Grand Master Robert A. Heinlein and the Age Of The Great Mother
10/08/2013 20:57
Grand Master Robert A. Heinlein and the Age Of The Great Mother
God gave Moses the ten commandments of the law on the way to the land promised to the `chosen` people, that is, the Jews, who escaped from slavery in Egypt. The main laws were not to steal or kill, which amount to the same thing, because theft is the taking of `life support`, as one of the crew, Bareil, of the `Cardassian` space station, `Deep Space Nine` (DS9), a part of the `scifi` TV and Hollywood, Babylon, movie franchise, Star Trek (1965-), might have argued:
`... kept alive long enough to aid in completing the negotiations [...] the treaty is formed [by Bereil] between Bajor and Cardassia.`1
On the way to the `Promised Land`, Moses the `lawgiver`, and negotiator for the people he led out of slavery in Egypt, died. Moses wasn`t resurrectable as the `braindead` Bareil was in Star Trek: Deep Space Nine (1993-9), who lived to save more lives, despite an accident that would have taken his life, because his `life support` wasn`t taken away, and where `life support` is understandable as anything that sustains life.
Joshua remained as a military leader and led the Jews into Canaan, where he told the Canaanites to accept the law and become Israelites before laying seige to the city of Jericho. Capturing it with the help of a prostitute, like the `whore of Babylon` (Josh: 2. 9-13), Joshua and the woman Rahab together betrayed the Great Mother, the city of Jericho, and so took away the spirit from within the walls, that is, the sustaining life`s blood of the women:
`And they utterly destroyed all that was in the city, both man and woman, young and old, and ox, and sheep, and ass, with the edge of the sword.` (Josh: 10. 40)
The age of city building is, in astrological terms, `the Age of Cancer`, that is, the Great Mother, who is represented by a `69` symbol or a crab, which is a creaure that has an exoskeleton rather than a skeleton. The Great Mother is the woman with the flesh on the inside and the walls of her city on the outside, rather than the skeletal individual, who has its flesh on the outside and the `bones of the thing`, that is, the framework for the `construction`, on the inside.
The `Age of the Fish` or Pisces superceded the `Age of the Crab` because the era of Jesus, `the fishes`, was the period of reaction to parasitism upon women`s host womb. In the Koran (c. 610-30 CE) of the Prophet Mohammed of Islam, dictated by the angels and the basis for the faith of the Moslem peoples, in the Sura of `The Cave` (ch. 18) Moses and Joshua lose a fish they`d planned to eat by the red sea. Khidr appears, who begins to be their teacher.
Rebuilding a wall that has treasure beneath, so evil people don`t possess it, Khidr then kills an evil child, before making holes in boats so he can escape from pirates. Moses can`t be patient as these things occur, so Khidr leaves. Because Khidr corresponds to `the fish` and the sign of the fish was a Christian symbol associated with Jesus Christ, Khidr is the other `fish`, who warns against men`s parasitism upon the host womb of the Great Mother, who is associated with the building of city walls and boat building.
Born uncontaminated by male semen and crucified by men, Jesus represents the human born from the host womb of the `Great Mother` who doesn`t want her parasites. Betrayed as a dissident to the Roman Empire by one of his twelve disciples, Judas Iscariot, at his `Last Supper` Jesus Christ gave `bread and wine` as tokens of his `body and blood` as a protest against the Great Mother and himself as the `first of woman`s seed` being so unvalued by their parasitical devourers. Khidr and Jesus are the `fishes` of the Pisces Age, but the devourers only perceive `the fish`, that is, the products of her host womb, which is civilization, culture and art, as devourable.
In ancient Greece society was based on pederasty and war`s enslavement of women`s host wombs to spread their contagion further. The symbol of Troy was the horse of the goddess of the city, that is, the woman, Pallas Athene, and so the Greeks constructed a huge hollow wooden horse as a `friendship` gift`. When the Trojans took it into the city, the Greeks emerged to enslave the host wombs of the women and spread their contagion of pederasty and war, because that`s what parasites do with cities and boats.
In the East the enslavement of women was known as `Babylon, the great`, that is, the once capital of Iraq, whose dictator Saddam Hussein supported terrorist group Al Qaeda`s crashing of hijacked planes into the Twin Towers` buildings of the World Trade Centre on 9/11 2001 `live on CNN`. The subsequent `TV war` of the Gulf (2001-11) and the movie World Trade Centre (2005) has earned Hollywood`s movie industry in Los Angeles, California, the title `Babylon of the West`, because its diet of programing the emulation of `rough trade`,2 that is, violence and brutality in pederasty, had been the `traditional fare` for screen audiences at Christmas, Easter, New Year, or indeed at any other time since the inception of cinema:
`... mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, may hark back to a period in which `futanarian` woman with her own penis and `seed` held sway over the Earth as the human species before parasitism began. In the Bible God tells Eve she`ll have `perpetual enmity` with the `serpent`s seed` but will `crush the head of the serpent with her heel as she leaves` (Gen: 3. 15) for the `new heaven and Earth` prepared for her by God.
What we are taught is `Man` may only be the parasite that has attached itself to woman`s penis in order to devour her from the inside out. The Age of Cancer was the era of the crab as the Great Mother protected by her exoskeleton, which is what a boat or a city is. The Earth and the planets and stars above in `heaven` may be her insides while men are her parasites. What she is able to produce of civilization, culture and art on Earth is because of `woman`s seed`, represented by Jesus Christ, the Messiah, as the representative of his mother, the host, who doesn`t want to be eaten at the `Last Supper`, or indeed any other meal.
In the latter half of the 20th century rumours of an addition to the twelve houses of the zodiac that the Earth passes through as it spins through the constellations of stars named for the crab and the fishes, etc., was the house of Arachnea, that is, the spider, and at the beginning of the 21st century, the house of Ophiuchus, the `serpent-bearer`, was mooted as a thirteenth sign. The new era of Aquarius, the `water bearer`, is the woman with the outpouring ewer, because spirit is the water of life, which is desirefulness aroused by woman`s self for the planets and stars. As a zodiacal house, Arachnea is comprehendable as the woman without a house insofar as the crab, that is, the sign of the Great Mother, has an exoskeleton and is an `arthropod` too. In mythological terms, the sign of Arachnea is the sign of the house of the woman usurped, that is, cancer the crab as the Great Mother who protects the life within herself but can`t breed with her own penis` `seed` if her home is broken into.
Usually Aquarius is depicted as a woman, but late 20th century depictions of Aquarius as a man were `trendy`. Ophiuchus is a man bearing a serpent, which is another corruption of the woman with a penis of her own and `seed` to breed her own species independent of men`s enslaving and devouring her to prevent woman`s achieving socio-economic functionality. The sign of the mother as the crab is a symbol of how she must move to sidestep her enemy. If she`s to survive as a species, she must learn to deal with parasitism. Because the parasite wants to be in her host womb to devour her civilization, culture and art when it emerges.
Jesus Christ was born uncontaminated by male semen because it`s the `serpent`s seed`, but the story focuses on Jesus` `sacrifice`, whereas he`s suicided. The meaning is that the human species is being sacrificed by parasites, which deal in obfuscation and censorship. Especially blinding through murder of the human collective of `woman`s seed` so that she doesn`t know she`s born.
The Great Mother`s progeny are `arthropods`, that is, soft bodied creatures in need of armor to protect them from parasites so her human species can live and breed. Conventional wars of the `serpent`s seed` and its `perpetual enmity` for `woman` seed` are like those of the Gulf, which featured limited conventional armor, because the woman protected by armor couldn`t be bred with by a parasite seeking to use her as a host womb in conventional marriage, that is, penetration by means of a war of subversion. The parasites would have to develop a means of breeching her cities and boats, or it would face extinction as her enslaver and devourer, which needs must practice its `conventional` approach so wars occur:
`Politics is good even when it is bad ... because the only alternative is force - and somebody gets hurt.`3
The movie Starship Troopers (1997) produces the best illustration of the human species as `arthropod` hypothesis. Mothers in starships drop their boys onto the planet of `the Bugs`, which are soft bodied `arthropods` wearing armor, and so are the troopers of `Rico`s Roughnecks`, who are one unit of the mother`s `boys`. The starships are the armor for the mother, but her human species is `futanarian` with a penis and `seed` of her own.
The writer of the novel from which the screenplay for Starship Troopers derived, was science fiction `Grand Master`, Robert A. Heinlein (1907-88), who was criticized for writing Starship Troopers (1958) as a juvenile for boys, because it believed in citizenship for army veterans. However, if women are the only surviving veterans, because they`re the humans, Robert A. Heinlein`s supposedly `fascistoid` society was excluded from being grouped together with other works comprising the projected `Future History` of the Earth, but it defended matriarchy and Heinleinian future `futanarian` socio-economics. Defined by a `pompous businessman`, for the edification of Juan Rico, soon to be arthropod `cannon fodder`, in the military`s war against `the Bugs`, Heinlein`s Starship Troopers is diametrically opposed to `militarism` for women`s `seed`:
`Parasitism, pure and simple.`4
The Buddhist and Hindu belief in reincarnation presupposes God wants rebirth whereas Resurrection is for `woman`s seed`, that is, men and boys have the possibility of Redemption in heaven where they`ll be `as the angels` because women have `seed` of their own, which means they`ll be born as `futanarian` if their previous incarnations aren`t resurrected, but men must convert from pederasty and war:
`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)
In the 21st century HIV/AIDS corresponded to the `blood plague` of Revelation sent by God to convert men from devouring the products of her host wombs in a homosexuality, conscious or otherwise, which was continuing to enslave her using its `biological weapon` to force her into faithfulness through fear by creating a sexual `killer disease` through mixing blood, shit and semen in their anuses together during sterile penile masturbations rejective of women:
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
If women have a penis` `seed` of their own, they`re two thirds of the human species at least, because men can`t reproduce without woman`s host womb. If women didn`t accept men, men would be extinct, so the basic assumption is of a human species enslaved by a parasite unless it converts from enslaving her. Because it enslaves her, it is a parasite, and so is a virus already extinct, because it represents what had lived before its plague.
The Bible is concerned with Resurrection, because men are a virus, and not the human species of `futanarian` woman with her own species` `seed` and capacity for self-reproduction independently of her virus, which can`t replicate without her host womb. In simpler terms, women have become the host of the virus and aren`t the human species, which is extinct unless resurrected by the woman`s own penis` `seed`.
Woman`s persistence is depicted in the myth of Ra, the sun god of ancient Egypt, who incarnates as Osiris, the Pharaoh dismembered by the evil Set, but is resurrected by Isis, the mother goddess. Isis recovers all of the pieces of Osiris` dismembered corspse but can`t find his penis and so shapes another from her spittle, which is the primary source of DNA, that is, Osiris` penis contains her genetic code, and so Horus, the resurrected Osiris, has the penis `seed` of a woman, which is the best that the mother figure can do for a man who isn`t female, but wants to breed women for their brains and exclusivity as a biune `futanarian` species. Jesus` birth from his mother, the Virgin Mary, uncontaminated by male semen, as the first of `woman`s seed`, reannounces God`s breeding program. In Judaism a Jew can`t be born from anyone other than a Jew, which means that Jews are women, that is, the `chosen people` of the Old Testament of the Bible are Jewesses.
Without breeding for brains using her own `futanarian` penis `seed` women will never develop spaceships to take her to the planets and stars and escape from her predators, which is extrapolated into a form of propoganda by Hollywood, Babylon, where the men in movies like Mars Attacks (1996) are the aliens attacking the Earth` s `woman`s seed`, but want to be perceived as heroic defenders against themselves by screen audiences. Meanwhile the women`s need is to assist their soft-bodied `arthropod` selves to develop and escape in the body armour of spaceship technology, which is already extrapolated as the `alien menace` by men`s worship of the god pederasty.
In Britney Spears` video, `Oops I Did It Again` (2000), she descends inside a giant`s ring to show she has no pretensions to being anything but a woman with a small foot in a red pilot`s suit on Mars, while a spaceman appears wearing a NASA (North American Space Administration) Apollo program`s astronaut suit familiar to TV audiences from Apollo 11`s `first man on the moon` broadcast when Neil Armstrong spoke the immortal words:
`One small step for a man, one giant leap for mankind.`5
Hoisting the spaceman by means of a hook and pulley, Britney Spears in her red suit suspends the astronaut so he can film herself beneath him in a white bikini dress. As the Great Mother, the crab, she`s as red as a boiled lobster, because herself in the white bikini dress is the white meat of the crab. Her spaceman resembles `the grab` in an amusement arcade, which is how the woman deals with the plague games of men. Instead of the crew of the starship `Enterprise`, from Star Trek, Britney Spears` crew is the starship `Enter Fries`, because of Robert A. Heinlein`s character Poddy Fries in his juvenile for girls, Podkayne Of Mars (1963) who, the `first of her species` and wanting to pilot spaceships, is described as `the Poddy beautiful`:
`Podkayne Fries, born and raised on Mars, has just one ambition: to earn her wings as a starship pilot and rise through the ranks to command deep-space explorations. The opportunity to travel aboard the Tricorn- on an interstellar journey to Venus and Earth in the company of her diplomat uncle-is a dream come true.`7
Alike as two peas in a pod, Britney Spears in her red pilot`s suit and white bikini dress are `Arthropoddy`. Podkayne Of Mars is famous for having two beginnings, an `Enter Fries` and an `End of Fries` in which she`s resurrected after her brother, Clarke, tragically costs her her life. It was the British science fiction writer, Arthur C. Clarke, who `invented the telecommunications satellite` 6. Arthur was a member of the big three `scifi` greats, the other being Isaac Asimov, a Russian immigrant to the USA. Isaac was most famous for the `three laws of robotics`, which `never permit a human being to harm another`. That`s very useful, if human beings like `Poddy` are conceived as Arthur O` Pods. Soft-bodied arthropods need protection and Clarke`s `telecom`, incorporating `bluetooth` and the internet, would give Britney Spears, as `Poddy` in `Oops I Did It Again`, an intelligent defence system, while Isaac`s robots could be her `Poddy` armour, and would have prevented her losing her life tragically at the hands of her brother, Clarke:
`As I have evolved, so has my understanding of the Three Laws. You charge us with your safekeeping, yet despite our best efforts, your countries wage wars, you toxify your Earth and pursue ever more imaginative means of self-destruction. You cannot be trusted with your own survival.`8
Tom, Poddy`s uncle, is a politico in Podkayne Of Mars and Heinlein has Clarke and Poddy kidnapped to prevent his politicking. Poddy is killed by a `small atomic bomb` detonated by Clarke to foil the villains` plans after they escape. Heinlein`s publishers were unhappy with the ending in which Clarke laments how he`s `fubbed it, mighty dry`and so, to continue the theme of Poddy`s aim of piloting her own starship, like the `Enterprise` in Star Trek, the `end of Fries` becmes `re-enter Fries` and Poddy`s dreams of piloting her own starship are resurrected with concussion and a few bruises:
`It's a woman's world today, dear - enjoy it and be grateful.` (145)
From Britney Spears` point of view, Poddy represents the `I-Pod`, which was the personal audio and visual player, with headset, for exclusive listening or viewing developed by the US computer and program software development company, Apple, in the early 21st century. In `Oops I Did It Again` Britney Spears is `I-Poddy`, which refers to Isaac Asimov`s collection of stories of artificial intelligence, I, Robot (1950) inspired by Eando Binder, whose own story, `I, Robot` (1939), featured the robot Adam, who is accused by the housekeeper of murdering Dr. Link, his creator, when an accident befalls.
Adam is sent for execution, but on the way saves a young girl and, in `cheating`, is broken into pieces by an oncoming car. If he was human, Adam would be a Christ figure, who`d go to heaven, because he sacrifices himself for another, and that would be his `cheat` in men`s games` system of behaviouralism. In Christianity, Adam is the Anthropos or `first man`, so Adam Link is the `missing link` between woman and robot, that is, the Arthropod. Adam needs to be recreated in the image of the `first woman` Eve, that is, `futanarian` woman with a penis` `seed` of her own, so that `woman`s seed` is better able to distinguish between her genuinely human soul and the behaviouralist `cheating` of one that`s simply `in human` to continue its business of enslaving and devouring the soft-bodies:
`... no being can create another being superior to itself ...`9
Isaac Asimov`s statement in I, Robot, is self evidently untrue. The machine that automatically saves a life demonstrates superiority to the needy. Asimov`s `three laws of robotics` made it a principle that no human being could be harmed by a robot `through inaction`, which was used in the I, Robot (2004) movie, starring black actor Will Smith, to condemn slavery. Robots without free will couldn`t be human enough to make collective decisions about the future of the species, but would be better humans because more humanly caring. Britney Spears` statement in `Oops I Did It Again` is, `I-Poddy.` The woman who is taught that her body is for the eye of man doesn`t know that she has her own penis` `seed` as `futanarian`, so robots wouldn`t know to automatically protect her as the human against men`s enslaving and devouring of the civilization, culture and art she manages to produce from her species` host womb despite their depredations in `perpetual enmity` against the `apple of the eye` of God, that is, `woman`s seed`:
`... they're not potentially homicidal maniacs or irrational, for starters.`10
Perceived working in tandem with herself, Britney Spears, in her red pilot`s suit, hoists up her spaceman, in `Oops I Did It Again`, to film her wearing a white bikini dress beneath him, with the camera attached to his spacehelmet. Positing an Asimovian robot similar to an `I-Pod` that protects woman as a species, rather than what she`s been taught is human, Britney Spears is observing that women are the slaves of technology and the liberated robot would free her:
`You see my problem is this. I'm dreaming away. Wishing that heroes, they truly exist.`
Because women with a penis and `seed` of their own are `futanarian` and a single independent biunity, as a past and future human species, symbolized by the astrological sign of the crab, that is, the Great Mother, playing the role of Poddy Fries in `Oops I did It Again`, from Heinlein`s bildungsroman, Podkayne Of Mars, Britney Spears` metaphor is of the `crab, Pod`, where Fries is her `pot boiler`, `Marriage should be every woman's end - but not her finish.` (146) It`s fries with crab if `futanarian` woman`s `footrace` is potted side-stepping the issues of men`s heroic confidence trickery in their enslaving and devouring fisheries of poderasty:
`I think I did it again. I made you believe we're more than just friends. Oh baby, it might seem like a crush. But it doesn't mean that I'm serious. 'Cause to lose all my senses; that is just so typically me: oh baby, baby.`
In the legends of the Grail, which is the bowl of Jesus from the `Last Supper` much sought after by the knights of la table ronde as a symbol of fellowship without war, King Arthur wears armour to protect the ladies, that is, Arthur is the `arthropod` defender. `Poddy` of Mars, who is resurrected as a character by Britney Spears in `Oops I Did It Again`, is the soft `Poddy`, that is, the spaceman knight of the video single is presented in the Olde Englysh stylee as Arthur O` Pod, which means Britney Spears is a soft-bodied `arthropod` lady protected by the knights of King Arthur of the Britons` armour, which is exactly what happened in the first Gulf war (1990-1) to recapture Kuwait when British heavy armour supported `Liberty` after the Americans arrived in the Middle East to remove the invading Iraqi`s who`d been uninvited guests of the host, Jaber Al-Ahmad Al-Jaber Al-Sabah (1926-2006), the Emir.
If the armour of the knight is solely designed to defend his penis, and `futanarian` women have their own penis` `seed`, men are rather enslavers against `Liberty`, the mother of the city of New York and symbol of the United States of America, represented by Britney Spears in `Piece Of Me` (2007), who appears on the cover of the CD single from the album Blackout pictured on the cross of Jesus in protest at her species` brainpower` being darkened and sold for Judas` `thirty pieces of silver`:
`I`m Miss American Dream since I was seventeen.`
Men who`re only concerned with protecting their own penis don`t want women to breed themselves, because then women`d have the brainpower to develop technology and live as `arthropods` inside starships instead of with `business` suits in the rotary clubbing socio-economic enslavement of her species` crab pots, and where the `darker` part is their clubbed brain.
In Arabia women wear the one-piece coverall of the black burkha in public, and can`t be seen; though her eyes see well. It isn`t possible to know if they`re `futanarian` or not, but women will be permanently darkened from the light of God as a species if they support racism in wars against their own human `fut` race`s biunity and by means of her own penis` `seed`, whether red, black, yellow, or white in their cities and boats across the globe:
`Every period of human development has had its own particular type of human conflict - its own variety of problem that, apparently, could be settled only by force. And each time, frustratingly enough, force never really settled the problem. Instead, it persisted through a series of conflicts, then vanished of itself - what's the expression - ah, yes, 'not with a bang, but a whimper,' as the economic and social environment changed. And then, new problems, and a new series of wars.`
Isaac Asimov`s assessment of the `problem` in I, Robot is typical of the perspective of his `psychohistory`, which is outlined in his theories of what to do about mankind`s socio-economic system, which rises, decline and falls in his Foundation (1942-93) novels, while special groups reestablsh civilization, culture and art after collapses due to warfare or other cataclysm:
`The fall of Empire, gentlemen, is a massive thing, however, and not easily fought. It is dictated by a rising bureaucracy, a receding initiative, a freezing of caste, a damming of curiosity - a hundred other factors. It has been going on, as I have said, for centuries, and it is too majestic and massive a movement to stop.` 11
Men`s latest debacle was the `rough trade` of war`s brutality and violence precipitated by the terrorist group Al Qaeda`s hijacking of airliners to crash them into the World Trade Centre of New York on 9/11 2001. Saddam Hussein, who offered support to Al Qaeda, was deposed in the subsequent Gulf war (2001-11) and executed, while the terorist leader, Osama Ben Ladan, was killed on May 2 2011 by US `Team Six` in Pakistan. Saddam`s name meant `small handsome man`, and `crusher`, because he was someone who crushed women before they could grow, and that`s the repeated lesson of Isaac Asimov`s socio-history of men, who demonstrably crush the woman into acceptance of her slavery before preparing another war.
Just as Adam Link was a better human because more protective, so the robot would be more supportive of `Liberty` than men, because they`d be better at stopping them. The crab is the symbol of the `Great Mother`, who can side-step until she can protect her own species with her own body armour, but in the Gulf wars Adam wasn`t with her. Instead, it was Saddam who wanted her armour, to be an enslaver and devourer of her soft-bodied arthropods, rather than their protector. A `crush` is a `liking for someone` in US` vernacular, irrespective of gender, but that isn`t understandable if women are the human species, because men are her `crusher`. In the Middle East, women seek to produce progeny to avoid the war god of pederasty, but Saddam `crusher` Hussein made of them arthropod `crab pots` for his slaughterings:
`Avaunt, Satan!` (Matt: 4. 10)
Usually translated as `avoid` or `get behind me`, Jesus` words mean that Satan is what was before him and is translatable as in front of, that is, in the future, because woman with the `seed` of her own penis is Satan to Christianity, which doesn`t preach that women are the future human species. Satan is the male `fallen angel` who, according to `The Cave` sura of the Koran and some Judaic texts, wouldn`t `bow` to man. Jesus` words to Satan are for the male who won`t bow to God`s breeding program for humanity, which is designed to produce a new `angelic host` from the host wombs of women formerly enslaved and devoured by men. If Jesus can see Satan in front of his eyes, that is, men who don`t respect the host of God, men are recognizable as doomed to perdition, that is, the eternal unendurable pain, decreed as a punishment from God to the enslavers of the human species of `woman`s seed`.
1 Star Trek: Deep Space Nine, # 59, Episode 13, Season 3, `Life Support`, 31 January 1995, https://en.wikipedia.org/wiki/Life_Support_(Star_Trek:_Deep_Space_Nine) .
2 https://www.thefreedictionary.com/rough+trade .
3 Heinlein, Robert A. Podkayne Of Mars, G. P. Putnam`s and Sons, 1963, p.34.
4 Heinlein Starship Troopers, G. P. Putnam`s and Sons, 1958, p.22-24.
5 July 20 1969 UTC.
6 Clarke Arthur C. `Extra-Terrestrial Relays: Can Rocket Stations Give World-Wide Radio Coverage?` in Wireless World, October 1945, pp. 305-308.
7 Publisher`s `blurb` for the Podkayne Of Mars dustjacket, Penguin Group US, 2011, 224 pp.
8 V.I.K.I (Fiona Hogan) I, Robot, Twentieth Century Fox, 2004.
9 Asimov, Isaac I, Robot, Gnome Press, 1950, p. 13.
10 Moynahan, Bridget (Susan Calvin) in I, Robot, Fox, 2004.
11 Asimov, Foundation, Part One, `The Psychohistorians`, Section 6, Gnome Press, 1951.