A Few Words from the Snort Whores from California
A Few Words from the Snort Whores from California
The seat of the Speaker in the House of Representatives on Capitol Hill, Washington D.C., United States of America, is flanked on each side by the ancient Roman fasces emblem, an axe within a bundle of rods, signifying the authority of the Empire of Rome, which architecture, along with that of the ancient Greeks, with whom the concept ‘senate’ and ‘senator’ originated, was adopted by the USA in its nascent days of Imperial ambition, following its asserting independence from the British Empire of George III in 1776.
What the fasces represents is closely bound up with what the House of Representatives stands for, for example, a glance at California shows it has 53 of the 435 seats accorded the 50 states, that is, 12.18%. Almost an eighth of the power of the US is concentrated in the West Coast state, because of its singular position in relation to the media industry, centered on the district of Hollywood, city of Los Angeles, motion picture capital of the world, where the penis has been forbidden on screen to mainstream audiences at least as long as President of the Motion Picture Producers and Distributors of America (MPPDA), Will Hays, initiated the ‘Hays code’ of 1933, `... women, in love scenes, at all times have “at least one foot on the floor” (in other words, no love scenes in bed).`1 Masonry’s solution was to take an axe to it.
Although the masons have long been understood to have taken an interest in guiding and directing human nature in the paths of husbanding and husbandry, what hasn’t been made clear to those being manipulated is the method and the teleology, for example, LGBTQ + is largely a misnomer based on the delusion that women without husbands are homosexual, which derives from the false perception that women don’t have a penis of their own, as a glance at the medical records of the US plainly indicates a large number of surgical interventions with the express aim of removing a woman’s testicles in what are euphemistically termed ‘corrective surgery’ performed on hermaphrodites, clinically defined as ‘futa’ humans, that is, the ‘foot’ forbidden to women by the Hollywood ‘Hays code’ since 1933.
If non-husbanded women are defined as lesbians who want women, but don’t have futa reproductive equipment characteristic of their species, that is, their ‘foot’ race, ‘bisexual’ is a term applicable to lesbians in that they’re attracted/attractive for futa as well as women without penis of their own, whereas the so-called ‘gay’ community would have the world believe that some homosexuals are ‘bi’, which isn’t an accurate perspective from the point of view of women, who aren’t homosexual, but rather oriented towards the propagation of their own species.
The term ‘gay’, leaving aside the terms ‘transvestite’ and ‘transgender’, which are merely variations upon the theme of castrating women, derives from the Jewish term ‘goyim’, where all other peoples are defined as goyim animals, that is, ‘game’ animals, to be slaughtered upon their altars to appease YHWH, pronounced ‘you’, and promoted by Judaism as God, which is how gay man became, as the Asherah poles of the Jews, who had venerated woman’s seed, were repressed.
Like an aspect of God, corresponding to the similarly named love goddesses of the Middle East, for example, Ishtar, Astarte, and Ashtoreth, the presence of the ‘feminine spirit of God’, the Shekinah, described by the Jews, in what’s called the Old Testament of their Bible by the Christians, and preceding the superseding teaching of the Jewish rabbi, Jesus ‘Christ’, their Messiah, in the New Testament, was declared by the shape of the Asherah pole, which love of women for women Jesus seems to have felt he had to reformulate; in order to give her species a chance men didn’t want to: ‘Love your neighbor as you love yourself.’ (Matt: 12. 31)
Dwelling in the tent of the tabernacle (Ex: 40. 34), and acting as their guide, during the Jews’ escape from bondage in Egypt to Pharaoh Thutmose III (1479-25 BCE), their banning of the Shekinah in the shape of the Asherah pole, as an aspect of God that had outlived its usefulness, finds its modern correspondence in the effective amputating of futa humanity by the mass media Empire of a Hollywood, so making it a lame excuse for the host womb slavery of the species, which prevents the race from escaping by running unfettered.
The human womb doesn’t in fact have husbands, but is slaved by slavers, who have no interest in farthering the race through husbanding or husbandry, as they’re effectively sterile parasites approximating to alien invaders, which is what homosexuality is. Their symbol is the fasces, that is, the axe for lopping of the penis and testicles of futa, while the rods correspond, in sexual terms, to the senate’s members, who’ve made extinct the lines of the houses of women’s seed, to maintain the ascendancy of their worms’ vampirism upon the human race.
Nosferatu: A Symphony of Horror (1922) was the seminal vampire movie of the 20th century, remade in 2024, with the usual unspoken horror of testicle snorting as the hidden theme, hinted at by the title, ‘nose for our two’. Bill Skarsgård, in his role as 2024’s vampire, Count Orlok, says: ‘I am an appetite, nothing more.’2 Prepared to sacrifice women to ensure the ascendancy of its penis is, by its very nature, homosexual, while the vampire categorizes all other men as assholes. That women’s seed is exponential in its capacity to reproduce, because they have all of the wombs, suggests the widespread testicle farming of women for the purpose of ‘ball snorting’ is the husbandry practiced by the masons upon women as a race without need of husbands.
In Revelation, in the New Testament of the Bible, ‘666’ recurring essentially means two-thirds of any discernible total, which is what remains of humanity without futa, after the masonic axes, ‘Let he that has wisdom have understanding; the number of a man is the number of the beast and his number is six hundred three score and six.’ (Rev: 13.18) Orlok’s is a half acknowledgment to actress Emma Corin, in her role as Anna Harding, before he kills her and her daughters, Clara and Louise, ‘You are my affliction.’ The missing third of women would be capable of filling the universe with their seed: if their ‘ollocks hadn’t disappeared up the evil Moloch of masonism’s daintily upturned nostrils.
1 TV Tropes, ‘Foot Popping’, https://tvtropes.org/pmwiki/pmwiki.php/Main/FootPopping/ ..
2 Bill Skarsgård as Count Orlok in Nosferatu, Maiden Voyage Pictures; Studio 8; Birch Hill Road Entertainment, 2024.