Women Aren’t The Anime
Women Aren’t The Anime
The argument over the distinction between spirit and soul has gone on for at least as long as the terms. Although many people use the terminology indiscriminately as interchangeable meanings that denote individual consciousness, for misogyny the terms are used to define women particularly as enemies as well as animals. The confusion arises from an understanding of the work of the developmental psychologist, Carl Gustav Jung (1875-1961), a disciple of Sigmund Freud (1856-1939) at the Vienna school of psychology in Austria, who descried what he termed a Superego of collective conditioning which repressed the individual psyche to create an ‘id’ that contained all of the repressed elements of the mind unconsciously seeking expression as a caged monster. Jung, however, argued that the psyche was developmental and that there were archetypes within the collective consciousness that sought to help the mind of the individual through dreams, art and the imagination to develop and transform the id, which was largely an instinctual response to repressive conditioning, into a usable source of developmental psychic content that Jung called the shadow. However, as Jung descried, the collective shadow is evil, because it’s the totalitarian expression of the monster, for example, the German zeitgeist, or ‘spirit of the age’, in 1933 elected the National Socialist (Nazi) Party of leader, Adolf Hitler, who became a dictator and invaded Poland, dividing that independent nation with Russia, to begin the Second World War (1939-45), which saw the Nazis build ‘death camps’ throughout Europe, during their period of attempting to enslave the Earth, and after their first attempt, which also ended in failure, the First World War of 1914-18, 6, 000, 000 Jews were exterminated as the enemy.
In Japan after WWII, which had been ended in the Pacific theater by the United States of America’s dropping the atomic bomb on two Japanese cities, Hiroshima and Nagasaki, on August 6th and 9th, 1945, respectively, the Japanese, who’d been the fascist allies of the Nazis, along with the Italians, led by their dictator, Benito Mussolini, who’d been in power in Rome since 1922, responded to the zeitgeist in two distinct and interesting ways. In Japanese culture, ‘foot-binding’ is a practice whereby women are crippled to prevent their being able to escape, while futanarian manga,1 that is, graphic novels, or comic books, featuring what the Japanese call anime cartoons, for example, artist-author Hiroshi Aro’s Futaba-kun Change (1993-97), depicted women as a hermaphroditic species with penis’ semen of their own for the sexual reproduction of their own brains’ powers as a race independent of men. Although that’s understood by the west as fantasy, Jesus ‘Christ’, ‘the chosen’, who was the founder of the religion of Christianity, was born from his mother, the Virgin Mary, depicted in Christian iconography as crushing the head of the serpent with her foot, because Jesus is the foot of women, who’re futanarian, that is, the Japanese anime cartoons of futa being tortured by men are an aspect of Japanese foot-binding, to prevent women from fighting back. Jesus, for example, was betrayed by his disciple, Judas, who told the Jewish Pharisees, that is, the religious police, Jesus had been with a woman, who’d been perfuming him with spikenard. Judas’ spy canard was that the perfume hadn’t been sold to raise money for Jesus’ disciples, that is, the woman wasn’t their slave, which is what women are as the host womb slaves of the parasite upon their species, ‘Leave her alone.’ (Mk: 14. 6) Jesus’ gentle admonishment resulted in Judas’ treachery and the Romans, who were then occupying Jewish Palestine, during the reign of the Emperor Tiberius Caesar Augustus (14-37 C.E.), took Jesus to the hill of Calvary outside the city of Jerusalem and nailed him to a cross of wood where he died, but experienced Resurrection and Ascension to heaven in prefiguration of that of women’s seed.
Jesus’ mother, the Virgin Mary, isn’t depicted crushing the head of the serpent entirely metaphorically, because the creator, God, in the Old Testament of the Christian Bible, which is the Talmud and Torah, that is, the history and law of the Jews, and which is believed by Christians to be superseded by the teaching of Jesus in the New Testament, turns the angel, Satan, into a serpent for rejecting God’s plan that the human host be greater than the angelic. Placed in the paradise of Eden, Satan gives the woman, Eve, ‘the fruit of the tree of the knowledge of good and evil’, which it is death to taste, saying ‘You shall be as gods.’ (Gen: 3. 5) Expelling Eve, and the first man, Adam, from Eden God tells Eve her ‘seed’ will prevail, ‘You shall crush the head of the serpent with your foot, but he will bruise your heel.’ (Gen: 3. 15) The futanarian seed of women will produce better brainpower to develop medical science and re-confer immortality, which is the meaning of Japanese futa, that is, the hermaphroditic women in the Hentai manga cartoons are tortured as a punishment for seeking to be independent of men’s evil spirit of host womb slavery in parasitism against them, as Jesus’ disciple John descried in his apocalyptic vision of the future, Revelation, ‘The dragon stood before the woman who was about to give birth so that it might devour her child the moment it was born.’ (Rev: 12. 4) John describes how the parasite of misogyny grows, ‘The dragon was wroth with the woman and went to make war on the remnant of her seed.’ (Gen: 12. 17)
From a Japanese perspective Revelation reads like a Hentai (perversion) manga cartoon, ‘Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.’ (Rev: 16. 11) What they’d done was adopt a homosexual perspective in order to supplement their misogynist point of view, for example, in ancient Greece women’s host wombs were enslaved in homosexuality and pederasty for war (499-49 B.C.) against the Persian Empire of Darius, while the Greek poet, Homer, in his Iliad (760-10 B.C.), described how the Greeks deployed a huge hollow wooden horse outside the city of Troy in Asia Minor. When the unsuspecting Trojans took the horse inside, the Greeks emerged to capture the city and rape the women. In the late 20th century the ‘bad machine code’ devised by computer programmers to damage computer systems were known as Trojan viruses, because war is how homosexuality transmits. The homosexual virus of the 20th century, which was the ‘Trojan’ paradigm, was a mutation of the simian immune deficiency virus (SIV) discovered by Africa’s DR Congo being transmitted by homosexuals impaling each other’s anuses on their penises. The resultant human immune deficiency virus (HIV) caused acquired immune deficiency syndrome, collapse of the organs of the body and brain death, which was homosexuality’s ‘biological weapon’ launched on behalf of misogyny’s hatred for women, who’re the human species on the planet Earth enslaved by the alien that wars on them.
Just as the Nazis defined the Jews as the enemy and animals, the Japanese described omen as their anime. Whereas women and animals had souls,2 for example, as suggested in the magazine Young Animal Arashi (2000-18), so they corresponded to what Carl Jung had termed the feminine spirit of creation, which in the Old Testament of the Bible is represented as the ‘feminine spirit of God ‘, ‘the Shekinah’ (Ex: 40. 34-38), who dwelt in the tent of the tabernacle during the Jews’ exodus from slavery to the Egyptian Pharaoh Thutmose III (1479-1425 B.C.), men had spirits, which corresponded to the collective shadow of Jungian psychology that he termed ‘absolute evil’, because it was the zeitgeist of Nazism. However, Jung’s researches determined that the soul of a man was contrasexual, that is, the anima corresponded to the Shekinah, that is, ‘the feminine spirit of God’, while in women, according to Jung, the male contrasexual component was the animus, which was an archetype characterized as a crowd of male admirers. Unfortunately, Jung hadn’t discerned the truth, which was that women were humans, so the anima was an aspect of their sexual desire for each other, which he identified as the ‘spiritualized anima’, so Jesus and Mary represented the Judaic equivalent of the Greek Kore of women and women’s seed, as in the myth of the Earth mother, Cybele, and her daughter Persephone’s sojourning vegetatively in the underworld before emerging spiritually in the spring, for example, while the collectivity of the male animus surrounding a woman was the butcher of homosexuality and misogyny, manifested in Nazism as its pogrom against the Jews, who were dehumanized to the point at which they were anime souls, that is, enemy animals.
The distinction for the collective spirit that is men is between their zeitgeist and souls perceived as anime, that is, enemy, which was the basis of the ‘ethnic cleansing’ ideology seizing the world after the break-up of Russia’s former Soviet Union in control of Eastern Europe since the defeat of Nazism. When Russia, which since Lenin’s October revolution of 1917, against the autocratic rule of Tsar Nicholas II, losing against Germany in WWI, had adopted the ideological perspective of communist centralized collective control from the German economist Karl Marx’s Das Kapital (1868), began ceding independence to those states it’d occupied since WWII, subsequent to the defeat of German ambitions after its ill conceived invasion of Russia in 1941, antipathies between Christian and Moslem communities, for example, led to the Bosnian war (1992-95) in the former super state, Yugoslavia, where Christian Serb militia set up rape camps to ‘Christianize’ upwards of 70, 000 Moslem women, pogroms against communities determined as racially impure were common. Arab Moslems governing Sudan implemented a pogrom against black East African Moslems in the Darfur region from 2003, for example, which helped the world to realize that the collective definition of the ‘other’ as the soul of the anime/enemy was simply a device of Satanism, that is, host womb enslavement of women in order to maintain the slavery of the alien making war upon them.
In simple terms, Japan’s cartoon ideology of futa and anime, as disseminated by Saki Chisuzu and the I-Raf-you doujinshi group of artists, depicted women as the enemy having animal souls,3 who weren’t the collective zeitgeist of the ethnic cleanser, which was what men as the alien parasite invading women’s bodies to enslave the human host womb and ensure the future of their war against the Earth promulgated as an aspect of the homosexuality and misogyny they’d espoused in hatred of women’s seed. Manufacturing the human race as a single male brained creature wearing each other’s clothes in TV transvestism to entertain itself with war upon the Earth against women was what the alien parasite was transmitting as its virus of hell. Just as Iraq had been an ally of Nazism during WWII, and the United States had invaded there in 2003 to depose dictator Saddam Hussein for supporting the extremist Islamic terror group, Al Qaeda, ‘the base’, led by Saudi Arabian business heir, Osama Ben Laden, and operating out of Afghanistan under the auspices of the notoriously misogynist Taliban regime there on September 11th, 2001, when civil airliners were hijacked at Boston Logan airport, Massachusetts, to crash into the Twin Towers of the World Trade Center on Manhattan island, New York city, and into a wall of the Pentagon Defense Department building in Arlington, Virginia state, so Japan’s anime program resembled the vestiges of Nazism’s racist ideological perspective turned directly upon women as the anime/enemy.
Although the late Prince Philip (d. 2021) of England was heavily criticized for commenting on the looks of the peoples of the Orient as ‘slitty eyed’,5 manga anime artists’ depicting of women with big round eyes, like those of the women of the Occident, his perception that the differences mattered was essentially accurate, as representing western women as the enemy is what 21st century fascism does. The fiction that round-eyed women are more attractive to Oriental men is just that. In much of the Hentai produced by Japanese artists, for example, western looking women are humiliated and tortured, because that’s what Orientals want to do. Portraying women with big round eyes, like babies, big breasts, and huge inflated penises, being shamed and mutilated, is symptomatic of the psychotic disengaged conscience of the callous adult embracing infantilism to avoid having to be responsible for their lack of humanity.
1 Aro, Hiroshi Futaba-kun Change, ふたば君チェンジ, Shōnen Jump, Shueisha, December 1990-1993, and Shōnen Jump Original, 1993-March 1997.
2 Nakamura, Katsuaki (Katsu Aki) Futari Ecche in Young Animal Arashi, Japanese: ヤングアニマル嵐, Hakusensha, Chiyoda, Tokyo, 2000-2018.
3 Chisuzu, Saki (transl. Fated Circle) Microne Magazine, I-Raf-you, Vol. 24, Winter, 2014, 51 pp, https://cin.guru/g/278192 .
4 Johnson, Rebecca Rose (Bekuh Boom), and ‘Teddy’ Park ‘Kill This Love’, Blackpink, Kill This Love, YG, 2019.
5 Anon. ‘Prince Philip defends 'slitty-eyed' gaffe, The New Indian Express, May 30th, 2011, 1.03 pm, https://www.newindianexpress.com/world/2011/may/30/prince-philip-defends-slitty-eyed-gaffe-257982.html .