form of `arachnoid`, rather than a `fascistoid` society, while Saddam`s Iraq represented a more advanced form, because invasion is parasitical arachnia, and that`s why arachnophobia is an understandable human fear. Moslems pray on carpets, which contain spider mites, and the spider mite is the model for nanos used in microchip miniaturization for mobile communications, for example, or Heinlein`s mobile infantry`s equipment in Starship Troopers, who`re delivered by `magic carpet` by their pilot `mothers` for the `drop` to combat the arachnids who`ve attacked Earth from the `bug worlds`, that is, the alien represents the natural nano of nature, which drives the human system.
In the Bible Jesus is depicted driving demons from the `human software` of a man near the city of Gadarene and the demons leave for a herd of swine, which look like spider mites, that is, nanos in microchip technology, but they are driven into water and drown, because that`s what the spirit of fascism does. Consequently, Heinlein`s purportedly `fascistoid` society in Starship Troopers is `arachnoid` and examines the problem associated with natural nano technology driving `human software`, that is, humans driven by male demons kill, while the nanos of the woman has been thwarted by men`s killing and culling of her natural form of `futanarian` woman with her own penis` semen and host womb for the sexual reproduction of human brains uncontaminated by her parasite, and so Heinlein`s `pilot` drops her `boys` on the `bug worlds` because that`s what they`re for.
The English nursery rhyme for kindergartners, `Miss Muffet`, depicts spider or nano technology, because `futanarian` woman with her own penis` semen and women without have eight limbs when engaged in sexual reproduction, which is why the arachnid analogy is applied. After the collapse of Iraq, Syria and Iraq was declared a new Islamic caliphate, ISIS, the Islamic State of Iraq and Syria, while Isis was the Egyptian goddess of Resurrection, because she gave the god, Osiris, a penis, after he was dismembered by his evil brother, Set, which means that she gave Osiris a woman`s penis, just as Jesus received his mother, the Virgin Mary`s, as a sign of human nature`s future uncontamination. Although the ISIS caliphate declared sovereignty over a huge swathe of the Earth`s territories, it`s actual purview was quite insignificant in geo-political terms, but the move caused more unrest amongst Islamic nations and peoples, which meant the male arachnid, represented by Al Qaeda`s Laden, was reasserting its sway over Chinese Aladdin`s genius for `magic carpet` construction, in terms of nursery folklore, that is, the female spirit or nanos was being ironically crushed by a political entity called ISIS, the ancient Egyptian symbol of the Resurrection of `woman`s seed`, because the male `arachnoid` nanos represents homosexuality in pederasty and war`s contagions, whereas the enslaved host wombs of the women are where the parasites hole up before emerging to prey upon the civilization, culture and are woman`s able to produce despite men`s periodic depredations in warfare against the remnants of her human `seed`.
Woman`s breasts hidden inside her brassiere are called `a rack` by men disparagingly, that is, near her rack (Iraq) is arachnea, which is (sneer) Iraq, because in Islamic marriages `futanarian` women with their own penis` semen can sexually reproduce together with their four arms and legs in `arachnoid` intercourse. Although the global conflict seemed between Christianity and Islam, it was about men`s condemning human sexual reproduction between `futanarian` women with their own penis` semen and host wombs and women with a host womb but without a penis as `arachnoid`, while Robert Heinlein`s Starship Troopers depicts what happens when human women are castrated by men in arachnophobia, that is, fear of the `arachnoid` male nanos that`s enslaved her produces misogyny, which is hatred for whatever is near Iraq, that is, Arachnea, who was the Greek goddess of weaving, because women have to conceal themselves from men`s eyes, as the Moslem women do, beneath their burkhas in public, so they don`t attract men who have arachnophobic hatred for women`s sexual reproduction between each other in Islamic marriage, which permits four wives and the possibility of `futanarian` intercourse away from the eyes of men. Because Moslem women appear in their traditionally black burkhas, as spider-like in their amorphousness, the perception of them being `arachnoid` became stronger in Christian men exposed to Islam during the Bosnian war (1990-95), for example, whereas women`s nanos, as the spider mite of nature`s secret driver within the carpet upon which Moslems pray, represents women`s desire for the nanotechnology of microminiaturization to drive her forward towards liberation, which is why Islam means `accept` and the Moslem women indicate their acceptance with the words, `if it is the will of Allah`, where `Allah` is `neither male nor female`, but women`s nanos, and they`re accepting of mother nature as their driver before the `magic carpet` of nanotechnologies on microchips takes them to their own fabled land where dreams come true.
`The Cave`, Al Kahf of the Koran, describes how youths are protected by a spider that weaves a web in front of the mouth of the cave and the youths awake centuries later to find Islam and monotheism has been built while they slept and were protected from prying eyes by the web the spider wove, because Islam is what the burkha clad women of Islam would produce from their wombs without interference from youths. Consequently, it`s a love story because `futanarian` women don`t need men at all, which is why Jesus` birth meant Redemption for `woman`s seed`, as it constituted an Islamic path of `acceptance` away from the `serpent`s seed` of men, who sought to maintain slavery and homosexuality in pederasty`s wars against humanity. In the Koran Jesus isn`t crucified but has Ascension to heaven, because Islam accepts the path of `woman`s seed`, without the illustration Christianity needs to understand her Resurrection. Robert Heinlein`s Starship Troopers portrays her fate as `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth,` (Rev: 17. 5) because warfare is what Hollywood, Babylon planned for its `TV` population to be shown when it banned the `woman`s seed` of Jesus from appearing on anything more than the cutting room floor of their editors` devourings of her in male brained egotism`s desire to extinguish woman`s human race before it can grow a foot too high for the pygmy producers.
`The Cave`, Sura 18 of the Koran, is the darkness of the night sky with its planets and stars invisible to the eye as the Earth rotates into the light of the sun star during what we call daytime, which means that women are the spiders at the mouth of the cave weaving their illusion for men with arachnophobia in order to prevent their `futanarian` species of `woman`s seed` from being exterminated by the parasites of the `serpent`s seed` of men. During the Gulf conflicts the US army described insurgents as Ali Baba because they were the equivalent of the youths hidden beneath the cave-like exterior of the spider-like women in their burkhas. In the story, `Ali Baba And The Forty Thieves`, the thieves hide in forty jars to kill Ali Baba, because that`s what demonic men`s nanos does. Consequently, the US army`s description of good Arabian men as `Ali Babas` represents the fear of demonic nanos concealed beneath an outward appearance, which is even more heightened by the women`s appearing like spiders in front of their caves.
Iraq, `know phobia`, is the psychological meaning of Islam for the West, that is, the Islamic religion of the Moslems is comprehensible, but it isn`t Western because it accepts human sexual reproduction, and that`s a difficult pill to swallow for Western democracy, where votes for women mean 50% and a share, while votes for women in Arabia mean 80% in a fourfold marriage with a full complement of women and ascending democratically higher if the women sexually reproduce with each other as `futanarian` humanity. Men of the West experience arachnophobia amongst Moslems, because women take the appearance of spiders and caves. Monogamy defines human relationships without women who have penis` semen and host wombs of their own as the human species, whereas Moslem polygamy is human but Christianity prefers its slave rings and crushing the spider of woman`s sexual reproduction. The West thinks itself democratic, but half of nothing is still nothing for women denied their own mode of sexual reproduction with each other, and Moslem societies remain fearful of giving women suffrage because 100% of everything as the human reproductive system is what women have and so Middle Eastern despotism isn`t so different from democracy as the West would have its women of Islam accept.
Robert A. Heinlein`s Starship Troopers is what happens when men leave Earth and are let into the cave, because they see spiders everywhere, which is why the Moslem youths in `The Cave`, Al Kahf, are depicted as grateful and accepting of Islam and monotheism, while the thieves in the `Ali Baba And The Forty Thieves` tale from Scheherezade`s 1001 Nights hidden in their cave and their jars waiting to emerge with their depredations and their murders represent the spirit of the unbeliever who sees women as spiders in front of the cave of the planets and stars of heaven where there are more arachnids to kill, because it`s a woman up there and she constitutes a threat to democratic traditions of universal freedom and liberty.
The ancient religion of Egypt describes `canoptic jars` containing organs removed from the body of a Pharaoh, which is the term the Egyptians used for their dynastical rulers, while `sheol` in Judaic tradition is `the place of broken pots`, because Resurrection isn`t possible for the former occupants of those vessels, although in ancient Egypt the bodily organs of the Pharaohs were preserved in canoptic jars preparatory to Resurrection in the afterlife. In Egyptian the `Ka` and `Ba` were spirit and soul, which is reflected in the `Ka` Ba` of the Moslems in Mecca, which is the temple of Abraham who was promised by God that his descendants would be as numberless as the grains of sand in the deserts and the stars in the heavens, because of the sexual desire of the woman`s `Ka`, trapped in the body of men, for her own `Ba` soul, represented by the absent `futanarian` woman with her penis` semen, killed and culled into near extinction by men, and the woman still sexually desirable to the penis` semen of the parasite that has possessed her by inveigling itself into her host womb as men have. According to the Egyptians, `Ka` and `Ba` are conjoined as `Akh` after death, that is, women become whole, so Arabian women in their burkhas resemble canoptic jars, because it`s where their living bodies prepare for Resurrection, as Jesus taught, and so `canoptic` for them means that, although their eyes have been opened, their jars remain intact and unbroken:
` … blessed are your eyes because they see, and your ears because they hear.` (Matt: 13. 16)
According to the developmental psychologist, Carl Gustav Jung (1875-1961), there are functions of consciousness associated with the eyes, ears, mouth and nose, that is, `Sensation, Thinking, Feeling, and Intuition`, which in Islam correspond to the `hand` directed by the individual at the center of the marriage with four wives, and corresponding to what Jung calls an archetype of human development existing preformed within the human psyche and emergent in Islam to impel human progress as an aspect of woman`s socio-economically independent nanos. In Egyptian tombs of the Pharaohs, canoptic jars are fourfold, because they represent the four functions of consciousness as the wives of the Pharaoh to be directed by her after Resurrection, when the `futanarian` woman`s `Akh`, or `magical personality`, appears after `Ka`, that is, her spirit, and her soul or `Ba`, are conjoined after death.
In Jungian psychology the spider is a symbol of the supraordinate `Self` because it represents woman`s nanos driving her on as an impulse from what Jung calls the collective unconscious that contains images and symbols that appear in dreams, art and the imagination to impel the human species onwards. Just as the canoptic jars are vessels, so the `motherships` of Heinlein`s Starship Troopers are vessels with the same function; to deliver humans. Consequently, the spider is an archetype of the `Self` as her nanos concerned to deliver humans from evil, which might seem paradoxical but so is mother nature. Starship Troopers is a metaphor for arachnophobia towards women and what women do to direct men`s attention away from them, because men have created woman in their own image as a male brained `TV` killing itself for its programers. Television series like Star Trek (1965-) appear dissimilar but the principle is of women who can`t escape from their prison, although the illusion is maintained to trap the uneducated in slavery.
Actress Nichelle Nicholls was the black actress who had the role of communications` officer, Lieutenant Uhura, on the bridge of the starship Enterprise in Star Trek, which was perceived as liberating by black women in the United States of America, where slavery of black Africans had been institutionalized before the Civil War (1861-5) to manumit them from forced labor in the cotton industry of the South. But Hollywood, Babylon`s `Hays code` (1930-67) prevented women from raising their foot from the floor in bedroom scenes as an analogy of their subjugation as the species of `futanarian` humanity capable of sexually reproducing her own brainpower from her own penis` semen and host wombs to construct her own spaceships to escape from her enslaver, which means that the supposedly liberated women of Star Trek foster a slavers` illusion with the aim of maintaining human women in ignorance and host womb slavery in parasitism that has as its culmination such scenes as Heinlein extrapolates in `arachnoid` Starship Troopers, where `pilot` mothers `drop` their `boys` from `motherships` as far away from Earth as possible to avoid being exterminated by a fully developed male at the height of its power in more Iraq-annoyed-fascism.
1 Heinlein, Robert A. Starship Troopers, G. P. Putnam`s Sons, 1959, Ch. XII.
2 Heinlein, Robert A. `- All You Zombies -`, 11 June, 1958.
3 Garland, Judy `Over The Rainbow` The Wonderful Wizard Of Oz, Metro-Goldwyn-Mayer, August 15, 1939.