Fit To Wake the Dead

21/11/2023 02:16

Fit To Wake the Dead

 

In several parts of the Earth veneration of the ancestors is the religious principle applied by the living to the dead, for example, the Shinto (c. 300 B.C.) religion of the Japanese reveres the ghosts of the ancient as people who still have a decisive role in the activity of society. The practice devolves from the shrines of Shinto worship devoted to kami, that is, supernatural entities believed to habit all things, which correspond to the daemon of Western thought, that is, ‘spirit of place’, which is probably the reason for the belief that, as there’s no metaphysical difference between kami and human, it’s possible for a human to become kami, as the dead ancestor who was known to dwell in that place.

 

 

 Although the pop song, ‘If U Seek Amy’ (2009), for example, by US’ singer Britney Spears, was interpreted as a sexual reference, that is, F*U*C*K me, it’s more likely to refer to the pull of a kami, ‘I can't get her off of my brain.’1 The song’s writers were attempting to make Britney more popular in Japan, where to seek kami is a religiously sanctioned objective beneficial to the worshiper, ‘… all of the boys and all of the girls are begging to if you seek Amy.’1 Necrophilia is the lyric content, that is, sex with the dead, which suggests that’s the object of kami worship.

 If it’s possible to have sex with the kami spirit of the deceased, then it’s possible to travel through time and space to where the kami lived, for example, and live there as a new kami spirit, ‘Oh, but can't you see what I see?’ With the onus on transition, that is, when it’s convenient for the living to die, for the tenant, whose place’s the owner’s as their possessing demon’s, the slaving necrophile has a place to kill them, and enslave their kami spirit for sex, or other laborious futility for the worker. Moreover, as younger bodies are more nubile it’s likely that the more transient appearance of the human on life’s stage, the better it is for the demon landlord, who needs killers of youth in order to increase its grip on the living from its position of relative easefulness in the past where the kami are kept in thrall.

 From the perspective of the slaver it’s essential for the West’s Noise Abatement Society (NAS) to exist so that the living are kept quiet about the dead. Not because the dead are sleeping, but as the activities of the kami needs must be kept hidden from human knowledge lest the spirit slaver be exposed as a necrophile evil.  The Nasnas is a demon in Middle Eastern mythology, according to the 8th century collection of folktales, A Thousand Nights and One Night, in which the creature is described in ‘The Story of the Sage and the Scholar’, being prepared for marriage with the Sultan’s daughter, who thinks he’s Satan, as he’s symbolically a necrophiliac, obsessed with stroking her shoulders and neck.

 The Nasnas is ‘a human being; having half a head, half a body, one arm, one leg’,2 because it represents possession, that is, abated, it’s half alive, so half dead, already in the power of the kami slaver, represented in Western society by the Noise Abatement Society (NASnas), which wants the living to be the slaves of their ‘dad’, as the demon landlord of the place doesn’t want to be disturbed in its necrophiliac activities. Not because the dead are disturbed by the noise of the alive, but rather that the alive who’re awake might be of some liberating use to the dead, who’re enslaved by the necrophiles, through dissemination of their awareness to anti-slavers amongst the Shinto worshipers, for example, who revere the kami, as their ancestors. Rather than fuck kami as necrophilia’s prostitutes, that is, made dead as quickly as the demon slaver can arrange, so contributing to the collective brain damage of the human race, which grows more stupid the younger it dies, and is the aim of the demon. Pretending that the Earth is a tomb, and requesting silence, is just an excuse for the enslaving necrophile to fondle the shoulders of the lambs.

 

1 Kotecha, Savan, Alexander Kronlund, Max Martin, Shellback, ‘If You Seek Amy’, Britney Spears, Circus, Jive, 2009.

2 Burton, Sir Richard (transl.) A Thousand Nights and One Night, Section 3, # 48, 1957.