Bloke 1, 2, 3, Choppers, and Boners

21/11/2023 02:39

Bloke 1, 2, 3, Choppers, and Boners


Wondering what a ‘bloke’ is, as women often introduce their husband, or long term relationship, as such, although it’s a term also used to refer to a stranger, or someone seen namelessly on occasion, the usual sexual metaphor, ‘blow job’ surfaces by way of explanation, that is, fellatio, euphemistically termed ‘oral sex’, but it’s much more likely to mean ‘block’, as in chopping block, which Mary, queen of Scots, for example, knew personally. Queen Elizabeth I introduced her rebellious sister to her executioner at Fotheringhay Castle, Northamptonshire county, England, on February 8th, 1587, who beheaded her with his chopper.

 That ‘chopper’ is also vernacular for the male penis explains why bloke and chopper go together, where chopper is also a euphemism for a motorcycle that causes mayhem, as illustrated by actor Marlon Brando as the character, Johnny Strabler, in the movie, The Wild One (1953), or attack helicopters (AHs), like the modified Bell UH-1 Iroquois, ‘Huey’ gunships, the Bell AH-1 Cobra, with BGM-71 TOW (Tube-launched, Optically tracked, Wire-guided) missiles after 1970, and as seen in the movie, Apocalypse Now (1979), illustrating atrocities committed by the United States of America, during their defeat in the Vietnam war (1955-75), which was fought immorally to determine that country’s politics. Though failing to explain why women accept their ‘block’, as the male chopper points to a teleology terminating at the butcher’s, why the Vietnamese were called ‘gooks’ by US’ servicemen was explained, as cooked is what they wanted them to be:


‘Counting, 1, 2, 3

Peter, Paul, and Mary

Getting down with 3P

Everybody loves me (ooh).’1


 Pop music star Britney Spears’ songwriters understood when they gave her ‘3’ to perform, which was released on her second greatest hits album, The Singles Collection (2009), where P3 is a reference to ‘Mary Jane’, that is, the etiquette of smoking marijuana, which is puff, puff, pass, emphasized by the reference to Peter, Paul, and Mary, whose hit song, ‘Puff, The Magic Dragon’ (1963), was ostensibly about smoking cannabis, although the actual emphasis in the lyrics is on what isn’t sung, that is, ‘Everybody loves (oh)’, where the conclusion to the unsung part of the refrain is, logically, ‘meat’, as it’s herself as a butcher’s chop that Britney Spears’ writers want her to sing about. The Douglas AC-47 ‘Spooky’, also nicknamed ‘Puff, the Magic Dragon’, because of the puffs of often obscuring smoke, appearing after a ‘magic’ strike on a target, such as a convoy of trucks, for example, was also a fixed-wing gunship used in ‘Nam, with a purpose built MXU-470/A, six-barrel rotary M134 Minigun module for use with the SUU-11/A pod, firing 2,000-6,000 rpm, as armament.



 The song, ‘Puff, the Magic Dragon’, seems also to refer to sura Al-Kahf, ‘The Cave’, chapter 18, from the Koran (610-30 C.E.), and the figure of Khidr, as Puff is a green dragon, while Khidr, who makes holes in pirates’ boats to escape them, is ‘the green one’ in Islamic tradition, ‘Jackie kept a lookout perched on Puff's gigantic tail.’2 Jackie Paper is a reference to President John, ‘Jack’, F. Kennedy, assassinated in the city of Dallas, Texas state, on November 22nd, 1963, while riding in a motorcade through Dealey Plaza, with wife Jackie, representing women’s seed, as although Lee Harvey Oswald, later shot by local nightclub owner, and possible associate Jack Ruby, before he could be tried, was assumed to be the assassin, John’s brother, Presidential candidate Robert F. Kennedy, assassinated on June 5th, 1968, by Christian Palestinian, Sirhan Sirhan, as he said, ‘with twenty years of malice aforethought’,3 at the Ambassador Hotel, Los Angeles, California state, subsequent to winning his Democratic Party’s support in the California and South Dakota primaries, suggests an Arab strike, ‘Pirate ships would lower their flags when Puff roared out his name.’ As the US isn’t Puff, but rather the name called upon by the Emir of Kuwait, for example, to repulse Iraq’s invasion in the Gulf war (1990-1), Islam lost its support on September 11, 2001, after perhaps having some sympathy, subsequent to Robert F. Kennedy’s assassination by an Arab who was a Christian:


‘Without his lifelong friend, Puff could not be brave

So Puff, that mighty dragon, sadly slipped into his cave.’



Aside from the Japanese tradition of bunraku, where dolls are manipulated by figures in black, so the audience in the theater focus on the action, rather than the manipulators, whose resemblance to the women of Islam in their burkas suggests that’s what Moslem women did in the Gulf wars, although it’s difficult to replace buildings, for example, the Twin Towers of Lower Manhattan, as the spirit bodies of the people haven’t anywhere to go, if their bodies of flesh die, the women in their burkas are caves, where disembodied spirits, who don’t have the eternal spirit body, promised to Eve’s seed by God, take refuge, as they’re puffs. Consequently, US’ Navy Seals would have to go in under the the eyes of ‘the Faithful’ to kill the terrorists responsible for 9/11, 20011. More difficult for the US than dropping the atomic bomb, ‘Little Boy’, from the B-29 ‘superfortress’, Enola Gay, on August 6th, 1945, to kill 140, 000, Japanese, of whom 50 % were women, to conclude World War II (1939-45) in the Pacific theater.

 That Japanese bunraku, as Moslem burka women, loyal to Iraq, as an Axis power allied to Germany, Italy, and Japan in WWII, manipulated ‘the events of 9/11 live on CNN’, for example, largely depends on acceptance of the Moslem belief that Western civilization is the seed of Eve’s TV, and that the disembodied spirits of the Japanese kamikaze ‘suicide’ pilots, as perhaps US’ poet, Robert Frost, foresaw in his poem, ‘Fire and Ice’ (1920), crashing their Mitsubishi Zero fighter planes into the decks of the US’ aircraft carriers at Pearl Harbor, on December 7th, 1941, lived on, ‘sons of heaven’ as burka clad suicide bombers; ‘sleepers’ of ‘The Cave’ beneath the eyes:


‘Some say the world will end in fire,

Some say in ice.

From what I’ve tasted of desire

I hold with those who favor fire.

But if it had to perish twice,

I think I know enough of hate

To say that for destruction ice

Is also great

And would suffice.’4



 Britney Spears’ track, ‘Piece of Me’, from Blackout (2007), was originally a peacenik song, developed by the writers as another attack on the star, who was required to sing as a refrain, ‘You wanna piece of me’, that is, an assertion that the audience would like a piece of her ‘meat’, which kids, Sean Preston and Jayden James, by then divorced husband, Keven Federline, might have taken some legitimate exception to, if they’d known that ‘3’ was about some choppers and some puffs, where there are two polite puffs, before the joint (of meat) passes on. Of course ‘3’ was written after the Gulf war to depose Iraq’s dictator, Saddam Hussein, whose offer of bases to Al Qaeda’s extremist Moslem terror organization, ‘the base’, operating under the auspices of the notoriously misogynistic Islamic Taliban regime of Afghanistan, caused the March 2003 invasion, as Al Qaeda were responsible for hijacking civil airliners to crash into the Twin Towers of the World Trade Centre, Manhattan island, New York city, on 9/11, 2001, which is what ‘3’ was actually referencing, as the ‘puffs’ of the US’ Fairchild Republic A-10 Thunderbolt II, ‘Warthog’, were reputedly even more magical than Spooky’s, armed as they were with 30 mm GAU-8 Avenger rotary autocannon, although it was the conventional B-1 and B-2 stealth bombers, called ‘Bone’ and ‘Spirit’ respectively, that signified what Britney Spears’ writers meant by having her sing about herself as a meat with someone for a couple of puffs, as both had the capability of delivering nuclear weapons, leaving only the puffs of mushroom clouds to indicate where the target had been on the horizon, although the B-2 could also do that undetected, before it happened.

The women of Islam wear the one-piece black coverall of their burka publicly, which matches the black of the B1s and B2s bombing over them, and is a means of protection from being seen by the infidel, with thoughts of adultery in his heart, according to Islamic tradition, which is based on the Koran (610-30 C.E.), dictated to the Prophet, Mohamed, by the angels of God, permitting Moslem marriages four wives, which explains this reference in Britney Spears’ writers’ lyric to ‘3’:


‘Let's just do it, you and me

You and me, or three

Or four, on the floor.’



Leaving aside the obvious reference to burkas at McDonald’s, four is a reference to the ‘remnant’ of the women of Islam on the floor of the Earth, after the devastation wreaked upon them, as John, the disciple of Jesus’ ‘Christ’, ‘the chosen’ teacher, founder of the Christian religion, wrote in his apocalyptic vision of the future, Revelation, ‘The dragon was wroth with the woman and went to wage war on the remnant of her seed.’ (Rev: 12. 17) Britney Spears’ lyricists are referencing a song by Chester Arthur Burnett, ‘Killing Floor’ (1964), in his stage persona as Chicago electric blues guitarist, Howlin’ Wolf, which uses the area of a slaughterhouse, where animals are killed, as a metaphor, or allegory, for what happens between men and women whose relationships go drastically awry:


‘I should of went on, when my friend come from Mexico at me

But no I was foolin' with ya,

Baby, I let ya put me on the killin' floor.’5



 The lyrics to ‘3’ indicate that Britney Spears is to sing about the burka women of the Moslem nations of Islam as being on the killing floor, as burger meat for the US’ fast food franchise McDonald’s, popular in the Middle East, and headquartered in Chicago, Illinois state, which is unacceptable from her writers. Born uncontaminated by male semen from his mother, the Virgin Mary, who is depicted in Christian iconography crushing the head of a serpent with her foot, Jesus is Eve’s seed. Eve, the woman, was given ‘the fruit of the tree of the knowledge of good and evil’, which it was death to taste, according to Judaism’s Torah and Talmud, that is, their history and law, as the Old Testament of what Christians call the Bible, although God had told Eve, and the first man created by God, Adam, that they should ‘eat of the fruit of the tree of life’, which was immortality, but Satan, the angel turned into that serpent for rejecting God’s plan that the human host be greater than the angelic, said ‘You shall be as gods.’ (Gen: 3. 5)

 Expelling Eve and Adam from Eden God told Eve her ‘seed’ would prevail, ‘You shall crush the head of the serpent with your foot, but he will bruise your heel.’ (Gen: 3. 15) Jesus, Mary’s foot and Eve’s seed, found with a woman, was betrayed to the Jewish religious police, the Pharisees, by his disciple, Judas, who gave Jesus over to the Romans, then occupying Jewish Palestine in the name of the Emperor, Tiberius Caesar Augustus (14-37 C.E.), who had him taken to the hill of Calvary outside the city of Jerusalem, where he was nailed to a cross of wood, and died there, but experienced Resurrection and Ascension to heaven in prefiguration of that of women’s seed, ‘Leave her alone.’ (Mk: 14. 6) Although Eve is depicted as being created from the side of Adam in the paradise of Eden, it’s a euphemism for the capacity of the human futanarian species of ‘women’s seed’ to self-fertilize, which is Jesus’ role as Mary’s foot and Eve’s seed, as the hero of the New Testament teaching that Christians believe supersedes Judaism, ‘Love your neighbor as you love yourself.’ (Mk: 12. 31) As a ‘foot’ race independent of men, women’s goal is to colonize the planets amongst the stars of heaven by sexually reproducing their own brains’ powers to confer immortality and permanent intelligence to carry them there, which if Queen Elizabeth I had known, she mightn’t have beheaded her sister, Mary, suggesting that an awful lot of necking must have gone on to keep  ‘the virgin queen’, whoever he was.



 Judaism was founded by Isaac, son of Abraham’s wife, Sara, while Islam was founded by Ishmael, son of ‘the Egyptian woman’ (Gen: 16. 1), Hajer, the concubine of Abraham, through his descendant, Mohamed, although Christianity views the permitting of four wives by the Koran as a retroactive attempt to legitimize Ishmael and Islam, whereas it’s an attempt to afford the possibility of sexual reproduction between women’s seed within the Islamic family, who’re burger me to the US, although ‘the Faithful’, as the women of Islam call themselves, are the army of the human futanarian species of women’s seed upon the Earth, bombed by their enemy, that is, the men and women of Western culture, who’re in fact a single male brained creature, wearing each other’s clothes, as a transvestite TV, manufactured to broadcast the human race’s extinction in war, as ‘snuff’ entertainment for their apparently self-created alien nature.



 The US’ U2 ‘spy plane’ used to monitor the Earth is called a ‘Dragon Lady’, which is why Britney Spears’ video makers and director had her wear a red pilot’s suit in ‘Oops! … I Did It Again’ (2000) in which she’s surrounded by circus-style, fire-breathing women, as symbols of her putative role as an intelligence gatherer and communicator, being set up by her music industry representatives to be targeted, which ultimately led to her fortune being awarded to her father, Jim, albeit temporarily, and manager, Jason Trawick, on the strength of his saying he might marry her, while it was the star who was effectively declared non compos mentis by Judge Reve Goetz at Stanley Mosk Courthouse, home to the Los Angeles County Superior Court, California state, on February 1st, 2008, as news reporters suggested she hadn’t cared enough about her son, Sean Preston, when running for a car, drink in hand, at the Ritz Carlton Hotel, near Central Park, New York city, where his orange, baseball-style cap fell off, leaving him bareheaded, and perhaps prone to getting a chill, at least until the opening of the car door:


‘Oops, you think I'm in love

That I'm sent from above

I'm not that innocent.’6



 As a U2 pilot, and Dragon Lady, she wouldn’t be, but that’s a conceit of the writers, and the video makers, rather than any genuine assessment of the music star, who was seemingly made to fall, in order to cover up whatever scrutiny of Britney Spears’ writers’ lyrics might reveal of their role, as the would-be assassins of the chanteuse for her US $ billions, after using the singer as a propaganda mouthpiece, often subliminally, as Svengalis in demagoguery, manipulating the audience hypnagogically, to put across a message, for example, although ‘If You Seek Amy’, from the Circus (2009) album, has been interpreted as F*U*C*K me, it’s about Amy Johnson:


‘So tell me if you see her

(Let me know what she was wearing and what she was like)

'Cause I've been waiting here forever.’7


 Born in Kingston-Upon Hull, north coast of England, East Yorkshire county, when she flew with her husband and co-pilot, Jim Mollison, to the US, in a de Havilland DH.84 Dragon I, despite crash landing at night in a drainage ditch in Stratford, Connecticut, by Bridgeport Municipal Airport, the city of New York gave the pair a ticker tape parade down Wall Street. Unfortunately, Amy was killed, while with the Air Transport Auxiliary (ATA), transporting an Airspeed AS. 10 Oxford; navigation, radio-operating, bombing and gunnery trainer, during WW II. Bailing out as the aircraft crashed near Herne Bay, a seaside town on the county of Kent’s north coast, South East England, according to Tom MItchell, ‘Sixteen rounds of shells were fired and the plane dived into the Thames Estuary. We all thought it was an enemy plane until the next day when we read the papers and discovered it was Amy.’8 Although HMS Haslemere, a ferry being used as a barrage balloon ship, attempted a rescue, the vessel ran over her in the water, and Amy was chopped up in its propellers; hardly surprising. Before her ATA role, Amy had flown ‘as a target for searchlight batteries and anti-aircraft gunners to practise on’,9 which hysterically seems to have been what men have always wanted the seed of Eve for.

 The story seems to have affected Britney Spears writers in some way, as there’s a curious interpolation in ‘Oops! … I Did It Again’, where a voice is heard to shout, ‘All aboard!’ Although Amy isn’t, Britney in her poppy red pilot’s suit is a traditional symbol of remembrance, as the poppy is still used from World War I (1914-18), where lives, lost in France and Belgium, at the battles of the Marne (x2), Ypres, Verdun, Somme, Arras, Amiens, and the Meuse-Argonne offensive of September 26th, 1918, after the US’ entered the war decisively on the side of the British, seeking to thwart the German Empire of Wilhelm II’s ambitions of world slavery, became associated with poppy fields, made popular by poet Wilfred Owen in his poem, ‘Greater Love’ (1917/18), for example:


‘Red lips are not so red

As the stained stones kissed by the English dead.’10


At one point in the ‘Oops! … I Did It Again’ video, Britney Spears’ altar ego is shown in a white bikini dress, atop a star shaped maritime compass rose, but with a spaceman above, who seems to be striving to reach her, as if he’s an emissary from a future in which time travel is possible, and Amy can be rescued from the choppers of the ‘gay blades’ propelling her to her fate, which in fact could be true, as Britney’s meant to be science fiction writer Robert A. Heinlein’s (1907-88) ‘the Poddy beautiful’, from his juvenile novel for girls, Podkayne of Mars (1963), `Poddy Fries, free citizen of Mars, female. Future pilot and someday commander of deep-space exploration parties. Watch for me in the news.`11 Although Bob Heinlein wrote time travel stories, he was also a hard ‘nuts and bolts’ scientist, working for a while at the Philadelphia Navy Yards in the 1940s, on underwater pressure suits, used in diving to develop a design for pilots of the X-15 series of aircraft that the USAF were testing, with a view to flying a prototype ‘spaceplane’ to the moon; the Boeing X-20 Dyna-Soar (Dynamic Soarer), and which ultimately would result in the space suits worn by the Apollo 11 mission landing there on July 21st, 1969, where Neil Armstrong said those immortal words, ‘One small step for a man, one giant leap for mankind.’ The metaphor is ironic, as it’s the moon that’s the first step for futanarian women’s seed, as the human race’s ‘foot’ race to the planets amongst the stars of heaven, while a lunar surface, looking as if it’s been cratered by nuclear weapons, suggests women have tried to escape from their vampire before. ‘Oranges and Lemons’, a traditional English nursery rhyme, which references the bells of several London churches, for example, although it’d be expected to have a familiar Christian theme, is in fact Satanically racist:


‘Oranges and lemons,

Say the bells of St. Clement's.


You owe me five farthings,

Say the bells of St. Martin's.


When will you pay me?

Say the bells at Old Bailey.


When I grow rich,

Say the bells at Shoreditch.


When will that be?

Say the bells of Stepney.


I do not know,

Says the great bell at Bow.


Here comes a candle to light you to bed,

And here comes a chopper to chop off your head!

  Chip chop chip chop the last man is dead.’12


 In economic terms, after women’s seed have colonized the planets amongst the stars of heaven, men with women kill them for their riches, which is why London’s called ‘the big smoke’, as it’s economic policy to snuff out the human species, ‘like a candle in the wind’, as the Bernie Taupin lyric to composer and singer Elton John’s ‘Candle In The Wind’, from the 1973 album, Yellow Brick Road, goes, which is businessmen. Britney Spears’ lyrics to ‘If You Seek Amy’ reference herself as a ‘Dragon Lady’, as well as Amy Johnson’s de Havilland DH.84 Dragon I, as it’s necessary for women’s seed to monitor the movements of the vampire that drinks their blood, in order to slave the human host womb, as a parasite, who’s a bloke with a boner of a chopper on her neck. A playground game variant of the nursery rhyme is ‘Block 1, 2, 3’, which is what Britney Spears’ ‘3’ references:


‘Are you in?

I am countin'

One, two, three, not only you and me

Got 180 degrees, and I'm caught in between.’


 Although news reports about 9/11 focused on the Twin Towers, North (1), and South (2) of the World Trade Center, 3, the Marriott, a 22-story steel-framed hotel building with 825 rooms, was also destroyed, along with four others of the ‘superblock’ containing seven structures, by Al Qaeda, ‘the base’, crashing hijacked civil airliners into the WTC, and also into a wall of the Defense Department, the Pentagon building, at the city of Arlington, Virginia state. The playground game, Block 1, 2, 3, similarly needs a landmark, such as a tree or lamppost, or some other base, and the participants try to get there without being seen by the defender, who if they are seen, shouts, ‘Block 1, 2, 3!’ Then they’re neutralized. If a player escapes being blocked, all are free, which conceptually fits ‘the events of 9/11’, where the result of the unforeseen terrorist attack was a restoration of air power, which role is to bomb the army of women’s seed, that is, the human futanarian ‘foot’ race; accountable a successful strike for the misogynist Taliban regime of Afghanistan, toppled by the US’ army by December 2001, but back in control for the 21st century’s misanthropic future.

 Obviously the chopping and the boners has something to do with her shopping and her bonus, which apart from a cheap TV is what men and women get out of killing the human futanarian species of women’s seed. The slaves get their boners, and what’s left of the chop is sold. It’s as if a child wants an ice cream, so all of the cows are slaughtered, because it was an ‘only one’ child. In the religion of ancient Egypt, ‘Ka’ meant spirit, while ‘Ba’ was soul, so the shrine dedicated by Ishmael and Hajer to Abraham was  called ‘Ka’ Ba’, as it represented women’s seed, ‘Kau’, and women’s host wombs, ‘Bau’, that is, the cow was slaughtered, as bow was all the slavers wanted, rather than a ship to colonize the planets amongst the stars of heaven above the Earth, where the cornered chop would run by itself.


1 Amber, Tiffany, Max Martin, and Karl Schuster ’3’, Britney Spears, The Singles Collection, Jive, 2009.

2 Yarrow, Peter ‘Puff, The Magic Dragon’, Peter, Paul and Mary, Warner Bros., 1963.

3 Sirhan Sirhan, .

4 Frost, Robert, ‘Fire and Ice’, Harper’s Magazine, 1920, p. 67.

5 Burnett, Chester ‘Killing Floor’, Howlin’ Wolf, Chess, 1964.

6 Martin, Max, and Rami Yacoub ‘Oops! … I Did It Again’, Britney Spears, Oops! … I Did It Again, Jive, 1999.

7 Kotecha, Savan, Alexander Kronlund, Max Martin, and Shellback ‘If You Seek Amy’, Britney Spears, Circus, Jive, 2008.

8  Gray, Alison ‘I think I shot down Amy Johnson’, The Scotsman, February 6th, 1999.

9 Amy Johnson, .

10 Owen, Wilfred, ‘Greater Love’, Poems, 1920.

11 Heinlein, Robert A. Podkayne Of Mars, Putnam`s, 1963, Ch. 1, p. 3.

12 Anon. ‘Oranges and Lemons’ Tommy Thumb’s Pretty Song Book, Roud Folk Song Index # 13190, c. 1744.