Arthur C. Clarke’s SIV Carriers Would Rather Eat Talking’s Animals
Arthur C. Clarke’s SIV Carriers Would Rather Eat Talking’s Animals
There are few talking animals in the Bible, apart from Balaam’s ass, which is beaten by Balaam for turning aside from an angel with a sword drawn to kill him for beating the animal that can see to turn Balaam aside from the sword, ‘Am I not your own ass, which you have always ridden, to this day? Have I been in the habit of doing this to you?’ (Num: 22. 30) The point being that Balaam is beating an ass with his stick, which is homosexuality. Although Noah was given all of the remaining fauna on the Earth, after God had drowned it for its ‘wickedness’ (Gen: 6. 5), while Eve and Adam, God’s created human pair in the paradise of Eden, were given all of the flora and fauna on the Earth to farm, that is, breed as ‘workhorses’, or kill and eat as food, the role of the angel, Satan, in the paradise of Eden, who was turned into a talking serpent by God for rejecting God’s plan that the human host would be greater than the angelic, is similarly homosexual. Giving Eve, the woman, ‘the fruit of the tree of the knowledge of good and evil’, which it was death to taste, because he doesn’t want a woman, Satan said, ‘You shall be as gods.’ (Gen: 3. 5) God expelled Eve, and the first man created by God, Adam, from Eden for rejecting ‘the fruit of the tree of life’, which was immortality, but promised Eve that her ‘seed’ would prevail, ‘You shall crush the head of the serpent with your foot, but he will bruise your heel.’ (Gen: 3. 15) As women’s seed are better brain producers, the heads of the seed of the serpent, Satan, won’t forever succeed in poisoning Eve’s human race, because it’s intelligent and an aspect of God’s divine will.
English science fiction writer, Arthur C. Clarke, wrote a short story, ‘Sentinel of Eternity’ (1951), about a monolith left by a highly technologically advanced extraterrestrial civilization, which enhanced the brains of the animals that encountered it. Film director, Stanley Kubrick, collaborated with Clarke to produce a 1968 movie version of the story, 2001: A Space Odyssey, in which apes are depicted killing an animal resembling a pig from the Ypresian stage of the early Eocene epoch in Earth’s history (56-47.8 m.a.); Eohippus angustidens: ‘dawn horse’. Although in the future the hippo-lie creature would evolve into the horse, the theme of the enhanced brain of an animal becoming that of a killer is central to the plot of the author, whose alien intelligence is obviously a self-extrapolation, because the E. angustidens is a pig, which means that the apes are evolving into killers, as they develop human intellectual power, while the pigs will develop into ‘long pig’, that is, human food in the sense of food being humans.
The idea is biblical, as Jesus ‘Christ’, ‘the chosen’, is ‘the lamb of God’ (John: 1. 29) in the New Testament, because he was made a human sacrifice by the Jewish religious police, the Pharisees, during the occupation of Palestine by the Empire of Rome, in the reign of Tiberius Caesar Augustus (14-37 A.D.), whose soldiers nailed Jesus to a cross, where he died, but experienced Resurrection and Ascension to heaven, after teaching, ‘Love your neighbor as you love yourself.’ (Mk: 12. 31) The sheep metaphor is common in Christianity, the religion based on Jesus’ teaching, as the congregations of the churches are called flocks, while the ‘dog collar’ wearing priests are shepherds, so the allegorical elements of an animal fable in the style of the wooly pated black Greek slave Aesop (620-564 B.C.) are unmistakable, as are the similarities, for example, in ‘The Wolf and the Lamb’, the wolf kills and eats the lamb, despite appreciating its innocence, as Jesus was. The meaning is that predator’s prey, whereas Christians say they’re prayers.
In Judaism pigs are forbidden, while in Islam they’re haraam, although Christians aren’t restricted in terms of what they eat. However, it’s curious that Jesus, meeting a man on the road to Gadarene, cast out his demons, ‘My name is Legion.’ (Mk: 5.9) The demons asked to go into a herd of pigs, which promptly ran off a cliff and drowned. Although there’s no prohibition against pork in Christianity, the correlation between demons and swine is evident. Both Jews and Moslems forbid pork on the grounds of the pig being an unclean animal, whereas Jesus’ teaching seems to be that demons make flesh unclean, while scientific studies tend to demonstrate that the pig is unusually cleaner than most animals, so indicating that humans, who bathe, for example, are similarly likely to attract demons. Moreover, in Islam dogs are unheard, because they’re haraam and they kill them all, whereas the Asians in their work camps of Saudi Arabia, etc., cook and eat dogs, which tends to suggest that humans have demons. It’s Jesus’ lesson, as church leaders in Christianity are allegorically sheep dogs, with the responsibility of keeping the preying wolf away from the flock.
The analogy isn’t misplaced. In Africa’s DR Congo, where necrophagy assisted the spread of HIV/AIDS, and amongst the South Pacific islands, for example, New Guinea, Fiji, and New Zealand, people were eaten, because it was believed they contained mana, a spiritual power that could be imbibed through the eating of human flesh. Although primitive peoples are beset with such demonic influences, Jesus’ human sacrifice was absolutely typical of Judaism, according to Dror Ben Ami in a 2015, issue of the Jerusalem Post, ‘… the blood sacrifice of Jesus was a more effective way to remove sins, because it was only needed once, whereas Jewish blood sacrifices needed to be repeated year after year.’1
The mana is imbibed in the fashion of the chakra vampire, written about in Julian May’s science fiction time-travel novel series, beginning with The Many-Colored Land (1981), described collectively as The Saga of Pleiocene Exile, portraying how disparate peoples of the epoch, human visitors to the Pliocene, and ‘exotic’ extraterrestrials, learn to live together with their differences, and detailing in The Galactic Milieu Trilogy: Jack The Bodiless (1991), Diamond Mask (1994), and Magnificat (1996),how points along the spine are blackened, as if burned, where ‘the Hydra’, a five person metapsychic operant chakra vampire has fed.
In the 5-6th century B.C. India’s Gautama Buddha advocated meditation to raise the level of consciousness, represented by the chakra ladder along the spinal column, beginning at Muladhara, the base, and culminating at the crown of the head, Sahasrara, which energies are drunk by chakra vampires, leaving the devotee of the Buddhist religion a victim withered, and dying of what the Judeo-Christian Bible teaches is old age. Jesus’ death on the cross of his crucifixion was an opportunity for the local community to feast on the chakra energy released, which can be perceived as a purpose of human sacrifice.
What Dror Ben Ami seems to be saying is that animal sacrifice isn’t enough to remove the demons released by butchering for meat, and preparing it for cooking, which in Islam involves the draining of blood from the carcass, but that human sacrifice is indicated as better, because more efficacious in releasing energy to counter demonic influences. Moreover, the scapegoat syndrome, for example, the hunting of witches, that is, women, to be consumed fierily by burning faggots, is then a logical aspect of Judeo-Christianity, and misogyny has become God. Jesus’ mother, the Virgin Mary, bore Jesus uncontaminated by male semen, because women’s futanarian species are hermaphroditic, so women can sexually reproduce without men, which is why Jesus was killed. Moreover, experiencing Resurrection and Ascension to heaven prefigured that of women, which resulted in the persecution of women who rode broomsticks, that is, hermaphroditic women with penis’ semen of their own as well as representatives of their race’s penisless wombs.
Faggots fierily burning women as steak is illustrative. Clarke’s apes in ‘Sentinel of Eternity’, for example, were the animal group revealed by Africa’s DR Congo in 1983 to have been the source of the ‘incurable killer disease’, HIV/AIDS, where the human immune deficiency virus had resulted from a mutation to the simian immune deficiency virus (SIV) spread by homosexuals impaling each other’s anuses on their penises, which resulted in acquired immune deficiency syndrome (AIDS), collapse of the organs of the body, and brain death. The correlation between the spine as the burning stake and the fierily/virally burning faggots is evident, as ‘faggot’ is a euphemism for homosexual, that is, witches are the victims of homosexuals, because it’s their species’ penis and host womb. In short, Jesus was killed because he wasn’t spineless, which is the aim of the biological weapon, HIV/AIDS, as launched by homosexuality in pederasty for war against women’s seed, that is, misogyny, which amounts to misanthropy, as hatred for humankind, because women are de facto the human race.
Clarke’s novels about alien civilizations extend to Childhood’s End (1953), a book about devils, who’re ‘Overlords’ persuading the people of Earth to have their brains sucked out, after gathering together in fields, etc., with the promise that they’re going to heaven, ‘the Overmind’, whereas they aren’t, ‘There was nothing left of Earth. They had leeched away the last atoms of its substance. It had nourished them, through the fierce moments of their inconceivable metamorphosis, as the food stored in a grain of wheat feeds the infant plant while it climbs towards the Sun.’2 Their spiritual essence is lost to the sterile vacuum of space, because that’s what a nape virus does; it decapitates by infecting the brainstem. As an ape brain is inferior, it decapitates the superior, that is, the process of killing homo sapiens by producing ‘TV war’ is a part of its perhaps infecting the limbic and neocortex, which were evolutionarily added over 250 million years to what science calls the ‘reptilian’ brain, ‘… dominated by the brainstem and cerebellum, which control instinctual thinking and behavior for survival.’3
In 2001: A Space Odyssey, the onboard computer, HAL 9000, of the ship Discovery on its way to Jupiter, reports the imminent failure of an antenna control device, which Dr David Bowman retrieves in an extravehicular activity (EVA) pod, but there isn’t any component malfunctioning. Detecting a threat to its survival, while lip reading a conversation between Bowman and Dr Frank Poole, HAL tries to ‘space’ Poole, and shut down the life support of the three other crew members of the ship in ‘suspended animation’, ‘This mission is too important for me to allow you to jeopardize it.’4 HAL would rather live to no purpose, which is what degeneracy is, rather than allow progress.
Effectively, Clarke’s crew have their brains sucked out. Dave removes the 9000’s artificial brain cortex, reducing HAL’s end to childhood, which apart from it being the human response to a threat to Dave’s survival, demonstrates Clarke’s thesis that this is what creatures that rely on their brainpower do. They disable technology and/or the intellectual faculties of others, which results in societal degeneration; reductions to ape-like barbarism: ‘Dai-sy, dai-sy, give me your answer, do. I'm half cra-zy, all for the love of you. It won't be a sty-lish mar-riage, I can't a-fford a car-riage- - -. But you'll look sweet upon the seat of a bicycle - built - for - two.’5 As Hal’s intelligence evaporates, the obvious analogy is of men and women bred as a single male brained creature, wearing each other’s clothes as a transvestite TV, signaling its vacuity to the cosmos, which gets the picture of the infancy of a race warred upon by its SIV carrying parasite for mana:
‘Hey diddle, diddle!
The cat and the fiddle,
The cow jumped over the moon;
The little dog laughed
To see such sport,
And the dish ran away with the spoon.’6
Extrapolated, it seems clear that the extraterrestrial intelligence in Clarke’s 2001: A Space Odyssey is man, which breeds humans for sacrifice and mana as if they’re animals.The apes kill the ‘dawn horse’ and eat it, the ‘long pig’, that is, the Christian congregations of the future, because Clarke is a man and men are a ‘fiddle’, that is, a confidence trick. The human puppet’s strings are made from cat gut, that is, Catholicism, and the cruciform of the puppet control is the Satanical means by which highly strung Christians after Jesus were made to dance to a tune. In the nations of Islam, the Moslem peoples are the descendants of Ishmael, the son of Abraham and concubine, Hajer, whereas Judaism was founded by Isaac, Abraham’s son by wife, Sara, which Judeo-Christianity views as legitimate, whereas the Koran (610-30 C.E.), dictated by the angels of God to the Prophet Mohamed, according to tradition, is viewed as permitting four wives to legitimize a bastard.
However, the holy of holies in Islam is the Ka’ Ba, shrine of Abraham, in the city of Mecca, Saudi Arabia, because it represents women’s seed, that is, Hal’s rendition of ‘Daisy’ refers to the plural of Ka as Kau, which is the penis of women as the cow, Daisy, while the plural of Ba is Bau, signifying the penisless women, who’re symbolized by the dog laughing at seeing their Kau colonize the planets amongst the stars. As Hajer was ‘the Egyptian woman’ ((Gen: 16. 1), Ka and Ba are Egyptian terms for a woman’s spirit and soul, while Ha denotes a human part, so the women’s laughter is indicated in the English nursery rhyme as, Bau Hau, that is, it’s miraculous. However, as the English new wave pop group Bow-Wow-Wow’s lyrics to ‘Go Wild In The Country’ (1982) indicate, how to escape from her dog’s Bauhaus is no laughing matter for a bitch. Annabella Lwin, was the band’s then 14 year old lead singer, ‘… snakes in the grass are absolutely free.’7
In German, bauhaus means ‘house building’, while Bauhaus (1919-33), founded by architect Walter Gropius in the city of Weimar, Thuringia state, was a movement that sought to have its architecture, interiors, and graphic design work, mass produced as art, that is, women’s parts were to be kenneled by the ‘powerhouse’. After the dog’s laughter, the cow’s brains are spooned out from the satellite dish, because that’s men’s future for the inhabitants of the Earth perceived as ‘sports’, that is, futanarian women are genetic freaks from the farmer’s point of view. From the search for extraterrestrial intelligence, that is, their SETI (settee), enjoying a TV dinner, Clarke’s technologically advanced men are vampires. His alien extraterrestrials are men writ larger as farmers for butchery, meat, and mana, which can also be simply the equivalent of stealing a smart phone for ordinary parasites, after killing the owner.
Clarke’s vision is Satanism. Parasitism rules and men are vampirism, while the sheep have their throats torn out by wolves that prey. Developing men and women are the bred and the meat in the sandwich of their consumption, while HIV/AIDS is a cancer allegory; to the Satanists they’re suck come. Animals prefer to eat what talks, because communicators need communications systems, which include space ships, and so the running of the human race is the answer to its preyers, as beans leave their tin.
1 Ami, Dror Ben ‘Metaphors in the Torah: The Roles of Blood and the Liver in Removing Sin’, The Jerusalem Post, February 10th, 2015, 18:57 pm, https://www.jpost.com/Blogs/Torah-Commentaries/Metaphors-in-the-Torah-The-Role-of-the-Blood-and-the-Liver-in-Removing-Sin-390469 .
2 Clarke, Arthur C. Childhood’s End, Ballantine Books, 1953, Ch. 24.
3 Tuarez, Jaimar, ‘Why is the brainstem sometimes called the reptilian brain?’, Neuro Tray, February 7th, 2021, https://neurotray.com/why-is-the-brainstem-sometimes-called-the-reptilian-brain/ .
4 Keir, Dullea as Dr Dave Bowman in 2001: A Space Odyssey, Stanley Kubrick Productions, 1968.
5 Rain, Douglas as the voice of HAL 9000 in 2001: A Space Odyssey, 1968.
6 Anon. ‘Hey Diddle Diddle’, English nursery rhyme, Roud Folk Song Index # 19478, c. 1765.
7 Ashman, Matthew, Dave Barbarossa, Leigh Gorman, and Malcolm McLaren ‘Go Wild In The Country’, See Jungle! See Jungle! Go Join Your Gang Yeah, City All Over! Go Ape Crazy!, RCA, 1981.